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White Vinyl Limited TO 110 Hand-numbered Copies

Cool Rock&roll, Surf, Beat AND Garage-rock From Philippines IN THE 60s!! Led by teen guitar wizard Ramon “rj” Jacinto, RJ & THE Riots was one of the first rock&roll /beat bands from the Philippines and certainly the first to release original rock n’ roll songs with lyrics in their own country. This is the first ever reissue of their second album, originally released in 1964 and now impossible to find (four stars rating in Hans Pokora’s 1001 Record Collector Dreams book). Including original songs like the monster instrumental “Fuzzed”, the garage sounding “Advertising Man”, “Girl Nice”, the surf rock of “Trip To Manila” and more plus a few rad covers (Beach Boys, Buddy Holly…). The album was recorded at the home studio built by whizz kid Ramón Jacinto, who also operated his own record label (RJ Productions), magazine (Teenstone) and radio station (from his parent’s backyard!) RJ and the Riots started as a high school band of classmates composed of Ramon “rj” Jacinto (lead guitar), Alan Austria (bass guitar), Jimmy Colayco (rhythm guitar) and Bernie Evangelista (drums) with ages ranging from 15-17 years old. They were one of the first bands with electric instruments in the Philippines and this album marked the transition from instrumental rock to vocals. Today, RJ is a well-known businessman (founder of a TV and radio network), Pinoy rock&roll icon and continues his musical journey performing rock n’ roll hits of the 50’s – 80’s at his own Bistro “rj” music lounge, where the top of Philippine society, movers and shakers, go to dance and sing to RJ’s rock n’ roll classics. *Remastered sound and color insert with liner notes & rare photos. *Download card with the album plus one bonus track from a rare 45 Riyl: Ventures, Beach Boys, Buddy Holly, Stones, JAN & Dean, BeatLES…

Black & Clear Swirl.You find Andrew Gabbard on the road and in his creative prime on this astral roadtrip, collecting songs like a cosmic traveler hitching a ride."Ramble & Rave On!," Andrew's third solo LP, sounds like the kind of weatheredtattoo you'd see etched on a barfly's forearm as he slams another drink in a dive.Like its title, the record feels like something that's always been around; a trustymixtape that everyone can agree on.Andrew comes to this collection of songs with something that very much feels like a`studio' record, the kind of album a 60s rock star feels like they've built theconfidence to make, to shake off a rawness for something fuller and more realized.The fact that this record was yet again a homemade effort, with Andrew playingeverything (apart from Sven Kahns' pedal steel), gives you an idea of how devotedand studied he is to creating that perfect song.`Ramble & Rave On!' is Andrew's most personal album yet, it finds him journeyingbetween his worlds as a decades-long touring & studio musician/vocalist for theBlack Keys, as a songwriter with his head-in-the-stars, and as the man in his homewith the people he holds dearest and with the studio where he brings it all together.It is clear that Andrew finds himself at this prolific point in his career completelybeholden to songs, to their absolute power, and to their otherworldly ability toconnect.He has mastered his craft, and proves throughout the course of this album that hecan truly make a pitstop stop at every genre.

Ten releases in the space of seven years and then_puff, then nothing (in Europe). Los Peyotes seemingly vanished into the smoke that they knew full well did us wrong. But now they're back, ripping up the rule book once again to shower us with evil-hearted, spitfire garage punk rock'n'roll on an album that takes in and mashes up straight from the grave garage rock with doses of savage psychedelia and hip-shaking yé-yé. Prepare to be beaten, bastardised, and left twitching on the floor as they hit you with 13 brand new tracks. "They say we're all the same. Long-haired freaks. Drugs, sex, and into everything filthy. Haters of authority. But Los Peyotes don't give a damn." As they spit on the opening track, "People are sh+t", but hey, at least their dog ain't! Screw the haters and critics, everyone thinks they're one. Take a look around. But who cares when Los Peyotes are biting back with all the force they have? Cranked guitars, a stabbing Farfisa and those ever-present wild-eyed howls. Theirs is, and has always been, a garage that draws lines straight back to their furious forefathers; Los Saicos, The Sonics, Los Shakers, The Seeds; and on their new album, Virgenes, they keep not only the flame but the whole goddamn sin-fuelled incinerating city burning. They rise up in swirling insanity on tracks like No Puedo Aguantar Mas (I Can't Take Anymore) before bringing everything crashing down on songs like the riotously spooky Dame Dinamita (Gimme Dynamite). And yeah, of course, everything is sung in Spanish, drawing a line firmly back to their musical ancestors who cranked up that British Invasion sound like nobody else to pave the way for proto-punk. All hail Los Peyotes! Prepare to get dosed once again. - Sir Nathan Whittle de Manchester.180 gram black vinyl in tri-fold jacket

Recorded in the summer of 2020 the album is drenched with a feeling of freedom as Garwood and drummer Paul May sheltered from the world outside. It was, Garwood explains, "a heat soaked fever dream of our soul nectar in sonic form". Recalling the past, gathering the elements from the present, the two artists - whose knowledge of one another's playing is apparent throughout - work together with exquisite tones and percussive detail in this intimate recording. Garwood expands, "We began with the drum, and the things that shake and rattle, the drones of the heat, we sweated and we worked it until the night calmed us. We were free in our spirits when this was created, free from any desires to conquer and fill our pockets with the booty of success."

NYC-based artist Breanna Barbara's second album 'Nothin' But Time' is a raw and immersive trip through the sounds of psychedelic rock and blues, anchored by her forceful vocals and unforgettable songwriting. Sporting a sound that feels classic and of-the-moment at the same time, 'Nothin' But Time' sees Barbara plumb new emotional depths as she bursts through every sonic barrier put in her way. Seeking to create mind-expanding music that's also firmly rooted in the real, 'Nothin' But Time' reflects Barbara's headlong journey into the world of psychedelic pop by way of hard-driving blues-rock, warped theramin tones and celestial synths. Out November 11 on Fuzz Club, 'Nothin' But Time' arrives following Breanna's 2016 debut 'Mirage Dreams', a trio of critically acclaimed singles (most recently 'New Moon') and a number of collaborations with legendary trip-hop vanguard Tricky. As well as joining his US touring band as lead female vocalist, Barbara also did an official rework of his 'When We Die' track and featured on the 2021 Lonely Guest album, 'False Idols'. Recorded at Nashville's Bomb Shelter studio with Andrija Tokic (Alabama Shakes, Hurray For The Riff Raff), the album features musical contributions from Jack Lawrence (The Dead Weather), Tall Juan, Derry DeBorja (Jason Isbell), and Champagne Superchillin's Ben Trimble and Charles Garmendia.

Birthed from the creative and genre-bending New York DIY scene, L.O.T.I.O.N. Multinational Corporation has become one of the most exciting bands of the underground - gaining notoriety for their unique brand of industrial cyberpunk and intense live shows. Masterminded by visual artist Alexander Heir, the group has gained recognition internationally for their fiercely political lyricism and striking visual aesthetic. Blending noisy electronics with live instrumentation, the band draws inspiration from the harsh minimal electronic music of Detroit and the thrashing riffs of hardcore punk. Following their last LP World Wide W.E.B from 2019, W.A.R. In The Digital Realm delves even further into their techno-dystopian universe fusing elements of D-Beat with EBM and 90s Rave. Do You Want To Die In World War III???

"Two Duos" is pressed from cellist Okkyung Lee's most recent OTO Residency; the first side a duo with Jérôme Noetinger on Revox B77 and the second with Nadia Ratsimandresy on Ondes Martenot. Cut together, the two meetings seem to raise three cellos in the search for expressive voice: the cello, its magnetic reproduction, and the dual controls of the machine invented to expand on its musical qualities. On the A side Noetinger's opening tape hiss establishes a current; an electrical partner who gives Lee room to slide across and stretch out. Progressively the cello is returned, duplicated and manipulated with increased velocity and distortion. Noetinger draws out the full extent of Lee's extended technique; rewinding strands of Lee's horse hair and transmuting her percussive attacks into shuddering echos, before letting his own concrete interjections spin the duo's sonic tussle into an almost romantic daydream. On side B the ondes (invented by French cellist and wartime radio operator Maurice Eugene Louis Martenot and so loved by Bernard Parmegiani, Varese and Messiaen) seems shaken from classical tradition and those long, drawn out horrorscapes it has come to be associated with. In a duel with Lee, Ratsimandresy grasps the ondes' extraordinary capacity for dexterity, nuance and speed, hounding Lee's cello in a bid to drive her instrument out of the past and into the future. Two fantastic pairings and a testament to the freshness with which Lee and her collaborators continue to work with their instruments. Okkyung Lee / cello. Jérôme Noetinger / Revox B77. Nadia Ratsimandresy / ondes Martenot. Recorded live at Cafe OTO on. Mixed and mastered by Lasse Marhaug. Design by Maja Larrson.

Limited Black vinyl repress (500 copies)!The lead singer and main songwriter of Cindy, Karina Gill, started the group after picking up a guitar and singing for the first time in 2016. The project went on to release an eponymous, self-produced debut album in 2018. Returning the same rhythm section and adding a dedicated keyboardist, Cindy's second album, Free Advice, showcases the group's unusual amalgam of indie pop and dedicated slowcore inspirations. The 11-track, 36-minute set goes by quickly but also languidly with mostly plodding tempos alongside vocals that come across like half-spoken, distracted thoughts. At the same time, many of the band's tunes have the hooks and slogans of classic indie pop -- if accidentally played at a too-slow rpm. Opening track "Discount Lawyer," for instance, features churning guitar and a rhythmically syncopated melody that delivers lines like "You sound tonight/Like a discount lawyer/Talk is cheap/You can trust me on that/'Cause the bill when it comes/It's got my name on it" as if underwater. The singer/guitarist is also joined on the song by humming keys, a spare tambourine or hi-hat, and measure-marking bass drum that occasionally expands to full, muffled kit. Much of the album continues in kind -- subtly catchy and half asleep -- with exceptions coming in the form of tracks like the brisk and fuzzy "Wrong Answer," which embraces a hazy, uptempo punk, and the strummy, shaker-accompanied "Falcon Heavy." Standout entry "A Song in French" falls somewhere in between those and the rest, with its midtempo wistfulness and Casio-type keyboard line clearly indicating heartbreak for those who can't translate. Attractively gloomy and ramshackle, Free Advice's reticent pop disarms much more often than not. - allmusic.com

When You See Yourself is the highly anticipated new album from Kings OF Leon, and the band’s 8th studio album. This new collection was recorded at Nashville’s famed Blackbird Studios, and produced by Grammy Award-winning Markus Dravs (Arcade Fire, Coldplay, Florence + the Machine). When You See Yourself propels Kings OF Leon into 2021 with a modern evolution of their sound.



When You See Yourself was announced with the release of the album’s first single and video, “The Bandit,” as well as a second track, “100,000 People.”



Kings OF Leon are brothers Caleb (guitar/vocals), Nathan (drums) and Jared (bass) Followill, along with their cousin Matthew Followill (guitar). Since their debut in 2003, Kings OF Leon have released seven albums: Youth & Young Manhood (2003), Aha Shake Heartbreak (2004), Because of the Times (2007), Only by the Night (2008), Come Around Sundown (2010), Mechanical Bull (2013), Walls (2016), their first-ever # 1 U.S. album debut. Kings OF Leon have sold over 20 million albums and nearly 40 million singles worldwide, and have toured all over the world, playing at top venues and headlining major festivals such as Bonnaroo, Lollapalooza, Austin City Limits, and Glastonbury.

Limited Algae Sea Vinyl.CocoRosie is Bianca and Sierra Casady. Sierra sings and plays guitarand flute. Bianca sings and does percussion (rattles things, makes thingssqueak, shakes a gold chain belt). They write all the music together. LaMaison de Mon Réve was written and recorded in a tiny apartment inthe 18th district of Paris during the spring of 2003.La Maison de Mon Réve was released by Touch and Go Records inMarch 2004.La Maison de Mon Réve is deceptively innocent; enchanting and sweetyet eerie and twisted. An acoustic guitar paints melody through a hazeof cryptic sounds and perversely angelic voices. A broken radiotransmits a music box orchestra. Tiny field mice sing opera.This 20th anniversary edition of CocoRosie's debut album La Maison deMon Réve is pressed on transparent algae sea vinyl and limited to1500 copies worldwide. Packaged in a gatefold jacket with neverbefore-seen photos, the vinyl includes the full album along with apreviously unreleased bonus track, "Hairnet Paradise."

20 years ago Sunburned Hand of the Man released ""Headdress"" and it cracked there world open. This is not hyperbole. The album resulted in the band becoming the cover children for a scene / genre-defining story titled ""New Weird America"" by the Wire and also saw the album given a 9.0 / Best New Music tag from Pitchfork (""...the music flows so readily with complete and utter disdain for trend and fashion that it feels simultaneously primitive and advanced...""). Largely out of print since back then, ""Headdress"" is back to help put the world back on a better path. Remastered for this 20th anniversary edition freshly from the original masters and housed within a gatefold bearing archival photos, this is true head music for true heads. Tune in, shake yr ass and drop out with this ever-providing slab.

Limited to 500 copies with obi strip. P-funk classic from 1978. Solo Album By Parliament/Funkadelic co-founder Fuzzy Haskins. Featuring a Tom Moulton Mixed Track. First ever vinyl reissue. Comes with insert/liner notes, A co-founder of the P-Funk movement, Clarence Eugene 'Fuzzy' Haskins was born in West Virginia in 1941 and started as a singer in the doo-wop vocal group The Parliaments, led by George Clinton in the late 1950s. He was a founding member of the groundbreaking and influential 1970s funk bands Parliament-funkadelic. Fuzzy Haskins toured and appeared on P-Funk albums as a singer, and occasionally as a guitarist, throughout the 1970s. He is a member of the Rock and Roll Hall of Fame, inducted in 1997.

Despite the success of Mothership Connection, Fuzzy Haskins was growing frustrated that his songs were no longer being featured on albums by Funkadelic and Parliament. He also watched as Bootsy Collins, a relative newcomer to the family, embarked upon a solo career. This added to Haskins’ frustration and at the height of P-Funk's popularity, Fuzzy left the ensemble to pursue a solo career.

Fuzzy Haskins released two landmark solo albums on Westbound Records: ‘A Whole Nother Thang’ in 1976 and ‘Radio Active’ in 1978. With his brand of earthy & heavyweight funk, Fuzzy Haskins’ solo works fits right in with many of the other great P-Funk side projects and was sampled by renowned artists and acts from the likes of Prince, The Prodigy, N.W.A and Fatboy Slim.

On the album we are presenting you today (Radio Active from 1978) you’ll find eight sublime tracks written (or co-written) by Mr. Haskins himself and recorded by Richard Becker at the legendary PAC 3 Recording Studios in Dearborn, Michigan where classic albums from Norman Feels and Dennis Coffey were born. One of the tracks (Woman) was personally mixed for the album by Tom Moulton (the originator of musical revolutions like ‘the remix’, ‘the breakdown section’ and the ‘12inch single vinyl format’).

Fuzzy switched between drums and guitar, while taking charge of the lead vocals and production, he was accompanied in the studio by an all-star musician line-up of P-Funk family members such as Jerome ‘Bigfoot’ Brailey (drums), Cordell ‘Boogie’ Mossom (bass), Gary Shider & Michael Hampton (guitars), Glen Goins (piano, drums & guitar)…and of course the fantastic Mr. Bernie Worrell on keyboards. Besides these Parliament/Funkadelic alumni, also present on the recordings are Bruce Nazarian (The Temptations) on Moog and Jazz pianist Gary Schunk (known for his collaborations with Marcus Belgrave & Wendell Harrison).

The result of all this musicianship was a record that oozed quality. Despite the quality of the music (and just like with ‘A Whole Nother Thang’) the album didn’t sell the vast quantities that were projected and didn’t reach the audience it deserved.

‘Radio Active’ is filled with keyboard-driven spacey funk, sharp hooks, popping bass-lines, JB styled soulful (yet sexy) vocals, a hint of disco, fantastic guitar build-ups and breaks that make you shake…a true gem that deserves a place in your record collection (mint vinyl copies are hard to find and pricey these days). If you are a Funkateer…this one’s for you!

Tidal Waves Music now proudly presents the First ever vinyl reissue of ‘Radio Active’ since 1978 (the year the record was originally released on Westbound Records).

This unique album comes as a deluxe 180g vinyl edition (strictly limited to 500 copies) with obi strip and features the original artwork created by virtuoso Ronald Edwards (known for his graphic work with Parliament-Funkadelic, Bootsy Collins, Fred Wesley, George Clinton, Maceo Parker, Bernie Worrell, Fishbone…and countless others). To top it all off, this release also includes an insert featuring the original liner notes written in 1994 by renowned author and producer Rob Bowman (Otis Redding, Isaac Hayes, Marvin Gaye) who reflects on Fuzzy Haskins’ two solo albums. Released exclusively for Record Store Day 2022 (UK & Europe) and available in participating stores on April 23, 2022. This Rsd22 release is not available to stores located in the US. There will be a regular North American edition for this album coming out as well in May!

Charlotte Fever - it is now on the agitated shores of a white sand beach that the ardent duo takes us for the release of their first album "Paris cyclone". Taking a more rhythmic musical direction, with more assertive voices and spoken-singing, Charlotte Fever manages to evolve their heady universe towards new spheres without getting rid of the languorous warmth that sticks to their skin. Sometimes luminous, sometimes bathed in a disturbing strangeness, always very melodic, the pieces composed for four hands by Cassandra and Alexandre manage to shake up the sobriety of current electro pop by adorning its synthetic trappings with marimbas and wooden flutes.

Masterpiece, Big Thief"s debut album, is filled with characters and visceral narratives, songs that pivot in the space of a few words. Adrianne"s voice and guitar playing speak of rich emotional territory with grace and insight. In her words, the record tracks "the masterpiece of existence, which is always folding into itself, people attempting to connect, to both shake themselves awake and to shake off the numbness of certain points in their life. The interpretations might be impressionistic or surrealistic, but they"re grounded in simple things."Masterpiece was recorded in July 2015 at an old house that they turned into a studio on Lake Champlain with producer Andrew Sarlo and engineer James Krivchenia (who would go on to become a full-time Big Thief member). The resultant debut Big Thief studio album is filled with characters and visceral narratives, songs that pivot in the space of a few words. Adrianne Lenker"s voice and guitar playing speak of rich emotional territory with grace and insight. In her words, the record tracks, "the masterpiece of existence, which is always folding into itself, people attempting to connect, to both shake themselves awake and to shake off the numbness of certain points in their life. The interpretations might be impressionistic or surrealistic, but they"re grounded in simple things." It soars on what Big Thief fan Sharon Van Etten called "...a real journey, with intelligent stories and twist-and-turn melodies."

Masterpiece, Big Thief"s debut album, is filled with characters and visceral narratives, songs that pivot in the space of a few words. Adrianne"s voice and guitar playing speak of rich emotional territory with grace and insight. In her words, the record tracks "the masterpiece of existence, which is always folding into itself, people attempting to connect, to both shake themselves awake and to shake off the numbness of certain points in their life. The interpretations might be impressionistic or surrealistic, but they"re grounded in simple things."Masterpiece was recorded in July 2015 at an old house that they turned into a studio on Lake Champlain with producer Andrew Sarlo and engineer James Krivchenia (who would go on to become a full-time Big Thief member). The resultant debut Big Thief studio album is filled with characters and visceral narratives, songs that pivot in the space of a few words. Adrianne Lenker"s voice and guitar playing speak of rich emotional territory with grace and insight. In her words, the record tracks, "the masterpiece of existence, which is always folding into itself, people attempting to connect, to both shake themselves awake and to shake off the numbness of certain points in their life. The interpretations might be impressionistic or surrealistic, but they"re grounded in simple things." It soars on what Big Thief fan Sharon Van Etten called "...a real journey, with intelligent stories and twist-and-turn melodies."

180g Vinyl, Gatefold, includes two inserts. Rediscover the epic sound of "Earthquake", the groundbreaking album by Electric Sun, reissued and better than ever. Crafted by guitar legend Uli Jon Roth, "Earthquake" takes you on a musical journey that still stands as a trailblazer today. In this opulent masterpiece, hard rock meets psychedelic elements to create an unforgettable, earth-shaking soundscape. Now, remastered from the original master tapes and for the first time available as Vinyl Gatefold, it's time to be swept away again by the power of this musical quake. Prepare to shake the earth once again with Electric Sun's "Earthquake"!

Lush"s fi nal studio, Lovelife, landed whilst Britpop was in full swing (Jarvis Cocker even duets with Miki on the track "Ciao!"), managing to fi t in whilst sticking to the rules they set themselves with prior albums. Produced by Pete Bartlett (Therapy?, Kitchens of Distinction), it features three of the band"s biggest singles in "Single Girl", "Ladykillers" and "500 (Shake Baby Shake)".

Lush"s fi nal studio, Lovelife, landed whilst Britpop was in full swing (Jarvis Cocker even duets with Miki on the track "Ciao!"), managing to fi t in whilst sticking to the rules they set themselves with prior albums. Produced by Pete Bartlett (Therapy?, Kitchens of Distinction), it features three of the band"s biggest singles in "Single Girl", "Ladykillers" and "500 (Shake Baby Shake)".

Ragan tracked his fourth solo effort up at his northern California home, with Blind Melon's Christopher Thorn playing the producer role. Ragan's backup band the Camaraderie are back in action, with guitarist-pedal steel player Todd Beene, fiddler Jon Gaunt and bassist Joe Ginsberg now joined by drummer David Hidalgo Jr. (Social Distortion, Suicidal Tendencies). Additionally, the set features guest contributions from Foo Fighters keyboardist Rami Jaffe, Lucero member Ben Nichols and Dave Hause.

20 years ago Sunburned Hand of the Man released "Headdress" and it cracked there world open. This is not hyperbole. The album resulted in the band becoming the cover children for a scene / genre-defining story titled "New Weird America" by the Wire and also saw the album given a 9.0 / Best New Music tag from Pitchfork ("...the music flows so readily with complete and utter disdain for trend and fashion that it feels simultaneously primitive and advanced..."). Largely out of print since back then, "Headdress" is back to help put the world back on a better path. Remastered for this 20th anniversary edition freshly from the original masters and housed within a gatefold bearing archival photos, this is true head music for true heads. Tune in, shake yr ass and drop out with this ever-providing slab.

There are songs that makes friends with anyone and do great at parties, doling out compliments left, right and center. And then there are those songs that just don’t seem to fit in, songs that knock over glasses and makes awkward comments to the host as they stubbornly refuse to adapt and adjust to whatever larger setting you needed them to work in; these are songs that seemingly insist on remaining outside your control no matter how many stylistic or production tricks you try to pull.

Usually, for a band such songs eventually fall by the wayside, are left behind or butchered for parts a few years later. But sometimes quite a few of them show up at the door, at the same time, unruly & ready to shake things up a bit. Sometimes there is trouble.

These are the songs that makes up Neigh!!* Not merely a companion piece to last year’s Yay!, not a collection of B-sides or simply leftovers from that same period, but a reaction, a party for those not invited to parties, consisting of troubled, sometimes weirdly clothed outcasts that refused to go away and instead languidly found their place in the post-plague world while the tunes from Yay! were being pampered and sing-along’ed by band and fans alike.

So, then, it’s not a Nay! These songs care not that the band didn’t notice their potential at first. They know who they are, what their purpose is and what they’re capable of. They proudly wear their ‘lo-fi/no-fi’ and ‘recorded in rehearsal room/home studio’ as embroidered patches on jackets you only now realize are pretty cool. Granted, they had a tough upbringing, some of them come from broken homes and they learned the hard way to ‘Turn a frown upside down’, but here they are, together + strong!

Neigh!! is an album of ‘songs that won’t fit on an album’ – the non-concept of all concepts – a home for strays and runaways perhaps, but more importantly a bunch of tunes Motorpsycho are finally happy with, that found their purpose and now have a home: songs that the band are proud to finally being able to present to the world.

- Dr. Th. Kneipp

Justin Townes Earle released Kids In The Street, his first record on New West Records, in May of 2017. The album received critical acclaim and further cemented Justin’s legacy as one of the best active songwriters in music. Songs like, “Champagne Corolla” showcased his wry sense of humor as well as his deft ability to build upon the music that came before him while at the same time creating something unique and new. Familiar, inventive, creative, and clever.

Justin would release his second album with New West Records in May of 2019. The Saint of Lost Causes was hailed as one of the best albums of 2019 by Rolling Stone Magazine with “half a dozen or so career classics.” “I was trying to look through the eyes of America,” Earle says. “Because I believe in the idea of America - that everybody’s welcome here and has a right to be here.” Earle tells these American stories in detail and without judgement. While some songs cite historic events like “Flint City Shake It,” and “Don’t Drink The Water," other tracks present fictionalized narratives that are no less harrowing, or true-to-life , as heard in "Appalachian Nightmare,” “The Saint Of Lost Causes,” and “Over Alameda."

Justin Townes Earle was always a champion of the underdog and All In features in depth looks at the hopeful, and the hopeless. Fueled by empathy, baked in the blues, Justin was never without something poignant or humorous to say. Sadly, Justin passed away in 2020 at the age of 38. ALL IN: Unreleased & Rarities (The New West Years) is a fitting tribute to Justin’s legacy. The collection features many never heard before songs, demos, and cover tunes, spanning his time as a New West Records recording artist.

Rough Trade Records will commemorate the 10th anniversary of Alabama Shakes" internationally acclaimed debut album, Boys & Girls, with a two-disc deluxe edition, set for December 9th release. Hailed as one of the best albums of 2012 by Rolling Stone and numerous other publications, Boys & Girls entered Billboard"s Independent Albums chart at No. 1. It went on to attain Platinum certification and earn the band multiple GRAMMY nominations. Lead single "Hold On" was voted the #1 Best Song of 2012 by Rolling Stone..Repackaged in a foil-board gatefold jacket with new, unreleased photos, Boys & Girls 10 Year Anniversary Deluxe Edition contains the album"s original 11 songs plus an additional 11 tracks from the band"s explosive live performance on KCRW"s "Morning Becomes Eclectic," which aired in the months leading up to the album"s release. Listen to Alabama Shakes" ferocious live version of "Always Alright" - a non-album track that appeared on the soundtrack for the Oscar-nominated film Silver Linings Playbook and earned a GRAMMY nomination.

"The Styrofoam Winos are that band that we love to have in our lives because they transcend the language of music, not by their individual parts, but by their oneness. On Real Time, Styrofoam Winos 2nd full length of originals for the Sophomore Lounge label, you imagine—and firmly believe—that their relationship extends beyond studios and stages. You believe they not only play music together, but eat meals together, live down the street from one another, practice three days a week because it’s fun, read the same books, and that they’ve agreed in some wordless, musical bond that this is who they are. As a listener, and inevitable fan, you wonder if they found each other by a stroke of luck or the hand of destiny. You believe that they can probably read each other’s minds and that their music is as joyous to them as it is to you. After all, this is what we love about early R.E.M. records, the brainier grooves of Pavement, and the discographies of Yo La Tengo and The Breeders. The Springwater Supper Club and Lounge in Nashville has been a dive bar since before a dive bar was a brand; a place where, in the early 2000’s, everyone would wonder if David and Dave (Berman and Cloud) would be sitting at the bar and a write-up in a weekly paper could fill the room. It seemed like everyone that bought you a beer was either in Lambchop or The Cherry Blossoms. This wasn’t a world that wanted to keep great music a secret. This was a world where great music was born and championed, when a community didn’t have metrics or boardrooms. The members of Styrofoam Winos were in elementary school back then, but they carry on this scene’s shaggy-dog torch that deserves a bigger audience. Real Time was cut live to tape at The Bomb Shelter studio by Andrija Tokic (Alabama Shakes, The Ettes, Margo Price) with few overdubs and over just 5 days, whenever the band had enough money to record. The members – Lou Turner, Trevor Nikrant, Joe Kenkel – all make wonderful solo albums on labels like Dear Life, Earth Libraries, and Spinster, as well as excellent self-releases. But unlike most bands where members compose alone before bringing a song to the table, the Winos write the music and lyrics together. Their van life, which has included tours with MJ Lenderman, has solidified this chemistry. They switch instruments in the studio, too, and allow the friend who found the seed of the song to sing the lead. Between the 3 of them (and a couple visits from pedal steel buddy, Will Ellis Johnson), Styrofoam Winos trade off on guitars, drums, bass, synths, vibraphone, percussion, and all the lovely vocals, like they’re on a cross-country road trip, taking turns behind the wheel, and singing along with each other because they all know the words. And Real Time is just that: a celebration of the present-tense and its ever-shifting moments of living. They’re going down the road, not feeling bad, but feeling. On the opener, “Angel Flies Over,” it sounds like the Styrofoam Winos wind-up a melodic memory from their 2020 all Michael Hurley covers album for their own tuneage. And then, a left turn, and the road trip detours into a feel-good head-trip with the Feelies-ish “Magic Mind.” And on “Don’t Mind Me,” the Winos crib a riff from Little Feat to indulge the tempo-shifting storm clouds mid-song. Over the course of the record, the Winos continue to step on the gas and tap the brakes until “Found Round,” an improvisational finale, where they each take turns singing us the summary, “these are the things that we found,” like they forgot we’ve been listening the whole time. And, yes: I’m wearing my bright yellow, size medium, Styrofoam Winos tee shirt as I type this."—Jerry David DeCicca, Bulverde, Texas

When You See Yourself is the highly anticipated new album from Kings OF Leon, and the band’s 8th studio album. This new collection was recorded at Nashville’s famed Blackbird Studios, and produced by Grammy Award-winning Markus Dravs (Arcade Fire, Coldplay, Florence + the Machine). When You See Yourself propels Kings OF Leon into 2021 with a modern evolution of their sound.



When You See Yourself was announced with the release of the album’s first single and video, “The Bandit,” as well as a second track, “100,000 People.”



Kings OF Leon are brothers Caleb (guitar/vocals), Nathan (drums) and Jared (bass) Followill, along with their cousin Matthew Followill (guitar). Since their debut in 2003, Kings OF Leon have released seven albums: Youth & Young Manhood (2003), Aha Shake Heartbreak (2004), Because of the Times (2007), Only by the Night (2008), Come Around Sundown (2010), Mechanical Bull (2013), Walls (2016), their first-ever # 1 U.S. album debut. Kings OF Leon have sold over 20 million albums and nearly 40 million singles worldwide, and have toured all over the world, playing at top venues and headlining major festivals such as Bonnaroo, Lollapalooza, Austin City Limits, and Glastonbury.

12 years since it's debut, Ex Norwegian's third album, House Music, graces vinyl for the first time with a fresh remaster by Prof. Stoned. Notable for a dramatic personnel shake-up, this album continues to be a fan favorite with tracks like "Original Copy" and "Initiative Rock." This limited pressing on translucent blue vinyl, the House Music Blue Vinyl Edition, allows you to luxuriate in every sinister riff and earworm melody. A must-own for die-hard collectors and new fans alike.

The Shack story is one of music’s greatest legends. It incorporates hardship, bereavement and chaotic misadventure, but above all it tells the tale of beautiful music triumphing over trouble and tragedy.

‘Here’s Tom with The Weather’ boasts a majestic and fresh form. These are magical songs, psychedelic folk songs of the finest Head vintage. Sleepy-eyed, wistful and mystical, yet crafted with a cunning and acute dexterity beyond just about anybody you can think of.

The two profoundly Liverpudlian brothers Mick and John Head have made several brilliant albums together , but none as quickly as ‘Here’s Tom…’ which was completed in seven weeks at Brynderwen Studios in North Wales along with drummer Iain Templeton (rip) , bassist Guy Rigby and producer Jay Reynolds in 2003.

In the 80’s , the two brothers from the notorious Kensington estate in north Liverpool were singer and guitarist with The Pale Fountains , an effervescent pop group which imploded under the weight of two albums in 1986. The Heads returned in ‘88 as Shack and a debut album Zilch. In 1991 , Shack made ‘Waterpistol’ , an inspirational guitar jewel that would have proved just as influential as any British album in that era had the studio not burned down, taking the master tapes with it. Four more years passed , but by the time it was finally released on Marina it had developed ‘lost classic’ status.

The Heads battled on. They toured as their hero Arthur Lee (rip) of Love’s backing band. In ‘97 , they created

a new group called The Strands and recorded the delicate, dreamy masterpiece ‘The Magical World Of The Strands’ . They spent a long time making another classic ‘hms Fable’ , and then decided that next time they wouldn’t take quite as long recording. Enter ‘Here’s Tom With The Weather’.

Showcasing John’s slow , shy emergence as a songwriter to challenge his brother (on the sparkling, heartbreaking ‘Miles Apart’ and ‘Carousel’ , and the spun-out ‘Kilburn High Road’ ) , toasting Mick’s newest confirmation as the most unrecognised genius of his or any other generation (the ode to his bro, ‘Byrds Turn To Stone’ , the mariachi horns that break open the slow folk fog of ‘Meant To Be’ , the two lullaby bookends ..and on , and on) .

“The journey we’ve had together has been beautifully turbulent”, laughs John. “But there’s times when we glide and we’re gliding forward now”

Mick agrees. “Making this album has been frantic, chaos, carnage, intense : the normal way with us. But it doesn’t sound like that. That’s all that matters. The story is what it is. But so are the songs and so are the records. Because we’re good.”

Nobody could disagree with that.

Girl TALK’s (aka Gregg Gillis) third album on Illegal Art! Night Ripper is focused less on beat-fuckery and more on bringing heat to the party than previous outings. Hip hop hits, soft rock radio standards, party classics, grunge masterpieces, R&B singles, glossy club-shakers and rock anthems are all layered and placed together into one nonstop celebration of pop and excess. Night Ripper was awarded “Best New Music” by Pitchfork, and has made many proclaim Girl Talk the next Danger Mouse. “One endlessly entertaining mega mash-up”—Rolling Stone.

Fake Palms isn’t hiding behind anything on "Lemons". They might, in fact, be fully exposing themself as locked-on post-punk, drill-punch, dream-pop, swoony surf and a whole lotta noise attacking from various angles – on this goosepimply blast of Krautrockin’ wickedness. "Lemons", the 3rd record from Fake Palms (aka Michael le Riche), is slippery, spiky, not a little psych-y and more than a little lyrically sour. More than anything, though, Lemons is the record where Le Riche – who also plays in the steamy synth-pop outfit Sauna and formerly of art-rock troupe the Darcys – fully exposes his talents as a bona fide popsmith. The jangle of “Visions” evokes Lee Ranaldo linking up with the bubblegum-savvy early Wire, while “Satellite” surfs spectacularly along it's rhythm track to a tingly, soaring chorus that’s impossible to shake and the similarly haunting “Civil Liberties” manages the trick of sounding wistfully dystopian. “This record is the most direct thing I’ve ever done,” says Le Riche. “All the distorted guitars playing 16th-note riffs in different time signatures, washes of noise and buried vocals are basically gone. In their place we made a record that’s lean and a punch to the gut. There are still some moments where the guitars get a little tricky but, in general, we tried to be as immediate as possible. The songs are all fairly short and there are almost no extra production tricks. I was inspired by records like the Dead Boys’ Young, Loud and Snotty and the Buzzcocks’ Another Music in a Different Kitchen. Maybe because of what was going on in the world at the time, or maybe just as a reaction to the last Fake Palms record – it just felt necessary to kick the door down instead of knocking.”

The Rockets, influenced by jazz and blues, unknowingly drifted to the best quality surf and instrumental rock made in Chile. "Surf Shake" (1965), their first instrumental album, includes genius mix of styles: jazz standards (Caravana, Amor en venta, No es necesariamente así); Go Go (Jarrito de cerveza); R'n'R (Candy, Desperado, Hola Ximena); spaghetti western (Leyenda india) and surf (Playa solitaria) and is released now on vinyl, from the original IRT masters! The Rockets was founded in 1961, the year the band recorded their first 45rpm. The following year Carlos Gonzalez, arranger, producer, and later solo singer, joins the band, giving them a new twist with a refreshing sound. After the release of some singles and the retirement of Carlos Gonzalez, in 1965 they released their first instrumental album which included their biggest and most distinctive hit, the surf "Playa solitaria". At that time two great exponents of national music were part of the group: Horacio Saavedra and Nano Vicencio. The other importance of the group is that they accompanied several national artists, among them Antonio Zabaleta y el Clan 91. The Rockets were the backing band for many of the new wave rockers, but in '65 they decided to record on their own. As they should. That's how "Surf Shake" came about. They recorded it with guitar, Hohner bass, Ludwig drums, a metallophone or glockenspiel and a Philicordia keyboard.

To make a mosaic, tiny pieces interlock as a larger picture. In similar fashion, distinct elements coalesce as one in Capstan. The Florida quintet merge metallic precision with pit-splitting hardcore grooves and the kind of hooks you can't shake. After amassing tens of millions of streams from previous releases including 'Restless Heart, Keep Running,' and 'Separate,' the group paint a definitive body of work on their aptly titled third full-length offering, 'The Mosaic' via Fearless Records. Aqua 2 LP.

Breaking from the strange monotony and abnormal norms that took hold during two years of pandemic life, Hammock returns with Love in the Void , an album that looks to the future, seizes the present, and unabashedly relishes the experiences and bonds that bring meaning to our days. Known for crafting orchestral works of stirring cinematic ambience, on Love in the Void the Nashville-based duo of Marc Byrd and Andrew Thompson bring guitar-forward, heart-pounding urgency to songs that shout through and shatter the static of complacency. Since forming as Hammock in 2003, Byrd and Thompson have released 14 critically-acclaimed albums, and are renowned for their unique talent for bringing inexpressible emotion to life. The Covid-19 pandemic followed closely after one of Hammock's career-defining works, the Mysterium, Universalis, and Silencia trilogy that chronicled the incomprehensible loss of Byrd's 20-year- old nephew. At their homes and apart, Byrd and Thompson then recorded Elsewhere, an album of shimmering ambience that channeled alienated longing and displacement into avenues that gave way to worlds and possibilities yet realized. Shaken awake and needing to break free of frustrations and longings, Love in the Void pulses with an unbridled spirit for action and experience and a burning desire for connection Across songs that hammer home the keenly felt emotions of life's highs and lows, Byrd and Thompson crest soaring crescendos awash in reverb and delve to keenly felt moments of quiet introspection, with unflinching lyrics on tracks like "Undoing" and "Denial of Endings'' that weigh choices made and circumstances that can't be changed. Lush and dramatic string orchestration from Matt Kidd (Slow Meadow) and emphatic drumming from Jake Finch heighten the stakes in play, and Christine Byrd's (Lumenette) ethereal vocals leave mysteries lingering in the haze. Love in the Void is Hammock's loudest album to date, embracing daring and vulnerability with palpable vitality at its core, and moving into an unknown future without fear.

Pretty much everyone into rock music knows Arthur Brown – and not just because of his iconic, career-defining transatlantic hit single 'Fire' from the 1968 album "The Crazy World of Arthur Brown" but also through his many collaborations with other outstanding artists, such as a cameo in the cult film "Tommy", in which his dramatic vocals were backed by Eric Clapton and THE WHO, as well as working with THE Alan Parsons Project, David Gilmore, THE Prodigy, Bruce Dickinson, THE Stranglers, Kula Shaker, DIE Krupps, and many others. Scheduled for release on Arthur's 80th birthday on June 24, 2022, "Long Long Road" effortlessly shifts from progressive rock and soul to pristine blues rock, with the much-loved singer summoning his full vocal range with a mature mastery that comes only with the experience of a lifetime. Wild, vibrant, and crammed with rich musical textures, this album is quintessentially Arthur Brown, and can easily be construed as the apex and summary of a fascinating career that has spanned several decades. Arthur is widely credited as a pioneer of shock rock and progressive rock, and a significant influence on heavy metal. His live performances include iconic classics, dance, poetry, visuals and a subliminal soundtrack of new electronic music. Whenever he plays, Arthur still brings the dramatically elegant and always extravagant style that he established as the gold standard onstage. With each note on "Long Long Road", Arthur Brown makes the impressive statement that he remains as authentic, challenging, creative, and compelling as he was at his career's fiery beginning. This record is not a swansong, but the thrilling beginning of the final phase of an utterly singular career.

"Anyone who's ever worn out a copy of the Stones' It's Only Rock & Roll or The Black Crowes' Shake Your Moneymaker is going to find LOTS to love" - Jambase. Comprising the Brothers Kinnon (Chris on vocals and guitar; Jeff on drums), riff-master Sean Casey (guitar), and classically educated bass player Enzo Figliuzzi, the Canadian/California-based band has played with everybody from the Dirtbombs to the Kings of Leon, making SXSW best-of lists numerous times, and hanging out with Andrew Loog Oldham. After years in the wilderness-working as a garbageman, surviving cancer and serious workplace injuries-they are back rocking with next album produced by Dave Cobb (Chris Stapleton, Greta Van Fleet, Brandi Carlile, Rival Sons). Despite experiencing the best and worst of the of old music business, the band somehow kept going, releasing music piecemeal. Now the streaming platforms revolution has given Lions in the Street a new life an audience, allowing them to release largely-unheard music-finally finished and remixed/remastered. "This is rock with a direct line back to the nasty blues, jump tunes, and country boogie that birthed the whole damn genre. Untamed, direct, and bristling with hairy masculinity, Lions in the Street play rock like the cause it is... that is when you do it right. " - Jambase - LITS' upcoming album Moving Along captures their trademark swing and swagger. The title track, mixed by Rick Parker (Beck, BRMC, Scott Weiland), is a menacing, harmonica-driven vamp "worthy of Mick and Keith at their sticky-fingered best" (Jambase. Com). "Moving Along" is also the lead track in the upcoming Paramount film "Cassino In Ischia", starring Prison Break's Dominic Purcell. Never to rest on their laurels, Lions in the Street are also putting the finishing touches on a live album and a record they made with multi-Grammy-Award winning producer Dave Cobb (Chris Stapleton, Greta Van Fleet, Brandi Carlile, Rival Sons).

Glen Check made its debut in 2011 and won the Best Dance/Electronic Music Award at the Korean Popular Music Awards, also known as the Korean Grammy Awards, for two consecutive years. In 2012 and 2013, they performed at Japan's Summer Sonic Festival, as well as festivals worldwide including France's Nuits sonores and the USA's Sxsw. They have also enjoyed enduring popularity in Japan, culminating in a successful solo concert at Tokyo's Shibuya WWW in 2015. Their latest release, coming approximately nine years after their previous album, draws inspiration from a wide range of genres spanning from the 1980s to the present, including electronica, rock, and R&B. Based on their experiences growing up in France and the USA, the album was crafted with influences from diverse musical backgrounds. This LP is a limited edition white vinyl, featuring the bonus track "Acid Test (2024 Remix)".

Fair Shakes is the debut LP from Oakland's own SOB Stories. A full length follow up to their 2017 self-titled debut 12" EP on Emotional Response, Fair Shakes picks up right where they left off. Frontman Joel Cusumano (also known for playing guitar with SF sugar poppers Cocktails and post-punk art rockers Body Double plays the role of the tongue-in-cheek / heart-on-the-sleeve troubadour as he weaves through a dozen broken hearted / lovelorn laments. Hailing influence from the golden era of college radio the Sobs bring it back to the left of the dial offerings of the db's, Teenage Fanclub and Guided By Voices, while standing shoulder to shoulder with contemporaries like Supercrush and Young Guv. Cusumano wrote Fair Shakes over the course of several years, focusing on themes like heartache, neuroticism, and dealing with the chasm between self-centered desires and the harsh realities of life.

Pretty much everyone into rock music knows Arthur Brown – and not just because of his iconic, career-defining transatlantic hit single 'Fire' from the 1968 album "The Crazy World of Arthur Brown" but also through his many collaborations with other outstanding artists, such as a cameo in the cult film "Tommy", in which his dramatic vocals were backed by Eric Clapton and THE WHO, as well as working with THE Alan Parsons Project, David Gilmore, THE Prodigy, Bruce Dickinson, THE Stranglers, Kula Shaker, DIE Krupps, and many others. Scheduled for release on Arthur's 80th birthday on June 24, 2022, "Long Long Road" effortlessly shifts from progressive rock and soul to pristine blues rock, with the much-loved singer summoning his full vocal range with a mature mastery that comes only with the experience of a lifetime. Wild, vibrant, and crammed with rich musical textures, this album is quintessentially Arthur Brown, and can easily be construed as the apex and summary of a fascinating career that has spanned several decades. Arthur is widely credited as a pioneer of shock rock and progressive rock, and a significant influence on heavy metal. His live performances include iconic classics, dance, poetry, visuals and a subliminal soundtrack of new electronic music. Whenever he plays, Arthur still brings the dramatically elegant and always extravagant style that he established as the gold standard onstage. With each note on "Long Long Road", Arthur Brown makes the impressive statement that he remains as authentic, challenging, creative, and compelling as he was at his career's fiery beginning. This record is not a swansong, but the thrilling beginning of the final phase of an utterly singular career.

Travesura, the long running musical project of professional skateboarder Leo Romero, return with a brand new LP. On the ten tracks that make up Messenger Pigeon, Travesura conjure up a two sided coin of restless romanticism and roguish irreverence. There’s a wicked country rock tale of ill-fated love with an exotic dancer (“Fund The One You Love”) juxtaposed against the cautionary and quavering ballad of the dangers of confined ire (“Fall”); a barn burning ode to the freedom of the open road (“New Blue”) contrasted against an introspective and autobiographical hymn (“Greatness Can Live”). The album is capped off by the 7 1/2 minute deep-fried, fuck-yeah, blues-eruption title track (“Messenger Pigeon”) that builds to a towering pyre of slide guitar that will shake the fillings right out of your teeth. The songs are world-weary and well-lived in; the playing is impeccable and effortless; and everything is fastened together by Leo’s unmistakeable vocal delivery. Hard to believe it was recorded in just four days at The Ship Studio in LA. Housed in a beautiful gatefold sleeve featuring hand drawn design elements by Leo. Edition of 400.

The 15th anniversary edition of Train's multi-platinum selling record, Save Me, San Francisco has been pressed as a deluxe 2LP, featuring tracks and mixes never before on vinyl. Save Me, San Francisco is the band's 5th studio album and has the smash hits, 'Hey, Soul Sister,' 'Marry Me,' and 'If It's Love.' The deluxe edition includes fan favorites, 'Ordinary,' 'The Finish Line' and the contemporary holiday classic, 'Shake Up Christmas.' The new 2LP also features the 'Hey, Soul Sister' country mix, the alternate version of 'Parachute' and more.

After their critically acclaimed album Lost In The Dream in 2014 The War On Drugs release their fourth album on Atlantic Records. Engineered by Shawn Everett -- who has also worked with the likes of Alabama Shakes and Weezer - the album includes the Record Store Day 2017 single Thinking Of A Place.