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Sharon Van Etten & The Attachment Theory Black Vinyl Edition

Release: 2025 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2025-02-07

Awareness Edition: Amber Galaxy Vinyl + Laptop Sticker.From the off, Sharon Van Etten & The Attachment Theory issonically different from Van Etten's previous work. Writing andrecording in total collaboration with her band for the first time,Van Etten finds the freedom that comes by letting go. The resultof that liberation is an exhilarating new dimension of sound andsongwriting. The themes are timeless, classic Sharon - life andliving, love and being loved - but the sounds are new, whollyrealized and sharp as glass.Reflecting on this new artistic frame of mind, Van Etten muses,"Sometimes it's exciting, sometimes it's scary, sometimes you feelstuck. It's like every day feels a little different - just being at peacewith whatever you're feeling and whoever you are and how yourelate to people in that moment. If I can just keep a sense ofopenness while knowing that my feelings change every day, thatis all I can do right now. That and try to be the best person I can bewhile letting other people be who they are and not taking itpersonally and just being. I'm not there, but I'm trying to be thereevery day."Sharon Van Etten & The Attachment Theory is a quantum leap inthat direction.- Lol Tolhurst

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Sharon Van Etten

LP | 2025 | US | Original (Jagjaguwar)

Rides Yet Again Yellow Vinyl Edition

Release: 2025 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2025-02-07

From the off, Sharon Van Etten & The Attachment Theory issonically different from Van Etten's previous work. Writing andrecording in total collaboration with her band for the first time,Van Etten finds the freedom that comes by letting go. The resultof that liberation is an exhilarating new dimension of sound andsongwriting. The themes are timeless, classic Sharon - life andliving, love and being loved - but the sounds are new, whollyrealized and sharp as glass.Reflecting on this new artistic frame of mind, Van Etten muses,"Sometimes it's exciting, sometimes it's scary, sometimes you feelstuck. It's like every day feels a little different - just being at peacewith whatever you're feeling and whoever you are and how yourelate to people in that moment. If I can just keep a sense ofopenness while knowing that my feelings change every day, thatis all I can do right now. That and try to be the best person I can bewhile letting other people be who they are and not taking itpersonally and just being. I'm not there, but I'm trying to be thereevery day."Sharon Van Etten & The Attachment Theory is a quantum leap inthat direction.- Lol Tolhurst

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Shawn Lee

LP | 2022 | EU | Original (Legere)

23,39 €* 25,99 € -10%

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Katalog)

Sheebaba

Bruit_re

Release: 2023 / EU – Original

Genre: Rock & Indie

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Rejected Fish Black Vinyl Edition

Shitkid

LP | 2023 | EU | Original (PNKSLM)

Snake Behind The Sun Black Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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As part of PNKSLM’s 10 year anniversary series of special releases/represses - we're over the moon to finally present ShitKid - "Rejected Fish"! This is the previously unheard, studio version of the now legendary debut album "Fish".

ShitKid originally recorded "Fish" at MFG Studios here in Stockholm, with myself Luke Reilly on production duties. The week before it got sent of to the vinyl pressing plant though, Åsa had a bit of a panic that it "sounded too good for ShitKid" - and she ended up re-recording all the songs herself on garageband (mostly in her car) - and this super lo-fi take was the version that ended up getting released.

Obviously at the time ourselves, plus our PR and radio partners were a little shocked, but as always, Åsa made the right move (in ShitKid we trust) and the album went on to be the best selling PNKSLM vinyl, streamed millions, won awards, and made fans out of the likes of Iggy Pop and Billie Joe Armstrong. And almost the best part was how divisive the lo-fi recordings made the record - Fish received both the best and worst reviews we've ever had on the label!

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Shy, Low

LP | 2021 | EU | Original (Pelagic)

34,99 €*

We're All Gonna F***Ing Die White Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Shy, Low Are True Masters Of The Exquisite Craft Of Stark Contrasts And Broad Dynamics, From Delicate Crescendos To The Grandiose Power Of The Riff_ A Craft That Lies At The Heart Of Every Outstanding Instrumental Rock Record. The Richmond, Virginia Based Four-Piece Has Made An Absolutely Incredible And Epic Album Brimming With Creativity, Groove, Heaviness And Truly Outstanding Songwriting- A Record That Is Intricate And Mature, Yet Gloriously Anthemic At The Same Time.The Fantastic Cinematic And (Surprisingly, So) Entirely Self-Produced First Music Video For The Track ,Helioentropy", Premiered At Roadburn Redux This Year, Was Only A Tastemaker For The 5th Studio Album And Pelagic Debut, Snake Behind The Sun.Recorded, Mixed And Produced At Vudu Studios In Long Island, Ny By Mike Watts (The Dillinger Escape Plan, Glassjaw, Hopesfall, Tides Of Man), The Album Pulls From Elements From Previous Eras Of The Band, But Also Pushes Into New Territory. The Result Is A Slicker, More Modern, Layered And 3-Dimensional Sound.,The Recipe For Achieving That Began With A Lot Of Pre-Production On Our End", Comments Guitarist Zak Bryant. ,We Demoed The Entire Record At Home Prior To Entering The Studio, Re- Working Some Songs Several Times Before Calling Them Done. From There, It Was Mike (Watts). After Hearing His Work With Bands Like O'brother, Lume, Glassjaw, And Others, We Grew Very Fond Of The Drum Sounds He Got, And His Ear For Overall Mix Balance And Production."The Other Important Ingredient Was Drummer Dylan Partridge, Who At The Time Of Recording Was A Commissioned Drummer And Is Now A Fix Band Member- And The Phenomenal Drum Room At Vudu Studios. These Two Elements Were Crucial In Creating The Overall Vibe And Atmosphere For The Record. ,Hunkering Down In The Studio For 3 Weeks To Track The Record Was Extremely Beneficial And Something None Of Us Had Done In The Past - It Gave Us The Ability To Really Fine Tune The Songs Alongside A Producer, And The Ability To Experiment With Various Gear N...

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Sick Joy

LP | 2022 | EU | Original (So)

27,29 €* 38,99 € -30%

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2019 | EU | Original (Rykodisc)

Sigur Ros

22° Lunar Halo

LP | 2019 | EU | Original (Rykodisc)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Music from throughout Sigur Rós’s career, twisted, bent, broken, and finally added to in the band’s Rey-kjavík studio, to create a new perspective for a dance piece of the same title initiated and created by Taiwanese choreographer CHENG Tsung-Lung. Musical director Kjartan Holm. Originally released on Record Store Day, 22° Lunar Halo returns with new artwork, reversed in colour and printed in special ink. 22° Lunar Halo will be re-released on August 9.

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Sigur Ros

Variations In Darkness

LP | 2012 | US | Reissue (Drag City)

Release: 2019 / EU – Original

Genre: Rock & Indie

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A score of high Nordic drama drawing on unreleased Sigur Rós material and multi-tracks from the band’s catalogue. Premiered at Norđur Og Niđur Festival, to soundtrack performances from the Iceland-ic Dance Company. Arranged by Valdimar Johansson, choreographed by Erna Ómarsdóttir. Originally released on Record Store Day, Variations on Darkness returns with new artwork, reversed in colour and printed in special ink. Variations on Darkness will be re-released on August 9.

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Silver Jews

Early Times

LP | 2024 | US | Original (Ghost Mountain)

Release: 2012 / US – Reissue

Genre: Rock & Indie

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Flow on, silver juice, flow on...into the vein-streams of the nu generation via 90s classics like American Water and Starlite Walker and thence to the new century. They say time has no meaning, but we know otherwise. The pages of history condense eons and epochs into the stuff of mere chapters - sometimes as little as paragraphs - but how many lifetimes have we lived since the salad days and nightz of the original Silver Jews, when they walked the back-alleys of the earth just a scant couple decades ago? Since we"re asking pseudo-rhetorical questions, who knows how many fans of the arena-rock Silver Jews (circa Tanglewood Numbers and Lookout Mountain, Lookout Sea) even know of the humble-yet-powerful origins of the band captured in the hiss-laden boombox mics of 1990-91?Just a few guys in a room, that what makes these recordings: muppet baby versions of the David Berman, Stephen Malkmus and Bobby Nastanovich that we know today. There wasn"t much going on back then, though we"d hardly call it nothing. Still, these young post-collegiates were footloose and fancy-free, to say the least - working dayjobs with all the impermanence that implies - and not just working for the weekend, but trying to live the weekend every day of the week! Tough guys at a party; quick studies, quicker still with the wit. Legends of their own minds...prophets even. If only six-packs worked the way they did back then, then we might get together with them and see the light they saw on those endless nights-into-dawns. The stupid little laws they broke. The archaic little drugs they took. All these things that might not hardly mean anything anymore added up to make these songs, to make these moments in a room, captured so incredibly imperfectly! The air is still locked inside them; the space in the room has depth and definition, defying all laws of audio science. Now these moments feel like they"ll last for centuries, growing stranger all through time.The songs lodged here are the tracks from the original 7" EP "Dime Map of the R...

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Silverware

One True Light

LP | 2024 | US | Original (Record Record Label)

Release: 2024 / US – Original

Genre: Rock & Indie

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I used a lot of comparisons to Judee Sill when writing about Ainsley Wagoner last month. When this site premiered a track from One True Light, the new album from Wagoner's Silverware, I wanted readers to know that this was something rare. Ainsley Wagoner has a voice as clear and pure as you're likely to find in indie rock these days. Comparisons to very early Sarah McLachlan wouldn't be out of order; check out 'Longer', one of the more elegantly plaintive numbers on One True Light. And that voice is housed within robust arrangements elsewhere, like on the opening title cut, where things gradually build to a dramatic swell. The lovely 'Gloria' is a highlight here for me, as is 'Goodbye', the achingly beautiful piano-centered closer. There are a lot of singer-songwriters these days. That's a point I've made in multiple posts here. What's not common is to find one of those whose voice matches the material at hand, and whose material is so finely crafted to the voice behind the words. Ainsley Wagoner is offering something special here on One True Light. And for readers here, I urge you to check this one out."—A Pessimist Is Never Disappointed

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Sinclaire

Attention

LP | 2023 | UK | Original (Tin Angel)

Release: 2024 / US – Original

Genre: Rock & Indie

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Attention, Sinclaire’s sole full-length album was originally released in 2000. The album saw the band evolve their style from brooding post-hardcore group to a more pop-friendly sound indebted to Rick Springfield and the burgeoning Midwestern emo sound of The Get Up Kids and The Promise Ring.

Guitarist and lyricist Ian Murray would go on to state, "We wanted a record that could reflect that side of ourselves without losing what we loved from our earlier music. The first song, The Secret Weapon, was specifically about this shift. It was a declaration that we were not going to be as angsty, as self-serious, as… well, emo. I wrote a choppy rock riff that wouldn’t feel out of place on a Loverboy album, and we went from there."

The band decided to do their own playful take on boy bands of the era through the lens of post-hardcore melodic rock. In fact, the original title of this album, Attention Teenage Girls, was inspired by the way boy bands at the time tried so desperately to appeal to a young female audience.

For this re-release, the band has tweaked the album name. When removed from the specific context of that time, the group don’t think the satire of the original album title really lands anymore. They didn't want the original album title to feel exclusionary or otherwise be a barrier to someone discovering this for the first time without all that context from the year 2000. The songs hold up even if the satire didn’t.

The album was originally recorded the album over a week in the spring of 2000 with Ian Blurton at Chemical Sound in Toronto. The album was remixed and remastered from the original tapes by Jon Drew.

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Sing Leaf

Remote Motel

Live From Austin, Tx Crystal Pink Vinyl Edition

Release: 2023 / UK – Original

Genre: Rock & Indie

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“Out here it's like all these towns around here were once gold towns. So when the goldrush hit, they were booming way back in the day in the 1800s. Everyone was here, they're all there's mines everywhere. They dug them up and then, as soon as the mines went dry, everybody left. So that’s when the towns died off. So because of that when you go driving you encounter old buildings, banks and stuff that have just been empty for like 150 years. Lots of open graveyards, big empty mines and things like that. So the weight of the 19th century kind of hangs over everything here". All Songs Written, Produced, Recorded & Mixed by David Como

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Sir Douglas Quintet

2LP | 2023 | US | Original (New West)

This World Below Crystal Clear Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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The first color pressing of this title. We’re talkin’ Tex-mex Rock ‘N’ Roll! In this show from January 21, 1981, Doug Sahm (aka Sir Doug) reunites with original band members Augie Meyers and Johnny Perez, along with the legendary Alvin Crow on guitar and Speedy Sparks on bass for a no-holds-barred, rip-snortin’ Texas rock ‘n’ roll revival. Back in the day, the SIR Douglas Quintet was Texas’s answer to the British Invasion. With the arrival of the Beatles, Sir Doug & Co. saw their chance to break out the rough, Chicano-influenced rock they had been playing in the joints around San Antonio. They donned English-looking suits and hit the charts with “She’s About A Mover” in 1965. Nobody was quite sure where they came from, but they rode the English-pop wave to fame. There’s something contagious about Augie’s cheesy, pumping Vox organ chords and Sir Doug’s chang-a-chang rhythm guitar over Johnny’s Mexican drumming style, drenched in psychedelia, that stood out from everything else at the time. And it still does today. You may not be able to sit down through “She’s About A Mover” or “Mendocino,” but that’s OK. Doug is no longer with us, but you can be sure that somewhere he’s still kickin’ out the jams. - Terry Lickona (Producer Austin City Limits®)

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Sirkus

LP | 2020 | EU | Original (Nasoni)

12,59 €* 17,99 € -30%

LP | 2015 | US | Original (Holy Mountain)

Release: 2020 / EU – Original

Genre: Rock & Indie

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,,What are they doing in heaven today? - I don't know but it's my business to stay here and sing about it.''
We neither know what they're doing in heaven, nor do we want to know that in the very religious way that Reverend Washington Phillips does.
So the question arises why we – as band SIRKUS – recorded four Christian gospel songs. Even though all six of us were raised in a more Christian way, we don't consider ourselves religious. On the other hand, we've often worked with deeply religious or spiritual music like gospel or blues over the years.
We are fascinated by their transcendental aspects and by how they portray moment of personal empowerment in times of struggle. Whether in the here and now, materially or metaphysically.
These issues have always been present for us when playing songs such as they are released here on the 12'' Maxi Single. Musically, the tension between our roots in blues and gospel and our previous development towards Krautrock, Afro-Psychedelica and Electronica is reflected in this record.

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Six Organs Of Admittance

Dust & Chimes

19,99 €*

2LP | 2024 | UK | Original (Emotional Rescue)

Release: 2015 / US – Original

Genre: Rock & Indie

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2nd album, 1st time on vinyl! Complex, morosely beautiful guitar playing, originally released in 1999. Includes download

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Skinbat Scramble

The Psychedelic Pirates

34,99 €*

Roots Rock Riot Orange Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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Emotional Rescue dives back into one of its specialties, the formative years of Post Punk and Dub influenced music, presenting the, to date, unheralded Skinbat Scramble. The rarity of the unknown, the discovery of rich, lost music, it is a delight to release a compilation of the band's previously unreleased recordings. A snapshot of time, a journey that covers several decades of friendship but is concentrated here on the fertile 80's scene.

Forged around the friendship of Mark Eason and Fergus Crockford, but with ever changing line-ups, flowing in and out during misspent youths, self-taught playing, falling in and out of bands, travelling that well-worn journey from Home Counties boredom to the excitement of a rough edged London, taking in as music as possible, from Motown on to the The Velvet Underground, The Rolling Stones, Bowie, Pink Floyd, Gong and Fripp & Eno, before Dr Feelgood, Eddie & The Hotrods and a dose of John Peel led to discovering Dub and Punk and witnessing that short-lived burst of creativity at the Roxy Club, Marquee or Vortex and exploring back to early Rock'n'Roll, Rockabilly and old Surf'n'Soul, alongside the likes of Wire and Suicide.

As the Post-Punk sounds mixed simultaneously with Two-Tone, local Art College gave way to university and the early struggles of finding a way in the late 70s / early 80s of Thatcher's Britain. Music was central, Skinbat Scramble finally appearing, morphing from numerous teen bands, early studio excursions of tape loops and effects leading to the first recording sessions in 1981.

The slower tempos, introspection, open structures, and shimmering experimentation of Post Punk were pivotal. John Foxx's early Ultravox, Siouxsies' "Lord's Prayer" period and The Electric Chairs seminal "So Many Ways", influenced to a freer future. PIL, ACR, Section 25 and Pink Military let imaginations briefly roam.

'Far out and weird', those first recordings made at Leeds Uni's Fine Arts Dept utilized Revoxes, Tandberg, MiniMoog and even a borrowed drummer. This was followed up with completed sessions at Elephant Studios in London, forming the basis of this compilation.

The tight scattergun rhythms on opener Submit, in both Vocal and short Dub mix, bely an unreleased band. Taught and crisp, it's like a song you've heard propelling open-minded, leftfield dancefloors for years.

The writing, musicianship and studio mastery displayed on North By Northwest and Skiddadle should not be music unreleased for almost 40 years. In North Dub and closer, Pixie Boot Dub their understanding of the opportunities of dub Reggae are clearly apparent, ethereal music wormholes for late night smokers.

However, it is in Basement Voltaire that the band step out time. Recorded in 1986 this is a 9-minute proto-techno wonder that mixes all their psychedelic meets punk youth in a crescendo of crashing claps and rolling toms that is of a time and so far ahead of its time.

And that was that, after 6 gigs, including a couple at the infamous St Martins, to an audience total you can fit on one hand, the band's first incantation closed and the master tapes were stored for several decades, waiting for "The Psychedelic Pirates" to finally surface.

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Skindred

LP | 2021 | EU | Original (Hassle Hindsight)

LP | 2023 | US | Original (In The Red)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Crafted in a boxing club, recorded in America and laying the groundwork for everything that followed it, Roots Rock Riot is an important piece of Skindred's history - a piece that this re-release celebrates.The first record of their discography to feature what would become the permanent line-up of Benji, Arya, bassist Daniel Pugsley and guitarist Mikey Demus, it started its life as that difficult second album. What it became completely transcends that, bookending a difficult period of the band's existence and boldly kicking down the door to the future of their illustrious career.Available on vinyl for the first time as well as CD, the re-release of Roots Rock Riot features rare cuts and previously unheard music. As well as the complete tracklist of the original, the vinyl version of the record comes with an additional 7" containing two exclusive tracks: the aforementioned `It's A Crime' and `Struggle', which was never released. The CD release also contains both those tracks and an acoustic version of `Destroy The Dance Floor'.

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Skull Practitioners

Negative Stars

Words Come Back Black Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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Hard-hitting new collection succeeds the trio’s rampaging 2019 In The Red Debut EP Death Buy! Proving once again that “power trio” isn’t just a descriptive handle from the distant past but a louder-than-God 21st-Century reality, the devastating New York band Skull Practioners' bow Negative Stars, their first full-length album for In The Red Records. The eight-track collection is the second release for Los Angeles-based trio—guitarist Jason Victor, bassist Kenneth Levine, and drummer Alex BAKER—who collectively produced the record, with TED Young engineering (and Baker handling engineering on vocal sessions). Brooklyn Vegan said, “If you dig early ’80s L.A. dusty punk like Gun Club, X and Flesh Eaters, or the many works of Jon Spencer, you will want to check out these four ripping, ripped-up tracks.” Rock And Roll Globe described the music as “Gun Club fugues played by anxious Amphetamine Reptile Records ghosts deciding they’d prefer to continue to walk the earth.” Negative Stars is the culmination of years of work in New York’s clubs and studios.

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Skullcrusher / The Hated

7" | 2024 | US | Original (Numero Group)

11,99 €*

Words Come Back Bone White Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Never said it'd be like this, right? Skullcrusher's 21st century rendering of The Hated's 1985 early emo blueprint "Words Come Back" reinvents the song as subtle, ambientfolk music. The flip features two versions of the original, including Dan Littleton's home demo, cut in a maddening double groove, and housed in an elegant black and silver sleeve,with embossed braille lettering for the visually impaired. "This is my way of making a punk song," Skullcrusher'sHelen Ballentine said, "ignoring structure and letting everything just pour out_though quite a bit quieter."

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Skullcrusher / The Hated

7" | 2024 | US | Original (Numero Group)

12,99 €*

Motorcycle.Lpg Ocean Blue Mix Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Slaughter Beach, Dog

LP | 2022 | EU | Original (Lame-O)

LP | 1997 | US | Reissue (Sub Pop)

Release: 2022 / EU – Original

Genre: Rock & Indie

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We're delighted to bring Slaughter Beach, Dog's cult classic "Motorcycle.LPG" back in print after a brief time spent OOP. This release bridged Jake Ewald from the first Slaughter Beach, Dog LP, the scrappy, noodly "Welcome" to fan favorite "Birdie." The .LPG version of this release (initially released as Motorcycle.JPG on a small-run 7") includes SBD tracks "Your Cat," "104 Degrees," "Building The Ark," as well as a cover of The Superweaks' (Lame-O Records) "Glowing." The B-Side of the .LPG includes a 12 minute live version of 104 Degrees that is available exclusively on vinyl. The vinyl art has beautiful spot-gloss on the photo of Jake's hands and the Ocean in Australia, taken by yours truly from a cocktail bar. We sat and talked about Patti Smith. Not to spoil all the goodies here, but the vinyl insert serves as postcards you can use to send friends and enemies mail. - Lame-O Records

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Sleater-Kinney

Dig Me Out

7" | 2005 | US | Reissue (Sub Pop)

Release: 1997 / US – Reissue

Genre: Rock & Indie

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Sleater-Kinney was an acclaimed, American rock band that formed in Olympia, Washington in 1994. The band’s core lineup consisted of Corin Tucker (vocals and guitar), Carrie Brownstein (guitar and vocals), and Janet Weiss (drums). Sleater-Kinney were known for their feminist, left-leaning politics, and were an integral part of the riot grrrl and indie rock scenes in the Pacific Northwest.

Dig Me Out is the third studio album by Sleater-Kinney, originally released on April 8, 1997 by Kill Rock Stars. The album was produced by John Goodmanson and recorded from December 1996 to January 1997 at John and Stu’s Place in Seattle, Washington. Dig Me Out marked the debut of Janet Weiss, who became the band’s longest-serving and last drummer. Dig Me Out made several publications’ best album lists. The album appeared at #4 in The Village Voice’s “Pazz & Jop” critics’ poll for 1997. In 2001, Spin placed it at #19 on its list of “50 Most Essential Punk Records”. In 2003, the album was ranked #272 on Rolling Stone’s list of “The 500 Greatest Albums of All Time.” In 2005, the album was ranked #24 in Spin’s “100 Greatest Albums, 1985–2005”. In 2012, Spin also ranked it at #74 on their “125 Best Albums of the Past 25 Years”. In 2008, the song “Dig Me Out” was ranked #44 in Rolling Stone’s “100 Greatest Guitar Songs of All Time”.

“Now [delivers] the punch their words describe…If [Sleater-Kinney] wanna be our Simone de Beauvoir, Dig Me Out proves they’re up to it.” [9/10] - Ann Powers, SPIN

The album has been freshly remastered by Greg Calbi for this release.

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Sleater-Kinney

Jumpers

10,99 €*

Release: 2005 / US – Reissue

Genre: Rock & Indie

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Moveys Black Vinyl Edition

Slow Pulp

LP | 2020 | EU | Original (Winspear)

Moveys Neon Green Vinyl Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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Slow Pulp's remarkable full-length debut Moveys is a testament to hard-fought personal growth. In the process of making their new record, the Chicago-based indie rock band powered through health challenges, personal upheaval, and a pandemic, all while learning how to be better songwriters and friends. Full of blistering energy and emotional catharsis, this compelling 10-track collection highlights the band's resourcefulness and resilience to come together even when they were states away. As the band was in the midst of finishing the album, Massey's parents got in a severe car accident forcing her to pause recording and return home to Madison and take care of them. A week later, the Covid-19 pandemic hit. "I wasn't able to come back to Chicago for a while. How were we going to finish this apart from each other?" thought Massey. With Stoehr leading engineering, mixing, and production duties, the band managed to continue recording in an isolated, post-COVID world. "Thankfully most instrumentals were already written. Alex and Henry and I were all able to do that separately from a studio space that we rent in Chicago," says Mathews. As Massey's father Michael recovered from his injuries, the two worked on completing her vocal takes from his home studio, sending them to Stoehr for mixing. "Finishing this record was such a cool thing to know that we were able to do it," says Stoehr. Their made-up word "moveys" is multi-faceted for Slow Pulp. It is an invitation to dance. It is a wink at the cross-country nature of the album's songwriting process, while the bandmates were literally on the move touring, sheltering in place, and going through major life changes. But, mostly, it's an inside joke. Listening to these warm, dynamic and welcoming songs, it's easy to feel like you're a part of it too.

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Slow Pulp

LP | 2020 | EU | Original (Winspear)

LP | 2023 | EU | Original (Anti)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Slow Pulp

Yard Clear Vinyl Edition

27,99 €*

LP | 2021 | Original (Sony)

Release: 2023 / EU – Original

Genre: Rock & Indie

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On Yard, Wisconsin-bred, Chicago-based four-piece Slow Pulp nestles comfortably into pockets of nuance, impressions, contradictions-sonics and lyrics finessed together to bottle the specific tension of a feeling you"ve never quite been able to find the right words for. In that regard, listening to Slow Pulp can feel like being in a room with someone who"s known you so long that they can read your every micro-expression and pinpoint exactly how you"re feeling before you can. Perhaps this spawns from the band"s own shared history and chemistry; in various ways, the four of them grew up-are still growing up-together. The dreamy songs of the Midwest (United States) indie rock outfit draw on moody shoegaze, hooky grunge, and intimate lo-fi fare. The band made their full-length debut with Moveys in 2020. After the downcast 2021 7" Deleted Scenes, they put the focus on hooky grunge pop for singles like 2021"s "In Too Deep" and 2023"s "Cramps". After their label debut single the band toured throughout Europe and the UK earlier this year as main support for Death Cab For Cutie. The new album "Yard" is their second full-length album and first for Anti-.

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Slowly Slowly

St Leonards

51,99 €*

Release: 2021 / Original

Genre: Rock & Indie

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Serpente Black Vinyl Edition

Slowtorch

LP | 2014 | EU | Reissue (Electric Valley)

20,79 €* 25,99 € -20%

Serpente Yellow Black Splattered Vinyl Edition

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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Never one to follow trends, Slowtorch delivered a no-frills, no-bullshit blend of ‘70s rock, metal and blues with their first album, “SERPENTE,” self-released in 2014. For the first time on vinyl at the tenth anniversary of the first release. “Adorned with fuzzy jewels of rock’s past, so if you’re a fan of Dio, Ozzy, Clutch, Kyuss and those damn Dirty Desert Sessions, this release will definitely be right up your street.

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Slowtorch

LP | 2014 | EU | Reissue (Electric Valley)

26,39 €* 32,99 € -20%

Open For Business Gold Vinyl Edition

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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Smoke Bellow

LP | 2021 | EU | Original (Trouble In Mind)

21,99 €*

LP | 2023 | US | Original (Anyway)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Transcontinental, Experimental Duo Smoke Bellow Have Been At It Since 2012, Relocating From Australia To Baltimore, Md & Back Again And Then Back Again (Now Firmly Settled In Baltimore). The Duo Released The "Blooming/Middling" Lp In 2014, Followed By "Isolation 3000" In 2018 (Both On Baltimore Label Ehse Records) After A Line-Up Shuffle, They Eventually Recruited One Of Their Favorite Drummers And Dear Friend, Emmanuel Nicolaidis (Thank You, Oh Hang). Which Found The Duo Refining Of Their Sound Into A Dizzyingly Attractive Mixture Of Kosmiche Serenity, Minimalist Composition, Test-Card Psychedelia, And Highlife Guitar. With "Open For Business" The Three Members Set Out To Create A Set Of Songs More Immediate And Bare Than Previous Outings. The Album Title Itself Is A Cheeky Reference To Maryland Governor Larry Hogan's Less Than Inspired Motto "We're Open For Business". Half Of The Songs Were Written In A Room Together And The Second Half Via Email (For Obvious Reasons). At The Time They Were Listening To A Lot Of Post Punk And Were Struck With The Partnership Of Drums And Bass As Propulsive Instruments. The Trio Started Writing Songs Around That Idea - With The Rhythm As A Brace To Hang Their Decorations.Sonically, Smoke Bellow Are Inspired By Disparate Sources. The Heyday Of Compass Point Studios' Famed Rhythm Section Of Sly And Robbie Sustained Them For Months. Others Included Good Old Vu, Esg, Guitar Hero Zani Diabate, The Raincoats (Especially Their Under-Appreciated Second Album, Odyshape), The Frenetic Sound Collisions Of The Flying Lizards, The Ever Warm Blanket Of Yo La Tengo, The Evolving Repetition Of Stereolab, The Understated Genius Of Asa Osborne, As Well As Philip Glass And Steve Reich. The David Byrne/ Robert Wilson "Knee Plays" Reminded Them Of The Joy Of The Spoken Word Set To Music. Lyrically,Best & Mchugh Drew From Life In Baltimore, From Isolation (Again), Memories Of Life In Melbourne, Their Friends And Each Other. "We Wanted To Talk About Resilience And Resistance." Says Best. Record...

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Smug Brothers

In The Book Of Bad Ideas

19,99 €*

LP | 2021 | UK | Original (Leaf)

Release: 2023 / US – Original

Genre: Rock & Indie

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Since forming in 2004, Ohio rock band Smug Brothers have enjoyed a relaxed, almost nonchalant, approach to writing and recording, with most albums being minor Big Bangs - instant and electric. New LP In the Book of Bad Ideas, on the other hand, was a struggle against entropy - the disorder caused by plagues and departing personnel.

Singer, guitarist, and songwriter Kyle Melton wrote the majority of the tunes in "bunker fashion" during the miserable pandemic summer of 2020, then slowly started recording them with bassist Kyle Sowash, lead guitarist Scott Tribble, and drummer/Smug Brothers co-pilot Don Thrasher in 2021. That November, his contributions partially completed, Tribble decamped the band due to a new job and new demands. The exit was amicable, yet left the group in a lead guitar lurch. Melton had little choice but to enter the ring and play solos on some songs.

"That was both fun and frustrating," Melton admits. "Other than a handful of tracks over 15 years, I've not really done much lead playing with Smug Brothers. When Scott left, I was initially like 'Great. What now?' It took me a few weeks to psyche myself up to just go for it."

Finally, belatedly, both In the Book of Bad Ideas and its sister EP Emerald Lemonade were finished in the spring of 2022. And against the odds, the two-year slog produced pleasantly surprising results. On In the Book of Bad Ideas, the band's typical, semi-60s sound - boasting biting leads and breakneck jangles - is now fully integrated with synthesizers and crafted with a cool gloss, anachronistically creating the first Smug Brothers album of the early 80s. While all songs pop with Pac-Man vibrancy, tracks such as "Helium Drag" and "Enceladus Lexicon" could be lost classics by The Cars.

As Melton reveals, "I'm not sure it was a conscious move, honestly. We've been expanding our sonic palette significantly since [2017 LP] Disco Maroon; Scott had a lot to do with that push, especially with his keyboards. I just kept running with those moves. I was thinking more in terms of a 'slicker' sound on the tracks, adding more polish and really trying to get a better overall production."

Clearly the perseverance paid off. But album highlight "What Starts Out as Fun" begs an obvious question. "Yes, it's all still fun," Melton says with a laugh. "It's just more work now. We're really pushing ourselves, exploring new approaches. We are already working on new material, so we will just keep going forward and make it up as we go. Hopefully, In the Book of Bad Ideas gets a favorable reception that can give us a good headwind into the future."

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Snapped Ankles

Forest Of Your Problems

Release: 2021 / UK – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Stones Throw)

Sofie Royer

Young-Girl Forever

27,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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2LP | 2023 | EU | Original (Tonefloat)

Soft Machine

Other Doors

38,99 €*

Everybody Knows Something Good

Release: 2023 / EU – Original

Genre: Rock & Indie

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Five years after the release of their last studio album, legendary UK musical institution, Soft Machine, return with a brand new CD/LP, Other Doors. Boasting new material and two numbers drawn from their extensive historical repertoire, Other Doors finds the band on their usual fiery form.

Featuring John Etheridge (guitars), Theo Travis, (saxes, flutes, Fender Rhodes piano, electronics), Fred Thelonious Baker (Fretless bass), John Marshall (drums), Other Doors also features two guest appearances from long-serving bassist Roy Babbington, who retired from the band in 2021.

Other Doors was recorded at Temple Music Studios, a facility owned by the late Jon Hiseman during July and August 2022. It’s a location of which the band is particularly fond, explains John Etheridge. “Working at Jon Hiseman’s studio was special, especially with Ru Lemer who is a brilliant engineer. He’s fantastically quick and that’s very good as we record mainly live in the studio. It’s come out really well and I think it sounds great.”

That ability to work quickly on takes as an ensemble has resulted in a fresh-sounding series of top-flight performances whose typically knotty and sometimes complex themes frequently give way to explosively discursive improvisations. As Theo Travis observes, “The interesting thing about recording free improvisations is you're not playing to a plan or a grid or a blueprint, so you don’t know what's coming, and you don't know what's coming until it's gone. At which moment you're thinking about the next thing.”

The album is brimming with that fast-moving creativity including the title track, whose outline was initially composed by John Etheridge in the Lake District during 2021’s lockdown. Crooked Usages’ ’ slow-weaving machinations and the prowling inquisitiveness pursued during Fell to Earth are similarly imbued with a dextrous yet melodic bite that defines much of the band’s approach. Within this framework, John Etheridge’s supple interrogations across the fretboard’s range coupled with Theo Travis' tightly focused sax and flute alongside his impressionistic keyboard washes encompass a musical language that can be as cerebral as it is emotionally direct.

The Visitor at the Window, The Stars Apart, and the elegiac Back in Season unfurl into more reflective states of being, variously contrasted by mediative percussion, flute, solo guitar, or swarms of electronica and echoing clusters of electric piano. All coalesce to build into the beguiling atmospherics which forms a vital layer within the Soft Machine sound world. It’s been a kind of tradition with the group to include new arrangements of older Soft Machine numbers from the band’s illustrious back catalogue. These have included numbers as varied as Chloe and the Pirates, Kings and Queens, Out-Bloody-Rageous, etc.

On Other Doors they’ve revisited the very first album, originally released in 1968, to include Kevin Ayers ‘Joy Of A Toy. Fred Baker, makes his studio debut with Soft Machine. A well-known figure on the Canterbury Scene not only is he the perfect choice for the group but he’s also is a long-term fan of the repertoire.“The way I look at it is that this is all great music which we’re continuing to preserve and keep alive as we play it but also we’re adding to it all the time,” he explains. The idea for revisiting the number was Theo Travis’ he says and has been part of the band’s live setlist for a while. “I’ve added some extra harmonies and other things to it, so it’s got my stamp as well as going back right down to Kevin Ayers's original. It somehow fitted in with all of the new material as well as the older tracks we do. It’s amazing the amount of young people coming along to gigs who are liking the wide range of music we play.” The album also contains Penny Hitch, a track originally heard on 1973’s Soft Machine Seven. This features the first of two appearances of Roy Babbington who provides the bass lines underpinning Karl Jenkins’ composition while Fred plays the sinuous lead melody on his fretless bass. The pair also worked together as a duo on Now! Is The Time, a number originally based on a theme Babbington brought into the sessions, with Fred and Roy both adding and expanding the scope of the piece.

If the album ushers in a new member in the shape of Fred Baker, it also acts as a fond farewell to drummer John Marshall, who joined Soft Machine midway through the recording of 1972’s Fifth. At the age of 81 Marshall has decided to retire making Other Doors his final studio album with the group. “I’ve known John since 1975 when I first joined Soft Machine and of course, we’ve worked through the years together intermittently ever since. His drumming always meant a lot to me,” says Etheridge. “We worked over three days in the studio and John played great. It sounds terrific.” Indeed, Marshall is on whip-cracking form throughout the album bringing his trademark musicality and decisive presence. With Other Doors, he brings his distinguished career to a rousing conclusion.

Intense, celebratory, and consistently impressive. Other Doors is the sound of a group determined to press forwards with an integrity and sense of purpose that’s quintessentially and definitively Soft Machine.

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Someday Jacob

LP | 2017 | EU | Original (Haldern Pop)

Son Of Drib Against The Wind

Release: 2017 / EU – Original

Genre: Rock & Indie

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On their last record, Someday Jacob let a golden Californian sun rise on north Germany’s flatlands. „It Might Take A While“ (2015) carried in it the DNA of US-American folk rock and interweaved several decades of pop music in a loving way. Melodies everywhere! They all came together to songs of great beauty.

Working for a song: That’s what the quartet formed around singer, songwriter and guitarist Joern Schlueter is all about. Not about quick key stimulus, not above self-staging – and surely not about making music to be better than somebody else. With Someday Jacob, music isn’t a competition, but a conversation: Everybody knows something good.

The new and third record, titled “Everybody Knows Something Good”, Someday Jacob go to town. Whereas the songs of the last record evoked images of forests and valleys, here the tone becomes more direct – this record is rather a house than a field. “These new songs seem to quite immediate and open.”, says Schlueter, “there is a clarity that sort of surprised ourselves. We felt like, maybe it’s time we show ourselves a bit more. To me songwriting is a journey that leads to the inside and the outside at the same time – the more you get in touch with yourself, the more your music is able to speak to others. We were looking for a sound that communicates that.”

Just like the last time, they found their man in Nashville, TN: Grammy®-winning Ryan Hewitt (Red Hot Chilli Peppers, Johnny Cash, Avett Brothers, Angus & Julia Stone) mixed the record which was mastered again by Richard Dodd (Tom Petty, George Harrison). “It’s just amazing what Ryan did to the songs – the sheer quality of his work brings the musicto a totally new level. It was great to feel somebody understands what you’re doing and adds his magic to it.”

Someday Jacob are:
Jörn Schlüter (Voc, Git)
Uli Kringler (Git, Voc)
Martin Denzin (Drums, Voc)
Manuel Steinhoff (Bass, Voc)

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Son Of Dribble

LP | 2023 | US | Original (Minimum Table Stacks)

33,99 €*

Almost Nothing Is Nearly Enough Colored Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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On only their second full-length album, Son of Dribble make the case for Immediate induction into the Columbus, OH Rock & Roll Hall of Fame. Not any easy feat when you’re following acts like Cheater Slicks, Great Plains, New Bomb Turks, Thomas Jefferson Slave Apartments, Times New Viking, etc. etc. Like their Columbus forefathers, SoD effortlessly take the guts of classic American garage rock and rearrange ‘em inside the body of the darker side of UK post-punk. No one would call The Birthday Party a “blues band”, but it’s there. Beat Happening wasn’t a ‘60s girl group, but that’s there too. It’s all there in SoD. The skeleton holding everything together is SoD’s ability to take all of those moods and create sounds completely unique and their own. The same knack for pure rock’n’roll melody the Strokes were figuring out in 2001 is the same sorta thing you’ll hear from SoD, but with more of a penchant for warped pop weirdness. Recorded mid-pandemic in 2021 by the band and engineer Zac Szymusiak at “Heartbroke Rij” (an abandoned house with no electricity or running water that the band converted into a practice space/studio), “Son of Drib Against the Wind” sees the trio of vocalist Andy Clager, guitarist Darren Latanick and drummer Vicky Mahnke art-garage-rocking through 12 tracks in just under 44 minutes. After welcoming second guitarist Mike Nosan into the band permanently, Son of Dribble begins 2023 with a string of live shows and plans to record new material as a four-piece. Son of Dribble continues the proud tradition of Columbus artists pushing the boundaries of what a “garage rock band” can accomplish. Minimum Table Stacks is proud to present “Son of Drib Against the Wind” on vinyl for the first time since its digital release in 2022.

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Sonic Boom

LP | 2021 | US | Original (Carpark)

Release: 2021 / US – Original

Genre: Rock & Indie

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To Sonic Boom’s Pete Kember, re-imagining the past can lead to ways forward on life’s natural, interconnected path. In April of 2020, he released his first album in over 20 years called All Things Being Equal, a lush and psychedelic record full of interwoven synthesizers and droning vocal melodies, concerned with the state of humanity and the natural world. An entire year later, Kember has re-imagined his last release and created an album of self-remixed tracks called Almost Nothing Is Nearly Enough, inspired by the spirit of late 70s, early 80s records by artists like Kraftwerk, Blondie and Eddy Grant. His new album is hypnotic and moody, holding onto the existential framework of the original, but exposes a fresh, beating realm of possibility.

In his last album, All Things Being Equal, Kember told regenerative stories backwards and forwards as he explored dichotomies zen and fearsome, reverential of his analog toolkit and protective of the plants and trees that support our lives. His work is always complex, both in its instrumentation built using modular synthesizers, and with his attempts to observe the many variables that exist in the universe that are intrinsically connected. Kember takes his existential and musical curiosity even further in Almost Nothing Is Nearly Enough, explaining “how we interact now is especially critical.” Written while the world endures many environmental and human crises, the album is both a balm and a reminder to nurture our own relationships, both natural and personal.

Almost Nothing Is Nearly Enough includes remixes of six tracks from All Things Being Equaland two tracks previously released exclusively in Japan. The album opens just like the original, with “Just Imagine”in its remixed form. The modular synthesizer at its foundation sounds familiar, but as the song progresses it branches out into various veins of sparkling embellishments and deep humming to truly expand the world that the song attempts to envision. On the albums’title track “Almost Nothing Is Nearly Enough,” Kember’s instrumentation mirrors the interactions he wishes to inspire; synthesizers responding and building on one another, a conversation of sorts that the human world currently seems to avoid.

Almost Nothing Is Nearly Enough sets itself up to be a grooving, night-time record, while carrying on Sonic Boom’s sense of urgency to assess our relationship with the world. As Sonic Boom revisits his last album, he exposes the arteries and bones of his past work and shares its raw, exciting potential. The result is a re-textured and re-colored new set of songs, emphasizing Sonic Boom’s ability to make a sonically expansive album feel distinctly impactful for anyone who listens closely.

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Rides Again Black Vinyl Edition

LP | 2021 | EU | Reissue (Heavy Psych Sounds)

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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All the tracks on this Rides Again album are unreleased studio material recorded after 1st album came out in 2005. At that time the band members had some troubles during recording, so after the recording sessions they broke up. These tracks were sleeping in the vault for more then fifteen years. The music is a mixture of psychedelic groove, rock, funk, and doom metal. For fans of Cactus, Grand Funk Railroad, Mountain, Sir Load Baltimore, Captain Beyond, Meaters, Graham Central Station and Funkadelic. On the album you can find four original songs plus two cover tracks: "Earthquake" from Graham Central Station and "Stay Away" from Meters.

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Rides Again Cornetto Yellow With Black Stripes Vinyl Edition

LP | 2021 | EU | Original (Heavy Psych Sounds)

Release: 2021 / EU – Original

Genre: Rock & Indie

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All the tracks on this Rides Again album are unreleased studio material recorded after the 1st album came out in 2005. At that time the band members had some troubles during recording, so after the recording sessions they broke up. These tracks were sleeping in the vault for more then fifteen years. The music is a mixture of psychedelic groove, rock, funk, and doom metal. For fans of Cactus, Grand Funk Railroad, Mountain, Sir Load Baltimore, Captain Beyond, Meaters, Graham Central Station and Funkadelic. On the album you can find four original songs plus two cover tracks: "Earthquake" from Graham Central Station and "Stay Away" from Meters.

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Rides Again Striped White-Black-Pink Vinyl Edition

LP | 2021 | EU | Reissue (Heavy Psych Sounds)

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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Sonic Flower Black Vinyl Edition

LP | 2003 | EU | Reissue (Heavy Psych Sounds)

Release: 2003 / EU – Reissue

Genre: Rock & Indie

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Re-issue with color variant. This Sonic Flower selftitled debut album is an instrumental bluesy heavy rock with no Doom taste. A lot of improvised double guitar solo and a very special groovy rythm section. The release got a real unexpected awesome response all over the world. All the tracks are 100% original, except the cover of the blues classic "Going Down".

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Sonic Flower Pink-Blue-White Vinyl Edition

LP | 2003 | EU | Reissue (Heavy Psych Sounds)

2LP | 1988 | US | Reissue (Goofin)

Release: 2003 / EU – Reissue

Genre: Rock & Indie

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Sonic Youth

Daydream Nation

Holding On / Letting Go Black Vinyl Edition

Release: 1988 / US – Reissue

Genre: Rock & Indie

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Daydream Nation was Sonic Youth’s sixth full-length, their first double-LP, and their last for an indie label before signing with Geffen. Widely considered to be their watershed moment, the album catapulted them into the mainstream and proved that indie bands could enjoy wide commercial success without compromising their artistic vision. More recently, Daydream Nation has been recognized as a classic of its time: Pitchfork ranked it #1 on their “100 Greatest Albums of the 1980s”; Spin listed it at #13 on their “125 Best Albums of 1985-2010”; Rolling Stone put it at #45 on their “100 Best Albums of the Eighties” list and #328 on their “500 Greatest Albums of All Time.” It was one of 50 recordings chosen by the Library of Congress to be added to the National Recording Registry in 2006.
2007 saw the release of an expanded four-disc vinyl box set, but now the album is back in its original form after years of being out of print and highly sought after. As a special 21st century bonus, the vinyl now includes a digital download card—radical adults rejoice!

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Sophia

LP | 2020 | EU | Original (The Flower Shop)

21,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Bella Union)

Sophie Jamieson

Choosing

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Aguirre)

Souled American

Frozen

LP | 2024 | US | Original (Aguirre)

Release: 2024 / US – Original

Genre: Rock & Indie

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For the first time this century, two missed masterpieces are coming available on vinyl. The band Souled American formed in Chicago in 1986 and recorded a total of sixty-six songs between 1988 and 1996. Though not ever popular themselves, their evolving hybrid of roots / rock music heavily influenced many more popular bands to come, among them Wilco, The Jayhawks, The Feelies, Califone, Counting Crows, The Mountain Goats, and Cracker. Their records became legendary, unavailable for decades. Some got to the Internet in 2023.

Their last two albums Frozen and Notes Campfire will now be re-issued in limited, hand-crafted, 30th Anniversary Editions with a fresh abundance of stories, technical information, musician credits, and cartoons that detail the unexpected origins surrounding these two early classics of “ambient Americana.” These records sound at once both old and new with brilliant melodies and profound performances stacked in unusual patterns like soft-hued bricks.

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Souled American

Notes Campfire

Mummy What Are Flowers For?

Release: 2024 / US – Original

Genre: Rock & Indie

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Soup Activists

LP | 2024 | US | Original (Inscrutable)

Honest Labour Ruby Wine Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Must we bleed to buy a bridge? A life led punk takes a left turn to there and back again lane, and we find Soup Activists. This is St Louis’ new mutant pop, Martin Meyer’s solo studio project (and ensemble live band). Mummy What Are Flowers For?, the act’s new LP on Inscrutable Records, is punk’s gift back to pop. Friends, penpals, and mail order maniacs will all be told, a princely player with a heart of gold journeyed to Lawrence Kansas to record and rock. With Sweeping Promises, MM ignored the studio clock. SP’s Caufield Schnug behind the board and Lira Mondal in front of the mic, providing supporting vocals.

Songcraft has always been an essential part of Marty’s world (Lumpy and the Dumpers, the Wad, Cal and the Calories, Fried E/m) and special care is provided on Mummy. There’s the crackle and verve of Dolly Mixture, the slyness of Television Personalities, and the pure fun of the Freshies. The pogo is an apt dance for album openers 'Jeffrey Jarvis' and 'Boys With Plants.' Curiously dressed adolescents lay the groundwork for 'Matching Teens' and its swinging organ and crunching guitar. Lira’s singing is furiously focused and fulfilling on “The Times,” bottled fun. 'It’s a hit! It’s a hit!' These are the screams I hear each night in the Soup Activists concert audience. Let 'Some Doves Don’t' be your introduction to new wave. 'Chaos Girls' is an anthem for the apocalypse that dances dangerously in a zone of perilous joy.

Martin has worn many hats, and now we are closer to the dome than ever before with this guitar-pop project. Big, freaky-beefy, and beautiful, Soup Activists’ new LP is personal. It’s strange when you’re living the dream. We are lucky to live in this wonderful world and to have Martin Meyer making it more wonderful."—Reese Higgins (Gentle Reminder Records)

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Space Afrika

LP | 2021 | US | Reissue (Dais)

LP | 2023 | EU | Original (Where Its At Is Where You)

Release: 2021 / US – Reissue

Genre: Rock & Indie

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Ruby Wine Vinyl.Manchester UK's Space Afrika make music of what they term "overlapping moments" - oblique mosaics of dialogue, rhythm, texture, and shadow, half-heard through a bus window on a rainy night. Honest Labour, the group's first full-length since 2020's landmark hybtwibt? (have you been through what i've been through?) mixtape, expands the project's palette with classical strings, shimmering guitar, and visionary vocal cameos, leaning further into their enigmatic fusion of ambient unrest and cosmic downtempo. It's a sound both fogged and fragmented, at the axis of song craft and sound design, born from and for the yearning solitudes of life under lockdown.The album title is tiered, alluding to a legendary patriarch from co-founder Joshua Inyang's Nigerian family tree (who was lovingly called "Honest Labour" for his loyalty and resilience) as well as the nature of self-designated work, such as Space Afrika's music - a "labor of love" in its truest sense. With fellow co-founder Joshua Reid recently relocated to Berlin, the pair began sharing files last fall, piecing together poetic vignettes of looping haze and found sound, inspired by the notion of "records that leave an impression, and help the listener deal with their life." As the isolation of Covid compounded with the worsening winter, the songs skewed increasingly introspective and emotive, reflecting a mood of dissipating futures and the infinite nocturnal unknown.The artists cite two core motivations for Honest Labour: to transcend the sum of their influences, and "to show what we're capable of." Both ambitions are entirely realized. The collection's 19 tracks flow with a synergy and sophistication as rare as they are radical, untethered to the dusty dub-techno templates of Space Afrika's early years. These are interstitial anthems, expressionistic and open-ended, delirious but deliberate, attuned to the drift and dreamstate of the present moment: "Ultimately this is an homage to U.K. energy, and an album about love and loss."

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Spearmint

This Candle Is For You

19,99 €*

LP | 2023 | EU | Original (Pronounced Kroog)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Limited to 500 copies ww. Independent heavyweights Spearmint return this year to follow-up 2021's highly acclaimed 'Holland Park', with the superb new album 'This Candle Is For You'. Spearmint have been making great records for a couple of decades now: this will be their tenth album proper. Still the same line-up: Shirley Lee (singing, guitar), Simon Calnan (singing, keyboards), James Parsons (guitar, bass) and Ronan Larvor (drums). This album will be the 60th release on their own hitBACK label. Missed out so far? The new album provides the perfect place to start! The dizzying multiverse of an album covers a wide array of themes, including the search for a missing sister, the ways we remember lost loved ones, Prince's encounters with Joni Mitchell, the story of John Gavin, the James Bond star who never got to make a film, late-night drinking in Soho, the joys of B-movies & video nasties, changing attitudes to mental health, the plight and wonder of older cats, the reaction to the death of Sarah Everard, and the afterlife. Re-united with producer Rhodri Marsden (Scritti Politti), the band feel that this record is their best yet. Singer Shirley explains "We started off just wanting to make an album that would stand alongside our last one 'Holland Park', but it ended up surprising us - we love it!"

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Spencer Krug

I Just Drew This Knife

LP | 2020 | EU | Original (Knekelhuis)

Release: 2023 / EU – Original

Genre: Rock & Indie

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One night, at some unrelated recording session, years ago already, handsome young Browning whips out his phone to show old Koop and even older Krug the instrumental recordings he's made over the pandemic, saying that now that they're finished, he doesn't know what to do with them. The music coming from the phone is dark and sparse, but also slick; tight enough to feel like some kind of twisted pop. The two old ghouls' mouths start to water and their eyes bulge. Krug rubs his greedy claws together and says, I might have an idea.At home, in his studio (lair), old Krug chops up one of young Browning's works, rearranges the parts to suit his own freakish needs, then squawks out an ill-conceived incantation overtop. He sends the whole mess to creaky Koop, who, in turn, from within his own dank cave of gadgets and oddities, skronks onto the franken-song his eccentric idea of what a guitar melody might be. They deliver the concoction back to young Browning, its progenitor, and cringe in wait for his gen z insults that they won't understand, but he is unexpectedly pleased. Still, they make tweaks. They tweak until the annoyingly subjective and idiosyncratic desires of all three are barely satisfied. Hoor-rah! they cheer, Krug coughing through the "rah," having not lifted his arms that high in years. The three unlikely collaborators then decide they will make an album this way, repurposing Brownings perfectly fine and lovely instrumental tracks into "better" "songs" by unnaturally forcing them into pop structure-shaped holes, then adding lyrical phrases of vague meaning and forgivingly distorted guitar. They work remotely, and slowly, posting a single demo onto Krug's dubious Patreon page monthly, until finally a whole record's worth of songs exist. Our three near-unemployed musicians then convene eagerly, desperately, in the woods, at a studio ridiculously called "The Studio," and re-record the entire batch of deformities into one surprisingly cohesive collection, each song like a button-eyed bear sewn fro...

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Spill Gold

Highway Hypnosis

LP | 2021 | US | Original (Born Yesterday)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Amsterdam based Spill Gold ( who previously released on Portland's Beacon Sound) with a jaunty 7 track mini album for Knekelhuis. sleeve art from Jacob Hoving. The label say: "The summer breeze has gradually turned into a cold wind and the trees showcase their typical variegated color palette; autumn has clearly arrived in all its golden glory, a transition exemplary for Spill Gold’s work. The Amsterdam duo’s music is every bit as colorful and moving as its seasonal counterpart, where one moment a cold and stormy wind swarms the air and other times calm and stillness prevail. On Highway Hypnosis, their first album on vinyl, Spill Gold masterfully juxtaposes darkness and light, playfulness and control, enhancing the transcendental character of the material at hand. Based on strong pop structures, the songwriting here traverses a world of Krautrock and cosmic influences at once catchy and alienating, opening the possibility for catharsis. They’re a wonderful addition to the versatile nature of Knekelhuis. And they’re crazy good live as well."

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Spirits Having Fun

Two

13,19 €* 23,99 € -45%

Everything Was Beautiful Black Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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Spirits Having Fun records are ones made from and for shows and spaces—arrangements rooted in a deeply collaborative process, that come to life through intuitive and locked-in live improvisation. Following their 2019 debut Auto-Portrait, Two finds the New York and Chicago based four-piece continuing to challenge ideas of what a rock band can be, pulling apart their musical experiences and reimagining them as kinetic compositions, equally studied but palpably organic.

Two is constructed around gut feelings and strong grooves, elastic rhythms and playful pacing. Its twelve songs expand, contract, and make sharp turns between melodies under singer-guitarist Katie McShane’s meditative lyrics. “Broken Cloud,” which was also released last year on a compilation in support of Chicago Community Jail Support, offers a glimpse into her reflections on the natural world: "A city grew out of the ground / to a mountain it's only a blur."

True to its name, the internal logic of the band is also just a lot of fun, built on trust and deep-rooted musical relationships. Before there was Spirits Having Fun, McShane, bassist Jesse Heasly, guitarist-vocalist Andrew Clinkman, and drummer Phil Sudderberg had performed together in various arrangements over the years. McShane, Heasly and Clinkman met in a specific corner of the Boston underground in 2013, a time when a scene had coalesced around students from local music conservatories frequently collaborating with punk bands and noise artists, exchanging ideas and warping musical worldviews. Heasly and Clinkman played together in Cowboy Band, making mutant, free jazz-inspired takes on old country tunes. When Clinkman moved to Chicago, Heasly and McShane played in experimental groups like EKP and Listening Woman; in Chicago, Clinkman met Sudderberg playing in projects like jazz scene fixture Ken Vandermark’s high-powered band Marker.

Spirits first came together as an attempt at a long-distance collaboration among friends in 2016, driven by the simple feeling of missing each other; they’d meet up for marathon weekends here and there to practice, playing small loops through dive bars and art spaces around the Midwest—just enough for McShane and Heasly to afford plane tickets back home. Being split between Chicago and New York forced the project into a deliberate pace. “We tried to take it slow and let it be what it was,” said McShane. That sense of patience unexpectedly prepared them for March of 2020, when their planned tours and the release of Two were indefinitely delayed.

Two was mostly recorded in the summer of 2019 with the help of omnipresent Chicago engineer Dave Vettraino and DPCD’s Alec Watson, whose contributions on organ, synths, and piano are laced throughout the record. The album reflects a synthesis of solitary and communal songwriting processes—each song drawing on fragments written by individuals, which McShane threaded together and shaped through her distinct compositional lens, making the songs whole before returning to them to the band to mature collectively. When composing, McShane writes first on the keyboard before adapting parts for guitars played by herself and Clinkman. Their dueling approaches to guitar are complementary: McShane, being a newer guitarist, brings a freshness to the project (“I'm just discovering the whole time,” she says) while Clinkman has been playing since childhood.

“There's a lot more collaboration on this record,” says Clinkman, “in terms of all of us letting stuff bloom a little bit more.” The record’s first single, “Hold The Phone” is a good example of this process—it started with a playful intro riff from Clinkman, a melody and bridge added by McShane, a wobbly outro groove added by Heasly, which Sudderberg brought to life. Another single, the dynamic “See a Sky,” written primarily by Heasly, underscores the rhythm section chemistry at play across the record, the song ebbing and flowing around Heasly and Sudderberg’s eclectic percussive palettes.

“Entropy Transfer Partners” is the only song on the record with lyrics by Clinkman, and the album’s most politically direct—a call for solidarity in the face of systemic failures, an acknowledgment of the shared material devastation caused by our country’s ongoing healthcare and housing crises: “These are not things we're experiencing individually. We struggle through them collectively. And we could actually declare, all of us, that it doesn't have to be this way, and fight and organize to ameliorate some of those conditions.” (“We won't work to create the shit you monetize, to run our lives,” they sing.)

From front to back, Two is an absorbing listen simply for its impressive range. But as the members explain themselves, the complexity of the record is about more than its intricate riffs, or how often they count out an odd time signature, but how they reject the notion of boxing the songs in, letting the melodies take on lives of their own. “Making music that feels alive is important to us,” says Clinkman. “Music feels most powerful to me when it deepens our sensation of feeling alive and connected to other humans. It’s so easy to feel worn down and isolated; that your life’s value is fixed to your productivity at your job, or the things that you have or don’t have. Making music that feels joyful and fun seems like one effective antidote to that feeling.”

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Spiritualized

LP | 2022 | US | Original (Fat Possum)

35,99 €*

Everything Was Beautiful Pink Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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J. Spaceman plays 16 different instruments on Everything Was Beautiful which was put down at 11 different studios, as well as at his home. "All these layers, all these details, the year-long mixes, the making sense of it all and the lives lived within these lyrics; for somebody so famously unconfident of his own abilities, isn't this a punishing thing to keep doing? “Yeah, but I like what I do. There’s a line from Jonathan Meades that’s about having all the attributes to being an artist. ‘Paranoia, vanity, selfishness, egotism, sycophancy, resentment, moral nullity and more idiot than idiot savant.’ “And that's what it feels like, this kind of thing. You’re your own worst enemy and biggest supporter. “There's a ‘Of course this is worth it. It's me’ and then this kind of deep doubt of ‘What the fuck is this all about?’ “And then ‘Why is it important?’ and then knowing there's no easy answer. But it's there. I know it's there.”

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Spiritualized

LP | 2022 | US | Original (Fat Possum)

35,99 €*

LP | 2023 | US | Original (Slovenly)

Release: 2022 / US – Original

Genre: Rock & Indie

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Spitting Image

Full Sun

LP | 2023 | EU | Original (Detriti)

Release: 2023 / US – Original

Genre: Rock & Indie

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Only longtime and well-connected west coast punks—and any lucky dirtbags, cowboy hat goths, and broken-down romantics who have passed through the sagebrush hills and smoky casino bars of Reno, Nevada sometime in the last decade—know Spitting Image. Unless you heard them on a few small run cassette tapes or 7" records with cryptic art and far-out distortion, or at a party they ritually summon to any warehouse, parking lot, basement, or Great Basin lake shore they can find, you didn’t. But thanks to Slovenly Recordings, who share a hometown with the band and have sought out the finest and grimiest punk sounds from every corner of the globe, the rest of the world at last receives a report back from these scuzz punk art freaks on their deep trip, deep in the desert: Full Sun. And it’s dark, but that doesn’t mean it’s a bad trip. Donovan Williams’ merciless drumbeats drive downstroke rippers like “Devils Bloom” and “Still Thing,” and tracks like “Broadcast” and “Plea Dealer” play up the conversation between Jack Scribner’s beating-heart bass and Julian Jacobs’ alternately schizophrenic and soaring guitar. The 12 poems that make up this record pull together the stranger fringes of the ‘80s wave—Wipers, Gun Club, Sonic Youth, Television, early Siouxsie—with basement hardcore and hints of krautrock, psych, and industrial that show the band’s “fascination with repetition, patterns, transposing things and ideas into new contexts.” These sounds aren’t genre conventions to mash up and reference; they’re tools to express a razor sharp focus on the bliss and insight found in the periphery, the underbelly, the “places of edges,” feelings that are fleeting and serendipitous, but indisputable and eternal once felt. Austin Pratt’s zen lyricism finds unity in opposites: "full sun / humming in wisdom" and "full shade / resting in peace" all at once. The discarded casino chips glowing under faded, disorienting neon lights, and the otherworld fossils disintegrating under the relentless desert sun: now remember they’re the same thing, and you’re getting it. Spitting Image have performed with Iceage, Ceremony, and Spiritual Cramp, and their project will make intuitive sense to fans of bands like The Men, Gun Outfit, and Protomartyr. What separates Spitting Image from their contemporaries, however, is the sound of the desert—spacious, sweltering, and shimmering on their debut LP. When mirrored glasses and a broad hat aren't enough and you squint through the white afternoon dust in the breeze—that's Full Sun. When the wildflower jewels that can't be pawned force their way through the calcified crust to sing their "lust song with the earth"—that's Full Sun. When the fucking riff kicks in, that's Full fucking Sun.

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Spzkr

Punto E Forma

21,99 €*

LP | 2023 | UK | Original (Last Night From Glasgow)

Release: 2023 / EU – Original

Genre: Rock & Indie

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New album from Oroskällan,recorded in Gothenburg 2022. Screenprinted covers on re-used old record sleeves (expect some minor defects). Edition of 295 copies. Förlag För Fri Musik 026.

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St Dukes

32,99 €*

Release: 2023 / UK – Original

Genre: Rock & Indie

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Gilligan / Live At The Sports Page Cafe

St. Johnny

7" | 1994 | US | Original (Twisted Village)

7,99 €*

Ten Modern American Work Songs Coke Bottle Clear Vinyl Edition

Release: 1994 / US – Original

Genre: Rock & Indie

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Early live recordings. With titles like that, somebody oughtta to give them a button or something.

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St. Lenox

LP | 2024 | US | Original (Don Giovanni)

Ten Songs Of Worship And Praise For Our Tumultuous

Release: 2024 / US – Original

Genre: Rock & Indie

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Andrew Choi doesn’t claim to have all of the answers when it comes to talking about work in America. But if anyone is uniquely well positioned to raise questions, it’s him. Over the course of two decades, the Midwest-born, New York-based singer-songwriter—who performs under the name St. Lenox—has been a musician, a clothing store employee, an underpaid graduate student and scholar, and a salaried corporate attorney. This tremendous amount of experience is channeled into Andrew’s latest album.

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St.Lenox

LP | 2021 | EU | Original (Don Giovanni)

27,54 €* 28,99 € -5%

Release: 2021 / EU – Original

Genre: Rock & Indie

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St. Paul & The Broken Bones

The Alien Coast

LP | 2022 | UK | Original (ATO)

Release: 2022 / UK – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Big Dipper)

St. Thomas

Mysterious Walks

37,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Total Pleasure Records)

All Born Screaming

54,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Black/White Split vinyl

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All Born Screaming Black Vinyl Edition

LP | 2024 | Original (Virgin)

27,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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All Born Screaming Red Vinyl Edition

LP | 2024 | EU | Original (Virgin Las)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2014 | US | Original (Universal South)

Release: 2014 / US – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Fika)

Stanley Brinks

Good Moon

2LP | 2020 | EU | Original (Allchival)

Release: 2023 / EU – Original

Genre: Rock & Indie

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12" moon Colored Vinyl - limited to 300. File under: Indie, Folk, Antifolk. The good moon comes after the full moon, when everything comes down and you can finally get some work done - be it building a house, or a boat, or recording an album). It's the most achieved album Stanley Brinks ever made. Stanley Brinks is renowned for his unique anti-folk style: both playful and suggestive, insightful and entertaining. Brinks was born in Paris, France, in 1973. He studied a bit of biology and worked as a nurse for a while. Half Swedish, half Moroccan, strongly inclined to travel the world, he soon began spending most of his life on the road and developed a strong relationship with New York. By the late 90s he'd become a full time singer-songwriter - André Herman Düne - as part of three piece indie-rock band, Herman Düne alongside his brother, David-Ivar. Several albums and Peel sessions later and after a decade of touring Europe, mostly with American songwriters such as Jeffrey Lewis, Calvin Johnson and early Arcade Fire he settled in Berlin. The early carnival music of Trinidad became a passion, and in the early 21st century he became the unquestioned master of European calypso, changing his name to Stanley Brinks. Under this moniker he has recorded well in excess of 100 albums, collaborated with the New York Antifolk scene on numerous occasions, recorded and toured with traditional Norwegian musicians, and played a lot with The Wave Pictures. "an absolute joy." Q // "...a set that's as wistful and charming as it is playful and self-concious." Uncut // "quietly charming" Pitchfork //

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Stano

Anthology

Moonlight Feels Right - The Collection: 1975-2023 Green Marbled Vinyl Edition

Release: 2020 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Following on from our 2018 repress of his debut album “Content to Write in I Dine Weathercraft “ we’re delighted to present an Anthology of Stano’s productions spanning the start of his solo career in 1982 to his 1994 “Wreckage” LP. Featuring 18 tracks from the five LPs he released in that time span on double vinyl with extensive liner notes, it is a comprehensive look at one of Ireland’s more enigmatic musical characters. A member of the legendary punk / post-punk group The Threat which disbanded after lead singer Maurice Foley disappeared to join the Hare Krishnas, he had set up his outsider stall early on. The Threat had Stano on synths, one of the first female bassists in Deirdre Creed and their debut single was produced by progressive trad musician Donal Lunny of Planxty. Stano’s solo career of improvised electronic music continued in this vein of the unexpected – sitting outside both the country’s mainstream and alternative rock scenes. An indigenous musical industry with few resources even at the top level – studios, labels and venues being scarce – and with few of the cross water big independent acts venturing over the Irish sea to play Dublin in the early 80s, it was an isolated place where due to its intimate size the more traditional rock bands nestled in close proximity to the few electronic acts. News travelled through a small scene via fanzines such as the influential Vox, which was associated with Stano publishing his poetry and releasing his debut 45 « Room », the Peel & Fanning shows of course and the newly established Freebird records. Eschewing both live performance and the spotlight for studio collaborations he worked with a number of Irish musicians - Roger Doyle, Michael O Shea, Daniel Figgis, My Bloody Valentine - and following the debut on local rock label Scoff records he signed to German experimental label Dossier where a further two LPs – 1986’s The Protagonist 28 Nein and Daphne Will Be Born Again the following year - were released. Signing to U2’s Mother records, he released their first Long player “Only” on the label which garnered praise from the UK music press including LP of the week in The Guardian. The final LP of this anthology featuring collaborations with Colm O'Coisoig of My Bloody Valentine "Wreckage" was released on Independent label Hue Records in 1994.

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Starbuck

3LP | 2024 | EU | Original (Renaissance)

53,99 €*

Moonlight Feels Right - The Collection: 1975-2023 Turquoise Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Pressed on a triple 180-gram GREEN MARBLE vinyl.This album features all Starbuck's greatest hits. Their debut single, "Moonlight Feels Right", reached the No. 3 position on the Billboard Hot 100 singles charts in 1976. Although the band never re-created the success of their debut, several of their songs did chart in the Billboard Top 100, and their 1977 release "Everybody Be Dancin'" reached No. 38.

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Starbuck

3LP | 2024 | EU | Original (Renaissance)

47,99 €*

Stars Of The Lid & Their Refinement Of The Decline

Release: 2024 / EU – Original

Genre: Rock & Indie

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Pressed on a triple180-gram TURQUOISE vinyl!This album features all Starbuck's greatest hits. Their debut single, "Moonlight Feels Right", reached the No. 3 position on the Billboard Hot 100 singles charts in 1976. Although the band never re-created the success of their debut, several of their songs did chart in the Billboard Top 100, and their 1977 release "Everybody Be Dancin'" reached No. 38.

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Stars Of The Lid

3LP | 2007 | US | Reissue (Kranky)

79,99 €*

Greatest Hits Live Colored Vinyl Edition

Release: 2007 / US – Reissue

Genre: Rock & Indie

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Back in print for the 1st time in 5 years! "I simply feel that they are making the most important music of the 21st century." - Ivo Watts Russell (4AD label founder). "Crushingly sad, lightly melancholic, or even uplifting, depending on the state of mind of the hearer...a sound divorced from intention & its ambiguity is its strength." - Pitchfork.

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Steely Dan

LP | 2024 | UK | Original (Get Yer Vinyl Out)

When I Was A Bird Colored Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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Preorder shipping from 2024-12-06

Casting a net over a recording career that spans over 20 years to capture the essence of the Becker/Fagen songwriting vortex is a hard task, but remains highly rewarding work for the compiler and joy for the listener. Thus, the two selected performances here from the ‘All American Tour’ of 1974 combine highlights from their first four albums with their signature classic Do It Again rounding off the 1972-74 timeline. Their return to the stage in 1993 was a hotly anticipated event and saw a broader line-up, bringing back classics from the 1975-1980 period of studio isolation. However, it was clear that the real stars of Steely Dan’s 1993 reunion tour weren’t simply Becker and Fagen alone, but the songs themselves, those gorgeously crafted pop confections; all sleek surface and clandestine passion. When music is this timeless, the word nostalgia doesn’t apply.Get Yer Vinyl Out celebrates the legacy of Steely Dan, live on stage with a selection of ten of their greatest hits beautifully restored and professionally remastered. Presented with background notes. Side 11 Pretzel Logic 5.22 *2 Bodhisattva 4.46 **3 Reelin’ In The Years 4.23 **4 Rikki Don’t Lose That Number 4.03 **5 Your Gold Teeth Jam 5.29 **6 Peg 4.21 ***Side 21 Do It Again 7.37 **2 Deacon Blues 7.40 ***3 Hey Nineteen 5.42 ***4 The Royal Scam / Bad Sneakers / Aja 7.37 **** University Of California, Irvine, CA, March 10th 1974 KSAN-FM** The Record Plant, Sausalito, CA, March 20th 1974 KMET-FM*** Riverport Amphitheater, Maryland Heights, MI, September 1st 1993 KLLT-FM

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Stephan Schweiger

LP | 2020 | EU | Original (L-St)

21,24 €* 24,99 € -15%

Release: 2020 / EU – Original

Genre: Rock & Indie

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Bay Of Kings Vinyl Edition Re-Issue 2024

LP | 2024 | EU | Original (Insideoutmusic Catalog)

Release: 2024 / EU – Original

Genre: Rock & Indie

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2LP | 2023 | EU | Reissue (Insideoutmusic Catalog)

Darktown Re-Issue 2023

Release: 2023 / EU – Reissue

Genre: Rock & Indie

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Feedback '86 Vinyl Edition Re-Issue 2024

LP | 1986 | EU | Reissue (Insideoutmusic Catalog)

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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Genesis Revisited Band & Orchestra: Live Vinyl Re

Box | 2022 | EU | Original (Insideoutmusic Catalog)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Guitar Noir Re-Issue 2023

2LP | 2023 | EU | Reissue (Insideoutmusic Catalog)

Release: 2023 / EU – Reissue

Genre: Rock & Indie

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Momentum Vinyl Edition Re-Issue 2024

LP | 2024 | EU | Original (Insideoutmusic Catalog)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Till We Have Faces Vinyl Edition Re-Issue 2024

LP | 2024 | EU | Original (Insideoutmusic Catalog)

Release: 2024 / EU – Original

Genre: Rock & Indie

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To Watch The Storms Re-Issue 2023

2LP | 2023 | EU | Original (Insideoutmusic Catalog)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Wild Orchids Re-Issue 2023

2LP | 2023 | EU | Original (Insideoutmusic Catalog)

33,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Howesound)

Steve Howe

Motif Volume 2

33,99 €*

11 Women Clear W/ Splatter Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Brand new solo release from YES guitar maestro, Steve Howe - Steve explains the concept of the Motif series of releases - The MOTIF idea pulls together my solo guitar writing and performances combining new tunes and refreshed and revisited studio performances of other tunes.My solo guitar tunes combine country picking with classical guitar pieces that have broader influences, jazz, rock, flamenco and folk, they've all been absorbed in my approach to writing and playing. It's 15 years since Volume 1 was released so it's delightful to announce the release of MOTIF Volume Two.Again I present some new tunes and further explore pulling the selection together to present a clear focus on all things 'solo guitar'. I record these myself onto a hard drive and then work on selecting takes and giving the sound some due consideration.Assembling the running order and then the final mastering means it's on to the sleeve information and design. Soon it's a 'wrap' and you're holding it in your hand!

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Steve Kilbey

LP | 2024 | UK | Original (Easy Action)

LP | 2020 | EU | Original (Playground Music)

Release: 2024 / UK – Original

Genre: Rock & Indie

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“Recorded over just three days, with little more than two takes making up each tune, the album is an exercise in the immediate, capturing both Kilbey and his accompanying musicians performing tracks while they’re still fresh. The result is one of the most pure records you’ll find anywhere. From the opening notes of “Poppy Byron”, it’s apparent that Kilbey has delivered something transcendental; something that only someone with a musical dexterity and vision like he can provide. Serving as a musical kaleidoscope of sorts, the album switches genres frequently, shifting between the mandolin-driven sweetness of “Josephine”, the ’60sinspired psychedelia of “Woman Number Nine”, and the hazy, dream-like nature of “Lillian in Cerulean Blue”. Meanwhile, the lyrics stay true to the concept of the title, with each track focusing on a feminine subject, whether it be via lyrics about Mary Shelley watching SBS in Mandarin on “Poppy Byron”, the story of evil witch “Doris McAllister”, or “Birdeen”, which, a press release notes, focuses on a greedy lorikeet with a sweet tooth. As Kilbey himself notes, Eleven Women is far from perfect record by any means, but in much the same way that even iconic renaissance painting have notable flaws, therein lies the beauty of this.” Tyler Jenke, Rolling Stone Australia A

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Steve 'N' Seagulls

Another Miracle

Endurance Soundly Caged Red Vinyl Edtion

Release: 2020 / EU – Original

Genre: Rock & Indie

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-Our Fourth Album Another Miracle Began To Find It's Form After Our Line-Up Renewed In 2019. We Felt That We Were On The Verge Of Something New And Exciting. We Knew Our Roots And Wanted To Hold On To Them, But At The Same Time We Wanted To Explore And Find New Colors And Shapes To Our Music. We Felt Energized And Fresh. Those Elements Can Be Found On The Album Also. One Can Find The Straight Forward Hammering Common To Our Band And Also New Tones And Beauty.-Pre-Production Period Was A Bit Longer Than On The Previous Albums And The Producer Timo Kämäräinen Was A Vital Part Of That Process. We Had Plenty Of Material. Some Re-Arranged Classics And Also More Original Music. In The End We Had A Whole And Complete Album On Our Hands. Band Sounds Stronger And More Colorful Than Ever. Producer Kämäräinen And Recording Engineer Abdissa "Mamba" Assefa Pushed Us With A Gentle Touch Towards New Adventures. Another Miracle Is An Album That Honours Musical Traditions And At The Same Time Comes Out Fresh And Modern.

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Stick In The Wheel

LP | 2023 | UK | Original (Endurance Soundly Caged)

Strange Pleasures-10 Year Anniversary Re-Issue

Release: 2023 / UK – Original

Genre: Rock & Indie

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These fresh new arrangements recorded at the renowned Eastcote Studios burst with vital energy, as Stick In The Wheel present live favourites from their recent touring band: Siân Monaghan on drums, George Hoyle on bass, along with Ian Carter’s trademark dobro and synths and Nicola Kearey’s unmistakable voice.

Whereas Tonebeds for Poetry reflected their prolific studio experiments, Endurance Soundly Caged captures the intensity of the last two years’ live shows.

The raw holler of Bedlam - recently featured in The Essex Serpent (AppleTV) - hardens through to a revitalized, heavier White Copper Alley’s sex-worker fable, drawing a line to a supercharged version of Villon Song, a 2020 favorite of both Iggy Pop and Marc Riley. Robot, taken from Tom Cox’s short story of the same name, is an all-new version of the menacing folk-horror saga that has mesmerised recent live audiences. An synth-led and autotuned As I Roved Out weaves a 10th Century charm into its other-worldly pastoral, whilst psychedelic Gold So Red conjures a final spell from one of the oldest surviving carols. The title is taken from a line in Bedlam, from the 1672 songbook “Pills to Purge Melancholy”.

The last two years saw Sitw release studio album Hold Fast (2020), and 2021’s more abstract mixtape, Tonebeds for Poetry (#2 Guardian Contemporary AotY), as well as the collaborative project Perspectives on Tradition (2022 with Nabihah Iqbal, Olugbenga & Jon1st).

Their relentless approach to questioning traditional music forms is matched only by the energy with which they play it.

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Still Corners

LP | 2013 | EU | Reissue (Wrecking Light)

32,99 €*

Stonewall Noise Orchestra

Release: 2013 / EU – Reissue

Genre: Rock & Indie

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2023 reisssue on transparent green vinyl LP with liner notes, lyrics, poster, digital download code with bonus 'We Have the Future on Tape', digipak CD with lyric booklet In celebration of STRANGE PLEASURES turning 10, Still Corners are releasing a very special remastered 10-year anniversary edition on transparent green vinyl. The album has been remastered by John Davis at Metropolis London, described by Jimmy Page (Led Zeppelin) as 'a master of his craft'. The anniversary edition includes all the album's lyrics (for the first time) on a gatefold album sleeve, Strange Pleasures poster, digital download, including a bonus download 'We Have the Future on Tape'. Originally released on Sub Pop, STRANGE PLEASURES has developed cult status since its release in 2013. Opening song, 'The Trip', captured people's hearts with one YouTube video acting as a virtual community for like-minded fans around the world. 'Fireflies' (Pitchfork, Best New Track), 'Strange Pleasures', 'Beginning to Blue' and 'The Trip' have been used across film and television since the album's release Coloured vinyl ddition features printed inner sleeve with liner notes and lyrics, 10th Anniversary poster (18"x24") & download code w/ bonus track "We Have The Future On Tape", digipak CD comes with booklet

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Constants In An Ever Changing Universe Black Vinyl Edition

LP | 2008 | EU | Reissue (Heavy Psych Sounds)

17,24 €* 22,99 € -25%

Stonewall Noise Orchestra

Release: 2008 / EU – Reissue

Genre: Rock & Indie

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New reissue of the Stonewall Noise Orchestra legendary album Constants In An Ever Changing Universe with brand new Colored Vinyl by Heavy Psych Sounds. It was quite chaotic putting this album together. It’s recorded in 5 different locations. Rehearsal rooms, a living room, a super professional studio, high and low really. I guess it was quite a challenge for Robert Ekholm to do the mixing. It was also some personal challenges at the time which resulted in John Hermansen doing the vocals. John is an incredible singer and an awesome dude, we’re very thankful he helped us keeping the band rolling. The album was supposed to be released earlier than it was but due to all kinds of stuff out of our control it took some time. In the middle of this chaos was the music, the constant in an ever changing universe. It’s an album we’re proud of and we still play many songs from it live.

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Constants In An Ever Changing Universe Blue Vinyl Edition

LP | 2008 | EU | Reissue (Heavy Psych Sounds)

22,49 €* 29,99 € -25%

Stonewall Noise Orchestra

Release: 2008 / EU – Reissue

Genre: Rock & Indie

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Constants In An Ever Changing Universe White, Orange & Red Vinyl Edition

LP | 2008 | EU | Reissue (Heavy Psych Sounds)

Sèance Pictured Vinyl Edition

Release: 2008 / EU – Reissue

Genre: Rock & Indie

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Stonus

LP | 2021 | EU | Original (Electric Valley)

18,99 €*

Happy End Im La-La Land Orange Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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This is NOT a picture disc! This is one-sided record that are digitally printed on the non-groove side! ‘Séance’ is the 3rd EP of the Cypriot Heavy Rock band Stonus, a fully analogue 18:24 minute EP recorded live at Hot Soap Studios in Larnaca, Cyprus under the supervision of Andreas Mattheou and mastered by George Leodis. The delicate artwork, perfectly translating the visualisation of Séance was crafted by Petros Voulgaris "A séance or seance is an attempt to communicate with spirits. In this trip, Stonus take a more experimental approach seeking into tradition, experiencing folk sounds, gypsy sceneries and expose themselves into the darkest side of nature. In some parts they are raw and heavy, while in others lost in a psychedelic trance, filled with roaring basslines, heavy riffs and dreamy melodies, always bloodthirsty for revolution and change. Whether you’re bound by the evil chains of pretentious love, feeling disconnected from your dreams or being chained to the system, Séance is a kind reminder that you are not alone.

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Stoppok

2LP | 1993 | EU | Reissue (Grundsound)

Release: 1993 / EU – Reissue

Genre: Rock & Indie

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Suface World Blue Vinyl Edition

Straight Arrows

LP | 2024 | UK | Original (Agitated)

Miracle Focus Yellow Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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Sydney 4-piece Straight Arrows have returned with their 4th studio album ‘Surface World’ today via Rice Is Nice Records in Australia, Agitated Records in the Uk/eu and Lolipop Records in the US on the 9th of August. Since forming back in 2007, Straight Arrows have been a force on the Australian indie scene; with 10x 7”s, 3x studio albums, a live LP and countless shows domestically and internationally under their belt, the band have developed a devoted fan-base, and praise from the likes of Henry Rollins and Iggy Pop along the way. Recorded at Marrickville’s Golden Retriever Studios with Nick Franklin (Polish Club, The Buoys), their 4th LP ‘Surface World’ is a whirlwind of fuzzy riffs and infectious hooks. Thematically, ‘Surface World’, as explained by the band, is a “reflection of the plane of existence we’re all currently trapped upon”, taking an introspective look at modern life and the world around them.

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Strand Of Oaks

LP | 2024 | Original (Western Vinyl)