Search "backck" 2211 Items

LP | 2024 | UK | Original (Nine X Nine)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Ivan The Tolerable Trio are back with an alternate version to the amazing Infinite Peace. 2 epic tracks to take you away into infinite space! "When we went in to ATA studios in Leeds to record the Infinite Peace LP - it was always the plan to have two versions of the album - a straight mix that documented what we actually recorded there in its pure form and another version that would rearrange everything into a new shape. Once the LP was out, I passed all the stems to my old pal/former bandmate and frequent collaborator Ajay Saggar (Bhajan Bhoy/King Champion Sounds/University Challenged) and asked him to remix it in a way that sounded nothing like the original record. Its a much more ambient and floaty affair - more Popol Vuh than Sun Ra a full drift spread across two 22 minute suites. This is what he did - infinite space - we hope you like it." Oli Heffernan, September 2024

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The Room

The Telling

Tape | 2024 | US | Original (Topshelf)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Liverpool post-punk pioneers The Room are back with a new album. Theirs is a melodic blend of progressive, alternative pop and sultry post-punk, which is just as fresh and relevant now as it was when they first broke up in 1985. Firm favourites of the late, great John Peel; they have been compared to Joy Division, The Fall and fellow Liverpool band Echo & the Bunnymen.

Following 2023’s warmly recieved ‘Restless Fate’ is new album ‘The Telling’. Consisting of 11 songs that tell a continuous folk-horror story set in a mythical 17th-century European forest. A traveling storyteller mesmerizes an isolated village with macabre tales of wonder, mystery, and the supernatural. The idea was conceived as an aural movie told in self-contained songs that represent chapters in a complete narrative and has no lyrical choruses that repeat its themes. The album comes with a full lyric sheet influenced by the layout of the Guttenberg Bible. Frontman and lyricist Dave Jackson’s interest in folklore and myths is absolutely apparent, the story is effortlessly conveyed through his spirited yet acerbic vocals. The album features: the welcome return of original The Room drummer Clive Thomas and his fluid open-handed drumming; the haunting backing vocals of Helena Jacks; founder-member Becky Stringer (bass guitar); Ethan Kyme (keyboards); Darren Brown (guitar). A magical sonic adventure for fans of 80s post-punk and folk-horror aesthetics.

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Knifeplay

Pearlty

Release: 2024 / US – Original

Genre: Rock & Indie

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Over atmospheric instrumentation expanded by cinematic structure and pacing, Pearlty presents Knifeplay somewhere between dream-pop influenced shoegaze and lofty slowcore, never fully committing to one or the other in its insistence on creating an immersive, organic world.

Originally released in 2019, Knifeplay’s vivid debut Pearlty documents songwriter Tj Strohmer’s expressions of early adulthood in what he describes as “the journey from innocence to experience.”

Written during a time of immense inspiration, Strohmer was able to peel himself away from detached nihilism, uncovering the physicality and therapeutic powers of songwriting. Newly emboldened by this discovery and the talented community surrounding him, Strohmer channeled this revelation into his work, taking Knifeplay from a bedroom experiment that merely wrote songs to a more substantial project with a purpose.

Pearlty’s various climactic passages, like those heard on the impressionist album opener “Tears”, envelop listeners in textured walls of distorted guitar and noisy breakdowns, a distinct hallmark of shoegaze – but Knifeplay’s compositions go far beyond such conventions.

Also featured are downtempo compositions – such as the tribute track “Angel” – that call on a range of influences, from grunge to lofi pop, all the way back to slowcore. Layers of Strohmer’s falsetto lilt adorn the songs with another dimension of sentimentality, while rounding out the sonic vastness of the group’s emotionally enrapturing style, lending impressive depth to the band’s debut full-length.

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Ultracopacetic (Copacetic Remixed And Expanded)

Velocity Girl

LP | 2024 | US | Original (Sub Pop)

32,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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12" | 2015 | Original (Capitol)

Beck

Dreams

11,99 €*

LP | 2024 | US | Original (Willowtip)

Release: 2015 / Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Blue translucent vinyl.

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Carnosus

Wormtales

Greatest Hits Live Colored Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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In 2023, Carnosus released the album, Visions of Infinihility, that garnered the band worldwide acclaim being lauded by many websites and zines as the best metal album of the year. Now, in 2024 Carnosus is back with their new album, Wormtales. Somehow, the band has managed to take things to even another level and this album will be sure to raise the profile of the band even further.

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Steely Dan

LP | 2024 | UK | Original (Get Yer Vinyl Out)

30,99 €*

Teho Teardo & Blixa Bargeld

Release: 2024 / UK – Original

Genre: Rock & Indie

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Casting a net over a recording career that spans over 20 years to capture the essence of the Becker/Fagen songwriting vortex is a hard task, but remains highly rewarding work for the compiler and joy for the listener. Thus, the two selected performances here from the ‘All American Tour’ of 1974 combine highlights from their first four albums with their signature classic Do It Again rounding off the 1972-74 timeline. Their return to the stage in 1993 was a hotly anticipated event and saw a broader line-up, bringing back classics from the 1975-1980 period of studio isolation. However, it was clear that the real stars of Steely Dan’s 1993 reunion tour weren’t simply Becker and Fagen alone, but the songs themselves, those gorgeously crafted pop confections; all sleek surface and clandestine passion. When music is this timeless, the word nostalgia doesn’t apply.Get Yer Vinyl Out celebrates the legacy of Steely Dan, live on stage with a selection of ten of their greatest hits beautifully restored and professionally remastered. Presented with background notes. Side 11 Pretzel Logic 5.22 *2 Bodhisattva 4.46 **3 Reelin’ In The Years 4.23 **4 Rikki Don’t Lose That Number 4.03 **5 Your Gold Teeth Jam 5.29 **6 Peg 4.21 ***Side 21 Do It Again 7.37 **2 Deacon Blues 7.40 ***3 Hey Nineteen 5.42 ***4 The Royal Scam / Bad Sneakers / Aja 7.37 **** University Of California, Irvine, CA, March 10th 1974 KSAN-FM** The Record Plant, Sausalito, CA, March 20th 1974 KMET-FM*** Riverport Amphitheater, Maryland Heights, MI, September 1st 1993 KLLT-FM

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Christian & Mauro

LP | 2024 | EU | Original (Specula)

Ladies Women And Girls Red Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Teho Teardo & Blixa Bargeld are back with their third album, nearly eight years after "Nerissimo", but time collapses and expands like an accordion. Especially those two stolen years that have disappeared from our accounts without a trace during the pandemic.The new album is titled "Christian & Mauro" and their real names on the header hint to a more personal landscape who allows them to go through elements of the past like "Bisogna Morire", an incredible passacaglia, a dance of death from 1600 that"s been reinvented from a contemporary perspective. Since their musical roots belongs also to the future, another consideration comes after a book by astrophysicist Carlo Rovelli, it opens up for a different look at the universe.It"s not always possible to discover new territories without consenting to lose sight of the shore for quite a good amount of time, so across these new ten songs Teho and Blixa allow themselves various detours playing a large array of instruments, using a mythological keyboard who can play with ciphers, letters, characters, sounds and noises. Using sounds transversely provides the cue to new possibilities to move forward in music.The album has been produced by Teho Teardo, Blixa Bargeld and Boris Wilsdorf both in Roma at Basement Recordings and at andereBaustelle in Berlin.This music joins again the sky between Roma and Berlin and the tour that will follow its release will take place from November 19th right in Roma and will take them all over Europe. Teho and Blixa will tour with Laura Bisceglia on cello and Gabriele Coen on bass clarinet, there will be on stage also a string quartet on each show.

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Bratmobile

LP | 2000 | US | Reissue (Kill Rock Stars)

28,99 €*

LP | 2024 | US | Original (Columbia)

Release: 2000 / US – Reissue

Genre: Rock & Indie

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Bratmobile’s sophomore LP finds Allison Wolfe’s singsong delivery of her trademark barbed-wire lyrics center stage - each line catching the ear and cutting with truth. Backed by Molly Neuman’s heart attack drumming and Erin Smith’s shark-in-the-surf riffs the band returns pulling no punches. This is essential feminist punk.

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Peach Pit

Magpie

12" | 1999 | UK | Original (Chemikal Underground)

Release: 2024 / US – Original

Genre: Rock & Indie

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Magpie, the fourth studio album from Peach Pit is due out October 25th. The album was written and recorded in the band's hometown of Vancouver, BC. Single disc vinyl, standard jacket, printed sleeve, with poster. COLOR: Clear Mint

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Mogwai

39,99 €*

Release: 1999 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Original UK pressing. Light corner and edge wear. Small sticker stain on back cover. Comes with original inner sleeve. Record shows only superficial marks, close to NM.

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LP | 2024 | US | Original (Blue Grape Music)

Bike Routes

Rush Of Energy

25,99 €*

LP | 2024 | US | Original (Interior Castle Musc)

Release: 2024 / US – Original

Genre: Rock & Indie

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Limited pink colored vinyl LP pressing.

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Lions In The Street

Moving Along

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-15

"Anyone who's ever worn out a copy of the Stones' It's Only Rock & Roll or The Black Crowes' Shake Your Moneymaker is going to find LOTS to love" - Jambase. Comprising the Brothers Kinnon (Chris on vocals and guitar; Jeff on drums), riff-master Sean Casey (guitar), and classically educated bass player Enzo Figliuzzi, the Canadian/California-based band has played with everybody from the Dirtbombs to the Kings of Leon, making SXSW best-of lists numerous times, and hanging out with Andrew Loog Oldham. After years in the wilderness-working as a garbageman, surviving cancer and serious workplace injuries-they are back rocking with next album produced by Dave Cobb (Chris Stapleton, Greta Van Fleet, Brandi Carlile, Rival Sons). Despite experiencing the best and worst of the of old music business, the band somehow kept going, releasing music piecemeal. Now the streaming platforms revolution has given Lions in the Street a new life an audience, allowing them to release largely-unheard music-finally finished and remixed/remastered. "This is rock with a direct line back to the nasty blues, jump tunes, and country boogie that birthed the whole damn genre. Untamed, direct, and bristling with hairy masculinity, Lions in the Street play rock like the cause it is... that is when you do it right. " - Jambase - LITS' upcoming album Moving Along captures their trademark swing and swagger. The title track, mixed by Rick Parker (Beck, BRMC, Scott Weiland), is a menacing, harmonica-driven vamp "worthy of Mick and Keith at their sticky-fingered best" (Jambase. Com). "Moving Along" is also the lead track in the upcoming Paramount film "Cassino In Ischia", starring Prison Break's Dominic Purcell. Never to rest on their laurels, Lions in the Street are also putting the finishing touches on a live album and a record they made with multi-Grammy-Award winning producer Dave Cobb (Chris Stapleton, Greta Van Fleet, Brandi Carlile, Rival Sons).

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Best Of Jethro Tull Redux Redgold Vinyl Edition

LP | 2024 | EU | Original (Magnetic Eye)

38,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Jethro Tull - Aqualung Redux Oxblood Vinyl Edition

LP | 2024 | EU | Original (Magnetic Eye)

38,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Jethro Tull - Aqualung Redux Black Vinyl Edition

LP | 2024 | EU | Original (Magnetic Eye)

35,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Teho Teardo & Blixa Bargeld

Christian & Mauro Recycled Marbled Vinyl Edition

LP | 2024 | EU | Original (Specula)

Tweez 35th Anniversary Deluxe Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Slint

2LP | 2024 | EU | Original (Touch & Go)

49,99 €*

When I Was Lost, I Found Myself

Release: 2024 / EU – Original

Genre: Rock & Indie

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Limited edition 2xlp of 3138 copies on opaque white 180 gram vinyl

LP1 original album remastered by Bob Weston LP2 full album remixed from original multi-track almasters liner notes by Steve Albini and Ethan Buckler gatefold jacket with full color inner sleeves hand numbered 1 through 3138 SLINT is a band from Louisville, Kentucky. tweez was its first recording. LP1: Originally recorded by Steve Albini and released in 1989, tweez has been remastered by Bob Weston at Chicago Mastering Studio from the original analog master tapes. LP2: tweethan mix. Per Ethan Buckler (Slint bassist on tweez), "Finally - after thirty-five long years - the other guys in Slint decided to be nice to me and let me have my Tweez remix. I complained incessantly back in the day about how the Albini production style ruined our first recording." In 2023, Ethan took the original multi-track recordings to a local studio in Louisville. Upon handing the engineer a copy of a pre-tweez Slint practice tape, he said "Make it sound like this." LP2 of this tweez (35th anniversary edition) is the result. Mastered by Bob Weston at Chicago Mastering Studio.

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Girls Of The Internet

2LP | 2024 | UK | Original (Classic)

Everything Fades Sea Blue Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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Girls of the Internet’s Tom Kerridge announces the release of forthcoming album When I Was Lost, I Found Myself on Classic Music Company, Luke Solomon’s revered imprint. Following the acclaimed, self-released 2020 album ‘Girls FM’, ‘When I Was Lost, I Found Myself’ delves into a deeper and more personal journey for Tom. Spanning 12 blissed out genre-blending house records and featuring stellar vocalists such as Sadie Walker, Allysha Joy, shiv, Allknight, Anelisa Lamola and more, Tom continues to demonstrate his innate ability to nurture talent and collaborate on this latest LP. With heavy support from BBC Radio 1, BBC 6 Music and BBC Introducing, Girls of the Internet’s previous singles from the LP, in particular ‘Never Ever Ever’ featuring Irish singer-songwriter shiv (which also saw a remix from legendary producer Henrik Schwarz) have seen the group reach new heights in recent months. Selected as BBC Introducing’s Track of the Week, both ‘Never Ever Ever’ and the following garage-inspired ‘Gravity’ featuring Allknight have formed a path laden with anticipation for the full LP. Girls of the Internet’s manifesto is clear; to create dance music that calls back to how it was made at its inception, but with the knowledge and experience of the past 50 years of the genre.

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Blue Heron

LP | 2024 | EU | Original (Blues Funeral)

21,99 €*

Pekka Laine & The Enchanted In Slumberland Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Sun-scorched riff-rock propelled from the windswept heart of the desert!Blue Heron expand on their unyielding desert sound with a new slab of propulsive, sun-scorched riff-heaviness. Everything Fades finds the band reveling in low-tuned roil and amplifier hum, churning out swerving grooves as if the atavistic, primordial spirit of the desert itself compels them.Balanced between laid back, meditative atmospherics and heavier, more aggressive lunges, these cruising jams and gritty stoner romps call to mind echoes of Kyuss, Clutch and Soundgarden, along with modern contemporaries like Valley of the Sun and High Desert Queen.Full of rhythmic intensity, sledgehammer riffing, and vocals ranging from clean and moody to howling and raw, Blue Heron cover a wide expanse of musical ground that shows how familiar influences can still be molded into inventive, exciting new forms. Null GeodesicEverything FadesSwansongWe Breathe DarknessDinosaurTrepidationClearmountainBellwetherFlight of the Heron

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Pekka Laine

LP | 2024 | EU | Original (Svart)

LP | 2019 | US | Original (Sub Pop)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Pekka Laine and The Enchanted's second album out on Svart Records in September

"In a dream I heard music with a strange bubbling sound. People were dancing to it in a surreal, cavernous space. What is this, I asked. One of the dancers stopped and answered. It's an underwater disco. In the morning, I grabbed my guitar and tried to recall what I had heard. Those foggy fragments became Malibu Beach”.

Helsinki 4th of June 2024, Pekka Laine

For Pekka Laine, the twang of an electric guitar is not a warm blanket of nostalgia. Instead, the echoing sound usually associated with surf and retro instrumentals is a ticket to the imaginary.

On this sonic journey, Laine is joined by The Enchanted, his powerhouse live band that has taken both festival and club stages by storm. Pekka Laine and his trusty space-age guitar take the listener to a place where a futuristic and humid disco sound, perfect with obese beats and robotic vocals, reigns supreme. Trippy vocoder vocals and Moog wizardry are provided by Antti Vuorenmaa, the synth sensei associated with several leading Finnish indie bands and a trusted member of the extended Enchanted family.

Pekka Laine's second album Pekka Laine & The Enchanted in Slumberland will be released on 27th of September 2024 digitally, CD and in three different vinyl versions: on a classic black vinyl, wonderful transparent green vinyl and limited edition of 100 white/green/orange marble vinyls hand-crafted by Pekka Laine himself at the Helsingin Levypuristamo. The limited edition is available only on the Svart Records online store.

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Orville Peck

Pony

Release: 2019 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

LP | 2019 | US | Original (Sub Pop)

Orville Peck

Pony

19,99 €*

Release: 2019 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

12" | 2020 | EU | Original (Columbia)

Orville Peck

Show Pony

31,99 €*

The Take Off And Landing Of Everything

Release: 2020 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Purple vinyl version!

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Elbow

2LP | 2014 | EU | Reissue (Polydor)

Lydsyn (Ft. Uffe Lorenzen)

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Die ersten drei Studioalben von elbow werden auf Vinyl wiederveröffentlicht. Die Vinyl-Pressungen umfassen das Debütalbum ”Asleep in the Back”, das Nachfolgealbum ”Cast of Thousands” und das dritte Album ”Leaders of the Free World”. Darüber hinaus werden die B-Seiten-Kollektion, ”Dead in the Boot” und ”The Take Off and Landing of Everything” (2014), neu aufgelegt. Damit ist der gesamte elbow38 Angaben ohne Gewähr - Sound Aktuell 07.09.2020 Album-Katalog nun auf Vinyl erhältlich. „Asleep in the Back” war das Debütalbum von elbow (2001). Es wurde von Ben Hillier (Blur, Doves, Depeche Mode) produziert und enthielt die Singles ”Newborn”, ”Any Day Now”, ”Red” und ”Powder Blue”. Es etablierte die Band beim britischen Publikum und führte zu Nominierungen für den Mercury Award und den Brit Award. „Cast of Thousands”, wurde in den legendären Parr Street Studios in Liverpool wieder mit Ben Hiller aufgenommen. „Leaders of the Free World” war das erste Album, das in den Blueprint Studios, Manchester, aufgenommen wurde. Es wurde von der Band und Tom Rothrock (Beck, Foo Fighters) koproduziert. Das Album enthält mehrere Tracks, die bis heute die elbow-Sets zieren, darunter ”Great Expectations” und ”Station Approach”. „The Take Off And Landing…” erschien 2014 und war das erste #1 Album der Band in England. ”Asleep in the Back” und ”The Take Off and Landing…” werden als Deluxe 2LP erscheinen. ”Cast of Thousands”, ”Leaders of the Free World” und ”Dead in the Boot” erscheinen jeweils als Deluxe 1LP.

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Hojspaent

LP | 2024 | EU | Original (Bad Afro)

LP | 2024 | EU | Original (Royal Oakie)

Release: 2024 / EU – Original

Genre: Rock & Indie

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When Baby Woodrose went on a hiatus in 2016 frontman and songwriter Lorenzo Woodrose changed his name into his real name Uffe Lorenzen. He also changed i...

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Holy Matter

Beauty Looking Back

32,99 €*

2LP | 2024 | Original (Chrysalis)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Leanna Kaiser: a musician and experimental filmmaker living in Los Angeles. Her debut album, features nine songs that draw from psych-folk, hypnagogic pop, and experimental noise. Originally from St Louis, Kaiser co-founded the ambient duo Frances With Wolves before moving out west to study filmmaking, eventually making music videos with Jessica Pratt, Allegra Krieger, Dean Wareham, Papercuts, and more.

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Ian Hunter

Short Back N Sides

31,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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No-Ones Listening Anyway - UK DIY Post Punk & Dubs 1980-1984 (Volume 1) Compiled By Jason Boardman

LP | 2024 | UK | Original (Caroline True)

Lost At Sea: Rarities, Outtakes And Other Tales From The Deep Colored Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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Lots of crazy 80s UK stuff on here.

An album of early 1980s Post-Punk era musical bedroom & small studio innovations & DIY Inspirations - Featuring rarely / never heard cuts from that period. Including tracks sampled by DJ Shadow & a singular Post-Punk era back-handed tribute JCC track :-) From Coventry's 2-Tone associated Skeet to Surface Mutants Cabaret Voltaire facilitated Dub & the out-there pastoral Post-Punk spaciness of The Dealers ..A rich vein .

"This is a snapshot of a fertile time in UK music, a time of independent artists, studios, labels & distributors collaborating to do it themselves, sidestepping the majors to take their shot at the big time. It didn't always work out but they made a record and that's what counts. It is a collection of the lost and overlooked - not intended to be a definitive guide to the period but an opportunity to shine a light on the creative output of these artists and share them once again so they can get the recognition they deserve."

(Jason Boardman May 2024 - Jason Boardman ( Before I Die Records) Celebrated Manchester club-night curator & record Label Owner , DJ & digger - supreme.

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Howlin Rain

2LP | 2024 | US | Original (Silver Current)

59,99 €*

Be The Cowboy Coke Bottle Clear Vinyl Editoin

Release: 2024 / US – Original

Genre: Rock & Indie

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Howlin Rain’s grand 3xLP archival statement and untold story, written over nearly two decades in invisible ink between the lines. Features never before heard songs from The Russian Wilds, The Dharma Wheel, The Alligator Bride, Mansion Songs, Live Rain and the lost Ethan Miller Band sessions.

With a broad cast of musical characters including Rick Rubin (Producer/American Records), Luther Dickinson (North Mississippi Allstars), Scarlet Rivera (Bob Dylan’s Rolling Thunder Revue), Joel Robinow (Once and Future Band), Isaiah Mitchell (Earthless/ The Black Crowes) and many more.

Includes songs by The Rolling Stones, Grateful Dead, Leon Russell and Neil Merryweather.

“I wanted to compile the record so it would have impact like our grandest, wildest, most unabashed studio album. I left out home demos, and songs from quiet corners, sketches, etc, in favor of fully formed, fully finished, studio level tracks from front to back. Lost at Sea is intended to be something that you can pour yourself into and get swept away in.”

—Ethan Miller (Founder, bandleader)

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Mitski

LP | 2018 | US | Reissue (Dead Oceans)

Dulling The Horns Mustard Yellow Vinyl Edition

Release: 2018 / US – Reissue

Genre: Rock & Indie

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Coke Bottle CLear Vinyl. The breakout success of 2016's Puberty 2 saw Mitski hailed as the new vanguard of indie rock, the one to save the genre from the white dudes who've historically dominated it. But the often overlooked aspect of being a rising star is the sheer amount of work that goes into it. "I had been on the road for a long time, which is so isolating, and had to run my own business at the same time," Mitski explains, "a lot of this record was me not having any feelings, being completely spent, but then trying to rally myself and wake up and get back to Mitski. I was feeling really nihilistic and trying to make pop songs."We want our artists to be strong but we also expect them to be vulnerable. Rather than avoiding this dilemma, she addresses directly the power that comes from appearing impenetrable and loneliness that follows. "With a lot of the romantic infatuations I've had," she says, "when I look back, I wonder, Did I want them or did I want to be them? Did I love them or did I want to absorb whatever power they had? I decided I could just be my own cowboy figure that I so desire." In Be The Cowboy, delves into the loneliness of being a symbol and the loneliness of being someone, and how it can feel so much like being no one.

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Wild Pink

LP | 2024 | US | Original (Fire Talk)

30,99 €*

LP | 2024 | UK | Original (Lightwell)

Release: 2024 / US – Original

Genre: Rock & Indie

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“Do you still believe it?” John Ross asks that question after journeying through the wreckage. The genesis of Dulling The Horns goes back to late 2022, when Ross began workshopping new material during soundcheck on the ILYSM tour. Last summer, Wild Pink decamped to western Massachusetts to reunite with engineer Justin Pizzoferrato. Ross decided to record Dulling The Horns live in the room, in an effort to capture Wild Pink’s onstage style — rawer, grainier. Gone are the glimmering atmospherics and studio affectations of recent Wild Pink outings. Instead, Ross’ voice is haggard against the humid distortion coating every song. “I wanted to make economical songs,” Ross explains. “Music that is very much at its core three or four people rocking.” If before, Wild Pink took notes from Springsteen and Petty, they’ve now entered their Crazy Horse era. On Dulling The Horns, you can hear him rediscovering the fire in real time. Tropes discarded along the roadside, songs pulled from the formative DNA of rock music, all filtered through years of messy fog. “There is no answer to these problems,” Ross says, having eventually yielded. But as far Dulling The Horns is concerned, there’s at least one path forward: Burn it all away, and keep moving. The album was mixed by Alex Farrar in Asheville NC, mastered by Greg Obis in Chicago, IL and is out in October on Fire Talk.

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The Silver Abduction

Dulling The Horns Black Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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The Silver Abduction release their debut self-titled album. Following on from two singles, Quarter To Two and Castle Rock, the album is released on August 30th. The Silver Abduction is a collaboration between singer Allison Brice (The 18th Day Of May, Lake Ruth) and musician/producer Andy Dragazis (Blue States). The Silver Abduction's history dates back to 2006. Instantly taken by Brice's haunting voice a musical friendship blossomed - with Brice's sweet, haunting melodies and Dragazis's dense and lush orchestration.

To date The Silver Abduction have had radio play from John Kennedy on Radio X, BBC Radio Wales, RTE 2XM, Amazing Radio amongst others. They have press reviews confirmed for Mojo and four star review in Shindig.

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Wild Pink

LP | 2024 | US | Original (Fire Talk)

30,99 €*

Business As Usual Grey Vinyl

Release: 2024 / US – Original

Genre: Rock & Indie

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Matt Gilmour

LP | 2024 | EU | Original (Pug Radio)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-22

LP | 2024 | US | Original (Siltbreeze)

Ostraaly

Misery Guests

LP | 2024 | US | Original (Ba Da Bing!)

Release: 2024 / US – Original

Genre: Rock & Indie

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To say that the vinyl release of Ostraaly's Misery Guests has overcome monumental challenges isn't hyperbole, but fact. The label had been in cahoots with principal band members Katharine Daly & Leonie Brialey as far back as the Luggs Cd-r in 2016. Initially this release was to see vinyl action, but a series of setbacks prevented that from happening & when we next caught up w/each other it was 2019. Ostraaly was now a full on unit & a new set of tracks entitled Misery Guests was slated for a cassette issue by the estimable Tenth Court label. Katharine was quite keen for Siltbreeze to release it on vinyl & both sides set about to make it happen. Tenth Court released the cassette in Jan of 2020, vinyl to follow. However, a series of mechanical issues-a new track was added, artwork needed to be revamped-reared up & by the time it was off to press, Covid slammed shut the world. Diligence was the key here, as was hope. And as the world began to come out of its pandemic cocoon sometime in 2021, the project was on once more. But in the midst of retrieving new masters & artwork, Katharine Daly passed away unexpectedly, & that shock naturally put everything into what seemed to be a perpetual limbo. The years passed, but never the desire to see this album fulfilled. It was through the tenacity of the surviving band members, relocating & getting Siltbreeze the new masters & jacket art, that this LP finally sees the light of day as it was meant to some 5 years prior.

What you'll find within the grooves of Misery Guests is a band assuredly zoned into what they're laying down. It woozily rollicks in a way that's fetchingly out of step & swings in a rural-like, rough hewn manner that's unimpeachable. To say nothing of the out-of-time folk ruggedness stitched in, which makes these tracks seem almost plucked out of some mid-70's time warp that contemporary alt/retro bands could only dream of conceiving. And while its existence will forever remain bittersweet that Daly isn't here to embrace its ultimate fruition, her spirit is forever locked into every nuance of this stone-cold masterpiece. Dedicated to the memory of Katharine Daly & all who sailed w/her.

FFO: Fairport Convention, Etchingham Steam Band, 'Desire'/Rolling Thunder era Dylan, Patti Smith Group, The Garbage & The Flowers.

Edition of 400.

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The Wickies

America: Live At The Hollywood Bowl 1975

Release: 2024 / US – Original

Genre: Rock & Indie

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Quinnisa Kinsella-Mulkerin recorded her first song at five years old with her parents, who comprise the adventurous Maine band, Big Blood. Ever since the age of five, she was writing songs, banging on chimes, strumming guitars, and clanging together whatever else she could find. Improvisation was natural, and she stuck to the approach. Kinsella-Mulkerin brings this innate sense of songwriting to The Wickies, a duo she formed with Aiden Arel a year ago at age 16, whose chill approach and fluid delivery belie true inventiveness in the underneath mechanics.

Inspired by seventies folk icons like Stevie Nicks, Krautrock bands like Can, and modern indie-rockers like Alex G, The Wickies feel like an amalgamation of these decade-spanning sounds, but uniquely their own. Kinsella-Mulkerin’s voice croons like a seventies folk star, but it possesses a great and controlled tone. Her vocals feel like another instrument within the mix, building and growing each song to its fullest sound, leaving no detail within the mix unheard. Their use of echoing guitar lines recalls sixties psych, a springboard for their unique take.

Kinsella-Mulkerin’s lush, free-flowing lyrics, created on the spot, complement Arel’s fleshed out backing instrumentation and over-dubbing. Quickly, the pair created more material than they ever needed, allowing them to mold their recordings into a self-titled debut album. Like a painter crafting the perfect exhibition of their finest work, Arel and Kinsella-Mulkerin condensed their improvisations to all the best parts. Tracks like “Campfire Song” and “Skipping Pond” exemplify the ethereal and lackadaisical atmosphere of their sound. “I keep finding these weird, obscure bands from the seventies that have one album and nothing else, which is awesome,” Kinsella-Mulkerin says, “I want my music to sound like somebody found it in a record store that no one has ever heard of and uploaded it to YouTube. I want it to sound a little strange.”

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America

LP | 2024 | US | Original (Primary Wave)

35,99 €*

LP | 2024 | US | Original (Ba Da Bing!)

Release: 2024 / US – Original

Genre: Rock & Indie

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Travel back in time to August 3, 1975: America takes the stage at the Hollywood Bowl backed by a symphony conducted by George Martin. The never-before-heard tapes have recently been remastered for the new release Live From The Hollywood Bowl 1975, featuring live renditions of America's hits like "Sister Golden Hair, " "Horse With No Name, " "Ventura Highway, " and more. Travel back in time to August 3, 1975: America takes the stage at the Hollywood Bowl backed by a symphony conducted by George Martin. The never-before-heard tapes have recently been remastered for the new release Live From The Hollywood Bowl 1975, featuring live renditions of America's hits like "Sister Golden Hair, " "Horse With No Name, " "Ventura Highway, " and more.

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Lisel

The Vanishing Point

Release: 2024 / US – Original

Genre: Rock & Indie

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Fables of the future fuel the present. Lisel (Eliza Bagg) draws from this tradition on The Vanishing Point, a daring musical odyssey of altered singing, experimental pop, broken melodies, and striking electronics. A culmination of her continual dissemblance of genre, Lisel’s new album is an epic composed of allegorical tales, forming a dystopian storybook of life in the shadow of impending catastrophe. It’s a high-concept work of contemporary pop sounds, hyperpop motifs and tropes. Every song reflects the shared psycho-emotional experience of moving towards unsettling futures and looking beyond these outcomes, to the point where the horizons vanish.

Evolving the sonic toolkit she employed on Patterns For Auto-tuned Voices And Delay (2023), Lisel transforms pop into a canvas for operatic storytelling. Along with making her own work, Bagg is a classical singer working in baroque and contemporary experimental opera, and with her project Lisel, she seeks to develop new, expressive qualities out of ancient vocal techniques from the Baroque and Renaissance periods. Her opera experience has infused her with a desire for a big, cinematic sound and holistic world-building, creating a “total artwork,” and she fits that medium into the form of a solo project. From haunting whispers to soaring melodies, she reaches back towards ancient musical traditions while incorporating futuristic sounds in order to imagine how a possible future might look back at contemporary existence.

Dystopic stories melt into pop songs, hammered to ruin. Both through sonics and lyrics, the album recounts urgent narratives as ancient mythological fables, chronicling in operatic density the deepening awareness of the world’s looming, inevitable vanishing point.

Photographer Carla Rossi further builds Lisel’s world through a series of photographs that similarly draw on Renaissance and Medieval painting, while placing them aesthetically in a digital realm. In these dramatic, hyper-stylized photos, Lisel takes up classical poses and yields iconographic symbols, further exploring the dissonance in her work as these manufactured “paintings” recall storytelling of the past while depicting images from an imagined future.

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Monkeys For Nothin And The Chimps For Free

Reel Big Fish

2LP | 2024 | US | Original (Enjoy The Ride)

41,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-12-13

LP | 2024 | UK | Original (Rocket)

Goat

Goat Swirl Vinyl Edition

25,99 €*

LP | 2024 | UK | Original (Rocket)

Release: 2024 / UK – Original

Genre: Rock & Indie

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The Ouroborus - that is, the icon of the snake or dragon eating its own tail - appears to some a statement of the brutality of nature. To others of a Gnostic disposition it symbolises the duality of the divine and earthly in mankind. But most commonly, it’s taken simply to mean the endless cycles of death and rebirth that characterise life on this planet. As such, it’s an image that looms large in the world of Goat, the ever-mysterious and endlessly revivifying collective whose latest album marks another adventure above and beyond this particular plane of reality.This may be a band that has named albums both Requiem and Oh Death, yet this eponymous salvo proves yet again that transcendence and metamorphosis are their watchwords. Goat sees this ever-unpredictable outfit summoning rhythmically-driven rituals in unmistakable, uplifting and scintillating style, equally adept at ignitiing dancefloors and expanding minds.

‘One More Death’ and ‘Goatbrain’ are spectacular curtain-raisers, embodying a hedonistic spirit driven by incisive funk and possessed by merciless fuzz/wah-drenched guitar. Yet elsewhere, the band’s love of hip hop is the fuel for the end-credits-epic album closer ‘Ourobourus’ which marries infectious chant to breathless Lalo Schifrin-style breakbeat action. And which also means ultimately, like the titular oldest allegorical symbol in alchemy, we’re right back where we started. As Brad Dourif’s character Hazel Moates intones in the 1979 movie Wiseblood, “Where you come from is gone; where you thought you were going weren’t never there. And where you are ain’t no good unless you can get away from it”; in Goat’s eternal now of renewal and revelation, there’s never been a more potent means of escape.

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Goat

Goat Black Vinyl Edition

25,99 €*

2LP | 2018 | UK | Reissue (World Of Echo)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Naoki Zushi

LP | 2012 | US | Reissue (Captured Tracks)

Release: 2018 / UK – Reissue

Genre: Rock & Indie

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Double LP - gatefold, tip-on sleeve, black vinyl - edition of 500 worldwide. RIYL: Hallelujahs, Nagisa Ni
Te, Roy Montgomery, Grouper, Manuel Gottsching. With IV, World Of Echo inaugurates a series of reissues by Japanese guitarist,
Naoki Zushi. Perhaps best known for his stellar guitar contributions to psych folk group, Nagisa Ni Te, Zushi has had a parallel career,
for several decades, slowly releasing solo albums that spotlight his exultant guitar playing. Originally released to CD only by Shinji
Shibayama of Nagisa Ni Te’s Org imprint in 2018, IV has Zushi playing and writing at a peak, its six songs slowly unfurling with a kind
of paradoxical understated grandeur. This is psychedelic guitar music at its most paced and considered, yet given to flights of
inspiration, and in this respect, Zushi sits within a lineage of guitarists who’ve used their instrument both as textural anchor and
improvisatory tool – think of figures like Phil Manzanera and Robert Fripp, but also Roy Montgomery, Liz Harris of Grouper, even Tom
Verlaine on his instrumental solo albums. Like those artists, Zushi locates moments of deep emotional resonance amidst luxuriant
textural and melodic exploration. Zushi’s history stretches back to the mid 1970s. While for many, he first appeared on the scene as a
founding member of noise legends Hijokaidan, alongside Jojo Hiroshige, his musical contributions predate that encounter. He started
out playing progressive rock and improvised music, making home recordings of when he was in high school. He was a member of
Rasenkaidan (Spiral Staircase) alongside Hiroshige and Idiot (Kenichi Takayama), the group that soon mutated into Hijokaidan
(Emergency Staircase). Zushi and Takayama would soon form Idiot O’Clock, in 1982; Zushi also led his own Naoki Zushi Unit, starting
in 1983. But for many, Zushi’s first significant appearance on record was as a member of Shinji Shibayama’s mid-eighties psych-pop
group, Hallelujahs, whose sole album was recently reissued on vinyl. That group mutated into Nagisa Ni Te, and Zushi has played a
significant role as their lead guitarist for several decades. His own solo music has appeared sporadically – Paradise (1987),
Phenomenal Luciferin (1998), III (2005) and IV, with a few recent, meditative offerings, For My Friends’ Sleep (2021) and Nocturnes
(2022). With IV, though, Zushi achieved something remarkable, a kind of extended exploration of the time-altering properties of
echoplexed, hypnotically spiralling guitar interplay. The opening ‘Mirror’, “a song about the mirror inside me,” Zushi explains, starts out
as a lush psych-folk song, slow and gentle, but soon takes to the skies with a cat’s cradle of Fripp-esque guitars, before thick, droning
chords sweep the song to a drowsy coda. ‘Nocturne’ weaves silver skeins of guitar melody around a cyclical chord pattern; it gathers
energy and quiet intensity through insistent repetition. The rest of the album explores the nuance Zushi can draw out of simple
elements, building on what ‘Mirror’ and ‘Nocturne’ offer – the profundity of a chord change; the melancholy of a few quietly sighed
words; the exhilaration of a guitar solo bursting out of the speakers; the subtle shifts in emotional register offered by tone and touch.
Throughout, there’s something quiet, yet ineffable, shading the contours of the songs, such that it makes perfect sense when Zushi
says, “What I want to express through music may be ‘sense of mystery’.” A few of the songs had their basic parts recorded at LM
Studio and Studio Nemu with Shibayama and Masako Takeda joining on bass and drums, respectively; much of the album, however,
was tracked at Zushi’s home studio. That seems appropriate for a collection of songs that are expansive in their intimacy. Asked what
drove the sessions, Zushi answers, “I thought I’d make IV an album that particularly focuses on the guitar play.” And focus it does, as
Zushi’s sky-scraping, soaring, elemental tone is front and centre throughout. But these are no guitar heroics; rather, Zushi uses the
guitar as conduit and diviner, a tool for spirit location, and IV is his most eloquent expression yet of such singular magic.

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Half String

Maps For Sleep

LP | 2024 | US | Original (Goner)

Release: 2012 / US – Reissue

Genre: Rock & Indie

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Formed in the Fall of 1991 by Brandon Capps (guitar & vocals), Kimber Lanning (drums), and Tim Patterson (bass), HALF STRING created a lush, guitar-driven brand of noise pop. Their sound was an antidote to the "desert jangle" bar band scene that dominated Tempe, Arizona at the time. While the group shared an aesthetic with much of the British shoegaze scene, and occasionally recalled the spirit of early 4AD and Factory Records, they certainly carved out a beautiful noise of their own. During their austere six-year life, half string inspired an underground music scene in their hometown, and gained a small but loyal following from beyond the desert. HALF STRING's first demo was hand delivered to Independent Project Records' Bruce Licher during the summer of 1992. Impressed, Licher released the three songs as the Eclipse 7" single on his revered post-punk fine art imprint. Matt Kruse joined on second guitar in 1993, adding another layer of texture andintricate melody to the band's broadening sound. This was evident on "Oval", HALF STRING's second single, and the subsequent "Tripped Up Breathing" EP, both released by IPR in 1994. Patterson left the band that winter, and was replaced by Dave Rogers, a multi-instrumentalist who added backing vocals. In 1995, Germany's Pop Goes On...

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Pypy

Sacred Times

23,99 €*

Warnings/Promises Transparent Red Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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It’s been nearly a decade since Montreal’s Pypy (pronounced like ‘π π’...with a long ‘i’ rather than long ‘e’, thank you very much) landed with their debut Pagan Day (Slovenly), but the same lunatics behind CPC Gangbangs, Red Mass and Duchess Says are back with Sacred Times on Goner Records. One might recall the thunderous pop of their banger “She’s Gone” carving out a place for itself in the high-end fashion world, becoming the soundtrack to Yves Saint Laurent’s 2016 show. If that album bounced, punched and clawed like Delta 5 covered in dirt and trying to get somewhere in a booted vehicle while dodging lightning rod guitar licks the whole way, Sacred Times takes things to somewhere far beyond the proverbial “next level.”

Co-vocalist / founder / multi-instrumentalist Annie-Claude Deschênes’ (Duchess Says) signature howl and vocal acrobatics are present, but so is a tendency towards beautiful melodies. Bassist Philippe Clement’s (Duchess Says) brings a nastier bottom end that locks onto Simon Besré’s drumming with a death grip for the entire affair. And guitarist / co-vocalist Roy Vucino (Red Mass, CPC Gangbangs, Black Leather Rose, Les Sexareenos, a gazillion others) goes bonkers with wildass blown-out guitar that’s like hornets caught in one’s hair.

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Idlewild

LP | 2024 | UK | Reissue (Parlophone Records / Rhino Records)

31,99 €*

LP | 2013 | US | Reissue (Merge)

Release: 2024 / UK – Reissue

Genre: Rock & Indie

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Certified Silver by the BPI, Warnings/Promises was the band’s fourth album and their second to break into the Top 10 following the success of their previous album, The Remote Part. After the release of The Remote Part, the band had a change in personnel with Gavin Fox replacing bassist Bob Fairfoull and touring guitarist Allan Stewart became a permanent member.

Warnings/Promises saw them take a different approach to the writing process, involving the whole band for the first time with a sound that marked a shift towards melodic rock as well as contemporary folk. A more stripped back sound than their previous albums, it featured the singles I Understand It, El Capitan and lead single, Love Steals Us From Loneliness. Limited to 1000 copies for National Album Day UK.

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Imperial Teen

Feel The Sound

21,99 €*

LP | 2012 | US | Reissue (Temporary Residence)

Release: 2013 / US – Reissue

Genre: Rock & Indie

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The fifth album by IMPERIAL TEEN, "Feel the Sound", succeeds completely at its goal, plainly stated in the collection's title. Like the sharpest pop music, "Feel the Sound" gets you to keep coming back for more, but unlike so much music today, it rewards you for doing so, giving you the experience of a fulfilled and yet still yearning, lively potential, one that will be further realized when the songs are performed live. From the exhilarating, propulsive "Runaway," which features the entire band on lead vocals (how many other groups can make that claim?), to the expansive final statement of "Overtaken," Roddy Bottum, Lynn Perko Truell, Will Schwartz, and Jone Stebbins feel the sound themselves and, in turn, make the listener feel it in ways immediate and pleasurable but also lasting and haunting.

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Zammuto

LP | 2004 | Reissue (Constellation)

Release: 2012 / US – Reissue

Genre: Rock & Indie

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Sprouting from the same mind that created the Books - one of the most acclaimed and innovative groups of the past decade - ZAMMUTO marks a deep reinvention of the highly detailed, genre-defying spirit that made seminal albums such as "The Lemon of Pink" and "The Way Out" possible. Given THE BOOKS' success as an experimental collage-pop project, founder and namesake Nick Zammuto could have comfortably extended that thread. Instead he has given us a record that is progressive and forward-looking, intense and driven, with hugely varied rhythms and melodies. The whispered, folk...

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Fly Pan Am

N'écoutez Pas

18,99 €*

LP | 2012 | Reissue (Cloud)

Release: 2004 / Reissue

Genre: Rock & Indie

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180g Vinyl!A collection of songs pushed to maximum density, marked by dark shoegazer guitars, distorted organ stabs, rubbery basslines, motorik drumming and various shrouded voices whispering, screaming and singing along the way - this album contains Fly Pan Am's most intense sounds yet. While each side of the record is anchored by a long, non-linear piece juxtaposing the band against tape and electronic treatments, several tracks are as close as the group came to traditional rock/pop structures, with 'chorus' breaks, melodic 'hooks' and vocals. Of course, being Fly Pan Am, all of this is duly bracketed - there is nothing traditional about the results, and the various elements are pushed forward or pulled back in anything but conventional ways. These are careening, carnivalesque tunes that somehow wed the browns and pinks of their guitar noise with yeye pop, Boredoms-style noise incantations and hardcore punk. N'Ecoutez Pas features a long list of local guest vocalists to supplant the band's own oral action, as well as electronic interventions from fellow Montrealers Tim Hecker and Alexandre St-Onge.

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Jacob Morris

Moths

LP | 2012 | US | Reissue (Dead Oceans)

Release: 2012 / Reissue

Genre: Rock & Indie

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Jacob Morris is from Athens, Georgia. He started playing cello in Austin, TX at the age of four, and played with his musical family until he left home. The unique music community that is Athens attracted him years back. and since then he has supported some of its finest musicians and songwriters playing cello, guitar, bass, and keys with artists such as Ham 1, Vic Chesnutt, Liz Durrett, Madeline, and currently Patterson Hood of the Drive-By Truckers. Taking cues from the psychedelic pop and folk of this robust scene, Jacob has crafted a stellar debut wit...

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Sun Airway

Soft Fall

LP | 2012 | EU | Reissue (Ppm)

Release: 2012 / US – Reissue

Genre: Rock & Indie

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Back with a second album of thoughtful new themes, Sun Airway's Soft Fall takes us to an ethereal layer between worlds. The sonically inspiring sub-strata of Soft Fall began insongwriter/producer Jon Barthmus' house in Philadelphia. Classical foundations were chopped, dissected, and sewn back together by a string quartet in one recording studio, w...

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Dunes

Noctiluca

15,99 €*

12" | 2011 | Reissue (Acephale)

Release: 2012 / EU – Reissue

Genre: Rock & Indie

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DUNES are a mysteriously ethereal and minimal trio from Los Angeles. Appropriating pop and experimental music into a familiar swirl, while retaining a fresh outlook and approach, DUNES inhabit a space of tweaking, twisting, imagining moments and emotions from the past, destined to end up as their future. Stephanie Chan, formerly of Austin Texas bands FINALLY PUNK and THE CARROTS plays guitar and sings in DUNES, she creates surreal and dreamy narratives with her lyrics and uniquely beautiful, powerful voice. Mark Greshowak plays barritone guitar and sometimes bass, he used to write songs and tour with seattle area band TALBOT TAGORA, now he and Stephanie weave their melodies back and forth, making lush tones for our eardums. Kate Hall, played drums in MIKA MIKO before holding down the rhythmic duties and also singing for DUNES. Having released a 12" EP on Mexican Summer, two 7" EP's, one on Los Angeles label Teenage Teerdrops, the other on San Diego's Art Fag and a tape on Ooga Booga DUNES are primed to release a full length to the world. Together, here is a blend of three people experimenting and work...

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Korallreven

As Young As Yesterday

12,99 €*

LP | 2011 | US | Reissue (K)

Release: 2011 / Reissue

Genre: Rock & Indie

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Returning for her second collaboration with the duo is Victoria Bergsman who previously contributed her dulcet tones to Honey Mine. As Young triumphs with glittering bombast - a true Balearic anthem. Cascading 808 fills mingle with steely acoustic guitar and chipmunked vocals while deep kettledrums and pulsing strings balance things out. It's a glorious celebration of Summer's fade, a song that looks forward by glancing back. Animal Collective's Panda Bear, fresh off the tremendous success of Person Pitch, delivers a reinterpretation that is at times frenetic and jarring, and at others meditative and soothing. London's Girl Unit revisits the pitched vocals and builds a sprawling epic that erupts into a throbbing payoff before subsiding to begin anew. Finally, the Korallreven boys wrap things up with a massive expansion of their original - an evolving, layered rhythm section lays the foundation for ecstatic builds of shimmering, hazy synths.

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Angelo Spencer

World Garage

23,99 €*

12" | 2011 | US | Reissue (Captured Tracks)

Release: 2011 / US – Reissue

Genre: Rock & Indie

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Inspired by Bollywood, a trip to Morocco, and SergeGainsbourg, Angelo Spencer's second full-length WorldGarage [KLP235] brings armloads of new instruments and theflavor of exotic locations to a compilation of songs that amount to more than just an album, but an experience of wildness. Hearing Spencer transition from English to French, from guitar to hand percussion, and from soft singing to autotuned screaming, it's easy to close your eyes and imagine that you're running barefoot through the soft grass of, somewhere. Somewhere else. Backed by local musicians Ben Kapp, Karl Blau, Clyde Petersen, with guest vocals by Rebecca Redman (from the band Watercolor paintings), World Garage began as a bundle of unfinished songs that Spencer played for everyone, along with a mixtape of Algerian, Moroccan, and Bollywood selections meant to serve as inspiration for how he wanted the finished album to sound; from the sounds of it, it did the trick.

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Girls Names

Don't Let Me In

Sédatif En Fréquences Et Sillons EP

Release: 2011 / US – Reissue

Genre: Rock & Indie

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Formed in January 2009 with their first gig booked before even playing together, Belfast 's Girls Names unabashedly hark back to the early/mid eighties shadow world of Beat Happening, Black Tambourine, Felt, C86 and the Sound of Young Scotland. In their short existence they have quickly honed their craft in creating their own self-styled "disposable noise pop", masking subdued bittersweet vocals and melodic hooks with reverb drenched guitars and Mary Chain primal drums. Having sold out of their debut home taped demos on Cass/Flick (Belfast) last summer and after a string of support slots with the likes of Sic Alps, Wavves, Times New Viking, Lovvers and Gary War, Girls Names are set for their first release 'proper', with a 12" EP on Brooklyn's much talked about Captured Tracks label and a full UK tour with label buddies, La La Vasquez in the spring."

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Fly Pan Am

LP | 2003 | Reissue (Constellation)

Stand With The Sillness Of This Day

Release: 2003 / Reissue

Genre: Rock & Indie

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180g Vinyl!This 3-song EP of fractured, tape-infested experiments is an intransigent slab of self-referential auto-criticism. The band was sticking to its agenda of acutely self-conscious musical manipulations, re-working its own materials and assumptions to yield new compositions of uncompromising formalism. Side A is a medley of sorts, consisting of phrases and fragments reconfigured and replayed from their self-titled debut (Fly Pan Am). Various melodies are reassembled and played off of one another, creating an extended live remix with blissful passages of layered guitars, drones, sampled backing vocal lines, and the requisite incidental noise break in the middle of the piece. The result is something like a 'Stars On 45'-style musical encapsulation of the entire debut record. Side B contains a new piece of somnambulist clockwork repetition, with the band laying down a strict, static groove while various tape manipulations penetrate the mix to create polyrhythms, dissonances and additional textures. This is prime anti-funk, invoking early Talking Heads along with all things krautrock, and driving home the EP's subtitled intent: "stereo-stupefiant".

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Elizabeth Anka Vajagic

LP | 2005 | Reissue (Constellation)

18,99 €*

LP | 2020 | UK | Original (Big Desert)

Release: 2005 / Reissue

Genre: Rock & Indie

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180g Vinyl!With this debut recording, Elizabeth Anka Vajagic sets her vocals against a backdrop led by ragged guitars, moving from harrowing, dry-as-a-bone intimacy ("With Hopes Lost", "Iceland") to reverb-soaked torch-song balladry ("Around Here", "Sleep With Dried Up Tears"), and the odd explosive noise freak-out along the way ("Where You Wonder"). Vajagic's voice and lyrics are uniquely powerful, able to move across a considerable range while remaining guttural, unflinching and honest as hell. Through much cross-pollination with the local noise/improv scene, Elizabeth assembled a fine cast of players to add textures and arrangements to the seven tracks on this record, making for an intense cycle of songs peppered with skittering drums, contrebasse, cello, harmonium, piano, bowed cymbals, and oud. Guest players include Chris Burns and Simon Fazakerly (Crackpot) on guitars, Beckie Foon (Silver Mt. Zion, Esmerine) on cello, Michel Langevin (Voivod) on drums, Fluffy Erskine (Molasses, Hrsta) on musical saw, Sam Shalabi (Land Of Kush) on oud and Efrim (GYBE, SMZ) on piano, harmonium, guitar and backing vocals. The album was recorded by Howard Bilerman at the original Hotel2Tango in Montreal.

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Sports Team

Deep Down Happy

Release: 2020 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 1983 | US | Reissue (Meds)

Great Unwashed

Clean Out Of Our Minds

CD | 2024 | Original (Chrysalis)

Release: 1983 / US – Reissue

Genre: Rock & Indie

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The Clean broke up (for the first time) in 1982. After a break, the Kilgour brothers pursued a new aesthetic and started recording on a 4 track at home. Poking fun at their past, they called themselves The Great Unwashed. Clean Out Of Our Minds was made in 2 months at the beginning of 1983 and released on Flying Nun Records. The Kilgour's glorious pop hooks are still at the heart of everything but supplanted with a laid back charm and maybe some of the spirit and mystery of 60's psychedelic folk. However, rather than hippie cosplay, the vibe is more akin to fellow New Zealanders The Tall Dwarfs and/or Syd Barrett. Beautifully remastered by Tex Houston. VIbrant 3D sound allows you to hear everything better than ever before. Housed in a Stoughton tip-on sleeve and available on vinyl for the first time in years. Don't miss out this time!

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Ian Hunter

Short Back N Sides

17,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Ever / Never)

Patois Counselors

Limited Sphere

LP | 2011 | US | Reissue (Tee Pee)

Release: 2024 / US – Original

Genre: Rock & Indie

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As Patois Counselors close in on a decade of existence, they are back to confirm their standing as one of America’s most consistently forward-thinking rock units. Although it’s been an entire presidential term since the Counselors acclaimed sophomore album The Optimal Seat came out, Bo White’s group hasn’t been lying fallow. Over the last few years, the seven-person line-up has been busy writing, recording and gigging, resulting in Enough: One Night at the Daisy Chain, a live-in-the-studio document captured in Brooklyn while on tour. Released at the beginning of 2024, Daisy Chain works splendidly as both a greatest hits primer and a forthcoming album teaser. Alas, the teasing is over with the arrival of Limited Sphere, the third album from Charlotte, NC’s Patois Counselors. Once again, Ever/Never steps up to the plate to demonstrate their confidence in this hard-working crew. In most contexts, a septet band configuration signals either a jazz ensemble or a mishmash of madcap noise. Beholden to no rules, Patois Counselors pluck from a selection of tactics as needed. Even augmented by extra players, each member reinforces their specific role, performing exactly what is needed for the track at hand. White’s post-modern muse needs plenty of room to stretch out and breathe and the big band spreads out the tent as far as it will go. White’s songs are rife with earned skepticism, sly asides and deft twists of tongues and licks. The manner in which the little details accumulate into the structure of the whole keeps the listener engaged. In other words, this is pop music for benevolent, discerning brainiacs, but regular people can dig it too. For Limited Sphere, Patois Counselors relax their grip on the tense post-punk that they mastered long ago. Songs like “Fountain Of UHF,” “Serious Rider” and “Ranking Set” still touch on this style, but now White’s voice shares the air with woodwind instruments that add even more depth and texture to his songs. The effortlessly groovy, vaguely loungey “Marge Attack” conjures fond memories of early Stereolab, while “Return To Sensitivity” evokes the magic hour of twilight, insects buzzing and zipping through dusky sky. Foregrounding the haze and mist in these songs, you can detect traces of Eno’s Another Green World in Limited’s atmoSphere, particularly on the closing “Cathy Music.” For their third proper album, Patois Counselors have crafted another seamless set of songs for practical fantasists and head-in-the-clouds cynics. The sphere outlined here may be limited, but the boundaries have been expanded significantly. —Erick Bradshaw

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The Atomic Bitchwax

The Local Fuzz

LP | 2024 | EU | Original (Bobo Integral)

Release: 2011 / US – Reissue

Genre: Rock & Indie

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Preorder shipping from 2025-01-10

The Atomic Bitchwax, originally formed in the mid 90s as a side project of Monster Magnet by veterans of a thriving New Jersey stoner rock scene, quickly carved out their own reputation with a handful of searing releases and near-constant road ethic. Twenty five years after their debut release, the band’s lineup features founder Chris Kosnik on bass and vocals, joined by Bob Pantella on drums and Garrett Sweeny on guitar.This new reissue of the trio’s fifth album from 2011 delivers an advanced take on its blistering, virtuosic sound via a single glorious 42 minute instrumental track titled “The Local Fuzz” which contains 50 riffs back to back, perfectly capturing the unit’s vivid execution and ambitious vision. Remixed, remastered and pressed on crimson red vinyl with new artwork by renowned rock artist Alan Forbes.“Rhythm section of Jersey stoner icons Monster Magnet, Long Branch’s Atomic Bitchwax have plowed the trenches of acid metal for nearly two decades...balls-to-the-wall energy through sharp songcraft to blast away limits on what a power trio can do.“ – The Austin Chronicle“Super Stoner Rock” Jersey boys Atomic Bitchwax shine with “gargantuan riffs and jaw-dropping psych sonics”...required listening for any heavy-metal guitarist...one of the heaviest and grooviest stoner metal bands to plug in and turn it up.” – San Diego Reader 1. The Local Fuzz (Part 1) 21:492. The Local Fuzz (Part 2) 20:18

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The Psych Fi's

Can Con

Release: 2024 / EU – Original

Genre: Rock & Indie

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"You're traveling through another dimension - a dimension not only of sight and sound but of mind. A journey into a wondrous land whose boundaries are that of imagination". This iconic introduction is from Rod Serling's timeless and influential television program, The Twilight Zone. Perhaps he would also apply this description to Can Con, the debut album by The Psych Fi's. The group is an offshoot of Canadian singer-songwriter Jerry Leger's rock 'n' roll side project, The Del Fi's. Just as The Psych Fi's describe themselves as "spontaneous psychedelic rock", The Del Fi's recorded two albums characterized by spontaneity, spirit, and trust. This time Leger brings his songs to a revolving door of musicians and singers (18 members, including Jerry, in the case of Can Con). Most of the performers have not heard these compositions before recording them. They have no chance to second-guess; they must be fearless and jump in with both feet and perform live in studio. Leger acts as a sort of loose conductor, allowing certain soloists to emerge from the musical collage. The group takes you on a hypnotic journey from the epic opening medley "Alone in a Room of Mirrors / James Cagney" to the groove of "You Know that I Love You, I Do" and the openness of "Song for Vultures". You'll get lost in "Summer's Right Around the Corner", which also features Don Stevenson (founding member of the legendary 60s psychedelic rock band Moby Grape) on backing vocals, alongside Kate Boothman (Katie Cruel) and Angie Hilts. This sound has evolved out of Del Fi performances, specifically when musicians Nichol Robertson, Jason Kenemy, Dave Clark (The Rheostatics, Woodshed Orchestra), and Michael Eckert were involved. Leger and these "Fi's" eagerly ventured down less-traveled roads to destinations unknown. Other Psych Fi's include Ken Yoshioka, Matthew Cooke, Les Armstrong, Chris Bennett, Shawn Clarke, Katie Methot, and members of "Jerry Leger & The Situation" (Dan Mock, Kyle Sullivan, Alan Zemaitis). Leger tells us at the...

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LP | 2024 | AU | Original (Remote Control)

Peggy Frew

Dial-Up

58,99 €*

Release: 2024 / AU – Original

Genre: Rock & Indie

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Venus Smiles Not In The House Of Tears

Samora Pinderhughes

LP | 2024 | EU | Original (Good)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Forgive Yourself. Learn to live with yourself. Don't hurt yourself.This is the mantra of the new album Venus Smiles Not in theHouse of Tears from Samora Pinderhughes. Made over 8 yearswith loving detail by Pinderhughes and his longtime producerJack DeBoe, it is a deeply personal exploration & reflection ofmental health in the modern age. It tells a non-linear story abouta relationship that didn't last, and the lessons learned through it.How can love exist when grief is in the way? Musically it'sintentionally tough to pin down. Although Pinderhughes isJuilliard-trained, Venus is an open-genre exploration of musicmakingwith wide-ranging production and a cinematic landscapeof feeling and spirit. From quiet, contemplative piano pieces tohard-hitting and soulful full band jams, to expansive and fullthroatedchoir celebrations, Venus is a fitting accompaniment toa multitude of daily human experiences. It also features artistsfrom Pinderhughes's tight-knit NYC community, representing awave of new artists who thread the ethics of honesty &vulnerability into their work.Says Pinderhughes of the album, "Mental health isn't solitary; it'sabout how our feelings, fears, traumas, and conceptions of selfmeet the world around us. Like so many, I've struggled withdepression, anxiety, and isolation within a complicated matrix ofidentities. I wanted to make a project that would be brutally andlovingly honest about what it feels like to try to sift through thedebris of time. A project that really engages with what it means tolove, in the midst of a society that teaches us all the wronglessons. Our modern world wants us to get over things quicklyand easily. That's where shame enters the picture, because whenyou struggle with deep cyclical feelings, the process of engagingwith these elements in your life is never linear. It is always twosteps forward, one step back. Kindness and honesty are requiredin equal measure in this life. Hopefully through the prism of thesesongs,...

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Shipwrecked Black Vinyl Edition

LP | 2024 | EU | Original (Heavy Psych Sounds)

22,99 €*

Salamirecorder & The Hi-Fi Phonos

Release: 2024 / EU – Original

Genre: Rock & Indie

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After a nine year hiatus SUN AND SAIL CLUB are back and they’ve come back swinging! This album is more aggressive than the previous album, as if that was even possible. Same line-up as before featuring Scott Reeder (FU MANCHU/SMILE) on drums, Scott Reeder (KYUSS/THE OBSESSED/FIREBALL MINISTRY) on bass, Bob Balch (FU MANCHU/SLOWER/BIG SCENIC NOWHERE/YAWNING BALCH) on guitar and Tony Adolescent (THE ADOLESCENTS) on vocals. The album starts with a mellow jazz guitar piece and then proceeds to rip your face off until the end of the album, which closes with another solo jazz guitar piece. “Shipwrecked” is their strongest album yet. Fully realized and to the point. Fast and dissonant.
“This album is a compilation of riffs collected over a nine year period. Most of the songs were written last year but some of them have been floating around for a while. There is a general sense of unease throughout. I wanted to make an album that went one step further than “The Great White Dope.” The songs are faster and more intense at times. It’s basically the soundtrack of me beating the shit out of my guitar. Then you factor in Scott Reeder on drums, Scott Reeder on bass and Tony Adolescent on vocals and you’ve got something more than I could have imagined by myself. This album is raw and pummeling. If you’re a glutton for punishment this might be your desert Island record.” - Bob Balch
Recorded at Jim Monroe’s The Racket Room, Casa De Balch, and Scott Reeder’s The Sanctuary.

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Night Song / Fight 'Em

7" | 2024 | EU | Original (Siluh)

15,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Independent lo-fi garage punk from Vienna!After the great debut album `Goods for Conversation' (Bachelor Records) released in 2023, here is the first new 7' single from the Viennese trio. 60s garage flavoured with a pinch of surf feeling. On top of that, there are the absolutely charismatic vocals of the bustling Felix Schnabl aka Salamirecorder. Minimalist, straightforward, to the point. Nothing reheated. Everything freshly prepared. A top double a-side that makes you want more!If you have to describe SALAMIRECORDER's music, its probably like a weird slightly annoyed outsider but with a melting heart for love songs. A perfect shake between 60s Back from the Grave Garage punk and a little breeze of early trash mixtape Powerpop. or something_ _weird, loud, rocknroll noise!!!

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Shipwrecked Limited Red Vinyl Edition

LP | 2024 | EU | Original (Heavy Psych Sounds)

28,99 €*

LP | 2024 | Original (Cult)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Voidz

Like All Before You

Omd ( Orchestral Manoeuvres In The Dark )

Release: 2024 / Original

Genre: Rock & Indie

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Over the past several years, The Voidz, led by Julian Casablancas, have been releasing various singles and performing unique residencies in different cities, all to critical acclaim. Now, they are returning with their highly anticipated third album, "Like All Before You." This new release marks a shift back to album mode, showcasing The Voidz's unique sound that blends different styles into an immersive experience. The band will be promoting it in fall 2024 and 2025

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Punishment Of Luxury

LP | 2024 | US | Original (Universal)

48,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Blue vinyl reissue of OMD's 13th studio album The Punishment of Luxury - back on vinyl for the first time in 7 years. The 100%/White Noise issue of this release is limited to 2,000 copies and each will be individually numbered. Featuring the singles Isotype & The Punishment of Luxury.

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Brazilian Nuggets - Back From The Jungle Volume 4

LP | 2020 | PT | Original (Groovie)

13,99 €*

Tape | 2025 | EU | Original (Do Nothing)

Release: 2020 / PT – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Still in shrink, but opened

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Buster Shuffle

Together (Tape)

14,99 €*

Live At The Cabin Sage Green Vinyl Edition

Release: 2025 / EU – Original

Genre: Rock & Indie

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London ska-punk-pop-indie quartet Buster Shuffle are back with a brandnew album, which will be released on March 21, 2025. The eleven track album "Together" is their sixth studio album and promises to be their biggest yet, packed full of catchy singalongs that are guaranteed to turn heads and get you si...

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Dog Slaughter Beach

LP | 2024 | US | Original (Lame-O)

Black Ice 50th Anniversary Golden Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Sage Green Vinyl. Highly anticipated first pressing of Live at TheCabin, originally a live-stream release show performanceduring the pandemic after Slaughter Beach,Dog's "At The Moonbase" record. The album wasreleased digitally through Lame-O Records in thefall of 2022, and has been a cult favorite release byfans of the band. Available with beautiful artworkby Russell Edling (Lame-O, Golden Apples) fanswill appreciate getting to dive deeper into the worldof Slaughter Beach, Dog.

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AC/DC

2LP | 2008 | EU | Reissue (Sony Music Catalog)

46,99 €*

Release: 2008 / EU – Reissue

Genre: Rock & Indie

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No Coast Redblue Cloudy Vinyl Edition

Braid

LP | 2024 | US | Original (Topshelf)

Better Luck Next Time Gold Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Legendary Midwestern emo pioneers, Braid are back with their first studio album in 16 years. They've enlisted Will Yip (Balance & Composure, Title Fight, Circa Survive) to produce No Coast and the result is an album full of hooks accompanied by their signature sound that shjould make old and new fans alike excited for the album. For fans of Promise Ring, Hey Mercedes, Texas Is The Reason.

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Worlds Greatest Dad

LP | 2024 | US | Original (Side One Dummy)

Release: 2024 / US – Original

Genre: Rock & Indie

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worlds greatest dad, the four piece of Maddie Duncan on vocals and guitar, Keagan Krogh on guitar and keys, Matt Hendler holding down percussion and Ben Etter on bass and backing vocals, recorded their sophomore album partially at Maze Studios in Atlanta, while filling in the rest in their respective homes in 2020. The band doesn’t shy away from the emo/pop-punk influences that permeate their earlier recordings, but on their second LP have embraced their roots and, as Duncan calls it, the redneck emo sound that is deeply influenced by their youth growing up in the backwoods of Florida.

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Great White Dope Black Vinyl Edition

LP | 2015 | EU | Reissue (Heavy Psych Sounds)

22,99 €*

LP | 2024 | EU | Original (Alien Transistor)

Release: 2015 / EU – Reissue

Genre: Rock & Indie

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The name might be the Sun and Sail club, but you'll find no yacht rock here. Instead of Michael McDonald, we have Bad Brains. Kenny Loggins? Hall and Oats? More like Matt Pike and Lemmy Fucking Kilmister. “The Great White Dope” is featuring members of Kyuss, Fu Manchu, and the Adolescents, containing 10 riff-filled tracks of high energy, bullshit-free punk and sleaze. The song writing on ‘The Great White Dope’ steers away from the experimental direction of their previous release, and it's laser focused on one thing: unapologetically rocking your face off. The vocoder is gone and they've recruited singer Tony Adolescent, who delivers balls to the wall vocals with no added effects or frills. The production, like the music itself, is loud, heavy, and beautifully simple. “This record is a direct result of my wife telling me she was pregnant with our son. As a first time father, panic set in and I wrote the album in two hours. I wasn’t sure if I’d have a lot of time once he was born so I crammed as many frantic riffs into one album as possible. Looking back it’s funny to listen to now, but at the time I was on a mission. Everyone killed it on this record and we recruited Tony Adolescent on vocals which is unreal to me.” - Bob Balch

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o'summer vacation

Electronic Eye

Release: 2024 / EU – Original

Genre: Rock & Indie

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Readers of encyclopedic tomes are obviously familiar with exploding animals – there are numerous reports of torn-apart toads (even in Hamburg, Germany!), actual ants exploding altruistically – but humans that decide to jointly detonate, and with no harm done, that’s rare: Kobe’s own o'summer vacation are unique (and volatile) like that, and they’re back to light the fuse for the second time, presenting 13 more musical quarter sticks that have already blown up venues in Europe and Japan.

“Keep it lean, keep it mean,” they say, and that’s what this band loves to take to the extreme: breakneck concision and collective combustion meet freeform noise punk hazards on o'summer vacation's second (not quite) full-length – as the Kobe-based three-piece’s “Electronic Eye” is set to arrive on October 11, 2024. Following a bunch of trips to Berlin, Munich etc., the Japanese fire starters have found a new home with Alien Transistor, and it’s the perfect launch pad for their latest set of guitarless pyrotechnics. Going right for max q (maximum dynamic pressure), “Electronic Eye” is (unlike those Starships) actually supposed to explode right after lift-off ;)

Even though there have been some line-up changes since the group recorded its sophomore album, the energy caught by producer Shinji Masuko (dmbq, Boredoms) is still unmatched: a very physical and hard-knocking barrage of mosh-inducing madness that leaves you speechless + inevitably twitching towards the pit. Mastering was done by Masaki Oshima aka Watchman (Melt-Banana).

Opening with sizzling hi-hats and heavy ripples of breathless bass, singer Ami presents a non-sequitur kind of lullaby over the math rock-style interlocutions of “宿痾 (Shuku - A)” – which at 6+ minutes makes up more than a quarter of the album. A shapeshifting frenzy of voice (Ami), unbridled, pedal-powered bassline insanity (Mikkki, formerly Mikiiiii), and hot-blooded drums (Manu, meanwhile replaced by Karry), the album features mosh-inducing blows (previously released “Luna,” “Anti Christ 大体 Super Star”), 30-sec mini noise punk anthems (“竦(shou)”, “Days Go By Fast”), and continues to surf at breakneck pace up and down scales (“@ The”), which often feels like catharsis served with a hammer (“Ultra”). Whereas some tracks are bigger more song-y than others (“Song#2,” that full-throttle “Poodle”), “Vs I” is on time like Tierra Whack (exactly 60 seconds of pick-grinding action), and “Rage” indeed feels like Zack is about to join the party – only to see Ami wipe the floor with pure onomatopoetic fire. Finally, “Aloooooone” and “Humming” (that opening lilt!) are sure going to be live favorites, shifting up and down via hardcore speeds and various break-downs.

Quite hotheaded and terminating things on a high note, o'summer vacation point out that the quick-fire lyrics of their “songs have no meaning. It’s called onomatopoeia in English. Ami, our vocalist, does not like to communicate her thoughts through her music.” Although she considers her contribution “a part of the instrumentation,” they still have strong messages and concerns (unrest, discontent, willingness to shake, wake up, enliven anyone near the audible bomb crater): “That doesn’t mean we don’t have a point of view, but we choose to express ourselves through sound rather than words. Generally, but not exclusively, we are anti-racism, anti-war, gender-free, angry at the companies we work for and their bosses, etc., which are very common sentiments held by so-called rock bands.”

It’s only three ingredients, just like sonic gunpowder: bass, drums, voice – but they tend to explode a few bars into each new track. In a perfect world, there’d be giant colorful clouds of dust gracing the sky over each venue they descend upon.

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Great White Dope Black/White/Orange Vinyl Edition

LP | 2015 | EU | Reissue (Heavy Psych Sounds)

Release: 2015 / EU – Reissue

Genre: Rock & Indie

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Great White Dope Violet Vinyl Edition

LP | 2015 | EU | Reissue (Heavy Psych Sounds)

Release: 2015 / EU – Reissue

Genre: Rock & Indie

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Shipwrecked Limited Red Vinyl Edition

LP | 2024 | EU | Original (Heavy Psych Sounds)

Now I See The Light Colored Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Toe

LP | 2024 | JP | Original (Machu Picchu Industrias)

46,99 €*

LP | 2024 | US | Original (Palilalia)

Release: 2024 / JP – Original

Genre: Rock & Indie

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This marks their fourth original full-length album as a standalone release, following the EP “our Latest Number” and previous albums “the book about my idle plot on a vague anxiety” (2005),“For Long Tomorrow” (2009), and “Hear You” (2015). Contributing artists include Nao Kodama on track "05_who KNOWS?", Seigen Tokuzawa on "06_close TO YOU," "09_madness SUMMER," and "10_now I SEE THE LIGHT." The main visual, a photo of a lighthouse, was captured by Kenji Sato, and all album design was directed by Makoto Nii, who has handled the design for all of Toe's releases. The lead track, "loneliness Will SHINE," has a music video directed by photographer Yoshiharu Ota.

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Ava Mendoza

The Circulat Train

LP | 2024 | US | Original (Chunklet)

Release: 2024 / US – Original

Genre: Rock & Indie

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Ava Mendoza has never made an album quite as personal as her second solo full-length, The Circular Train. Through her decades of collaborations with Nels Cline, Carla Bozulich, William Parker, Fred Frith, Matana Roberts, and Mick Barr—plus years leading her power trio Unnatural Ways and playing in Bill Orcutt’s quartet—the guitarist’s name has become synonymous with virtuoso technique, raw passion, and visceral resonance, a player pushing the edges of the guitar’s possibilities. Along the way, from 2007 to 2023, Mendoza was writing these slow-burning, incandescent songs. The Circular Train is comprised solely of her single-tracked guitar playing and, on two songs, her corporeal singing. Her first solo LP of original material since relocating from California to New York City a decade ago, much of The Circular Train was honed amid pandemic years that clarified the virtues of slowing down.

This expressive avant-rock is a definitive introduction to one of the most uncompromising and inquisitive visions in creative music. Mendoza’s thrilling melange of free jazz, blues, noise, classical training, and blazing experimental rock’n’roll all coheres with ecstatic feedback, with picking and solos that crest with shimmer. Sometimes she sounds like a one-woman Sonic Youth with guttural and poised vocals that equally evoke Patti Smith and blues greats like Jessie Mae Hemphill. Conceptually, The Circular Train is presented as a psychogeographical train ride through certain of Mendoza’s musical homelands. The songs draw on ancestral and recent familial memories, notably of her parents’ roots in mining towns—in her father’s home country of Bolivia and mother’s hometown of Butte, Montana, each country with its own history of colonialism, racism, forced labor, the eradication of culture and the subsequent excavation of it.

These adventurous songs were composed in cars and planes, in the heart of the Mississippi Delta, in Los Angeles and upstate New York—which is to say in motion. “Ride to Cerro Rico,” named for the mountain and silver mine at the center of Potosi, Bolivia, was inspired by Mendoza’s great grandmother’s life there in a Quechua mining family. “Dust From the Mines” drew from that history as well as Mendoza’s familial lineage of miners in Montana, building up to stunning swaths of shredded iridescence. “Pink River Dolphins” was inspired by a visit to the Amazon rainforest, swimming with dolphins alongside her father—the pink bufeos that inhabit both Bolivia and Columbia—and the song is dedicated to the memory of Mendoza’s late friend, the Colombian-American trumpeter jaimie branch. They shared a fascination with those intelligent and agile creatures who often communicate by echolocation. “Make a sound, it comes back around,” Mendoza sings, and later, “Echo, echo/The answer in a sound,” evoking what branch knew well: through music we navigate life.

The Circular Train contains one cover, “Irene, Goodnight,” composed by Gussie Lord Davis and popularized by Leadbelly; Mendoza has been performing it for over 20 years. Almost as deeply embedded in her repertoire is the penultimate track, “The Shadow Song.” “Treat your shadow kind and it might treat you good,” Mendoza sings on this song that she’s been reworking for over a decade, an emblem of devotion. “Treat your shadow kind and it might treat you right,” she repeats, becoming a blues mantra. What is a shadow self if not one’s secret world, which, once laid bare, awaits an echo, a return?

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Limbo District

Carnival

49,99 €*

Come Back Down Yellow Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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In August 1982, Limbo District—percussionist Jerry Ayers, vocalist Craig Woodall, bass player Davey Stevenson, Farfisa player and vocalist Dominique Amet, and guitarist Tim Lacy—traveled from Athens, GA to Winston-Salem, NC to record at Mitch Easter’s Drive-In Studio. The session took place just two months after fellow Athens band R.E.M. had gone there to record their debut Chronic Town EP.

With Easter, Limbo District recorded a five-song set of bewitching rhythms and guttural poetry, chants, and howls that culminated in a Dionysian, avant-garde pulse.

These songs later accompanied photographer Marlys Cox’s images brought to life in Jim Herbert’s experimental film, “Carnival.” Aside from the few seconds of “Carnival” that appeared in Tony Gayton’s documentary “Athens, GA: Inside/Out,” Limbo District has remained unheard by anyone who wasn’t there to witness the band's powerful blend of music and performance art as it happened.

Carnival offers a glimpse behind the curtain, revealing a contemporary of the B-52’s, Pylon, R.E.M., the Method Actors, Love Tractor, and more, and presents a thread to unravel a perfect mystery.

Limbo District’s significance is matched only by its obscurity, and the complete Mitch Easter session has remained unreleased until now.

"When I moved to Georgia in 1991, the only Athens band I was looking for was Limbo District. For decades, I remained empty handed. And now, the crown jewel of the Limbo story is unearthed: Carnival. Chunklet is proud to have excavated this apparition and it is now time to celebrate the band's delirious, cryptic and in-the-moment existence. Behold: Limbo District!"—Henry Owings, Chunklet Industries

“It was exactly the kind of thing that I wanted to be doing. … Limbo District stood tall as being absolutely their own thing, and not remotely concerned with commercial music at all. Still, the songs were catchy.”—Mitch Easter (original producer, owner of Drive-In Studio, Let’s Active)

“Everything about Limbo District is kind of a surprise. Their music is its own category. What struck me was the uniqueness of it. In a college town music scene, there are so many creative young people who tend to wear their influences on their sleeve. Limbo District's music is not easily pegged.”—David Barbe (2023 producer, Chase Park owner, Mercyland)

“Michael Stipe championed Limbo District because he connected with Jerry. They were such close friends back in those early days. He helped Michael see a vision for himself that he would not have seen on his own, and things wouldn't have been the same for R.E.M.”—Lady Clare Butler, The Now Explosion

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High.

LP | 2025 | US | Original (Kanine)

Watch Me Drive Them Dogs Wild Bubblegum Pink Edition

Release: 2025 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2025-01-24

New Jersey's noisegazers High. are excited to announce their sophomoreEP, Come Back Down, available on vinyl and digitally on January 24, 2025. Theannouncement is heralded by lead single "In A Hole," which begins with a wallof guitars as powerful as the emotions behind it. Inspired by finding friendshipand community amid trauma and hardship, the band excavates difficultmemories of their past to match their heaviest guitar work to date.With a greater expression of range - more noise, more hooks, more heavinessand more emotion. The sad is sadder and the love is more in love. More songsabout loss and being lost. Come Back Down will be released January 24,2025 as a digital EP and on yellow vinyl, with their previously released EP onthe B side.

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Merce Lemon

LP | 2024 | EU | Original (Darling)

Safe And Also No Fear Tangerine Color Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Limited Bubblegum Pink Vinyl.Within the quiet, cascading corners of Pittsburgh lies a community - essentially one large family - that spans neighborhoods and generations.Upon this foundation, Merce Lemon built her latest album: Watch Me Drive Them Dogs Wild. These are earnest songs, of belonging and longing, in which romantic and familial love rip into and out of themselves in a flurry of reckoning. There is a fierceness, a persistence in this vulnerability, that is matched by the wildness of her band.Merce took a step back from music in 2020, after releasing her debut album Moonth, to reassess. "[Music] was just something I'd always done, and I didn't want to lose the magic of that - but I was just having less fun." In this time of restless confusion, she got back to her roots."I got dirty and slept outside most of the summer. I learned a lot about plants and farming, just writing for myself, and in that time I slowly accumulated songs." A creative hunger, supported by her community, had been newly fertilized. From this rediscovery, imbued with the vitality of earth's green magic, Watch Me Drive Them Dogs Wild sprouted forth.

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Dog Slaughter Beach

LP | 2024 | US | Original (Lame-O)

Release: 2024 / US – Original

Genre: Rock & Indie

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Heart Of The Young White Vinyl Edition

Fighter V

LP | 2024 | EU | Original (Rock Attack)

33,99 €*

LP | 2016 | US | Reissue (Big Brother)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Fighter V are back with their new album "Heart of The Young", delivering top-tier melodic rock that will make hearts beat faster. The five passionate musicians captivate their fans with powerful riffs, catchy melodies, and distinctive vocals, taking them on an unforgettable musical journey. The songs are filled with energy, emotion, and passion, showcasing the band's growth. "Heart of The Young" is a must-have for all fans of Bon Jovi, Nestor, Gotthard, and Whitesnake.

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Oasis

Don't Believe The Truth

Release: 2016 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Watch Me Drive Them Dogs Wild Black Vinyl Edition

Merce Lemon

LP | 2014 | EU | Reissue (Darling)

LP | 2024 | Original (Sing A Song Fighter)

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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Within the quiet, cascading corners of Pittsburgh lies a community - essentially one large family - that spans neighborhoods and generations.Upon this foundation, Merce Lemon built her latest album: Watch Me Drive Them Dogs Wild. These are earnest songs, of belonging and longing, in which romantic and familial love rip into and out of themselves in a flurry of reckoning. There is a fierceness, a persistence in this vulnerability, that is matched by the wildness of her band.Merce took a step back from music in 2020, after releasing her debut album Moonth, to reassess. "[Music] was just something I'd always done, and I didn't want to lose the magic of that - but I was just having less fun." In this time of restless confusion, she got back to her roots."I got dirty and slept outside most of the summer. I learned a lot about plants and farming, just writing for myself, and in that time I slowly accumulated songs." A creative hunger, supported by her community, had been newly fertilized. From this rediscovery, imbued with the vitality of earth's green magic, Watch Me Drive Them Dogs Wild sprouted forth.

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Folke Nikanor

Melodianien

19,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-29

New album from Swedish composer and artist Folke Nikanor!! After some successful and praised collaborations with Annika Norlin (Säkert) and Amanda Bergman (Amason) for the tv series soundtrack for "Fake Patient" last year and his own beloved album "Främmande" where lead vocalists sang his pop tracks (Grant, Dolce, Sofia Jannok etc) he is now back in instrumental, cinematical mode with this masterpiece about the imaginary country Melodianien where all the major and minor melodies lives.

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Performing This Week Live At Ronnie Scott's

Jeff Beck

LP | 2024 | US | Original (Universal)

86,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-01

LP | 2003 | Reissue (Be With)

Parsley Sound

Parsley Sounds

LP | 2024 | US | Original (Hollywood)

Release: 2003 / Reissue

Genre: Rock & Indie

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Parsley Sounds was the glorious debut album for Mo Wax by Parsley Sound. The album was one of the iconic label’s final releases before it closed in 2003 and locating a clean copy has been extremely tricky of late, unless you're flush enough to drop 150 notes on it. Mercifully, the Be With reissue, put together with invaluable assistance from the group, should remedy this situation. It's a lo-fi, bass-heavy, blunted beat treat, warped with heat haze and dreamy soft-psych and has been criminally under-heard for far too long.

As with most cult-like records, Parsley Sounds has many influential fans, far and wide. From Four Tet and Caribou to NTS's modern day breakfast hero Flo Dill, its reputation has only grown in stature. At the time, the notoriously hard-to-please Pitchfork garlanded it with a scarcely achievable 8.8 whilst, just recently, the Numero Group's Rob Sevier described it as a "visionary bit of proto-Salvia Palth (or Steve Lacy)" via a Ghostly International missive.

Parsley Sound comprised super-talented duo Preston Mead and Dan Sargassa. They released an early single (the perfect "Twilight Mushrooms", featured here) on Warp Records as Slum, before signing to Mo Wax. Hidden behind a wall of sound - fuzzy layers of beats, bleeps and symphonic synths - they were convinced they made mainstream pop music. And, in many respects, Parsley Sounds really is a beautiful pop album. It overflows with memorable, gorgeous melodies and inspired songcraft. As the contemporaneous Pitchfork review correctly had it: "Parsley Sounds is one of those rare records that manage to sound modest while frequently pushing the sonic envelope."

Killer opener "Ease Yourself And Glide" is a thing of aching, soft-psych, wonky beat-beauty. A melodic masterpiece, part Crosby, Stills & Nash, part proto-Koushik, it presents a melancholy falsetto, surging bass and blunted lead guitar. As it climaxes, gorgeous strings are ushered in to see us out. Sublime. "Twilight Mushrooms" is up next and it's an acid-drenched, strung-out acoustic-led campfire wonder. Amid layers of tape-hiss and beautiful, sun-dappled strings, its understated vocal track provides a haze of wistful innocence.

The breezy "Spring's Near" is a krautrock-inspired chiming instrumental of heavenly excellence, its warm, skipping, motorik groove and dreamy synths completely infectious. Another total highlight, the technicolour "Yo Yo" initially presents itself as a more abstract, bleepy offering but as it organically swells into ever more beautiful places, with the addition of a choppy insistent drum loop, flute bursts, horns and sweeping strings, it puts one in mind of early Manitoba and Four Tet releases. Shimmering, blissed-out greatness.

The celestial harmonies and glistening harps of the wonderfully beatless, serenely sullen "Ocean House" are very much in conversation with late-60s meditative psych whilst, closing out Side A, the jaw-dropping, lushly experimental effort "Find The Heat" comes on like Arthur Russell meets Brian Wilson. Yep, *that* good.

Side B opens with the warped, bleepy "Stevie", a brief but beautifully wonky, soulful and intricate instrumental. The more upfront vocals that propel the fuzzy "Platonic Rate" have a refreshing swagger to them, the heavy bass and neck-snapping in-the-red beats too much for any system to deal with whilst the guitars and strings have a sweeping, cinematic feel which just beguiles. The slow, urbane soul of "Candlemice" will stop you in your tracks, no matter what you're doing. It carries a delicate sadness, as does much of the album in that classic "down lifting" style we so love here at Be With.

The fuzzing, buzzing "Templechurchmansions" is a searing, soulful dubwise detonation. Heavily stoned with slow-burning jazzy snatches and a tense, moody atmosphere, it's a Tricky-adjacent gem. The album rounds out brilliantly with the ominous instrumental "Neon Breeze" before giving way to the propulsive, almost incongruous punk-funk / disco-dub of secret "untitled" track "Caution", a scratchy, smacked-out groove-fuelled workout with a female vocal dripping with 'tude. Just sensational.

Under the watchful eye - and attentive ears! - of Parsley Sound themselves, the audio for Parsley Sounds has been carefully mastered by Be With regular Simon Francis, with a few much needed tweaks here and there, according to the artist's wishes. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at the always stellar Record Industry in Holland.

Preston and Dan always thought the colours on the first vinyl pressing looked a bit "washed out" vis-a-vis the original artwork which was way more vibrant. We feel we've got it popping back to the original intention with the restoration work here at Be With HQ. So with the audio and artwork now approaching completeness after 20 years, this long overdue re-issue could be considered its definitive vinyl release.

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Joywave

Permanent Pleasure