Search "jack+white+blunderbuss" 2481 Items

2LP | 1997 | JP | Reissue (Universal Music)

Love Flash Fever

Division Day Half Gold & Half White Vinyl Edition

Release: 1997 / JP – Reissue

Genre: Rock & Indie

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The 8th album marked their move to Polydor and was their first entirely self-produced work. It includes their later-period signature track, the 8th single "Gasoline no Yurekata".

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Elliott Smith

7" | 1997 | US | Reissue (Suicide Squeeze)

12,99 €*

Release: 1997 / US – Reissue

Genre: Rock & Indie

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Elliott Smith's "Division Day" is not only one of the late artist's most beloved fan favorite songs, it's also one of Smith's first departures away from the soft-spoken melancholy of his first two albums and into the more sophisticated pop that led to his breakout success. B-side "No Name #6" is a classic in its own right, encapsulating the humble brilliance of one of our generation's greatest singer-songwriters. "Division Day" b/w "No Name #6" is now back in print with its first pressing on colored vinyl. Limited to 1000 copies on clear vinyl, this 7" single is a crucial document of Elliott Smith's musical evolution, and a vital piece of Suicide Squeeze history.

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LP | 1997 | US | Reissue (Sonic Youth)

Anagrama

Release: 1997 / US – Reissue

Genre: Rock & Indie

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While 1995's Washing Machine LP moniker was a thinly-veiled jab at the corporate aesthetic ("no, you cannot turn Sonic Youth into a household appliance brand", the band even considered changing its name to Washing Machine but settled on the album title instead), their major label relationship was indeed a curious buzzpoint of talk on the street after their intake to DGC in 1990. It wouldn't be fair to say that this state of existence propelled the band to reinforce its independent mindset by releasing a series of opaque-looking, French-language-dipping, highbrow-looking releases on their own that focused on the more abstract improv/compositional side of the band; in all truths they had been heavily steeped in self-releasing spillover material prior to that. But after a pressure pot of the early 90's indoctrination into a new operational mode for the band and its visibility, and the forces around it attempting to shape their direction, it seemed like a good time to create a strong show of radical concept. The Anagrama EP became the first in a series of the SYR label's Perspective Musicales releases seemingly cementing Sonic Youth's connectivity to an increasing public awareness in experimental composers of the 20th century (French or otherwise). The irony was that many of those original avant composers being rediscovered by the indie audience (Partch, Neuhaus, Reich, Messaien) often found themselves on major labels anyway! So, perhaps this reverse approach was a necessary concept/comment given the music biz climate of the 90's. Regardless of how apples and oranges fell in Xenakian probability/theory, it was clear that both Sonic Youth's stature in progressive music, aided by now unlimited taperoll time thanks to a home base studio downtown established after their Lollapalooza stint, gave the band plenty of trailblazing time for their self examination of untraveled avenues. "Anagrama" unfolds into nine minutes of delicate textures, starting with thick drone segueing into moments reminiscent of the post-crescendo flutter/comedown of "Marquee Moon's" trail-out; Thurston, Lee and Kim's guitars all circling round each other taking delicate pokes and stabs before drifting into some post-rock rhythmic moves tapered with complementary percussive guidance from Steve Shelley. "Improvisation Ajoutée" reaches further out into dissolve with whirring oscillations, guitars hissing and clanking radiator-style in a short blast format that continues into "Tremens" and a spooked-out landscape of gelatinous notes snaking up slowly. The sparseness of attack is colorful, textures emit and linger, silent spots shine, all flanked by tasteful drumming that provides the thread to all the abstraction. Shelley's approach here is interestingly sideways to any kind of usual rock action, it's tempered, mutant and metronomic simultaneously. The finale track "Mieux: De Corrosion" is a real pedal-palatte showcase. Here, Plutonian guitar wash flanges upwards to buoy a myriad of colorful eruptions of amp-spuzz, chopped up tone blasts and general confusion. Out of the blue, some metallic one-note choogle kicks in and threatens to explode into some Judas Priestly motion, before it all sputters into aural glass showers, clang, and finally a ferocious wave of more flange hiss that crashes down on a dime. This initial foray into SY's Perspectives Musicales series continued onward with releases featuring other co-conspirators, peaking with the ambitious 2CD Goodbye 20th Century that finally connects the band into full-on interpretations of other composers' pieces (as well as displaying their own new ones). The whole series is not so much an outlet for another "side" of the band, but a run that went hand in hand building new approaches of songcraft onto their own, more overground direction which included Jim O'Rourke (who hopped on during Syr3), adding additional density to A Thousand Leaves and other LPs of his era. Fans of the '86 Spinhead Sessions as well as the recently-exhumed later jams of In/Out/In will take in the sounds of Syr1 with glee. - Brian Turner

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LP | 1997 | US | Reissue (Sonic Youth)

Slaapkamers Met Slagroom

Impetus 25th Anniversary Record Store Day 2023 White Vinyl Edition

Release: 1997 / US – Reissue

Genre: Rock & Indie, Electronic & Dance

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Unfettered by studio time limitations with their own home base of Echo Canyon, SYR 2 shows Sonic Youth chasing the shadows of predecessor SYR 1 and the series' distinct aesthetic: total exploration of freedom and further discovery. While the cover art evokes European contempo classical releases of yore, Sonic Youth distinctively reinvent their own personal output potential the way those kinds of records revolutionized a previously defined genre. Their ethos of utilizing the roots of the Ramones, Television, VU, Stooges, and No Wave to shape their first decade now find the band in later years bullet-pointing fascination in AMM, MEV, improvised music, free jazz and other outer-limit/organic refractions of traditional rock. While Sonic Youth's spontaneous-creation moments had long been showcased in their recordings, Peel Sessions, and live, SYR 2 sums up the band's state in 1997: rolling lots of tape, fine-tuning ideas and presenting great moments of exciting new directions, allowing deep-listener type fans to gain better insight into their sound process. Add to that the alchemy of Jim O'Rourke's gradual entry into the core band which would soon be fully on display for SYR 3, and this series is an X-ray of evolution, dissection and reconstruction.

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Clutch

12" | 1997 | EU | Reissue (Earache)

Release: 1997 / EU – Reissue

Genre: Rock & Indie

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Apartment Life White Vinyl Edition

Ivy

LP | 1997 | US | Reissue (Run For Cover)

Release: 1997 / US – Reissue

Genre: Rock & Indie

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Giving Thanks / Thanks Giving

The Hams

LP | 1997 | US | Reissue (Zaius Tapes)

Evergreen 25 Year Anniversary Edition

Release: 1997 / US – Reissue

Genre: Rock & Indie

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Zaius Tapes opens 2023 with a reissue that few if any would have predicted. The Hams’ legendary and elusive sole release was promoted — as an exclusive — through Systematic via the backdoor in the summer of 1987 amidst the distributor’s fog of bankruptcy. The Hams’ label, Down And Out, was equally mysterious, having previously released one LP (Prominent Disturbance) and one cassette (The Turks) to little or no fanfare. Since none of the Systematic sales staff at the time have any memory of carrying these titles, the shroud of speculation only enhances their existence. The Hams 12" did receive a hale and hearty endorsement in the pages of Forced Exposure at the time, comparing them to (surprise!) The Smashchords. Accurate enough, let’s face it, there wasn’t a whole lot out there for this to stick to. However, there was no real way to get the thing. Adorned in a plain white disco sleeve, presumably the few that got out into the wild before the Chapter 11 axe came down were as in-store play copies. No one has an idea about how many were originally pressed, either. All of this helping to build its quiddity among collectors. The Smashchords comparison notwithstanding, The Hams 12" is every bit as much of an anomaly. Literally two dudes on guitar and drum, jamming. No vocals, just heart. It could have easily come out on SST in its waning, Byzantine era, sounding like Painted Willie collapsing into a black hole of Turkish barbarism. Or yourself, evaporating into the abyss of any Montrose album, shattered on Tuinals, struggling to redefine life itself. Basically: not for everyone. But with only 200 pressed, Zaius Tapes have that covered.

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Echo & The Bunnymen

LP | 1997 | EU | Reissue (London)

LP | 1997 | EU | Reissue (It Sounds)

Release: 1997 / EU – Reissue

Genre: Rock & Indie

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In 1997, after a lengthy hiatus, Echo & The Bunnymen returned to the fore with 'Evergreen', revealing the brighter side of the band, and standing up with any of their earlier work.The self-produced album was recorded at The Doghouse in Henley-On-Thames with additional strings, horns and vocal arrangements recorded at Abbey Road.

The album saw the band rightfully return to the UK album charts at #8, with 3 singles ('Nothing Lasts Forever', 'I Want to Be There [When You Come]' and 'Don't Let It Get You Down') entering the UK top 50. 'Nothing Lasts Forever' (with backing vocals and tambourine by Liam Gallagher) has grown to become one of the band's most enduring and well-loved songs - a UK Top 10 and a fan favourite to this day.

To celebrate its 25 year anniversary, London Records releases 'Evergreen' on vinyl for the very first time, with a limited first pressing in solid white vinyl. There is also a new remastered and expanded 2 CD edition, taking in studio b-sides, live and acoustic sessions and previously unreleased versions across 33 tracks.

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Tito & Tarantula

Tarantism

21,99 €*

Release: 1997 / EU – Reissue

Genre: Rock & Indie

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2LP | 1996 | UK | Reissue

Meat Beat Manifesto

Subliminal Sandwich

38,99 €*

Release: 1996 / UK – Reissue

Genre: Rock & Indie

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1977 Splattered Vinyl Edition

Ash

LP | 1996 | EU | Reissue (BMG Rights Management)

In Search Of... Deluxe Edition

Release: 1996 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

White With Black Splatter

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Fu Manchu

LP | 1996 | US | Reissue (At The Dojo)

46,99 €*

Repetition Blood Splatter Vinyl Edition

Release: 1996 / US – Reissue

Genre: Rock & Indie

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2023 repress, red with white splatter LP plus white red splatter 7" single.Innitially the first release in Fu Manchu's 30th Anniversary vinyl reissue series, In Search Of...Deluxe Edition, celebrates the band's 3rd album and major label debut, which was originally released on 27 February, 1996. Recorded at Grandmaster Studios in Hollywood, California by the band and Brian Jenkins (KYUSS, SCREAMING TREES), "In Search Of_" is considered a classic of the '90s and a pillar for the "stoner rock" movement. Highlights include the lead single "Asphalt Risin'", "Redline" and fan favorite "Cyclone Launch." This limited edition run is pressed on clear vinyl with blue and yellow splatter and the gatefold package design includes never before seen photos of the band. Also included is a bonus red/black splatter 7" of "Chevy Van" (a Sammy Johns cover that was previously only available on the Japanese pressing of the original album) b/w a 1995 Demo version of "Redline." Both the LP and 7" feature newly remastered audio for maximum fidelity.

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Unwound

LP | 1996 | US | Reissue (Numero Group)

Freak Orange & White Marbled Vinyl Edition

Release: 1996 / US – Reissue

Genre: Rock & Indie

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Blood Splatter Vinyl.Dead-eyed post-punk from Olympia's reigning noise-niks. Repetition rejects the major label signing spree of the mid-'90s entirely, training its hulking focus on haircut hardcore, white belt Jiujitsu, and frenzied feedback. The soundtrack to a fantasy Halloween candy heist, now on vinyl for the first time since 1996.

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Silverchair

12" | 1996 | EU | Reissue (Music On Vinyl)

24,99 €*

Release: 1996 / EU – Reissue

Genre: Rock & Indie

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Relaxing With The Heads Silver Jubilee Edition

The Heads

2LP | 1996 | UK | Reissue (Rooster)

LP | 1996 | EU | Reissue (Music On Vinyl)

Release: 1996 / UK – Reissue

Genre: Rock & Indie

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A special 25th anniversary edition of THE Heads’ debut album, first released in 1996 and housed in new gatefold jackets with updated art and bonus material. Amidst a world suffocating in Britpop smarm, The Heads' debut cut a timely swath of unkempt psychedelic rock into the face of the English underground. Featuring ten tracks of guitar-driven, amp-destroying jams, Relaxing With... takes its cues from the US--Stooges, MC5, Mudhoney, Pussy Galore, early Monster Magnet--but adds a distinctly British stamp with the drone and fuzz of Loop / Spacemen 3, the attitude of The Fall, Pink Fairies and Walking Seeds and the spaced rock of early Hawkwind. It is obvious that the four members of The Heads are music obsessives. Bonus LP includes the remastered tracks from the band's Radio 1 sessions from November '95, March and May 1996, along with "Jellystoned Park" (the B-side of their "Television" 7-inch). Jacket art has been embellished with new silver foiling and bordering.

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Dog Eat Dog

Play Games

Release: 1996 / EU – Reissue

Genre: Rock & Indie

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2LP | 1995 | JP | Reissue (Universal Music)

The Six

Release: 1995 / JP – Reissue

Genre: Rock & Indie

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Although it is labeled as the 6th album, this is actually their first best-of album. The tracks "Guard Rail ni Suwari Nagara”, "Mune ga Kowaresou", "Rude Boy [Furyou Shounen no Uta]", and "Boku no Kokoro wo Torimodosu Tame ni" from the 1st album “Red Guitar and the Truth” have been rearranged and newly recorded at the request of the members. It also includes the complete version of "Warui Hitotachi" with uncut lyrics, which was released independently, as well as the 6th single "Girl / Jiyuu". Please note that the tracklist and artwork differ from the analog version released at the time.

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2LP | 1995 | JP | Reissue (Universal Music)

Skunk

Starmarket White / Grey Vinyl Edition

Release: 1995 / JP – Reissue

Genre: Rock & Indie

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The 7th album was also produced by Masami Tsuchiya and recorded in London. It is the last work during their time with Toshiba EMI, featuring a simple arrangement that consists mostly of performances by the three members. The art direction was handled by Mitsuo Shindo. Includes the 7th single "Kuchizuke."

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Starmarket

LP | 1995 | UK | Reissue (Thirty Something)

All That May Do My Rhyme White Limited

Release: 1995 / UK – Reissue

Genre: Rock & Indie

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Reissue of the Swedish indie rock / emo band’s first album on Colored Vinyl with bonus tracks.

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Roky Erickson

LP | 1995 | EU | Reissue (Play Loud)

Release: 1995 / EU – Reissue

Genre: Rock & Indie

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2LP | 1995 | US | Reissue (Ba Da Bing!)

Dead C

The White House

41,99 €*

Goalie For The Other Team

Release: 1995 / US – Reissue

Genre: Rock & Indie

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The Dead C’s trio of albums in the middle of their harsh 90s reality served for many as entry points to the band. Operation Of The Sonne, The White House and Tusk received wider distribution than the band had ever seen before, and this was the first rays of them being considered amongst the most important rock bands of the 20th century. This trio of vinyl reissues capture their intensity and presence in a way that may even blow out the candle of the original pressings. Newly remastered by Lasse Marhaug, and with bonus tracks, these 2023 reissues have been cut carefully and loud, with the sonic wars heard on these now-classic tracks more blaring than ever. The Dead C on The White House, now including bonus track “Breakdown/World”: “Recorded in the winter of 1994, sessions were accompanied by snow, an infrequent but always super-exciting event in downtown Dunedin. Mainly if not entirely recorded direct to Revox B77, just like The Clean’s Oddities. Our version of Led Zepp IV with no ‘Stairway’, as recorded by the Meat Puppets in a K-hole. Originally M&D by Matador, this is as major label as we got. Mere pseud post-grunge sell-out moves-ah.”

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Meow

CD | 1995 | DE | Original (Brake Out)

1,59 €* 3,99 € -60%

Release: 1995 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Rhythms, Resolutions & Clusters Yellow Vinyl Edition

Tortoise

LP | 1995 | US | Reissue (Thrill Jockey)

Rhythms, Resolutions, & Clusters

Release: 1995 / US – Reissue

Genre: Rock & Indie

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Tortoise has spent nearly 30 years making music that defies description. While the Chicago-based instrumental quintet has nodded to dub, rock, jazz, electronica and minimalism throughout its revered and influential discography, the resulting sounds have always been distinctly, even stubbornly, their own. One of the throughlines that create that distinctive sound is what might be called a pervasive element of group play, or ensemble-mindedness, as opposed to emphasis on a virtuoso soloist or frontman. Rhythms, Resolutions and Clusters follows in this line as Tortoise turned their iconic early songs over to their friends to play with. The remixes by other legends including Bundy K. Brown, Steve Albini, Jim O'Rourke, Brad Wood (Liz Phair), Casey Rice, Mike Watt (Minute Men), and Rick Brown (75 Dollar Bill) create a sense of community, and unlimited creativity. It's been out of print since 1995. Tortoise...have spent the past 25 years and seven albums fusing dub, jazz, prog, and indie into an instantly recognizable and much-loved trademark sound. - Pitchfork As with the best of Tortoise, these tracks can be enjoyed on many levels, but when listened to carefully, they reveal seemingly infinite sonic treasures. - Pitchfork

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Tortoise

LP | 1995 | US | Reissue (Thrill Jockey)

Release: 1995 / US – Reissue

Genre: Rock & Indie

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Cascade Scarlet Vinyl Edition

Peter Murphy

LP | 1995 | UK | Reissue (Beggars Banquet)

Release: 1995 / UK – Reissue

Genre: Rock & Indie

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LP | 1995 | US | Reissue (Thrill Jockey)

Sea And Cake, The

The Biz

Release: 1995 / US – Reissue

Genre: Rock & Indie

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2LP | 1995 | CZ | Reissue (Geffen)

Washing Machine

Release: 1995 / CZ – Reissue

Genre: Rock & Indie

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2LP | 1995 | US | Reissue (Thrill Jockey)

The Sea And Cake

Nassau

Release: 1995 / US – Reissue

Genre: Rock & Indie

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Shiawase No Kane Ga Narihibiki Boku Wa Tada Kanashii Furi Wo Suru

2LP | 1994 | JP | Reissue (Universal Music)

Theres Nothing Wrong With Love Jade Blue Vinyl Editoin

Release: 1994 / JP – Reissue

Genre: Rock & Indie

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The 5th album was also produced by Masami Tsuchiya. It stands out among BLANKEY's works as a unique piece, featuring contributions from many guest musicians, including the Tower of Power horn section. It includes the 4th single “Aoi Hana” and the 5th single “Kaze ni Naru Made.”

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Built To Spill

LP | 1994 | EU | Reissue (ADA)

Release: 1994 / EU – Reissue

Genre: Rock & Indie

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10" | 1994 | UK | Original (Chrysalis)

Mutha's Day Out

My Soul Is Wet

3,99 €*

Release: 1994 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Live At Paradiso 2004 Record Store Day 2024 Transparent Red / Solid White Vinyl Edition

Keane

2LP | 1994 | Reissue (UMC)

43,19 €* 53,99 € -20%

All Boro Kings Smokey Vinyl Edition

Release: 1994 / Reissue

Genre: Rock & Indie

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Quantity: 2500
Release type: 'RSD First' Release
Keane’s full concert recording, Live at Paradiso 29.11.2004, will be released on 2LP Colored Vinyl for the first time. The wide-spine single sleeve contains a transparent red LP1, and solid white LP2 housed within printed inners, as well as liner notes by the band recalling the atmosphere of the Amsterdam concert.

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Dog Eat Dog

LP | 1994 | EU | Reissue (Music On Vinyl)

LP | 1994 | EU | Reissue (Dreilabel)

Release: 1994 / EU – Reissue

Genre: Rock & Indie

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Limited edition of 1000 individually numbered copies on smokey coloured vinyl

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Subway To Sally

1994 White Vinyl Edition

22,99 €*

Release: 1994 / EU – Reissue

Genre: Rock & Indie

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The White Birch Washed Up Vinyl Edition

Codeine

LP | 1994 | CZ | Reissue (Numero Group)

Release: 1994 / CZ – Reissue

Genre: Rock & Indie

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A white ship sailing in a sea of blackness, Codeine's swan song arrived in 1994 amid grunge's ascension to alt radio's godhead status. John Engle's guitar alternates between crystalline and sludge, and Stephen Immerwhar's distorted bass floats on top of punishing drums from newcomer Doug Scharin (Rex, June of 44), resulting in nine perfect meditations on the loneliness and uncertainty of early adulthood. "Codeine's unyielding numbness creates its own kind of warmth _ the feeling of cold water running for so long that it suddenly feels hot." _ Spin

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Experimental Jet Set, Trash And No Star

LP | 1994 | CZ | Reissue (Geffen)

22,99 €*

Release: 1994 / CZ – Reissue

Genre: Rock & Indie

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Tape | 1994 | US | Reissue (Numero Group)

Codeine

The White Birch

16,99 €*

Tortoise Colored Vinyl Edition

Release: 1994 / US – Reissue

Genre: Rock & Indie

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Tortoise

LP | 1994 | US | Reissue (Thrill Jockey)

No One Rides For Free Red Wuth White Splatter Vinyl Edition

Release: 1994 / US – Reissue

Genre: Rock & Indie

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Tortoise has spent nearly 30 years making music that defies description. While the Chicago-based instrumental quintet has nodded to dub, rock, jazz, electronica, and minimalism throughout its revered and influential discography, the resulting sounds have always been distinctly, even stubbornly, their own. There is a always the pervasive element of group play, or ensemble?mindedness, as opposed to emphasis on a virtuoso soloist or frontman, despite the fact Tortoise is composed of members who could each easily have taken center stage in another group. In their debut, Tortoise is composed of Douglas McCombs, John Herndon, Dan Bitney, John McEntire, and Bundy K. Brown. This self-titled, incorporates many musical styles and influences, but no one style alone is sufficient to fully describe the distinct sound they craft. This unique blending of styles caused them to be recognized as the leaders of a new musical movement. Tortoise utilize the recording studio, not only to put their music to wax, but in a way that their recording process becomes a compostional tool described at times as the "sixth member", thus creating a boundless parameter in which to create and manipulate music. Tortoise's self-titled debut was originally released in 1994. This re-issue is re-mastered by Roger Seibel at SAE Mastering, in jacket with art insert, both designed by Sam Prekop as well as a free download card. 2022 version is available on limited edition white with hi-melt black vinyl

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Fu Manchu

LP | 1994 | US | Reissue (A Th Dojo)

Triodante White Vinyl Edition

Release: 1994 / US – Reissue

Genre: Rock & Indie

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The fourth release in Fu Manchu's 30th Anniversary vinyl reissue series, No One Rides For Free, is a new vinyl specific remaster of the band's debut album. These songs are the only recordings of the band's line-up of Scott Hill (vocals/guitar), Mark Abshire (bass), Eddie Glass (guitar) and Ruben Romano (drums). The 8 song collection was recorded on April 16 and 17, 1993 at Sandbox Studios in LA, produced by the band along with Brant Bjork. This reissue was remastered by Carl Saff for optimum fidelity. This limited edition 2,000 unit LP run is pressed on red vinyl with white splatter and the newly designed gatefold package includes never before seen photos of the band and flyers from the shows of the era. The limited edition 1,000 unit CD run also features the updated art and a digital specific remaster.

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Armia

2LP | 1994 | EU | Reissue (Metal Mind Productions)

25,19 €* 27,99 € -10%

Angel's Breath White Vinyl Edition

Release: 1994 / EU – Reissue

Genre: Rock & Indie

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white 180 gram vinyl, fold out cover, inner sleeves

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Angel's Breath

LP | 1994 | EU | Reissue (Croatia)

LP | 1994 | US | Reissue (Thrill Jockey)

Release: 1994 / EU – Reissue

Genre: Rock & Indie

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180 gram vinyl

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Sea And Cake, The

The Sea And Cake

Release: 1994 / US – Reissue

Genre: Rock & Indie

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Experimental Jet Set, Trash And No Star

LP | 1994 | US | Reissue (Geffen)

35,99 €*

In Utero Original Album & Bonus Tracks

Release: 1994 / US – Reissue

Genre: Rock & Indie

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Made in Czech Republick

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Nirvana

LP+10" | 1993 | EU | Reissue (Ume)

42,99 €*

Release: 1993 / EU – Reissue

Genre: Rock & Indie

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Lyburnum Wits End Liberation Fky White Vinyl Edition

Moss Icon

LP | 1993 | US | Reissue (Temporary Residence)

LP | 1993 | US | Reissue (Ba Da Bing!)

Release: 1993 / US – Reissue

Genre: Rock & Indie

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Translucent White Vinyl.Lyburnum Wits End Liberation Fly was the one and only full-length album by experimental post-punk innovators, Moss Icon. Recorded in 1988, Lyburnum would not be released until 1993 - several years after Moss Icon's demise. Originally released on Vermiforn - the esoteric noise label founded by Sam McPheeters of Born Against - the vision that Moss Icon's Tonie Joy had for Lyburnum failed to manifest in its finished product. An uphill battle that involved misplaced photos, misunderstood instructions and increasing apathy, Lyburnum ended up being an it-is-what-it-is situation. Despite these challenges and shortcomings, Lyburnum Wits End Liberation Fly was instantly cherished as a feral masterpiece - a singular entity that would become a defining influence on post-hardcore and emo in the 1990s and beyond. Nothing before sounded like this, and nothing since has quite captured the same mysterious fury. Now, finally, Moss Icon's seminal Lyburnum Wits End Liberation Fly LP will be released exactly as it was always intended to look, sound, and feel. The artwork has been fully restored, and includes previously unpublished photos that were inadvertently missing from the original release. Brilliantly remastered by Alan Douches at West West Side Music, the vinyl has been newly cut by Bob Weston at Chicago Mastering Service, and pressed onto audiophile-grade vinyl at RTI.

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Dead C

Operation Of The Sonne

CD | 1993 | EU | Original (Brake Out)

Release: 1993 / US – Reissue

Genre: Rock & Indie

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The Dead C’s trio of albums in the middle of their harsh 90s reality served for many as entry points to the band. Operation Of The Sonne, The White House and Tusk received wider distribution than the band had ever seen before, and this was the first rays of them being considered amongst the most important rock bands of the 20th century. This trio of vinyl reissues capture their intensity and presence in a way that may even blow out the candle of the original pressings. Newly remastered by Lasse Marhaug, and with bonus tracks, these 2023 reissues have been cut carefully and loud, with the sonic wars heard on these now-classic tracks more blaring than ever. Coming after the monster that was Harsh 70s Reality, and its evil twin, Clyma Est Mort, this album has always confounded even soi-disant Dead C fans. Side one documents the discovery of the analogue synthesizer coupled with field recordings from the basement of Willowbank, Koputai’s “most stately” home. Side two emerged spontaneously to cassette on stage at the “fabled” Empire Tavern—and it still sounds like stripping the breathable atmosphere from an already-depleted biosphere.

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Underbelly

Mumblypeg

1,59 €* 3,99 € -60%

Release: 1993 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

CD | 1993 | DE | Original (Brake Out)

Undernation

Anger

1,59 €* 3,99 € -60%

Release: 1993 / DE – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

2LP | 1993 | US | Reissue (Run Out Groove)

Luna

Lunapark

39,19 €* 48,99 € -20%

Release: 1993 / US – Reissue

Genre: Rock & Indie

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Luna's debut available for the first time on double vinyl including demo versions.

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Meat Beat Manifesto

Satyricon

LP | 1992 | UK | Reissue

Release: 1992 / UK – Reissue

Genre: Rock & Indie

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Black Ticket Day Prurple Vinyl Edition

Ed Kuepper

2LP | 1992 | US | Reissue (Remote Control)

43,99 €*

Release: 1992 / US – Reissue

Genre: Rock & Indie

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Loaded Record Store Day 2020 Edition

Primal Scream

12" | 1992 | UK | Reissue (Sme Uk)

19,99 €*

Release: 1992 / UK – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Cabaret Metro Chicago ‘89

Pixies

LP | 1992 | US (Obiterdictum Media Ltd.)

LP | 1992 | EU | Reissue (1972)

Release: 1992 / US

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: VG

Still sealed. White vinyl. Cover has both bottom corners bent and cracked. 2022 reissue.

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Sea Urchins

Stardust

40,99 €*

It's A Shame About Ray 30th Anniversary Deluxe Edition

Release: 1992 / EU – Reissue

Genre: Rock & Indie

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Cutting their teeth as teens in a West Bromwich bedroom, The Sea Urchins were nothing like the heavy metal that seemed to fill every bar in the UK Black Country. Fringe haircuts, perfect trousers, suede jackets and infectious tambourines gave plenty of hints as to their youthful ambition, but nothing could fully prepare you for just how utterly spellbinding these songs would be. Compiling their fanzine-only flexi material with the full complement of singles for Sarah Records, Stardust runs chronologically from late 1986 to the middle of 1989, beginning with the singles split for Clare Wadd’s Kvatch and Matt Haynes’ Sha La La, before hitting the first of what would be an even hundred releases from the new label Wadd and Haynes would form - Sarah. The song that launched a legendary label and defined a sound, a scene, a place and time; “Pristine Christine” still rings out as immediate and magical today as it did on first listen. What a glorious jangly rush racing around the corners of pop’s history! The band would reach such heights time and again over the course of this three year burst. The melancholy swinging folk of “Everglade” and it’s wonderfully yearning vocal; the organ-fueled british invasion garage rock sing-a-long of “Solace”; the playful psych pop of “A Morning Odyssey”; the acoustic sweep of “Wild Grass Pictures”; the perfectly named “Summershine” leaving you with a ramshackle smile out on the dancefloor. All of it is just so filled with delicate humanity, yet somehow absolutely perfect. As Bob Stanley said about the shimmering ballad “Please Rain Fall” while bestowing it with NME Single Of The Week (an honr also bestowed upon “Pristine Christine”), “think of some variations on the word marvelous and you’re most of the way there.” In their time, they might have seemed wildly out of step, but it’s not crazy to say that things could have been very different for the likes of Radiohead, The La’s, and Oasis without The Sea Urchins.

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The Lemonheads

2LP+Book | 1992 | UK | Reissue (Fire)

53,99 €*

Holy Smoke Smoke Colored Vinyl Edition

Release: 1992 / UK – Reissue

Genre: Rock & Indie

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"Ray sounds revelatory in its restlessness, mixing college pop with country flair and relocating Gus Van Sant's Portland atmosphere to New England." Pitchfork *****« Lemonheads' seminal album 'It's A Shame About Ray', lovingly reissued for its 30th Anniversary. The long overdue reissue includes a slew of extra material, including an unreleased 'My Drug Buddy' Kcrw session track from 1992 featuring Juliana Hatfield, B-sides from singles 'It's A Shame About Ray' and 'Confetti', a track from the 'Mrs. Robinson/Being Round' EP, alongside demos that will be released for the first time on vinyl. This reissue celebrates their prestigious fifth album, these deluxe bookback editions feature new liner notes and unseen photos. Vinyl versions include download code and are on black vinyl. Standard LP has a gatefold sleeve. Standard CD is a Gatefold wallet. Described by music journalist and author Everett True as "A 30-minute insight into what it's like to live hard and fast and loose and happy with like-minded buddies, fuelled by a shared love for similar bands and drugs and booze and freedom.". 'It's A Shame About Ray' had a considerable impact back in those heady, carefree days of '92, the record perfectly captures Dando's ability to effortlessly encapsulate teenage longing and lust over the course of a two-minute pop song. Singles such as 'My Drug Buddy' and the breezy perfect pop of the title track might stand out (plus the add-on of 'Mrs. Robinson' which later copies included), but the album's real strength lies in the tracks in-between; the truly fantastic 'Confetti' (written about Evan's parents' divorce), and the eye-wateringly casual acoustic cover of 'Frank Mills' (from the "hippie" musical Hair), a version that seems to resonate with every ounce of pathos and emotion felt for the lost 1960s generation. To hear Evan Dando sing lines like 'I love him/but it embarrasses me/To walk down the street with him/He lives in Brooklyn somewhere/And he wears his white crash helmet' is to truly appreciate how wonderful and tantalising pop music can be. Then, there's the rush of insurgency and brattishness on the wonderfully truncated 'Bit Part'; the topsy-turvy 'Ceiling Fan In My Spoon'... this was male teenage skinny-tie pop music on a level of brilliance with The Kinks, early Undertones, Wipers.

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Peter Murphy

LP | 1992 | UK | Reissue (Beggars Banquet)

Release: 1992 / UK – Reissue

Genre: Rock & Indie

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Loaded Record Store Day 2020 Edition

Primal Scream

12" | 1992 | UK | Reissue (Sme Uk)

21,99 €*

LP | 1992 | US | Reissue (Touch & Go)

Release: 1992 / UK – Reissue

Genre: Rock & Indie

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Record Store Day 2020 Release.

from 8am on either Aug 29th, Sept 26th or Oct 24th. Remaining stock will be available to purchase from this page at 18.00 on those respective dates..

30th anniversary release. Features Andy Weatherall 7 min mix, backed with I'm Losing More Than I'll Ever Have and Ramblin Rose (live NYC).

Loaded was the single that changed everything for Primal Scream. It started as a simple request from Primal Scream member Andrew Innes to Andrew Weatherall for a remix of the song I'm Losing More Than I'll Ever Have off the group's second (and self-titled) full length album, an album which hadn't met with much success. Weatherall did one, slightly hesitant remix of it, and was then told by Innes to get radical with the rearrangement. Weatherall tossed the original Bobby Gillespie vocal and reworked the song completely, adding a looped beat he sampled from an Italian bootleg 12" remix of Edie Brickell and The New Bohemians' song What I Am (which itself used a lifted beat from Soul II Soul.) The pro-hedonism sample that introduces the song is of Peter Fonda dialogue from the 1960s motorcycle counterculture film The Wild Angels. The sample serves as a statement of intent not only for the song, but also the then-forthcoming album Screamadelica, and, essentially, the entire Ecstasy era. The success of the resulting rock/electronic hybrid went to number 16 in the UK charts and set the template not only for Primal Scream's future career but for an uncountable number of indie bands from that moment on (The Farm and The Soup Dragons were two early and obvious adopters of this new approach). Loaded, where the essence of the groundbreaking album Screamadelica was born, was substantially instrumental for revitalizing independent rock and dance for a new decade.

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Jesus Lizard

Liar Deluxe Edition

Nintendo - White Knuckle Scorin'

Release: 1992 / US – Reissue

Genre: Rock & Indie

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Deluxe re-mastered reissue!! Packaged in gatefold album jacket w/ 12x24 inch double sided color insert including never before seen photos & extensive liner notes by the band & by journalists who were there when it was all happening. Also includes digital download coupon & 4 bonus tracks. HQ-120 virgin vinyl pressing made at RTI.

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V.A.

CD | 1991 | EU | Original (MCA)

16,99 €*

Release: 1991 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: Near Mint

LP | 1991 | EU | Reissue (Music On Vinyl)

White Lion

Mane Attraction

Release: 1991 / EU – Reissue

Genre: Rock & Indie

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Spiderland Remastered Vinyl Edition

Slint

LP | 1991 | EU | Reissue (Touch And Go)

LP | 1991 | US | Reissue (Touch & Go)

Release: 1991 / EU – Reissue

Genre: Rock & Indie

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Spiderland (remastered) LP pressed on 180 gram black vinyl, 12 page photo book, includes coupon for full album download with bonus material!Slint's 1991 album, Spiderland, remastered from the original analog master tapes by our friend Bob Weston at Chicago Mastering Service. This is the same version as was included in the Spiderland (remastered) Box Set.A download coupon for 14 bonus outtakes and demos personally selected by Slint and mastered by Bob Weston, as well as downloads of the entire Spiderland (remastered) album itself . The 14 bonus songs are not included on the vinyl album; they are included in this vinyl package as digital downloads only. Packaged in a heavy weight "tip-on" gatefold LP jacket, including a large format, 12 page book of photos including a foreword by Will Oldham and printed in the USA at Stoughton.Packaging concept and design by Louisville native Jeremy deVine (of Tempor...

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Jesus Lizard

Goat Deluxe Edition

Release: 1991 / US – Reissue

Genre: Rock & Indie

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Deluxe re-mastered reissue!! Packaged in gatefold album jacket w/ 12x24 inch double sided color insert including never before seen photos & extensive liner notes by the band & by journalists who were there when it was all happening. Also includes digital download coupon & 5 bonus tracks. HQ-120 virgin vinyl pressing made at RTI.

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Glue Silver Vinyl Edition

LP | 1990 | US | Reissue (Sub Pop)

7" | 1990 | US | Reissue (Sub Pop)

Release: 1990 / US – Reissue

Genre: Rock & Indie

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The Fluid are arguably the great unsung band from the fertile underground rock scene of the late '80s and early '90s. The Denver five-piece - John Robinson (vocals), James Clower (guitar), Matt Bischoff (bass), Garrett Shavlik (drums), and the dear departed Ricky Kulwicki (guitar) - fused the fire of '80s hardcore with crunching Detroit protopunk, '60s garage rock, and '70s rock swagger. Think MC5, Faces, '70s Stones, all cranked up and really high on Sex Pistols and Black Flag singles. Rising from the ashes of early-'80s Denver bands Frantix (whose "My Dad's a Fuckin' Alcoholic" is a true gem of American punk) and White Trash, The Fluid were the first non-Seattle band to sign to Sub Pop, and Clear Black Paper was the second full-length album the label ever released. The label honchos were fans of Frantix, and happily got involved with The Fluid when the opportunity arose via the label's European licensing partner, Glitterhouse. Witnessing The Fluid's dominant live presence helped - a particularly fiery early show at Seattle's Central Tavern featured The Fluid, Mudhoney, Mother Love Bone, and Soundgarden all trying to outdo one another on stage. The band fit right in on Sub Pop's nascent roster of acts who, wherever they stood on the spectrum of punk/rock/metal, shared a commitment to thunderous riffs and explosive live shows. Legendary for their ferocious stage presence, The Fluid toured all over the US and Europe, holding their own and then some on bills with Mudhoney, Nirvana, Soundgarden, Dinosaur Jr., and other powerhouses of the era. From 1986 to 1993, The Fluid put out four albums and a number of EPs and singles, including a split 7" with Nirvana in 1991, before doing one album for a major label and promptly disbanding.Yet, while their partners-in-crime bulldozed into the mainstream, The Fluid remained something of a cult band, their audience confined to those who got hip during the band's existence, and crate diggers who nabbed original vinyl or CDs, which had quickly become rarities after sellin...

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Nirvana

Sliver / Dive

10,99 €*

Same Place The Fly Got Smashed Transparent Red Vinyl Edition

Release: 1990 / US – Reissue

Genre: Rock & Indie

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BACK IN PRINT! NIRVANA members Kurt Cobain and Krist Novoselic wrote the music to "Sliver" with temporary drummer Dan Peters of Mudhoney during a practice session. Jonathan Poneman of Sub Pop had requested that Nirvana release another single. While the band selected the previously recorded "Dive" as the b-side, Cobain wanted to take advantage of a studio break by the group TAD in July 1990 to record the a-side. TAD frontman Tad Doyle disliked the idea, but producer Jack Endino talked him into it. During a one hour period, NIRVANA recorded the basic tracks for "Sliver" using TAD's equipment. Cobain completed writing the song's lyrics just before it was recorded. "Sure, the vocals are lazily throat splitting, the guitars belligerently grungy, the bass up and out of place . . . but check the melodies, damn fools, check the melodies." - Everett True, MELODY MAKER 1990

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Guided By Voices

LP | 1990 | US | Reissue (Scat)

Same Place The Fly Got Smashed Black Vinyl Edition

Release: 1990 / US – Reissue

Genre: Rock & Indie

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Originally released in 1990, Same Place The Fly Got Smashed was Guided By Voices’ fourth album in as many years. Roughly a concept album about an alcoholic named Joker Bob who goes on a bender, someone dies, and Bob gets the chair (“the electrifying conclusion”). From the moment the needle drops, the listener is served notice that this isn’t going to be an easy listen, as an argument taped off of a TV cuts to a basement recording of a lone, blaring electric guitar with someone yelling over the top. But for those brave enough to pass the opening hazards, there are wonders within.

This particular album has come to be held in higher and higher regard by fans, and they are correct to consider it a top-tier release. The story and sequence have a flow, and consideration for approachability is optional. Many of the crudest tracks reveal themselves as necessary stitches in the album’s tapestry. Yet it also contains all time greats like “Drinker’s Peace,” “Mammoth Cave,” the epic “Local Mix-Up/Murder Charge,” and of course “Pendulum” with its immortal opening line: “Come on over tonight, we’ll put on some Cat Butt and do it up right!”—a rare break in the clouds on one of the band’s darkest albums.

This reissue, like the previous ones in this series, is a mostly faithful reproduction of the original pressing of 500 on the band’s own Rocket #9 label. And like the others, the virgin RTI vinyl is housed in a thick tip-on jacket, and includes Robert Pollard’s original handwritten lyric insert.

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Guided By Voices

LP | 1990 | US | Reissue (Scat)

24,99 €*

Gub Black White Splatter Vinyl Edition

Release: 1990 / US – Reissue

Genre: Rock & Indie

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Pigface

2LP | 1990 | EU | Reissue (Cleopatra)

39,99 €*

Release: 1990 / EU – Reissue

Genre: Rock & Indie

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White Lightning White Vinyl Edition

The Fall

LP | 1990 | EU | Reissue (Secret)

Release: 1990 / EU – Reissue

Genre: Rock & Indie

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LP | 1990 | US | Reissue (Geffen)

Goo

35,99 €*

Dr. Feelgood 35th Anniversary Red White Lenticular Vinyl Edition

Release: 1990 / US – Reissue

Genre: Rock & Indie

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This is the legendary sixth studio album by American alternative rock band Sonic Youth. It was also their debut on a major label and is a must-have album.

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Mötley Crüe

LP | 1989 | EU | Reissue (BMG Rights Management)

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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Roadmouth Lime Vinyl Edition

LP | 1989 | US | Reissue (Sub Pop)

Crime & The City Solution

Release: 1989 / US – Reissue

Genre: Rock & Indie

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The Bride Ship

LP | 1989 | US | Reissue (Mute)

22,99 €*

LP | 1989 | UK | Reissue (Southern Lord)

Release: 1989 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

White vinyl. Cover is close to NM. Limited edition 2023 reissue.

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Blast

Manic Ride

19,99 €*

Release: 1989 / UK – Reissue

Genre: Rock & Indie

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Essential reissue of the 3rd and final Bl'ast! studio album from 1989.

Sonically enhanced with an aggressive remaster from Brad Boatright.

Visceral, brash re-design via a gatefold jacket! Take THE Ride FOR Life! Black Vinyl - NON Returnable.

Jewel case CD with fold out poster cover insert and a clear tray card.

In June of 1988 the mighty Bl'ast! went into the studio with Black Flag’s live sound engineer Goat : Dave Rat (ratsound). The result was the album: Take The Manic Ride. It was released by SST in 1989.

After the dust had settled the band was somewhat dissatisfied with the production of the album and regret ended up eternally haunting the band. The massive intensity of the songs completely outmatched what the recording ultimately captured. The master tapes were destroyed and were never to be recovered. Through some incredibly magical surgery a new heavy as fuck version of the album has been produced.

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Clear Black Paper Yellow Vinyl Edition

LP | 1988 | US | Reissue (Sub Pop)

Blow Up Your Video 50th Anniversary Golden Vinyl Edition

Release: 1988 / US – Reissue

Genre: Rock & Indie

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AC/DC

LP | 1988 | EU | Reissue (Sony Music Catalog)

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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LP | 1988 | UK | Reissue (Optic Nerve)

The Charlottes

Are You Happy Now

14,99 €*

LP | 1988 | US | Reissue (Paradise Of Bachelors)

Release: 1988 / UK – Reissue

Genre: Rock & Indie

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Formed in Huntingdon, Cambridgeshire after drummer Simon Scott met Guitarist Graham Garduilo in local band The Giant Polar Bears.

They were tour buddies to Ride and most of the late 1980s shoegaze bands. Simon Scott was stolen by Slowdive after a gig at the White Horse in Hampstead in 1990, where the Boo Radleys opened the three-band bill.

They split after releasing two albums. John Peel loved them and NME gave debut album Lovehappy 9 out of 10.

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Roxy Gordon

Crazy Horse Nver Died

32,99 €*

Release: 1988 / US – Reissue

Genre: Rock & Indie

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The Choctaw, Assiniboine, and Texan poet, journalist, visual artist, American Indian Movement activist, and musician Roxy Gordon (First Coyote Boy) (1945-2000) was above all a storyteller, known primarily as a writer of inimitable style and unvarnished candor, whose wide-ranging work encompassed poetry, short fiction, essays, memoirs, journalism, and criticism. Over the course of his career he recorded six albums, wrote six books, and published hundreds of shorter texts in outlets ranging from Rolling Stone and The Village Voice to the Coleman Chronicle and Democrat-Voice, in addition to founding and operating, with his wife Judy Gordon, Wowapi Press and the underground country music journal Picking Up the Tempo. Along the way he cultivated close friendships with fellow Texan songwriters such as Lubbockites Terry Allen, Butch Hancock, and Tommy X. Hancock, as well as Ray Wylie Hubbard, Billy Joe Shaver, and, most famously, Townes Van Zandt, whom he called his brother. Although his work covered a vast array of topics exploring strata personal, local, global, and cosmic alike, Gordon's primary subject as a writer, musician, and visual artist was always American Indian culture, specifically the ways it collided and coexisted with European American culture in the South and West-and within the context of his own life and braided identity. The ten songs on Crazy Horse Never Died, his first officially released and distributed album, were recorded in Dallas in 1988. "Songs" is perhaps an imprecise taxonomy for what Roxy captured on this and his other albums, all of which remain out of print or were released in instantly obscure limited editions of homebrew cassettes and CD-R's. (Paradise of Bachelors plans to reissue remastered, expanded editions of his catalog; Crazy Horse is the first.) He only occasionally attempted to sing, and his musical recordings are primarily corollaries of, and vehicles for, his poems. His sharp West Texan drawl, tinged by formative years of reservation living in Montana and unmistakable once you hear it-high, lonesome, flat, and cold-blooded as a bare rusty blade-instead patiently unfurls in skewed sheets of anecdotal verse and discursive narrative rants. Although Gordon's music at times incorporated powwow style drumming, fiddling, or unaccompanied ballad singing, the majority of it hews to an idiosyncratic spoken word style, accompanied by atmospheric, sometimes synth-damaged country-rock that skirts ambient textures and postpunk deconstructions. His songs are essentially recitations over backing tracks of finger picked guitars, rubbery washtub bass, and buzzing, oscillating keyboards. On the stark yellow and red jacket of Crazy Horse, which he designed himself, Gordon describes these recordings as innately ambivalent in terms of form, content, and identity: These are poems and/or songs about the American West, white and Indian. My life has been Indian and/or white. Maybe there's not a lot of difference-maybe. I guess that's mostly according to which white person or which Indian you're talking about. That's probably what this album's about. Crazy Horse Never Died comprises songs that span the personal and political arcs of his writing practice and the poles of his native and white ancestries.

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2LP | 1988 | US | Reissue (Goofin)

Daydream Nation

Floodland Black Ice Galaxy Vinyl Edition

Release: 1988 / US – Reissue

Genre: Rock & Indie

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Daydream Nation was Sonic Youth’s sixth full-length, their first double-LP, and their last for an indie label before signing with Geffen. Widely considered to be their watershed moment, the album catapulted them into the mainstream and proved that indie bands could enjoy wide commercial success without compromising their artistic vision. More recently, Daydream Nation has been recognized as a classic of its time: Pitchfork ranked it #1 on their “100 Greatest Albums of the 1980s”; Spin listed it at #13 on their “125 Best Albums of 1985-2010”; Rolling Stone put it at #45 on their “100 Best Albums of the Eighties” list and #328 on their “500 Greatest Albums of All Time.” It was one of 50 recordings chosen by the Library of Congress to be added to the National Recording Registry in 2006.
2007 saw the release of an expanded four-disc vinyl box set, but now the album is back in its original form after years of being out of print and highly sought after. As a special 21st century bonus, the vinyl now includes a digital download card—radical adults rejoice!

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The Sisters Of Mercy

LP | 1987 | UK | Reissue (Warner Music Uk)

LP | 1987 | US | Reissue (Scat)

Release: 1987 / UK – Reissue

Genre: Rock & Indie

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At the end of their US tour in June 1985 The Sisters of Mercy effectively split up. Returning in November 1987 with ‘Floodland’ (UK #9), and still aided by the trusty Doktor Avalanche, Eldritch hired former Gun Club and Fur Bible bassist Patricia Morrison to complete the new line-up. Featuring the hit singles ‘This Corrosion’ (UK #7), ‘Dominion’ (UK #13) and ‘Lucretia My Reflection’ (UK #20), production duties were shared with none other than famed Meat Loaf writer Jim Steinman. Available for National Album Day on 1LP black ice galaxy vinyl for a limited run. Limited to 3000 copies for National Album Day UK.

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Guided By Voices

Sandbox

Neurotica Turquoise & Orange Vinyl Edition

Release: 1987 / US – Reissue

Genre: Rock & Indie

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Even back in 1987, Guided By Voices was not content to release just one album in a year—Sandbox was released in the summer of that year following Devil Between My Toes’ appearance that February. Likewise, in similar GBV style, the sound and approach of the two albums could not be more different. Where Devil mostly mines a darker, lo-fi psychedia, along with several instrumental explorations, Sandbox is sunny, direct, has a bigger, crunchier sound, and zero instrumentals. Where Devil has a murky and impressionistic black and white photo of a rooster for a cover, Sandbox sports a full color photo of the band relaxing on a lawn on a sunny day. Let’s also recall that unlike today, in 1987 a full-color album jacket wasn’t just a little more expensive than a black and white one, it was way more expensive. Right up front, the band was communicating that this was a more commercially ambitious endeavor, while behind the scenes they rented better gear for a bigger sound, and tackled more sophisticated arrangements and honed in on the hooks and harmonies of the songs. Of all the band’s early self-released albums, Sandbox differs the most from the sound fans would later associate with the group, which is in itself a recommendation. Nowhere else will you hear the perfectly rendered three-part harmonies of “Long Distance Man,” direct Beatles quotes, or Robert Pollard reveling in his southern Ohio drawl. It’s also true that one of the more enjoyable aspects of the record is finding all the places where the band’s future is indeed foreshadowed. Simply put, Guided By Voices just can’t help but be a little weird, even when attempting something like a power pop album. At the close of the opening track, Pollard announces, “Ladies and gentlemen! Back by popular demand for your entertainment and spiritual enlightenment...Electric Jam Soul Aquarium!” a truly “wtf is happening here” moment. Or the stripped down gloom of “Trap Soul Door”—a track that could be right at home on nearly any later GBV album wherein Pollard intones, “Just one spark can start a hell of a fire.” Little did he know how true that statement would become.

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Redd Kross

LP | 1987 | US | Reissue (Merge)

Release: 1987 / US – Reissue

Genre: Rock & Indie

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Merge Records is thrilled to release the 35th anniversary edition of Neurotica, the 1987 power pop and alternative rock opus by Redd Kross. This reissue includes the original album, remastered by JJ Golden (Pearl Jam, Thee Oh Sees), as well as 12 previously unreleased demos from the era (rediscovered recently in the archives of the band's original A&R guy, Geoffrey Weiss). The double vinyl edition-the album on translucent turquoise, the demos on translucent orange-arrives in a slick gatefold jacket.For Neurotica, brothers Jeff and Steven McDonald enlisted a grand crew of musicians that included guitarist Robert Hecker, keyboardist Paul Roessler (Screamers, Nervous Gender), and Roy McDonald (The Muffs) on drums. And in the producer's chair guiding the young bucks? Tommy Erdelyi, aka Tommy Ramone, one of the originators of punk rock melody. Unshakeable hooks on tracks like "Peach Kelli Pop" and title track "Neurotica" would inspire rave reviews at the time of the album's original release in 1987. The L.A. Times' Craig Lee wrote: "In an age when too many bands base their music either on calculated career moves or heavy-handed pretensions, Redd Kross is as breezy as a kiss in the wind, a band born to rock in a world that forgot how." Decades later, Pitchfork would revisit the album with a glowing write-up: "Pop culture nostalgia was to Redd Kross what LSD was to the Butthole Surfers; their music was delivered with just as furious a passion, but their love for Beatles-esque pop harmony shone through as much as any punk sensibility, and their Kinks influences, entirely free of irony, served as lyrical substance over their powerful, hi-octane hooks." Plain and simple, Neurotica is just a fantastic piece of art.

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Tape | 1987 | US | Reissue (Goofin')

Sister

17,99 €*

Release: 1987 / US – Reissue

Genre: Rock & Indie

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“Let’s get something straight. There is no album in the entire corpus of indie rock—not Loveless, not Surfer Rosa, not Psychocandy—that reaches the heights of invention, joy, and magic of Sonic Youth’s sublime fifth album.... The haunted reveries of Sister remain with you for years, even if you only hear them once” — Stereogum.

1987’s Sister was another notch in the band's move away from No Wave, yet still maintained their experimental approach. Gordon, Moore, Ranaldo and Shelley were coming into their own at this point, combining elements of noise, punk and pop. They had also become better songwriters since their previous album, providing better context for their noisier elements and incorporating the dissonance of their earlier releases into more traditional song structures. To quote Stereogum once again, “Sister is the sonic manifestation of refracted light. It’s a record that changes you.”

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LP | 1987 | US | Reissue (Goofin)

Sister

Release: 1987 / US – Reissue

Genre: Rock & Indie

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Punch N Judy Blue Vinyl Edition

LP | 1986 | US | Reissue (Sub Pop)

Friends White Vinyl Edition

Release: 1986 / US – Reissue

Genre: Rock & Indie

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The Bolshoi

2LP | 1986 | UK | Reissue (Beggars Banquet)

Kaleidoscope World (Expanded Edition) Blue Vinyl Edition

Release: 1986 / UK – Reissue

Genre: Rock & Indie

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The Bolshoi were different. Their songs were dark and subversive, sufficient evidence for many critics to corral them under the"Gothic" banner at the time of their debut album Friends - but they really only "flirted" with Goth. They oozed dark, pensive lyrics supported with inventive pop-goth guitar making them nearly impossible to categorize.The suburban surrealism of the lyrics was rooted in the stories of characters onthe fringes of society rather than brooding romantics, with an undercurrent ofboredom, inadequacy, and violence. Not the usual themes for pop success! Based in London, the band consisted of Trevor Tanner (lead vocals, guitar), Nick Chown (bass), Jan Kalicki (drums), and Paul Clark (keyboards). With powerfullive shows The Bolshoi built a substantial following before disbanding in 1988.

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The Chills

2LP | 1986 | UK | Reissue (Fire)

2LP | 1986 | EU | Reissue (Aatt)

Release: 1986 / UK – Reissue

Genre: Rock & Indie

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Ltd Double Blue Vinyl, Gatefold sleeve, DL card. “This is what a living legend looks and sounds like” Rolling Stone. The Chills reissue their celebrated early singles compilation, this 24-track expanded version of Kaleidoscope World gathers together tracks from the ‘Dunedin Double’ compilation, live recordings, Doledrums’ single and the band’s seminal ‘Pink Frost’. The collection also contains ‘The Lost EP’, with early takes on their groundbreaking ‘Submarine Bells’ album, alongside the aching ‘I Love My Leather Jacket’, perfectly illustrating the rollercoaster ride of Martin Phillipps and The Chills as portrayed in the award film The Triumph And The Tragedy Of Martin Phillipps. “Singer/guitarist Martin Phillipps’ group was at the forefront of the extraordinary little guitar-pop scene in New Zealand in the early ’80s.. Kaleidoscope World is the major document of their early era.” Pitchfork. Part of the 80’s extraordinarily vibrant and innovative independent music scene in New Zealand, The Chills became flag bearers, taking the Dunedin sound, as championed by the Flying Nun label, to the world. Long recognised as one of New Zealand's most influential bands, Kaleidoscope World is a definitive artifact from Martin Phillipps’ groundbreaking project.

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And Also The Trees

Virus Meadow

49,99 €*

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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Double Vinyl Lp, Download Included.And Also Th-E Trees Second Album Virus Meadow, Regarded By Many As Their Classic Album. This Album Saw The Band Find Their Own Unique Style. Restored And Remastered For The First Time Since Its Release In 1986. The Original Album Comes With The Band's First 2 X Eps Including An Extra Previously Unreleased Studio Recording Of Shantell. The Gatefold Artwork And 8 Page Booklet Feature Many Previously Unseen Photographs And Sleeve Notes By Simon Huw Jones, The Band's Singer And Lyricist. The Album Will Also Be Made Available In A Single-Disc Cd Edition With 12-Page Booklet.

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LP | 1986 | US | Reissue (Goofin)

EVOL

23,99 €*

Fly On The Wall 50th Anniversary Golden Vinyl Edition

Release: 1986 / US – Reissue

Genre: Rock & Indie

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The third studio album by Sonic Youth, originally released in May 1986 on SST Records, shows the first signs that the band was ready to transform their no wave past into a greater alternative rock sensibility. “EVOL … mark[s] the true departure point of Sonic Youth’s musical evolution,” says Pitchfork, who place the album in the #31 slot of their Top 100 Albums of The 1980s. “In measured increments, Thurston Moore and Lee Ranaldo … bring form to the formless, tune to the tuneless, and with the help of Steve Shelley’s drums…, [impose] melody and composition on their trademark dissonance.”
Stereogum likewise praises the album as one that is “full of suspense…, the cornerstone [of] the Sonic Youth sound…, ground zero for the combination of chiming guitars and atonal skronk… [and] muggy delirium…. The virile ‘Tom Violence’ sounds less written than coaxed from a cauldron, the sort of song that fogs windows. The off-kilter [droning love song] ‘Starpower’ … is sung [by Kim Gordon] in a frosty [Nico-evoking] monotone. ‘In The Kingdom #19,’ featuring Mike Watt on bass and … vocals [by Ranaldo]…, is a harrowing story of a highway wreck over a suitably edgy instrumental backing punctuated by … live firecrackers into the vocal booth.”
“EVOL slithers into the unconscious,” notes Popstache. “Once the [detuned melodies and haunting riffs and] final whispers of feedback [of ‘Expressway to Yr. Skull’] depart from the speakers…, the music [leaves] a faded footprint, forever reeling the listener back for another strange trip.”

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AC/DC

LP | 1985 | EU | Original (Sony Music Catalog)

Release: 1985 / EU – Original

Genre: Rock & Indie

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LP | 1985 | Reissue (Universal)

Pete Townshend

White City: A Novel Hsm

Release: 1985 / Reissue

Genre: Rock & Indie

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Black Ticket Day Black Vinyl Edition

Ed Kuepper

LP | 1985 | AU | Reissue (Remote Control)

43,99 €*

Release: 1985 / AU – Reissue

Genre: Rock & Indie

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LP | 1985 | US | Reissue (Superior Viaduct)

The Ex

Pokkeherrie

20,89 €* 21,99 € -5%

Talk About The Weather White Vinyl Edition

Release: 1985 / US – Reissue

Genre: Rock & Indie

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Emerging out of Amsterdam's vibrant squat scene in 1979, The Ex – a name chosen for the ease and speed with which it could be spray-painted onto a wall – have for four decades been an entirely self-sustaining musical entity, charting a course through the global underground with a spirit of freedom and radical exploration.

On 1985's Pokkeherrie (Dutch for "terrible noise"), The Ex return to the more stripped-down instrumentation on their early LPs. A key lineup change would also see the arrival of drummer Kat Bornefeld (whose supple rhythms propel the group to this day).

Recorded at the new location of Koeienverhuur Studio in the basement of storied squat/venue Emma, Pokkeherrie is a testament to the angular momentum of a group in full creative flux. Right from the opening track, bassist Luc Klaasen generates a relentless pulse. Terrie Ex's sparse/acidic guitar and G.W. Sok's impassioned vocals combine in a vein similar to The Minutemen, Flipper or Rudimentary Peni, except The Ex have the patience and wherewithal to sustain their approach beyond just brief explosions.

Perhaps only The Fall from this period can match The Ex's ability to hold a melody together while utilizing otherwise harsh sonic elements over an extended piece, most effectively on "Soviet Threat," "1,000,000 Ashtrays" and "White Liberals."

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Red Lorry Yellow Lorry

LP | 1985 | EU | Reissue (Audioplatter)

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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12" | 1985 | BE | Original (Play It Again Sam)

1000 Mexicans

Criminal! (Remix)

6,64 €* 6,99 € -5%

LP | 1985 | US | Reissue (Light In The Attic)

Release: 1985 / BE – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Damaged label (plain, no text)

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Lewis

Romantic Times

History Of ... 40th Anniversary Cleaar Vinyl Edition

Release: 1985 / US – Reissue

Genre: Rock & Indie

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Earlier this year, Light In The Attic released the mysterious, bewitching L’Amour, a 1983 private press record thought to be the only release by one of music’s true lost talents: Lewis.

So lost, in fact, was Lewis, he eluded every effort to track him down. Scant details were known: just a series of possibly apocryphal stories about a sports car-driving Canadian with a model on his arm and a habit of skipping town when there were bills to be paid.

Deciding that Lewis’ spider web-delicate songs demanded to be heard, we put the album out anyway, offering to present the due royalties to anyone who could prove they were Lewis.

One sure thing was this: Lewis was a man of many names: Randall A. Wulff among them. Now we have either found another alias – or perhaps even his real name – on the sleeve of a completely unknown album.

Sourced soon after the re-release of L’Amour, Romantic Times is the 1985 follow-up to L’Amour – and it’s released as Lewis Baloue. The name may be slightly different, but this is absolutely our man: a familiar blond posing on the sleeve, a familiar, tortured voice pouring his heart out over languid synths and synthetic waltz beats.

Remastered from a sealed, vinyl copy of the ultra-rare album, the album was discovered in the vaults of DJ and collector Kevin “Sipreano” Howes in Vancouver, BC. It’s so rare that what is, at present, the only other known copy – found in the same Calgary store where Aaron Levin discovered a batch of sealed copies of L’Amour – is presently soaring into quadruple digits on eBay.

Even engineer Dan Lowe, credited for working on the album at Calgary’s Thunder Road Studios, remembered little about the session other than that Lewis seemed to be “under the influence”. Yet the music is utterly captivating.

The album further fleshes out the Lewis myth – we see him pictured in that white suit with his famous white Mercedes and a private jet too; we hear him focussing more intently on matters of the heart, and appearing to unravel in the process. “I felt like I was witnessing a full-blown exorcism of a phantom clad in the finest linen,” writes filmmaker and historian Jack D. Fleischer in his brand new liner notes. “This record went further [than L’Amour ]. It was a personal plea, of sorts. Something had gone wrong. Nerves were clearly exposed.”

It paints Lewis, then, as being more like a David Lynch character than even his debut did, exposing the darkness beneath the sheen. The album is presently being readied for release to the throng of new fans Lewis has found, willingly or not. The man himself remains a total enigma.

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Zero Boys

2LP | 1984 | US | Reissue (Secretly Canadian)

37,99 €*