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Haley And The Crushers
Unsubsribe From The Underground
LP | 2024 | US | Original (Kitten Robot)
25,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Preorder shipping from 2024-11-22
This latest slab o’ wax from Detroit’s Hayley and the Crushers features the band’s recent string of digital singles on side A, and a pummeling live set from the band on side B. The follow-up to 2022’s Modern Adult Kicks sees the band in top form, with studio tracks produced by Kitten Robot mainman Paul Roessler (T.S.O.L., Pat the Bunny, Lords of Altamont) and live tracks recorded at the Continental in Detroit. From Faster and Louder: “’Unsubscribe’ is vintage Crushers but by no means a copy of the group’s past hits. It’s a punky earworm that will have you dancing around the house, but it’s also vaguely haunting and quite deep lyrically.” From Jammerzine: “Jangle pop masquerading as poppy Americana; or twangy nostalgia turning into happy alternative. Whatever your conclusion is or whatever you think ‘Blood and Treasure’ may be stylistically, one thing stands true throughout this first (listen); this song will stick in your memory for a long time.”
Günter Schickert - Samtvogel Transparent Yellow Vinyl edition
Günter Schickert
Samtvogel Transparent Yellow Vinyl edition
LP | 1974 | Reissue (Wah Wah - Supersonic Sounds)
37,99 €*
Release: 1974 / Reissue
Genre: Rock & Indie
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Preorder shipping from 2024-11-22
’Samtvogel’ has been out of stock for a while but it is still one of more requested releases, so here is an updated pressing with availability in ultra limited 100 only runs of 3 different colored vinyl options. And because we do love old black vinyl, also a limited run in black. Chose your colour or collect the whole set! ;-)

By far one of the most important Krautrock experimental albums made during the ’70s. There are records that come from the soul. No matter how primitive may be the recording techniques the musician has access to, the soul gets its way to the heart and mind of the listener. “Samtvogel” is one of those records. Günter Schickert recorded that amazing piece of human greatness in 1974, using the media he had at the time, putting his brain at work to find the best way of taping everything he had to say. “When I was recording “Samtvogel” in 1974 I had only 2 Taperecorders. I played one track and while listening I added the second one. And so on. Four times. When I mixed all together I borrowed a 3rd taperecorder. And still added the last track to the master. I had a small mixer with 2 stereo and 1 mono but it was possible to pan tracks. No equalization. It all came out of my still living G2000 Dynacord guitar amplifier, of course valve, with no master, even the voice recorded through it. If I made a mistake in 1 track I had to repeat it from the beginning. And if while mixing I was not fast enough in changing the tape I had to start again. So it took me more than 3 months to get ready.”

Thanks to these three months of work, between June and September of 1974, ‘Samtvogel’ was privately issued that same year. It would later be issued on the Brain label, with a small change in the artwork –titles added to the front cover, which weren’t on the original private pressing. Brain also reissued it on the label’s “Rock On Brain” LP series, this time with a completely different sleeve. The album contained two tracks on side one and just one on side two, and its sound has often been compared to the most explorative works of Syd Barret – however it must be pointed that Schickert did not need any mind spreading substances to allow his sounds float out of his mind & soul, they just came out in the most natural way. It will also appeal fans of the echoed athmosferic guitar work of other kraut innovators such as Ash Ra Tempel, Manuel Götsching or A.R. & The Machines, and some may find on the vocal passages certain resemblances to Damo Suzuki on Can's 'Tago-Mago’ era.

The Wah Wah reissue is housed in a quality sleeve that reproduces that of the original 1974 private pressing and features a 4 page insert with liners and photos - sound remastered at Eastside mastering Berlin. Get this bird now, before it flies away again!
Cassie Ramone - Sweetheart
Cassie Ramone
Sweetheart
LP | 2024 | Original (Cd-R)
29,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Preorder shipping from 2024-11-22
Sweetheart is the first Cassie Ramone album in ten years, a crowning glory for a singular artist who has forged a unique path through the underground. Breaking out in the late 00s with the revered Vivian Girls, to her current status as a traveler on the
heartworn highway, Cassie Ramone has survived and thrived. Sweetheart is Ramone's greatest recorded statement to date:
focused songwriting shot through with American tragedies, distorted guitars and tear-stained fretboards. Recorded with
collaborator Dylan White in Richmond, VA in the latter's Valley Structures barn studio between December 2023 and March
2024, Sweetheart is Ramone's songwriting rendered direct but with a sweeping cinematic quality. Smeared with reverb and
scintillating like stars in the pitch black night, these songs fulfill the promise of Ramone's songwriting prowess.
Ranging from heart-stealers like I'm Going Home or Joy to the World to the riotous guitar scree of the titular Sweetheart,
Ramone's songwriting here is raw and direct, bolstered by White's perfectly balanced instrumentation. White's work on
Sweetheart blows up Ramone's songs to epic proportions, with waves of shoegazed guitars crashing and cresting with
emotion. As a result, Sweetheart fits effortlessly in with the best of Ramone's work with Vivian Girls and The Babies. With the
emotional vulnerability at its core, Sweetheart is Cassie Ramone emerging as one of the most honest and vital songwriters of
the underground.
Sweetheart, released on White and Ramone's new CD-R Records, builds on Cassie Ramone's legacy as a DIY pioneer. With Vivian Girls, Ramone and her bandmates forged a distinctive sound from 80s Punk, Shoegaze and 60s Girl Groups, delivering it with a dedication to world-building and Do It Yourself pragmatism. CD-Records and this first release are a continuation of Ramone's mission to maintain creative and aesthetic control over her art, communicating directly and honestly. Sweetheart may
also be the best record of her career.
Released on Cassie Ramone and Dylan White's label CD-R Records
Plastic Estate - Code D'Amour
Plastic Estate
Code D'Amour
LP | 2024 | EU | Original (Avant!)
24,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie, Pop
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Plastic Estate is a contemporary synth-pop act from Wales, UK.

With an onus placed on atmosphere and refinement, the duo evoke a rich palette of romance and lustre with their polished marque of pop music.

They have garnered support from the likes of Simon Le Bon of Duran Duran, KEXP and BBC Radio, and played sold-out shows with the likes of LA Priest, Home Counties, and Real Lies, as well as playing at large regional festivals like Ritual Union and Sŵn Festival.

Having previously released a 7” and LP with Avant! Records, they are now releasing their second album on 11th October with new tracks gaining critical acclaim being added to BBC Radio Wales’s ‘Welsh A-List’.
Their sophomore album hails a new era for the act; moving away from darker sonic roots, their sound has progressed to a brighter, more polished aesthetic with fresh influences from the ‘Hi-Fi luxury’ of West Coast Sound, and the gloss of 2010s Chillwave.

What’s more, ‘Code d’Amour’ makes you wonder: What is Pop today?

For many years it has been synonymous with melody, harmony and emotions. These days it seems to be still about emotions but not very good ones, probably because the world is as ugly as it’s ever been, have you noticed?

But what about the fundamental role of popular music which is to represent and at the same time to celebrate and enforce the ties of social living? What about the good times?

Yes, there is a lot to be changed and to fight for but good vibes are not just for recreational use, they can literally build a sense of community among people. If you are looking for that kind of sound right now, you should look no further.

FFO: Talk Talk, Blue Nile, Spandau Ballet, Ian Broudie’s Care, Small Black, Alan Palomo of Neon Indian, Wild Nothing.
Knifeplay - Pearlty
Knifeplay
Pearlty
Tape | 2024 | US | Original (Topshelf)
16,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Over atmospheric instrumentation expanded by cinematic structure and pacing, Pearlty presents Knifeplay somewhere between dream-pop influenced shoegaze and lofty slowcore, never fully committing to one or the other in its insistence on creating an immersive, organic world.

Originally released in 2019, Knifeplay’s vivid debut Pearlty documents songwriter Tj Strohmer’s expressions of early adulthood in what he describes as “the journey from innocence to experience.”

Written during a time of immense inspiration, Strohmer was able to peel himself away from detached nihilism, uncovering the physicality and therapeutic powers of songwriting. Newly emboldened by this discovery and the talented community surrounding him, Strohmer channeled this revelation into his work, taking Knifeplay from a bedroom experiment that merely wrote songs to a more substantial project with a purpose.

Pearlty’s various climactic passages, like those heard on the impressionist album opener “Tears”, envelop listeners in textured walls of distorted guitar and noisy breakdowns, a distinct hallmark of shoegaze – but Knifeplay’s compositions go far beyond such conventions.

Also featured are downtempo compositions – such as the tribute track “Angel” – that call on a range of influences, from grunge to lofi pop, all the way back to slowcore. Layers of Strohmer’s falsetto lilt adorn the songs with another dimension of sentimentality, while rounding out the sonic vastness of the group’s emotionally enrapturing style, lending impressive depth to the band’s debut full-length.
Brown Spirits - Cosmic Seeds
Brown Spirits
Cosmic Seeds
LP | 2025 | UK | Original (Soul Jazz)
31,99 €*
Release: 2025 / UK – Original
Genre: Rock & Indie
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Unbelievably killer and super, super heavy brand-new Psyche/Krautrock album coming out of nowhere from Brown Spirits, new on Soul Jazz Records!Brown Spirits are from Melbourne, Australia. Their stripped down and tight musical unit is a trio (think Cream or Hendrix!) of raw bass, drums and shared guitar/keyboards meets the D-I-Y attitude and punk/post-punk intensity, giving them a unique hi-octane sound. Sounds like Can meets Hawkwind!
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Velocity Girl
Ultracopacetic (Copacetic Remixed And Expanded)
LP | 2024 | US | Original (Sub Pop)
32,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Preorder shipping from 2024-11-29
Sigur Ros - Agaetis Byrjun Vinyl Me, Please Edition
Sigur Ros
Agaetis Byrjun Vinyl Me, Please Edition
2LP | 1999 | US | Reissue (Vinyl Me, Please)
43,99 €*
Release: 1999 / US – Reissue
Genre: Rock & Indie
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Preorder shipping from 2024-12-13
Lasting two seconds short of 72 minutes, Ágætis byrjun was a seismic shift from their previous record, Von: more melody, drama and tone, more accessible and anthemic. Twenty-one years after its release, it hasn’t remotely dated, lacking any relationship to grunge, industrial, ambient, pop or any other genre — not even Godspeed You! Black Emperor and Mogwai, points of comparison that cropped up in reviews. Perhaps the album’s unique DNA is simply Iceland’s environment, the community, the people. This, after all, was not a band, just music. Or just, perhaps, a force of nature. And like the aftermath of a hurricane, the landscape out there is very rarely the same again.
Famous - Party Album Green Vinyl Edition
Famous
Party Album Green Vinyl Edition
LP | 2024 | EU | Original (Untitled)
31,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Over the course of two wildly varied and acclaimed EPs, 2019's England and 2021's The Valley, shape-shifting London outfit Famous has forged its own inimitable sound. A sound that subverts pop's Gospels. A barrage of halcyon melodies, despondent electronics jutting against warming acoustics, and scintillating song structure, all this the singular creative vision of Jack Merrett - Famous' singer, lyricist, core songwriter and only consistent member - that finds convulsively spectacular expression in their forthcoming debut album, Party Album. Coming to prominence as a part of the cele...
Jack White - Battle Cry
Jack White
Battle Cry
7" | 2017 | US | Original (Third Man)
11,99 €*
Release: 2017 / US – Original
Genre: Rock & Indie
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The Official Warstic Anthem, 'Battle Cry,' written, produced, and performed by Jack White will be available on a limited edition, one-sided, gold colored vinyl 7' exclusively at Third Man's Nashville and Detroit storefronts and select independent stores. This song also features the talents of longtime friends and bandmates Daru Jones on drums and Jack Lawrence on bass. LISTEN: https://youtu. Be/5qFGsHxSxo0 Track list: 1. Battle Cry Third Man Records logo is etched on Side B
My Morning Jacket - Tennessee Fire: 20th Anniversary Blue Vinyl Edition
My Morning Jacket
Tennessee Fire: 20th Anniversary Blue Vinyl Edition
3LP | 2024 | US | Original (Darla)
59,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Darla Records is happy to offer a 20th anniversary deluxe, expanded edition of The Tennessee Fire, the debut album by My Morning Jacket with 16 previously unreleased bonus tracks selected from the archives by Jim James. In February, 1999, Darla Records received a charming Valentine's Day love letter with artwork and 4-track cassette tape demo in the mail from Jim James with the very first My Morning Jacket recordings. Early one Sunday morning, I popped the tape in and fell instantly in love. I could not find the accompanying letter with contact info! Chandra soon found it after I raved at her that she must get out of bed come hear what I was hearing. I called Jim and we began to plan the work. Weeks later, after we'd established a track list, including four songs re-recorded in a real studio, and had artwork together for a debut album, I thought to myself, "I really love this. There's nothing like it in the marketplace. I hope it can sell 1500." And the rest is history. - Mr. Darla Limited edition red vinyl 3xLP in triple gatefold with 16 previously unreleased bonus tracks. Clearwater Blue Vinyl.
The Accelerators - Moving Fast!!! Selected Recordings 77/79
The Accelerators
Moving Fast!!! Selected Recordings 77/79
LP | 2024 | EU | Original (Beat Generation)
20,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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The only EP (and more studio recordings!) by one of the first 77 punkrock bands from Liverpool.Released in 1979 and long out of print, The Accelerators S/T EP was the only vinyl output released by this pioneering Liverpool punkrockin' band. A soulful, prime example of from pubrocl originating first wave punk that sounds as fresh and powerful today as the day it was recorded and is presented here in its totality with a B side consisting of juicy demos and alternative mixes. A mandatory gem for fans of garage rock, punk, pub rock and hi-energy rock 'n' roll in general!
Tommy Guerrero - No Mans Land HHV Exclusive Red Vinyl Edition
Tommy Guerrero
No Mans Land HHV Exclusive Red Vinyl Edition
LP | 2014 | EU | Reissue (Too Good)
16,99 €*
Release: 2014 / EU – Reissue
Genre: Organic Grooves, Rock & Indie, Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: VG
Red Vinyl.

Record is close to NM.
Upper edge with beginning seamsplit, otherwise VG+.
Des Demonas - Apocalyptic Boom! Boom!
Des Demonas
Apocalyptic Boom! Boom!
LP | 2024 | US | Original (In The Red)
23,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Washington, DC’s DES DEMONAS have been hailed as a favorite of Henry Rollins (KCRW FM/Black Flag), Marc Riley (BBC6 Music/The Fall), and Iggy Pop (BBC6 Music/The Stooges) since the release of their debut LP on In The Red Records and their subsequent singles and EP.

DES DEMONAS’ much anticipated follow-up LP “APOCALYPTIC BOOM! BOOM!” is out this fall on In The Red Records.

The group is made up of some familiar names from the DC punk, garage, and indie scenes. A Kenyan punk-poet-politique Jacky “Cougar” Abok (Foul Swoops, Thee Lolitas) is on vocals & percussion, Mark Cisneros (Hammered Hulls, Kid Congo and the Pink Monkey Birds, The Make-Up) is on guitar, Paul Vivari (Benjy Ferree, DJ Soul Call Paul) is on Farfisa organ and bass machine, and Matt Gatwood (Two Inch Astronaut) is on drums.

Des Demonas’ music is a melding of disparate sounds and influences, hitting with a driving pulse and fiery intent.

“The sonic fuel of the band is a blend of post punk, punk, funk, blues, psych rock, Afro beat, even bubble gum but the noise you hear is pure Des Demonas.” - Kim Salmon / The Scientists
Frank Sinatra - Christmas With Ol' Blue Eyes Black Vinyl Edition
Frank Sinatra
Christmas With Ol' Blue Eyes Black Vinyl Edition
LP | 2024 | EU | Original (Second)
21,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie, Christmas
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180 Gram Vinyl`Christmas With Ol' Blue Eyes' is an extension of Sinatra's most beloved holiday album `A Jolly Christmas from Frank Sinatra'. It includes the bonus tracks `Christmas Dreaming', `Let It Snow, Let It Snow, Let It Snow' and `Santa Claus Is Coming To Town'. His deep blue eyes earned him the popular nickname "Ol' Blue Eyes" which gave the record its title. Sinatra is regarded as one of the most popular entertainers of the mid-20th century. He is among the world's best-selling music artists, with an estimated 150 million record sales globally. Over the course of his career Sinatra received eleven Grammy Awards, including the Grammy Trustees Award, Grammy Legend Award, and the Grammy Lifetime Achievement Award. He was included in Time magazine's compilation of the 20th century's 100 most influential people. American music critic Robert Christgau called him "the greatest singer of the 20th century" and he continues to be regarded as an iconic figure.
Pixies - The Night The Zombies Came Indie Exclusive Red Smoky Vinyl Edition
Pixies
The Night The Zombies Came Indie Exclusive Red Smoky Vinyl Edition
LP | 2024 | EU | Original (BMG Rights Management)
30,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Pixies - The Night The Zombies Came Black Vinyl Edition
Pixies
The Night The Zombies Came Black Vinyl Edition
LP | 2024 | EU | Original (BMG Rights Management)
26,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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One True Pairing - Endless Rain
One True Pairing
Endless Rain
LP | 2024 | Original (Domino)
37,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Charles 'Poppy Bob' Walker - Dirt Bike Vacation
Charles 'Poppy Bob' Walker
Dirt Bike Vacation
LP | 2024 | UK | Original (Worried Songs)
25,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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“Friends, they are my ticket out of this place I am in… feels like nothing more than a dirt bike vacation stop between Phoenix and San Diego.” Dirt Bike Vacation—for Worried Songs Records—explores the sonic world of the late amateur guitar player, Charles ‘Poppy Bob’ Walker, through a captivating set of instrumental songs made in the mid-1980s. Recorded on a single-track, Marantz field recorder, the project is a transportive document of Walker’s days spent as a meatpacking employee in Yuma, Arizona and the dailiness of that existence: driving to work, sitting in his backyard, walking around drunkenly, unwinding on the couch with a friend. These sketches, showing an experimental tendency, are surprisingly ahead of their time; some exhibit ad hoc tape delay (“Granite Bluffs,” “Goodbye Ymca”), while others make use of primitive overdubbing (“Continuation to Moon Doctor”). Not dissimilar to works such as Bruce Langhorne’s The Hired Hand soundtrack, Walker’s guitar playing is melodic, texturally rich and beautifully sober.

On a musical tour from Nashville to Los Angeles, musician-archivist, Cameron Knowler, uncovered these songs from a series of dusty cassette tapes housed at a branch of the Yuma County Library. Originally tipped off by cryptic metadata entries found through an online finding aid, Knowler requested a sound sample and was immediately drawn in by their eerie, yet hopeful nature: “I didn’t care what they sounded like at first, but once I heard just a few seconds, I had to find out everything I could about Charles, who he was, and if he was still alive.” As it turns out, the two had miraculously crossed paths over 20 years prior when Cameron was a young boy accompanying his mother, a gem trader, on a biyearly sojourn to Quartzsite, a town 80 miles north of Yuma:

“Charles, sitting down and smoking in a recliner, withdrawn, held what I now understand to be a mid-1990s Martin D-28 guitar. Unlike other old-timers, his instrument was sharply tuned and had a nice sound, even to my young and uncalibrated ears. Though his left hand showed signs of highly developed arthritis, his musical ideas were animated by a palpably deep understanding of fretboard anatomy, arrangement and harmony.”

Sorting through the index cards associated with these tapes, Knowler was able to gain a detailed sense of most recording’s provenance, whereabouts and time: Walker’s Datsun pickup truck chugging along boiling hot Interstate 80, the Marine Corps Air Station parking lot, the Eastern Wetlands on the banks of the Colorado River, a fishing trip to Martinez Lake. Trying to reduce the amount of his own subjectivities coloring the work, Cameron constructed titles and track sequences by borrowing information gleaned from Charles’ handwritten notes: “I tried to organize everything by time of day, giving the listener the sense of how a Yuma day might sound and feel like, and each song title—even the record itself—is borrowed from his own words.” This proved no small task, as many notecards had to be deciphered and then coupled with their native tapes which needed extensive restoration treatments.

The result is a project very much out of the blue, and one that is intensely personal to Knowler, having grown up in the same town under similar circumstances. “It feels like a part of my own journey as a guitarist reckoning with the defining marks of a gothic border town,” he remarks. “At the time I would’ve met Walker, I didn’t have much outside influence, but he has been in there all the while.” In their current form, the tracks combine to create a sonic journey that boldly contributes to the traditions of acoustic guitar soli, archival digs and field recordings all the same; most importantly, it is a creative document which shows a day-in-the-life of a man grappling with the human experience under a ubiquitous Yuma sun.
HiM - When Love And Death Embrace
HiM
When Love And Death Embrace
LP | 2024 | EU | Original (BMG)
48,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Double white colored vinyl LP pressing. Known as one of the most commercially successful Finnish bands of all time, HiM has sold over 10 million albums worldwide and are the first Finnish group to have received a gold-certified record in the United States. Despite breaking up in 2017, HiM are still a fan-favorite all over the world, and frontman Ville Valo continues to tour as a solo artist, while still incorporating fan-favorite HiM classics into his sets. When Love & Death Embrace: Best Of 1997-2003 is the ultimate collection for fans, featuring all the favorite tracks from HiM's iconic first 4 albums
Lions In The Street - Moving Along
Lions In The Street
Moving Along
LP | 2024 | US | Original (Interior Castle Musc)
37,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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"Anyone who's ever worn out a copy of the Stones' It's Only Rock & Roll or The Black Crowes' Shake Your Moneymaker is going to find LOTS to love" - Jambase. Comprising the Brothers Kinnon (Chris on vocals and guitar; Jeff on drums), riff-master Sean Casey (guitar), and classically educated bass player Enzo Figliuzzi, the Canadian/California-based band has played with everybody from the Dirtbombs to the Kings of Leon, making SXSW best-of lists numerous times, and hanging out with Andrew Loog Oldham. After years in the wilderness-working as a garbageman, surviving cancer and serious workplace injuries-they are back rocking with next album produced by Dave Cobb (Chris Stapleton, Greta Van Fleet, Brandi Carlile, Rival Sons). Despite experiencing the best and worst of the of old music business, the band somehow kept going, releasing music piecemeal. Now the streaming platforms revolution has given Lions in the Street a new life an audience, allowing them to release largely-unheard music-finally finished and remixed/remastered. "This is rock with a direct line back to the nasty blues, jump tunes, and country boogie that birthed the whole damn genre. Untamed, direct, and bristling with hairy masculinity, Lions in the Street play rock like the cause it is... that is when you do it right. " - Jambase - LITS' upcoming album Moving Along captures their trademark swing and swagger. The title track, mixed by Rick Parker (Beck, BRMC, Scott Weiland), is a menacing, harmonica-driven vamp "worthy of Mick and Keith at their sticky-fingered best" (Jambase. Com). "Moving Along" is also the lead track in the upcoming Paramount film "Cassino In Ischia", starring Prison Break's Dominic Purcell. Never to rest on their laurels, Lions in the Street are also putting the finishing touches on a live album and a record they made with multi-Grammy-Award winning producer Dave Cobb (Chris Stapleton, Greta Van Fleet, Brandi Carlile, Rival Sons).
Bonnie Prince Billy - The Purple Bird Purple Vinyl Edition
Bonnie Prince Billy
The Purple Bird Purple Vinyl Edition
LP | 2025 | UK | Original (Domino)
26,99 €*
Release: 2025 / UK – Original
Genre: Rock & Indie
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Preorder shipping from 2025-01-31
Bonnie Prince Billy - The Purple Bird Black Vinyl Edition
Bonnie Prince Billy
The Purple Bird Black Vinyl Edition
LP | 2025 | UK | Original (Domino)
25,99 €*
Release: 2025 / UK – Original
Genre: Rock & Indie
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No Filter - Sans Filtre
No Filter
Sans Filtre
LP | 2024 | EU | Original (Avant!)
22,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie, Pop
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Preorder shipping from 2024-11-25
Here comes a new punk.

If you know anything about me – as in Andrea, the record label’s head – you know I have a thing for Oi since I was a teenage skinhead.

And with Avant! being a coldwave/synthpop label, our next release couldn’t be more special. No Filter are three children of the French region of Dauphiné, active in the black metal scene for 20 years through different projects.

They created No Filter with the aim of exploring punk, Oi and coldwave sounds. They started by singing in English but after their first demo they decided to opt for French to improve their lyrics by singing in their own native language. Themes addressed in their songs are violence, hatred, party nights, the countryside, their roots and friendship. “Synth punk, bagarre et blousons noirs” in their own words. Musically speaking they somehow fit in the current Cold Oi French scene (Bromure, Syndrome 81, Cran, Kronstadt) but they exaggerate the synth/wave element ending up sounding like one unprecedented, fresh as hell mix between New Order and The 4 Skins.

If you think you’ve heard this one before it’s because one year ago they self-released a 10-track cassette called “Sans Filtre” which is exactly what we are pressing now on vinyl for the first time because this was simply too good to stay only on tape forever.

To make this even more special we have recruited Canadian multi-instrumentalist and artist Nakkabre (Conifère, Spleen, Vespéral, HazeHound) to do a brand new artwork and spice things up for the occasion!

Black vinyl LP edition limited to 400 is out 22 November.
The Tubs - Cotton Crown Daffodil Yellow Vinyl Edition
The Tubs
Cotton Crown Daffodil Yellow Vinyl Edition
LP | 2025 | US | Original (Trouble In Mind)
24,99 €*
Release: 2025 / US – Original
Genre: Rock & Indie
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Preorder shipping from 2025-03-07
The Tubs' second album, Cotton Crown, sees the Celtic Jangle boyband venture into darker, more personalterritor y while continuing to hone their highly addictive brand of songcraft. It 's a true level up album whichsees the band expand their sonic palette to take in a kaleidoscopic range of influences: everything fromsoulful pub rock (Chain Reaction) to Husker Du aggression (One More Day) to melancholy sophisto-pop(Narcissist) gets a look in. As Pitchfork noted, The Tubs see jangle as a `vast world of moods and muses' andCotton Crown sees them continuing to explore this world and creating a distinctly Tub-ular sound in theprocess.This is in no small part down to Owen `O' Williams' vocal performance- often compared to a youngRichard Thomson- and his frank, bleakly funny lyric writing. Cotton Crown sees him delve further into hisfavourite themes of love-psychosis, unsympathetic mentally ill behaviour, and the humiliations of being amusician in London. This time around, however, there's a palpable sense of risk in his self assessments/confessions.No more so in the track's closing track Strange- an accounting of the clumsy, intrusive, well-meaningsocial interactions that took place in the period following the suicide of his mother (the folk singer CharlotteGreig.) As Williams says: "I'd tried a few times to write a song about it. The result had always seemed eithermawkish, simplifying or like I was hawking my trauma. But then this one came out, and it felt right because itlooked at something smaller: the weird, unsatisfying, strangely funny ways everyone, including myself, actedafter the dust settled." The album artwork features an image of Williams as an infant being breastfed by Greigin a graveyard- a promotional shot taken around the release of her debut album (the re-issue of which wasfeatured in The Guardian in 2023.)The essential trick Cotton Crown plays is to offset Williams' lyrical bleakness with joyous, hook-laden blastsof pop perfection. This is largely down to th...
The Tubs - Cotton Crown Black Vinyl Edition
The Tubs
Cotton Crown Black Vinyl Edition
LP | 2025 | US | Original (Trouble In Mind)
23,99 €*
Release: 2025 / US – Original
Genre: Rock & Indie
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Preorder shipping from 2025-03-07
The Tubs' second album, Cotton Crown, sees the Celtic Jangle boyband venture into darker, more personalterritor y while continuing to hone their highly addictive brand of songcraft. It 's a true level up album whichsees the band expand their sonic palette to take in a kaleidoscopic range of influences: everything fromsoulful pub rock (Chain Reaction) to Husker Du aggression (One More Day) to melancholy sophisto-pop(Narcissist) gets a look in. As Pitchfork noted, The Tubs see jangle as a `vast world of moods and muses' andCotton Crown sees them continuing to explore this world and creating a distinctly Tub-ular sound in theprocess.This is in no small part down to Owen `O' Williams' vocal performance- often compared to a youngRichard Thomson- and his frank, bleakly funny lyric writing. Cotton Crown sees him delve further into hisfavourite themes of love-psychosis, unsympathetic mentally ill behaviour, and the humiliations of being amusician in London. This time around, however, there's a palpable sense of risk in his self assessments/confessions.No more so in the track's closing track Strange- an accounting of the clumsy, intrusive, well-meaningsocial interactions that took place in the period following the suicide of his mother (the folk singer CharlotteGreig.) As Williams says: "I'd tried a few times to write a song about it. The result had always seemed eithermawkish, simplifying or like I was hawking my trauma. But then this one came out, and it felt right because itlooked at something smaller: the weird, unsatisfying, strangely funny ways everyone, including myself, actedafter the dust settled." The album artwork features an image of Williams as an infant being breastfed by Greigin a graveyard- a promotional shot taken around the release of her debut album (the re-issue of which wasfeatured in The Guardian in 2023.)The essential trick Cotton Crown plays is to offset Williams' lyrical bleakness with joyous, hook-laden blastsof pop perfection. This is largely down to th...
Lots Of Hands - Into A Pretty Room Black Vinyl Edition
Lots Of Hands
Into A Pretty Room Black Vinyl Edition
Tape | 2025 | US | Original (Fire Talk)
17,99 €*
Release: 2025 / US – Original
Genre: Rock & Indie
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Preorder shipping from 2025-01-17
into a pretty room — lots of hands’ debut on Fire Talk Records — exists in the tear-stained early mornings of adolescence, just as the sun makes its first appearance over the horizon and thoughts of the night before begin to subside. A collage of reworked demos, freewheeling session standouts, and swatches of instrumental electronics, into a pretty room offers a touching rumination of grief and loss, growing up and letting go.

Billy Woodhouse and Elliot Dryden, the core duo behind lots of hands, first connected in a Newcastle school music program at age 16. Following years of cultivating a dedicated fanbase across 3 self-released records, into a pretty room marks the duo’s first truly collaborative effort, with Dryden often trekking the vast northern English countryside to write and record in Woodhouse’s bedroom studio. Between pints of beer and rounds of Fortnite, the two slowly chipped away at into a pretty room.

Newly relocated from Leeds to their current base of Newcastle-upon-Tyne, lots of hands is anchored by the duo’s friendship, which emanates across the album’s 14 tracks.
The Tubs - Cotton Crown
The Tubs
Cotton Crown
Tape | 2025 | US | Original (Trouble In Mind)
16,99 €*
Release: 2025 / US – Original
Genre: Rock & Indie
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Preorder shipping from 2025-03-07
The Tubs' second album, Cotton Crown, sees the Celtic Jangle boyband venture into darker, more personalterritor y while continuing to hone their highly addictive brand of songcraft. It 's a true level up album whichsees the band expand their sonic palette to take in a kaleidoscopic range of influences: everything fromsoulful pub rock (Chain Reaction) to Husker Du aggression (One More Day) to melancholy sophisto-pop(Narcissist) gets a look in. As Pitchfork noted, The Tubs see jangle as a `vast world of moods and muses' andCotton Crown sees them continuing to explore this world and creating a distinctly Tub-ular sound in theprocess.This is in no small part down to Owen `O' Williams' vocal performance- often compared to a youngRichard Thomson- and his frank, bleakly funny lyric writing. Cotton Crown sees him delve further into hisfavourite themes of love-psychosis, unsympathetic mentally ill behaviour, and the humiliations of being amusician in London. This time around, however, there's a palpable sense of risk in his self assessments/confessions.No more so in the track's closing track Strange- an accounting of the clumsy, intrusive, well-meaningsocial interactions that took place in the period following the suicide of his mother (the folk singer CharlotteGreig.) As Williams says: "I'd tried a few times to write a song about it. The result had always seemed eithermawkish, simplifying or like I was hawking my trauma. But then this one came out, and it felt right because itlooked at something smaller: the weird, unsatisfying, strangely funny ways everyone, including myself, actedafter the dust settled." The album artwork features an image of Williams as an infant being breastfed by Greigin a graveyard- a promotional shot taken around the release of her debut album (the re-issue of which wasfeatured in The Guardian in 2023.)The essential trick Cotton Crown plays is to offset Williams' lyrical bleakness with joyous, hook-laden blastsof pop perfection. This is largely down to th...
Heith - X, Wheel + The Liars Tell...
Heith
X, Wheel + The Liars Tell...
LP | 2024 | Original (Pan)
38,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Preorder shipping from 2024-12-06
Heith is the alias of Milan-based artist and musician Daniele Guerrini who crafts a mesmerising and ritualistic subterranean soundscape, a resonant and eclectic collage of distinct sonic elements: from celestial percussion intertwined with jarring, mechanical oscillations to haunting vocals atop murky dubbed-out beats.Exploring the textures of consciousness through research into the ritual animism, he kept an omnivorous and universalist approach to cultural and sonic influence. This is central to X, wheel, Heith's debut album and first release on PAN. It's a deep dive into his creative and spiritual practice, one where art and life are inextricable. The Liars Tell..., on the other hand, feels like a kind of respite, a moment of meditation and pause from the fatigue of dimension-hopping. As if the traveller dismounted their carriage and, standing puzzled on a crossroad, listened to the echoes of distant places. Occupying a liminal space and letting thousand of contradictory tales form the lyrics to one unfathomable song.
Abacaxi - Quetzal
Abacaxi
Quetzal
LP | 2024 | Original (Carton)
28,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Preorder shipping from 2024-11-15
Quetzals are strikingly colored birds in the trogon family. Their wings are suited to camouflage under rainy conditions.The name quetzal , from the mesoamerican Nahuatl language, refers to " an upstanding plume of feathers " in terms of standing up. The origin of churros is unclear. One theory suggests the concept was brought to Europe from China by the PortugueseAnother theory is that the churro was made by Spanish shepherds to substitute for fresh baked goods. Churro paste was easy to make and fry in an open fire in the mountains, where shepherds spend most of their time.Licasso is a thermodynamic sound world where colors and sounds become the same thing.
Moin - Paste
Moin
Paste
LP | 2022 | EU | Reissue (AD93)
25,99 €*
Release: 2022 / EU – Reissue
Genre: Rock & Indie
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"Paste" is the second album by Moin, released in 2022 via AD93. The follow up to their well received debut album "Moot!", the record draws influences from alternative guitar music in its many forms, using electronic manipulations and sampling technique sto redefine it"s context, not settling on any one style but moving through them in search of new connections.
Trauma Ray - Chameleon Mint Green Vinyl Edition
Trauma Ray
Chameleon Mint Green Vinyl Edition
LP | 2024 | US | Original (Dais)
24,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Since first bonding over Slowdive at a Texas karaoke bar six years ago, musicians Uriel Avila and Jonathan Perez have grown trauma ray into Fort Worth's foremost flag bearer of crushing shoegaze. A five-piece rounded out by bassist Darren Baun, drummer Nicholas Bobotas, and guitarist Coleman Pruitt, the band's debut album, Chameleon, captures their evolving sound at an apex of majestic devastation. A fusion of downer hooks, gauzy melancholia, and bulldozer riffs, the album heaves and crashes across 50 minutes of stacked amplifier alchemy. Lyrically the songs trace similarly lofty and brooding terrain; Avila says "The theme is death. And a chameleon, like death, can shape-shift in and out our lives in different forms." Chameleon opens with "Ember," dreamy and distant, alternately anthemic and apocalyptic, defeated and deafening. Lead single "Bishop" perfectly encapsulates trauma ray's depth and dimension, ripping out of the gate with "the biggest, baddest, saddest wall of sound." Lyrics about being burnt at the stake and "tossed in the flame" float above a stop-start assault of precision distortion, eventually expanding into a lush, heavy, sorrowful end coda. "Spectre" is a mysterious, introspective dirge, envisioned as a "mellow, slowcore, Duster-thing," all feeling and heavy fuzz chords (with no lead guitar). Avila wrote it, "to be a hymnal" from the perspective of someone who won't let go - a ghost, an ex, a shadow self. Although the album is rich with subtleties, graceful lulls, and "breaths of air," the band's three guitar attack is its defining force, a power flexed to its peak on "Bardo." Perez's intentions were blunt: "I wanted to write a riff that was hard as fuck." The result is alternately mean and eerie, veering between noisy one string bends and surging headbang, mapping a middle ground between Unwound and early-Deftones. One of trauma ray's greatest gifts is their ability to make doomy, sledgehammer heaviness sound like an earworm, without production tricks or gimmicks: "Riff, verse, chorus, three guitar parts - that's all you need." This quality is particularly apparent on the title track, a churning slab of amplifier worship, swirling chords, and heavenly, defeated vocals about not belonging, shape-shifting, and death ("A twisted face / Void of attention / An empty space / In your reflection"). "U.S.D.D.O.S" closes the album, swaying across seven minutes of grey skied guitar and haunted voice, subtly thickening as it deepens. Feedback and shrapnel gradually begin raining down, like a satellite disintegrating in the atmosphere. Titled as an acronym after a poem by Chilean writer Roberto Bolaño that loosely translates to "a dream within a dream," the melody softens, smears, and then disappears, slowly swallowed by the gravity of eternal descent. Chameleon is a masterpiece of craft, balance, melody, lyricism, and gravity, flexing a fresh vision of loud-quiet-loud architectures and the vertigo depths of blasted harmonics. From Slowdive to Nothing, to Hum and beyond, the band absorb and expand on their influences into a rare and dedicated alchemy. trauma ray's cinematic tempest is a gathering storm only just taking flight.
Teho Teardo & Blixa Bargeld - Nerissimo
Teho Teardo & Blixa Bargeld
Nerissimo
LP | 2016 | EU | Reissue (Specula)
23,99 €*
Release: 2016 / EU – Reissue
Genre: Rock & Indie
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The second album of songs resulting from the collaboration between Teho Teardo and Blixa Bargeld was released in 2016, three years after the celebrated debut with "Still Smiling". Often the nature of collaborations is fleeting, usually not involving a sequel; in this case, however, we are faced with the evident settling of a bond, human and artistic, that is no longer occasional but has reinvented itself to explore other territories and will not stop there either.The album cover is inspired by the famous 1533 painting by Holbein the Younger, "The Ambassadors": a work celebrating an official visit, a meeting between two friends, the pride of their gazes still strong despite time, distance, despite everything.Teho and Blixa return with an album of new songs, sung in German, English and Italian. "Nerissimo" is the superlative of black in Italian and there is something rather black about the music on this album. Not in the sense of dark, an adjective often used to define certain sounds, but just as it happens with the colour black, which contains all other colours, so this music contains a multitude of possibilities."Nerissimo" is also the title of the track in English that opens the album and closes it, as if between two parentheses, in Italian. A temporal passage between languages that links Rome and Berlin, where the album was recorded, ever more intimately. A crossing of the last three years of work together for Teho and Blixa.This record is also a nocturnal story of apparitions, of colours that disappear from the world just by naming them, of aeroplane flights with the lights off in the cabin, of objects whose symbolism represents the passions and interests of the two artists (starting with the objects reproduced on the cover); a sort of tale through objects, continuous movements and the discovery of sounds, even random ones. Sounds intercepted in the space of these three years and which ended up on the disc as interferences that challenged the structure of some songs, resulting in their ad...
Poets Of The Fall - Jealous Gods (Yellow Vinyl)
Poets Of The Fall
Jealous Gods (Yellow Vinyl)
2LP | 2024 | Original (Insomniac)
35,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Yellow vinyl.Ten years ago, the album, Jealous Gods, made a lasting impact on the international music scene. Now, in celebration of its anniversary, this classic is being reissued on vinyl! This special edition is not only a tribute to the band's incredible fans, or the album itself, but also includes an exclusive bonus track: a studio-live version of one of the Poets' most beloved songs, Daze. Get your copy and join us in celebrating a decade of this soulful, unforgettable music.
Naked Roommate - Pass The Loofah Black Vinyl Edition
Naked Roommate
Pass The Loofah Black Vinyl Edition
LP | 2024 | US | Original (Trouble In Mind)
21,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Oakland's Naked Roommate have been slinking around the Bay Area lighting up stages, shaking asses & confounding listeners since 2018, when the group - originally just the duo of real-life partners Andy Jordan & Amber Sermeno (both formerly of The World) - self-released a cassette of demos (2018's "Naked Roommate"). Members Michael "Mig" Zamora & Alejandra Alcala (Blues Lawyer) joined soon after to augment the sound & live band with their proper full-length album "Do The Duvet", co-released in September of 2020 via UK label Upset! The Rhythm & Trouble In Mind. 2024 finds the lineup expanded even further to incorporate the horn section of Geoff Saba & Jeanne Oss on tenor & alto saxophones as well as percussion & marimba as the band readies their sophomore effort, the dizzyingly ecstatic "Pass The Loofah" Recorded by members Andy Jordan & Mig Zamora from 2021-2023 as time & restrictions allowed, "Pass The Loofah" retains the wild energy of their debut, but leans into the rhythmic throbs perpetuated by forbears like Kid Creole & The Coconuts, Lizzy Mercier Descloux & ESG; the signature sound of UK's On-U Sound & NYC's 99 Records, but with a decidedly West Coast irreverence & a knack for absurdist exposition. Make no mistake, this is music designed to make your body Move & Naked Roommate won't stop until they 've made sure every ass is shook. The band freely incorporates elements of the dancier side of post-punk (think A Certain Ratio or Liquid Liquid) as well as disco, funk, & house music. However, the group's uplifting melodicism belies a deeper subtext, understanding the importance of the sense of community of dance music & the culture surrounding it and leaning into a Neo-socialist lyrical context. Shit is fucked, & we get thru it by helping one another & acknowledging & addressing the failures of disaster Capitalism & tech-bro hegemony (a state the band is all-too familiar with, living in The Bay Area) Take the first single "Bus"; a four-on-the-floor banger & salutary paeon to the ups & downs of the people's transport that throbs & pulses with a late-night sashay (and a bridge that launches the tune into the stratosphere). Elsewhere, "Fight Flight "s funky horn stabs and Sermeno's slinky vocals swoon over Numan-esque synth squiggles that are fortified & funkified toward the dance floor. "Broken Whisper " edges into new territor y for the group, adding a Caribbean flavor a'la Kid Creole or The Specials that punctuates the persistent & synthetic beats underneath. Meanwhile instrumental interludes like "Ducky & Viv", "g-y pt. 1" & "g-y pt. 2" oscillate into zones of sci-fi meets soap opera soundtracks, sounding not unlike the electronic experiments of UK industrial pioneers Chris & Cosey. Album closer "I Can't Be Found" might be the album's secret weapon; It 's swooning synth melody & processed vocals recall early Daft Punk or Mgmt by way of Derrick Carter & The Au Pairs. It 's a beautiful song; perfect for the late night (or early morning) car ride home from the club. "Pass The Loofah" is released worldwide on October 25th, 2024 via Trouble In Mind Records digitally via most DSPs & on black vinyl & limited "disco ball " silver vinyl.
Slint - Tweez Red Vinyl Edition
Slint
Tweez Red Vinyl Edition
LP | 1993 | Reissue (Touch And Go)
32,99 €*
Release: 1993 / Reissue
Genre: Rock & Indie
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Red Vinyl.It's almost always muddy in the lousy little shanty town by the river. All the children's toys are old and rusty, even the plastic ones. Jimmy and Mel fashioned their own toy out of a live chicken that they stole. A knot was tied around the bird's feet with a shoe lace. The two boys painted their plaything yellow and silver and swung it around like a lasso, screaming gibberish and laughing the whole time. Mel got so excited that he wet himself. So, Jimmy slugged him square in the eye. About five or eight miles south east of the shanty town all the fellows in SLINT were suffering from headaches, except the drummer, who only got them when the others didn't.
Teho Teardo - Ballyturk
Teho Teardo
Ballyturk
LP | 2014 | EU | Reissue (Specula)
26,99 €*
Release: 2014 / EU – Reissue
Genre: Rock & Indie
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London, 2014 - "Ballyturk" is the squaring of the circle of the collaboration between playwright and artist. "When I was writing "Ballyturk"," says director Enda Walsh, "I listened to a lot of Teho"s scores. The music he created for "Music for Wilder Mann" captured me and pushed me into the mysterious heart of "Ballyturk"". So, like kindred souls, working on the same wavelength, they collaborated on the score for the opera, which, after its presentation at the Galway Festival, premiered at London"s National Theatre from 11 September to 10 October (all dates sold out!). Teho Teardo"s album, recorded between Rome and London, comes with the eponymous title of Walsh"s work, and features valuable collaborations, including one with Joe Lally (Fugazi) and Lori Goldston, Nirvana"s cellist. Also on vocals are Mikel Murfi and Cillian Murphy (Dark Knight Trilogy, Inception, Breakfast on Pluto, Red Eye, In Time, Peaky Blinders, etc.). "I think Teho"s music", Walsh continues, "reveals the soul of the characters as only great music can. It was my most beautiful collaboration - the beauty of this work - that came through in these tracks". Enda Walsh is one of the most acclaimed screenwriters and directors of the moment. Irish by birth but living in London for many years, he is known not only for his numerous plays performed all over the world but also for his film scripts, including Steve McQueen"s "Hunger".
Slint - Tweez Black Vinyl Edition
Slint
Tweez Black Vinyl Edition
LP | 1993 | Reissue (Touch And Go)
30,99 €*
Release: 1993 / Reissue
Genre: Rock & Indie
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It's almost always muddy in the lousy little shanty town by the river. All the children's toys are old and rusty, even the plastic ones. Jimmy and Mel fashioned their own toy out of a live chicken that they stole. A knot was tied around the bird's feet with a shoe lace. The two boys painted their plaything yellow and silver and swung it around like a lasso, screaming gibberish and laughing the whole time. Mel got so excited that he wet himself. So, Jimmy slugged him square in the eye. About five or eight miles south east of the shanty town all the fellows in SLINT were suffering from headaches, except the drummer, who only got them when the others didn't.
Lunar Vacation - Everything Matters, Everything's Fire Fire Red Vinyl Edition
Lunar Vacation
Everything Matters, Everything's Fire Fire Red Vinyl Edition
LP | 2024 | US | Original (Keeled Scales)
27,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Fire Red Vinyl.As one would expect of any historic city, the houses in Decatur,GA are old, and while many have been renovated to suit theneeds of the 21st century family, the one Lunar Vacation callshome has not. The porch is quaint and crumbly, the roof leaks,and there is a single bathroom shared by the band's fivemembers who insist that this is not, actually, a bad thing. "I usedto be so protective of the songs when I gave them over to theband," lyricist/vocalist/guitarist Gep Repasky says. "There's somuch trust involved, but this house helped us grow as bestfriends, as musicians, as a band."That newfound sense of trust is apparent on EverythingMatters, Everything's Fire, whose title, taken from theconcluding track "You Shouldn't Be," is a thesis statement.While Lunar Vacation's last album, 2021's Inside Every Fig is aDead Wasp, happily bathed in the waters of indie pop, theirlatest effort is exploratory, a product of many hours sharedexperimenting in a living room together. Inspired by prolificshapeshifters like Yo La Tengo and Björk, Everything Matters,Everything's Fire adopts an ethos that every idea has thepotential to be a good one."Our last album was super produced, manicured," guitarist/vocalist Maggie Geeslin says. "This one's organic. Weembraced mistakes; it made the work even better." In otherwords: everything matters, everything's fire.
Univers Zero - Crawling Wind
Univers Zero
Crawling Wind
12" | 2024 | EU | Original (Sub Rosa)
21,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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First time vinyl reissue of Univers Zero's legendary Crawling Wind, originally released in 1981 on the Japanese 'Chaos International Series' label, with the original cover artwork has been beautifully redesigned by Thierry Moreau.

Toujours Plus à l'Est, as the title suggests, is heavily influenced by the traditional music of Eastern Europe, particularly Bulgaria., and paying tribute to the iconic catchphrase of Professor Calculus (Tournesol), the character from the Belgian comic series Tintin. Before The Heat, played live a few times, is an ambient composition by Andy Kirk, who is part of the EP's lineup alongside Daniel Denis, Guy Segers, Alan Ward, and Dirk Descheemaeker. Central Belgium in the Dark is a live improvisation from a period when Univers Zéro dedicated part of their concerts to complete improvisation. What makes this recording unique is that one of Andy Kirk's effects pedals picked up and emitted the sound of a mysterious radio signal, seemingly coming from "nowhere," especially noticeable at the end of the piece. The title of this improv is a nod to contemporary composer Charles Ives' work Central Park in the Dark. Central Belgium refers to the concert venue where the piece was recorded (Haine-St-Pierre).

Univers Zero represents one of the longest-living bands in Belgium. It was established in 1974. Drummer Daniel Denis had the brilliant idea to gather together a team of professionals sharing the same taste for music. The band has adopted an instrumental progressive style. Over the last couple of decades, the band has also implemented a series of influences from chamber music - most commonly, chamber music from the 20th century. Even if the line-up changes a lot over the years, the overall sound of UZ remained fairly consistent.
Acid Rooster - Hall Of Mirrors Coke Bottle Green Vinyl Edition
Acid Rooster
Hall Of Mirrors Coke Bottle Green Vinyl Edition
LP | 2024 | EU | Original (Tonzonen)
33,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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cokebottle-green vinyl, limited to...
Teho Teardo - Ellipses Dans L'harmonie - Lumi Al Buio
Teho Teardo
Ellipses Dans L'harmonie - Lumi Al Buio
LP | 2020 | EU | Reissue (Specula)
26,99 €*
Release: 2020 / EU – Reissue
Genre: Rock & Indie
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"Ellipses dans l"harmonie - Lights in the dark" is the last work released by Teho Teardo on his imprint Specula Records. This work is entirely inspired by the music contained in the pages of one of the iconic texts of the 18th century, the Encyclopédie by Diderot and D"Alembert, the original copy of which is kept in the archives of the Giangiacomo Feltrinelli Foundation, which produced and commissioned the album. This is the first time the Foundation has produced a musical work. In "Ellipses dans l"harmonie", there is not only a homage to the Encyclopédie, but also a political connection to the spirit of the Enlightenment that guided the genesis of the work and the current need for light in the face of the new obscurantism.At the origins of the Encyclopaedia"s cultural enterprise are three roots: memory, reason and imagination. They are three dimensions that draw attention to three needs that still interrogate us today: to know the past in order to understand the origins of the problems we face today; to exercise rational criticism in order to orient ourselves in reality without taking refuge in bewilderment in the face of the complex challenges it poses to us; to continue to think about different balances in order to want to design a different world.
Teho Teardo - Le Retour À La Raison
Teho Teardo
Le Retour À La Raison
LP | 2015 | EU | Reissue (Specula)
26,99 €*
Release: 2015 / EU – Reissue
Genre: Rock & Indie
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"Le retour à la raison" is an ablum by Teho Teardo"s originally released in 2015. An album that brings together the music written for three Man Ray films.Not a traditional musical accompaniment but a kind of appointment in space with Man Ray. In space, music responds to only one law: truth. Here the relationship between the music and the films is perhaps the most intimate ever achieved by the composer and it is significant that it takes place with silent films in which the director cannot be present.The silent film directors are all dead, missing for decades, and must be intercepted in the cosmos, through the dreams, desires and emotional legacy of their works, like stars shining with their own light. The music is a constellation in a mysterious and seductive world and documents the experience of encountering Man Ray"s art. The project, recorded between March 2014 and May 2015 in Teardo"s Rome studio, mixed and mastered by Boris Wilsdorf at the Anderebaustelle studio in Berlin, was initially conceived for live performance. Presented at Villa Manin, the Maxxi in Rome and the Museo Nazionale del Cinema in Turin, as well as the International Arts Festival in Galway, the album also features Joachim Arbeit (Einsturzende Neubauten), Joe Lally (Fugazi) and David Coulter.The three films by Man Ray that inspired Teardo are "La Retour à la Raison" (1923), "Emak Bakia" (1926) and "L"etoile de Mer" (1928) were also screened during the concerts that followed the album release.
Trauma Ray - Chameleon Black Vinyl Edition
Trauma Ray
Chameleon Black Vinyl Edition
LP | 2024 | US | Original (Dais)
23,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Since first bonding over Slowdive at a Texas karaoke bar six years ago, musicians Uriel Avila and Jonathan Perez have grown trauma ray into Fort Worth's foremost flag bearer of crushing shoegaze. A five-piece rounded out by bassist Darren Baun, drummer Nicholas Bobotas, and guitarist Coleman Pruitt, the band's debut album, Chameleon, captures their evolving sound at an apex of majestic devastation. A fusion of downer hooks, gauzy melancholia, and bulldozer riffs, the album heaves and crashes across 50 minutes of stacked amplifier alchemy. Lyrically the songs trace similarly lofty and brooding terrain; Avila says "The theme is death. And a chameleon, like death, can shape-shift in and out our lives in different forms." Chameleon opens with "Ember," dreamy and distant, alternately anthemic and apocalyptic, defeated and deafening. Lead single "Bishop" perfectly encapsulates trauma ray's depth and dimension, ripping out of the gate with "the biggest, baddest, saddest wall of sound." Lyrics about being burnt at the stake and "tossed in the flame" float above a stop-start assault of precision distortion, eventually expanding into a lush, heavy, sorrowful end coda. "Spectre" is a mysterious, introspective dirge, envisioned as a "mellow, slowcore, Duster-thing," all feeling and heavy fuzz chords (with no lead guitar). Avila wrote it, "to be a hymnal" from the perspective of someone who won't let go - a ghost, an ex, a shadow self. Although the album is rich with subtleties, graceful lulls, and "breaths of air," the band's three guitar attack is its defining force, a power flexed to its peak on "Bardo." Perez's intentions were blunt: "I wanted to write a riff that was hard as fuck." The result is alternately mean and eerie, veering between noisy one string bends and surging headbang, mapping a middle ground between Unwound and early-Deftones. One of trauma ray's greatest gifts is their ability to make doomy, sledgehammer heaviness sound like an earworm, without production tricks or gimmicks: "Riff, verse, chorus, three guitar parts - that's all you need." This quality is particularly apparent on the title track, a churning slab of amplifier worship, swirling chords, and heavenly, defeated vocals about not belonging, shape-shifting, and death ("A twisted face / Void of attention / An empty space / In your reflection"). "U.S.D.D.O.S" closes the album, swaying across seven minutes of grey skied guitar and haunted voice, subtly thickening as it deepens. Feedback and shrapnel gradually begin raining down, like a satellite disintegrating in the atmosphere. Titled as an acronym after a poem by Chilean writer Roberto Bolaño that loosely translates to "a dream within a dream," the melody softens, smears, and then disappears, slowly swallowed by the gravity of eternal descent. Chameleon is a masterpiece of craft, balance, melody, lyricism, and gravity, flexing a fresh vision of loud-quiet-loud architectures and the vertigo depths of blasted harmonics. From Slowdive to Nothing, to Hum and beyond, the band absorb and expand on their influences into a rare and dedicated alchemy. trauma ray's cinematic tempest is a gathering storm only just taking flight.
Pekka Laine - Pekka Laine & The Enchanted In Slumberland Black Vinyl Edition
Pekka Laine
Pekka Laine & The Enchanted In Slumberland Black Vinyl Edition
LP | 2024 | EU | Original (Svart)
26,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Pekka Laine and The Enchanted's second album out on Svart Records in September

"In a dream I heard music with a strange bubbling sound. People were dancing to it in a surreal, cavernous space. What is this, I asked. One of the dancers stopped and answered. It's an underwater disco. In the morning, I grabbed my guitar and tried to recall what I had heard. Those foggy fragments became Malibu Beach”.

Helsinki 4th of June 2024, Pekka Laine

For Pekka Laine, the twang of an electric guitar is not a warm blanket of nostalgia. Instead, the echoing sound usually associated with surf and retro instrumentals is a ticket to the imaginary.

On this sonic journey, Laine is joined by The Enchanted, his powerhouse live band that has taken both festival and club stages by storm. Pekka Laine and his trusty space-age guitar take the listener to a place where a futuristic and humid disco sound, perfect with obese beats and robotic vocals, reigns supreme. Trippy vocoder vocals and Moog wizardry are provided by Antti Vuorenmaa, the synth sensei associated with several leading Finnish indie bands and a trusted member of the extended Enchanted family.

Pekka Laine's second album Pekka Laine & The Enchanted in Slumberland will be released on 27th of September 2024 digitally, CD and in three different vinyl versions: on a classic black vinyl, wonderful transparent green vinyl and limited edition of 100 white/green/orange marble vinyls hand-crafted by Pekka Laine himself at the Helsingin Levypuristamo. The limited edition is available only on the Svart Records online store.
The Jon Spencer Blues Explosion - Orange
The Jon Spencer Blues Explosion
Orange
LP | 2011 | US | Reissue (Shove)
39,99 €*
Release: 2011 / US – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG+
Limited Yellow Marbled Edition.
Includes original inner sleeve.
Wild Classical Music Ensemble - Confined
Wild Classical Music Ensemble
Confined
LP | 2024 | EU | Original (Born Bad)
24,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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The Wild Classical Music Ensemble is a Belgian experimental rock band formed in 2007 by artists with mental disability within the social-artistic non-profit organisation Wit.h in Kortrijk. Their unique sound is a blend of punk/rock riffs, fanatical rhythms and soaring flutes and fiery synths, over which gravitate multiple, multilingual voices that scratch harshly as much as they comfort. There's something very Belgian about this harshness and noisiness. We often think of compadre Arno, from the TC Matic era.During the Covid crisis, the disabled members of the Wild Classical Music Ensemble were undoubtedly subjected more than others to the harsh conditions of confinement, alone in their rooms. Damien Magnette was still able to visit them with sound equipment. This was one of their all-too-few windows onto the world. Forbidden to meet, let alone play together, the members of Wild were nevertheless able to compose songs in tandem with Damien. The tracks were then sent to musician friends - Fabrice Gilbert, Ava Carrère, Wim Opbrouck, Shht, Arthur Satàn, Nathan Roche and Julien ZLDR - who added their artistic touch. Jean Lamoot and Carl Roosens joined the adventure, one as mixer, the other as video director.It's a result of the conditions under which it was created, this is the band's most highly-produced album, and perhaps its most accessible: frankly rock, with a great deal of freedom in production, and sometimes with a certain pop allure. Jean Lamoot's contribution to the mix had a lot to do with it. In addition, the forced slowdown allowed us to devote much more time and attention to writing the lyrics.Leader Damien Magnette says: "For over a year, we were all confined. But what about when you're a mentally handicapped person? Well, it's very different from you and me... We have the right to choose, the luxury of deciding for ourselves what rules we want to follow or not. We have free will. They don't. This series of confined songs is dedicated to all the people who have gone through this...
Naked Roommate - Pass The Loofah Metallic Silver Vinyl Edition
Naked Roommate
Pass The Loofah Metallic Silver Vinyl Edition
LP | 2024 | US | Original (Trouble In Mind)
21,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Oakland's Naked Roommate have been slinking around the Bay Area lighting up stages, shaking asses & confounding listeners since 2018, when the group - originally just the duo of real-life partners Andy Jordan & Amber Sermeno (both formerly of The World) - self-released a cassette of demos (2018's "Naked Roommate"). Members Michael "Mig" Zamora & Alejandra Alcala (Blues Lawyer) joined soon after to augment the sound & live band with their proper full-length album "Do The Duvet", co-released in September of 2020 via UK label Upset! The Rhythm & Trouble In Mind. 2024 finds the lineup expanded even further to incorporate the horn section of Geoff Saba & Jeanne Oss on tenor & alto saxophones as well as percussion & marimba as the band readies their sophomore effort, the dizzyingly ecstatic "Pass The Loofah" Recorded by members Andy Jordan & Mig Zamora from 2021-2023 as time & restrictions allowed, "Pass The Loofah" retains the wild energy of their debut, but leans into the rhythmic throbs perpetuated by forbears like Kid Creole & The Coconuts, Lizzy Mercier Descloux & ESG; the signature sound of UK's On-U Sound & NYC's 99 Records, but with a decidedly West Coast irreverence & a knack for absurdist exposition. Make no mistake, this is music designed to make your body Move & Naked Roommate won't stop until they 've made sure every ass is shook. The band freely incorporates elements of the dancier side of post-punk (think A Certain Ratio or Liquid Liquid) as well as disco, funk, & house music. However, the group's uplifting melodicism belies a deeper subtext, understanding the importance of the sense of community of dance music & the culture surrounding it and leaning into a Neo-socialist lyrical context. Shit is fucked, & we get thru it by helping one another & acknowledging & addressing the failures of disaster Capitalism & tech-bro hegemony (a state the band is all-too familiar with, living in The Bay Area) Take the first single "Bus"; a four-on-the-floor banger & salutary paeon to the ups & downs of the people's transport that throbs & pulses with a late-night sashay (and a bridge that launches the tune into the stratosphere). Elsewhere, "Fight Flight "s funky horn stabs and Sermeno's slinky vocals swoon over Numan-esque synth squiggles that are fortified & funkified toward the dance floor. "Broken Whisper " edges into new territor y for the group, adding a Caribbean flavor a'la Kid Creole or The Specials that punctuates the persistent & synthetic beats underneath. Meanwhile instrumental interludes like "Ducky & Viv", "g-y pt. 1" & "g-y pt. 2" oscillate into zones of sci-fi meets soap opera soundtracks, sounding not unlike the electronic experiments of UK industrial pioneers Chris & Cosey. Album closer "I Can't Be Found" might be the album's secret weapon; It 's swooning synth melody & processed vocals recall early Daft Punk or Mgmt by way of Derrick Carter & The Au Pairs. It 's a beautiful song; perfect for the late night (or early morning) car ride home from the club. "Pass The Loofah" is released worldwide on October 25th, 2024 via Trouble In Mind Records digitally via most DSPs & on black vinyl & limited "disco ball " silver vinyl.
MC5 - Thunder Express Yellow Vinyl Edition
MC5
Thunder Express Yellow Vinyl Edition
LP | 2024 | EU | Original (Jungle)
25,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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MC5 (Motor City Five), the legendary Detroit band. Their first single (included here) was released in 1967. In 1968 they played the infamous Democratic Convention that turned into a police riot, and they went on to be the "Official White Panther Party Band". Their manager John Sinclair became a hippie martyr, after being jailed for 10 years for 2 joints, inspiring John Lennon"s "10 For 2" song. Thrown off their first label Electra, they signed to Atlantic for 2 more albums but only achieved underground success. Now greatly revered as one of the seminal rock"n"roll bands and a huge inspiration for punk. Thunder Express documents their last and first studio works: - six tracks recorded in France at Studio Castle Herouville for a TV show in 1972; plus four tracks from their debut singles from "67 & "68. The title track is not available elsewhere. In 2024 MC5"s guitarist Wayne Kramer, drummer Dennis Thompson and manager John Sinclair all passed away, marking the end of the MC5 era.
Howlin Rain - Lost At Sea: Rarities, Outtakes And Other Tales From The Deep Colored Vinyl Edition
Howlin Rain
Lost At Sea: Rarities, Outtakes And Other Tales From The Deep Colored Vinyl Edition
2LP | 2024 | US | Original (Silver Current)
59,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Howlin Rain’s grand 3xLP archival statement and untold story, written over nearly two decades in invisible ink between the lines. Features never before heard songs from The Russian Wilds, The Dharma Wheel, The Alligator Bride, Mansion Songs, Live Rain and the lost Ethan Miller Band sessions.

With a broad cast of musical characters including Rick Rubin (Producer/American Records), Luther Dickinson (North Mississippi Allstars), Scarlet Rivera (Bob Dylan’s Rolling Thunder Revue), Joel Robinow (Once and Future Band), Isaiah Mitchell (Earthless/ The Black Crowes) and many more.

Includes songs by The Rolling Stones, Grateful Dead, Leon Russell and Neil Merryweather.

“I wanted to compile the record so it would have impact like our grandest, wildest, most unabashed studio album. I left out home demos, and songs from quiet corners, sketches, etc, in favor of fully formed, fully finished, studio level tracks from front to back. Lost at Sea is intended to be something that you can pour yourself into and get swept away in.”

—Ethan Miller (Founder, bandleader)
Bill Callahan - The Holy Grail: Bill Callahan's "Smog" Dec. 10, 2001 Peel Session
Bill Callahan
The Holy Grail: Bill Callahan's "Smog" Dec. 10, 2001 Peel Session
LP | 2024 | US | Original (Drag City)
29,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Preorder shipping from 2024-11-22
December 2001, Maida Vale: Bill Callahan"s "Smog" perform with demonstrative zeal for their British witness at the BBC, shimmering and hissing with a Lynchian vibe of U.S. darkness in the invariable shadows of the fallen towers. Callahan & band (Jessica Billey, Mike Saenz and Jim White) cover Stevie Nicks, Lou Reed and Smog with grey, ashen resolve and tour-torn flexibility, amassing a bruised, plaintive essence of humanity with their efforts.
Drop Nineteens - 1991 Grey Vinyl Edition
Drop Nineteens
1991 Grey Vinyl Edition
LP | 2025 | US | Original (Wharf Cat)
26,99 €*
Release: 2025 / US – Original
Genre: Rock & Indie
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Following the release of Drop Nineteens' first al bum in 30 years, Hard Light and the re issue of their 1992 shoegaze masterwork Delaware, we are excited to announce the official release of Drop Nineteens' 1991. This LP comprises the band's first two demo sessions which were mailed out via cassette to labels in 1991 finding their way to the UK music press and generating instant buzz and an ensuing feeding frenzy to sign the band. After signing with Caroline Records Drop Nineteens decided to write an entirely new record, Delaware, for their first official release, leaving the songs on 1991 behind, frozen in time.Swells of layered guitars and buried vocal harmonies adom these tracks, displaying Drop Nine-teens when the comparison to their UK contemporaries like Slowdive and Ride were apt. 1991'S songs, recorded with a low fi charm, show an ambitious young band capable of writing songs filled with texture and hooks, on the eve of their breakthrough with Delaware.
Lilly Hiatt - Forever Black Vinyl Edition
Lilly Hiatt
Forever Black Vinyl Edition
LP | 2025 | US | Original (New West)
28,99 €*
Release: 2025 / US – Original
Genre: Rock & Indie
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Preorder shipping from 2025-01-31
Forever was a record that was written and recorded one track at a time with my husband Coley. After scrapping about 20 songs or so I had written the last few years, I wanted to get to the heart of things. I had a great talk with a friend on the phone and she mentioned she just wasn’t sure where I’d been. I realized I wasn’t really certain of that either. It’d been a foggy few years after 2020, and the pieces seemed to just be starting to be picked up. I had fallen in love, gotten married, had a dog, a house…things I had always dreamed of. But it took my quite some time to accept them as my life. For a bit, I felt like an outsider watching myself stumble though everything, and was constantly critiquing myself, to the point where I could hardly leave the house for a bit. But then I realized my life was passing me by, and the love I was living in required presence to accept. I started to do the little things you have to do to just show up for people: listen, grow, change, write….get outside of my own problems. Time is flying, and I want to be here for it all rather than lost in my thoughts all the time. My love is forever. When I was a kid I used to say to my mom and dad “I love you forever and always” then neurotically changed it to “I love you forever and always and it’s true and I mean it”…because I wanted to make sure they knew how much I wasn’t messing around! I still feel that way when I say “I love you” to anyone and hope it comes across on this record. Love y’all forever!
Mitski - Be The Cowboy Coke Bottle Clear Vinyl Editoin
Mitski
Be The Cowboy Coke Bottle Clear Vinyl Editoin
LP | 2018 | US | Reissue (Dead Oceans)
29,99 €*
Release: 2018 / US – Reissue
Genre: Rock & Indie
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Coke Bottle CLear Vinyl. The breakout success of 2016's Puberty 2 saw Mitski hailed as the new vanguard of indie rock, the one to save the genre from the white dudes who've historically dominated it. But the often overlooked aspect of being a rising star is the sheer amount of work that goes into it. "I had been on the road for a long time, which is so isolating, and had to run my own business at the same time," Mitski explains, "a lot of this record was me not having any feelings, being completely spent, but then trying to rally myself and wake up and get back to Mitski. I was feeling really nihilistic and trying to make pop songs."We want our artists to be strong but we also expect them to be vulnerable. Rather than avoiding this dilemma, she addresses directly the power that comes from appearing impenetrable and loneliness that follows. "With a lot of the romantic infatuations I've had," she says, "when I look back, I wonder, Did I want them or did I want to be them? Did I love them or did I want to absorb whatever power they had? I decided I could just be my own cowboy figure that I so desire." In Be The Cowboy, delves into the loneliness of being a symbol and the loneliness of being someone, and how it can feel so much like being no one.
Wild Pink - Dulling The Horns Mustard Yellow Vinyl Edition
Wild Pink
Dulling The Horns Mustard Yellow Vinyl Edition
LP | 2024 | US | Original (Fire Talk)
30,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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“Do you still believe it?” John Ross asks that question after journeying through the wreckage. The genesis of Dulling The Horns goes back to late 2022, when Ross began workshopping new material during soundcheck on the ILYSM tour. Last summer, Wild Pink decamped to western Massachusetts to reunite with engineer Justin Pizzoferrato. Ross decided to record Dulling The Horns live in the room, in an effort to capture Wild Pink’s onstage style — rawer, grainier. Gone are the glimmering atmospherics and studio affectations of recent Wild Pink outings. Instead, Ross’ voice is haggard against the humid distortion coating every song. “I wanted to make economical songs,” Ross explains. “Music that is very much at its core three or four people rocking.” If before, Wild Pink took notes from Springsteen and Petty, they’ve now entered their Crazy Horse era. On Dulling The Horns, you can hear him rediscovering the fire in real time. Tropes discarded along the roadside, songs pulled from the formative DNA of rock music, all filtered through years of messy fog. “There is no answer to these problems,” Ross says, having eventually yielded. But as far Dulling The Horns is concerned, there’s at least one path forward: Burn it all away, and keep moving. The album was mixed by Alex Farrar in Asheville NC, mastered by Greg Obis in Chicago, IL and is out in October on Fire Talk.
Tim Heidecker - Slipping Away Indie Exclusive Frosted Teal Vinyl Edition
Tim Heidecker
Slipping Away Indie Exclusive Frosted Teal Vinyl Edition
LP | 2024 | US | Original (Bloodshot)
28,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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After the breakthroughs of 2020’s wistfully lush Fear of Death, and 2022’s High School, whose tales of nostalgia were never quite as distant as they seemed, the multi-hyphenate comedian and songwriter Heidecker has reached a new peak with Slipping Away, his warmest and fullest record to date. While all of his albums are concept records to some degree, this one tells a story on a larger scale, offering an imagistic framework that allows for some of his brightest melodies, heaviest themes (the feeling of before the fall and after), and most direct and vulnerable lyrics.
Tim Heidecker - Slipping Away Summer Sky Splash Vinyl Edition
Tim Heidecker
Slipping Away Summer Sky Splash Vinyl Edition
LP | 2024 | US | Original (Bloodshot)
28,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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After the breakthroughs of 2020’s wistfully lush Fear of Death, and 2022’s High School, whose tales of nostalgia were never quite as distant as they seemed, the multi-hyphenate comedian and songwriter Heidecker has reached a new peak with Slipping Away, his warmest and fullest record to date. While all of his albums are concept records to some degree, this one tells a story on a larger scale, offering an imagistic framework that allows for some of his brightest melodies, heaviest themes (the feeling of before the fall and after), and most direct and vulnerable lyrics.
Wild Pink - Dulling The Horns Black Vinyl Edition
Wild Pink
Dulling The Horns Black Vinyl Edition
LP | 2024 | US | Original (Fire Talk)
30,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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“Do you still believe it?” John Ross asks that question after journeying through the wreckage. The genesis of Dulling The Horns goes back to late 2022, when Ross began workshopping new material during soundcheck on the ILYSM tour. Last summer, Wild Pink decamped to western Massachusetts to reunite with engineer Justin Pizzoferrato. Ross decided to record Dulling The Horns live in the room, in an effort to capture Wild Pink’s onstage style — rawer, grainier. Gone are the glimmering atmospherics and studio affectations of recent Wild Pink outings. Instead, Ross’ voice is haggard against the humid distortion coating every song. “I wanted to make economical songs,” Ross explains. “Music that is very much at its core three or four people rocking.” If before, Wild Pink took notes from Springsteen and Petty, they’ve now entered their Crazy Horse era. On Dulling The Horns, you can hear him rediscovering the fire in real time. Tropes discarded along the roadside, songs pulled from the formative DNA of rock music, all filtered through years of messy fog. “There is no answer to these problems,” Ross says, having eventually yielded. But as far Dulling The Horns is concerned, there’s at least one path forward: Burn it all away, and keep moving. The album was mixed by Alex Farrar in Asheville NC, mastered by Greg Obis in Chicago, IL and is out in October on Fire Talk.
Clairo - Diary 001
Clairo
Diary 001
LP | 2018 | US | Reissue (Fader)
28,99 €*
Release: 2018 / US – Reissue
Genre: Rock & Indie
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From making music in her dorm room to becoming one of the most intriguing and exciting indie-pop artists to emerge in 2018, 19-year-old Clairo - AKA Claire Cottrill - self-produced her debut EP, diary 001. New York Times calls it the new generation of "indie pop, " praising her "innate knack for complex emotions rendered so casually as to be destabilizing". Clairo started posting music to Bandcamp while in high school before beginning to post covers and songs in addition to DJ mixes of rap music on Soundcloud under the name Clairo/DJ Baby Benz. She also maintained a YouTube channel where she would post covers and short films.
The Wickies - The Wickies
The Wickies
The Wickies
LP | 2024 | US | Original (Ba Da Bing!)
24,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Quinnisa Kinsella-Mulkerin recorded her first song at five years old with her parents, who comprise the adventurous Maine band, Big Blood. Ever since the age of five, she was writing songs, banging on chimes, strumming guitars, and clanging together whatever else she could find. Improvisation was natural, and she stuck to the approach. Kinsella-Mulkerin brings this innate sense of songwriting to The Wickies, a duo she formed with Aiden Arel a year ago at age 16, whose chill approach and fluid delivery belie true inventiveness in the underneath mechanics.

Inspired by seventies folk icons like Stevie Nicks, Krautrock bands like Can, and modern indie-rockers like Alex G, The Wickies feel like an amalgamation of these decade-spanning sounds, but uniquely their own. Kinsella-Mulkerin’s voice croons like a seventies folk star, but it possesses a great and controlled tone. Her vocals feel like another instrument within the mix, building and growing each song to its fullest sound, leaving no detail within the mix unheard. Their use of echoing guitar lines recalls sixties psych, a springboard for their unique take.

Kinsella-Mulkerin’s lush, free-flowing lyrics, created on the spot, complement Arel’s fleshed out backing instrumentation and over-dubbing. Quickly, the pair created more material than they ever needed, allowing them to mold their recordings into a self-titled debut album. Like a painter crafting the perfect exhibition of their finest work, Arel and Kinsella-Mulkerin condensed their improvisations to all the best parts. Tracks like “Campfire Song” and “Skipping Pond” exemplify the ethereal and lackadaisical atmosphere of their sound. “I keep finding these weird, obscure bands from the seventies that have one album and nothing else, which is awesome,” Kinsella-Mulkerin says, “I want my music to sound like somebody found it in a record store that no one has ever heard of and uploaded it to YouTube. I want it to sound a little strange.”
Elkhorn - The Red Valley
Elkhorn
The Red Valley
LP | 2024 | US | Original (VHF)
27,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Debut standalone VHF album by the Elkhorn duo of Drew Gardner and Jesse Sheppard, a tight set of six studio recordings in a variety of moods and featuring a lot of new sound textures. Elkhorn’s prolific stream of releases since 2016 has highlighted their mastery of sprawling long-form, acoustic-driven hypno-jams, with an emphasis on live performance (including on their collaboration with Pelt’s Mike Gangloff on the Shackamaxon Concert album). The Red Valley is a more layered and composed-sounding set, with the duo overdubbing extensively on top of their own dual guitars. Leading off the LP, “Crystal Hummingbird” features one of their signature minor-modal vamps, with layers of fuzz bass, zither, and frame drum providing weight and psychedelic density. “Gray Salt Trail” continues the vibe, with thick fuzz vibraphone supplementing the cinematic palate, leading into the spare side-closer “Black Wind Of Kayenta,” where Sheppard plays electric 12-string and Gardner solos on acoustic guitar.

Side two starts with “Road to Chaco Canyon,” a brooding duet that builds momentum with Gardner’s insistent frame drum cadence, dropping down into the quiet string pool of “Inside Spider Rock” (featuring Fern Knight’s Jesse Sparhawk on gloriously swirling lever harp) and the graceful finale “Jackrabbit Hops.”
Oh, Rose - Dorothy
Oh, Rose
Dorothy
LP | 2024 | US | Original (Antiquated Future)
22,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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A beloved Olympia/Portland group at the height of their powers. They genre-hop with ease—skirting the edges of dream-pop, art rock, alt-country, and electro-pop—while singer Olivia Rose's elastic voice plumbs the depths of the human soul, full of existential yearning, tales of life on earth.
Chris Forsyth - Solar Motel
Chris Forsyth
Solar Motel
2LP | 2013 | UK | Reissue (Algorithm Free)
35,99 €*
Release: 2013 / UK – Reissue
Genre: Rock & Indie
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Named after a run-down lodge in New Jersey near where he grew up, Solar Motel was the first full-band project from Chris Forsyth. Originally released in 2013, it was considered his most ambitious and sublime work of "Cosmic Americana" to date, and the idea of the Motel also figured into a band where vacancies would open and close. "'Solar Motel' is the first record on which I overtly took rock tropes and twisted them into new shapes, incorporating so many of my interests and influences - the twin-guitar elegance of Television, the sprawl of West Coast psych, the boiled down Rock Minimalism of Rhys Chatham, the abstract tangles of free improv, an undercurrent of ecstatic jazz energy, and the studio textures of Eno/Cale/Roxy '70s art rock. 'Solar Motel' basically set the template for much of what I did for the remainder of that decade. Expanded 2xLP includes two studio outtakes from the original sessions, and a side-long live session recorded at WFMU.
Elders - Looking For The Answer
Elders
Looking For The Answer
LP | 2024 | Original (Lmlr)
36,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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This Dayton, Ohio quartet has been one of the top local acts for several years. In 1966, when their name was still Jerry & The Others, they recorded the song "Don't You Lie To Me", which became a collector's item as one of the teen garage rock hits. In 1970, when drummer Ron Skinner joined them, they became known as "The Elders" and recorded this one-off LP on Audio Fidelity, produced by Gordon Neal.
Wednesday - Mowing The Leaves Instead Of Piling 'Em Up
Wednesday
Mowing The Leaves Instead Of Piling 'Em Up
Tape | 2022 | US | Reissue (Orindal)
11,99 €*
Release: 2022 / US – Reissue
Genre: Rock & Indie
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"wednesday owes so much to our musical influences. The music we love is a big part of what brought us together. My bandmates Margo and Xandy both had infamous Asheville house show venues, Jake was in like a billion different bands which often played in their muggy basements and Alan was usually the one who brought the PA. Our immersion in music predated us trying to make songs together ourselves. Our common interests in noisey ‘90s guitars, good lyrics, and country music was quickly what permeated into our voice as a band. Most decisions in our songs are made by an amalgamation of all five of our inputs, which happens pretty naturally because of this thread of influences that ties us together. So when we got an opportunity for some recording time with Alli Rogers at Betty’s studio in Durham, NC we decided to record covers, and hopefully repay in part the huge debt we are in to the artists who contributed so much to the music we write ourselves. When I was thinking if there was anything that these songs have in common, the main thing I found recurring was the combination of sadness and humor. It’s effective as hell to combine the two emotions, making each other more intense by the contrast..."—KARLY Hartzman. Features songs by Gary Stewart, Chris Bell, Roger Miller, Drive By Truckers, Hotline TNT, Greg Sage, Vic Chesnutt, Medicine, and Smashing Pumpkins. Originally released in 2022 as a merch and mailorder item. Pressed on pilsner beer yellow vinyl.
Winona Forever - Sound Arguement
Winona Forever
Sound Arguement
LP | 2024 | US | Original (Acrophase)
27,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Winona Forever have ridden a wave of musical curiosity and chemistry further than imagined when forming in high school. After spending formative years touring Canada and packing Vancouver's resilient DIY venues, the band stumbled into an international following on 2019 LP Feelgood. With a catalog offering thoughtful, tangled rhythms and frantic garage-rock head nods, Winona Forever refuses to be boring. Prioritizing songwriting, group chemistry and an evolving sound, the band has kept up a steady touring schedule in Canada and the US - allowing longtime listeners to come see the real thing. Recent highlights include supporting Ginger Root on a European tour, SXSW, Treefort Fest, Sled Island and an Audiotree live session.
Fats Domino - Antone Fats Domino
Fats Domino
Antone Fats Domino
3xLP | 2024 | Original (Lmlr)
47,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Three LP vinyl set, collectors edition, one pressing worldwide.
Rose City Band - Sol Y Sombra Coke Bottle Clear Vinyl Edition
Rose City Band
Sol Y Sombra Coke Bottle Clear Vinyl Edition
LP | 2025 | US | Original (Thrill Jockey)
34,99 €*
Release: 2025 / US – Original
Genre: Rock & Indie
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Preorder shipping from 2025-01-24
Rose City Band"s music is sun-kissed timeless country rock whose seemingly effortless momentum carries the joy of its creation without ignoring the darkness pervading our consciousness. Led by guitarist/vocalist Ripley Johnson, the music of Rose City Band is rooted in his love of private press records of the mid to late 70"s. The band, in addition to Johnson, features pedal steel guitarist Barry Walker, keyboardist Paul Hasenberg and drummer John Jeffrey who enmesh a keen sense of rhythmic drive and melody with gentler, sumptuous atmospheres. Nuanced performances and interplay between players unfurl like desert flowers splashing color onto an arid landscape. The ensemble"s buoyant moments still glide with ease, but there is room to revel in respite of the shade of a dark cloud. Across the album, Johnson"s tasteful guitar interjections and soothing voice are met in kind with the versatile playing of Walker, Hasenberg, and Jeffery, with special guest performances by synthesist/vocalist, Sanae Yamada. Album closer "The Walls" perfectly captures the band"s explorative and expansive songs, Hasenberg"s soulful organ driving the album to an emotionally cathartic conclusion. Throughout his prolific career with Wooden Shjips, Moon Duo and now Rose City Band, Johnson"s music has consistently centered around exploration and discovery. Sol Y Sombra imbues his penchant for space and resplendent tonality with a denser amalgam of his influences through a delicate balance of the somber and the serene, of subtle evolutions and familiar sounds, Sol Y Sombra makes for a holistically joyous experience, finding solace in both sun and shade.
Cyril Cyril & Le Syndicat Du Futur - La Meteo / Le Monde Embêtant
Cyril Cyril & Le Syndicat Du Futur
La Meteo / Le Monde Embêtant
7" | 2024 | Original (Les Disques Bongo Joe)
15,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Preorder shipping from 2024-11-29
In between two European concerts and some recording session, Cyril and Cyril took a break and used a tiny gap in their hectic schedule (both member of Yalla Miku, co-managing Bongo Joe Records for C. Yeterian and touring with La Tune and other projects for C. Bondi) to go the studio to record two atomic tracks with their children. They played a myriad of instruments, including typewriters and ping pong balls. Jeannot, Zoé, Marilou, Marlowe, and Lénaïs sang sharp and joyful manifesto-like texts to express how absurd and boring the adult world seems to them. The result is a brilliant 7"" released next fall on Les Disques Bongo Joe (obviously).
Rose City Band - Sol Y Sombra Black Vinyl Edition
Rose City Band
Sol Y Sombra Black Vinyl Edition
LP | 2025 | US | Original (Thrill Jockey)
31,99 €*
Release: 2025 / US – Original
Genre: Rock & Indie
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Preorder shipping from 2025-01-24
Rose City Band"s music is sun-kissed timeless country rock whose seemingly effortless momentum carries the joy of its creation without ignoring the darkness pervading our consciousness. Led by guitarist/vocalist Ripley Johnson, the music of Rose City Band is rooted in his love of private press records of the mid to late 70"s. The band, in addition to Johnson, features pedal steel guitarist Barry Walker, keyboardist Paul Hasenberg and drummer John Jeffrey who enmesh a keen sense of rhythmic drive and melody with gentler, sumptuous atmospheres. Nuanced performances and interplay between players unfurl like desert flowers splashing color onto an arid landscape. The ensemble"s buoyant moments still glide with ease, but there is room to revel in respite of the shade of a dark cloud. Across the album, Johnson"s tasteful guitar interjections and soothing voice are met in kind with the versatile playing of Walker, Hasenberg, and Jeffery, with special guest performances by synthesist/vocalist, Sanae Yamada. Album closer "The Walls" perfectly captures the band"s explorative and expansive songs, Hasenberg"s soulful organ driving the album to an emotionally cathartic conclusion. Throughout his prolific career with Wooden Shjips, Moon Duo and now Rose City Band, Johnson"s music has consistently centered around exploration and discovery. Sol Y Sombra imbues his penchant for space and resplendent tonality with a denser amalgam of his influences through a delicate balance of the somber and the serene, of subtle evolutions and familiar sounds, Sol Y Sombra makes for a holistically joyous experience, finding solace in both sun and shade.
The Fluid - Glue Silver Vinyl Edition
The Fluid
Glue Silver Vinyl Edition
LP | 1990 | US | Reissue (Sub Pop)
30,99 €*
Release: 1990 / US – Reissue
Genre: Rock & Indie
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The Fluid are arguably the great unsung band from the fertile underground rock scene of the late '80s and early '90s. The Denver five-piece - John Robinson (vocals), James Clower (guitar), Matt Bischoff (bass), Garrett Shavlik (drums), and the dear departed Ricky Kulwicki (guitar) - fused the fire of '80s hardcore with crunching Detroit protopunk, '60s garage rock, and '70s rock swagger. Think MC5, Faces, '70s Stones, all cranked up and really high on Sex Pistols and Black Flag singles. Rising from the ashes of early-'80s Denver bands Frantix (whose "My Dad's a Fuckin' Alcoholic" is a true gem of American punk) and White Trash, The Fluid were the first non-Seattle band to sign to Sub Pop, and Clear Black Paper was the second full-length album the label ever released. The label honchos were fans of Frantix, and happily got involved with The Fluid when the opportunity arose via the label's European licensing partner, Glitterhouse. Witnessing The Fluid's dominant live presence helped - a particularly fiery early show at Seattle's Central Tavern featured The Fluid, Mudhoney, Mother Love Bone, and Soundgarden all trying to outdo one another on stage. The band fit right in on Sub Pop's nascent roster of acts who, wherever they stood on the spectrum of punk/rock/metal, shared a commitment to thunderous riffs and explosive live shows. Legendary for their ferocious stage presence, The Fluid toured all over the US and Europe, holding their own and then some on bills with Mudhoney, Nirvana, Soundgarden, Dinosaur Jr., and other powerhouses of the era. From 1986 to 1993, The Fluid put out four albums and a number of EPs and singles, including a split 7" with Nirvana in 1991, before doing one album for a major label and promptly disbanding.Yet, while their partners-in-crime bulldozed into the mainstream, The Fluid remained something of a cult band, their audience confined to those who got hip during the band's existence, and crate diggers who nabbed original vinyl or CDs, which had quickly become rarities after sellin...
The Fluid - Roadmouth Lime Vinyl Edition
The Fluid
Roadmouth Lime Vinyl Edition
LP | 1989 | US | Reissue (Sub Pop)
30,99 €*
Release: 1989 / US – Reissue
Genre: Rock & Indie
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The Fluid are arguably the great unsung band from the fertile underground rock scene of the late '80s and early '90s. The Denver five-piece - John Robinson (vocals), James Clower (guitar), Matt Bischoff (bass), Garrett Shavlik (drums), and the dear departed Ricky Kulwicki (guitar) - fused the fire of '80s hardcore with crunching Detroit protopunk, '60s garage rock, and '70s rock swagger. Think MC5, Faces, '70s Stones, all cranked up and really high on Sex Pistols and Black Flag singles. Rising from the ashes of early-'80s Denver bands Frantix (whose "My Dad's a Fuckin' Alcoholic" is a true gem of American punk) and White Trash, The Fluid were the first non-Seattle band to sign to Sub Pop, and Clear Black Paper was the second full-length album the label ever released. The label honchos were fans of Frantix, and happily got involved with The Fluid when the opportunity arose via the label's European licensing partner, Glitterhouse. Witnessing The Fluid's dominant live presence helped - a particularly fiery early show at Seattle's Central Tavern featured The Fluid, Mudhoney, Mother Love Bone, and Soundgarden all trying to outdo one another on stage. The band fit right in on Sub Pop's nascent roster of acts who, wherever they stood on the spectrum of punk/rock/metal, shared a commitment to thunderous riffs and explosive live shows. Legendary for their ferocious stage presence, The Fluid toured all over the US and Europe, holding their own and then some on bills with Mudhoney, Nirvana, Soundgarden, Dinosaur Jr., and other powerhouses of the era. From 1986 to 1993, The Fluid put out four albums and a number of EPs and singles, including a split 7" with Nirvana in 1991, before doing one album for a major label and promptly disbanding.Yet, while their partners-in-crime bulldozed into the mainstream, The Fluid remained something of a cult band, their audience confined to those who got hip during the band's existence, and crate diggers who nabbed original vinyl or CDs, which had quickly become rarities after sellin...
The Fluid - Clear Black Paper Yellow Vinyl Edition
The Fluid
Clear Black Paper Yellow Vinyl Edition
LP | 1988 | US | Reissue (Sub Pop)
30,99 €*
Release: 1988 / US – Reissue
Genre: Rock & Indie
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The Fluid are arguably the great unsung band from the fertile underground rock scene of the late '80s and early '90s. The Denver five-piece - John Robinson (vocals), James Clower (guitar), Matt Bischoff (bass), Garrett Shavlik (drums), and the dear departed Ricky Kulwicki (guitar) - fused the fire of '80s hardcore with crunching Detroit protopunk, '60s garage rock, and '70s rock swagger. Think MC5, Faces, '70s Stones, all cranked up and really high on Sex Pistols and Black Flag singles. Rising from the ashes of early-'80s Denver bands Frantix (whose "My Dad's a Fuckin' Alcoholic" is a true gem of American punk) and White Trash, The Fluid were the first non-Seattle band to sign to Sub Pop, and Clear Black Paper was the second full-length album the label ever released. The label honchos were fans of Frantix, and happily got involved with The Fluid when the opportunity arose via the label's European licensing partner, Glitterhouse. Witnessing The Fluid's dominant live presence helped - a particularly fiery early show at Seattle's Central Tavern featured The Fluid, Mudhoney, Mother Love Bone, and Soundgarden all trying to outdo one another on stage. The band fit right in on Sub Pop's nascent roster of acts who, wherever they stood on the spectrum of punk/rock/metal, shared a commitment to thunderous riffs and explosive live shows. Legendary for their ferocious stage presence, The Fluid toured all over the US and Europe, holding their own and then some on bills with Mudhoney, Nirvana, Soundgarden, Dinosaur Jr., and other powerhouses of the era. From 1986 to 1993, The Fluid put out four albums and a number of EPs and singles, including a split 7" with Nirvana in 1991, before doing one album for a major label and promptly disbanding.Yet, while their partners-in-crime bulldozed into the mainstream, The Fluid remained something of a cult band, their audience confined to those who got hip during the band's existence, and crate diggers who nabbed original vinyl or CDs, which had quickly become rarities after sellin...
The Fluid - Punch N Judy Blue Vinyl Edition
The Fluid
Punch N Judy Blue Vinyl Edition
LP | 1986 | US | Reissue (Sub Pop)
30,99 €*
Release: 1986 / US – Reissue
Genre: Rock & Indie
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The Fluid are arguably the great unsung band from the fertile underground rock scene of the late '80s and early '90s. The Denver five-piece - John Robinson (vocals), James Clower (guitar), Matt Bischoff (bass), Garrett Shavlik (drums), and the dear departed Ricky Kulwicki (guitar) - fused the fire of '80s hardcore with crunching Detroit protopunk, '60s garage rock, and '70s rock swagger. Think MC5, Faces, '70s Stones, all cranked up and really high on Sex Pistols and Black Flag singles. Rising from the ashes of early-'80s Denver bands Frantix (whose "My Dad's a Fuckin' Alcoholic" is a true gem of American punk) and White Trash, The Fluid were the first non-Seattle band to sign to Sub Pop, and Clear Black Paper was the second full-length album the label ever released. The label honchos were fans of Frantix, and happily got involved with The Fluid when the opportunity arose via the label's European licensing partner, Glitterhouse. Witnessing The Fluid's dominant live presence helped - a particularly fiery early show at Seattle's Central Tavern featured The Fluid, Mudhoney, Mother Love Bone, and Soundgarden all trying to outdo one another on stage. The band fit right in on Sub Pop's nascent roster of acts who, wherever they stood on the spectrum of punk/rock/metal, shared a commitment to thunderous riffs and explosive live shows. Legendary for their ferocious stage presence, The Fluid toured all over the US and Europe, holding their own and then some on bills with Mudhoney, Nirvana, Soundgarden, Dinosaur Jr., and other powerhouses of the era. From 1986 to 1993, The Fluid put out four albums and a number of EPs and singles, including a split 7" with Nirvana in 1991, before doing one album for a major label and promptly disbanding.Yet, while their partners-in-crime bulldozed into the mainstream, The Fluid remained something of a cult band, their audience confined to those who got hip during the band's existence, and crate diggers who nabbed original vinyl or CDs, which had quickly become rarities after sellin...
Goat - Goat Swirl Vinyl Edition
Goat
Goat Swirl Vinyl Edition
LP | 2024 | UK | Original (Rocket)
25,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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The Ouroborus - that is, the icon of the snake or dragon eating its own tail - appears to some a statement of the brutality of nature. To others of a Gnostic disposition it symbolises the duality of the divine and earthly in mankind. But most commonly, it’s taken simply to mean the endless cycles of death and rebirth that characterise life on this planet. As such, it’s an image that looms large in the world of Goat, the ever-mysterious and endlessly revivifying collective whose latest album marks another adventure above and beyond this particular plane of reality.This may be a band that has named albums both Requiem and Oh Death, yet this eponymous salvo proves yet again that transcendence and metamorphosis are their watchwords. Goat sees this ever-unpredictable outfit summoning rhythmically-driven rituals in unmistakable, uplifting and scintillating style, equally adept at ignitiing dancefloors and expanding minds.

‘One More Death’ and ‘Goatbrain’ are spectacular curtain-raisers, embodying a hedonistic spirit driven by incisive funk and possessed by merciless fuzz/wah-drenched guitar. Yet elsewhere, the band’s love of hip hop is the fuel for the end-credits-epic album closer ‘Ourobourus’ which marries infectious chant to breathless Lalo Schifrin-style breakbeat action. And which also means ultimately, like the titular oldest allegorical symbol in alchemy, we’re right back where we started. As Brad Dourif’s character Hazel Moates intones in the 1979 movie Wiseblood, “Where you come from is gone; where you thought you were going weren’t never there. And where you are ain’t no good unless you can get away from it”; in Goat’s eternal now of renewal and revelation, there’s never been a more potent means of escape.
The Wolfgang Press - A 2nd Shape
The Wolfgang Press
A 2nd Shape
LP | 2024 | UK | Original (Downwards)
32,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie, Electronic & Dance
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Formed from the ashes of Rema-Rema and Mass in the early ‘80s, The Wolfgang Press were originally a trio of bassist and vocalist Michael Allen, keyboardist Mark Cox and guitarist Andrew Gray. They were one of 4AD’s longest-running acts, and shifted from pitch-black, industrial-tinged post-punk in their early years to funky, hip-hop-inspired avant-dance as they stepped into the ‘90s. But since ‘94’s ‘Funky Little Demons’ they’ve been relatively quiet. There was a compilation of unreleased career-spanning material mostly penned by Allen and Gray released in 2020, but ‘A 2nd Shape’ is the first all-new gear from the duo in almost 30 years, with Gray’s brother Stephen replacing Cox on keys. It’s a fitting move for Downwards too; not only do The Wolfgang Press neatly straddle the label’s musical poles, but the band’s ‘88 high point ‘Bird Wood Cage’ is an enduring favourite of Karl O’Connor.
‘A 2nd Shape’ reflects The Wolfgang Press’s output up to and including that touchstone - the soulful, sampledelic mood of ‘Queer’ (and it’s popular single ‘A Girl Like You’) is nowhere to be found. Allen’s signature dubbed-out basslines are front and centre on ‘The Garden of Eden’, booming over gnarled synths and a blitzed, slo-mo drum machine - the bleakness of ‘The Burden of Mules’ is latent, but sliced into bits by discordant feedback and dissociated FX. The band have always been hyper aware of contemporary musical developments, and it sounds as if they’re offering a corrective here in a landscape pocked by post-punk pretenders. On ‘21st Century’, Allen snarls knowingly over menacing oscillations: “The 21st century can tell you who you are, can tell you what you’re thinking.” The music’s not a remnant of the past, but a way for The Wolfgang Press to acknowledge their tenure while peering into tomorrow.
‘Take It Backwards’ is the album’s most direct post-punk stomper, it’s got all the hallmarks you’d expect to find - reverberating guitars, resonant bass, ice-cold synths - but sounds as if it’s been infected with modern paranoia. If the trio’s early run was marked by inky depression, their new material sounds just as umbral, but far more self-assured. “The future has been set to one side,” Allen deadpans on ‘Rest Your Mind’, slurring over horizontal drums and fuzzy clouds of electronics. They might have lost their appetite for funk, but The Wolfgang Press’s claws have never sounded so razor sharp - ‘A 2nd Shape’ is the rarest of comeback albums, one that captures the OG magic without a shred of pastiche or a trace of repetition.
Goat - Goat Black Vinyl Edition
Goat
Goat Black Vinyl Edition
LP | 2024 | UK | Original (Rocket)
25,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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The Ouroborus - that is, the icon of the snake or dragon eating its own tail - appears to some a statement of the brutality of nature. To others of a Gnostic disposition it symbolises the duality of the divine and earthly in mankind. But most commonly, it’s taken simply to mean the endless cycles of death and rebirth that characterise life on this planet. As such, it’s an image that looms large in the world of Goat, the ever-mysterious and endlessly revivifying collective whose latest album marks another adventure above and beyond this particular plane of reality.This may be a band that has named albums both Requiem and Oh Death, yet this eponymous salvo proves yet again that transcendence and metamorphosis are their watchwords. Goat sees this ever-unpredictable outfit summoning rhythmically-driven rituals in unmistakable, uplifting and scintillating style, equally adept at ignitiing dancefloors and expanding minds.

‘One More Death’ and ‘Goatbrain’ are spectacular curtain-raisers, embodying a hedonistic spirit driven by incisive funk and possessed by merciless fuzz/wah-drenched guitar. Yet elsewhere, the band’s love of hip hop is the fuel for the end-credits-epic album closer ‘Ourobourus’ which marries infectious chant to breathless Lalo Schifrin-style breakbeat action. And which also means ultimately, like the titular oldest allegorical symbol in alchemy, we’re right back where we started. As Brad Dourif’s character Hazel Moates intones in the 1979 movie Wiseblood, “Where you come from is gone; where you thought you were going weren’t never there. And where you are ain’t no good unless you can get away from it”; in Goat’s eternal now of renewal and revelation, there’s never been a more potent means of escape.
Weak Signal - Fine
Weak Signal
Fine
LP | 2024 | US | Original (12XU)
31,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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"The music of New York trio Weak Signal (Mike Bones, guitar and voice; Sasha Vine, electric bass, violin, and voice; Tran, drums and voice) is a masterclass in simplicity and economy but these aspects aren’t present for their own didactic sake. Rather, their art is world-building in the most essential of ways, subtly spinning out in an enveloping, rich haze from a clear, architectural core. There are sections of knife-like collective squall and dialogic drift that glance at improvised music; while not strictly pop, the tunes are incredibly catchy with wry, keenly memorable lyrics that easily stick in one’s craw. With associations including Endless Boogie, Sian Alice Group, and Soldiers of Fortune, Weak Signal formed in 2017. They waxed two full lengths in the period leading up to the pandemic ('lp1'; 'Bianca'), and during that unsettling year-plus without many gigs to speak of, the trio kept busy and unleashed a handful of choice digital EPs and a couple of split 7” singles (cue up 'Rolex' if you haven’t heard it). In 2023 the group released 'War and War', a self-published book / CD (its title taken from a volume by Hungarian writer László Krasznahorkai) that was reissued on LP by 12xu the following year. 'Fine' is their fourth full-length to date, its tight ten-song program fleshed out with sonic icing from keyboardist Alexis Taylor (Hot Chip) and guitarists Doug Shaw (Gang Gang Dance; White Magic) and Cass McCombs."—Clifford Allen
Naoki Zushi - IV
Naoki Zushi
IV
2LP | 2018 | UK | Reissue (World Of Echo)
34,99 €*
Release: 2018 / UK – Reissue
Genre: Rock & Indie
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Double LP - gatefold, tip-on sleeve, black vinyl - edition of 500 worldwide. RIYL: Hallelujahs, Nagisa Ni
Te, Roy Montgomery, Grouper, Manuel Gottsching. With IV, World Of Echo inaugurates a series of reissues by Japanese guitarist,
Naoki Zushi. Perhaps best known for his stellar guitar contributions to psych folk group, Nagisa Ni Te, Zushi has had a parallel career,
for several decades, slowly releasing solo albums that spotlight his exultant guitar playing. Originally released to CD only by Shinji
Shibayama of Nagisa Ni Te’s Org imprint in 2018, IV has Zushi playing and writing at a peak, its six songs slowly unfurling with a kind
of paradoxical understated grandeur. This is psychedelic guitar music at its most paced and considered, yet given to flights of
inspiration, and in this respect, Zushi sits within a lineage of guitarists who’ve used their instrument both as textural anchor and
improvisatory tool – think of figures like Phil Manzanera and Robert Fripp, but also Roy Montgomery, Liz Harris of Grouper, even Tom
Verlaine on his instrumental solo albums. Like those artists, Zushi locates moments of deep emotional resonance amidst luxuriant
textural and melodic exploration. Zushi’s history stretches back to the mid 1970s. While for many, he first appeared on the scene as a
founding member of noise legends Hijokaidan, alongside Jojo Hiroshige, his musical contributions predate that encounter. He started
out playing progressive rock and improvised music, making home recordings of when he was in high school. He was a member of
Rasenkaidan (Spiral Staircase) alongside Hiroshige and Idiot (Kenichi Takayama), the group that soon mutated into Hijokaidan
(Emergency Staircase). Zushi and Takayama would soon form Idiot O’Clock, in 1982; Zushi also led his own Naoki Zushi Unit, starting
in 1983. But for many, Zushi’s first significant appearance on record was as a member of Shinji Shibayama’s mid-eighties psych-pop
group, Hallelujahs, whose sole album was recently reissued on vinyl. That group mutated into Nagisa Ni Te, and Zushi has played a
significant role as their lead guitarist for several decades. His own solo music has appeared sporadically – Paradise (1987),
Phenomenal Luciferin (1998), III (2005) and IV, with a few recent, meditative offerings, For My Friends’ Sleep (2021) and Nocturnes
(2022). With IV, though, Zushi achieved something remarkable, a kind of extended exploration of the time-altering properties of
echoplexed, hypnotically spiralling guitar interplay. The opening ‘Mirror’, “a song about the mirror inside me,” Zushi explains, starts out
as a lush psych-folk song, slow and gentle, but soon takes to the skies with a cat’s cradle of Fripp-esque guitars, before thick, droning
chords sweep the song to a drowsy coda. ‘Nocturne’ weaves silver skeins of guitar melody around a cyclical chord pattern; it gathers
energy and quiet intensity through insistent repetition. The rest of the album explores the nuance Zushi can draw out of simple
elements, building on what ‘Mirror’ and ‘Nocturne’ offer – the profundity of a chord change; the melancholy of a few quietly sighed
words; the exhilaration of a guitar solo bursting out of the speakers; the subtle shifts in emotional register offered by tone and touch.
Throughout, there’s something quiet, yet ineffable, shading the contours of the songs, such that it makes perfect sense when Zushi
says, “What I want to express through music may be ‘sense of mystery’.” A few of the songs had their basic parts recorded at LM
Studio and Studio Nemu with Shibayama and Masako Takeda joining on bass and drums, respectively; much of the album, however,
was tracked at Zushi’s home studio. That seems appropriate for a collection of songs that are expansive in their intimacy. Asked what
drove the sessions, Zushi answers, “I thought I’d make IV an album that particularly focuses on the guitar play.” And focus it does, as
Zushi’s sky-scraping, soaring, elemental tone is front and centre throughout. But these are no guitar heroics; rather, Zushi uses the
guitar as conduit and diviner, a tool for spirit location, and IV is his most eloquent expression yet of such singular magic.
Pypy - Sacred Times
Pypy
Sacred Times
LP | 2024 | US | Original (Goner)
23,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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It’s been nearly a decade since Montreal’s Pypy (pronounced like ‘π π’...with a long ‘i’ rather than long ‘e’, thank you very much) landed with their debut Pagan Day (Slovenly), but the same lunatics behind CPC Gangbangs, Red Mass and Duchess Says are back with Sacred Times on Goner Records. One might recall the thunderous pop of their banger “She’s Gone” carving out a place for itself in the high-end fashion world, becoming the soundtrack to Yves Saint Laurent’s 2016 show. If that album bounced, punched and clawed like Delta 5 covered in dirt and trying to get somewhere in a booted vehicle while dodging lightning rod guitar licks the whole way, Sacred Times takes things to somewhere far beyond the proverbial “next level.”

Co-vocalist / founder / multi-instrumentalist Annie-Claude Deschênes’ (Duchess Says) signature howl and vocal acrobatics are present, but so is a tendency towards beautiful melodies. Bassist Philippe Clement’s (Duchess Says) brings a nastier bottom end that locks onto Simon Besré’s drumming with a death grip for the entire affair. And guitarist / co-vocalist Roy Vucino (Red Mass, CPC Gangbangs, Black Leather Rose, Les Sexareenos, a gazillion others) goes bonkers with wildass blown-out guitar that’s like hornets caught in one’s hair.
White Poppy - Ataraxia
White Poppy
Ataraxia
LP | 2024 | US | Original (Not Not Fun)
29,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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The concept for and palette of Crystal Dorval aka White Poppy’s ‘Paradise Gardens’ trilogy first germinated in 2016 as a notion of “paradise music” combining new age, bedroom shoegaze, and bossa nova into “transcendental Tropicalia.” As she filled tapes of recordings exploring the idea, many of the songs gradually gravitated towards the hermetic dream pop her project is best known for, becoming the albums Paradise Gardens (2020) and Sound Of Blue (2023). Dorval describes these collections as a sort of “emotional purging or shadow work,” before arriving at “the state of inner paradise:” Ataraxia.

As the third, final, and most purist realization of the original ‘Paradise Gardens’ vision, Ataraxia delivers. Nine instrumentals of nimble guitar, elevated bass, clean rhythm, and clear light, gliding like swans on a shimmering pond. There’s a sense throughout of playful tranquility, of serenades at sunset, of kisses of blissful Muzak wafting along a boardwalk.

But behind the music is a patience, grace, and levity born of Dorval’s personal journey with spiritual healing that paralleled the trilogy. A process of transmuting pain into beauty, day by day, melody by melody, cleaving the darkness from the soul and re-entering one’s rightful home in the Garden.
Kailey Rocker - Kailey Rocker
Kailey Rocker
Kailey Rocker
LP | 2024 | US | Original (Nudie)
24,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Kailey Rocker’s debut self-titled solo album is delicate and dreamlike exploration in psychedelic folk, offering a gentle hand across junctures of maturity, love, and actualization. Like looking at classic story songs through a broken mirror, traditional threads of country sounds and melodies shine through the cozy haze of inspired production and accompaniment. Recorded at Business District Recording in Johnson City, NY with Hunter Davidson (Underground River, OLD Lady), Kailey Rocker is a unique collection of incantations with a sound that rears up from the dreamy haze to bite you when you least expect it. Evoking 60s era psych folk and channeling the spirit of the chanteuses of that time, Kailey Rocker has one hand gently cradling the earth with the acoustic guitar and fiddle melodies and one hand reaching towards the cosmos with the haunted, echoing whispers of synth, organ, and flute swirling throughout the layered production.
Nails - Unsilent Death Yellow Vinyl Edtion
Nails
Unsilent Death Yellow Vinyl Edtion
LP | 2024 | UK | Original (Southern Lord)
34,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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Ahead OF Their Fourth Studio Album Released AT THE END OF August ON Nuclear Blast Records. Touring U.S. With 200 Stab Wounds - ONE U.K. Slot AT Damnation Festival IN Manchester November 2ND. Regarded AS A Modern Classic IN Hardcore Punk Circles...
Imperial Teen - Feel The Sound
Imperial Teen
Feel The Sound
LP | 2013 | US | Reissue (Merge)
21,99 €*
Release: 2013 / US – Reissue
Genre: Rock & Indie
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The fifth album by IMPERIAL TEEN, "Feel the Sound", succeeds completely at its goal, plainly stated in the collection's title. Like the sharpest pop music, "Feel the Sound" gets you to keep coming back for more, but unlike so much music today, it rewards you for doing so, giving you the experience of a fulfilled and yet still yearning, lively potential, one that will be further realized when the songs are performed live. From the exhilarating, propulsive "Runaway," which features the entire band on lead vocals (how many other groups can make that claim?), to the expansive final statement of "Overtaken," Roddy Bottum, Lynn Perko Truell, Will Schwartz, and Jone Stebbins feel the sound themselves and, in turn, make the listener feel it in ways immediate and pleasurable but also lasting and haunting.
Zammuto - Zammuto
Zammuto
Zammuto
LP | 2012 | US | Reissue (Temporary Residence)
16,99 €*
Release: 2012 / US – Reissue
Genre: Rock & Indie
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Sprouting from the same mind that created the Books - one of the most acclaimed and innovative groups of the past decade - ZAMMUTO marks a deep reinvention of the highly detailed, genre-defying spirit that made seminal albums such as "The Lemon of Pink" and "The Way Out" possible. Given THE BOOKS' success as an experimental collage-pop project, founder and namesake Nick Zammuto could have comfortably extended that thread. Instead he has given us a record that is progressive and forward-looking, intense and driven, with hugely varied rhythms and melodies. The whispered, folk...
Hanoi Janes - Year Of Panic
Hanoi Janes
Year Of Panic
LP | 2011 | US | Reissue (Captured Tracks)
26,99 €*
Release: 2011 / US – Reissue
Genre: Rock & Indie
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"With the obvious homage the name implies, you'd expect Hanoi Janes to be a group of riot grrrl angnsty types, displaced in time by about 20 odd years. Having taken on the nickname given to Jane Fonda in the 70s because of her anti-war stance on Vietnam, these girls would be all bent up about, well you know, stuff. You'd expect that, but you'd be wrong. It is in fact primarily the work of one guy from Sachen, Germany - Oliver Scharf. But then Hanoi Janes' album, 'Year of Panic', is able to inspire all kinds of misconceptions. Name of the band aside, would you expect a German guy (who's a bit handy with an eight-track) to produce a series of beautifully lo-fi, sub two-minute, surf-pop tracks, full of buzzing guitar and bubblegum spirit. Maybe - maybe not. But that's just what Scharf has done. The sound is distinctly garage, reminiscent of a 70s surf sound, and like The 5. 6. 7. 8's, Hanoi Janes are able to launch into the genre with the luxury of being removed from the scene itself. Tracks like opener, 'The Boys Are Out' and 'Beach Kids' are unashamedly infectious, utilising catchy hooks, hand claps and the odd 'Ooo ooo ooo' to great effect. The production is fuzzy, but that only adds to the overall charm of the album. Because charming is what it is, as Hanoi Janes have packed 'Year of Panic' with some real gems. 'Summer of Panic' offers something tinted with psychedelic sounds; 'Our Lives' could have been an early track by The Strokes had they been influenced by the Californian sun rather than the New York shadows; 'Good Bone' is a track which can only be performed if there are several oversized surf-boards nearby. 'Year of Panic' is lo-fi, scuzzy garage surf-pop at its finest and it deserves to be the sound-track of your summer" -BOWLEGS, UK
Animal Collective - Tangerine Reef
Animal Collective
Tangerine Reef
LP+LP+All Media | 2018 | US | Original (Domino)
15,99 €*
Release: 2018 / US – Original
Genre: Rock & Indie, Electronic & Dance
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Green translucent Vinyl. One single sdied vinyl with art etcheing in one side. Original inner sleeves. Vinyl seems unplayed. Limited edition.
Explosions In The Sky, David Wingo - Prince Avalanche: An Original Motion Picture Soundtrack
Explosions In The Sky, David Wingo
Prince Avalanche: An Original Motion Picture Soundtrack
LP | 2013 | US | Original (Temporary Residence)
17,99 €*
Release: 2013 / US – Original
Genre: Rock & Indie, Soundtracks
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Mirrorism - Night Flight | Exit The Loop
Mirrorism
Night Flight | Exit The Loop
7" | 2013 | US | Reissue (Trouble In Mind)
10,99 €*
Release: 2013 / US – Reissue
Genre: Rock & Indie
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Sometimes the best bands are just out in the world - waiting for you to discover them. Mirrorism formed nary a year ago in Ferrara, Italy & posted up some songs from their self-released cassette onto a message board late last year. The band's TiM debut snags two tunes from that blast of hot air & slaps 'em onto wax - where they belong! In their own words, Mirrorism are: "a philosophical, artistic and political movement based on chaos, disunity, multiple personality disorder and the refusal to make sense of any kind of artistic output." One gets a very real sense of the chaos lurking beneath these jagged stabs of post-punk fury - "Night Flight" kicks of the A-side with a rhythmic ticking of the drums, perhaps a warning of the musical time bomb about to explode thru your speakers! Short & sweet - it's over before it even began. "Exit The Loop" closes out the single with a ragged cacophany of garage scree & trebly guitar sirens! An exciting debut from this promising new band! The first edition of this single is pressed on randomly mixedvinyl & includes a download code!
Proto Idiot - You're Wrong | You Can't Hide
Proto Idiot
You're Wrong | You Can't Hide
7" | 2013 | US | Reissue (Trouble In Mind)
10,99 €*
Release: 2013 / US – Reissue
Genre: Rock & Indie
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Andrew Anderson is a prolific guy, having recorded two albums of dumb-punk ferocity with his band, Hipshakes & released three albums & a number of singles under his solo project moniker, "Proto Idiot". Proto Idiot's previous output has had one foot firmly planted in the Hipshakes school of frenzied, nervousgaragepunk intensity, & the other in a rickety, Kinks-ian,English-countryside gallop. His debut for TiM however is a step in a new direction, delivering smart & urgent pop tunes having more in common with the DIY smarts of bands like Television Personalities, Wire & The Soft Boys than The Oblivians or The Gories. "You're Wrong" yearns with the strummy confections of a lost classic & it's earworm melody will have a hard timegetting unstuck from your brain! "You Can't Hide" burns with the loping maudlin of guitars & careens into a head-bopper of sugary pop-perfection. The first edition of this single is pressed on randomly-mixed vinyl & includes a download code!RIYL: Wire, The Soft Boys, TVP, Tyvek, Hipshakes
Standish/Carlyon - Deleted Scenes
Standish/Carlyon
Deleted Scenes
LP | 2013 | US | Reissue (Felte)
21,99 €*
Release: 2013 / US – Reissue
Genre: Rock & Indie
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Deleted Scenes is the debut album by futurist dub pop duo Standish/Carlyon, comprising bassist/vocalist ConradStandish and guitarist Tom Carlyon, both formerly of noir rock group Devastations. Deleted Scenes continues the process begun on the final Devastations album Yes, U, moving away from full-band arrangements towards submerged electronic rhythms and late-night altered states. The atmosphere throughout is oneof surreal chic. In rich baritone or impressive falsetto, Standish intones dark, absurdist lyrics over the band'sshimmering take on dub, a sensual, ultramodern gloss disturbed by deep vibrations. There's the pulse-quickening progression of Moves, Moves, the spectral faux-soul of "Feb Love" (featuring vocals from Standish's wife Jonnine, one-half of HTRK), the icy grind of "Gucci Mountain", the synthetic fractured funk of "Nono/Yoyo" or the deviant denouement that is 2 5 1 1, a collaboration with Benjamin John Power of Blanck Mass and FuckButtons. The album was recorded in London with Aaron Cupples and mastered by the iconic Denis Blackham, who has workedwith everyone from Brian Eno to Pan Sonic. Standish/Carlyon have played Belgium's Sonic City Festival (curated by Liars) alongside Chris & Cosey and Rhythm & Sound, as well as All Tomorrow's Parties' new Australian incarnation I'll Be Your Mirror, alongside the likes of My Bloody Valentine, Pere Ubu and Einsturzende Neubauten.FIYL: Twin Shadow, Coil, White Car, HTRK
Child Bite - Vision Crimes / Monomania
Child Bite
Vision Crimes / Monomania
LP | 2013 | US | Reissue (Joyful Noise)
23,99 €*
Release: 2013 / US – Reissue
Genre: Rock & Indie
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This album collects CHILD BITE's recent two sibling EP's into one brutal package. For years,...
Jacob Morris - Moths
Jacob Morris
Moths
LP | 2012 | Reissue (Cloud)
16,99 €*
Release: 2012 / Reissue
Genre: Rock & Indie
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Jacob Morris is from Athens, Georgia. He started playing cello in Austin, TX at the age of four, and played with his musical family until he left home. The unique music community that is Athens attracted him years back. and since then he has supported some of its finest musicians and songwriters playing cello, guitar, bass, and keys with artists such as Ham 1, Vic Chesnutt, Liz Durrett, Madeline, and currently Patterson Hood of the Drive-By Truckers. Taking cues from the psychedelic pop and folk of this robust scene, Jacob has crafted a stellar debut wit...
Regal Degal - Veritable Whose Who
Regal Degal
Veritable Whose Who
LP | 2013 | EU | Reissue (Ppm)
16,99 €*
Release: 2013 / EU – Reissue
Genre: Rock & Indie
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Regal Degal is a power trio consisting of Josh da Costa [Gemini] on guitars and vocals, Josiah Wolfson [Libra] on bass, and Jamen Whitelock [Virgo] on drums. Formed in Brooklyn in late 2009, the group recently relocated to Los Angeles. The group's sound pulls omnidirectionally from across the musical spectrum, drawing from post-punk, krautrock, 60's psychedelic/ freakbeat, 80's new wave and indie, German minimal house, and the music of Africa. The music could be described as hyper rhythm conscious, melodic, atmospheric, and kinetic, with one foot firmly in the past and an eye fixed towards the future. In the center resides Regal Degal, channeling and reinterpreting all individual and shared inspirations into a sound best referred to as deep rock.
Sun Airway - Soft Fall
Sun Airway
Soft Fall
LP | 2012 | US | Reissue (Dead Oceans)
26,99 €*
Release: 2012 / US – Reissue
Genre: Rock & Indie
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Back with a second album of thoughtful new themes, Sun Airway's Soft Fall takes us to an ethereal layer between worlds. The sonically inspiring sub-strata of Soft Fall began insongwriter/producer Jon Barthmus' house in Philadelphia. Classical foundations were chopped, dissected, and sewn back together by a string quartet in one recording studio, w...
Young Moon - Navigated Like The Swan
Young Moon
Navigated Like The Swan
LP | 2012 | Reissue (Western Vinyl)
18,99 €*
Release: 2012 / Reissue
Genre: Rock & Indie
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Trevor Montgomery is a craftsman. By day he's a skilled tile setter, a job taxing to both the mind and body. By night he's an equally meticulous and hard working musician, coaxing just the right tones out of his vintage drum machines and synths to carry his tales of love and redemption. As a tile setter and as a musician, his job is the same: assembling things of beauty to fill empty spaces. Montgomery's previous album The Trickster (St. Ives) was inspired by his youth, wandering in the woods, riding trains, taking meth and heavy psychedelics, and narrowly cheating death on more than one occasion. On Navigated Like the Swan, his debut under the Young Moon moniker, he emerges like a shaman from the woods of his youth -- his darkness is filled with light, cynicism and macabre fixations washed away by a revitalizing and intoxicating love.
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