Search "monokle+saints" 1484 Items

Release: 2022 / UK – Original

Genre: Rock & Indie

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Mr. Maserati - Best Of Baxter Dury 2001 - 2021

Baxter Dury

LP | 2021 | UK | Original (Heavenly)

Port EP Orange Vinyl Edition

Release: 2021 / UK – Original

Genre: Rock & Indie

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Mr Maserati showcases two decades of Baxter Dury’s idiosyncratically louche music, a universe of late-night London meet-ups, shuffling basslines and comedown disco tunes, all run through with a wry bleakness and sweet love of humanity. Mr Maserati collects tracks from across Dury’s six albums, plus a new song D.O.A.

“I don’t really think I warrant a ‘best of’ album,” says Dury. He’s wrong, though, and the selection here is stellar: the oldest song, Oscar Brown, is a wistful spooky slice of pop that can somehow put you in mind of The Carpenters and Spiritualized and haunted arcade games and a rotten sadness at the heart of England; a couple of years later we’ve got Cocaine Man, with its grim-sweet singalong chorus, a signature Dury surrealist wide-boy monologue and a half-submerged hook that does sound a bit like the Bloodhound Gang; Leak At The Disco, a provincial horror story from 2011’s Happy Soup, opens with Club Tropicana birdsong and a sweet guitar pulse and ends, after a shitty Chiswick night out, with Apocalypse Now helicopters; there’s the sinister bontempi-ish serenade of Palm Trees, and the poignant, daft and tender Oi; last year’s Carla’s Got A Boyfriend is funny and sexy and sad, with some of Dury’s finest lyrics and a frankly lovely Balearic Chris Rea guitar twang. What riches we have here! Baxter Dury’s career has snuck up on us: he’s quietly built a back catalogue of absolute beauties.

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bdrmm

12" | 2022 | EU | Original (Sonic Cathedral)

Blue Hours Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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The EP is the Hull and Leeds-based band's first major release since their debut album, Bedroom, which was hailed as a latter-day shoegaze classic when it came out in July 2020. 'Port', which was originally released as a single last October, marked a major step forward for the band. Sounding not unlike the Low of Double Negative or Hey What deconstructing The Temptations' 'I Know I'm Losing You', it's a much darker sounding song; its distorted drones and beats burst into life with frenzied guitar and howls of anguish. "It helped us consider the band in a much more fluid perspective," says bassist and synth player Jordan Smith of the pivotal track. "Swapping instruments and redefining roles gave us time to spend working on new and more intriguing sonic ideas." This new experimental and more electronic approach was expanded as the standalone single release grew, almost accidentally, into a full EP, which features radical reworkings by Daniel Avery (a fearless, all guns blazing techno stomper); Working Men's Club (New Order's 'Sub-Culture' meets a long-lost early Warp Records classic); A Place To Bury Strangers (a feedback frenzy of total sonic annihilation); Tom Sharkett from Manchester krautpoppers W.H. Lung (dfa Records goes down to the death disco); Jonathan Snipes from LA-based experimental hip-hop trio Clipping (glitchy beats imploding into a wall of white noise); and Jordan himself, as Mouth Company, who brings proceedings to a close with a slow-mo trip-hop treatment. "To have so many influential artists to us putting their own piece of DNA on what has become such an important track to us is so humbling," gushes Ryan. "It's brand new territory for us, and we just feel so lucky to have everybody involved." The EP is being released ahead of bdrmm's dates supporting shoegaze legends Ride in April and will be followed by their eagerly-awaited second album, which they are currently working on."I am so excited to embrace the next chapter of bdrmm,"

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Bear's Den

LP | 2022 | UK | Original (Communion)

Blue Hours White Vinyl Edition

Release: 2022 / UK – Original

Genre: Rock & Indie

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Bear’s Den have today announced the release of their eagerly anticipated fourth studio album, Blue Hours.

Set for release on May 13th via Communion Records, the album sees the much-loved folk-rock duo – made up of Andrew Davie and Kevin Jones – once again team up with producer Ian Grimble on what is one of their most personal records to date.

Speaking about the new album, Davie says: “Blue Hours is a kind of imaginary space you get into at night, a place where you process difficult things or where you try to figure everything out.”

Themes on the album include both self-reflection and mental health after both struggled with the latter in recent years. “It’s the main over-arching theme with this record,” Davie explains. The group, who have worked with mental health charity CALM (Campaign Against Living Miserably) previously added: “It probably speaks to our struggles and hopefully many other people’s too. Men are not very good at talking. We’re not really taught how to – men have no idea how to talk about this stuff, certainly to each other.”

The pair describe the conceptual blue hours headspace that gives the new album its title as being “somewhere between a hotel, a mental health hospital, a bar that stays open later than anywhere else, a paradise, a dream, a nightmare and an endless sea of corridors and staircases leading you to rooms that represent memories – good, bad, happy or difficult.”

Despite the album’s challenging themes, it’s an album drenched in hope too. “We wanted this to be a celebration of music,” Jones continues. “I think that informed some of the bolder decision making on this record. At a time when music was so distant, it felt important to make an album that sounded hopeful, celebratory, ambitious and beautiful in spite of the heavy subject matter in some of the songs.” Jones adds: “It was almost like we needed to shout louder than before because we felt that there were more barriers between the audience and us. We needed something to transcend that.”

Following on from the album’s lead single, ‘All That You Are’, which was released late last year, the group have also given a further taster of what to expect from the new album with the release today of their bold, electronic-driven latest single, ‘Spiders’. Stream the new single here.

Speaking about the song, Davie says: “I started writing ‘Spiders’ around the time we left London. In my head, I thought moving would solve lots of problems, like everything will be better – almost like this Neverland vibe,” he laughs. “‘Spiders’ is a song dealing with the fact that this absolutely wasn’t the case. I had this vision in my head that I’d be at one with nature, that I’d be calmer – but all the things that were rattling around in my brain before were still there after the move. The song is about the fact you can’t run away from the things that are bothering you.”

Adding, “While making the record we wanted to get across a kind of simmering intensity with the song and the idea of someone trying to keep their shit together while wrestling with these darker thoughts and feelings. We wanted to get across a sense of bravery & triumph in saying, “sometimes I can’t pull myself out” of these difficult situations. To celebrate the difficult moments because we all have them. They are a universally shared experience even if it feels sometimes like they’re not and you’re the only one who feels them.”

Melodically, the song is a gentle Wurlitzer and guitar-driven track filled with hope thanks to the electronic elements added by long-term producer, Ian Grimble. “This song maybe sparked a lot of detail that ended up coming out on other songs on the album,” Davie says. “The sound of this felt exciting to us both,” Jones adds.

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Bear's Den

LP | 2022 | UK | Original (Communion)

Left Hand Milky Clear Vinyl Edition

Release: 2022 / UK – Original

Genre: Rock & Indie

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Becca Mancari

LP | 2023 | EU | Original (Captured Tracks)

LP | 2023 | EU | Original (Danger Collective)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Featuring contributions from Brittany Howard, Daniel Tashian (Kacey Musgraves, Demi Lovato), Julien Baker + more.Since moving to Nashville to start their music career in 2012, Becca Mancari has been lauded for their dextrous songwriting and prodigious guitar playing. Their sophomore album The Greatest Part, released in 2020, was an indie rock opus that garnered acclaim from The New York Times, NPR, and more. After its release, however, Mancari was despairing. An illness in their family, coupled with a realization that their alcohol dependency had become untenable, led Mancari to begin the hard work of taking ownership of their existence by mending broken relationships and investing in their mental health. "I didn't realize it then, but looking back, I was a passenger in my own life," Mancari says. The transformative period of self-reckoning was the catalyst that ultimately steered Mancari to write and produce their triumphant new album, Left Hand.After a disheartening studio session with an outside producer, Becca became convinced that they were capable of rendering their vision independently. Close friend and musical ally Juan Solorzano, who has played on all of Mancari's albums since the debut of Good Woman in 2017, joined them in the studio to co-produce the majority of the record. In addition, Daniel Tashian (Kacey Musgraves, Demi Lovato) co-wrote and co-produced the song "Don't Close Your Eyes," encouraging Mancari to track every instrument on the initial demos. As much as self-producing this album was an act of resilience and growth in one's own craft, Mancari brought trusted friends like Brittany Howard, who they play with in Bermuda Triangle, Julien Baker and Zac Farro into the process.Insecurities that had dogged Mancari since childhood couldn't weather the force of energy in that studio, where they executed decisions with newfound certainty. The title track, "Left Hand," is named for the Mancari family crest. After a lifetime spent feeling like they didn't belong, Mancari unlocked a perfect...

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Bedroom

Thread

Sonic Scapes & Weedy Grooves Magenta Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Thread, Noah Kittinger's fourth LP under the Bedroom moniker, is the album the singer/songwriter & producer has strived to release throughout his career. It's a stunning portrait of self-exploration, as Kittinger aims to find his place in life after a tumultuous period both in his personal life and artistry."This record is the result of many years of dedication to the craft and to continuing this career, of me being pretty creatively lost for a long time and then finding my new self in music that I was searching for," says Kittinger. "It's a testament to independent artistry. [Bedroom] isn't an industry-designed project. Thread is a very organic body of work that is the result of many years of just pushing."While self-producing in an at-home studio allowed Kittinger to reach the depths of his creativity, it was during his trips back to North Carolina that Thread began to take shape. "I think that there was just something about removing myself from that frequency that's within a city, and just literally being in a house in the middle of nowhere, and just having a very limited amount of time and stuff to work on, that I think is what really brings out the important stuff," explains Kittinger.In that time in serene isolation, Kittinger realized that to break his writer's block, he had to process the emotional pain he'd experienced over the past couple of years through his writing, leading to his most intimate and compelling songwriting yet."It was like a choice of [saying] 'This is what I'm going through right now.' This record is me very bluntly talking about what it is that I'm going through. I would say it is my most personal record," says Kittinger.Kittinger has been making music as Bedroom for the past decade. He recorded much of his music from the comfort of his bedroom as a teen, including "In My Head," a single originally released in January of 2013 (re-released in 2017) that organically became a hit online and was introduced to a wider audience when it became a viral sensation on TikT...

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Belzebong

LP | 2011 | EU | Reissue (Heavy Psych Sounds)

What Matters Most Indie Exclusive Signed Colored Vinyl Edition

Release: 2011 / EU – Reissue

Genre: Rock & Indie

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The Belzebong first full-length album Sonic Scapes & Weedy Groovesis a milestone record in the Doom/Stoner Rock genre. This 2011 release by the quartet from Poland is a power-packed, riff-laden and uncompromising testament to Belzebong’s authentic and unambiguous style and execution of their material. Tons of evil weedian riffage released on „Sonic Scapes & Weedy Grooves” put instrumental stoner doom in it's most primal form on higher level. Released in 2011 became an instant classic. Considered by many to be one of defining moment in the stoned doom genre. Heavy Psych Sounds decided to give new life to this gem with a new reissue in Colored Vinyl.

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Ben Folds

LP | 2023 | US | Original (New West)

30,09 €* 42,99 € -30%

LP | 2024 | EU | Original (Welfare Sounds &)

Release: 2023 / US – Original

Genre: Rock & Indie

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“More than anything, I wanted to make an album that was generous, that was useful,” says Ben Folds. “I want you to finish this record with something you didn’t have when you started.” Indeed, Folds’ masterful new collection, What Matters Most, isn’t so much a statement as it is an offering, an open hand reaching out to all those wounded and bewildered by a world that seems to make less and less sense every day. Recorded in East Nashville with co-producer Joe Pisapia, the album marks Folds’ first new studio release in eight years, and it’s a bold, timely, cinematic work, one that examines the tragic and the absurd in equal measure as it reckons with hope and despair, gratitude and loss, identity and perspective. The songs are bittersweet here, hilarious at times, but often laced with a quiet sense of longing and dread: a text message goes unanswered; an old classmate descends into the dark depths of internet conspiracies; a relationship unravels in the middle of a lake. And yet, taken as a whole, the result is an undeniably joyful record that refuses to succumb to the weight of the world around it, an ecstatic reminder of all the beauty and promise hiding in plain sight for anyone willing (and present enough) to recognize their moments as they arrive.

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Bergslagsdiagonalen

De Fyra Arstiderna

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2018 | EU | Original (Pharaway Sounds)

Beyaz Kelebekler

Köln Session 1976

21,99 €*

LP | 2021 | US | Original (Side One Dummy)

Release: 2018 / EU – Original

Genre: Rock & Indie

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Famous for their matching, colourful suits and always-happy smiles, Beyaz Kelebekler (White Butterflies) were a mixed-gender Turkish band very popular during the ‘70s. They released one album plus numerous 45s in Turkey and other countries like Holland and Italy. In 1976 during the last day of their European Tour, just after one gig in Cologne, Beyaz Kelebekler visited a studio of a friend which was still in construction. They decided to record a few songs, just for fun and for testing the new studio equipment. It was a very basic, one take recording, using an 8-channel mixer, a few mics and a reel-to reel tape machine.
The result was an amazing example of Anatolian psych-funk, featuring wah-fuzz guitar, flute, heavy drums, joyous male / female vocals…
Unreleased until now, we present the first ever release of these surprising recordings, rescued from the only surviving cassette tape.
Colour insert with photos.

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Big D And The Kids Table

Do Your Art

How Long Do You Think It´S Gonna Last?

Release: 2021 / US – Original

Genre: Rock & Indie

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Double LP in a gatefold jacket. Cyan Blue Vinyl, limited edition of 1000 copies.DO YOUR ART isn't just an album title for Big D and the KidsTable's ninth studio album of original material. DO YOUR ARTis an inherently political mission statement delivered with gusto and enthusiasm to anyone creative to remind them to keepgoing, even if the odds are increasingly stacked against them in this hyper-capitalistic society. "I wanted to instill in young artists_or old artists, or whoever_to keep doing it," says frontman David McWane. "Life might pull you away with itsdemands: but don't give up. Every musician, artist and dancerneeds to realize that there's magic inside of them that otherpeople just don't have, no matter the circumstances of theirupbringing." DO YOUR ART, finds Big D and the Kids Table sounding as fresh and inspired as ever for their fifth album with SideOneDummy Records. Produced and engineered by ReelBig Fish's Matt Appleton, DO YOUR ART is a musical meltingpot, highlighting the band's versatile talents and delivering amixture of punk, ska and dub-reggae songs, as well as payinghomage to McWane's favorite `60s B-films. The 20-track albumis truly a moveable feast. And what's moving are your feet!DO YOUR ART is a reminder to make the most of life_evenwhen at its lowest points_and also to not be dissuaded fromcreating what you want to create. It's an album that will makeyou think and feel, but also make you dance and laugh. It's asurge of positivity in a crappy world where it's all too easy to feel equally crappy, and a much-needed jolt of perspectiveabout everything that's going on. "I definitely want this record to be helpful for people mentally," says McWane. "It'ssomewhere for them to go to and laugh. So listeners can focuson recognizing all the good things in their lives_all the beauty, and all the people who love them_and make sure to enjoy their life and DO YOUR ART!"

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Big Red Machine

Tape | 2021 | US | Original (Jagjaguwar)

16,99 €*

How Long Do You Think It´S Gonna Last? Black Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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Ever since childhood, learning to play various instruments in a suburban Cincinnati basement alongside his brother Bryce, Aaron Dessner has consistently sought an emotional outlet and deep human connection through music _ be it as a primary songwriter in The National, a founder and architect of beloved collaboration-driven music festivals, or collaborator on two critically acclaimed and chart-topping Taylor Swift albums recorded in complete pandemic-era isolation at his Long Pond Studio in upstate New York, among many other projects. Through it all, Dessner has brought together an unlikely community of musicians that share his impulse to connect, celebrate and, most of all, process emotion and experience through music. This generous spirit and desire to push music forward has never been more deeply felt than on Big Red Machine's "How Long Do You Think It's Gonna Last?," the second album from Dessner's evermorphing project with Bon Iver's Justin Vernon. In 2008, while assembling material for the charitycompilation "Dark Was the Night," Dessner sent Vernon a song sketch titled "big red machine". Vernon interpreted "big red machine" as a beating heart and finished the song accordingly _ a metaphor Dessner says "still sticks with me today. This project goes to many places and is always on some level about experimentation, but it shines a light on why I make music in the first place, which is an emotional need. It's one of my therapies and one of the ways I interrogate the past." Released in 2018, Big Red Machine's self-titled debut album evolved from improvisation and what Dessner calls "structured experimentalism," with an ear toward building tracks that would work well in a live setting alongside visual elements. When Dessner and Vernon started the Eaux Claires Music Festival in 2015, they staged the original "Big Red Machine" as an improvisation-based performance piece. They later took that show to the People collective's Berlin residency and festival, and to Dessner's Haven Festival in Copenhagen. "Big Red Machine started as this thing we would do for fun, and we fell in love with the feeling of it," says Dessner." Vernon agrees: "I remember it feeling really easy, but we never knew what would happen. It was exciting. As time went on, we just kept doing things together. And our friendship has grown strong, alongside all the collaborative stuff." New Big Red Machine material began taking shape in spring 2019, when Vernon came to visit Dessner at Long Pond. The first week produced songs such as "Reese," "8:22am" and eventual album opener "Latter Days," a haunting number sung by Vernon and Anaïs Mitchell that set the emotional tenor for what was to come. "It was clear to her that the early sketch Justin and I made of Latter Days was about childhood, or loss of innocence and nostalgia for a time before you've grown into adulthood _ before you've hurt people or lost people and made mistakes. Anaïs defined the whole record When she sang that, as these same themes kept appearing again and again," Dessner says. In the ensuing months, Vernon and Dessner would meet up when they could, and in the meantime, Dessner developed the existing material and wrote new instrumental tracks which he sent Vernon, always eager to hear what he would receive back. "Justin is incredibly gifted, but he's also disruptive in the best way," says Dessner, pointing to the first note of the song "Birch" as a prime example. "It's absolutely brilliant, but it was very surprising when I heard it the first time. I can't tell you what that interval is. There are many moments working with him where your head hits the wall in amazement like that." In the early stages of the pandemic, Swift approached Dessner to work with her on what would become the sister albums "folklore" and "evermore." Dessner describes this period as a "creative blur," during which he'd be writing material for Swift and Big Red Machine simultaneously. "I think this was an intense growing period for me, I was learning so much from Taylor and the process. Along the way, I shared all of our unfinished Big Red Machine songs with her and she really found them inspiring and gave me so much positive feedback and encouragement," he says. "I think that helped me realize how connected this Big Red Machine music was to everything else I was doing and that I was always supposed to be chasing these ideas. I was finding new sounds and ways of working through these songs. I just hadn't been able to finish them. So, I did." Beyond Vernon and Swift's encouragement, many of Dessner's previous collaborators and friends show up for him here, continuing the reciprocal exchange of ideas that has come to define his creative community. Songs feature guest vocals and writing contributions from artist friends including Fleet Foxes' Robin Pecknold ("Phoenix"), Ben Howard and This Is The Kit ("June's a River"), Naeem ("Easy to Sabotage'), Sharon Van Etten, Lisa Hannigan and My Brightest Diamond's Shara Nova ("Hutch," a tune inspired by Dessner's late friend, Frightened Rabbit frontman Scott Hutchison) and Swift herself ("Birch" and "Renegade," the latter an instant-classic Taylor earworm summed up by the poignant lyric "Is it insensitive for me to say / get your shit together so I can love you." The song was recorded in Los Angeles at the Kitty Committee studio in March 2021, the same week when Swift and Dessner took home the Grammy for Album of the Year for "folklore.") "This is all music I generated, but it is interesting to hear how different people relate to it, or how different voices collide with it," Dessner says. "That's what makes it special. With everyone that's on this record, there's an openness, a creative generosity and an emotional quality that connects it all together." As he continued writing prolifically on his own, Dessner noticed a theme emerging -- the idea of sitting with the uncomfortability of personal and family darkness from his childhood and reflecting on how emotional issues he dealt with growing up have reverberated through his adult life. It became clear that some of these he'd need to sing himself; songs such as "The Ghost of Cincinnati" and "Magnolia" address the disintegration of marriage and family and mental health, asking pointed questions of himself and those closest to him. "Brycie" is an ode to his aforementioned twin and National bandmate, who picked up on the musical vibes immediately when Dessner played the song for him for the first time backstage at a National show in Washington D.C. "He picked along to it with me and it immediately sounded like Aaron and Bryce playing the guitar in the basement as kids, which was my intent," Dessner remembers. "The words mean a lot to me. It's about my childhood with Bryce, and how I had pretty severe depression in high school. He was the one who kept me going and took care of me until I was back on my feet. I've lost close friends to depression and this song is about how important it was that Bryce was there for me at that time and is still here." In addition to being one of the more lyrically significant tracks on the album, Dessner says singing it himself felt like an important act of self-acceptance. "I always sing under my breath when I write music, but I usually hand it off to [National vocalist] Matt [Berninger] or others" he says. "When you're in a band for so long and somebody else is that person, you come to rely on it and I've always loved Matt's voice and his words. But singing `Brycie' myself helped rewire my brain to realize that maybe Big Red Machine is the project that not only enables me to create songs with other people, but also sometimes finish songs on my own." Recalling sessions at Sonic Ranch in Texas when Dessner recorded his vocal takes, Vernon says, "Aaron showed me `Brycie' a couple years ago now. I was like, this is beautiful, and you should do more singing. Not only would it be good for the future of your songwriting, but your voice sounds really good to me. It was exciting to see him flourish in that way _ to now be a part of that process and realize the hardships in that and also the victories. On this record, he's leading the charge, wholly and completely." Musically, "How Long Do You Think It's Gonna Last?" features what Dessner calls maybe the "clearest distillation" of his varying songwriting and production styles. Songs like "Reese," the Dessner-sung "Magnolia" and the elegiac "Hutch" are built on the kinds of tear-jerking piano melodies millions of fans have come to love from The National, but then move at their own pace toward unusual sonic destinations. "Aaron's greatest gift as a collaborator is his ability to evolve and experiment with the emotional sound that is so natural to him," Vernon says of the material. Elsewhere, the dream-like "Hoping Then" sets layered vocals by Vernon, Dessner and Hannigan ("It's the on the edge of why I can't sleep soundly") atop chopped and phased violin lines, programmed drums and countermelodies played on a rubber bridge guitar. His brother Bryce's orchestration ebbs and flows throughout this song and many others. The main instrumental track of the chugging, groovy "Easy to Sabotage" was stitched together from two different live recordings and later enveloped in warm keyboard textures and the head-nodding vocals of Naeem. "It just feels alive and electric, and it just happened," Dessner says of the song. That sense of shared experience extended to the new album's title, which was coined by Swift after Dessner told her he wasn't sure what to call the new album. Intuitively summing up the themes, she suggested titling it "How Long Do You Think It's Gonna Last?," a question which she pointed out could refer to multiple subjects addressed therein: "childhood, family, marriages, a depression, a losing streak, a winning streak or a creative streak. Taylor saw it all so clearly," Dessner says. "A year ago, we'd never even worked together. It's so cool that this community keeps extending and that everyone who contributed to this album connected so naturally to the emotions at the heart of the music."

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Big Red Machine

2LP | 2021 | US | Original (Jagjaguwar)

How Long Do You Think It´S Gonna Last? Red Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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Big Red Machine

2LP | 2021 | US | Original (Jagjaguwar)

Release: 2021 / US – Original

Genre: Rock & Indie

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Lavender Blues Black Vinyl Edition

21,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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BIG Scenic Nowhere the supergroup led by Bob Balch from FuManchu is coming back with a new killer EP titled “lavender Blues” The band has a straight core of members as Gary Arce from Yawning Man and Tony Reed from Mos Generator, this time the album going to feature great names as Per Wiberg from Opeth, Spiritual Beggars at synth and piano, Daniel Mongrain from Voivod at the guitar and the mighty producer from Kyuss: Chris Goss from Masters Of Reality at the guitar. The sound once again has this mellow and psychedelic attitude, with pinches of space rock and a matrix of desert sound, but you can also hear some progressive passages, and old school hard rock riffing here and there. The album feature once again the cover art of the visionary Max Loeffler.

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Long Morrow Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Bob Balch here. Wanted to let you know about "The Long Morrow." We released the E.P "Lavender Blues" back in October of 2020. "Lavender Blues" and "The Long Morrow" are both the result of a three day jam session back in November of 2019. The players were myself, Gary Arce (Yawning Man), Bill Stinson (Yawning Man) and Tony Reed (Mos Generator). We left that session with hours of stuff to choose from. We still have tons to release! Once 2020 hit, we started digging into what would become "Lavender Blues" with the intention to make it an EP and save the main chunk of the material for the LP which would become "The Long Morrow." Once we released "Lavender Blues" Tony Reed and I began digging into the tunes. All of the songs were jams at first, just two or three parts and lots of improvisation. Tony started chopping them up into arranged songs and added lyrics and a few changes. That's where we got songs like "Murder Klipp" "Defector" "LeDu" and "Lavender Bleu." I did a few guitar overdubs on them as well to flesh out the parts, but for the most part they are all live takes. I'm surprised that "Murder Klipp" came together so easiely that early in the morning. That time signature is bonkers, Bill Stinson had no trouble coming up with a beat that complemented it. I had to take notes and increase my caffeine intake for that one. "Lavender Bleu" is a second take for "Lavender Blues" hence the title similarity. They were both jams but "Lavender Bleu" became a structured song and the second half of it became "Labyrinths Fade" from the EP. I got to play bass on "Defector" and Tony switched to guitar. "LeDu" is inspired by Husker Du and Led Zeppelin. Gary Arce (Yawning Man) planted the main riff ideas for all of those songs on Side One. The dude is a riff machine. “The Long Morrow” takes up Side Two. Clocking in at a little under 20 mins, “The Long Morrow” was the very first jam we did during the session. Took us about 30 seconds to fall into a groove and we didn’t surface for 30 mins. I went home and re-recorded all of my guitar parts throughout 2020. I kept the original ideas in place but embellished them a little. After editing it down and changing guitar parts around it was sent to Reeves Gabrels (the Cure/david Bowie) and Per Wiberg (opeth, Spiritual Beggars) to add guitars and synth. Then it was sent to Tony Reed (mos Generator) for vocals, overdubs and structure changes. Mixed and Mastered by the very talented Tony Reed. I couldn't ask for a better production. Sounds just as I wanted to hear it. We are super proud of this album, and look ahead into the future as this is only the beginning. If we can create stuff like this the first time jamming together we can only imagine that it’s gonna get better and better! More soon!

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Long Morrow Transparent Green/Purple/Yellow Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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The Waydown Black Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Bob Balch here. These recordings go back to 2021.BIG Scenic Nowhere played a show out in Joshua Tree and while we were all in the same place (Tony the singer lives like 20 hours away) we thought we should spend two days jamming in the studio. Our usual way of recording is jam out freely and then edit those jams down into songs afterwards. The song “The Way Down” was the last jam of that session. We were about to pack up and Tony Reed started playing the main riff. Sometimes that’s all it takes to get immersed into a 25 min jam.

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The Waydown Blood Red Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Vision Beyond Horizon Black Vinyl Edition

21,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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This album is a collaborative effort and even greater than the sum of its parts. The basic riffs and song structures were done by Bob Balch and Gary Arce, but the contributions from Tony Reed, Lisa Alley, Ian Graham, Mario Lalli, Nick Oliveri, Bill Stinson, Per Wiberg and Alain Johannes make this record what it is. There was never a discussion of what kind of music they wanted to make. This album is a unique gem, manufactured by multiple artists, including different atmospheres: from the melodic stoner mellowness, to faster tempos, to classic heavy sounds, but songwriting is never customary.We can say, "Fu Manchu's killer riffing meets the desert psychedelia of Yawning Man." For sure that is something that's never been tried before!Bob Balch and Gary Arce together give life to an amazing new adventure which sounds fresh and dynamic. The vocal parts are always choral and interesting. There's a variety in the songs which always keeps the listener focused and intrigued about what's next. This is a very special record and deserves your full attention, because we predict that over time you will hear different elements within it. So dig in and get lost. Let your journey begin.

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Vision Beyond Horizon Purple Vinyl Edition

Eighteen Hours Of Static Tin Vinyl Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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Limited to 550 copies.This album is a collaborative effort and even greater than the sum of its parts. The basic riffs and song structures were done by Bob Balch and Gary Arce, but the contributions from Tony Reed, Lisa Alley, Ian Graham, Mario Lalli, Nick Oliveri, Bill Stinson, Per Wiberg and Alain Johannes make this record what it is. There was never a discussion of what kind of music they wanted to make. This album is a unique gem, manufactured by multiple artists, including different atmospheres: from the melodic stoner mellowness, to faster tempos, to classic heavy sounds, but songwriting is never customary.We can say, "Fu Manchu's killer riffing meets the desert psychedelia of Yawning Man." For sure that is something that's never been tried before!Bob Balch and Gary Arce together give life to an amazing new adventure which sounds fresh and dynamic. The vocal parts are always choral and interesting. There's a variety in the songs which always keeps the listener focused and intrigued about what's next. This is a very special record and deserves your full attention, because we predict that over time you will hear different elements within it. So dig in and get lost. Let your journey begin.

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Big Ups

LP | 2024 | US | Original (Exploding In Sound)

LP | 2021 | US | Original (Drag City)

Release: 2024 / US – Original

Genre: Rock & Indie

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Here is what 2014 felt like: The cold, rushed walk from the Montrose Avenue L to the downstairs entrance of 20 Meadow Street, an address you could never quite remember. The careful steep climb to the top of the nondescript building, where Titus Andronicus’s Patrick Stickles was waiting to take your balled-up cash and stamp the inside of your wrist. Standing beneath that jagged cardboard punk bunting, draped with tangled twinkle lights, while Joe Galarraga, frontman of Big Ups, slowly, menacingly, wound a microphone cable around his fist. Then a barbed F-sharp sprang forward from Amar Lal’s guitar, shaking the entirety of Shea Stadium to life.

For much of that time period, ten years now behind us, it would be easy to say, man, you just had to be there. You had to be there when Death By Audio closed. You had to be there when the Apple store opened on Bedford Ave. If you weren’t there when a small, specific subculture of New York City took over its abandoned lofts and grimy basements and squatted itself into community, that’s okay — it might be too clunky and myopic to explain now. Released in January 2014 to Dead Labour in the US and Tough Love Records in the UK, Eighteen Hours of Static stands even now as a triumphant representation of what Big Ups did so well over the course of their nine-year run as a band. Now, with the re-release of Big Ups’ killer debut full-length, those who didn’t get to experience all this the first time around will get a shot at living as if it’s the glory days again.

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Bill Stone

Stone

34,99 €*

Release: 2021 / US – Original

Genre: Rock & Indie

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LP | 2024 | UK | Original (Whistling Sam Projects)

Billy Mahonie

Field Of Heads

Birgit Jones And The Desperate Cry For Fame

Release: 2024 / UK – Original

Genre: Rock & Indie

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Furthermore, Billy Mahonie now have their own label, Whistling Sam Projects, an almost sold-out London launch show at The Lexington on May 4th, and they are confirmed to play Portals Festival Saturday May 25th in East London. After nearly quarter of a century, Billy Mahonie are very much back.

Formed in the first wave of British post-rock alongside the likes of Mogwai in the late 90s, John Peel favourites Billy Mahonie are set to return with the first new music from their original line-up in some twenty-four years. Whilst their debut album ‘The Big Dig’, released in 1999 on Too Pure Records, is considered a classic of the post rock genre, Billy Mahonie always crafted their intricate music with memorable hooks and melodies and performed it with energy and gusto. Theirs was not an aimless, meandering sound, instead the songs and attitude were rooted in punk rock, and still are. Billy Mahonie put the rock into post-rock.

Set for release this coming May 24th via Whistling Sam Projects, ‘Field Of Heads’ sees the band returning with their classic original line-up of Gavin Baker (guitar), Howard Monk (drums), Hywell Dinsdale (bass and guitar) and Kevin Penney (bass and guitar). Whilst this line-up has been semi active for a few years, no new material came to fruition. After their last gig in 2017, however, the band decided it was time to get back

into the studio, but with two members living abroad new challenges were faced, but ideas were shared, old ones were resurrected and finally in October of 2019, Billy Mahonie were back in the studio.

Recorded over two long weekends on either side of the Covid 19 lockdowns, the band tracked at The Church studios, owned by their former collaborator and front of house engineer Paul Epworth, with senior engineer Luke Pickering at the controls, allowing ‘Field Of Heads’ to quickly take shape.

New single ‘Kaiju’ gives the music world the first taste of ‘Field Of Heads’ and right from the off, it’s classic Billy Mahonie. Immediately bursting into life with the energy and melody that is so unique to their sound, Howard’s driving drums thrust the music ahead as the guitars and synths weave their way around them. Intricate and shifting, but never at the expense of a tune that sticks in your head.

“This one came from a chord progression myself and Gav first tried out jamming in 2010,” explains drummer Howard. “Needless to say, when Hywell and Kev got their hands on it, it became something no-one ever envisaged. Kev's great title is, of course, the Japanese name for the subgenre of monster-based science fiction. A frenetic riff opens the song and for a counter guitar part only two options remain, play in the minimal gaps or find an overarching theme. We chose both. Kaiju films influence the additional Synths, echoes of those early Japanese movie themes. Some people we have played this to in advance have suggested this track is one we should lead with, as it is kind of where we left off. We agree. It rocks pretty hard. And is a bit funky too. What’s not to like?!”

Furthermore, Billy Mahonie now have their own label, Whistling Sam Projects, set up for global distribution through SRD, an almost sold-out London launch show at The Lexington on May 4th, and they are confirmed to play Portals Festival Saturday May 25th in East London. After nearly quarter of a century, Billy Mahonie are very much back.

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Birgit Jones

LP | 2023 | US | Original (Duchess Box)

20,39 €* 23,99 € -15%

Unbound Black Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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Birgit Jones release their new album "Birgit Jones And The Desperate Cry For Fame" on 30th June,, Birgit Jones the all girl rock trio from Berlin offers gives us some tongue-in-cheek lyrics, bombastic basses and rocky riffs that break the chains of alternative rock and mark the birth of post-glam doom.

While namesake Bridget Jones - Helen Fielding's clumsy novel heroine - prefers chocolate for breakfast, Birgit Jones prefers to enjoy a strong whiskey sour late at night.

The band was formed in 2018 when musicians Kristin (bass), Rike (vocals) and Nathalie (drums) gave their common alter-ego a name. Birgit Jones was born: a woman who doesn't mince words and demands uncompromisingly what is due to her.

"In general our sound is inspired mostly by Royal Blood because without them we would have never thought that we could have a band without a guitarist" Says Kristin

After several singles that laid the foundation for her discography, Birgit Jones is now about to release her first studio album Birgit Jones and the Desperate Cry for Fame - recorded and produced in the Tonbrauerei in Berlin, included in this, is the new single "Room For Rent".

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Bizhiki

LP | 2024 | US | Original (Jagjaguwar)

Unbound Sky Blue Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Unbound opens with a single, trembling chord that rises anddescends before meeting a warm, beguiling voice, a voicesinging in a tradition that's been heard in this northern rivercountry for millennia. The music that follows is a soulfuldialogue between the ancient tradition of powwow singing anda contemporary musical palette. On Unbound, the powwowstyle of singing is entwined with synthesized voice modulation,and hand drumming is accented with electronic samples andbeats _ the harmonies and resonances are equal parts culturaland musical.Geographically, Bizhiki is almost wholly a made-in-Wisconsinproject, a collaboration between Dylan Bizhikiins Jennings, JoeRainey and the multi-instrumentalist Sean Carey (S. Carey), whofor years has been a secret weapon within the Bon Iver family.Bezhikiins Jennings grew up singing within the powwowtradition, around the Lac Du Flambeau and Lac Courte Oreillesreservations in Central Wisconsin. He now makes his home inNorthern Wisconsin, on the Bad River reservation on the shoresof Lake Superior. He's joined on the album by his adoptedbrother, Rainey, a Red Lake Ojibwe powwow singer fromMinneapolis who now makes his home within his wife's OneidaNation on the shores of Lake Michigan.The collaboration between these three musicians first began atthe Eaux Claires festival in 2015. The festival was being organizedon Ojibwe's ancestral homelands, and the organizers didn't feelright without the inclusion of the native communities who livednearby. Bizhikiins Jennings remembers getting an invitation toplay the festival and thinking "I wish more people would say this_ that instead of reading from some land acknowledgement,that they would say `we're gonna give your people space andjust invite you to do what you wanna do.'" The open-endednessof the initial invitation and the "let's just do something together"spirit continues to inform Bizhiki's process.Recording steadily over the course of years _ and betweenseveral project...

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Bizhiki

LP | 2024 | US | Original (Jagjaguwar)

30,99 €*

Eyes On The Mirror, Head In The Clouds Colored Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Sky Blue Vinyl.Unbound opens with a single, trembling chord that rises anddescends before meeting a warm, beguiling voice, a voicesinging in a tradition that's been heard in this northern rivercountry for millennia. The music that follows is a soulfuldialogue between the ancient tradition of powwow singing anda contemporary musical palette. On Unbound, the powwowstyle of singing is entwined with synthesized voice modulation,and hand drumming is accented with electronic samples andbeats _ the harmonies and resonances are equal parts culturaland musical.Geographically, Bizhiki is almost wholly a made-in-Wisconsinproject, a collaboration between Dylan Bizhikiins Jennings, JoeRainey and the multi-instrumentalist Sean Carey (S. Carey), whofor years has been a secret weapon within the Bon Iver family.Bezhikiins Jennings grew up singing within the powwowtradition, around the Lac Du Flambeau and Lac Courte Oreillesreservations in Central Wisconsin. He now makes his home inNorthern Wisconsin, on the Bad River reservation on the shoresof Lake Superior. He's joined on the album by his adoptedbrother, Rainey, a Red Lake Ojibwe powwow singer fromMinneapolis who now makes his home within his wife's OneidaNation on the shores of Lake Michigan.The collaboration between these three musicians first began atthe Eaux Claires festival in 2015. The festival was being organizedon Ojibwe's ancestral homelands, and the organizers didn't feelright without the inclusion of the native communities who livednearby. Bizhikiins Jennings remembers getting an invitation toplay the festival and thinking "I wish more people would say this_ that instead of reading from some land acknowledgement,that they would say `we're gonna give your people space andjust invite you to do what you wanna do.'" The open-endednessof the initial invitation and the "let's just do something together"spirit continues to inform Bizhiki's process.Recording steadily over the course of years _ and between...

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Black Books

LP | 2024 | EU | Original (Shifting Sounds)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-22

Dark Waves Black Vinyl Edition

Black Lung

Dark Waves Black-White-Red Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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The year 2019 marked significant changes for Baltimore psychedelic-doom trio, Black Lung. Following the release of their third album, Ancients, guitarist and founding member Adam Bufano amiably departed the band and in November 2019, was replaced by guitarist Dave Fullerton. Just four months later, the reconfigured trio’s plans for touring in support of Ancients were canceled as the world entered Covid-19 lockdown. It was time to reconcile their touring ambition with the reality that live music was effectively shut down indefinitely. In the existential dread, loss and uncertainty of the global pandemic, with the backdrop of malignant fascism and cultural enmity in the USA, Black Lung began writing the songs that would comprise their next record. There is no question that Dark Waves, Black Lung’s newest release via Heavy Psych Sounds Records, was conceived in hostile times. Dave Cavaliers lyrics reflect this hostility. Songs like ‘The Cog’ and ‘Mad King’ lament the weaponized ignorance of the propagandized American citizen, while ‘Awaken’ and ‘The Path’ muse on escapism and the false protection of dreams. On the title track, ‘Dark Waves’, the band channels this mood of bitterness through their instruments, as a meditative bridge is slowly transformed into a foreboding storm front centered around Dave Fullerton’s hypnotic guitar melodies. Despite the apparent darkness, Dark Waves is not a cold or desolate sounding record. The band leaps forward from their previous releases with warmer, brighter sound crafting and more audacious songwriting. There are passages with a tangible sense of jubilation and excitement, as the band members revel in the recording process after more than a year of uncertainty and frustration. While in some ways Dark Waves offers a departure from prior Black Lung records, the band stays true to their roots in doom and psychedelic music, delivering eight songs packed with the frenzied, fuzzed-out guitar breakdowns, booming drums, and soulful vocals that longtime fans will appreciate. The decision to bring bass guitar prominently into the mix on Dark Waves adds new levels of depth and heaviness to Black Lung’s songs, which may be the album’s most notable and exciting development. Underpinning everything about Dark Waves is the band's decision to shed conventions and their ability to adapt to change. For Black Lung, making it through these dark times meant reflecting on the past while pushing forward without knowing what the future may hold. The result is a record that sees Black Lung rising to new sonic heights. Dark Waves is set for global release through Heavy Psych Sounds Records May 27th, 2022.

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Black Lung

Dark Waves Deep Purple Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Black Lung

Bigger Than Life 15th Anniversary Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Black Marble

LP | 2019 | US | Reissue (Sacred Bones)

It's Immaterial Green / Yellow / Black Vinyl Edition

Release: 2019 / US – Reissue

Genre: Rock & Indie

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Third album from Chris Stewar as Black Marble, back then newly living in Los Angeles, fresh off a move from New York. As with every Black Marble album, Stewart recorded, produced, and played everything you hear on Bigger Than Life using entirely analog gear, though the process was new. This time around, he wrote everything on his MPC and sequenced it live to his synths - only using the computer to record, not to create. He also approached his vocals in a new way this time, bringing them forward in the mix and retreating from the reverb-drenched affect he has utilized in the past. "Everything about this record from the album art to the title, to the themes to all the sounds on the record is my response to this particular time," Stewart says.

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Black Marble

LP | 2016 | CZ | Reissue (Ghostly International)

Release: 2016 / CZ – Reissue

Genre: Rock & Indie

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Black Marble Release Their Second Full-Length, It's Immaterial. Their First For Ghostly, It's Immaterial Follows Up Their Highly Acclaimed Debut Full-Length A Different Arrangement (Hardly Art/October 30, 2012). Still Featuring Stewart At The Helm Along With Select Collaborators As Supplementation, The Band's Recent Shift In Locale From East Coast To West Coast Lends A Great Deal To The Overall Feel Of The New Album.Pulling From The Pre - "Simply Irresistible" Days Of Early Robert Palmer And First Wave Pioneers Such As Silicon Teens, Iron Curtain, Lives Of Angels, And Solid Space, Black Marble Dialed In On A Clear Understanding Of Its Own Specific Sound, Showcased Most Clearly On This New Release With Stewart Becoming More Comfortable In Being Clear With What He's Trying To Say, Both Subjectively, In Terms Of The Stories He's Telling And The Things He's Willing To Talk About, And Object...

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Live At Desertfest Belgium Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Black Rainbows comes back with the recording live of the first show after the pandemic strike! The band recorded the album at Desertfest Belgium in Antwerp at Trix club delivering almost 45 minutes of high energy heavy psych n roll. Trix was one of the last shows the band played before the covid strike back in early march 2020 and they start back at the very same location in the same room one and half year later ...so the band thought this epic moment needed to be celebrated and put on a record as first live album ever ! This album feature 9 songs total and two are brand new tracks!!! : "Fire In The Sky" and "Desert Sun" two songs which are never been released before in any previous album! Mixed and mastered by Shane Trimble.

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Live At Desertfest Belgium Orange And Purple Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Live At Desertfest Belgium Red Transparent Splatter Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Superskull Neon Magenta Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Allright !! 2023, Black Rainbows are back with 12 fresh, brand new tunes! The new album sounds huge, with of a great deal of attention paid to the guitars in the recording, and it seems that the band has finally found the perfect balance and tone for their heavy super stoner sound! This album gives you not only incredible heavy rock-stoner gems, but also: one space acoustic song, one super psychedelic suite and one melodic trippy ballad that adds a perfect mixture of what is sure to be the best album released by the band so far! "Superskull" has been recorded by Fabio Sforza (the same producer of the last two recordings), in May 2022, and after much work and effort by the band in mixing and mastering, the album will see the light of day one year later. The incredible artwork has been delivered by the brazilian artist Pedro Correa.

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Superskull White, Blue & Neon Pink Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Twilight In The Desert Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Twilight In The Desert celebrate 15 years after the first release back in 2007! This was the debut album of the Roman Fuzz Psychers, first chapter of their long musical history and needed to be celebrated with an exclusive vinyl pressing with two different colored effects! In this album the sound of the band was still raw, rough and not defined but was the beginning of the journey who brought the band to play all over Europe, US, Russia etc. and record 8 albums during all these years!

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Twilight In The Desert Orange And Purple Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Twilight In The Desert Red Transparent Splatter Vinyl Edition

LP | 2022 | EU | Original (New Heavy Sounds)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Blacklab

In A Bizarre Dream

Don't You Think You've Had Enough Colored Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Blacklab are back. The self-proclaimed 'Doom witch duo from Osaka' are set to drop their 3rd album 'In A Bizarre Dream' this summer.Their debut 'Under the Strawberry Moon 2.0' saw them taking Sabbath inspired doom, mashing it with a Japanese sensibility and a fuzzed-up groove. It certainly caused a stir, but only hinted at their potential. Album two 'Abyss' added to the mix. A Stooges like squalor to the riffs, dollops of lo-fi hardcore punk and loose riffing, pointing the way towards a signature sound. -Blacklab are: Yuko Morino, guitar and vocals. Chia Shiraishi, drums and percussion. -So what of the 'difficult' third album? Not so difficult at all it seems. 'In A Bizarre Dream' ups the ante considerably, to let rip and define what Blacklab are about. The combined talents of Jun Morino on production and Wayne Adams (Big Lad, Green Lung, Pet Brick, John, Cold In Berlin) on the mix have conspired to produce a towering beast of a record. A real step forward for the 'Doom Witch Duo '.The drums have a humungous 'Fugazi' like welly, and the guitars are a boiling maelstrom of fuzz dense riffola and warped psychedelics, with added synth. Yuko's throat shredding snarls are as mean as a pissed off Satan, and melodious, often within the same song. This is doom meets hardcore punk, hooky melodies, and killer riffs, all cranked up to the max. Japan has always had a special take on 'noise' and 'heavy' and with 'In A Bizarre Dream' Blacklab add their own spin to that tradition.Gone is the lo-fi approach, here is Blacklab in full effect. -Yuko has said before that the band's name is a combination of her two favourite bands, Black Sabbath and Stereolab. Odd bedfellows to be sure, but if you want to know what that combination might sound like ... here it is. Track 'Crows, Sparrows and Cats' actually features Laetitia Sadier of Stereolab, no less, providing the lead vocal, adding a layer of cool over Blacklab's Hawkwind meets krautrock sludge. It's a stoner groove with pop at its heart ...Sludge Pop even...

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Bleached

LP | 2019 | EU | Original (Dead Oceans)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Golgotha Black Vinyl Edition

Bleeding Eyes

LP | 2021 | EU | Original (Go Down)

Golgotha Green Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Golgotha is the sixth studio album by Bleeding Eyes. After Gammy (©2014 Go Down Records) the band embarked on a different stylistic and compositional path. Starting from long and substantial jams, the five-piece band extrapolated and deepened 7 tracks lasting almost 50 minutes. The influences are getting darker. Black on black. The esoteric doom mixed with the tipically sludgy attitude, give to their personal existential ordeal a picture in which Simone Tesser’s lyrics fit perfectly. Golgotha’s topics tell about saints and unbelievers, the latter ones in constant conflict with life and death. This new interpretation, that also takes inspiration from the heretic gospels of the apocalypse (first 2 tracks), represents the steady and never ending spiritual detachment, that our capitalist society has lived in for several decades. With mocking irony and lots of sarcasm a post-dogmatic dark way is proposed by the band to deal with the ordeal of everyday life. The studio recording process lasted several months and was handled by Jason Nealy and Marco Dussin (guitarist and bassist respectively). Drums and rhythm guitars were recorded at the music club Benicio Live Gigs, located in the suggestive woods of the Montello hill in Italy. While the final steps, mixing and mastering took place at BadRum studio in Asolo, Italy. Golgotha has a really deep and dense meaning for the band and the graphic part plays an important role too; that’s why the Bleeding Eyes has chosen the Lorenzo Ferraro’s photography. The album artwork consists in pictures taken right after the passage of the devastating storm Vaia, that heavily damaged the band’s hometown surroundings. The desolation post Vaia matches perfectly with Golgotha’s magmatic darkness. The event proved our disarming weakness in front of an untamed force of nature, that can unleash destroying powers yet unknown. The album title itself is therefore -calvario- the combination of a natural imagery that reveals the misery of the precarious human condition.

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Bleeding Eyes

LP | 2021 | EU | Original (Go Down)

14,29 €* 25,99 € -45%

Heart Of The Artichoke Plasma Colored Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Bloomsday

LP | 2024 | US | Original (Bayonet)

LP | 2023 | US | Original (Dark Entries)

Release: 2024 / US – Original

Genre: Rock & Indie

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The way Bloomsday's Iris James Garrison writes songs feels like somewhere between a mirror and a memory. Spacious, full-bodied folk songs, they are an ode to things that are good no matter how small; they sometimes feel like the ghost of a Mary Oliver poem. Bloomsday's new record, 'Heart of the Artichoke', is a relic of unfettered creativity and community. They recount the miracles of the mundane, the memories that become sacred, an ode to all that is holy: nightswimming, songs plucked from the ether, the ways friendship can endure. Like earlier Bloomsday songs, the work here is threaded with warmth; it's simmering, crisp and deeply human, an encapsulation of the present moment. Recorded across 10 days in June 2023 in upstate New York at duo Babehoven's studio and co-produced by Babehoven's Ryan Albert, with mixing by Henry Stoehr of Slow Pulp. The record was built out with a wideranging group of collaborators, including inventive drumming from Andrew Stevens (Lomelda, Hovvdy), Alex Harwood, Richard Orofino, Babehoven's Maya Bon, Hannah Pruzinsky (h.pruz, Sister.), and Chris Daley. It was an insulated and collaborative experience: all family dinners on the back porch, bonfires, feeling a full sense of joy, of friendship, of purity in the artistic self. Collaboration is an integral part of Bloomsday's musical process. Garrison is malleable in the studio, their songwriting generous and spacious. But in listening to the record, there's a sense that Garrison leaves room for the players, for the listener; for songs to find the shapes they're meant to take. Garrison's role as maestro is crucial, singular - it's a collaborative, exploratory spirit harnessed by Garrison's intuition, and by an honest commitment to carve out creative space for play, to delve into what's known - or pushing past that, into unknown. "The ghosts of the past still come up and haunt me," Garrison says, "but I sit in what I have and see it. All of these songs are about loved ones, about personal struggles with getting out of my head and being present." Heart of the Artichoke was written from a healed, matured place - written in a moment of safety from chaos. It's a prayer for the present, an appreciation of tenderness and what happens once we give ourselves the space to really see, and really feel - becoming free and whole - an ode to the way healing allows us to bloom.

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Blues Lawyer

All In Good Time

Our Brand Could Be Yr Life Silver Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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Oakland band Blues Lawyer joins Dark Entries for their third full-length, All in Good Time, a record of pop-rock songs about living in a world that wants to put your existence on the clock. Blues Lawyer was formed in 2017 as an outlet for guitarist/vocalist Rob I. Miller and drummer Elyse Schrock to write pop songs outside of the strictures of their other groups. Following 2018’s Guess Work and 2019’s Something Different, Blues Lawyer had “graduated from being a side project band, a sort of throwaway project, to actually being a legitimate band,” according to Miller. Under the backdrop of global pandemic and existential crisis, they set about recording their new record. Says Miller, “I have always been really attracted to the way we measure time, especially in relationship to our concepts of what we are supposed to have achieved. There’s a lot of different moments on the record where we’re interrogating this whole value system that comes along with it—determining my worth because of where I’m at in my life in relation to my age, in my love life, in my career.” All in Good Time finds Blues Lawyer moving away from the Flying Nun-influenced jangle pop of their earlier work towards a 90’s alternative rock sound imbued with melancholy of the Lemonheads and Teenage Fanclub. Miller and Schrock agree that this is their first record approached with intentionality, each member having spent their time in pandemic-enforced isolation, honing their songcraft and penning sharp hooks. With the addition of bassist Alejandra Alcala and guitarist Ellen Matthews, Blues Lawyer has become more unabashedly riff-centric, bringing a controlled wildness to the new songs, as evidenced by Matthews’ single-take guitar solo on album closer “Tangled Mess”. This is also the first record on which Schrock and Miller share songwriting duties, with Schrock’s earnest contributions balancing out Miller’s more sardonic approach. Schrock’s optimism particularly shines on the Heavenly-esque “Late Bloomer” as she sings “A late bloom is worth the wait.”. All in Good Time reveals Blues Lawyer as a band ready to stake a meaningful claim in a world that rewards insincerity. The vinyl record includes an insert with liner notes and lyrics.

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Bodega

LP | 2024 | UK | Original (Chrysalis)

Boeckner! Orange Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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Sometimes you have to move backwards to move forwards. Just ask punk cultural commentators Bodega, whose new album sees them carve a new future from fuzz-soaked, consumerism-skewering shards of their past. "Our Brand Could Be YR Life" is Bodega's first album release through Chrysalis Records. "It's something we've been wanting to do for years," guitarist and vocalist Ben Hozie explains of Our Brand Could Be YR Life - a collection of catchy indie-rock ruminations on the slow-creep of corporate-think into youth culture, first written eight years ago. The 15 tracks on "Our Brand Could Be YR Life" explore indie-rock subgenres, self-critique and everything in between. "I think it's our best- sounding record to date," says Hozie, "It's got dance-punk. There's some shoegaze on there. There's slacker rock on there. There's psychedelic rock on there. R.E.M, too. We wanted to be another band in a long stream of missionaries, proselytising a certain type of rock subculture."

LP includes 20 page `zine designed by the band with lyrics and exclusive album content!

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Boeckner

LP | 2024 | EU | Original (Sub Pop)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Daniel Boeckner understands the grit and gravel that accumulates in the heart and that it takes an unwavering courage to crack through that clutter and burrow to the other side. And in Boeckner's hands, that quest comes via post-apocalyptic synth and guitar heroism, a rallying cry for those always coming home through the scorched clouds. Throughout his work with Wolf Parade, Handsome Furs, Divine Fits, Operators, Atlas Strategic, and more, the iconic Canadian indie rocker recognizes that few feelings are more gratifying-more memorable, more generative, more abundant-than hope. But it takes getting the hell out of your own way. A culmination of that deep library of musical reference, Boeckner is set to release his first album under his own name: Boeckner! No matter where his genre exploration has taken him, there's something about growing up in punk and DIY spaces that puts collaboration in Boeckner's blood. Composed of a collection of intimately familiar elements, Boeckner! elicits the same thrill of young passion and discovery. It's a jet-powered chase through a tech-noir cityscape-fueled by a dream and that special someone in the passenger seat. That urgency and passion have always been a trademark of Boeckner's, and writing on his own pushes those feelings further into the center of the scope. But while Boeckner may be the clear driving force behind the album, he's not without collaborators for his solo debut. After meeting producer Randall Dunn while contributing to the soundtrack to the Nicolas Cage-starring psychedelic horror film Mandy, Boeckner knew he'd found the perfect counterpart for his solo debut. "I'd been a fan of his forever, especially the Sunn0))) records he produced," Boeckner says. "Working with Randall really unlocked some suppressed musical urges, things that I enjoy in my private life but don't normally weave into what I'm releasing-like occult synth, pseudo-metal, krautrock, and heavy psych influences." That base allows Boeckner to thoughtfully weave between emotional imagism and more grounded storytelling. Throughout the record, his imagery delves into science fiction, but it's charged first and foremost by experience. The trio of Boeckner, Dunn, and drummer Matt Chamberlain (Pearl Jam, David Bowie, Fiona Apple) formed a sort of dark engine for the album, and Chamberlain's ingenious approach of triggering a vintage Arp synthesizer simultaneously with each drum track helped Boeckner shape the record's atmosphere. That tense futurism was influenced by Boeckner's time staying in Dunn's Circular Ruin studio, a dusky, electronic aura burned into every track. By the end of the album, Boeckner! eases from sci-fi epic into something more akin to a torched VHS copy of a John Cassevetes film, the chemtrails and nuclear fallout fading long in the distance. Like all good sci-fi, the emotion and pain hits home for the author and listener alike, and the genre flourishes bolster the human experience. In revealing more than ever before, Boeckner! ratchets up the musical intensity to unforeseen levels and hopes to find some peace at the end of the journey.

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Dab City 3 Colored Striped Vinyl Edition

37,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Dab City is an ode to the purest form of THC and our beloved hometown of Madison Wisconsin, which is known as Mad City. A political and social hot bed and lightning rod for our state and the Midwest since the 1960's, Madison is also home to a large University with one of the best agronomy departments in the country and not surprisingly the focal point for some of the finest cannabis our country has to offer(Muleboy has not seen pot with seeds in it since arriving in 1993!)Although not legal, possession is basically ignored and punished with a nominal $1 fine for under 128 grams. For the recording of dab City we procured 10 g plus of the finest concentrates we could lay our hands on and somewhere north of 120 g of cannabis flower. And recorded it on 2-in analog tape over two sessions at Future apple tree Studio in Rock Island Illinois. Fall 2022 session is known as the Harvest Sessions and the February of 2023 session is known as the Propagation Sessions. The record is our 2nd as a three piece and our second full length release for our label Heavy Psych Sounds and continues our journey into ultra stoned sludgey psychedelia. Dab City is 100% recorded on Tape, and is composed by 7 songs with a running time of almost 60 minutes of brand new Stoned Sludge Heavy Doomy Riffs.

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Dab City Black Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Dab City Deep Purple Transparent Vinyl Edition

30,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Dab City White, Green & Purple Colored Vinyl Edition

2LP | 2023 | EU | Original (Heavy Psych Sounds)

50,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Double gatefold vinyl, alternative purple cover + 2 Bonus Tracks/15 minutes music extra + gatefold sleeve with lyrics. Dab City is an ode to the purest form of THC and our beloved hometown of Madison Wisconsin, which is known as Mad City. A political and social hot bed and lightning rod for our state and the Midwest since the 1960's, Madison is also home to a large University with one of the best agronomy departments in the country and not surprisingly the focal point for some of the finest cannabis our country has to offer(Muleboy has not seen pot with seeds in it since arriving in 1993!)Although not legal, possession is basically ignored and punished with a nominal $1 fine for under 128 grams. For the recording of dab City we procured 10 g plus of the finest concentrates we could lay our hands on and somewhere north of 120 g of cannabis flower. And recorded it on 2-in analog tape over two sessions at Future apple tree Studio in Rock Island Illinois. Fall 2022 session is known as the Harvest Sessions and the February of 2023 session is known as the Propagation Sessions. The record is our 2nd as a three piece and our second full length release for our label Heavy Psych Sounds and continues our journey into ultra stoned sludgey psychedelia. Dab City is 100% recorded on Tape, and is composed by 7 songs with a running time of almost 60 minutes of brand new Stoned Sludge Heavy Doomy Riffs.

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Dabbing Live Rosin In Europe Black Vinyl Edition

LP | 2024 | EU | Original (Heavy Psych Sounds)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Dabbing Live Rosin In Europe Limited Red Vinyl Edition

LP | 2024 | EU | Original (Heavy Psych Sounds)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Dabbing Live Rosin In Europe Splattered Vinyl Edition

LP | 2024 | EU | Original (Heavy Psych Sounds)

37,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Dabbing (LIVE) Rosin in Europe is BONGZILLA brand new live album.
All the songs were recorded during "Dabbing Across Europe &UK Tour" in Spring-Summer 2023 !!

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Bongzilla / Tons

Doom Sessions Volume 4

20,99 €*

Doom Sessions Voume 4 Striped Neon Magenta Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Heavy Psych Sounds Is Really Proud To Announce A Brand New Series Of Split Albums That Will Be Called Doom Sessions. We Are Going To Release A Bunch Of Compilations With Doom Bands From Heavy Psych Sounds Roster Featuring Some Of The Heaviest Bands Of The World Doom Scene. Each Volume Will Host Two Bands. The Record You Are Holding Is Vol. 4 - A Split Album Between The Wisconsin Legendary Cannabeasts Bongzilla And The Italian Heavy Sludge Weedriffers Tons. All The Tracks Are New And Never Released Before. An Impressive Heavy Doom And Sludge, High Trip !!!Awesome Artwork By The Mighty Branca Studio.

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Bongzilla & Tons

LP | 2021 | EU | Reissue (Heavy Psych Sounds)

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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Re-issue limited to 100 copies ! We are going to release a bunch of compilations with doom bands from Heavy Psych Sounds roster featuring some of the heaviest bands of the world doom scene. Each volume will host two bands. This record you are holding is VOL. 4 – a split album between the Wisconsin legendary Cannabeasts Bongzilla and the Italian heavy sludge weedriffers Tons. All the tracks are new and never released before. An impressive heavy doom and sludge, high trip !!! Awesome artwork by the mighty Branca Studio.

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Weedsconsin Black Deluxe Viny Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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On the fringe of chaos, in the Year of the Pandemic, the Cannabeast has awoken!! Bongzilla is back with a new full length album, 16 years since their last record. These Pioneers of Weed Metal would like to present “weedsconsin” to the universe. An album written by the three long standing original members of Bongzilla - Muleboy (bass, vocals), Spanky (guitar), and Magma (drums). Recorded and mixed by the late John Hopkins at Future Apple Tree Studios in Rock Island, Illinois in October 2020. The six brand new tracks will blow your mind! In a single instant you are contaminated by the classic Weed-Infected sounds the band is known for, while also finding new elements mixed into the bowl. In the unique piece that is Weedsconsin, Bongzilla delivers heavy doses of Crushing Stoner Doom and Psychedelic Space Rock that sets it apart from earlier material. (That’s why HPS Records is the perfect label to release this stuff). This record travels down a path of heavy riffs, mind-expanding jams, sonic tones, and stomping beats in the band's first release as a thunderous three piece, with Muleboy moving from guitar to bass. Approaching these songs as a three piece has created more space musically and allowed the band to showcase their musicianship in a different way. It results in a sound that is very heavy, along the lines of Gateway tone-wise, but sonically more clear. The album is mastered by Carl Saff at Saff Mastering in Chicago, Illinois, and Eli Quinn (Madison, Wisconsin) is the artist behind the astounding new cover art. Weedsconsin is dedicated to the memory of John Hopkins.

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Weedsconsin Black Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Weedsconsin Orange / Neon Green Viny Edition

2LP | 2021 | EU | Original (Heavy Psych Sounds)

43,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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Weedsconsin Splattered Vinyl Edition

28,79 €* 31,99 € -10%

Release: 2021 / EU – Original

Genre: Rock & Indie

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Weedsconsin Transparent Neon Yellow And Green Vinyl Edition

39,99 €*

LP | 2023 | EU | Original (Anti)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Bonny Doon

Let There Be Music

Release: 2023 / EU – Original

Genre: Rock & Indie

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Throughout the ten tracks in their new album Let There Be Music, you can hear the spaciousness Bonny Doon allowed themselves since their 2018 sleeper cult-classic Longwave. Their latest musical journey is one that has big payoffs for devoted followers and undeniable rewards for anyone just stumbling across the band for the first time. After extensively touring Longwave by supporting Band of Horses, Snail Mail and Waxahatchee, Lennox and Colombo were invited by Katie Crutchfield to collaborate on Waxahatchee"s critically acclaimed album Saint Cloud. "The experience raised the ceiling on our imagination," Colombo said.Soon after, Colombo and Kmiecik, whose steady percussion and devotion to the songs creates a container for the indelible guitar lines, both entered a time of serious healing, Jake tending to complications of his Crohn"s disease and Bobby to a brain injury and undiagnosed Lyme disease. While these detours of doctors" appointments and experimental care were taking place, the members of Bonny Doon were also playing on Waxahatachee"s Saint Cloud tour. These obstacles and commitments drew out the making of Let There Be Music for several additional years, and in the process, redefined the record as an achievement in perseverance for the band.On their long-awaited third album, we get a glimpse into the pure joy of Bonny Doon. The album serves as less of one conceptual story, and each song as their own individual offerings of putting words to the ordinary experience of being alive. The band is at their most dynamic and the songwriting deftly explores new terrain. Let There Be Music is brimming with small truths - both profound and mundane, comforting and difficult - and we are invited to revel in them all.

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And The Operators 3 Colored Stripe Vinyl Edition

LP | 2002 | EU | Reissue (Heavy Psych Sounds)

Release: 2002 / EU – Reissue

Genre: Rock & Indie

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Brant Bjork and the Operators is the second solo album by desert rocker Brant Bjork. Although titled Brant Bjork and the Operators, Bjork sings and plays most instruments on the album. He is joined by friends Mathias Schneeberger and Mario Lalli to lend guitar and vocals. After 20 years Heavy Psych Sounds is reissuing this sweat gem with a brand new cover and new colored vinyl versions !!!

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And The Operators Black Vinyl Edition

LP | 2002 | EU | Reissue (Heavy Psych Sounds)

Release: 2002 / EU – Reissue

Genre: Rock & Indie

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And The Operators Half-Half Black/White Vinyl Edition

LP | 2002 | EU | Reissue (Heavy Psych Sounds)

Release: 2002 / EU – Reissue

Genre: Rock & Indie

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Bougainvillea Suite Mustard Colored Vinyl Edition

31,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Once again Brant Bjork is back with a wonderful new album “Bougainvillea Suite” !! He’s never missed a shot in the last 20 years. His discography is connected by an imaginary line which crosses different sounds and melodies, but always with the same attitude. In the background you can imagine the Mojave desert where everything started many years ago, but his last record sounds fresh as his debut Jalamanta! Brant says about this album: “This is a bitter sweet record for me. So much change in my life. Some stuff more positive than others. But it’s always a blessing to be able to make a record and get the music out and to the fans. This is the last record to be recorded in my Joshua Tree studio. I’m saying good bye to an era and looking down the road toward new beginnings”

“Bougainvillea Suite” is composed by 8 songs. Produced by Yosef Sanborn and Brant Bjork. Recorded at The Rad Cabin, Joshua Tree, CA. Engineered and mixed by Yosef Sanborn.

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Bougainvillea Suite Yellow-Black-Blue Vinyl Edition

39,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Brant Bjork Black Viny Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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Even before you know it’s self-titled, and even before you read the LP liner notes, you know it’s all Brant Bjork.
The man who has become the ambassador of Californian desert rock indeed plays every instrument across his 13th studio full-length, Brant Bjork. This in itself is something of a departure from recent offerings, as on 2018’s Mankind Woman, Bjork worked closely with guitarist Bubba DuPree (Void), and both 2016’s Tao of the Devil and 2014’s Black Power Flower were constructed around the Bjork-led Low Desert Punk Band. Maybe revisiting his 1999 debut, Jalamanta, for a Heavy Psych Sounds 20th anniversary reissue last year had some effect on Bjork’s mindset in terms of working solo, but he’s come too far in the ensuing decades to repeat himself, and the songs on Brant Bjork – recorded and mixed by Yosef Sanborn in Joshua Tree and mixed by John McBain (ex-Monster Magnet) – show that, whether it’s the mellow roll of “Duke of Dynamite” or the signature take on classic heavy rock in “Jesus Was a Bluesman” and percussion-backed funk of opener “Jungle in the Sound.” There’s no mistaking Brant Bjork, and on Brant Bjork, he strips his songwriting style to its core and brings out the organic vibe that’s made him desert rock’s most crucial practitioner.

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Jacoozzi Black Vinyl Edition

LP | 2019 | EU | Original (Heavy Psych Sounds)

20,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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Jacoozzi Orange Vinyl Edition

LP | 2019 | EU | Original (Heavy Psych Sounds)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Keep Your Cool Transparent Yellow Vinyl Edition

LP | 2003 | EU | Reissue (Heavy Psych Sounds)

Release: 2003 / EU – Reissue

Genre: Rock & Indie

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Keep Your Cool' is the third solo album by the Kyuss- and Fu Manchu-legend, originally released back in 2003 with Duna Records. Full of the soul and funky laid-back grooves Brant Bjork is known and loved for, tongue-in-cheek lyrics and sweet guitar licks oozing from the great 70's era vibes, 'Keep YourCool' is still considered as one of Brant Bjork's accessible and catchiest records to date. Tracks such as 'Hey, Monkey Boy', 'Johnny Called' or 'Gonna Make The Scene' became classics in the stoner rock scene, taken from an album that belongs to every well-sorted Brant Bjork record collection. Heavy Psych Sounds is now giving new life to this gem with a brand new cover and coloured vinyls !!

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Punk Rock Guilt Yellow Vinyl Edition

LP | 2008 | EU | Reissue (Heavy Psych Sounds)

32,99 €*

Release: 2008 / EU – Reissue

Genre: Rock & Indie

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Re-issue ! Produced by Dave Raphael.Recorded And Mixed December 2005 By Dave Raphael At Glide On Fade Studios N.J. Mastered By Dave Collins Los Angeles, CA. Cover art by Dirty Donny Gillies (www.dirtydonny.com). 100% Analog Recording

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Saved By Magic Again Orange Vinyl Edtion

LP | 2005 | EU | Reissue (Heavy Psych Sounds)

Saved By Magic Again Black Vinyl Edition

Release: 2005 / EU – Reissue

Genre: Rock & Indie

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Remastered Reissue of Brant Bjork's legendary album in brand new colored vinyl and artwork. “I had just got off the road and went right into the studio out in the desert at Rancho de La Luna. I was living in the house just behind at the time making sessions super convenient. I was set to record with my band the Bros in a couple weeks but I decided to go into the Rancho early and get some sounds. Tony and I ended up recording a bunch of songs that I was writing on the fly. A week later the Bros showed up and we recorded another batch of songs with the band playing live in the front room. After we wrapped I combined both my solo session and the Bros session and released in as one record called Saved By Magic on my label Duna records. That was 2005. Now I’m rereleasing this record on HPS and I’ve decided to separate the two sessions into their original bodies of work. My solo session and the Bros session. I mostly did this because I feel the Bros deserve to have something of their own as they were a magical band. I also just thought it would be cool. I call both records Saved By Magic Again.” New album cover by Maarten Donders. Remastered by John McBain !!

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Brant Bjork & The Bros

LP | 2005 | EU | Reissue (Heavy Psych Sounds)

Saved By Magic Again Golden Nugget Vinyl Edition

Release: 2005 / EU – Reissue

Genre: Rock & Indie

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“I had just got off the road and went right into the studio out in the desert at Rancho de La Luna. I was living in the house just behind at the time making sessions super convenient. I was set to record with my band the Bros in a couple weeks but I decided to go into the Rancho early and get some sounds. Tony and I ended up recording a bunch of songs that I was writing on the fly. A week later the Bros showed up and we recorded another batch of songs with the band playing live in the front room. After we wrapped I combined both my solo session and the Bros session and released in as one record called Saved By Magic on my label Duna records. That was 2005. Now I’m rereleasing this record on HPS and I’ve decided to separate the two sessions into their original bodies of work. My solo session and the Bros session. I mostly did this because I feel the Bros deserve to have something of their own as they were a magical band. I also just thought it would be cool. I call both records Saved By Magic Again.” New album cover by Maarten Donders. Remastered by John McBain !!

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Brant Bjork & The Bros

LP | 2005 | EU | Reissue (Heavy Psych Sounds)

LP | 2019 | EU | Reissue (Lonestar)

Release: 2005 / EU – Reissue

Genre: Rock & Indie

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Brass Against

LP | 2022 | EU | Original (Schnitzel)

Release: 2019 / EU – Reissue

Genre: Rock & Indie

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2019 - it's the time for a revolution! The Brooklyn-based Brass-collective Brass Against releases their debut album in january and supports this release with a big headlining tour through europe. Brass Against covers classics of Rage Against the Maschine along with other protest songs from the whole musical spectre. There are songs from bands like Living Colour, Public Enemy, A Tribe Called Quest, Kendrick Lamar, Tool or the Fugees. Their videos are guaranteed viral hits. On the microphone you will find singer extraordinary, Sophia Usta.The band says: ,In this politically challenging era, it's time to stand up against the machine. We want the music we perform to sound inspiring and resonate with people's emotions, encouragi...

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Brendan Benson

Low Key

32,99 €*

LP | 2020 | UK | Original (All Saints)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Not every two-year period measures out the same, noted Brendan Benson, the 51-year old Grammy-nominated singer-songwriter and co-founder of The Raconteurs. Benson had just finished his well-received seventh album, "Dear Life" in 2019 when his world came to a stop. "I was rehearsing for South-By-Southwest and gearing up for a tour and had a band ready and then, of course, the world shut down," he said in a recent interview. The lockdown then began to reroute lives, societies and ambitions worldwide. "Everything changed," Benson said. "I went to work on some songs so I'd have new material when things opened up." Over months with minimal interactions, those songs coalesced and took on lives of their own, he said. Two years of semi-isolation, of fading relationships, of the natural inward turn that comes with less human contact unexpectedly pushed Benson's song-writing into new places. Instead of being an afterthought, Benson's solitude evolved into, "Low Key" the eighth album by the idiosyncratic songwriter who has enjoyed both world-wide popularity with the Raconteurs and a devoted cult following for his numerous solo projects. Low Key, the Nashville-based artist said, was his chance to explore how lives and relationships changed during the lengthy isolation from the normal interactions of everyday life. Benson might not have written songs such as "People Grow Apart" and "Whole Lotta Nothing" prior to 2019, he said. "The lockdown afforded people the opportunity to cut ties - or maybe it caused people to do that," he said. "Whatever the case may be, a lot of people fell out." "But then relationships ending is one of my favourite topics for song writing," he said with a laugh. This isn't to say that the 8-track effort recorded in Benson's own Readymade Studio in Nashville is a grim look at the state of human condition. Just the opposite. The catchy, upbeat lead track "Ain't No Good," pokes fun at destructive self-absorption while the guitar-heavy "Whatever's On My Mind" skewers Benson's own hyperkinetic, stream-of-consciousness thinking. And then there's the most unlikely track of all: A cover of Gerry Rafferty's smooth 1978 hit, "Right Down the Line." The cover was suggested by a friend. "She's always been saying I should do that song. I don't normally pay attention when people say that stuff. But then I happened to hear it one day and I said, 'Dang. This is good.' " Low Key concludes with "Something A Little Like Home," a song that surprised Benson because it turned to the loneliness of being on the road and what people will do - one-night-stands, bad behaviour -- simply to stave off the solitude of their environment. But that said, Benson added that he is excited to tour again, not just in support of Low Key but Dear Life as well. Low Key, he said, works as a coda for "Dear Life," almost a sequel. And because Dear Life never had its own tour moment in front of a live audience, he'd like to build some shows around supporting both. Or as Greg Calbi, the album's mastering engineer at Sterling Sound put it: "Brendan combines the classic 80's style song-writing in the Squeeze, Crowded House vein with some incredible contemporary sonic magic, the kind of album which entices the listener to get tickets to a live show immediately." The fact is, it's been a long, rough two years for everyone, Benson said. He knows that this wait for normal times, whatever that is, might be a long one. But he's hardly new at this. Benson has been in the industry for decades and has produced his own eight solo records as well as many others. The lockdown that left him mostly with himself, professionally speaking. Confined to his Nashville studio, Benson played every instrument on Low Key and handled all of the initial production. Michael Ilbert then mixed the album at Hansa Mixroom, Berlin, Greg Calbi and Steve Fallone mastered it at New Jersey's Sterling Sound. The end result was exactly what Benson had been searching for - even if he didn't know it at the time. Those years spent honing his craft as a songwriter, producer and touring musician, turned what could have been a liability of isolation into something far deeper, a body of work he described as the best of his career.

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Brian Eno & John Cale

Wrong Way Up

31,99 €*

Release: 2020 / UK – Original

Genre: Rock & Indie

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Digital Ash In A Digital Urn

LP | 2005 | EU | Reissue (Dead Oceans)

Release: 2005 / EU – Reissue

Genre: Rock & Indie

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"The first three are innocent in a way, because we didn't have an audience when we were making them," Oberst says. "But from Lifted on, I was definitely aware of an audience. Lifted was well-received right away, and then everything happened with Wide Awake and Digital Ash." Those two albums came out simultaneously. And their lead singles - "Take It Easy (Love Nothing)," from the austere, remote Digital Ash, and "Lua," from the warm, folky Wide Awake - debuted in the top two slots on the Billboard Hot 100. "First Day of My Life," also from Wide Awake, would later be voted the Number One love song of all time by NPR Music's reader's poll. Bright Eyes had officially broken through. It was a heady, exciting time, but also fraughtand tense, both because of the band's careening new fame, and because of the state of the world. When Bright Eyes made their Tonight Show debut in 2006, they chose to perform none of their shiny new hits, instead delivering a searing, harrowing rendition of their caustic anti-Bush anthem, "When The President Talks To God."

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Digital Ash In A Digital Urn: A Companion EP Opaque Gold Vinyl Edition

LP | 2022 | EU | Original (Dead Oceans)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Opaque Gold Vinyl! "The first three are innocent in a way, because we didn't have an audience when we were making them," Oberst says. "But from Lifted on, I was definitely aware of an audience. Lifted was well-received right away, and then everything happened with Wide Awake and Digital Ash." Those two albums came out simultaneously. And their lead singles - "Take It Easy (Love Nothing)," from the austere, remote Digital Ash, and "Lua," from the warm, folky Wide Awake - debuted in the top two slots on the Billboard Hot 100. "First Day of My Life," also from Wide Awake, would later be voted the Number One love song of all time by NPR Music's reader's poll. Bright Eyes had officially broken through. It was a heady, exciting time, but also fraughtand tense, both because of the band's careening new fame, and because of the state of the world. When Bright Eyes made their Tonight Show debut in 2006, they chose to perform none of their shiny new hits, instead delivering a searing, harrowing rendition of their caustic anti-Bush anthem, "When The President Talks To God." These days, Oberst is still amusing himself by messing with the extremes Bright Eyes baked into this era's releases, extremes that reflected the polar, with-us-or-against-us, fractious feel of the times. The reworked Digital Ash tracks, originally so clean and elegant, are, on the companion EP, full of "harmonica and mandolins - folky vibes," Oberst says. While the analogue sweetness of the Wide Awake songs have been put through a detached nihilism filter.

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I'm Wide Awake, It's Morning

LP | 2005 | EU | Reissue (Dead Oceans)

Release: 2005 / EU – Reissue

Genre: Rock & Indie

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I'm Wide Awake, It's Morning: A Companion EP Opaque Gold Vinyl Edition

LP | 2022 | CA | Original (Dead Oceans)

Release: 2022 / CA – Original

Genre: Rock & Indie

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Lifted Or The Story: A Companion EP Opaque Gold Vinyl Edition

LP | 2022 | EU | Original (Dead Oceans)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Lifted Or The Story Is The Soil, Keep Your Ear To The Ground

2LP | 2002 | EU | Reissue (Dead Oceans)

32,99 €*

LP | 2023 | US | Original (Ghostly International)

Release: 2002 / EU – Reissue

Genre: Rock & Indie

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Lifted or The Story Is in the Soil, Keep Your Ear to the Ground Originally released 2002. "The first three are innocent in a way, because we didn't have an audience when we were making them," Oberst says. "But from Lifted on, I was definitely aware of an audience. Lifted was well-received right away, and then everything happened with Wide Awake and Digital Ash." Those two albums came out simultaneously. And their lead singles - "Take It Easy (Love Nothing)," from the austere, remote Digital Ash, and "Lua," from the warm, folky Wide Awake - debuted in the top two slots on the Billboard Hot 100. "First Day of My Life," also from Wide Awake, would later be voted the Number One love song of all time by NPR Music's reader's poll. Bright Eyes had officially broken through. It was a heady, exciting time, but also fraughtand tense, both because of the band's careening new fame, and because of the state of the world. When Bright Eyes made their Tonight Show debut in 2006, they chose to perform none of their shiny new hits, instead delivering a searing, harrowing rendition of their caustic anti-Bush anthem, "When The President Talks To God." These days, Oberst is still amusing himself by messing with the extremes Bright Eyes baked into this

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Brijean

Angelo

2LP | 2017 | EU | Original (City Slang)

Release: 2023 / US – Original

Genre: Rock & Indie

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Angelo is an EP, named after a car, featuring nine songs Brijean have crafted and carried with them through a period of profound change, loss, and relocation. It finds percussionist and singer Brijean Murphy and multi-instrumentalist/producer Doug Stuart processing the impossible the only way they know how: through rhythm and movement. The months surrounding the acclaimed release of Feelings, their full-length Ghostly International debut in 2021 which celebrated tender self-reflection and new possibilities, rang bittersweet with the absence of touring and the sudden passing of Murphy's father and both of Stuart's parents. In a haze of heartache, the duo left the Bay Area to be near family, resetting in four cities in under two years. Their to-go rig became their traveling studio and these tracks, along with Angelo, became their few constants. Whereas Feelings formed over collaborative jams with friends, Angelo's sessions presented Murphy and Stuart a chance to record at their most intimate, "to get us out of our grief and into our bodies," says Murphy. They explored new moods and styles, reaching for effervescent dance tempos and technicolor backdrops, vibrant hues in contrast to their more somber human experiences. Angelo beams with positivity and creative renewal _ a resourceful, collective answer to "what happens now?". Angelo the car is a 1981 Toyota Celica they got off Craigslist during their first stint in Los Angeles, where Murphy and Stuart have since settled. "Such a bro-y, `80s dude car, it's been super fun to drive around in a new town," Murphy says. "He's older than us, he's a classic, he's got a story." It is a spiritual vehicle with a cinematic appeal, first dropping them off in an alleyway for the scene-setting intro, "Which Way To The Club." The question is quickly resolved by "Take A Trip" as a cruising basslinemingles with crowd sounds, hand-claps, cuíca hiccups, whip-cracks, even a horse neigh. Brijean have found some club on this cross-dimensional trip - the kind of imagined space or cham...

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Broken Social Scene

Hug Of Thunder

LP | 2024 | US | Original (Dig!)

Release: 2017 / EU – Original

Genre: Rock & Indie

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Broken Social Scene is a Canadian indie rock band, a musical collective including as few as six and as many as nineteen members, formed by Kevin Drew and Brendan Canning. Most of its members play in various other groups and solo projects, mainly in the city of Toronto. These associated acts include Metric, Feist, Stars, Apostle of Hustle, Do Make Say Think, KC Accidental, Emily Haines & The Soft Skeleton, Amy Millan, and Jason Collett.

The group's sound combines elements of all of its members' respective musical projects, and is occasionally considered baroque pop. It includes grand orchestrations featuring guitars, horns, woodwinds, and violins, unusual song structures, and an experimental, and sometimes chaotic production style from David Newfeld, who produced the second and third albums.

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Brower

Flour

LP | 2024 | EU | Original (Born Bad)

Release: 2024 / US – Original

Genre: Rock & Indie

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Flour is the long-awaited, much-anticipated, full-course follow-up to Buzzsaws—Brower’s debut album from 2018. Sure, there’s been tasty snacks and treats to sustain folks along the way: several singles worth, and a totally authentic “Live” album. But this is the fresh new long-player platter you’ve hungered for.

Again, recorded entirely by Nat, at home and in the practice space (that is, various different practice spaces, due to unruly landlords) in Brooklyn. The recording project spanned several years due to touring, gigging, and rehearsing with the myriad of bands that form the Brower Cinematic Universe (including the live band, Brower; plus Josephine Network, Nancy, Metalleg, and The Wand-ers), not to mention working the many day-jobs it requires to barley sustain life in NYC.

Flour is benefited by this kind of “slow” practice, where time lends itself to exploration. One gets a sense of Brower’s freedom to stretch out and try new things, new instrumentation, and take a deeper dive into the songwriting always brewing between his ears.

In Brower’s kitchen, his recipe for Flour was created, tasted, tested, reworked, revisited, and rebuilt—from scratch—to the delight of the most choosy of rock ‘n’ roll gourmands and punk rock bon vivants. As they say, good food takes time. Now, once again, Brower is served.

Recommended IF YOU DIG! Lennon, Nilsson, Beach Boys, Sweet, or Elton Motello.

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Bryan's Magic Tears

Smoke & Mirrors

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-08

French Bryan's Magic Tears are now shoegaze/baggy at it's best!Summer of love: they weren't around for the first, they've studied the second, and they're planning the next. Bryan's Magic Tears release their next album, Smoke and Mirrors, on Born Bad. Still a thing on previous records, 4AM and Vacuum Sealed, their garage/ noise legacy fades away, not denied though. This confusing specimen will rave about fashionable shoegaze oldies...

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When The Wind Forgets Your Name

CD | 2022 | US | Original (Sub Pop)

11,99 €*

Release: 2022 / US – Original

Genre: Rock & Indie

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Since the band's inception in 1992, Built to Spill founder Doug Martsch intended his beloved band to be a collaborative project, an ever-evolving group of musicians making music and playing live together. "I wanted to switch the lineup for many reasons. Each time we finish a record I want the next one to sound totally different. It's fun to play with people who bring in new styles and ideas," says Martsch. "And it's nice to be in a band with people who aren't sick of me yet." Following several albums and EPs on Pacific Northwest independent labels, including the indie-rock classic, There's Nothing Wrong With Love, released on Sub Pop offshoot Up Records in 1994, Martsch signed with Warner Brothers from 1995 to 2016. He and his rotating cast of cohorts recorded six more great albums during that time - Perfect From Now On, Keep It Like a Secret, Ancient Melodies of the Future, You In Reverse, Untethered Moon, There Is No Enemy. There was also a live album, and a solo record, Now You Know. While the band's impeccable recorded catalog is the entry point, Built to Spill live is an essential force of its own: heavy, psychedelic, melodic, and visceral tunes blaring from amps that sound as if they're powered by Mack trucks. Now in 2022, Built to Spill returns with When the Wind Forgets Your Name, Martsch's unbelievably great new album (and his eighth full-length)... with a fresh new label. "I'm psyched: I've wanted to be on Sub Pop since I was a teenager. And I think I'm the first fifty year-old they've ever signed." (The rumors are true, we love quinquagenarians_) When the Wind Forgets Your Name continues expanding the Built to Spill universe in new and exciting ways. In 2018 Martsch's good fortune and keen intuition brought him together with Brazilian lo-fi punk artist and producer Le Almeida, and his long-time collaborator, Joao Casaes, both of the psychedelic jazz rock band, Orua. Martsch fell in love with their music the moment he heard it. So when he needed a new band for shows in Brazil, he asked them, and the partnership went so well Martsch, Almeida, and Casaes continued playing together throughout 2019, touring the US and Europe and ultimately recording the bass and drum tracks for When the Wind Forgets Your Name at Doug's rehearsal space in Boise. After Martsch tracked guitars and vocals, they group collaborated from afar to mix the album. What emerged is When the Wind Forgets Your Name, a complex and cohesive blend of the artists' distinct musical ideas. Alongside Built to Spill's poetic lyrics and themes, the experimentation and attention to detail produces an album full of unique, vivid, and timeless sounds, from guitar-driven rock odes to REM and Dinosaur Jr to bluesy '60s-style anthems to dub-reggae-inspired instrumentation. It may have taken us 30 years of obvious fandom and courtship, but on September 9, 2022, Sub Pop Records is unabashedly proud to finally release an excellent new album from Built to Spill: When the Wind Forgets Your Name. Sometimes persistence pays off.

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When The Wind Forgets Your Name

Tape | 2022 | US | Original (Sub Pop)

13,99 €*

Release: 2022 / US – Original

Genre: Rock & Indie

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When The Wind Forgets Your Name Black Vinyl Edition

LP | 2022 | US | Original (Sub Pop)

Release: 2022 / US – Original

Genre: Rock & Indie

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When The Wind Forgets Your Name Limited Misty Kiwi Fruit Green Vinyl Edition

LP | 2022 | US | Original (Sub Pop)

Heaven Is Over EP Crystal Clear Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Bullion

LP | 2020 | EU | Original (Jagjaguwar)

18,99 €*