Search "green shirt" 919 Items

Moveys Neon Green Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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Some bands struggle to transcend their initial mythos, those stories that introduce them to the public eye. But The Dead C is a notable exception. They appeared in 1986 under a cloud of mystery, their unconventional location (South Island, New Zealand) helping to fuel their erratic sound. Name-dropped through the nineties by groups like Sonic Youth and Yo La Tengo, they gained influence and acclaim but never strayed from their original mainlined performing technique, which can sound like chaos to the casual listener.What kind of a world greets them and their new album Unknowns in 2020? New Zealand culture is better known throughout the world, not to mention a low-virus paradise. Yes, isolated as in the past, but this time for being a nation of efficacy in tackling a public health crisis. But what about the rest of the world? The music of Mssrs. Robbie Yates, Bruce Russell and Michael Morley endures, partially because their errant sounds, once so alienating, now feel like they’ve been made flesh in a large part of the modern day world.Continuing to delve inwards for inspiration with tin ears towards trends, styles and technique, The Dead C forge onward. Unpolished, dusty and gritty, these three have again taken two guitars and drums, a combo which has less to say than ever, and leave the listener stunned. Unknowns has Morley slurring over spiraling dissemblance, with tracks ricocheting from intense to assaultive to drained, yet consistently magnificent. As reliable as ever, The Dead C are firmly grounded as an unassailable Truth.

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Slow Pulp

LP | 2020 | EU | Original (Winspear)

29,99 €*

Psychosis Ritual Orange/Green Vinyl Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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Slow Pulp's remarkable full-length debut Moveys is a testament to hard-fought personal growth. In the process of making their new record, the Chicago-based indie rock band powered through health challenges, personal upheaval, and a pandemic, all while learning how to be better songwriters and friends. Full of blistering energy and emotional catharsis, this compelling 10-track collection highlights the band's resourcefulness and resilience to come together even when they were states away. As the band was in the midst of finishing the album, Massey's parents got in a severe car accident forcing her to pause recording and return home to Madison and take care of them. A week later, the Covid-19 pandemic hit. "I wasn't able to come back to Chicago for a while. How were we going to finish this apart from each other?" thought Massey. With Stoehr leading engineering, mixing, and production duties, the band managed to continue recording in an isolated, post-COVID world. "Thankfully most instrumentals were already written. Alex and Henry and I were all able to do that separately from a studio space that we rent in Chicago," says Mathews. As Massey's father Michael recovered from his injuries, the two worked on completing her vocal takes from his home studio, sending them to Stoehr for mixing. "Finishing this record was such a cool thing to know that we were able to do it," says Stoehr. Their made-up word "moveys" is multi-faceted for Slow Pulp. It is an invitation to dance. It is a wink at the cross-country nature of the album's songwriting process, while the bandmates were literally on the move touring, sheltering in place, and going through major life changes. But, mostly, it's an inside joke. Listening to these warm, dynamic and welcoming songs, it's easy to feel like you're a part of it too.

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Mountain Tamer

LP | 2020 | EU | Original (Heavy Psych Sounds)

36,99 €*

Tape | 1991 | EU (Radiation)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Psychosis Ritual is the sum of Mountain Tamer's first decade of exploration into the psychedelic arts. The album takes the band on a journey through the occult rhythms and tones of worlds forgotten. Each track is a new chapter of Mountain Tamer riffing their way into uncharted territory. For this ritual, you are the sacrifice...Mountain Tamer is Andru Hall (Guitar/Vocals), Casey Garcia (Drums), and David Teget (Bass). Psychosis Ritual was recorded and mixed by Salem’s Bend guitarist Robert Parker, with mastering by Mike Tarsia at Sigma Sounds Studios. This recording is the most cohesive and lucid experience Mountain Tamer has yet to offer. The album artwork by photographer Dillon Vaughn and tattoo artist Derek Pratt only adds to the singular vision of Psychosis Ritual by providing beautifully lysergic visuals that are inseparable from the music itself. Biography

Mountain Tamer takes the expansive vision of pure psychedelia and pares it down through the brooding and focused lens of doom and stoner rock. Guitarist/vocalist Andrew Hall, drummer Casey Garcia and bassist Dave Teget, formed their signature fusion of heavy psych rock in 2011 just outside of San Francisco. Now based in Los Angeles, Mountain Tamer's cult following is built on their DIY ethics, inimitable songwriting, and in your face live performances. After self-releasing several demos, the band released their s/t debut album in 2016 on Argonauta Records. Mountain Tamer toured heavily following the release, playing with notable acts along the way such as Fatso Jetson, Weedeater and Dead Meadow. In 2018, Mountain Tamer teamed with Magnetic Eye and Nasoni Records to release their sophomore album, Godfortune// Dark Matters to critical acclaim for its unique approach and genre bending aesthetics. The band rode this success to a full US tour and appearances at Sxsw in 2019. The band quickly followed up with a taste of their upcoming album, Psychosis Ritual, with their single, Death in the Woods. Although only a teaser of their next work, it has quickly become a fan favorite.

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Dinosaur Jr

Green Mind

9,99 €*

As Lost Through Collision

Release: 1991 / EU

Genre: Rock & Indie

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Limited edition of 350 only copies on cassette! Formed in 1984, Dinosaur Jr carved a singular path through the latter half of the 1980s, issuing three highly influential albums in the process before finding a home with Sire Records, who issued “Green Mind” in 1991 as the alternative American rock scene the band had long been part of exploded globally. Produced by a stripped down line-up of the group (in fact, J Mascis himself plays almost everything), the album and Sire’s international reach took Dinosaur Jr’s reputation to a new level, aided by the singles ‘The Wagon’ and ‘Whatever’s Cool With Me’, a non-album EP of new material and live recordings, all of which are included here alongside a previously unreleased live recording capturing the group at the Hollywood Palladium in June 1991. Critically lauded on release, “Green Mind” remains one of the band’s strongest collections, and a firm fan favourite.

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Sprain

LP | 2020 | US | Original (The Flenser)

Jason Molina Of Songs: Ohia And Magnolia Electric

Release: 2020 / US – Original

Genre: Rock & Indie

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Written at home and refined on the road, the 5 new tracks that comprise As Lost Through Collision are parts monolithic and minimalist, manic and mellow. Engineered by Josiah Mazzaschi at The Cave (Built to Spill, The Jesus and Mary Chain) and mixed by Tim Green at Louder Studios (The Melvins, Lungfish, Jawbreaker), the music here retains its organic purity and captures Sprain in its truest state. The listener can hear every instrument and every tonal deviation while the band members embrace musical and philosophical abstraction in their art practice; they emphasize sound as force, differentiating the concept of pure sound from music. And although As Lost Through Collision is a departure from their previous EP, it still retains Sprain’s former slowcore aesthetic. “This record was a conscious effort to move beyond the initial style we experimented with on our last EP into something more unique — something more ‘us,’” they comment.

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Eight Gates Strawberry Shortcake Vinyl Edition

LP | 2020 | US | Original (Secretly Canadian)

Jason Molina Of Songs: Ohia And Magnolia Electric

Release: 2020 / US – Original

Genre: Rock & Indie

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Sometime in 2006 or 2007, Jason Molina moved from the midwest to London. Separated from his bandmates and friends and never one for idleness, Molina explored his new home with fervor. Sometimes he'd head out on foot, often with no destination in mind. Other times, he'd pick a random tube stop and find his way back home. He'd pick up on arcane trivia about London's rich history, and if the historical factoids weren't available - or weren't quite to his liking - Molina was quite comfortable conjuring his own history. His adoration of The Great American Tall Tales like John Henry and Paul Bunyan's blue ox Babe stretched across the Atlantic, where he created his own personal Tall Tales. And when he learned of the London Wall's seven gates (itself a misconception), Molina went ahead and called it eight, carving out a gate just for himself. The eighth gate was Molina's way into London, a gate only passable in the mind. Fast forward to 2008, Molina set off on an experimental solo tour through Europe. While in Northern Italy, Molina claimed to have been bitten by a rare, poisonous spider. A debilitating bout of illness ensued. "I was in the hospital here in London," Molina wrote in a letter. "Saw six doctors and a Dr. House-type guy. They are all mystified by it, but I am allowed to be at home, where I am taking a dozen scary Hantavirus type pills a day that are all to supposedly help - but they make me feel like shit." There is no record of a single doctor visit, not any prescription record for these medications. It is entirely plausible there was no spider and that whatever was keeping him indoors during this time was entirely self-induced. While at home, he of course wrote songs. Molina also claimed that during this time, he fed several bright green parrots that would gather in his yard. While often associated with a greyscale sensibility, Molina was oft-clad in a Hawaiian shirt and had, at least in part, selected the name Songs: Ohia for his first project as a nod to Hawaii's 'Ohi'a lehua flower. Which is all to say, the tropical element the parakeets brought to those sick days delighted Molina. He made short, crude field recordings of them with his trusty four-track. Only once Molina was officially on the mend and re-exploring the streets of London would he learn that those parrots had their own fabled tale. Back in the 60s, Jimi Hendrix - in a moment of psychedelic clarity - released his pair of lime green ring-necked parakeets from their cage, setting them free into the London sky. Now, their decendents are spotted regularly around certain parts of the city. Or so we're told. Eight Gates is the last collection of solo studio recordings Molina made before he passed from complications related to alcoholism in 2013. Recorded in London around the time of the supposed spider bite and Jimi's supposed parakeets, some of the songs ("Whispered Away," "Thistle Blue") are fully-realized - dark, moody textures that call to mind his earlier work on The Lioness. Knowing what we know about those parakeets and their peppered presence on the recordings, one can't help but think of that colorful tree of birds on Talk Talk's classic Laughing Stock, certainly a spiritual guide for much of the set. Other songs ("She Says," "The Crossroads and The Emptiness") lay in a more unfinished states, acoustic takes that call to mind Molina's Let Me Go Let Me Go Let Me Go, and still tethered to Molina's humorous studio banter. You remember how young Molina was, and how weighty this art was for such a young man. On the closer, "The Crossroads and The Emptiness," Molina snaps at the engineer before tearing into a song in which he sings of his birthday (December 30), a palm reading and the great emptiness with which he always wrestled. It is a perfect closer and, in many ways, the eighth gate incarnate: mythical, passable only in the mind, built for himself and partway imaginary but shared, thankfully, with us.

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Eight Gates Black Vinyl Ediiton

LP | 2020 | US | Original (Secretly Canadian)

Burn Pygmalion!!! A Better Guide To Romance

Release: 2020 / US – Original

Genre: Rock & Indie

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The Scary Jokes

CD | 2020 | US | Original (Needlejuice)

14,99 €*

Burn Pygmalion!!! A Better Guide To Romance

Release: 2020 / US – Original

Genre: Rock & Indie

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Access to song stems. Glass-replicated CD in digipak case & 8-page booklet with lyrics and new art by Liz Lehman. Blending 8-bit aesthetics with soul-baring queer bedroom indie, New Jersey-based synthpop project The Scary Jokes is the brainchild of singer-songwriter Liz Lehman. Their signature style of gentle, upbeat psychedelia contrasted with pointed, introspective lyrics earned 2016’s April Fools considerable buzz in the internet underground.

On their 2019 followup, Burn Pygmalion!!! A Better Guide to Romance, Lehman weaves a concept album around insecurity and romantic alienation, telling the story of a journalist ruminating on her relationship as she housesits for her movie-star girlfriend. The album expanded the group’s sound, complimenting Lehman’s electronic production with guitarwork by new band member Juniper Abernathy and a guest performance by Louie Zong. Featuring the song “Community Gardens,” Burn Pygmalion cemented The Scary Jokes as one of the most exciting new artists of the 2010s.

Needlejuice Records is proud to bring Burn Pygmalion to physical formats. In addition to CD and cassette, the album will be available on colored vinyl in two configurations: a green\pink half-and-half and a fiery-red galaxy. The album has been remastered for physical media by Angel Marcloid.

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The Scary Jokes

Tape | 2020 | US | Original (Needlejuice)

14,99 €*

Motel Rooms Green Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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A download code is included. Pink & Green Sandwiched Shells, Dolby B Noise Reduction and 3-panel Jcard. Blending 8-bit aesthetics with soul-baring queer bedroom indie, New Jersey-based synthpop project The Scary Jokes is the brainchild of singer-songwriter Liz Lehman. Their signature style of gentle, upbeat psychedelia contrasted with pointed, introspective lyrics earned 2016’s April Fools considerable buzz in the internet underground.

On their 2019 followup, Burn Pygmalion!!! A Better Guide to Romance, Lehman weaves a concept album around insecurity and romantic alienation, telling the story of a journalist ruminating on her relationship as she housesits for her movie-star girlfriend. The album expanded the group’s sound, complimenting Lehman’s electronic production with guitarwork by new band member Juniper Abernathy and a guest performance by Louie Zong. Featuring the song “Community Gardens,” Burn Pygmalion cemented The Scary Jokes as one of the most exciting new artists of the 2010s.

Needlejuice Records is proud to bring Burn Pygmalion to physical formats. In addition to CD and cassette, the album will be available on colored vinyl in two configurations: a green\pink half-and-half and a fiery-red galaxy. The album has been remastered for physical media by Angel Marcloid.

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Mother Island

LP | 2020 | EU | Original (Go Down)

Kern, Didi & Quehenberger, Philipp

Release: 2020 / EU – Original

Genre: Rock & Indie

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On their third record, called Motel Rooms, Mother Island collected 10 fresh jangle songs they recorded at Outside Inside Studio right after their tour along the West Coast. With California still in their heart, the band grew wiser, and tried to put some italianness in this brand new work. After all, they never concealed their love for 60s Italian movies and vibes à la Morricone can certainly be heard along the tracks. Still twangy, still psychedelic... what is to come makes you think about a deeply surf-oriented flair, which will make people move their feet! THE Band Mother Island is a surreal, whimsical and lunatic space where five musicians resurface their primary and dawning influences. Mother Island is “A Magic Theatre, For Madmen Only”. Mother Island is all in the eyes of the men. Their sound has been described as “the scorching heat of the Westcoastian psychedelia filtered by a lysergic British fog”. In fact, their influences are synthesized through a personal reinterpretation of the visionary rock of the 60s. The band previously released two albums via Go Down Records, both recorded by Matteo Bordin at Outside Inside Studio: Cosmic Pyre (2015) and Wet Moon (2016). Before entering again the recording studio in June of 2018, Mother Island toured along the West Coast of the US to test their new stuff. Touring intensely to promote their second album, sharing the stage with artists such as Mark Lanegan, The Pretty Things, Jacco Gardner, Kula Shaker and Dead Meadow, collecting approvals inside and outside Italy, the band is surfing its buena onda, ready more than ever to bring abroad their personal reinterpretation of what was rock’n’roll in its golden era.

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Ha Ha Ha

LP | 2019 | EU | Original (Siluh)

17,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2020 | US | Original (You've Changed)

Jon McKiel

Bobby Joe Hope

21,84 €* 22,99 € -5%

Personalia Green Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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How do you speak through a stranger? Contain multitudes. And begin to find new kinds of design in accident. True story. In September 2015 Jon Mckiel bought an old Teac A-2340, a reel-toreel tape recorder, tapes included. He exchanged a few emails with the online seller while negotiating a deal, but they never met. The first time Jon tested out the machine at home it disclosed a beautiful dream. A single tape of astounding samples from an unknown source. He nicknamed it the Royal Sampler. They began to jam together. I want to hear you speak. The tape might have been a lost demo for the games of hide and seek that accustom us to evasion. A collaboration constructed in echo. The completed songs seem to start mid-sentence, waiting a little further along the trail. Watch your step the ground gets uncertain by the bend. The maple trees in giggling fits. The shoreline no longer sure. I hear the mourning dove. Bobby Joe Hope was recorded during the summer of 2019 by Jay Crocker (of Constellation Records' JOYFULTALK, who knows a thing or two about composition methodologies involving electronic debris and surprising bric-a-brac). Under the watchful eye of Edward Snowden and a Blue Heeler named Judy, Jay and Jon transferred all the material they could excavate from the Royal Sampler along with the dialogic samples Jon had been making since that fateful September introduction. They combined these two sampled sources with the following design principle: even in the songs organized around a Jon sample, the stranger would be woven in. A shared sonic architecture. Bobby Joe Hope shares a skewed grace and tuneful ease with the work of Chris Cohen, Chad VanGaalen, or Sandro Perri. There's a masterful craft at work, and an attention to the intricate beauty of the smallest details, generous and clear. Tell me what you see. A game of hide and seek. A field wears the fog like an ancient argument. Wayward voices take shape just up ahead. Count down from 10 and be alone again. Abandoned to potential. In the green wide open. The rest belongs a mystery.

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Locate S, 1

LP | 2020 | EU | Original (Captured Tracks)

18,89 €* 26,99 € -30%

Release: 2020 / EU – Original

Genre: Rock & Indie

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2LP | 2020 | EU | Original (Memphis Industries)

Warm Digits

Flight Of Ideas

Dixie Blur Limited Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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Warm Digits are Andrew Hodson and Steve Jefferis from Newcastle-upon-Tyne, UK.àTheir previous album for Memphis Industries, "Wireless World", featured guest vocals from Field Music and Sarah Cracknell, amongst others, garnered plaudits from BBC 6Music including an "Album of the Day" slot and playlists for "End Times"à"Growth of Raindrops", and boosted them on to the festival bills of Bluedot, Green Man and Festival No.6 amongst others. On new album "Flight of Ideas", Warm Digits make a call to arms: when we all think our ideas are right, what are the costs of never believing you could be wrong?àLooking back to the history of psychology to find out what happens when ideas outlive their sell-by date, with their vocal guests they set up a blistering musical exchange between fluorescent agit-funk, primary-coloured synth-bounce and fizzing sheets of guitar noise.àThe thunderous motorik space-disco duo with a pounding post-punk pulse, Warm Digits burst into technicolour with Flight Of Ideas, an album that effortlessly captures the kaleidoscopic abandon of their rapturously-received live shows while moving into increasingly accessible and tuneful territory.àThe LP features vocal contributions from Maximo Park's Paul Smith, The Lovely Eggs, The Orielles, Rozi Plain and the Delgado's Emma Pollock.

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Jonathan Wilson

2LP | 2020 | UK | Original (Bella Union)

31,99 €*

Release: 2020 / UK – Original

Genre: Rock & Indie

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Wasted Shirt (Ty Segall & Brian Chippendale Of Lightning Bolt)

Fungus II

LP | 2020 | US | Original (Famous Class)

Please Daddy White Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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• Heavily recommended by Henry Rollins

• LP includes an 8-page risograph lyric zine by Brian Chippendale

“Rarely when formulating combinations of musicians you would like to hear play together do you get to actually hear it. If Brian Chippendale and Ty Segall made a record, would you want to hear it? If the answer is yes, read on. If the answer is no, it’s too bad you ended up canned, suspended in syrup with nothing but other peaches to keep you company.

“Ty’s 2019 album First Taste and the new Lighting Bolt album Sonic Citadel are easily some of the best material either entity has ever released so if these two happened to find themselves in the same recording studio, a fan just might entertain elevated expectation levels. In fact, some might actually show signs of enthusiasm, even excitement at the fact that from July 5th -13th 2018, in the air-conditioning free environs of Ty’s home studio, the duo, eventually calling themselves Wasted Shirt, wrecked the joint as thoroughly as you hoped they would.

“Prepare To Be Stoked Dept.: The album is exploding euphoria from start to finish. A morphing day-glo rainbow that will bring a smile to your face like if you were on your way to Washington DC for the Million Puppy March. Upon first spin, all boxes are checked and any previously held doubts are completely obliterated. The more you play it, the better it kabongs you upside your head. Hectic doesn’t even begin to describe it. Brian and Ty, two mere particles in the grand scheme, collide at high speed, the technicians dive for cover, the reaction is recorded. Mutation is achieved. This is Freedom Rock. Turn up the volume. Hasten your emancipation. Sonic joy awaits.”

—Henry Rollins

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Sarah Mary Chadwick

LP | 2020 | EU | Original (Sinderlyn)

Green Mind Deluxe Expanded Gatefold Green Vinyl Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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This music is hard. Not in the sense of machismo or of complexity or of book-smarts or even tunelessness (there's melodies for days), but in the sense that you will come into contact with great pain. It's probably Sarah's, but it might be yours, and as such this disc needs to be handled carefully, as though it glows with some kind of half-life accrued from traumas across a lifetime. Pain, indeed, is one of the ways we can go the deepest, like Fred Nietzsche says (and I'll try not to over-intellectualise, the album doesn't): "Only great pain, that long, slow pain that takes its time and in which we are burned, as it were, over green wood, forces us _ to descend into our ultimate depths_ I doubt that such pain makes us `better' - but I know that it makes us deeper."

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Dinosaur Jr

2LP | 1991 | EU | Reissue (Cherry Red)

45,99 €*

Release: 1991 / EU – Reissue

Genre: Rock & Indie

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LP | 2019 | EU | Original (Hardly Art)

Chastity Belt

LP | 2019 | US | Original (Triple Crown)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Vinyl includes mp3 coupon.Initial run of vinyl will be on Light Green transparent.Chastity Belt talks a lot about intention these days-how to be more present with each other. The four piece-Julia Shapiro (vocals, guitar, drums), Lydia Lund (vocals, guitar), Gretchen Grimm (drums, vocals, guitar) and Annie Truscott (bass)-is nine years deep in this, after all. It seems now, more than ever, that circuit is a movement of intentionality, one that creates a space inside which they can be themselves, among themselves. It's a space where the euphoria of making music with your best friends is protected from the outside world's churning expectations. It's a kind of safe zone for the band to occupy as their best selves: a group of friends who love each other. Their fourth record, Chastity Belt, comes out of that safe space. After a restorative few months on hiatus in 2018, each member worked on solo material or toured with other bands. "So much of the break was reminding ourselves to stay present, and giving ourselves permission to stop without saying when were gonna meet up again," says guitarist Lydia Lund. "It was so important to have that-not saying, 'we're gonna get back together at this point,' but really just open it up so we could get back to our present connection." Their experience navigating adult life within the strange seasons of the music industry has Chastity Belt orienting themselves towards whatever gets them to feel the most present with each other, in any part of the band grind. With the luxury of spending several weeks in the studio with Jay Som's Melina Duterte, Chastity Belt was able to experiment. The new self-titled album is the work of the band playing "old songs, and trying new things on top of it," like adding more dynamic harmonies and violin, says bassist Annie Truscott. Lydia, Gretchen, and Julia all share lead vocals on different tracks on the album. The result is their most sonically developed and nuanced record yet; one that's not only a product of, but a series of reflections on wha...

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Future Teens

Breakup Season

Release: 2019 / US – Original

Genre: Rock & Indie

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Overflowing Bowl Of Green Jelly

Wobble Jaggle Jiggle

LP | 2019 | EU | Original (Tiger Bay)

10,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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Adrian Younge Presents Jack Waterson

Jack Waterson

LP | 2019 | US | Original (Linear Labs)

Green And Gray Black Vinyl Edition

Release: 2019 / US – Original

Genre: Rock & Indie

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Jack Waterson is the acid that Adrian never took as a kid. The result, as you’d expect, is both colorful and dark; full of sonic and musical surprises. The creative relationship they have questions the social order of the United States, yet theirs is a quintessentially American Story: Kindred spirits

Punk rock and hip hop came from the same place, fueled by identical sentiments: people taking the music back, reclaiming it, and finding a new audience. Waterson, primed from the mid-70s Punk scene, began his musical career in ’79 as a founding member of Green on Red. They inspired artists as diverse as My Bloody Valentine, Wilco and Mazzy Star with their records and psychedelic palette. Years later, Waterson continued his influential journey by opening the revered musical instrument store, Future Music, a Los Angeles staple.

In ’99, an 18 year-old Younge realized that he wanted to create music that sounded like the records he was sampling. Unbeknownst to him, he serendipitously wandered into Future Music. It’s there, he realized his dream was possible. Intrigued by the stores focus on pre ’83 equipment, Waterson soon became a mentor in developing Younge’s unique analog sound. They spoke heavily about the importance of vintage equipment and it’s use in creating revolutionary worlds.

During these years, Waterson schooled Younge on psych and art rock; Younge returned the favor by schooling him on Hip Hop, the origins of sampling, and its source music. Together this unlikely duo manifested new revolutionary worlds with Waterson appearing on every Younge album within the last decade.

Adrian Younge presents Jack Waterson is getting lost in the impressionistic and at times jarring world of psychedelia, questioning what is real and challenging to question the role you play in this world. These kindred spirits have created a cinematic psych album with no boundaries. Laced with hip hop breaks and acid rock, their intention is to subvert the designation of what is black vs. white music.

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Pile

LP | 2019 | US | Original (Exploding In Sound)

Release: 2019 / US – Original

Genre: Rock & Indie

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LP | 2019 | US | Original (GBV Inc.)

Guided By Voices

Warp And Woof

21,99 €*

We Are Rising Green Vinyl Edition

Release: 2019 / US – Original

Genre: Rock & Indie

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Following Guided By Voice’s sprawling double-album Zeppelin Over China, Robert Pollard has written and recorded another full-length in record-breaking time. It’s Warp And Woof, exuberantly barreling through twenty-four songs in just thirty-seven minutes with a brevity similar to mid-90s GBV albums Alien Lanes and Vampire On Titus. GBV kicked this one out in a flash, recorded in studios, club soundchecks, hotel rooms and even in the tour van.

After completing Zeppelin, Pollard felt the itch to record a few EPs. Just as GBV had done back in 1994, he would use them to channel his everflowing ideas to an outlet. But when a magical boombox writing session produced six fully formed songs in under half an hour, Pollard realized he had an album on his hands. What to do?

With a band so formidable they’ve been dubbed the Golden Age of GBV, they completed much of the recording on the road. The 2018 Space Gun Tour provided impromptu recording venues. Pollard recorded vocals in hotel rooms, complimentary condominiums, and small studios. Doug Gillard cut guitar tracks for “End It With Light” through his Mesa Boogie rig at the soundcheck at the Ottobar in Baltimore. Bobby Bare Jr. recorded his spacey main rhythm guitars for album closer, “Time Remains in Central Position” at the same show, but in the backstage green room. Kevin March added drum tracks in a studio in his hometown Montclair, New Jersey. Gillard played guitar on “Bury the Mouse” in a van hurtling at 60-plus m.p.h., and Mark Shue laid bass on “Angelic Weirdness” as he balanced on the speeding van’s bench seat.

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Son Lux

LP | 2019 | US | Original (Joyful Noise)

Release: 2019 / US – Original

Genre: Rock & Indie

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Niandra Lades & Usually Just A T-Shirt Color Vinyl Edition

John Frusciante

2LP | 1994 | EU | Reissue (Universal)

34,99 €*

Release: 1994 / EU – Reissue

Genre: Rock & Indie

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2LP | 2015 | US | Original (Triple Crown)

Brand New

Deja Entendu

38,99 €*

Release: 2015 / US – Original

Genre: Rock & Indie

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LP | 2018 | EU | Original (Croatia)

Goran Bare & Majke

Nuspojave

This Is My Story / Blue Light

Release: 2018 / EU – Original

Genre: Rock & Indie

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The release comes on 180g vinyl in a fold out cover.

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Holy Hive

7" | 2018 | US | Original (Big Crown)

LP | 1968 | EU | Reissue (Wah Wah)

Release: 2018 / US – Original

Genre: Rock & Indie

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Big Crown Records is proud to present the debut single from the newest band on the roster, Holy Hive.

Comprised of Paul Spring, Homer Steinweiss, and Joe Harrison, Holy Hive obscures genre lines and has a style and energy uniquely their own.

Side A, “This Is My Story”, is a cover of the Invincible’s cult classic from 1968. Holy Hive takes the tune into modern times while keeping just enough of the original. The horns and vibraphone rip into the speakers from the first note and Paul Spring’s ethereal and honeyed vocals sit atop Homer’s infamous drumming like an ox pecker on a black rhinos back.
The B Side, “Blue Light” is a perfect representation of the sound that is wholly unique to Holy Hive. With a less is more ethos, they craft an intimate space that is equal parts Jessica Pratt, The Persuaders, and Julian Bream.

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Wynder K. Frog

Out Of The Frying Pan

20,99 €*

7" | 2018 | US | Original (Big Crown)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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The Wynder K. Frog story evolves around Mick Weaver. After he switched from piano to organ he joined a band named The Chapters that would soon be renamed Wynder K. Frog and perform material from James Brown's Flames, Booker T. and The MGs or even songs learned through Georgie Fame's recordings and Graham Bond's repertoire. Wynder K. Frog moved to London and became regulars in the city's R&B scene playing at Swingin' London's clubs like the Tiles or The Marquee. A contract with Island Records was secured and -under the wings of producers like Chris Blackwell, Guy Stevens, Jimmy Miller or Gus Dudgeon- Wynder K Frog, a name that would eventually be used as a pseudonym for Weaver more than a proper band name, did some some amazing Hammond organ-ized recordings and issued in three LPs and a bunch of cool 45s.

At the end of the 1960s, Weaver would quit the "band scene" to become one of the most in demand session musicians and throughout his career he'd be heard backing names such as Eric Burdon, Roger Chapman, Dave Gilmour, Keef Hartley, Alexis Korner, Ralph McTell, Taj Mahal or Otis Rush a.o, but his LPs as Wynder K Frog are classic Hammond sound from the 1960s UK and will appeal to those into Brian Auger, Graham Bond, The Artwoods, Zoot Money, Jimmy McGriff, Booker T. & The MGs and the likes.

OUT OF THE FRYING PAN
Released at the end of the summer of 1968, and with a host of session musicians that included the brass section of John Mayall's Bluesbreakers, producer Gus Dudgeon helped Weaver / Wynder K Frog to improve the results obtained on the debut LP and get one step closer to the live action. The formula was more or less the same, instrumental hammond a go go covers of hits from the era, including The Rolling Stones' "Jumping Jack Flash", a funked up version of the classic Tommy Tucker blues number "Hi Heel Sneakers", an exploding cover of "Tequila" or the standard "Green Door", but it also included the sensational Weaver-penned "Harpsichord Shuffle".

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The Shacks

My Name Is… / Sand Song

Come On Down Colored Vinyl Edition

Release: 2018 / US – Original

Genre: Rock & Indie

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Big Crown Records is proud to present the next single
from The Shacks instant classic debut album Haze.
The A side “My Name Is…” is one of the first songs The Shacks wrote shortly after they met.
Producer Leon Michels had the track and the title for it and sent it on to The Shacks to pen the
lyrics. Max Shrager says of writing the lyrics “this song is about setting a time and place to meet
up, wandering around like ghosts until we spotted each other in a crowd of strangers. It is
inspired by "I Only Have Eyes For You" by The Flamingos”. Musically, it has the infectious
attraction that all of El Michels productions do. A poppy melody balanced out by the rough and
tough rhythm section made this the perfect match for Shannon’s subtle and sweet vocals.
The B side, “Sand Song” is a beautiful tune about an ugly subject; global warming. The
hauntingly beautiful guitar melody that the Shrager produced track begins with is met with the
equally somber vocals from Shannon. Reverb drenched background vocals and organ
flourishes follow suit with the arrangement showcasing The Shacks razor sharp musicianship.
A stand out tune from the album and the embodiment of what made iD magazine call The
Shacks “classic American sounds…simultaneously recalling Sesame Street and David Lynch’s
nocturnal crooners”.

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Green River

LP | 2018 | EU | Original (Jackpot)

27,99 €*

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 2018 | US | Original (Merge)

Essex Green

Hardly Electronic

Release: 2018 / US – Original

Genre: Rock & Indie

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I Told You I Was Freaky Light Green Vinyl Edition

Flight Of The Conchords

LP | 2009 | EU | Reissue (Sub Pop)

7" | 2017 | US | Original (Big Crown)

Release: 2009 / EU – Reissue

Genre: Rock & Indie

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Limited European repress.

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The Shacks

Audrey / Fly Fishing

Songs Of Praise Black Vinyl Edition

Release: 2017 / US – Original

Genre: Rock & Indie

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Before the release of their debut album, we are dropping one more 45 with a newly recorded version of "Audrey Hepburn," a tune off their self titled EP from 2016 and "Fly Fishing", a B side exclusive to this single.

For most of 2017, The Shacks have been honing their skills as a live band playing in and around NYC as well as opening for bands like Chicano Batman and Khurangbin. Some of their studio creations which favor the soft, dream pop side of their repitoire, have been reworked for the live show setting. Audrey Hepburn (Spending All My Time) is an example of that. When we first heard their reworked version at a gig in Brooklyn, we called them the next day and asked them to cut to tape the way they had switched it up for the live set. The result is this catchy single, so strong we had to press a 45 for it.

The B Side, "Fly Fishing" is one of many tracks The Shacks have sitting in the vault. Constantly writing and recording, the group has amassed a huge catalog of music. Fly Fishing starts out with a raucous syncopated intro dropping into a floaty groove The Shacks are know for. It's also their drummer's grandma's favorite song.

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Shame

LP | 2018 | CZ | Original (Dead Oceans)

Release: 2018 / CZ – Original

Genre: Rock & Indie

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LP | 1975 | EU | Reissue (Virgin)

Brian Eno

Another Green World

28,99 €*

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Greatest Hits: God's Favorite Band

Green Day

2LP | 2017 | EU | Original (Reprise)

30,99 €*

Release: 2017 / EU – Original

Genre: Rock & Indie

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This Strange Effect / Hands In Your Pocket

The Shacks

7" | 2017 | US | Original (Big Crown)

LP | 2017 | US | Original (ATO)

Release: 2017 / US – Original

Genre: Rock & Indie

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The A side “This Strange Effect” is an updated take on the Ray Davies penned classic
from 1965. The Shacks version is currently featured in the Apple iPhone 8 global ad
campaign that has been playing on television during prime time spots such as the
World Series, Saturday Night Live, NFL & college football games, TV shows, and
much more. The social media video plays combined across youtube, facebook, and
instagram are upwards of 20 Million views worldwide. The lead actor in the spot is the
lead singer of The Shacks, Shannon. The band has played all over New York City
since the release of their EP and is currently on a US Tour with Chicano Batman &
Khruangbin. With radio support across the states and Europe, and this ad playing non
stop globally it looks like The Shacks have a hit on their hands with “This Strange
Effect”
The B Side “Hands In Your Pockets” finds The Shacks dipping their toe into the
rocksteady / reggae world. Recorded with the rhythm section of the infamous
Frightnrs of Daptone Records fame, Shannon’s floaty vocal stylings are right at home
on a new jack reggae rhythm.

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Nick Hakim

Green Twins

32,99 €*

Release: 2017 / US – Original

Genre: Rock & Indie

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Kalevi Falk Green Vinyl Edition

Kalevi Falk

LP | 1971 | EU | Reissue (Svart)

17,99 €*

LP | 2007 | UK | Reissue (XL)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Forget Haikara, Apollo, Kalevala, Elonkorjuu... Kalevi Falk's eponymous album from 1971 may be rarer than any of those. Kalevi Falk were on Blue Master, the label also responsible for Apollo, and nobody is sure how many copies of their only LP were eventually sold or printed. Kalevi Falk continued playing until 1975 but due to everchanging lineups they never did another record. Although Kalevi Falk at the time was mostly known as the backing band for schlager stars such as Carola, their own work is a different bag. Ranging from a Beatles cover to psychedelic songs about vampires, this retro oddity has it all. The Svart reissue comes with the original gatefold layout and adds a new interview with a few of the band members.

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Radiohead

In Rainbows

28,99 €*

LP | 2015 | US | Original (Woodsist)

Release: 2007 / UK – Reissue

Genre: Rock & Indie

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In Rainbows, as a title, implies a sense of comfort and delightfulness. Symbolically, rainbows are more likely to be associated with kittens and warm blankets than the grim and glum circumstances Radiohead is known for soundtracking. There's a slight, if expected, twist at play. The band is more than familiar with the unpleasant moods associated with colors like red, green, and blue -- all of which, of course, are colors within a rainbow -- all of which are present, and even mentioned, during the album. On a couple levels, then, In Rainbows is not any less fitting as a Radiohead album title than "Myxomatosis" is as a Radiohead song title. Despite references to "going off the rails," hitting "the bottom," getting "picked over by the worms," being "dead from the neck up," and feeling "trapped" (twice), along with Radiohead Wordplay Deluxe Home Edition pieces like "comatose" and "nightmare" -- in the same song! double score! -- the one aspect of the album that becomes increasingly perceptible with each listen is how romantic it feels, albeit in the way that one might find the bioport scenes in David Cronenberg's eXistenZ to be extremely hot and somewhat unsettling. Surprisingly, some of the album's lyrics are even more personal/universal and straightforward than anything on The Eraser, the album made by Thom Yorke and Radiohead producer Nigel Godrich. "I'm an animal trapped in your hot car," from "All I Need," has to be one of the saddest, most open-hearted metaphors used to express unrequited love. "House of Cards" begins with "I don't want to be your friend/I just want to be your lover/No matter how it ends/No matter how it starts," and the one with the worms includes "I'd be crazy not to follow/Follow where you lead/Your eyes/They turn me." This effective weaving of disparate elements -- lyrical expressions commonly associated with the band, mixed in with ones suited for everyday love ballads -- goes for the music as well. The album is very song-oriented, with each track constantly moving forward and developing, yet there are abstract electronic layers and studio-as-instrument elements to prevent it from sounding like a regression. In Rainbows will hopefully be remembered as Radiohead's most stimulating synthesis of accessible songs and abstract sounds, rather than their first pick-your-price download. - allmusic.com

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Herbcraft

Wot Oz

18,99 €*

LP | 2015 | EU | Original (Village Green)

Release: 2015 / US – Original

Genre: Rock & Indie

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Across four LPs, Herbcraft’s trajectory has taken the form of an open-ended and perpetual trip, covering ground from the pining bedroom odes of Agartha to the psychedelic living room services of Ashram, to the full-band barn hoots of 2013’s The Astral Body Electric. On its fourth album, Wot Oz, the band undergoes another bold reinvention, shifting its locale to the Traummaschine A/B warehouse, where Matt Lajoie met with drummer Aaron Neveu and bassist / organist Joe Lindsey for the trio’s first-ever rehearsal in July 2013. The practice was intended simply as a warm-up for a live gig, but surveillance tape began rolling almost immediately, as the group’s chemistry imbued both abstract sound experiments and primitive rock- and blues-based numbers with the same heady waft of freewheeling possibility. The needle touches down on a slice of this initial meeting: “Fit Ür-Head” lands at the feral, pummeling nexus of proto- and post-punk; a live-to-tape two-chord gob of lung-tar spat inches from a flea market snakeskin, while voices howl and wah guitar razes every inch of green. From this auspicious birth the album moves through the afterhours narco-haze of “Au’s Nation” to the Zamrock-inspired groove of “Push Thru the Veil,” with Neveu rolling off an endless stream of future-classic break-beats throughout. On the flip, “No More Doors” finds a sunbaked cassette of tabla-and-bass loops melting as the band abandons Earth for hallucinogenic oblivion, and the album’s closing 12-bar blues deconsecration “Bread Don’t Rise” spins a circular framework into a sweaty Fillmore dancefloor-filler strictly for the heads. Fittingly, this trip ends only when the tape falls off the reel. Wot Oz was recorded and mixed on 1/4-inch tape and four-track cassette, mastered by Timothy Stollenwerk, and is presented in mono for optimal blare. Turn it up.

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Ben Chatwin

Sleeper Awakes

Primrose Green Black Vinyl Edition

Release: 2015 / EU – Original

Genre: Rock & Indie

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For fans of Steve Reich, Philip Glass and Terry Riley and Arvo Pärt: Composer and producer Ben Chatwin releases his new album 'The Sleeper Awakes' through Village Green. Written and recorded at Chatwin's home studio in Scotland. Inspired by the writing of H.G. Wells, 'The Sleeper Awakes' is Chatwin's first album to appear under his own name and follows last year's highly-lauded Talvihorros project 'Eaten Alive'. Ben makes a move away from the more textured, heavily layered soundscapes of his Talvihorros work into something more succinct and melodically driven. Ben sourced a one hundred-year-old Dulcitone and used it extensively, making it sit with modern electronics and synthesis.

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Ryley Walker

LP | 2015 | US | Original (Dead Oceans)

12" | 2014 | EU | Original (Village Green)

Release: 2015 / US – Original

Genre: Rock & Indie

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The title sounds pastoral & quaint, but the titular green has dark hallucinogenic qualities, as does much of the LP. The band is a mixture of new & old Chicago talent, blending both jaded veterans of the post-rock & jazz mini-circuits together with a few eager, open-eared youths.

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Ellis Island Sound

Divisions

LP | 1995 | US | Reissue (Sub Pop)

Release: 2014 / EU – Original

Genre: Rock & Indie

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Hot on the heels of their critically revered 2014, Krautrock-meets-Afrobeat longplayer Regions, Ellis Island Sound return with a brand new, seven-track mini-album.

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Sleater-Kinney

Sleater Kinney

LP | 2007 | US | Reissue (Holy Mountain)

Release: 1995 / US – Reissue

Genre: Rock & Indie

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Sleater-Kinney was an acclaimed, American rock band that formed in Olympia, Washington in 1994. The band’s core lineup consisted of Corin Tucker (vocals and guitar), Carrie Brownstein (guitar and vocals), and Janet Weiss (drums). Sleater-Kinney were known for their feminist, left-leaning politics, and were an integral part of the riot grrrl and indie rock scenes in the Pacific Northwest.

Sleater-Kinney is the first effort from the group, recorded by Nick Carrol at 486 Victoria Street in Melbourne, Australia, and produced by Tim Green and the band at the Red House in Olympia, Washington. The album was originally released in 1995 by the independent queercore record label Chainsaw Records. The line-up featured Corin Tucker (vocals, guitar), Carrie Brownstein (guitar, vocals) and Lora Macfarlane (drums).

“While their same-sex one-on-ones aren’t exactly odes to joy, they convey a depth of feeling that could pass for passion.” [Grade: A-] - Robert Christgau, Consumer Guide

The album has been freshly remastered by Greg Calbi for this release.

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Mammatus

The Coast Explodes

Yeah, Yeah, Yeah, Yeah EP

Release: 2007 / US – Reissue

Genre: Rock & Indie

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Mammatus' second album The Coast Explodes straddles the line between psychedelia and hard rock while introducing more progressive aspects. The music is heavily influenced by both the power and complexity of the natural world and the ongoing battles of light and darkness. "Excellent Swordfight" continues the same story told on their debut's "Dragon of the Deep." "Pierce the Darkness" explores being a light in a dark world. "The Changing Wind" is a pipe-led psychedelic folk tune that could have been cited by Ghost's Second Time Around and the shanga vibes of the forest in the Autumn. It unfurls into the title track which encapsulates the massive fury of the ocean. "The same heavy, spastic psych as Acid Mothers Temple, Psychic Paramount, Comets on Fire and Green Milk from the Planet Orange."--Dusted. Now with barcode and digital download coupon.

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Bikini Kill

12" | 2014 | US | Original (Bikini Kill)