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Jay-Z / Linkin Park - Collision Course
Jay-Z / Linkin Park
Collision Course
LP | 2004 | Reissue (Warner)
25,99 €*
Release: 2004 / Reissue
Genre: Hip Hop, Rock & Indie
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Collision Course is a collaborative EP by Jay-Z and Linkin Park, released on November 30, 2004. The project was an experimental mash-up album that combined elements of hip-hop and nu-metal, blending Jay-Z's raps with Linkin Park's rock sound. Produced by Mike Shinoda (of Linkin Park) and Jay-Z, Collision Course merges some of the biggest hits from both artists into new, hybrid tracks that fuse their distinct genres.

Collision Course was the result of MTV’s "Mash-Up" series, where artists from different genres collaborated to create new music by combining their songs. The project quickly gained attention because it featured two hugely popular artists from vastly different musical backgrounds.
The EP features six tracks, each a combination of Jay-Z’s iconic verses and Linkin Park’s hard-hitting rock instrumentals and vocals. It brings together Jay-Z's hip-hop classics with Linkin Park’s emotionally charged, alternative rock anthems.
The release was accompanied by a DVD, which included behind-the-scenes footage of the making of the album and a live performance of the mash-up tracks.

The mash-ups blend hip-hop beats with rock instrumentation, creating a genre-bending sound. Jay-Z’s verses, which are typically supported by hip-hop production, are now backed by guitar riffs, drums, and electronic elements from Linkin Park’s catalog.
Linkin Park’s co-lead vocalists, Chester Bennington and Mike Shinoda, intertwine their vocals with Jay-Z’s raps, adding a dynamic contrast between Chester’s melodic hooks and Mike's rap-style verses.

Key Tracks and Highlights:
"Numb/Encore" – This is arguably the most well-known track from the EP and became a major hit. It combines Jay-Z’s "Encore" from The Black Album with Linkin Park’s "Numb" from Meteora. The song blends Jay-Z's braggadocious lyrics about legacy and success with the emotional weight of "Numb," creating a powerful contrast. The track won a Grammy Award for Best Rap/Sung Collaboration in 2006.
"Dirt Off Your Shoulder/Lying from You" – This track combines Jay-Z’s "Dirt Off Your Shoulder" from The Black Album with Linkin Park’s "Lying from You" from Meteora. The mix of Jay-Z’s swaggering, confident lyrics with the angsty tone of "Lying from You" creates an intense, high-energy track.
"Big Pimpin'/Papercut" – In this mash-up, Jay-Z’s party anthem "Big Pimpin’" from Vol. 3... Life and Times of S. Carter is combined with "Papercut", one of Linkin Park’s hard-hitting tracks from Hybrid Theory. The contrast between Jay-Z’s carefree lyrics and the darker themes of "Papercut" makes for a unique and striking combination.
"Jigga What/Faint" – This high-energy mash-up blends Jay-Z’s "Jigga What" from Vol. 2... Hard Knock Life with Linkin Park’s "Faint" from Meteora. The aggressive guitar riffs and fast-paced production of "Faint" complement Jay-Z’s rapid-fire rhyming, making this one of the more intense tracks on the album.
"Izzo/In the End" – This track mashes up Jay-Z’s hit "Izzo (H.O.V.A.)" from The Blueprint with Linkin Park’s massive hit "In the End" from Hybrid Theory. The combination of Jay-Z’s celebratory lyrics with the reflective, melancholic tone of "In the End" creates a unique emotional balance.
"Points of Authority/99 Problems/One Step Closer" – This mash-up brings together Jay-Z’s "99 Problems" from The Black Album with Linkin Park’s "Points of Authority" and "One Step Closer" from Hybrid Theory. It’s one of the hardest-hitting tracks on the EP, with aggressive beats and heavy guitars, paired with Jay-Z’s defiant lyrics.

Contrast between genres: One of the major themes in Collision Course is the juxtaposition of hip-hop bravado and rock’s emotional intensity. Jay-Z’s confident, self-assured lyrics are often paired with Linkin Park’s more vulnerable and introspective lyrics, creating a dramatic tension in the songs.

Jay-Z’s lyrics in tracks like "Encore" and "Big Pimpin’" focus on his rise to fame, success, and the challenges he’s overcome, while Linkin Park’s contributions often explore themes of alienation, frustration, and personal struggle.
Critical Reception:
Collision Course received mixed reviews from critics but was praised for its creativity and for bridging the gap between two different musical genres. While some critics felt that the mash-ups were too formulaic, others admired the seamless blending of two very different musical styles.
The EP performed well commercially, debuting at #1 on the Billboard 200 chart. "Numb/Encore" was particularly successful, becoming a mainstream hit and one of the most recognizable tracks from the project.

Collision Course is seen as a significant experiment in genre fusion, helping to bridge the gap between hip-hop and rock audiences. It contributed to the growing trend of genre-blending that would become more prominent in the 2000s.
The success of the EP demonstrated that collaborations across genres could be commercially viable, paving the way for future projects that mixed hip-hop with rock, pop, and other genres.
The live performance of the EP’s tracks, particularly the "Numb/Encore" mash-up at events like the Grammys and MTV Music Awards, helped to cement its place in pop culture, with fans of both Jay-Z and Linkin Park embracing the crossover.

Collision Course stands as a unique collaboration in music history, bringing together two icons from different genres and creating a blend that resonated with both rock and hip-hop fans. Though brief, the EP’s six tracks showcased the possibilities of genre fusion and delivered some of the most memorable mash-ups of the 2000s. The project continues to be celebrated for its innovation and the seamless combination of Jay-Z’s iconic flows with Linkin Park’s powerful instrumentals and emotive vocals.
Santana - Abraxas
Santana
Abraxas
LP | 1970 | WW | Reissue
57,99 €*
Release: 1970 / WW – Reissue
Genre: Rock & Indie
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Preorder shipping from 2024-11-15
Abraxas Remains the Consummate Latin Rock Record: Sophomore Santana Effort Includes “Black Magic Woman,” Ranks #334 on Rolling Stone’s List of the Greatest Albums of All Time

Sourced from the Original Analog Master Tapes for Exceptional Sound: Mobile Fidelity’s Numbered-Edition 180g 33rpm SuperVinyl LP Plays with Remarkable Clarity, Depth, Detail, and Presence

1/4" / 15 IPS analog master to DSD 64 to analog console to lathe

Abraxas remains the consummate Latin rock album. The confident sound of Santana stretching out and carving out new musical territory, the band's 1970 effort pulses with psychedelic accents and Afro-Latin grooves. Ranked on Rolling Stone’s list of the 500 Greatest Albums of All Time and selected by the Library of Congress for inclusion in its National Recording Registry, Abraxas immediately captured the public’s ear, spending six weeks at the No. 1 spot and sending the band's cosmic cover of Fleetwood Mac's “Black Magic Woman” into the Top 5. More than five million copies and countless global accolades later, Abraxas is legend.
Sault - Untitled (Rise)
Sault
Untitled (Rise)
2LP | 2020 | UK | Original (Forever Living Originals)
40,99 €*
Release: 2020 / UK – Original
Genre: Organic Grooves, Rock & Indie
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Optimal pressing.
The fourth album by Sault scored 97/100 at Metacritic and is the most beloved album at HHVs Supreme 100 of 2020 list, chosen by 150 journalists, musicians, label makers and record collectors.

Sault - Untitled (Rise), released in September 2020, is the follow-up to Untitled (Black Is) and serves as a companion piece to that earlier album. While Untitled (Black Is) focuses on themes of Black identity, struggle, and resilience in the face of systemic racism, Untitled (Rise) takes a more hopeful and celebratory approach. It explores empowerment, joy, and community, offering a sense of uplift and liberation alongside the weightier topics of social justice.

Untitled (Rise) retains the genre-blurring approach that defines Sault’s music, blending soul, funk, Afrobeat, gospel, R&B, and dance rhythms. However, the tone of Rise is generally more upbeat and celebratory compared to the heavier, introspective nature of Black Is. The album captures the feeling of dancing through adversity and finding joy despite the struggle. Its rhythms are infectious, and many tracks are designed to feel anthemic, with powerful group vocals and chants reinforcing themes of collective strength.

Lyrically, Untitled (Rise) touches on similar themes to Black Is, such as Black empowerment, pride, and resistance, but it emphasizes victory and triumph. The album feels like a call to action, but also a celebration of perseverance, healing, and unity.

Key Tracks:
"Strong" – A powerful and uplifting anthem about resilience and overcoming adversity. It features a driving rhythm and empowering lyrics, with group vocals that evoke a sense of unity and strength.
"Fearless" – A rhythmic, upbeat track with Afrobeat-inspired grooves, it’s a call to reject fear and embrace courage, a recurring theme in the album.
"I Just Want to Dance" – One of the standout tracks, this song blends disco-funk elements with a carefree energy, symbolizing the need for joy and release even amidst struggles.
"Free" – A slower, more reflective song that underscores the desire for freedom—both personal and societal. It’s soulful and deeply emotional, with heartfelt vocals.
"Rise" – The title track serves as a rallying cry, encouraging listeners to rise above oppression and celebrate their identity and power. The song's infectious rhythm and group chants amplify the message of empowerment.
Tone and Emotional Arc: Where Black Is may have felt heavy with its focus on the injustices faced by Black people, Rise balances that with a more optimistic and celebratory tone. It conveys a message that while the fight for justice continues, there is always room for joy, self-love, and communal solidarity. The album often feels like a soundtrack to liberation, pairing its socio-political themes with music that’s meant to inspire movement, whether literally on the dance floor or metaphorically in terms of social action.

The flow of the album is dynamic, shifting between more meditative moments and high-energy, danceable tracks. The rhythmic pulse is a constant thread, grounding the album in African and diasporic traditions, while the vocal arrangements often feel like modern spirituals or chants for a collective uprising.

The production, likely spearheaded by Inflo, is tight and minimalist, yet rich in texture. Sault’s signature use of layered vocals, often with group harmonies and chants, continues to play a central role in Rise, contributing to the communal, uplifting feel of the album. As always, Sault’s members remain largely anonymous, though Cleo Sol and Kid Sister are thought to have contributed vocally to the project.

Untitled (Rise) was met with widespread critical acclaim, much like its predecessor. Reviewers praised the album for its optimism and energy, viewing it as a necessary counterpart to Black Is. While Black Is was seen as an urgent protest album, Rise was lauded for its focus on joy, hope, and empowerment, making it feel like a musical celebration of survival and thriving.

The duality of these two albums—Black Is and Rise—allows Sault to capture a full spectrum of the Black experience, from pain and protest to resilience and celebration. Together, they form a powerful artistic statement on the complexities of identity and struggle.
Marilyn Manson - One Assassination Under God Chapter 1 Indie Exclusive Bone White with Black Splatter Vinyl Edition
Marilyn Manson
One Assassination Under God Chapter 1 Indie Exclusive Bone White with Black Splatter Vinyl Edition
LP | 2024 | EU | Original (Nuclear Blast)
34,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Sault - 7
Sault
7
LP | 2019 | UK | Reissue (Forever Living Originals)
28,99 €*
Release: 2019 / UK – Reissue
Genre: Organic Grooves, Rock & Indie, Pop
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Sault - 7 is the second album by the enigmatic collective Sault, released in September 2019, just a few months after their debut 5. Like its predecessor, 7 builds on the group's distinctive fusion of funk, soul, Afrobeat, R&B, post-punk, and electronic music. The album continues to explore socially conscious themes, especially around the Black experience, empowerment, and resilience, all while maintaining a danceable and groove-driven sound.

Sault - 7 has a slightly darker and more introspective tone than 5, though it retains the infectious rhythms and minimalist production that define the group's sound. The album feels more cohesive, with stronger thematic continuity across the tracks. It deals with themes of love, loss, self-empowerment, and societal struggles. The music is often underpinned by hypnotic basslines, percussion-heavy grooves, and layered vocals, combining the experimental with the accessible.

Key Tracks:
"Over" – A standout track with a raw, pulsating rhythm and a sense of emotional urgency. The vocals convey a sense of heartbreak and frustration, paired with a minimal but powerful instrumental.
"No Bullshit" – This song blends funk and soul with a defiant message, urging listeners to cut through dishonesty and focus on truth and realness.
"Friends" – A soulful, almost melancholic reflection on relationships, with stripped-down instrumentation that lets the emotive vocals shine.
"Living in America" – One of the more overtly political tracks, it addresses racial injustice and the realities of systemic oppression, a theme that becomes more pronounced in Sault's later work.
"Feel So Good" – With its infectious groove and danceable rhythm, this track channels optimism and joy, bringing a sense of release and celebration despite the heavier topics covered in other songs.
Mystery and Collective Approach: Much like with their debut 5, Sault continued to maintain a low profile with 7, avoiding typical promotional strategies or revealing much about their identities. Inflo is believed to be the primary producer, with artists like Cleo Sol and Kid Sister likely contributing vocals, though the group's collaborative nature makes it difficult to pin down exact credits. This mystery only adds to their allure, allowing the music to stand front and center.

The release of 7 so soon after 5 demonstrated the collective's prolific creativity, establishing a pattern of frequent and impactful releases that challenge genre conventions while maintaining a strong social and cultural consciousness.

Sault - 7 was well-received by critics, who praised the album for its innovative sound, emotional depth, and powerful messages. It solidified Sault as a major force in contemporary music, blending the political with the personal in a way that feels both timeless and urgent.
my bloody valentine - loveless
my bloody valentine
loveless
LP | 1991 | EU | Reissue (Domino)
29,99 €*
Release: 1991 / EU – Reissue
Genre: Rock & Indie
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Mastered from new hi-res uncompressed digital sources

LP Gatefold sleeve (sealed front pocket) Black heavyweight LP, printed polylined inner sleeve - inserts to rear pocket

Download card: MP3 / “Half inch” 16 bit 44.1K WAV / 24 bit 96K WAV (from original half inch) Shrinkwrap Marketing sticker + barcode sticker on reverse
The Sisters Of Mercy - Floodland Black Ice Galaxy Vinyl Edition
The Sisters Of Mercy
Floodland Black Ice Galaxy Vinyl Edition
LP | 1987 | UK | Reissue (Warner Music Uk)
31,99 €*
Release: 1987 / UK – Reissue
Genre: Rock & Indie
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At the end of their US tour in June 1985 The Sisters of Mercy effectively split up. Returning in November 1987 with ‘Floodland’ (UK #9), and still aided by the trusty Doktor Avalanche, Eldritch hired former Gun Club and Fur Bible bassist Patricia Morrison to complete the new line-up. Featuring the hit singles ‘This Corrosion’ (UK #7), ‘Dominion’ (UK #13) and ‘Lucretia My Reflection’ (UK #20), production duties were shared with none other than famed Meat Loaf writer Jim Steinman. Available for National Album Day on 1LP black ice galaxy vinyl for a limited run. Limited to 3000 copies for National Album Day UK.
Sault - Untitled (Black Is)
Sault
Untitled (Black Is)
2LP | 2020 | UK | Original (Forever Living Originals)
40,99 €*
Release: 2020 / UK – Original
Genre: Organic Grooves, Rock & Indie
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Last chance, last repress.

“We present our first ‘Untitled’ album to mark a moment in time where we as Black People, and of Black Origin are fighting for our lives. RIP George Floyd and all those who have suffered from police brutality and systemic racism. Change is happening… We are focused.”

Sault - Untitled (Black Is), released in June 2020, is one of the most celebrated albums from the collective Sault. The album came out during a pivotal moment in global discussions about race, equality, and justice, particularly following the murder of George Floyd and the resurgence of the Black Lives Matter movement. This context significantly shapes the thematic and emotional resonance of the record.

Untitled (Black Is) blends a wide array of genres, including soul, R&B, Afrobeat, funk, spoken word, and gospel, creating a sound that feels both timeless and contemporary. The album is deeply rooted in Black identity, pride, and struggle, making it a powerful statement on racial injustice and resilience. Lyrically, the album addresses themes of systemic racism, police brutality, Black empowerment, community, self-love, and the importance of unity.

The production, helmed by the collective’s enigmatic core (likely led by producer Inflo), features stripped-down yet layered instrumentation, with driving basslines, handclaps, and rhythmic percussion forming the backbone of many tracks. The vocals are often communal, with group chants and harmonies giving the album a spiritual, anthemic quality.

Key Tracks:
"Stop Dem" – A politically charged track with a pounding Afrobeat rhythm, addressing police violence and systemic racism head-on.
"Hard Life" – A soulful, melancholic reflection on the hardships faced by Black people, with haunting vocals and minimal production that highlights the emotional weight of the message.
"Wildfires" – A standout song on the album, this track blends silky, understated vocals with a powerful message about injustice and violence against Black lives. Its soulful and reflective tone gives it a timeless feel.
"Miracles" – This track offers a sense of hope and redemption, emphasizing the resilience and strength found within the Black community, despite the hardships faced.
"Black" – A declaration of Black pride and power, this track serves as one of the album’s central anthems, celebrating Black identity and culture while recognizing the challenges that come with it.
Cohesion and Impact: The album flows like a meditation on Blackness, weaving together not just music, but spoken word interludes and chants, creating a narrative arc that goes from pain to empowerment, from struggle to solidarity. The use of group vocals, chants, and Afrocentric rhythms throughout gives the record a communal and collective feel, emphasizing the idea of togetherness and unity.

One of the most distinctive aspects of Untitled (Black Is) is how it balances anger and frustration with hope and healing. While it directly addresses the oppression and violence faced by Black people, it also offers moments of joy, strength, and affirmation. The album is a call for action, but also for love and understanding.

As with previous releases, Sault maintained their air of mystery with Untitled (Black Is), releasing the album without much fanfare or explanation about the contributors. However, it's widely speculated that key figures like Inflo, Cleo Sol, and Kid Sister played significant roles in its creation. The album's timing and thematic focus made it especially impactful, with its messages resonating deeply during a time of global reflection on race and justice.

Untitled (Black Is) was met with critical acclaim, hailed as one of the most important albums of 2020. Critics praised its boldness, its timely themes, and its ability to mix protest music with a sense of spiritual uplift. The album was seen as not only a response to the times but as a work that stands in a long lineage of Black music addressing societal ills, from civil rights-era soul to modern-day protest anthems.
my bloody valentine - loveless Deluxe Edition
my bloody valentine
loveless Deluxe Edition
LP | 1991 | EU | Reissue (Domino)
31,99 €*
Release: 1991 / EU – Reissue
Genre: Rock & Indie
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Deary - Aurelia Golden Vinyl Edition
Deary
Aurelia Golden Vinyl Edition
LP | 2024 | UK | Original (Sonic Cathedral)
22,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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Just under a year after their acclaimed self-titled debut, dreampop duo deary release a brand new six-track EP – Aurelia – via Sonic Cathedral on November 1.

It includes the singles ‘The Moth’, ‘Selene’ and ‘The Drift’ and features Slowdive drummer Simon Scott playing on three songs. It will be available on three different vinyl variants, a CD with three bonus tracks and digitally.

It’s a stunning record, which displays a new-found maturity in terms of production as well as musically and lyrically. The band – singer Rebecca ‘Dottie’ Cockram and guitarist/producer Ben Easton – have had to grow up in public since the release of their debut single at the start of 2023, supporting legends such as Slowdive and Cranes and TikTok sensations like Wisp along the way.

An aurelian is a rare old term for a lepidopterist – someone who studies and collects moths – derived from the Latin aurelia, meaning chrysalis. The perfect title for an EP which is based around the theme of metamorphosis and change.

“It leans on the natural world, the human body, the earth and sky as well as human emotion,” says Ben of how the EP represents physical and metaphysical growth. “Change can be daunting but equally exciting, which is something we’ve come to learn.”

“While writing the EP, I found a letter I had written to myself when I was 22,” adds Dottie. “I was fresh out of university and had moved back in with my parents as Covid was in full force. I was uninspired and lost and reaching out to my future self for some hope. It was a physical representation of what can happen in a few years; how much can change and how you never know what’s coming next.

“I found it interesting that – at the age of 26 – here I was looking back to my younger self for hope or just some comfort in the fact that things will and do move on. It was important to me to bring both of these versions of myself into the new songs.”

“Personally, I had noticed a change in myself; a new level of social anxiety, a strange disassociation to things that once brought me joy as well as negative repetitions in my daily life,” reveals Ben. “I began the year sober which allowed me to finish the writing process as a letter of care to my own mental health. There are motifs throughout the EP – for example the riffs in ‘The Moth’ and ‘The Drift’ being reminiscent of each other – which are like musical reflections of these repeated cycles.”

It’s musically where the change deary have undergone is most obvious. ‘The Moth’ mixes howling guitars atop a strident breakbeat making it more Curve than Cocteaus; ‘Selene’ is a slow-building wall of noise; ‘The Drift’ combines a perfect pop melody with an incredible sense of urgency. These three singles are balanced by the brief but beautiful ‘Where You Are’ which leads into the Portishead-style trip-hop of ‘Dream Of Me’. The title track has been a staple of their live sets for about a year as ‘Can’t Sleep Tonight’, but its mix of The Cure circa Disintegration and Mezzanine Massive Attack has grown and evolved so much that they renamed it ‘Aurelia’ as the embodiment of the change they have been through.

“We’ve allowed deary to naturally grow over the past year, we didn’t want to force it to take a certain shape or sound,” explains Dottie of the duo’s slow and steady approach. “A lot of the last EP was written by sending ideas back and forth over WhatsApp, but this time we were able to sit in the same room and I think that really shows. We know each other a lot better now as we have experienced this journey together and that benefits the writing process as we are more open with each other and can be vulnerable.”

“Aurelia definitely feels a lot more collaborative, more personal and more fully realised than the first EP,” concludes Ben. “It feels like a real document of what has been a very important time in both of our lives. Ironically, the band has changed and matured even more since the recording, so we’re both excited to document the next stage.”
The Cure - The Head On The Door
The Cure
The Head On The Door
LP | 2010 | EU | Reissue (Polydor)
28,99 €*
Release: 2010 / EU – Reissue
Genre: Rock & Indie
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Featuring what many consider to be the classic Cure line-up of Robert Smith, Porl Thompson, Lol Tolhurst, Simon Gallup and Boris Williams, 1985's The Head On The Door was described by Spin magazine as a "1985 poptopian tour de force". Across the album's ten songs, the band's sixth studio opus walks a balance between the Cure's pop sensibilities with 'In Between Days' and 'Close To Me', with the more gothic 'The Blood' and 'Kyoto Song'. It was described by Uncut as "magnificently realised". 180 gram vinyl remastered "Back to black" 60th vinyl anniversary series. Includes a voucher to download MP3 version of the album.
Warbringer - Worlds Torn Asunder Blue Vinyl Edition
Warbringer
Worlds Torn Asunder Blue Vinyl Edition
LP | 2011 | EU | Reissue (M-Theory Audio)
31,34 €* 32,99 € -5%
Release: 2011 / EU – Reissue
Genre: Rock & Indie
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We’re pleased to present the second of three classic Century Media vinyl reissues from Warbringer. The next generation’s thrash metal force Warbringer have built a commendable reputation for themselves with heralded albums and consistent touring supporting some of the biggest names in metal. We’re pleased to present a limited 500 copy run of this blue vinyl version with loads of extras in an expanded package, plus two bonus tracks – covers of Swedish black metal band Bathory’s “Sacrifice” and the Motorhead classic “(We Are the) Road Crew,” which Warbringer often includes in their set lists to this day. 2011’s Worlds Torn Asunder took things up a notch and Warbringer really came into their own with a confident and bold new effort, and first featuring drummer Carlos Cruz. Produced by Steve Evetts, Worlds Torn Asunder features classics like “Living Weapon” and “Shattered Like Glass.” Two years of touring continued launched by the band’s first national headlining tour and US support slots to Destruction, Symphony X, Iced Earth and Death Angel, in addition to a European tour with Arch Enemy and virtually every metal festival.
Stone Temple Pilots - Purple Atlantic 75 Series
Stone Temple Pilots
Purple Atlantic 75 Series
2LP | 2023 | US | Reissue (Analogue Productions Atlantic 75 Series)
69,99 €*
Release: 2023 / US – Reissue
Genre: Rock & Indie
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Analogue Productions (Atlantic 75 Series)

Celebrating the 75th Anniversary of Atlantic Records!

Stone Temple Pilot's No. 1 charting second album

Includes "Interstate Love Song," "Vasoline" and "Big Empty"

180-gram 45 RPM double LP

Mastered directly from the original master tape by Ryan K. Smith at Sterling Sound

Pressed at Quality Record Pressings

Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing

Purple, the second studio album released in 1994 by the Stone Temple Pilots, stands as a monumental achievement in the band's career and a defining moment in the grunge and alternative rock music scene of the 1990s. With a potent blend of raw energy, introspective lyrics and masterful musicianship, Purple not only catapulted Stone Temple Pilots to superstardom, but it also marked a significant evolution in the band's sound.

The album, building on the foundations laid by the band's debut album Core, was a huge success for the band, debuting at No. 1 on the Billboard 200 chart and quickly achieving multi-platinum status, worldwide.

Its chart-topping single, "Interstate Love Song," became an anthem for a generation, and the album as a whole showcased the band's artistic prowess.

Lyrically, "Purple" also revealed a more introspective and mature side of Stone Temple Pilots. Scott Weiland's songwriting delved into personal struggles and emotions, addressing themes of addiction, love, and self-discovery. This depth added a layer of authenticity to the album, allowing listeners to connect with the band on a profound level.

Purple also demonstrated that Stone Temple Pilots were more than just another grunge act; they were a force to be reckoned with, capable of delivering powerful and emotionally resonant music. Purple remains a crucial chapter in the band's history and an essential listen for any fan of rock music.

Analogue Productions has given the showstopping Purple the full reissue treatment: Mastered directly from the original master tape by Ryan K. Smith at Sterling Sound and cut at 45 RPM. Pressed on 180-gram vinyl at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.
The Rolling Stones - Get Yer Ya-Ya's Out! Black Friday Record Store Day 2024 Edition
The Rolling Stones
Get Yer Ya-Ya's Out! Black Friday Record Store Day 2024 Edition
LP | 2003 | Reissue (ABKCO)
TBA
The final price is not yet known.
Release: 2003 / Reissue
Genre: Rock & Indie
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Coming Soon 2024-11-29, 12:00 CET
RSD First, Limitation: 6400

Get Yer Ya-Ya's Out! holds the distinction of being the first live album by any artist to have reached #1 on the UK charts. Recorded at Madison Square Garden in New York City on November 27 and 28, 1969, it is considered The Rolling Stones' finest live album. It was their first release featuring guitarist Mick Taylor who had joined several months earlier. Included are such hits as "Jumpin' Jack Flash," "Street Fighting Man," and "Sympathy for the Devil."
This RSD Black Friday 2024 release is pressed on Candy Cane Swirl Vinyl (matching Charlie’s hat!) and the package includes a litho and OBI strip.
Tool - The Pepsi Challenge Vol.1 Black Vinyl Edition
Tool
The Pepsi Challenge Vol.1 Black Vinyl Edition
2LP | 2024 | EU | Original (Gimme)
33,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Preorder shipping from 2024-11-01
Muse - Will Of The People Black Vinyl Edition
Muse
Will Of The People Black Vinyl Edition
LP | 2022 | EU | Original (Warner)
23,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Grammy Award winning English rock band Muse will release their long-awaited ninth studio album Will Of The People on August 26th via Warner Records. Of the album, Muse frontman Matt Bellamy says, “Will Of The People was created in Los Angeles and London and is influenced by the increasing uncertainty and instability in the world. A pandemic, new wars in Europe, massive protests & riots, an attempted insurrection, Western democracy wavering, rising authoritarianism, wildfires and natural disasters and the destabilization of the global order all informed Will Of The People. It has been a worrying and scary time for all of us as the Western empire and the natural world, which have cradled us for so long are genuinely threatened. This album is a personal navigation through those fears and preparation for what comes next.”

With Muse being Muse, there is NO bowing to any singular genre. The album’s title track “Will Of The People” brings playful provocation to a dystopian glam-rocker while there is an innocence and a purity to the nostalgic electronic textures of “Verona.” From the visceral thrill of “Won’t Stand Down,” to the industrial-tinged, granite heavy riffs of “Kill Or Be Killed,” or the lightning-bolt rush of “Euphoria,” the album concludes with the frenetic finale of the brutally honest “We Are Fucking Fucked.”

On the band’s new single “Compliance,” Bellamy says, “‘Compliance’ is about submission to authoritarian rules and reassuring untruths to be accepted to an in-group. Gangs, governments, demagogues, social media algorithms & religions seduce us during times of vulnerability, creating arbitrary rules and distorted ideas for us to comply with. They sell us comforting myths, telling us only they can explain reality while simultaneously diminishing our freedom, autonomy and independent thought. We are not just coerced, we are herded, frightened and corralled to produce a daily ‘2 minutes of hate’ against an out-group of their choosing and to turn a blind eye to our own internal voice of reason & compassion. They just need our Compliance.”

“Compliance” is immediately addictive, embellished with sleek synths and elements of off-kilter alt-pop. As Bellamy sings, “We just need your compliance / You will feel no pain anymore / No more defiance / Just give us your compliance,” the crashing of the drums and intermittent bass cause the song to swell with power. The accompanying video (directed by Jeremi Durand and shot in Poland) was inspired by the film ‘Looper’ and follows three children wearing masks destroying their future selves in order to escape a dystopian and oppressive world. Watch HERE.

Will Of The People was produced by Muse. Key collaborators include mixing on eight tracks by the multiple Grammy Award winner Serban Ghenea; mixing from Dan Lancaster on “Won’t Stand Down,” and additional mixing on “Kill Or Be Killed” from Aleks von Korff;

Will Of The People is now available to pre-order HERE, with “Compliance” and “Won’t Stand Down” provided as instant downloads. It will be released on digital, black vinyl and CD, as well as a selection of collectible formats. These include a marbled double-vinyl which is available exclusively from the band’s official store.

About Muse

Muse is Matt Bellamy, Dominic Howard and Chris Wolstenholme. Their last album, Simulation Theory, debuted at #1 in multiple territories and marked the band’s sixth straight album to debut in the U.K top spot. Their previous studio album, Drones, went on to win a Grammy Award for Best Rock Album, the band’s second.. Since forming in 1994, Muse have released eight studio albums, selling over 20 million units worldwide.

Widely recognized as one of the best live bands in the world, Muse have won numerous music awards including two Grammy Awards, an American Music Award, five MTV Europe Music Awards, two Brit Awards, eleven NME Awards and seven Q Awards, amongst others.
Metallica - Metallica Remastered Vinyl Edition
Metallica
Metallica Remastered Vinyl Edition
2LP | 1991 | EU | Reissue (Universal Music International)
47,99 €*
Release: 1991 / EU – Reissue
Genre: Rock & Indie
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Grave - Nr. 1 Black Vinyl Edition
Grave
Nr. 1 Black Vinyl Edition
LP | 1975 | EU | Reissue (Sommor)
26,99 €*
Release: 1975 / EU – Reissue
Genre: Rock & Indie
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Ultimate Kraut basement hard-rock garage monster, originally released as a small private pressing edition of 100 copies in 1975. Originally from Brinkum (near Bremen), Grave was formed in a basement in 1975. Using a primitive tape recorder and just two mics, six tracks were recorded live at a makeshift studio located at the Brinkum Jugendhaus (Youth Center) in summer 1975, resulting in the Grave Nr. 1 album. Grave’s music is raw, sincere, melancholic and unadulterated.
Deep Purple - =1 Box Edition
Deep Purple
=1 Box Edition
Box | 2024 | EU | Original (Edel:Records)
80,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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V.A. - Brown Acid: The Eigtheenth Trip Colored Vinyl Edition
V.A.
Brown Acid: The Eigtheenth Trip Colored Vinyl Edition
LP | 2024 | US | Original (Riding Easy)
31,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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if you survived trips 1-17 with one tiny speck of psychedelic sunshine intact, Brown Acid The 18th Trip will be your coming of age nightmare. Vintage underground '70s hard rock, coming at you from bizarre angles, local scene wasteland America when everybody was out for themselves and the drugs went bleak. The guitars kill, the attitude is twisted, even the sex is headed down the wrong road. Real people, no compromise, pure and potent. Get stoked, take the 18th Trip and know that the artists will get paid for pulverizing your soul! "People… are you ready?, 'cause the music now is getting so heavy"… Back Jack out of St. Louis, Missouri in 1974 launch our trip with "Bridge Waters Dynamite". It's an invocation to rock flashing on Mark Farner whooping up a Grand Funk crowd, then getting to the point quickly with berserk guitar assaults. Heavy riff with power chord stalks beneath as you take their advice… get loose and blow up the past. Smokin' Buku Band dropped my jaw with the audacious track "Hot Love" coming on like some fractured fever dream burlesque of Led Zep moves out of Hollywood in 1980. Swooping elongated vocals above, a total Zep chord move at the end of each verse. Writer/producer Steve Shauger aka Shag Stevens gets a brilliantly messed up sound quality here, the ideal polar opposite of slick. The extended guitar break is an epitome of serendipitously crude virtuosity, simply outrageous! Coming at you from way outta left field is "Moby Shark" by Atlantis, a hilarious and strange Baltimore pre-punk vibed dose of D.I.Y. meets hard rock. Lon Talbot is the mastermind, the flip side of this impossibly rare Mekon Records label single was featured in an obscure 1978 B-movie titled "The Alien Factor". Follow the lyrics closely, when the ominous jaws jaws jaws start coming after you you you… the song's big hook is so preposterously catchy the shark attack feels like good news. Inquiring minds should know that the band formerly known as Atlantis can now be found by searching for the Lon Talbot Group! Tommy Stuart and the Rubberband's "Peeking Through Your Window" from 1970 opens with a spooky organ riff, slips into a gushy fuzz/organ groove akin to "Mustache In Your Face” by Pretty. The singer creates downright creepy vibes, a stalker peeking through the girl's mind like a peeping Tom at the window up to no good. The lyrics evoke a disturbing scenario. Tommy Stuart also made a strange LP titled Hound Dog Man in 1977 and some terrific rare garage singles under the names Magnificent Seven and The Omen & Their Love in the mid '60s. Nothing better than an angry two chord guitar attack with cowbell to set the stage for this rant about getting "Ripped Off" by love. Taken from their rare 1977 LP on Dynamite Records, Chicago Triangle was Marvey Esparza, Dave Guereca, Jose 'Tarr' Perez and Robert Aguilera. They unleash such strong brain-scrubbing wah wah frenzy in the guitar break here that it seems to perversely mock it's own intensity! Like I said, Brown Acid the 18th Trip comes at you from all kinds of uncanny angles. Damnation of Adam Blessing out of Cleveland, Ohio unleashed a stone killer psychedelic hard rock classic "Cookbook" in the late '60s, this track "Nightmare" from 1973 has them cooking again at full power. A different singer, name change to Damnation and then Glory, unleashing a deadly dose of dark progressive heavy rock drama peaking when spooky 'oooo-wa-oooo' background vocals emerge during a bizarre spoken bit. It unfolds like a mini-epic and includes some remarkably brutal guitar and turbulent organ, too. "Swing your sword, all aboard… bid farewell to the dreamer" Dalquist exclaims. Cynical view of human nature, idealism is over, war is coming, it always does. Opens with a cold menacing riff and atmosphere reminiscent of "Synthezoid Heartbreak" by Maya. Mournful despondent vocals ride an insistent churning groove, gnarly guitar break moves into free noise territory. This rare track is from a local various artists benefit album titled Kangaroo Jam issued for the Waco Family Abuse Center in Texas circa 1980. The Pawnbrokers "Realize" is prime proto heavy rock emerging out of psychedelic garage roots in 1968 Fargo, North Dakota. Unusual arrangement, terrific sustain guitar tones like on the first Blue Cheer LP, even a rip on Hendrix "Manic Depression" with unison voice and guitar ascent near the end. They made three 45s and were active from '65 to '69. Hats off to Blake English, Kent Richey, Paul Rogne and Steve Harrison, you nailed it in just a hair over two minutes! As pure and creative as the original psychedelic garage hard rock gets. Parchment Farm from Union, Missouri gigged with the likes of ZZ Top and Foghat back in the day and unleashed the amazing "Songs Of The Dead" in 1971. Primitive riff/chord pattern dosed with some funky prog moves, sky turning black, 'is this heaven or hell' type disoriented confusion… may as well grab your guitar and sing songs to the dead. Robert 'Ace' Williams on bass, Paul Cockrum on guitar, Gary Reed on keys and Micky Waterman on drums, replacing Mike Dulany (R.I.P.) Cool that they use the Blue Cheer misspelling from Vincebus Eruptum for the band name! Ominous organ, thick minimalist fuzz riff, funky psychedelic wah wah flashes and freaky sex combine in one twisted dance titled "Rockin' Chair" by Brothers Of The Ghetto. Out of Chicago in 1975 with some Santana atmospherics and a delicious fuzz wah screamin' guitar break, the groove is highlighted by an off the wall vocal which sounds eerily detached in a subtly sleazy way. Rene Maxwell is the writer of this hard-rock boogie-down hybrid straight out of the twilight zone. It was issued on Ghetto, a subsidiary of the peculiar Kiderian label that released the Creme Soda LP. Now that your head is totally skewered, go Back Jack and play side one again! (Words by Paul Major)
David Bowie - Diamond Dogs 50th Anniversary Half-Speed Mastered Vinyl Edition
David Bowie
Diamond Dogs 50th Anniversary Half-Speed Mastered Vinyl Edition
LP | 1974 | EU | Reissue (Parlophone Label Group)
33,99 €*
Release: 1974 / EU – Reissue
Genre: Rock & Indie
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Warbringer - IV: Empires Collapse Blue / Green Colored Vinyl Editoin
Warbringer
IV: Empires Collapse Blue / Green Colored Vinyl Editoin
LP | 2013 | EU | Reissue (M-Theory Audio)
21,44 €* 32,99 € -35%
Release: 2013 / EU – Reissue
Genre: Rock & Indie
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We’re pleased to present the third of three classic Century Media vinyl reissues from Warbringer. The next generation’s thrash metal force Warbringer have built a commendable reputation for themselves with heralded albums and consistent touring supporting some of the biggest names in metal. We’re pleased to present a limited 500 copy run of this blue/green vinyl version with loads of extras in an expanded package 2013’s Warbringer IV: Empires Collapse showcased the band aiming to diversify their sound and taking chances by expanding boundaries by continuing to bring in more influences from black metal to punk to industrial in a overall more experimental and free effort that was initially met with mixed reactions but has become a favorite amongst many in the band’s fanbase. Continuing to work with producer Steve Evetts (Sepultura, Hatebreed, Symphony X) the band opted for a different mix and enlisted Brett Eliason (Pearl Jam, Avenged Sevenfold) who brought a cleaner and different approach to the traditional thrash band. Staples include “The Turning of the Gears,” “Hunter-Seeker,” “Black Sun, Black Moon” and the epic “Towers of the Serpent.” The reissue adds the band’s take on the Led Zeppelin classic “Communication Breakdown.” Touring continued with notable supports to Overkill and Kreator in the US and Iced Earth in Europe.
Teddy Swims - I've Tried Everything But Therapy (Part 1.5) Black Friday Record Store Day 2024 Edition
Teddy Swims
I've Tried Everything But Therapy (Part 1.5) Black Friday Record Store Day 2024 Edition
LP | 2024 | Reissue (Warner)
39,99 €*
Release: 2024 / Reissue
Genre: Rock & Indie
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RSD Exclusive, Limitation: 5000

Teddy Swims' debut album featuring hit songs "Lose Control" and "The Door" plus four songs on vinyl for the very first time!
This limited edition exclusive for RSD Black Friday is pressed on Baby Blue Vinyl.
Coil / Nine Inch Nails - Recoiled Colored Vinyl Edition
Coil / Nine Inch Nails
Recoiled Colored Vinyl Edition
LP | 2024 | UK | Original (Cold Spring)
32,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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10 Year Anniversary LP Edition! Out of print for nearly a decade, we are proud to announce the much-demanded new vinyl edition of this legendary collaboration. Black or coloured LP in full-colour sleeve with printed inner sleeve. "Recoiled" is a rambunctious alchemy, of magikal COIL sensibilities and hi-tech home circa 90's mixing technique, all fused in the cave-like early studios of Danny Hyde / Peter Christopherson.These were the unrestrained PRE- BIG studio- mix downs, of four songs which long time Coil admirer / collaborator Trent Reznor (Nine Inch Nails) requested Coil to remix. Reznor sent over the original multi-tracks and DATs to Hyde / Christopherson, who independently mixed versions and then met to synch both creations, molding them into these master versions. ”Recoiled” includes a fuller, more opulent version of the track 'Closer', which eventually made it onto the opening credits to the movie "SE7EN". These 5 lengthy compositions are pre-Ableton / laptop generation type priest song creations, with the use of baby alarms and numerous wires to create bespoke effects. These legendary tracks were always rumoured to exist and, only the due diligence of a dedicated NIN forum who hunted them down, are released/unleashed for your listening pleasure. 4 of the tracks were released on the download-only "Uncoiled". A bonus, previously unheard track from the same sessions closes the album. Jhonn Balance is also manifest on this gilded constellation. Beautifully remastered.A dizzying reworking of the NIN classic by the late and legendary Industrial duo (The Times)Beautiful, the stuff of legend (5/5, Deaf Sparrow). The music here is so thrilling... a pure and inspired collaboration (8/10, Louder Than War) A curious electronica that tends towards the lysergic, the downbeat and the perverse (Fact Mag) As time capsules go it's pretty darned effective (The Line Of Best Fit) A1. Gave Up (Open My Eyes) (5:28)A2. Closer (Unrecalled) (7:41)A3. The Downward Spiral (A Gilded Sickness) (7:59)B1. Eraser (Reduction) 8:45B2. Eraser (Baby Alarm Remix) (8:54)
Upupayama - The Golden Pond Black Vinyl Edition
Upupayama
The Golden Pond Black Vinyl Edition
LP | 2022 | UK | Original (Cardinal Fuzz)
30,99 €*
Release: 2022 / UK – Original
Genre: Rock & Indie
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Upupayāma is the musical persona of Alessio Ferrari, an Italian multi-instrumentalist and songwriter who lives in a small mountain village above the city of Parma. Upupayāma’s music is rooted strongly in Eastern and Western folk traditions, an approach that Ferrari blends with his own modern sensibilities and style. In addition to playing guitar, bass, keyboards, and drums, Ferrari himself also incorporates a number of other instruments into his sound, including sitar, erhu, flute, and a variety of percussion instruments. Artist: Upupayama Title: THE Golden Pond Labels: Cardinal Fuzz (Europe), Centripetal Force (usa), Release Date: 25th November 22 For Ferrari, Upupayāma's 2020 debut was all about the journey. The album served a series of musical vignettes that visited and weaved its way through a succession magical settings. The Golden Pond, conversely, is all about location. Inspired by his frequent visits to a small lake near his mountain home, Ferrari intentionally focused on the details of the place he inhabited, a practice he decided would translate well with his approach to writing music. This is something Ferrari feels is best exemplified with the album's opening companion pieces, "Cuckoos from the House of Golden Tin" and "Entering the Time of Wilderness." The Golden Pond also continues Ferrari's practice of using "invented language" in his lyrics. Ferrari wants his voice to be heard as if it were an additional instrument, a tool that does not convey specific messages. His goal is to allow the listener to assign personal meaning to the music. He says, "I want my incorporating invented language is a way of breaking down the barriers that are sometimes created by language, by having to define something at all costs. Ferrari adds, "I think one of my unconscious dreams is not to have to define any[1]thing, but just to be carried away by our feelings." Earlier this year Ferrari put together a group of musicians to help him deliver his live vision of Upupayāma. They made their debut in Rome in May, and they will play a couple of shows in advance of the album being released. Both dates will be in October, one in Kreuzlingen, Switzerland and the other in Esslingen, Germany. Plans to tour throughout Eu[1]rope in the spring of 2023 are currently in the works via El Borracho Booking. The Golden Pond will be Upupayāma's second album with Centripetal Force and Cardinal Fuzz, the first being the well-received self-titled debut in 2021, which is being repressed to coincide with the release of The Golden Pond in November.
Group Listening - Clarinet & Oiano: Selected Works 2 Milky Clear Vinyl Edition
Group Listening
Clarinet & Oiano: Selected Works 2 Milky Clear Vinyl Edition
LP | 2022 | UK | Original (Prah)
23,99 €*
Release: 2022 / UK – Original
Genre: Rock & Indie
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Group Listening"s brilliant first album, Clarinet & Piano: Selected Works, Vol.1, was a haunting, meditative and lovingly considered selection box of musical reworkings. It featured rearranged tracks by the likes of Arthur Russell, Brian Eno and Robert Wyatt. But it was also much more than that. In making this record of reimagined musical works, Stephen Black [Clarinet] and Paul Jones [Piano] were two musicians doing what all music fans do: comparing favourite tracks, turning each piece over for new meaning and developing a musical understanding of each other in the process.
Harvestman - Triptych : Part Three
Harvestman
Triptych : Part Three
LP | 2024 | UK | Original (Neurot)
31,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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Woven together from home studio recordings that span two decades, and with some notable guest appearances including; The Bug, Douglas Leal of Deafkids, Wayne Adams of Petbrick, Dave French of Yob and Sanford Parker, this final part of the Harvestman Triptych seeks once again for a lost world, with the voice of poet Ezra Pound extolling the virtues of "gather[ing] from the air a live tradition".
Cloudy Clear plus Black Galaxy effect vinyl in dub style jacket. Limited and Non-Returnable.
At its heart, music has always been a questioning of inheritance – a dialogue with predecessors and forebears, the forging of one’s own perspective in relation to what has come before, and for some, a plunge into the boundless realms between. For Steve Von Till, that process has always taken on an added dimension to become the most sacred of tasks. Whether through the apocalyptic uprising of Neurosis, the sonic deconstructions of their sister project, Tribes of Neurot, the invocatory intimacy of his eponymous solo albums or his instrumental psychedelic reveries in the guise of Harvestman, that dialogue has never just been with musical influences, but with what underpins them: the primordial, elemental forces now banished to the peripheries of our contemporary consciousness, yet still broadcasting a signal for all who will listen.

Drawn to the megaliths, ruins and ancient sites mapped out along the British and European mainland’s geographical and psychic landscapes, the folklore and apocrypha forever resurfacing as portals from a rational world, Triptych is a meditation forged from traces and residues, and an hallucinatory recollection of artists who have tapped into that enduring otherworldliness embedded within us all. It’s a dream diary narrating a passage through Summer Isle where Flying Saucer Attack are wafting out of a window, a distant Fairport Convention are being remixed by dub master Adrian Sherwood, celestial scanners Tangerine Dream are trying to drown out Bert Jansch and Hawkwind are playing Steeleye Span covers, all prised out of time yet bound to its singularity.

"Herne's Oak" provides seismic bass waves that physically halt the track in its steps - giant footfalls as Herne's antlers themselves are dragged along a corridor. Another curious and mysterious piece of British folklore brought to life by Harvestman.

If Triptych is a multi- and extra-sensory experience, it extends to the remarkable glyph-style artwork of Henry Hablak, a map of correspondences from a long-forgotten ancient and advanced civilization. As with Triptych itself, it’s an echo from another time, an act of binding, a guide to be endlessly reinterpreted, and a signpost to the sacred that might not indicate where to look, but how.

Cover art is by Henry Hablak, who also designed the art for Part One and Part Two.

Part Three will be coming on October 17th's Hunter Moon.Part One was released on the Pink Moon on 23rd April and Part Two was released on 21st July's Buck Moon.
Black Ox Orkestra - Everything Returns
Black Ox Orkestra
Everything Returns
LP | 2022 | CA | Original (Constellation)
26,99 €*
Release: 2022 / CA – Original
Genre: Rock & Indie
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Everything Returns reunites the original Black Ox Orkestar lineup following a 15-year hiatus. Arising from the fertile Montréal post-punk agit-prop scene of the early 2000s, the band comprises Scott Gilmore, Jessica Moss and Thierry Amar of Thee Silver Mt. Zion (Amar also continues to compose and play bass for Godspeed You! Black Emperor) and Gabriel Levine of Sackville. Black Ox made two acclaimed albums of roiling acoustic avant-folk in the mid-2000s, exploring Eastern European and North African folkways through the lens of a gritty, resonant indie rock sensibility, juxtaposing interpretations of instrumentals from various Jewish, Romani and Arabic traditions with originals led by Gilmore's politically-charged Yiddish vocals. These early albums have since become lodestars for many among a new generation of Yiddish, Klezmer and radical Jewish diasporic music practitioners and fans. First revealing its resurrection in February 2022 with a surprise flexi 7" single issued by left journal Jewish Currents as a gift to its thousands of subscribers, Black Ox has indeed fully and fruitfully reunited. Exquisitely recorded by Greg Norman (Jason Molina, Nina Nastasia, Electrical Audio), Everything Returns picks up right where the band left off: an incisively atmospheric, melancholic yet resolute album of uniquely modern Jewish folk music, with piano, violin, upright bass, clarinet and cymbalom making up the core instrumentation, and the vocal tunes sung primarily in Yiddish, alongside album centerpiece "Viderkol" and closer "Lamed-Vovnik" where English also features. This is not fusion music, but diaspora music: a cross-cultural call and response of musical lexicons, emerging from the history of Jewish persecution and displacement, the musicology of 19th century repertoire from Jewish shtetls , the improvisational traditions of nusakh in Jewish music and taqsim in Arabic music, and a wider polyglot dialogue of Jewish, Slavic, Arabic, and Central Asian musical traditions. Lyrically and stylistically, Everything Returns connects key current issues_from refugees forced to leave their homes, to the return of fascism and exclusionary nationalism_with the legacy of modernist Yiddish poetry and song. The new Black Ox Orkestar album is a sublime, poetic, politically-informed statement of re-energized diasporic musical intent, where Gilmore's voice and the band's simmering arrangements conjure an ardent, doleful balladry that echoes the sound and sensibility of artists like Tindersticks, The National, Nick Cave and Leonard Cohen. Everything Returns is a haunting, richly textured, darkly sparkling song cycle at once from a vanished world and very much of our time and place. Thanks for listening.
Godspeed You Black Emperor! - Luciferian Towers
Godspeed You Black Emperor!
Luciferian Towers
LP | 2017 | CA | Original (Constellation)
26,99 €*
Release: 2017 / CA – Original
Genre: Rock & Indie
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The seventh record by Godspeed You! Black Emperor will be released 22 September 2017 on Constellation.

‘Luciferian Towers‘ was recorded during the winter of 2016/2017 at Montreal’s Hotel2Tango, with Greg Norman once again engineering and co-producing (as he did on the band’s previous album ‘Asunder, Sweet And Other Distress‘).

The music on ‘Luciferian Towers‘ took shape over the past two years, amidst GYBE’s collaborative performances with the Holy Body Tattoo dance company’s monumental, and spurred by the commissioning of new compositions memorializing the 100th anniversary of the WWI Battle of Messines, which premiered at a live concert event on the site of the massacre at Heuvelland, Belgium this past June.

‘Luciferian Towers‘ is Godspeed’s third album since the group’s ‘reunion’ in 2011 and their second consecutive single LP-length record (following three double-album releases in 2000, 2002 and 2012).

this, this long-playing record, a thing we made in the midst of communal mess, raising dogs and children. eyes up and filled with dreadful joy – we aimed for wrong notes that explode, a quiet muttering amplified heavenward. we recorded it all in a burning motorboat.

(context as follows:)

1. UNDOING A LUCIFERIAN TOWERS – look at that fucking skyline! big lazy money writ in dull marble obelisks! imagine all those buildings much later on, hollowed out and stripped bare of wires and glass, listen- the wind is whistling through all 3,000 of its burning window-holes!

2. BOSSES HANG – labor, alienated from the wealth it creates, so that holy cow, most of us live precariously! kicking at it, but barely hanging on! also – the proud illuminations of our shortened lives! also – more of us than them! also – what we need now is shovels, wells, and barricades!

3. FAM / FAMINE – how they kill us = absentee landlord, burning high-rise. the loud panics of child-policemen and their exploding trigger-hands. with the dull edge of an arbitrary meritocracy. neglect, cancer maps, drone strike, famine. the forest is burning and soon they’ll hunt us like wolves.

4. ANTHEM FOR NO STATE – kanada, emptied of its minerals and dirty oil. emptied of its trees and water. a crippled thing, drowning in a puddle, covered in ants. the ocean doesn’t give a shit because it knows it’s dying too.

finally and in conclusion;
the “luciferian towers” L.P. was informed by the following grand demands:
+ an end to foreign invasions
+ an end to borders
+ the total dismantling of the prison-industrial complex
+ healthcare, housing, food and water acknowledged as an inalienable human right
+ the expert fuckers who broke this world never get to speak again

much love to all the other lost and wondering ones,
xoxoxox god’s pee / montréal / 4 juillet, 2017

PERSONNEL
Aidan Girt: Drums
David Bryant: Electric guitar, MG-One
Efrim Manuel Menuck: Electric guitar, organ, OP-1
Karl Lemieux: 16mm film projections
Mauro Pezzente: Electric bass
Michael Moya: Electric guitar
Sophie Trudeau: Violins, organ
Thierry Amar: Contrebasse, electric bass
Timothy Herzog: Drums

GUESTS ON TRACK ONE
Bonnie Kane (saxophone, flute, electronics)
Craig Pederson (trumpet)
Trauma Ray - Chameleon Mint Green Vinyl Edition
Trauma Ray
Chameleon Mint Green Vinyl Edition
LP | 2024 | US | Original (Dais)
24,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Since first bonding over Slowdive at a Texas karaoke bar six years ago, musicians Uriel Avila and Jonathan Perez have grown trauma ray into Fort Worth's foremost flag bearer of crushing shoegaze. A five-piece rounded out by bassist Darren Baun, drummer Nicholas Bobotas, and guitarist Coleman Pruitt, the band's debut album, Chameleon, captures their evolving sound at an apex of majestic devastation. A fusion of downer hooks, gauzy melancholia, and bulldozer riffs, the album heaves and crashes across 50 minutes of stacked amplifier alchemy. Lyrically the songs trace similarly lofty and brooding terrain; Avila says "The theme is death. And a chameleon, like death, can shape-shift in and out our lives in different forms." Chameleon opens with "Ember," dreamy and distant, alternately anthemic and apocalyptic, defeated and deafening. Lead single "Bishop" perfectly encapsulates trauma ray's depth and dimension, ripping out of the gate with "the biggest, baddest, saddest wall of sound." Lyrics about being burnt at the stake and "tossed in the flame" float above a stop-start assault of precision distortion, eventually expanding into a lush, heavy, sorrowful end coda. "Spectre" is a mysterious, introspective dirge, envisioned as a "mellow, slowcore, Duster-thing," all feeling and heavy fuzz chords (with no lead guitar). Avila wrote it, "to be a hymnal" from the perspective of someone who won't let go - a ghost, an ex, a shadow self. Although the album is rich with subtleties, graceful lulls, and "breaths of air," the band's three guitar attack is its defining force, a power flexed to its peak on "Bardo." Perez's intentions were blunt: "I wanted to write a riff that was hard as fuck." The result is alternately mean and eerie, veering between noisy one string bends and surging headbang, mapping a middle ground between Unwound and early-Deftones. One of trauma ray's greatest gifts is their ability to make doomy, sledgehammer heaviness sound like an earworm, without production tricks or gimmicks: "Riff, verse, chorus, three guitar parts - that's all you need." This quality is particularly apparent on the title track, a churning slab of amplifier worship, swirling chords, and heavenly, defeated vocals about not belonging, shape-shifting, and death ("A twisted face / Void of attention / An empty space / In your reflection"). "U.S.D.D.O.S" closes the album, swaying across seven minutes of grey skied guitar and haunted voice, subtly thickening as it deepens. Feedback and shrapnel gradually begin raining down, like a satellite disintegrating in the atmosphere. Titled as an acronym after a poem by Chilean writer Roberto Bolaño that loosely translates to "a dream within a dream," the melody softens, smears, and then disappears, slowly swallowed by the gravity of eternal descent. Chameleon is a masterpiece of craft, balance, melody, lyricism, and gravity, flexing a fresh vision of loud-quiet-loud architectures and the vertigo depths of blasted harmonics. From Slowdive to Nothing, to Hum and beyond, the band absorb and expand on their influences into a rare and dedicated alchemy. trauma ray's cinematic tempest is a gathering storm only just taking flight.
Deep Purple - =1 Black Vinyl Edition
Deep Purple
=1 Black Vinyl Edition
2LP | 2024 | EU | Original (Edel:Records)
34,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Black Sabbath - Paranoid Record Store Day 2024 Red & Black Splatter Vinyl Edition
Black Sabbath
Paranoid Record Store Day 2024 Red & Black Splatter Vinyl Edition
LP | 2024 | Original (Sanctuary)
40,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Black Sabbath – Paranoid. The second epic studio album from the band who instigated the heavy metal genre, and the only Black Sabbath album to top the British charts for the next four decades. This 1LP red and black splatter vinyl re-issue contains several of the band’s signature songs, including ‘Iron Man’, ‘War Pigs’, and the harrowing title track.
Foreigner - 4 Atlantic 75 Series
Foreigner
4 Atlantic 75 Series
2LP | 1981 | US | Reissue (Analogue Productions Atlantic 75 Series)
86,99 €*
Release: 1981 / US – Reissue
Genre: Rock & Indie
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180g 2LP 45rpm Gatefold Sleeve


Analogue Productions (Atlantic 75 Series)
Celebrating the 75th Anniversary of Atlantic Records!
Foreigner's No. 1-selling fourth studio album!
Featuring "Urgent," "Waiting for Girl Like You," and "Juke Box Hero"
180-gram 45 RPM double LP
Pressed at Quality Record Pressings
Tip-on old style gatefold double pocket jacket by Stoughton Printing

Throughout the course of three late-70s albums, Foreigner (along with Journey and Styx) was recognized as one of the top AOR bands of the era. But the band was still looking for that grand slam of a record that would push them to the very top of the heap. Released in 1981, 4 would be that album, writes AllMusic.

In producer Robert John "Mutt" Lange — fresh off his massive success with AC/DC's Back in Black — guitarist and all-around mastermind Mick Jones found both the catalyst to achieve this and his perfect musical soulmate. Lange's legendary obsessive attention to detail and Jones' highly disciplined guitar heroics (which he never allowed to get in the way of a great song) resulted in a collaboration of unprecedented, sparkling efficiency where not a single note is wasted.

"Nightlife" kicks off a series of energetic and nearly flawless melodic rock songs on the album. Within this collection, you'll find tracks like "Woman in Black," "Don't Let Go," and the '50s-inspired "Luanne." However, the standout gem in this album is "Juke Box Hero." This song manages to be both a mainstream hit and exceptionally unique. It blends heavy metal guitar riffs, harmonized vocals, and lyrics that capture the desire to become a rock star.

But there's more to this album. It also includes the essential power ballad, "Waiting for a Girl Like You." This emotional song transcended genres, becoming one of the most successful tearjerkers of the decade. It's a constant presence on soft rock radio and has overshadowed another beautiful ballad from the album called "Girl on the Moon."

And let's not forget the surprising and funky "Urgent." This track stands out as one of the band's most memorable and uncharacteristic smash hits, thanks to Junior Walker's signature saxophone solo.

As awesome as the music is this definitive deluxe 180-gram 45 RPM 2LP package. Foreigner 4 has never sounded better!
Led Zeppelin - Charlotte 1972 Vol.1 Clear Vinyl Edition
Led Zeppelin
Charlotte 1972 Vol.1 Clear Vinyl Edition
2LP | 2024 | Original (Off The Shelf)
34,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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EXCELLENT BROADCAST FROM LED ZEPPELIN’S 1972 NORTH AMERICAN TOUR1972 was the first year since 1969 that Led Zeppelin didn’t release an album. The highly praised Led Zeppelin IV had come out in November ’71, and their next LP, Houses Of The Holy, was released in March ’73. Instead, Zeppelin spent the majority of ’72 on the road.Having spent February in Australia, they then spent June touring North America. Kicking things off on June 6th in Detroit, followed by a quick hop over the Canadian border to play the following night in Montreal, by the 9th of the month the band were in North Carolina, at the state’s most populous city, Charlotte. Performing at the city’s Coliseum venue, Led Zeppelin performed one of the finest shows of the entire tour. Playing a number of cuts from their latest record, including a superb version of the ubiquitous ‘Stairway To Heaven’, alongside a fine selection of back catalogue classics, the concert remains a fan favourite to this day.Recorded for live radio broadcast, the gig has not previously been released on vinyl, but that changes with this new two-instalment which now houses the complete show for the first time. SIDE A:1. Immigrant Song 3:452. Heartbreaker 7:033. Celebration Day 4:48Total side length – 15:36SIDE B:4. Black Dog 5:255. Since I’ve Been Loving You 8:59Total side length – 14:24SIDE C:6. Stairway To Heaven 9:277. Going To California 5:44Total side length – 15:11SIDE D:8. That’s The Way 7:579. Tangerine 4:0310. Bron-Yr-Aur Stomp 6:09Total side length – 18:09
Santana - Let The Guitar Play Black feat. DMC Black Friday Record Store Day 2024 Edition
Santana
Let The Guitar Play Black feat. DMC Black Friday Record Store Day 2024 Edition
12" | 2024 | Reissue (Candid)
29,99 €*
Release: 2024 / Reissue
Genre: Rock & Indie
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Coming Soon 2024-11-29, 12:00 CET
RSD First, Limitation: 1500

For more than five decades Carlos Santana has been the visionary force behind artistry that transcends musical genres and generational, cultural, and geographical boundaries. To date, Santana has won ten GRAMMY Awards and three Latin GRAMMY Awards, received the Billboard Century Award, is a member of the Rock and Roll Hall of Fame, received the Billboard Latin Music Awards’ Lifetime Achievement honor, is the recipient of the Kennedy Center Honors Award, and has been cited by Rolling Stone as #11 on their list of the “100 Greatest Guitarists of All Time.”
For RSD Black Friday 2024, Santana teams up with producers Lino Nicolosi, Nicolosi Team, and Narada Michael Walden (Whitney Houston, Mariah Carey), to present three distinct versions of his composition “Let The Guitar Play”: The Radio Version, The Soul Radio Version, and The 70's Version. The first two feature Run DMC's Darryl McDaniels, who delivers a poetic rap over an EDM-style drum beat, serving as a dynamic catalyst for Santana to intricately weave his signature guitar magic.
This limited edition three song 12” is pressed on tie-dye vinyl.
Coil / Nine Inch Nails - Recoiled Heavy Gold Vinyl Edition
Coil / Nine Inch Nails
Recoiled Heavy Gold Vinyl Edition
LP | 2024 | UK | Original (Cold Spring)
32,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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10 Year Anniversary LP Edition! Out of print for nearly a decade, we are proud to announce the much-demanded new vinyl edition of this legendary collaboration. Black or coloured LP in full-colour sleeve with printed inner sleeve. "Recoiled" is a rambunctious alchemy, of magikal COIL sensibilities and hi-tech home circa 90's mixing technique, all fused in the cave-like early studios of Danny Hyde / Peter Christopherson.These were the unrestrained PRE- BIG studio- mix downs, of four songs which long time Coil admirer / collaborator Trent Reznor (Nine Inch Nails) requested Coil to remix. Reznor sent over the original multi-tracks and DATs to Hyde / Christopherson, who independently mixed versions and then met to synch both creations, molding them into these master versions. ”Recoiled” includes a fuller, more opulent version of the track 'Closer', which eventually made it onto the opening credits to the movie "SE7EN". These 5 lengthy compositions are pre-Ableton / laptop generation type priest song creations, with the use of baby alarms and numerous wires to create bespoke effects. These legendary tracks were always rumoured to exist and, only the due diligence of a dedicated NIN forum who hunted them down, are released/unleashed for your listening pleasure. 4 of the tracks were released on the download-only "Uncoiled". A bonus, previously unheard track from the same sessions closes the album. Jhonn Balance is also manifest on this gilded constellation. Beautifully remastered.A dizzying reworking of the NIN classic by the late and legendary Industrial duo (The Times)Beautiful, the stuff of legend (5/5, Deaf Sparrow). The music here is so thrilling... a pure and inspired collaboration (8/10, Louder Than War) A curious electronica that tends towards the lysergic, the downbeat and the perverse (Fact Mag) As time capsules go it's pretty darned effective (The Line Of Best Fit) A1. Gave Up (Open My Eyes) (5:28)A2. Closer (Unrecalled) (7:41)A3. The Downward Spiral (A Gilded Sickness) (7:59)B1. Eraser (Reduction) 8:45B2. Eraser (Baby Alarm Remix) (8:54)
Led Zeppelin - Charlotte 1972 Vol.1 Black Vinyl Edition
Led Zeppelin
Charlotte 1972 Vol.1 Black Vinyl Edition
2LP | 2024 | Original (Off The Shelf)
33,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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EXCELLENT BROADCAST FROM LED ZEPPELIN’S 1972 NORTH AMERICAN TOUR1972 was the first year since 1969 that Led Zeppelin didn’t release an album. The highly praised Led Zeppelin IV had come out in November ’71, and their next LP, Houses Of The Holy, was released in March ’73. Instead, Zeppelin spent the majority of ’72 on the road.Having spent February in Australia, they then spent June touring North America. Kicking things off on June 6th in Detroit, followed by a quick hop over the Canadian border to play the following night in Montreal, by the 9th of the month the band were in North Carolina, at the state’s most populous city, Charlotte. Performing at the city’s Coliseum venue, Led Zeppelin performed one of the finest shows of the entire tour. Playing a number of cuts from their latest record, including a superb version of the ubiquitous ‘Stairway To Heaven’, alongside a fine selection of back catalogue classics, the concert remains a fan favourite to this day.Recorded for live radio broadcast, the gig has not previously been released on vinyl, but that changes with this new two-instalment which now houses the complete show for the first time. SIDE A:1. Immigrant Song 3:452. Heartbreaker 7:033. Celebration Day 4:48Total side length – 15:36SIDE B:4. Black Dog 5:255. Since I’ve Been Loving You 8:59Total side length – 14:24SIDE C:6. Stairway To Heaven 9:277. Going To California 5:44Total side length – 15:11SIDE D:8. That’s The Way 7:579. Tangerine 4:0310. Bron-Yr-Aur Stomp 6:09Total side length – 18:09
The Soundcarriers - Wilds Black Vinyl Edition
The Soundcarriers
Wilds Black Vinyl Edition
LP | 2022 | UK | Original (Phosphonic)
29,99 €*
Release: 2022 / UK – Original
Genre: Rock & Indie
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Limited edition on colored vinyl.

We've always done things our own way and without any outside pressure,” says Paul Isherwood of The Soundcarriers. “Making music like this keeps things fresh, you always lose something and gain something as you go along but I think of it as just another chapter.”

There have been many chapters in the life of the band to date and each one is defined by the singular approach and style of the group. Since forming in 2007 the band - comprised of Isherwood, Adam Cann, Dorian Conway and Leonore Wheatley - have released three albums that position them as a distinct and unique force in British music. Eschewing fads and trends that come and go, they have instead focused on honing their own sonic world that glides between woozy psychedelia, immersive grooves, subtle pop and rich, enveloping soundscapes. They’ve consistently moved at their own pace and on their own terms and on their fourth album, Wilds, they return after seven years since their last. “The sessions started in a cottage in the wilds so there's a literal meaning,” Isherwood says of the title. “But figuratively we've pretty much been in the wild for the last few years as far as a lot of people are concerned.”

The recording was staggered over a few different locations, from cottages to primary schools, before finishing in an art gallery. “The beauty of recording in non-studio studios is you have the time for the unexpected to happen,” says Isherwood. “Which is really what keeps you coming back for more.” As a result of the timeframe of the album, it’s one that has changed and grown a lot over the years. “The record has been through a lot of stages,” says Isherwood. “It's almost been circular. We started off wanting to do an album of more shorter, concise tracks and then sort of sidestepped into some more spacey ambient ideas so in a way the album is kind of a synthesis of the two phases, overall carrying on with many of the themes and influences of the first three but with a more focused approach.”

The opening ‘Waves’ leaps out the gate with an infectious hook kissed by a touch of French pop before leaping into a devilishly catchy chorus and into a mini prog-like flute breakdown. It sets the tone for an album that is rich in adventure and unpredictability that manages to balance experimentation with accessibility. ‘At The Time’ is almost unrelenting in its grinding charge, managing to create a groove that cracks and pulses at the same time, ‘Wilds’ is a gorgeously floating piece of music that skips along with strutting bass as Wheatley’s vocals merge melody with texture magically. The closing ‘Happens Too Soon gently stirs to life with an almost pastoral folk air to it, as it slowly builds into swirling psych pop rich in texture before reaching a rousing crescendo. “I feel this album sums up a lot of our influences,” says Isherwood. “There’s a strong folk influence in the sense of the actual songwriting but musically we wanted to create songs that were like those rare oddities you find on a bizarre charity shop record. A collection of "one offs" capturing a moment rather than trying to make a hit song.”

This sense of it being an album of unique songs is clearly apparent throughout but it also maintains a natural flow and cohesion. This is something that stems from the band’s approach to songwriting for the record. “A lot of the tracks started with a feel or groove,” says Isherwood. “Then building it into a more concise arranged piece. We were conscious that we didn't want the recording to sound too over-polished so although a lot of the tracks were quite painstaking in how they evolved we wanted the actual recording to be quite raw and not be reliant on cutting things up or overly editing things. We wanted it to sound natural rather than perfect.”
Ufo - Force It Black Deluxe Edition
Ufo
Force It Black Deluxe Edition
2LP | 2021 | EU | Original (Chrysalis)
20,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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Sacrilege - Ambulance Station Squat London 1985 / 1st And 2nd Demos Clear/Black Splatter Vinyl Edition
Sacrilege
Ambulance Station Squat London 1985 / 1st And 2nd Demos Clear/Black Splatter Vinyl Edition
LP | 2019 | EU | Reissue (Back On Black)
12,99 €*
Release: 2019 / EU – Reissue
Genre: Rock & Indie
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Demos & Live assault from legends of UK punk/metal Sacrilege! Contains the first two ’84 and ’85 Sacrilege demos alongside a remarkable set from the eminent Ambulance Station Squat on Old Kent Road in London, 1985
AC/DC - Live At River Plate 50th Anniversary Golden Vinyl Edition
AC/DC
Live At River Plate 50th Anniversary Golden Vinyl Edition
3LP | 2012 | EU | Reissue (Sony Music Catalog)
53,99 €*
Release: 2012 / EU – Reissue
Genre: Rock & Indie
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AC/DC - Flick Of The Switch 50th Anniversary Golden Vinyl Edition
AC/DC
Flick Of The Switch 50th Anniversary Golden Vinyl Edition
LP | 1983 | EU | Reissue (Sony Music Catalog)
30,99 €*
Release: 1983 / EU – Reissue
Genre: Rock & Indie
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Antisect - In Darkness There Is No Choice
Antisect
In Darkness There Is No Choice
LP | 2024 | Original (Rise Above)
38,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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The word ‘legendary’ is bandied around far too lazily and conveniently these days. But, in the case of Antisect: legendary is precisely what they are! As a band/collective, they sit right up there with other great names from the raging era of early 80s true ‘anti-establishment’ punk rock such as Discharge, Flux Of Pink Indians, Subhumans, Rudimentary Peni and even Crass, in terms of the impact they have had over the years. This, their debut album was released forty years ago in the paranoid year that was 1984. It is, without doubt, a classic combination of autonomous philosophy and hardcore thrash. But there is more to the album than just that. Aside the obvious musical influence of Discharge, Motörhead, Black Sabbath, Venom etc, there was a creative and atmospheric musical backdrop behind the recording that set them apart from everyone else at the time. It was a very ambitious concept, which successfully pieced together the balance hope and despair within the realm of sound and projection. In Darkness, There Is No Choice, is finally reissued as a fully authorised edition for the first time since its original release. 1. Intro2. They (The Eternal Myth and Paradox) 3. The World’s Biggest Runt 4. A Midsummer Night’s Dream 5. Channel Zero (Reality) 6. Yet The Still Ignore 7. Ghost Of Mankind 8. Tortured And Abused9. Education Or Indoctrination10. In Darkness11. Heresy12. Hallo There….How’s Life?13. The Buck Stops Here
Blue Hawaii - Under 1 House White Vinyl Editoin
Blue Hawaii
Under 1 House White Vinyl Editoin
LP | 2020 | EU | Reissue (Arbutus)
26,99 €*
Release: 2020 / EU – Reissue
Genre: Rock & Indie
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Under 1 House is the blazing new mixtape from Blue Hawaii - a six track tour-de-force showcasing the duo's trademark blend of liquid beats, dance-floor euphoria, and soaring diva-vocals.Under 1 House was written during Blue Hawaii's 2019 North American and European tours, and recorded at a wood cabin in rural Québec. Finding each other trapped on different sides of the Atlantic, the record was then finished over long-distance between Montreal and Berlin due to COVID-19 travel restrictions. This music is dedicated to the spirit of togetherness. Unity achieved through confidence, in the seductive redemption of one's own sexuality, finding power in feelin' one's self. Under 1 House honours the magnetism of impulse and first takes. This flow can be found in the brooding, early Warp Records reminiscent "Where are the Keys???", the sub-heavy, lustful organ groove of "Feelin'", the lo-fi high energy "I Felt Love" or the chanting of "I'm my own damn woman" during the screeched ending of "Not my Boss!". Blue Hawaii have been around for a decade, having released 3 full length albums and two EPs to date. Consisting of Ra and Ag, the duo met throwing parties and shows in Montreal and continue to create together despite living in separate cities - split between Montreal and Berlin.
Carlos Santana / Mahavishnu John - Love Devotion Surrender Supervinyl 180g Vinyl Edition
Carlos Santana / Mahavishnu John
Love Devotion Surrender Supervinyl 180g Vinyl Edition
LP | 1973 | US | Reissue (Mobile Fidelity Sound Library)
47,99 €*
Release: 1973 / US – Reissue
Genre: Rock & Indie
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1973 Meeting OF Santana AND John Mclaughlin Yields Spiritual Transcendence: Love Devotion Surrender IS Inspired BY John Coltrane AND A Quest FOR Enlightenment

Sourced from the Original Master Tapes: Tones, Textures, and Notes Float Amid a Large, Open Soundstage on Mobile Fidelity's Numbered-Edition 180g LP 1/4" / 15 IPS analogue master to DSD 64 to analogue console to lathe Two guitar giants. A band comprised of virtuosic instrumentalists. One shared goal. And one tremendous album. The only meeting of Santana and John McLaughlin on record, Love Devotion Surrender more than lives up to the promise offered by its principal creators. Based in divine faith, religious toleration, meditative intent, and the forward-thinking philosophy that music can take us closer to the truth, it is a spiritual journey. These enlightening concepts are reflected in the inspired playing of Santana and McLaughlin, who repeatedly hit a higher plane on this 1973 set.

Sourced from the original analogue master tapes and pressed at Fidelity Record Pressing in California, Mobile Fidelity’s numbered-edition 180g LP of Love Devotion Surrender benefits from the reissue label’s painstaking engineering efforts. The windows on the record’s give-and-take passages, sustained notes, and varied textures are thrown open with palpable transparency and detail. Laden with delicate acoustic touches and gentle piano touches, as well as powerful staccato bursts and fast-paced percussion, Love Devotion Surrender contains a dynamic mix of tempos, tones, and contrasts crucial to its optimal enjoyment. This collectible edition brings those aspects to the fore with extraordinary realism.

In addition, the pinpoint imaging — Santana primarily on the left, McLaughlin on the right — invites you to picture the musicians in the act. You’ll sense a newfound freedom and naturalism to the playback, as well as black backgrounds and an openness that allow the widespread array of textures, atmospherics, echoes, and neo-psychedelic shapes to float in the air. Call it jamming guided by a higher power or surreal art brought together by time, circumstance, and purpose; there really is no other album completely like it.

Having each become a follower of Indian guru Sri Chinmoy, who wrote the album’s extensive liner-note essay and is seen in several jacket photos, Santana and McLaughlin began playing together in 1972. Both legends found themselves in the midst of personal and creative transition. Santana was moving away from rock-based songs in favour of exploratory jazz-rock. A contemporary of Miles Davis, McLaughlin had already achieved fame with the Mahavishnu Orchestra, then on the brink of collapse due to internal disagreements.

On Love Devotion Surrender, the duo pools its interests in discovery and transcendence into gorgeous music steeped in improvisational lines, ecstatic chords, and sensitive organ accompaniment courtesy of the record’s best-kept secret, Larry Young. The former Blue Note recording artist had already connected with McLaughlin in the Tony Williams Lifeline, which began as a power trio and turned jazz on its head with its groundbreaking 1969 debut. Young’s ear for melody and fearless penchant for chasing down adventurous fusion leads — not to mention keeping pace with the headliners, no small feat — make him an ideal foil for the proto post-rock happening throughout.

Credited under his Muslim name, Khalid Yasin, Young isn’t the only standout. Several Santana contemporaries — bassist Doug Rauch, drummers Mike Shrieve and Billy Cobham, percussionists Mingo Lewis and Armando Peraza — play alongside Mahavishnu Orchestra member Jan Hammer and Tony Williams Lifeline drummer Don Alias, who already had credits on Davis’ seminal Bitches Brew and On the Corner. Complemented by Santana and McLaughlin, the ensemble sounds and feels unstoppable. In addition to the band’s search for sacred soulfulness, the common denominator throughout is John Coltrane, who engaged in similar pursuits during the 1960s. Two of the five compositions — “A Love Supreme,” “Naima” — are interpretations of Coltrane standards while the lynchpin, a nearly 16-minute investigation into the traditional “Let Us Go Into the House of the Lord,” integrates free-form structure, jazz phrasing, gospel mysticism, cross-cut dynamics, and tonal shaping into one of the most uplifting pieces of music you’ll ever hear. The same can be said for the entirety of Love Devotion Surrender. Bow down.
Etran De L'Air - 100% Sahara Guitar Transparent Blue Vinyl Edition
Etran De L'Air
100% Sahara Guitar Transparent Blue Vinyl Edition
LP | 2024 | US | Original (Sahel Sounds)
29,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Transparent Blue Vinyl. Etran de L'Aïr the STARS OF THE AIR, the longest running wedding band inAGADEZ, capital of Tuareg guitar, return with a new album of sun-schlazeddesert sound! Their first album, No.1, brought their music to critics and fans.Their second album, Agadez, sent them into the international touring circuit.And now they're back with 100% SAHARA GUITAR, ready to take on theworld, with those swinging melodies, like a sandstorm blowing in fromacross the sea.Etran de L'Aïr are 100% SAHARA, and that goes same for the band, all sonsof AGADEZ, including brothers Moussa, Abdoulaye, and Abdourahamane,and their dear friend, the youngest of the group, Alghabid. All the brotherswrite and play guitar, swapping out instruments while Alghabid keeps theFOUR ON THE FLOOR.In 100% SAHARA GUITAR, Etran de L'Aïr are back to claim the throne, withtheir first studio album! And what a sound it is. Recorded in sunny studios onthe WEST COAST, the brothers take that old Agadez sound to new levels,adding even more guitars into the mix, weaving layers of reverb-ladenmelodies and shimmering harmonies into a tapestry of sound. How muchguitar can they fit into one record? The answer is 100%.
Etran De L'Air - 100% Sahara Guitar Black Vinyl Edition
Etran De L'Air
100% Sahara Guitar Black Vinyl Edition
LP | 2024 | US | Original (Sahel Sounds)
27,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Etran de L'Aïr the STARS OF THE AIR, the longest running wedding band inAGADEZ, capital of Tuareg guitar, return with a new album of sun-schlazeddesert sound! Their first album, No.1, brought their music to critics and fans.Their second album, Agadez, sent them into the international touring circuit.And now they're back with 100% SAHARA GUITAR, ready to take on theworld, with those swinging melodies, like a sandstorm blowing in fromacross the sea.Etran de L'Aïr are 100% SAHARA, and that goes same for the band, all sonsof AGADEZ, including brothers Moussa, Abdoulaye, and Abdourahamane,and their dear friend, the youngest of the group, Alghabid. All the brotherswrite and play guitar, swapping out instruments while Alghabid keeps theFOUR ON THE FLOOR.In 100% SAHARA GUITAR, Etran de L'Aïr are back to claim the throne, withtheir first studio album! And what a sound it is. Recorded in sunny studios onthe WEST COAST, the brothers take that old Agadez sound to new levels,adding even more guitars into the mix, weaving layers of reverb-ladenmelodies and shimmering harmonies into a tapestry of sound. How muchguitar can they fit into one record? The answer is 100%.
Anberlin - Vega
Anberlin
Vega
LP | 2024 | US | Original (Equal Vision)
34,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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For more than two decades, Anberlin has remained a formidable force in the alt-rock world, boasting a wildly devoted fanbase who’ve come to rely on the raw, cathartic power of their music. On the massively anticipated Vega—the first album in ten years from vocalist Stephen Christian, guitarists Joseph Milligan and Christian McAlhaney, bassist Deon Rexroat, and drummer Nathan Young—the Florida-bred band delivers a body of work forged with an explosive, new energy, thanks in part to the addition of singer Matty Mullins (the Memphis MAY Fire frontman who’s stepped in as live vocalist for Anberlin, following Christian’s announcement that he’ll no longer tour fulltime). The latest triumph in an extraordinary career that’s included selling over 1.5 million albums in the U.S. alone and turning out hits like the No. 1 Alternative Radio smash “Feel Good Drag,” Vega reveals a band whose creative passion and one-of-a-kind vision have only grown stronger over time. Arriving on the heels of two back-to-back EPs— 2022’s Silverline and 2023’s Convinced—Vega emerged from a period of unbridled creativity for Anberlin, who parted ways soon after 2014’s Lowborn and reunited for a series of lockdown-era livestreams. In bringing their new album to life, the band embraced a deliberately free-flowing and DIY approach, building up songs in McAlhaney’s garage before self-producing the LP at Tampa’s Feral Sound Studios. “In the past we’d sometimes limit our sound to some preconceived idea of what Anberlin is supposed to be,” says McAlhaney. “This time the mantra was, ‘If it feels good, let’s try it.’ Because at the end of the day, Anberlin is whatever we say it is.” As a result, Vega encompasses everything from the shout-along-ready pop perfection of “Walk Alone” to the brutally heavy intensity of “Seven” (a shapeshifting and strangely enthralling epic featuring a savage vocal performance from Mullins). “I think after spending time apart we came back with a new perspective, where we were all just excited to work together and create the best songs we can,” says Young. “No one was precious about their ideas; it was all about making something that feels new and risky and like nothing we’ve ever done before.” As they get set to embark on the “20 Years Of Tears” amphitheater tour with Thursday, Hawthorne Heights, and SAOSIN—a 56- date run that marks their most extensive tour in a decade—Anberlin looks forward to the pure thrill of performing their new material for their longtime legion of fans. “We’ve had so many people tell us things like, ‘Your songs got me through a really difficult time in my life,’ or ‘You guys are what made me pick up a guitar and start my own band,’” says Rexroat. “It’s an incredible feeling to know that we’ve impacted other people on that level—the amount of love we’ve felt is undeniable, and it’s one of the main reasons we’ve kept going for as long we have.”
Derya Yildirim & Grup Simsek - Dost 1 & 2 Black Vinyl Edition
Derya Yildirim & Grup Simsek
Dost 1 & 2 Black Vinyl Edition
LP | 2024 | EU | Original (Les Disques Bongo Joe)
34,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Outernational pop group Derya Yildirim & Grup Simsek unveil the second and final part of their double album "Dost 1&2". Once again, their subtle and groovy Anatolian psych folk sound matches the powerful quality of the songs often led by Yildirim"s sublime vocals and baglama (Turkish lute). With "Dost 2", the band have broadened their songwriting horizons and refined their idiosyncratic arrangement skills.Most of "Dost 2""s material was composed by the band, with two notable tracks composed by guitarist flautist Antonin Voyant whose melodic work brings the music to an unnostalgic, yet deep and meaningful place. The lyrics were penned by Derya Yildirim in collaboration with Berlin based writer Duygu Agal, adding another string to Grup Simsek"s bow.
Haunted Plasma - I Black Vinyl Edition
Haunted Plasma
I Black Vinyl Edition
LP | 2024 | EU | Original (Svart)
29,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Haunted Plasma, powerhouse of futuristic synth in symbiosis with the super violence of kosmische black metal, release their debut album in May 2024

The phenomenal three-piece band includes members of Oranssi Pazuzu, K-x-p, Grave Pleasures and Aavikko

Svart Records is proud to release the debut album, I, from Haunted Plasma, a powerhouse of futuristic synth in symbiosis with the super violent atmospherics of kosmische Black Metal. Haunted Plasma is “man meets machine” in a cybernetic wasteland, set to a conceptual backdrop of William Gibson and Phillip K. Dick style mind-melt. The highly evolved creatives at the heart of Haunted Plasma’s sound, cite Terry Riley, Massive Attack, a contemporary take on Krautrock hypnosis, psychedelic Black Metal and 90s Techno, resulting in an orgy of mutant sound.



The phantoms at the beating nucleus of this unearthly machine are Juho Vanhanen (Oranssi Pazuzu, Grave Pleasures), Timo Kaukolampi (K-x-p, Op:l Bastards) and Tomi Leppänen (Circle, Aavikko, K-x-p), transmitting a music form evolved from a life of redefining sonic boundaries in their respective projects. Also featuring guest vocals from Mat McNerney (Hexvessel, Carpenter Brut, Grave Pleasures/Beastmilk), Pauliina Lindell (Vuono, Dust Mountain) and Ringa Manner (Ruusut, The Hearing). Haunted Plasma promises an extraterrestrial experience from some of the foremost contemporary musicians at the heart of the Finnish heavy and avant-garde musical underworld.



Haunted Plasma reveals:

“We are liberated futurists, embracing free-form and natural composition, mirroring the merciless forces of cosmic creation. We have a motto to stay true to our feelings, to spawn a sound that’s never been heard before. Servants of music. Energizing, radical and pure”

The first single from Haunted Plasma’s cascading debut, Reverse Engineer, is a creepy, slowly erupting, synthetic nightmare, of a downloaded being waking up in the wrong future. Ghostly vocals demand the listener to “give us what we want” in an Orwellian glimpse into the current dystopia we live in, where information is controlled, and thoughts are bought and sold. As McNerney intones the words “technology of power” he describes the threat of a malevolent and omnipresent artificial intelligence, as much as describing the oppressive and electromagnetic sonar pulse of Haunted Plasma’s sound itself. Psychedelic guitar hypnosis from Vanhanen snakes around Kaukolampi’s molten and morphing synths, while Leppänen’s uncanny man/machine rhythms pull our strings and animate their other-worldly mechanisms. Have a look at the official visualiser of "Reverse Engineer" on the Svart YouTube channel here

Culminating in the full-blown fast Krautrock of the final self-titled track, oozing with blistering noise elements and enigmatic vocals from Ringa Manner, the album's journey reaches its zenith, taking you to unknown territories on a Kubrikian space trip. I is a rare record of talented musicians coming together to create a completely new sound, which is entirely their own, boldly glowing, where no light has shone before. From the dreamy psychedelia of Echoes to the discombobulated Spectral Embrace, Haunted Plasma is a willful force of deliberate sound contortion.

Whether you want to give in to Haunted Plasma’s sound or not, you are being watched, you are being recorded and your every move is monitored. Haunted Plasma will enter your system on the 31st of May 2024. Turn on your phantom circuits and be prepared for an interdimensional excursion into Haunted Plasma’s alien dreams.

The debut album from Haunted Plasma will be packaged in a beautiful tip-on sleeve, swirling fog artwork, complete with 12” booklet and pressed on 3 exclusive vinyl colours: 300 copies on Standard Black Wax, 200 copies in Amber + Black Smoke and 500 copies of Svart exclusive Turquoise/Black Marble. The album will also be available on CD and digital platforms.
David Bowie - Diamond Dogs 50th Anniversary Picture Disc Vinyl Edition
David Bowie
Diamond Dogs 50th Anniversary Picture Disc Vinyl Edition
LP | 1974 | EU | Reissue (Parlophone Label Group)
37,99 €*
Release: 1974 / EU – Reissue
Genre: Rock & Indie
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A - A' Vs Monkey Kong Colored Vinyl Edition
A
A' Vs Monkey Kong Colored Vinyl Edition
2LP | 1999 | UK | Reissue (Thirty Something)
29,99 €*
Release: 1999 / UK – Reissue
Genre: Rock & Indie
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25th anniversary vinyl release for the second album from British alternative rock band A. 'A' vs Monkey Kong was originally released through Tycoon / London Recordings in 1999 and featured the singles "Old Folks", "Summer On The Underground" and "I Love Lake Tahoe". The album was integral in paving the way for A's later commercial success which saw the band having two top 20 singles in 2002. Vocalist Jason Perry is now an acclaimed record producer, working on albums by Don Broco, Molotov and McFly. Bassist Dan P Carter is now the host of the Radio 1 Rock Show.

First time on vinyl, 'A' Vs Monkey Kong is released as a double 180g vinyl edition on red-transparent & orange clear with black haze colours, packaged in a heavy gatefold sleeve with a 16 page booklet. There will be a 6 week social media campaign with IG live to promote the release and tour dates planned for Summer 2024.
Devon Ross - Oxford Gardens
Devon Ross
Oxford Gardens
12" | 2024 | UK | Original (Daydream Library Series)
17,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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Devon made her musical debut releasing her first ever recorded single, 'Swim' to swooning fans in September 2023, and followed it up with the sultry high energy tune entitled ‘Killer'. ‘Killer’ was the second song released by Actress/Model/ - and, now Musician, Singer/Songwriter: Devon Ross. ‘Killer' hit all digital platforms worldwide 1 December 2023 in advance of Devon’s very first concert at London's legendary 100 Club on December 13. 2023. Inspired by Sixties and Seventies legends, such as The Beatles, Rolling Stones, Patti Smith, Bob Dylan, The Stooges and Television, Devon Ross is finally debuting her first recordings on the forthcoming EP, entitled Oxford Gardens. Oxford Gardens was recorded in Paris and mixed & mastered at Abbey Road Studios in London and set for release on Thurston & Eva Moore's indie record label, The Daydream Library Series the week of St. Valentine’s Day in February 2024.

Bio: Model-actress-guitarist, 23-year-old recording artist was raised in Los Angeles and moved to London in 2020. British Vogue cited Ross as “the coolest model currently climbing up the ranks”. During 2019, Gucci recruited her for a Rome runway show before casting her in the launch of the Gucci x Disney Collection (notably shot at Disneyland). It opened up the floodgates as she went on to walk for Valentino, Erdem, Gauchere, Sies Marjan, and Simone Rocha and lead campaigns for Vivienne Westwood and Mulberry. Her career would be chronicled by L’Officiel, 10 Magazine, W, and many more. In 2021, she joined the cast of HBO and A24’s Irma Vep - The Serial (2021) alongside Academy® Award Winner Alicia Vikander, Adria Arjona, Carrie Brownstein, Byron Bowers, and others.

Eva & Thurston met Devon at Cannes Film Festival in France in 2021 and started going to shows and kicking around London together. After witnessing her guitar playing and hearing her music the couple invited her to release music on their independent record label. This month November 2023, The Daydream Library Series independent record label will celebrate five years in operation. Thurston & Eva founded the label in 2018 to release the debut album Sistahs by London’s black, feminist, punk band Big Joanie.
Nancy Sinatra - Keep Walkin': Singles, Demos & Rarities 1965-1978 Blue Vinyl Edition
Nancy Sinatra
Keep Walkin': Singles, Demos & Rarities 1965-1978 Blue Vinyl Edition
2LP | 2023 | US | Original (Light In The Attic)
57,99 €*
Release: 2023 / US – Original
Genre: Rock & Indie
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Definitive collection of Nancy's rare singles, demos and previously unreleased cuts. Includes 3 previously unreleased tracks, plus 3 tracks making their vinyl debut. Deep booklet includes new Q&As with Nancy & Don Randi (The Wrecking Crew) - both conducted by Grammy®-nominated co-producer Hunter Lea Plus never-before-seen photos from Nancy Sinatra’s personal archive. Features audio freshly remastered from the original analog tapes by Grammy®-nominated engineer John Baldwin. Vinyl pressed at RTI. Double LP housed in a gatefold jacket with 24-page book Light in the Attic continues to celebrate the influential career of singer, actress, activist, and icon *Nancy Sinatra* with a captivating new collection, Keep Walkin’: Singles, Demos & Rarities 1965-1978. Exploring the lesser-known gems from Sinatra’s rich catalog through 25 B-sides, rare singles, covers, demos, and previously-unreleased recordings, Keep Walkin’ was remastered by the *Grammy®-nominated engineer John Baldwin* and available in a variety of formats, including vinyl, CD, 8-track, and digital. The 2LP set, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and accompanied by a 24-page booklet featuring an array of photos from the artist’s personal collection, as well as a new in-depth Q&A with Sinatra, conducted by the reissue’s Grammy®-nominated co-producer, Hunter Lea. The booklet also contains a fascinating interview with keyboardist Don Randi (The Wrecking Crew), who recently spoke to Lea about his hit-filled career and his 50 years of work with Nancy. Keep Walkin’: Singles, Demos & Rarities 1965-1978 serves as a companion to the widely-acclaimed 2021 career-spanning retrospective, Start Walkin’ 1965-1976, and marks the latest release in LITA’s ongoing Nancy Sinatra Archival Series, a partnership with the legendary artist, which honors her musical legacy through lovingly curated reissues (including her 1966 debut, Boots and the 1968 classic, Nancy & Lee), limited-edition merch, and other special releases. In 1965, 25-year-old Nancy Sinatra scored her first No.1 hit with “These Boots are Made for Walkin’,” a bold anthem for female empowerment. Brazen, sassy, and utterly infectious, it was a reintroduction of sorts for the eldest daughter of Frank Sinatra, who had been struggling to find a spotlight of her own amid a changing musical landscape. Suddenly, audiences who had initially brushed off Sinatra as too demure or out-of-touch were paying attention. Written and produced by Oklahoma-born songsmith Lee Hazlewood (with swaggering instrumentals, courtesy of Billy Strange and The Wrecking Crew), the song launched the singer’s career, as well as one of music’s most unlikely, yet compelling, creative partnerships. Over the next decade, Sinatra continued to notch multiple hits on both sides of the Atlantic, including “Sugar Town,” “How Does That Grab You, Darlin?,” and a haunting rendition of the Sonny Bono-penned “Bang Bang (My Baby Shot Me Down).” The singer also paired up with Hazlewood for a series of popular duets (“Summer Wine,” “Jackson,”* and *“Some Velvet Morning”) and collaborative albums. In between best-selling LPs like Boots (1966), How Does That Grab You (1966), and Nancy & Lee (1968), Sinatra performed the theme song to the 1967 James Bond film, You Only Live Twice, and collaborated with her father on the global chart-topper, “Somethin’ Stupid.” While these career landmarks are well-documented in the annals of pop culture history, however, much of Sinatra’s catalog remains sorely overlooked. As Keep Walkin’ co-producer Hunter Lea explains, “With the changing taste of the record-buying public in the late 1960s and the counterculture taking over, artists like Nancy Sinatra weren’t in the mainstream as they once were.” Despite that fact, “[Sinatra] kept working, recording, and performing at a voracious pace.” Lea continues, “This compilation is a celebration of some of the many glorious recordings that may have been overlooked, forgotten, or never even released at the time. The obscurity of some of these recordings doesn’t mask the genius, brilliance, and effort that went into them; on the contrary, it’s incredible to learn that some of the lost gems are just as rich as the national treasures.” Among the highlights is the spritely opener “The City Never Sleeps at Night,” which served as the B-Side to “These Boots Were Made for Walkin’.” Overshadowed by the colossal success of its A-side, it’s no surprise that the cinematic tune never had its proper due. Yet, Lea reveals, Hazlewood initially intended to make it the focus single. Another long-lost B-side is “The Last of the Secret Agents?,” which was paired with the Top 10 hit, “How Does That Grab You, Darlin’?” The playful song, written by Hazlewood, served as the theme to the 1966 comedy of the same name, in which Sinatra co-starred alongside Marty Allen and Steve Rossi. Keep Walkin’ also features several choice A-sides that were never included on albums and were overlooked for one reason or another. Among them is 1966’s “In Our Time,” a rebellious anthem for ‘60s youth, which references drug culture and women’s liberation, among other topics. Speaking to the Hazlewood-penned track, Sinatra recalls, “That was a fun song. Lee was starting to do his ‘anti’ stuff. He was cynical and it showed in his writing at some point.” But, despite the themes of the song, Nancy laments that she was never embraced by the counterculture. “[drugs] knocked me out of the picture completely. I was so far removed from the hip people in those days. I think they probably made fun of my stuff.” Another stylistic departure for both artists is “Love Eyes,” a bluesy, soulful single from 1966. The song, Nancy shares, is “one of my favorites. I think what helped Lee’s writing at that point was the bigger sound.… I really love it. I think it holds up to this day.” She adds that her dreamy vocal performance was inspired by early female R&B stars like Ruth Brown and LaVern Baker. The collection also features several outstanding covers, including a previously-unreleased rendition of the Barry Mann/Cynthia Weil classic, “I Just Can’t Help Believing” (a hit for both B.J. Thomas and Elvis Presley). This 1978 recording, reimagined as a duet, marked one of Sinatra’s brief reunions with Hazlewood, following his abrupt move to Sweden not long after 1972’s Nancy & Lee Again. Another choice track finds Nancy interpreting Neil Diamond’s “Glory Road.” Released as a single in 1971, it features one of the singer’s most cherished vocal performances. “After I worked on my voice and improved as a performer and as a singer, I embraced Neil Diamond. Anything I did by Neil Diamond, to me, is my best work.” Nancy also looks back fondly on her moving rendition of Bill Withers’ “Ain’t No Sunshine," released in 1973 as the B-side to “Sugar Me.” The recording (which features particularly lush orchestral arrangements by Billy Strange) reunited Nancy with another close collaborator, Jimmy Bowen, who produced the singer in the early ‘60s and later introduced her to Hazlewood. “I love Jimmy,” she declares. “The records we did early on…had a depth to them that I appreciated. He heard me and saw me in a different light; he saw me as a much more serious performer, which I appreciated.” Listeners will also be delighted to hear a pair of previously-unreleased demos: “Something Pretty” (the 1968 country hit, made famous by Wynn Stewart) and the theme to the 1965 Richard Rogers/Stephen Sondheim musical, Do I Hear a Waltz?, both of which were intended for a self-described “disco” record. Despite the two catchy takes featured on Keep Walkin’, Sinatra calls the shelved album “A disaster. I called it the disco fiasco!” Offering additional insight into Sinatra’s career is music director, songwriter, and keyboardist, Don Randi. A member of the hallowed *Wrecking Crew* collective, Randi was one of the most prolific session musicians of the ‘60s and ‘70s with hundreds of credits to his name, including The Beach Boys’ “Good Vibrations,” Linda Ronstadt’s “Different Drum,” and “These Boots are Made For Walkin’” – his first recording with Sinatra. For the next fifty years, he would be a fixture at her sessions and live shows. He also appears on nearly every track in this collection. Speaking to Lea, Randi delves deep into his time with Sinatra, with a palpable admiration for the singer. *“She was easy to work with,”* he shares. “She was always wonderful to musicians; nobody even comes close.” The keyboardist, who met Sinatra through Hazlewood, also recalls the magic of that partnership. “I always liked working with Nancy & Lee. They had something very special that they could get out of each other. It was a good team.” He continues, “Sinatra stood up for herself [around Lee]…He could be so cantankerous…but that’s Lee…. [Nancy] saw through it. She was so lovely and helpful to him a number of times when he really needed someone to talk to.” That said, Randi also appreciates the power of Sinatra’s solo performances. “I never thought she really needed [Hazlewood},”* he reveals. “I thought her shows were just as well with everybody else; they were excellent.” After stepping back from the industry in the ‘70s to focus on her young family, Sinatra returned to the spotlight in the mid-90s, releasing a string of new albums, including the star-studded Nancy Sinatra, which paired the artist with some of her biggest fans, including Morrissey, U2, Calexico, and Sonic Youth. Since then, Nancy’s legacy has only continued to grow. In more recent years, her impact has been recognized by the likes of Pitchfork, NPR, and Rolling Stone, while in 2020, “Boots” was inducted into the Grammy® Hall of Fame*. Today, Sinatra remains a force in the industry, as new generations discover her influential catalog, which boasts nearly 20 studio albums and dozens of charting singles.
Hexvessel - Polar Veil Black Vinyl Edition
Hexvessel
Polar Veil Black Vinyl Edition
LP | 2023 | EU | Original (Svart)
30,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Finland’s Hexvessel return with their sixth album, Polar Veil, a cold, metallic hymn to the Sub Arctic North. Haunted by primal forest spirits, Mat “Kvohst” McNerney summons the ghosts of his past in a jaw-dropping, unheard-of rebirth of style and sound. At once unmistakably Hexvessel, Polar Veil is also steeped in the nocturnal atmosphere of McNerney’s past, churned in the cauldron of Black Metal, Ritual Folk Psychedelia and Doom Rock, and echoing with shivering Gothic undertones. Polar Veil features Ben Chisholm, main collaborator and multi-instrumentalist with Chelsea Wolfe on Listen To The River, Nameless Void from Negative Plane, performing the guitar solo on the song Ring, and Okoi from Bölzer on guest vocals on Older Than The Gods. When the components of the medicine are familiar but brewed in a completely novel concoction, the resulting side effects can be deliriously intoxicating. Peer behind this Polar Veil for a breath of fresh tundra air.

Polar Veil is pressed on limited edition transparent lake green vinyl, limited transparent ice clear natural vinyl and standard issue blacker than midnight wax variants and each comes with a large scale 12 page booklet featuring artwork by Thomas Hooper.
Better Than Ezra - Deluxe Black Friday Record Store Day 2024 Edition
Better Than Ezra
Deluxe Black Friday Record Store Day 2024 Edition
2LP | 2024 | Reissue (Real Gone Music)
82,99 €*
Release: 2024 / Reissue
Genre: Rock & Indie
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RSD First, Limitation: 1500

Hard to believe that this multi-platinum record—boasting the #1 Modern Rock single “Good”—has only seen a release on vinyl previously via an extremely limited run for Pledge Music (remember them?). Just like that edition, we’re going gatefold with our 2 x LP Real Gone reissue for RSD Black Friday. Originally self-released by Better Than Ezra in 1993 and re-released by Elektra in 1995, Deluxe provides a ticket back to that beloved jangle-pop, college radio sound. Also features the alternative hit singles “In the Blood” and “Rosealia.” Reissued on Grape Vinyl with the full support of the band...limited to 2000 copies worldwide!
Sigur Ros - Agaetis Byrjun Vinyl Me, Please Edition
Sigur Ros
Agaetis Byrjun Vinyl Me, Please Edition
2LP | 1999 | US | Reissue (Vinyl Me, Please)
43,99 €*
Release: 1999 / US – Reissue
Genre: Rock & Indie
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Lasting two seconds short of 72 minutes, Ágætis byrjun was a seismic shift from their previous record, Von: more melody, drama and tone, more accessible and anthemic. Twenty-one years after its release, it hasn’t remotely dated, lacking any relationship to grunge, industrial, ambient, pop or any other genre — not even Godspeed You! Black Emperor and Mogwai, points of comparison that cropped up in reviews. Perhaps the album’s unique DNA is simply Iceland’s environment, the community, the people. This, after all, was not a band, just music. Or just, perhaps, a force of nature. And like the aftermath of a hurricane, the landscape out there is very rarely the same again.
As Friends Rust - Lightless Yellow Vinyl Edition
As Friends Rust
Lightless Yellow Vinyl Edition
LP | 2024 | EU | Original (End Hits)
30,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Solid Yellow Vinyl, limited to 150 copies.Comes with a sticker sheet. The 'Lightless' EP sees AS FRIENDS RUST confronting existential and cosmic loneliness with intensity, imagination and, of course, hooks. Picking up where 2023's Any Joy LP left off, and now joined permanently by bassist Andrew Seward (Against Me!), the band presents five urgent rockers that rage through both inner and outer space, leaving only earworms in their wake. Writing for Lightless began immediately upon the band's return from their tour of Europe in support of 2023's Any Joy LP. Picking up where the album left off, the Lightless EP is a massive, catchy work focusing largely on cosmic loneliness -- a theme echoed in its airbrushed, 70s/80s sci-fi artwork. The EP was mixed by long-time collaborator James Paul Wisner (Further Seems Forever, Paramore, Dashboard Confessional), and mastered by Will Killingsworth at Dead Air, and will be released on November 1st, just days ahead of the band's tour supporting QUICKSAND and HOT WATER MUSIC.'Lightless' will be strictly limited to 500 copies across five vinyl variants, each including a sci-fi/spaced travel sticker sheet. The exclusive END HITS RECORDS/EVIL GREED variant will feature a limited patch, perfect for your 80s satin bomber jacket or heavy metal jeans vest.
Stoned Jesus - Seven Thunders Roar Goldblack Splatter Vinyl Edition
Stoned Jesus
Seven Thunders Roar Goldblack Splatter Vinyl Edition
2LP | 2012 | EU | Reissue (Season Of Mist)
47,99 €*
Release: 2012 / EU – Reissue
Genre: Rock & Indie
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Like a puff of smoke, Stoned Jesus have risen above the Carpathian Mountains as not only the heaviest, but perhaps the most important rock band to emerge from Ukraine. Prior to Stoned Jesus' first communion, affable frontman Igor Sydorenko was just another familiar face among local progressive rockers. But after rekindling his old flame for metal amidst a stormy period in his personal life, Igor and his two new bandmates went off in search of more crushing highs. While only their second album, Seven Thunders Roar marks an early milestone for Stoned Jesus. The riffs still roll downhill with all the sludgy force of a mudslide, but the band added crisp acoustic guitars to reflect their newfound inner strength. "Climbing up", Igor sings on "I Am The Mountain", a 16-minute instant classic that charges through lush folksy valleys and peaks of headbanging doom at full steam. "And we're never going to stop". For fans of Black Sabbath, Sleep, Electric Wizard. 1. Bright Like The Morning 2. Electric Mistress 3. Indian 4. I'm The Mountain 5. Stormy Monday 6. Bright Like The Morning (Extended) 7. Stormy Monday (Extended) 8. I'm The Mountain (Extended)
The Warning - Error Black Friday Record Store Day 2024 Edition
The Warning
Error Black Friday Record Store Day 2024 Edition
2LP | 2024 | Reissue (Republic)
TBA
The final price is not yet known.
Release: 2024 / Reissue
Genre: Rock & Indie
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Coming Soon 2024-11-29, 12:00 CET
RSD First, Limitation: 2000

The Warning infuse rock music with a much-needed shot of adrenaline. The Monterrey, Mexico trio of sisters—Daniela “Dany” [guitar, lead vocals], Paulina “Pau” [drums, vocals, piano], and Alejandra “Ale” Villarreal [bass, piano, backing vocals]—charge forward with head-spinning riffs, unpredictable rhythms, stadium-size beats, and skyscraping vocals. Through a series of independent releases, The Warning garnered the respect of countless fans and musicians from across the globe before signing with Lava/Republic to release their 2021 MAYDAY EP. The band’s single “CHOKE” surged them to the forefront of hard rock. The 3-piece powerhouse have already played alongside rock legends such as Muse, Foo Fighters, Guns N’ Roses, Royal Blood, The Pretty Reckless, Three Days Grace, and more.
After generating millions of streams on their MAYDAY EP alone, everything just set the stage for their full-length debut ERROR, in 2022. On the album, the band explores themes such as technology, society, the generational gap, anxiety, suppression, and love over a soundtrack of eloquently constructed thrash, stadium-shaking choruses, and empathetic lyrics. Now, ERROR represents a new beginning for hard rock. This RSD Black Friday edition, pressed on Cobalt (LP 1) and Ruby (LP 2) vinyl variants, Includes three live tracks never before released on vinyl.
Burial - Rejoice In Sin
Burial
Rejoice In Sin
LP | 2024 | Original (Apocalyptic Witchcraft)
25,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Burial are a no-nonsense black metal trio from the bleak industrial landscapes of Manchester, UK, dedicating our sound to the trvest Satanic, ice-cold, blasphemous and goat worshiping origins of the genre. Our songs are punchy and immediate, with a healthy dose of icy atmospheric riffs, recalling legends Darkthrone and Immortal. We also show an underlying British charm, dark and absurd sense of humour, channeling a slight crust punk attitude akin to Discharge. Vocalist Derek Carley comments: “We're proud to release our foreboding new album Rejoice In Sin. Expect sinister black 'n' roll riffs; with all the carnage, bleakness and epic sorrow that Burial manifests.” 1. Rejoice In Sin 2. Wretched Is This Life 3. Sadism For God 4. A Fear More Grave 5. The Wolfskin 6. Let Darkness Reign 7. Bastards Of Christ 8. Putrid Grave 9. Beneath The Trident 10. Black Metal Cunt
Defacement - Duality
Defacement
Duality
LP | 2024 | Original (Avantgarde)
31,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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With an inception going back to 2019, Defacement rapidly gained momentum within the underground realms with two full-length recordsmarked by an intense and experimental take on death and black metal, Deviant (2019) and self-titled Defacement (2021). Three long years aftertheir latest output, the international band flares its cryptic head yet again with an epic tome of twisted and gnarly emanations, an immersive pathwayinto the void entitled Duality.Defacement's third studio record is challenging and confrontational in its invocation of primal forces lying dormant in the world below. Inspired by theunfathomable, shadowy corners of human existence, Defacement hatches a penetrating sonic journey, unpredictable in its own dynamic,ever-changing form. Intricate and complex riffing lay as a basis for dexterous melodies, making Duality the most complete and mature amongthe band’s outputs. The cold and experimental interludes entangled between tracks, serve as halting moments that further the conceptuality ofDuality and broaden the gist of the main songs.The tremendous rhythmic section, a complex and throbbing pulse of drumming fierceness and serpentine bass playing, is superiorly captured bythe dynamic and organic production, a vigorous sound that evokes both an oppressive aura and wistful solemnity. Gabriele Gramaglia (CosmicPutrefaction, Vertebra Atlantis) and Simon Da Silva (Aversio Humanitatis) took care respectively of the mixing and mastering, finely crafting thedetails of Defacement’s new album. 01 - Optic02 - Burden03 - Vagus04 - Barrier05 - Facial06 - Scabulous07 - Hypoglossal08 - Duality
Naked Roommate - Pass The Loofah Black Vinyl Edition
Naked Roommate
Pass The Loofah Black Vinyl Edition
LP | 2024 | US | Original (Trouble In Mind)
21,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Oakland's Naked Roommate have been slinking around the Bay Area lighting up stages, shaking asses & confounding listeners since 2018, when the group - originally just the duo of real-life partners Andy Jordan & Amber Sermeno (both formerly of The World) - self-released a cassette of demos (2018's "Naked Roommate"). Members Michael "Mig" Zamora & Alejandra Alcala (Blues Lawyer) joined soon after to augment the sound & live band with their proper full-length album "Do The Duvet", co-released in September of 2020 via UK label Upset! The Rhythm & Trouble In Mind. 2024 finds the lineup expanded even further to incorporate the horn section of Geoff Saba & Jeanne Oss on tenor & alto saxophones as well as percussion & marimba as the band readies their sophomore effort, the dizzyingly ecstatic "Pass The Loofah" Recorded by members Andy Jordan & Mig Zamora from 2021-2023 as time & restrictions allowed, "Pass The Loofah" retains the wild energy of their debut, but leans into the rhythmic throbs perpetuated by forbears like Kid Creole & The Coconuts, Lizzy Mercier Descloux & ESG; the signature sound of UK's On-U Sound & NYC's 99 Records, but with a decidedly West Coast irreverence & a knack for absurdist exposition. Make no mistake, this is music designed to make your body Move & Naked Roommate won't stop until they 've made sure every ass is shook. The band freely incorporates elements of the dancier side of post-punk (think A Certain Ratio or Liquid Liquid) as well as disco, funk, & house music. However, the group's uplifting melodicism belies a deeper subtext, understanding the importance of the sense of community of dance music & the culture surrounding it and leaning into a Neo-socialist lyrical context. Shit is fucked, & we get thru it by helping one another & acknowledging & addressing the failures of disaster Capitalism & tech-bro hegemony (a state the band is all-too familiar with, living in The Bay Area) Take the first single "Bus"; a four-on-the-floor banger & salutary paeon to the ups & downs of the people's transport that throbs & pulses with a late-night sashay (and a bridge that launches the tune into the stratosphere). Elsewhere, "Fight Flight "s funky horn stabs and Sermeno's slinky vocals swoon over Numan-esque synth squiggles that are fortified & funkified toward the dance floor. "Broken Whisper " edges into new territor y for the group, adding a Caribbean flavor a'la Kid Creole or The Specials that punctuates the persistent & synthetic beats underneath. Meanwhile instrumental interludes like "Ducky & Viv", "g-y pt. 1" & "g-y pt. 2" oscillate into zones of sci-fi meets soap opera soundtracks, sounding not unlike the electronic experiments of UK industrial pioneers Chris & Cosey. Album closer "I Can't Be Found" might be the album's secret weapon; It 's swooning synth melody & processed vocals recall early Daft Punk or Mgmt by way of Derrick Carter & The Au Pairs. It 's a beautiful song; perfect for the late night (or early morning) car ride home from the club. "Pass The Loofah" is released worldwide on October 25th, 2024 via Trouble In Mind Records digitally via most DSPs & on black vinyl & limited "disco ball " silver vinyl.
Gehenna - First Spell White Black Marble Vinyl Edition
Gehenna
First Spell White Black Marble Vinyl Edition
LP | 2024 | EU | Original (Darkness Shall Rise Production)
33,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Released one year after their demo 'Black Seared Heart', it was 'First Spell' that put GEHENNA on the map for real.Originally released in 1994 by Metalion's legendary label Head Not Found, the EP shows a band – even though only founded 1 year prior – already on top of their game. Each of the 5 tracks is a masterpiece in its own right. “The Shivering Voice Of The Ghost” or “Unearthly Loose Palace” – can it get more sombre than that?Macabre and utterly dark, the highly original and memorable tracks are considerably enhanced by keyboard player extraordinaire Sarcana.'First Spell' is one of the very best EPs ever done in Norway and belongs in every self-respecting Black Metal fan's collection.The songs were completely new remastered by Patrick W. Engel at the Temple of Disharmony to ensure the best possible sound for this timeless Black Metal classic.This release will include a huge 16-page 12” booklet including an in-depth interview (divided into 4 parts, this is part 2) with all 5 original bandmembers and many never seen before pictures.An A2 poster will be added to every vinyl too and a download-code. SIDE A:1. The Shivering Voice Of The Ghost2. Unearthly Loose Palace3. Angelwings And RavenclawsSIDE B:1. The Conquering Of Hirsir2. Morningstar
Time Lurker - Emprise
Time Lurker
Emprise
LP | 2024 | EU | Original (Ladlo)
25,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Time Lurker is a solo atmospheric black metal project, created by Mick in 2014. Inspired by the darkness of the human soul and introspective journeys deep into his own torments. Returning after 5 years' silence, Time Lurker are back in 2024 with a new album that has been built on doubt, self-questioning and suffering, but also on the strength of self-transcendence and determination. Joined in 2023 by SOTTE for all the vocals and lyrics. 1. Emprise2. Cavalière de feu3. Poussière mortifère4. Disparais, soleil5. Fils sacré
ALL HANDS_MAKE LIGHT - Darling The Dawn
ALL HANDS_MAKE LIGHT
Darling The Dawn
LP | 2023 | CA | Original (Constellation)
26,99 €*
Release: 2023 / CA – Original
Genre: Rock & Indie, Electronic & Dance
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ALL Hands_make Light is the recently minted duo of Ariel Engle (La Force, Patrick Watson, Broken Social Scene) and Efrim Manuel Menuck (Godspeed You! Black Emperor, Thee Silver Mt. Zion). Longtime friends, collaborators, and stalwarts of the Montréal post-punk community, this is their first full-fledged project together. Ah_ml weaves these two unique voices through lustrous tendrils of blown-out tones and drones, expanding on Menuck's eponymous modular and analog synth-based work of recent years, now imbued with an additionally searing, soulful warmth and melodicism through Engle's singing. "Darling The Dawn" is a spellbinding album of preternaturally genre-bending sonics and songwriting: a sort of electronic shoegaze suffused with freak-folk, kosmische, darkwave and post-industrial, flowing from ambient minimalism to pulsing maximalism, conjuring traditionals sung in the haze of earliest light accompanied by overdriven circuit boards powered with ungrounded wires. Engle and Menuck see ALL Hands_make Light in a folk lineage traced through the likes of Pentangle and Trees to White Magic and Amps For Christ. While there's no discernable guitar or acoustic instrumentation on the album (warm distorted synths provide the palette, along with signal-processed violin from fellow-traveller Jessica Moss), off-kilter drone incantations like "A Sparrow's Lift" and "A Workers' Graveyard (Poor Eternal)" perhaps sit most overtly within these seams of the skewed-folk substratum. The dichotomic ritualism of Can is an adjacent signpost, where methodical longform soundscaping combines with a feeling of extemporized immediacy. The album's tremendous 10-minute centerpieces "We Live On A Fucking Planet And Baby That's The Sun" and the motorik-driven "The Sons And Daughters Of Poor Eternal" also make this influence explicit thanks in part to the resplendent drumming of guest Liam O'Neil (Suuns), who helps propel both tracks to their spiralling peaks. Above all it's the singing and lyrics, in method and melodic delivery, that conjure certain freak-folk furrows. Engle calls this "music inspired by ancestor music, sea shanties for seas we've never sailed" and the duo have indeed forged a collection on "Darling The Dawn" where vocals often feel strangely rooted in traditionals, while the instrumentation resonates out-of-time, in a liminal space at once glisteningly synthetic and oxidized in analog patina. As the album title suggests, sleepless anxiety/euphoria and a sense of somatic channeling is vital to these songs: "I mostly kept the first thought I had, like a cold read, I wanted the melodies to be immediate and to surprise me, not a laboured process; it's about being a weather vane, guided by preconscious impulses" says Engle. For Menuck, the record started "with an idea of making a long thing about `the Dawn', the different weights of its radiance, the way it kisses our dumb faces when we rise and leave the night behind, the heaviness of that light when you haven't slept." "Darling The Dawn" captures a wholly compelling collaboration between Engle and Menuck in an album of genuine thematic power, thrumming with alternately tender and serrated beauty as only their combined strengths and sensibilities could conjure. Thanks for listening.
Kikagaku Moyo - Kikagaku Moyo
Kikagaku Moyo
Kikagaku Moyo
LP | 2013 | EU | Reissue (Guruguru Brain)
29,99 €*
Release: 2013 / EU – Reissue
Genre: Rock & Indie
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Kikagaku Moyo 1st self-titled album reissue. Originally released by Cosmic Eye Records in Sep 2013. Kikagaku Moyo's debut album exerts an elemental power. Enlivening their sound with sitars, percussive drums, theremins, wind instruments and ethereal vocals, the band manages to sound powerfully spacious and lazily serene all at once. Their songs can be light as air, or heavy as earth. comes with digital download Many evolve out of intense experiences of engagement with the natural world. The album’s first track, “Can You Imagine Nothing?” was written over a night spent jamming on a suspended footbridge in remote mountains. As the song progressed the bridge began to sway, making band members feel as though they were floating weightless in midair. =Band Description= Kikagaku Moyo started in the summer of 2012 busking on the streets of Tokyo.
Dorsey Burnette - Hard Working Man (1960-1964) Record Store Day 2023 Edition
Dorsey Burnette
Hard Working Man (1960-1964) Record Store Day 2023 Edition
LP | 2023 | US (Iron Mountain Analog Research)
35,99 €*
Release: 2023 / US
Genre: Rock & Indie
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Record Store Day 2023 exclusive release on Gold or Black vinyl (Randomly Inserted). From the makers of 'Hillbillies In Hell'...

Full Throated, Big Chested Country, Hollyweird Pop and Velveteen Popcorn for the working stiffs. Best known as one of the original Godfathers of '50s Rockabilly, Dorsey Burnette had a fascinating 1960s solo pivot to epic, widescreen vistas of Existential Incarcerations, Serpentine Temptations, Cold War Escapees, Luciferian Combats, Eco-Armageddons and Creationist Heavens. Blessed with a bold set of tonsils and a song-writing genius, Burnette is largely forgotten today but his hits (and misses) offer a brash landscape of Spiritual-Crooner Belters and Hillbilly Backwoods Swelters. Lusty, loud and proud, this set examines unheard and underrated sides cut for various mid-'60s labels as Burnette sought a home for his unique Hillbilly Popcorn Pop. Antediluvian Survivalism and Biblical Environmentalism, Ancient Traditionalism and Passionate Hedonism. The best of Dorsey Burnette's 1960s sides stand alone as Wry Depression-Era Fables, Swinging Tower of Babel Ballads, Devilish Tribulations and Forceful Masculine Declarations.

Eons in the making – ‘Hard Working Man' captures and chronicles the stellar output of a prodigious wordsmith and eccentric, arcane thinker. Fundamental Questions and Timeless Revelations, Dorsey Burnette channelled Eternal Wisdom through Blood, Sweat and Big Beat Ballads.

Many of these sides are impossibly rare and are reissued here for the very first time. All for your primal listening pleasure.

*Limited Edition Deluxe Gatefold LP with exclusive scholarly liner notes by Alvin Lucia! *Full dynamic range 2023 remasters direct from the first generation analogue master tapes! *Limited Edition 500 LPs – 250 ‘Sugar Mountain’ Gold LPs! / 250 ‘Restless Rollin’ Black LPs! (randomly inserted)
Jerry Harrison - The Red And The Black Record Store Day 2023 Red & Black Vinyl Edition
Jerry Harrison
The Red And The Black Record Store Day 2023 Red & Black Vinyl Edition
LP | 2023 | Reissue (Rhino Warner)
47,99 €*
Release: 2023 / Reissue
Genre: Rock & Indie
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Limited 2 x 140g 12" Red (disc1) & Black (disc2) vinyl album. RSD 2023. With his 1981 solo debut album The Red and the Black, Jerry Harrison proves his formidable talent as a multi-instrumentalist and songwriter. Dense, abrasive and focused, The Red and the Black’s complex and funky musical style was ahead of its time. Harrison's observations throughout the album on the modern condition ring all the more true in our digital age. This limited edition 2LP edition features the 1981 album recut from the original tapes plus a bonus LP of previously unreleased outtakes and alternate mixes.
Mono - Heaven Vol.1 Black Vinyl Edition
Mono
Heaven Vol.1 Black Vinyl Edition
EP | 2023 | EU | Original (Pelagic)
19,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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MONO have long drawn equal inspiration from the light and dark of life, spawning more than two decades of musical turbulence and melodic transcendence. Heaven Vol. 1 marks the beginning of a new annual tradition from MONO: A new EP released on Christmas Day each year, leaning into the light at precisely the time when we need it the most - surrounded by loved ones and hopeful for what the turn of the calendar may bring us.Recorded by Takaakira `Taka' Goto at his home studio in Japan (with drums recorded by Amak Golden at Golden Hive Studio in Prague) - and mixed by Rafael Anton Irisarri and Jeremy deVine at Black Knoll Studio in New York - Heaven Vol. 1 finds MONO at their most hopeful and cinematic. Of each of Heaven Vol. 1's three tracks, MONO offers these words:Lucia:"This song was written when our beloved longtime partner Jeremy (the owner of our American label Temporary Residence Ltd.) welcomed his second child. The song is constructed with two parts; the first part celebrates the birth of a new life and the second part heads towards dreams and hope. We wrote this song with the feeling of Santa Claus riding a sleigh through the snowstorm, smiling, jumping into the swirl of pure white light and carrying many dreams."Smile:"We drew upon the snowy scenery of Christmas that we experienced when we were young. Your exhaled breath is white. Your heart is dancing in the endless silvery white world, and when you are about to grab the snow with your hands and turn around, your parents look back at you with a smile. We wrote this song whilst remembering moments like this."Silent Embrace:"Time passed and we became adults. Life is like climbing and descending many steep mountains, but the reason we're still able to continue walking is because of our loved ones, colleagues, friends and family who quietly stand by us and giving us courage and strength. We wanted to express our gratitude with this song."
Neutral Milk Hotel - The Collected Works Of Neutral Milk Hotel
Neutral Milk Hotel
The Collected Works Of Neutral Milk Hotel
Box Set | 2011 | US | Reissue (Merge)
163,99 €*
Release: 2011 / US – Reissue
Genre: Rock & Indie
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The two full-length records that Jeff Mangum made as Neutral Milk Hotel sound both in and out of time. Like translations of a shared subconscious, 1996's On Avery Island and 1998's In the Aeroplane Over the Sea give voice to the perennial spirit of youthful epiphany, of beginning to see the world clearly, to process and express it-no matter when you encounter them. With lo-fi indie rock, accordion, singing saw, tape collages, the so-called "zanzithophone" and beyond, Neutral Milk Hotel created an eternal entry into their Elephant 6 scene and an enduring feeling of possibility. Mangum was born in the small city of Ruston, Louisiana, in 1970, coming of age within the '80s and '90s indie and punk undergrounds, a movement of teenagers recording in their bedrooms, sharing zines and trading tapes, listening to hardcore and experimental music on college radio. For all the mythology Mangum's elusive persona has accrued-particularly during the 15 years immediately following Aeroplane, when he abruptly left the band behind-it's the beguiling songs themselves that have resonated so deeply for generations. In 2011, Mangum collected nearly all of the band's recorded output in a limited-edition box set (self-released under Neutral Milk Hotel Records, a small operation helmed by Mangum and his mother) which is now re-pressed by Merge.

Black matte box is a 2-piece telescoping casewrapped package. Outer shrink-wrap includes a front sticker with "Neutral Milk Hotel," and a back sticker listing box contents. The box set includes 2 folded posters, each printed one side and each 24 x 24 inches when flat, and 1 postcard, printed front and back with box set information and sized 3.75 x 5 inches. Vinyl records: 1. In the Aeroplane Over the Sea: LP is 11 tracks pressed 33rpm to black vinyl in a gatefold jacket + printed insert for full album download. --- 2. On Avery Island: 2-lp is 12 tracks pressed to double black vinyl in a gatefold jacket + 11 x 11 printed insert + printed insert for full album download. Sides A, B and C pressed 45rpm. Side D pressed 33rpm. --- 3. Live at Jittery Joe's: 12-inch picture disc is 11 tracks pressed 33rpm to a full color picture disc in a heavyweight poly jacket + printed insert for full album download. --- 4. Ferris Wheel on Fire: 10-inch is 8 tracks pressed 45rpm to black vinyl in a printed jacket + postcard insert + printed insert for full album download. --- 5. Everything Is: 10-inch is 7 tracks pressed 45rpm to black vinyl in a printed jacket + postcard insert + printed insert for full album download --- 6. "Little Birds": 7-inch is 2 tracks pressed 45rpm to black vinyl in a printed jacket + printed insert for full album download 7-inch housed in a heavy-weight poly jacket. --- 7. "You've Passed": 7-inch is 2 tracks pressed 45rpm to black vinyl in a printed jacket + printed insert for full album download. 7-inch housed in a heavy-weight poly jacket. --- 8. "Holland, 1945": 7-inch is 2 tracks pressed 45rpm to black vinyl in a printed jacket + printed insert for full album download. 7-inch housed in a heavyweight poly jacket.
Joni Mitchell - Ladies Of The Canyon 180g 45RPM SuperVinyl Box Set
Joni Mitchell
Ladies Of The Canyon 180g 45RPM SuperVinyl Box Set
2LP | 1970 | US | Reissue (Mobile Fidelity)
154,99 €*
Release: 1970 / US – Reissue
Genre: Rock & Indie
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SOURCED FROM THE ORIGINAL ANALOGUE MASTER TAPES
PRESSED AT RTI ON MOFI SUPERVINYL, AND STRICTLY LIMITED TO 5,000 NUMBERED COPIES
1/4” / 15 IPS / Dolby A analogue master to DSD 256 to analogue console to lathe


Ladies of the Canyon can be viewed as Joni Mitchell's coming-out party. Having recently moved to Lookout Mountain in Los Angeles' Laurel Canyon area — her house is depicted in a watercolour painting she made for the record's cover — the Canadian icon turned to her immediate surroundings for inspiration the while taking the pulse of national affairs, corporate enterprise, celebrity, and her relationship with Graham Nash. The 1970 album finds the singer-songwriter morphing into the groundbreaker who would shed folk music's constructs and wade into pop, jazz, soul, and poetry with a combination of depth, sophistication, self-examination, and acumen no one had ever heard.

Sourced from the original analogue master tapes, pressed on MoFi SuperVinyl at RTI on MoFi SuperVinyl, featuring new liner notes, and strictly limited to 5,000 numbered copies, Mobile Fidelity's UltraDisc One-Step 180g 45RPM 2LP box set delivers Ladies of the Canyon with bracing intimacy, detail, balance, and depth. Marking the first time the LP has received audiophile treatment, it's one of six iconic Mitchell records Mobile Fidelity is reissuing on definitive-sounding vinyl and SACD sets.

Playing with organic warmth, superb clarity, and ample spaciousness, this collectible UD1S edition benefits from the inherent properties of SuperVinyl — a virtually non-existent noise floor, reference-calibre groove definition, and ultra-silent surfaces among them. Primarily recorded solo, with spare accompaniment on select tracks, Mitchell practically takes up residence in your listening room. Her voice, piano, and guitar image with spot-on precision and three-dimensionality; the music is focused, emotional, natural. Auxiliary instrumentation — cello, clarinet, baritone saxophone, Milt Holland's deft percussion — is seamless, cohesive, steady. Notes bloom and decay as they do on a live stage; relatedly, the soundstage extends far and wide, with carbon-black backgrounds adding to the uncanny realism.

The deluxe packaging of the Ladies of the Canyon UD1S set complements its distinguished status. Housed in a deluxe slipcase, both LPs come in special foil-stamped jackets with faithful-to-the-original graphics that illuminate the splendour of the recording. This UD1S reissue is made for listeners who prize sound quality and production, and who desire to engage themselves in everything involved with the album, including Michell's illustrative painting that serves as the cover art.

Deemed "powerful and brilliant" upon release by The New York Times, Ladies of the Canyon followed Mitchell's first Grammy-winning effort (Clouds) and marked the first of six consecutive masterworks she made en route to becoming the most celebrated singer-songwriter of both her generation, and, arguably, all time. It's the first record on which the then-26-year-old featured the piano, a creative decision of immeasurable significance; first to attain platinum status, which transformed Mitchell into more than a folk figure; first to see her taking more chances with her singing; and the last on which she comes across upbeat, largely unencumbered by the complex themes and personal ache that would occupy her for the foreseeable future.

Mitchell radiates confidence and courage, producing Ladies of the Canyon herself after realizing she didn't need the services of an outsider when she already knew what she wanted. She just required a competent and collaborative engineer, who she landed in Henry Lewy. Fittingly, on the record's affectionate title track, she celebrates community and a trio of women — all real, all from her Laurel Canyon neighborhood — who, individually, as a visual artist, free-spirited mother, and circus-raised imagineer, respectively, were all reflected in Mitchell herself. Akin to Trina, Annie, and Estrella, Mitchell also had an affinity for wearing beautiful clothes, hosting friends, baking sweets, and weaving "a pattern all her own."

That pattern most famously materializes on the album's closing trio of songs — their unconventional placement on the record likely another sly acknowledgement of Mitchell's disdain for commercialism, or at the very least, catering to its demands — each, then and now, a classic. Within months of releasing Ladies of the Canyon Mitchell would find herself at the centre of the singer-songwriter movement — and preparing songs for another album whose impact is still felt today.

More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior

Mobile Fidelity Sound Lab's UltraDisc One-Step (UD1S) technique bypasses generational losses inherent to the traditional three-step plating process by removing two steps: the production of father and mother plates, which are created to yield numerous stampers from each lacquer that is cut. For UD1S plating, stampers (also called "converts") are made directly from the lacquers. Since each lacquer yields only one stamper, multiple lacquers need to be cut. Mobile Fidelity's UD1S process produces a final LP with the lowest-possible noise floor. The removal of two steps of the plating process also reveals musical details and dynamics that would otherwise be lost due to the standard multi-step process. With UD1S, every aspect of vinyl production is optimized to produce the best-sounding vinyl album available today.

MoFi SuperVinyl

Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analogue lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.
Krisiun - Black Force Domain Red Vinyl Edition
Krisiun
Black Force Domain Red Vinyl Edition
LP | 2022 | EU | Original (Listenable)
17,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Alabama Shakes - Boys & Girls - 10th Anniversary Edition
Alabama Shakes
Boys & Girls - 10th Anniversary Edition
LP | 2012 | UK | Reissue (Rough Trade)
33,99 €*
Release: 2012 / UK – Reissue
Genre: Rock & Indie
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Rough Trade Records will commemorate the 10th anniversary of Alabama Shakes" internationally acclaimed debut album, Boys & Girls, with a two-disc deluxe edition, set for December 9th release. Hailed as one of the best albums of 2012 by Rolling Stone and numerous other publications, Boys & Girls entered Billboard"s Independent Albums chart at No. 1. It went on to attain Platinum certification and earn the band multiple GRAMMY nominations. Lead single "Hold On" was voted the #1 Best Song of 2012 by Rolling Stone..Repackaged in a foil-board gatefold jacket with new, unreleased photos, Boys & Girls 10 Year Anniversary Deluxe Edition contains the album"s original 11 songs plus an additional 11 tracks from the band"s explosive live performance on KCRW"s "Morning Becomes Eclectic," which aired in the months leading up to the album"s release. Listen to Alabama Shakes" ferocious live version of "Always Alright" - a non-album track that appeared on the soundtrack for the Oscar-nominated film Silver Linings Playbook and earned a GRAMMY nomination.
Dead Meadow - Force Form Free
Dead Meadow
Force Form Free
LP | 2022 | EU | Original (Blues Funeral)
23,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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The new record from one of the founding pillars of modern heavy psych rock: Spacey and dreamy yet grimly propulsive, Force From Free sees Dead Meadow continuing to explore transporting, astral-gazing heavy psychedelia.Force Form Free, the new record from Dead Meadow, is spacey and dreamy at times, grimly propulsive at others, and captures one of the most important bands in modern heavy psych continuing their effortless exploration of the transporting, astral-gazing form they've spent their entire existence pushing forward.Dead Meadow has toured such far-reaching places as Russia and Australia, performed at renowned festivals including Roadburn and Levitation fest, and had their music featured on acclaimed HBO show The WireThe band has released 7 studio albums, 3 live records, and the only Peel Session ever recorded outside the BBC studiosFor Fans of Black Mountain, King Gizzard & the Lizard Wizard, GYBE, Black AngelsSleek limited LP on bright red vinyl!
Dion Lunadon - Beyond Everything
Dion Lunadon
Beyond Everything
LP | 2022 | US | Original (In The Red)
25,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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After releasing his self-titled debut album in 2017, Dion Lunadon (The D4, ex-A Place To Bury Strangers) and In The Red Records is proud to release his sophomore album, Beyond Everything. Beyond Everything will be Lunadon’s first release on In The Red (an ideal match for his music), as well as his first full-length since departing A Place To Bury Strangers. Written, performed and recorded by himself, the songs tap into a raw, palpable energy that blur the line between the music and the person. Drums on the record were played by Blaze Bateh (Bambara) and Nick Ferrante (The Black Hollies). Lunadon says; “The record was written and recorded sporadically between 2017 and 2019. I probably wrote about one hundred songs during this period. The first album was pretty relentless which I liked, but I wanted to make something more dynamic for the second record. Something that could be more conducive to repeated listens. I’d get in my studio, come up with a song title, and start working on any ideas that I had. For example, with ‘Elastic Diagnostic,’ the idea was to create a hum that evokes the sound of life coursing through your body. Everything else kind of formed around that idea.” “An arresting, noise-infected dose of psych-garage.” on “It’s The Truth”—Brooklyn Vegan “An amped up garage psych ripper.” on “Living And Dying With You”—Brooklyn Vegan “A ferocious rocker.” on “Living And Dying With You”—Destroy Exist “A gritty and raw glam-like anthem centered around chugging power chords, Lunadon’s howled and desperate delivery, forceful and propulsive drumming paired with an explosive feedback-driven coda, ‘It’s The Truth’ further cements the Kiwi-born, Brooklyn-based artist’s reputation for crafting anthems meant to be played as loud as humanly possible.” —Joy Of Violent Movement
Guns N' Roses - Use Your Illusion II
Guns N' Roses
Use Your Illusion II
2LP | 1991 | EU | Reissue (Geffen)
38,99 €*
Release: 1991 / EU – Reissue
Genre: Rock & Indie
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USE YOUR ILLUSION II remastered for the first-time ever from high-resolution 96kHz 24-bit transfers from the original stereo 1/2-inch analog master tapes. Includes 2x 180-gram heavy-weight audiophile black vinyl in gatefold jacket with a 12″x12″ insert.
Darkthrone - Astral Fortress Silver Vinyl Edition
Darkthrone
Astral Fortress Silver Vinyl Edition
LP | 2022 | EU | Original (Peaceville)
37,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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From their formation back in 1986, to becoming one of Norways’s finest musical exports (with a number of highly revered black metal masterpieces released in the early 90’s helping to solidify their legacy), Darkthrone has continued to evolve and challenge in equal measure, throughout their illustrious recording career spanning over three decades. And now, the ever-productive duo of Nocturno and Fenriz continue their own metallic saga with a new selection of fine, vintage sounding headbanging classics in the making.

‘Astral Fortress’ is itself a swift follow-up to 2021’s ‘Eternal Hails’ opus, as a result of Darkthrone’s consistent and ongoing writing process, which has been in force for some years now. For Darkthrone does not sleep - it only waits.

Carried on the brisk wind of eager rock, with foundations in black, thrash, doom and heavy metal, ‘Astral Fortress’ is the latest album of stellar, eclectic old metal in the Darkthrone odyssey. With a seemingly endless dungeon full of heavy metal influences channelled through Darkthrone’s dynamic riff-machine, plus also with many increasing inspirations taken from their own past catalogue, Darkthrone has truly become its own beast within the metal world. Even though sprinkled with atmospheric touches such as synthesizers and mellotron on ‘Astral Fortress’ to great effect, the Darkthrone sound remains stripped down to the core; always primitive and organic.

‘Astral Fortress’ was recorded at Chaka Khan Studios in Oslo, the same location used for the ‘Eternal Hails’ album, with Ole Øvstedal and Silje Høgevold.
Blur - Bustin & Dronin'
Blur
Bustin & Dronin'
2LP | 1998 | EU | Reissue (Parlophone Label Group)
36,99 €*
Release: 1998 / EU – Reissue
Genre: Rock & Indie
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Originally released in 1998 in Japan-only, this compilation features remixes of tracks from their

1997 eponymously titled, number one album.



Originally only available as a 2-CD set including a Radio 1 John Peel session, only a handful of

copies made their way over to the UK on import.



Bustin’ + Dronin’ features nine remixes (note: no Peel Session) by William Orbit (tracks 1, 6, 7

& 9), Adrian Sherwood (2 & 8), Moby (4), Thurston Moore (5) and John McEntire (7).



Please note unlike the RSD edition the 2LP Black vinyl will not include the original OBI-strip or replica insert. The CD will feature an 8-page booklet along with a blur sticker sheet.
Nancy Sinatra & Lee Hazlewood - Nancy & Lee 8Track Edition
Nancy Sinatra & Lee Hazlewood
Nancy & Lee 8Track Edition
8Track | 1968 | US | Reissue (Light In The Attic)
23,99 €*
Release: 1968 / US – Reissue
Genre: Rock & Indie
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This is an 8track-cartridge, not a music cassette

First ever official reissue of Nancy & Lee’s classic 1968 duet album
Definitive reissue with Nancy’s involvement
Includes the bonus tracks, “Tired Of Waiting for You” and “Love Is Strange,” from the album sessions
Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
Vinyl pressed at RTI
Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
Never-before-seen photos from Nancy Sinatra’s personal archive

Light in the Attic is thrilled to announce the first official reissue of Nancy & Lee: the highly-influential 1968 duet album from Nancy Sinatra and Lee Hazlewood. This definitive edition of Nancy & Lee features newly-remastered audio by the GRAMMY®-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an uptempo version of “Love Is Strange” (first made famous by Mickey & Sylvia in 1956). This release marks the official debut on vinyl for both tracks.

Nancy & Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q&A with Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). In addition to the classic black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

In celebration of the release, Nancy Sinatra and fellow musician and longtime friend Don Randi (The Wrecking Crew) visited Record Technology, Inc. (RTI) in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and RTI plant manager, Rick Hashimoto is available here.

MORE ABOUT NANCY & LEE

When Nancy – the eldest daughter of Frank Sinatra – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.

Initially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.

Recalling her duets with Hazlewood, Sinatra laughs, “we used to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”

Before long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.

Throughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”

That je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy & Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the RIAA. Over the decades, however, the appeal of Nancy & Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus & Mary Chain, have cited Nancy & Lee as an influence.

In recent years, Nancy & Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy & Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy & Lee to be “a masterpiece that still ripples in the sonic waves today.” NPR, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy & Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”

Today, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy & Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”

Sinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic Records for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021, LITA reissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.
Nancy Sinatra & Lee Hazlewood - Nancy & Lee
Nancy Sinatra & Lee Hazlewood
Nancy & Lee
Tape | 1968 | US | Reissue (Light In The Attic)
10,99 €*
Release: 1968 / US – Reissue
Genre: Rock & Indie
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First ever official reissue of Nancy & Lee’s classic 1968 duet album
Definitive reissue with Nancy’s involvement
Includes the bonus tracks, “Tired Of Waiting for You” and “Love Is Strange,” from the album sessions
Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
Vinyl pressed at RTI
Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
Never-before-seen photos from Nancy Sinatra’s personal archive

Light in the Attic is thrilled to announce the first official reissue of Nancy & Lee: the highly-influential 1968 duet album from Nancy Sinatra and Lee Hazlewood. This definitive edition of Nancy & Lee features newly-remastered audio by the GRAMMY®-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an uptempo version of “Love Is Strange” (first made famous by Mickey & Sylvia in 1956). This release marks the official debut on vinyl for both tracks.

Nancy & Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q&A with Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). In addition to the classic black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

In celebration of the release, Nancy Sinatra and fellow musician and longtime friend Don Randi (The Wrecking Crew) visited Record Technology, Inc. (RTI) in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and RTI plant manager, Rick Hashimoto is available here.

MORE ABOUT NANCY & LEE

When Nancy – the eldest daughter of Frank Sinatra – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.

Initially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.

Recalling her duets with Hazlewood, Sinatra laughs, “we used to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”

Before long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.

Throughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”

That je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy & Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the RIAA. Over the decades, however, the appeal of Nancy & Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus & Mary Chain, have cited Nancy & Lee as an influence.

In recent years, Nancy & Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy & Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy & Lee to be “a masterpiece that still ripples in the sonic waves today.” NPR, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy & Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”

Today, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy & Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”

Sinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic Records for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021, LITA reissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.
Nancy Sinatra & Lee Hazlewood - Nancy & Lee Black Vinyl Edition
Nancy Sinatra & Lee Hazlewood
Nancy & Lee Black Vinyl Edition
LP | 1968 | US | Reissue (Light In The Attic)
30,99 €*
Release: 1968 / US – Reissue
Genre: Rock & Indie
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First ever official reissue of Nancy & Lee’s classic 1968 duet album
Definitive reissue with Nancy’s involvement
Includes the bonus tracks, “Tired Of Waiting for You” and “Love Is Strange,” from the album sessions
Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
Vinyl pressed at RTI
Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
Never-before-seen photos from Nancy Sinatra’s personal archive
Beautifully packaged and expanded gatefold LP featuring a 20-page booklet

Light in the Attic is thrilled to announce the first official reissue of Nancy & Lee: the highly-influential 1968 duet album from Nancy Sinatra and Lee Hazlewood. This definitive edition of Nancy & Lee features newly-remastered audio by the GRAMMY®-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an uptempo version of “Love Is Strange” (first made famous by Mickey & Sylvia in 1956). This release marks the official debut on vinyl for both tracks.

Nancy & Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q&A with Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). In addition to the classic black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

In celebration of the release, Nancy Sinatra and fellow musician and longtime friend Don Randi (The Wrecking Crew) visited Record Technology, Inc. (RTI) in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and RTI plant manager, Rick Hashimoto is available here.

MORE ABOUT NANCY & LEE

When Nancy – the eldest daughter of Frank Sinatra – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.

Initially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.

Recalling her duets with Hazlewood, Sinatra laughs, “we used to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”

Before long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.

Throughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”

That je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy & Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the RIAA. Over the decades, however, the appeal of Nancy & Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus & Mary Chain, have cited Nancy & Lee as an influence.

In recent years, Nancy & Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy & Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy & Lee to be “a masterpiece that still ripples in the sonic waves today.” NPR, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy & Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”

Today, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy & Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”

Sinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic Records for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021, LITA reissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.
Petrol Girls - Baby Pink Vinyl Edition
Petrol Girls
Baby Pink Vinyl Edition
LP | 2022 | EU | Original (Hassle)
31,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Time is supposed to mellow us, but for Petrol Girls it has distilled their feminist politics into an ever more potent cocktail. Fitting, given that their logo from day one has been a flaming molotov. Since their formation in 2012, the band has been known for playing fast-paced, chaotic punk that takes aim at everything from sexual violence to immigration policy, but over the last few years their sound has evolved in a more nuanced direction. Their 2016 debut album Talk of Violence was a blast of pure political rage, while 2019's Cut & Stitch saw vocalist Ren Aldridge exploring familiar themes from a more personal perspective. Now their latest offering, Baby - to be released through the London-based independent label Hassle on June 24th - sees the band turn another new corner. This time, by embracing irreverence. "We wanted [this album] to be less epic and less preachy from day one," Aldridge says. "I hate sanctimoniousness. Like, really fucking hate it. But I also know that I have been mega preachy, and felt very pressured to be sanctimonious, because we've always played in a very political punk scene. I lost my fun side, and I really needed to come back to that." Recorded with Pete Miles at Middle Farm Studios in Devon, Baby embraces a more playful sound. A focus on groove and repetition - driven by guitarist Joe York, drummer Zock and bassist Robin Gatt - give the songs a Talking Heads feel, while retaining the band's formative post-punk energy. The lyrics, too, are a departure for Aldridge. While she continues to address heavy topics like burn out, femicide and police violence, the lyrics balance directed anger with tongue-in-cheek humour where appropriate. Angular opener "Preachers" puts the self-aggrandising nature of call-out culture on blast with lyrics like "feeling dead important in the comments", while lead single "Baby, I Had An Abortion" is intentionally puerile from title to finish. On the flip side, tracks like "Violent By Design" see the band kicking back against carceral feminism in the wake of a news cycle dominated by Black Lives Matter protests and PC Wayne Cousins' brutal murder of Sarah Everard. Similarly, "Fight For Our Lives" - a harsh, borderline industrial song - was lyrically co-written by activist and vocalist Janey Starling. Aldridge deliberately wrote the verses to sound like a manifesto, and the lyrics reference Starling's Dignity For Dead Women Campaign with Level Up, which successfully called for the UK media to change the way it reports on fatal incidents of domestic violence. Baby saw Petrol Girls working in new ways - scrapping entire songs rather than trying to force things that didn't feel right, recording to tape for the first time, and deliberately leaving in imperfections. It was a more carefree process, which Aldridge - having gone through a particularly bad period of mental ill-health at the start of 2021 - welcomed. "Our whole thing for a long time, and a big focus of the last record, was
Red Hot Chili Peppers - Unlimited Love Black Vinyl Edition
Red Hot Chili Peppers
Unlimited Love Black Vinyl Edition
2LP | 2022 | EU | Original (Warner)
30,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Red Hot Chili Peppers will unveil their new album and twelfth full-length offering, Unlimited Love [Warner Records], on April 1, 2022. It notably marks their first recording with guitarist John Frusciante since 2006 and first with producer and longtime collaborator Rick Rubin since 2011. To herald Unlimited Love, the Los Angeles band just shared the first single and music video “Black Summer.”



“Our only goal is to get lost in the music. We (John, Anthony, Chad and Flea) spent thousands of hours, collectively and individually, honing our craft and showing up for one another, to make the best album we could. Our antennae attuned to the divine cosmos, we were just so damn grateful for the opportunity to be in a room together, and, once again, try to get better. Days, weeks and months spent listening to each other, composing, jamming freely, and arranging the fruit of those jams with great care and purpose. The sounds, rhythms, vibrations, words and melodies had us enrapt.



We yearn to shine a light in the world, to uplift, connect, and bring people together. Each of the songs on our new album UNLIMITED LOVE, is a facet of us, reflecting our view of the universe. This is our life’s mission. We work, focus, and prepare, so that when the biggest wave comes, we are ready to ride it. The ocean has gifted us a mighty wave and this record is the ride that is the sum of our lives. Thank you for listening, we hope you enjoy it.

ROCK OUT MOTHERFUCKERS!” - Anthony Kiedis, Flea, Chad Smith, John Frusciante



On lead track “Black Summer,” ethereal guitar underlines introspective lyrics as the rhythm unlocks a hypnotic drum groove highlighted by evocative bass. It quietly inhales only to exhale with a massive refrain, “It’s been a long time since I made a new friend, waiting on another black summer to end,” before a guitar solo echoes to the heavens and back.



Unlimited Love resumes a three-decade partnership with Rick Rubin [Johnny Cash, Adele]. Their creative collaboration spans legendary albums, including the diamond-selling Blood Sugar Sex Magik [1991], Californication [1999], By The Way [2002], and Stadium Arcadium [2006].



The interplay between the band borders on intergalactic once again—yet elevated to another stratosphere altogether. Unlimited Love represents the united spirit of four individual souls still fearlessly exploring the future of their eternal friendship and musical congregation.



This summer, Red Hot Chili Peppers will launch their first tour in support of Unlimited Love. They’ve invited a dynamic cohort of guests along for the ride at select dates, including Anderson.Paak & The Free Nationals and Thundercat and will be playing stadium dates in the UK in June 2022.
Red Hot Chili Peppers - Unlimited Love Limited Black Vinyl Gatefold Edition
Red Hot Chili Peppers
Unlimited Love Limited Black Vinyl Gatefold Edition
2LP | 2022 | EU | Original (Warner)
46,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Deluxe 2LP Version – Gatefold Sleeve w/ Poster

Red Hot Chili Peppers will unveil their new album and twelfth full-length offering, Unlimited Love [Warner Records], on April 1, 2022. It notably marks their first recording with guitarist John Frusciante since 2006 and first with producer and longtime collaborator Rick Rubin since 2011. To herald Unlimited Love, the Los Angeles band just shared the first single and music video “Black Summer.”



“Our only goal is to get lost in the music. We (John, Anthony, Chad and Flea) spent thousands of hours, collectively and individually, honing our craft and showing up for one another, to make the best album we could. Our antennae attuned to the divine cosmos, we were just so damn grateful for the opportunity to be in a room together, and, once again, try to get better. Days, weeks and months spent listening to each other, composing, jamming freely, and arranging the fruit of those jams with great care and purpose. The sounds, rhythms, vibrations, words and melodies had us enrapt.



We yearn to shine a light in the world, to uplift, connect, and bring people together. Each of the songs on our new album UNLIMITED LOVE, is a facet of us, reflecting our view of the universe. This is our life’s mission. We work, focus, and prepare, so that when the biggest wave comes, we are ready to ride it. The ocean has gifted us a mighty wave and this record is the ride that is the sum of our lives. Thank you for listening, we hope you enjoy it.

ROCK OUT MOTHERFUCKERS!” - Anthony Kiedis, Flea, Chad Smith, John Frusciante



On lead track “Black Summer,” ethereal guitar underlines introspective lyrics as the rhythm unlocks a hypnotic drum groove highlighted by evocative bass. It quietly inhales only to exhale with a massive refrain, “It’s been a long time since I made a new friend, waiting on another black summer to end,” before a guitar solo echoes to the heavens and back.



Unlimited Love resumes a three-decade partnership with Rick Rubin [Johnny Cash, Adele]. Their creative collaboration spans legendary albums, including the diamond-selling Blood Sugar Sex Magik [1991], Californication [1999], By The Way [2002], and Stadium Arcadium [2006].



The interplay between the band borders on intergalactic once again—yet elevated to another stratosphere altogether. Unlimited Love represents the united spirit of four individual souls still fearlessly exploring the future of their eternal friendship and musical congregation.



This summer, Red Hot Chili Peppers will launch their first tour in support of Unlimited Love. They’ve invited a dynamic cohort of guests along for the ride at select dates, including Anderson.Paak & The Free Nationals and Thundercat and will be playing stadium dates in the UK in June 2022.
V.A. - Total Holocaust Volume 1 Clear/Black/Red Splatter Vinyl Edition
V.A.
Total Holocaust Volume 1 Clear/Black/Red Splatter Vinyl Edition
2LP | 2022 | EU | Original (Back On Black)
12,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Prepare your eardrums for a crust punk and thrash metal ambush!
Metallica - Metallica Remastered Standard Edition
Metallica
Metallica Remastered Standard Edition
CD | 1991 | EU | Reissue (Universal Music International)
21,99 €*
Release: 1991 / EU – Reissue
Genre: Rock & Indie
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The Delmonas - Hello, We Love You! The Big Beat EPs
The Delmonas
Hello, We Love You! The Big Beat EPs
10" | 2021 | UK | Original (Big Beat)
22,99 €*
Release: 2021 / UK – Original
Genre: Rock & Indie
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The tracks from the group’s two 1984 EPs together on a swanky 10-inch vinyl LP. Inner bag features liner notes by Kris Needs incorporating new interviews with all three Delmonas and a series of great photos by Eugene Doyen.

Sarah Crouch, Hilary Wilkins and Louise Baker started singing together as a unique spark of spontaneous magic inextricably linked to their boyfriends in the Milkshakes, then rocking a garage-punk antidote to shiny synth-pop and brash chart stars with a direct lifeline back to rock’n’roll’s original simplicity and wildness. After Billy Childish and Bruce Brand formed the Pop Rivets in 1978, the guys hooked up with Micky Hampshire and Russell Wilkins to found the Milkshakes. Sarah shared a student house with boyfriend Micky plus Billy. After she and Hilary, then dating Russell, sang backing vocals on the Milkshakes’ rollicking Beatles-translated take on the Shirelles’ ‘Boys’, Louise’s arrival turned them into a girl group pretty much by accident.

“I loved the music the Milkshakes were playing,” Louise recalls. “Loved the small, intimate venues and most of the bands that played with them, especially the Prisoners. I’d gone with the Milkshakes to Belgium and was somehow persuaded to get up on stage and sing something. Next thing I knew, there was some kind of plan to get the three of us in the studio.” At first the three girls were called the Milk-boilers, renaming themselves the Delmonas by the time Ace Records’ Roger Armstrong and Ted Carroll suggested recording the EPs that furnish this collection. “I think we were asked to each think of three songs and turn up,” says Louise. “I mostly listened to music from the 60s: lots of girl groups, Irma Thomas, Dusty Springfield, Bo Diddley, Velvet Underground, Kinks. Bruce had the best record collection; Mel Tormé was in there somewhere and one of my faves. Sarah came up with doing the Doors cover.”

‘Comin’ Home Baby’ was written as an instrumental before Bob Dorough added lyrics and Mel Tormé recorded it in 1962. The Delmonas’ finger-clicking, noir-dynamic version kicked off their first EP with authentic-sounding 60s production resonance, iced with mysterioso organ. The Cookies scored a hit with Goffin & King’s ‘Chains’ in 1962, the Beatles’ version providing the Hamburg Star-Club template for the Delmonas’ energised rendition. The first EP, “The Delmonas Volume 1”, rounded off with two songs from the Childish-Hampshire songwriting partnership: ‘Woa’ Now’ and ‘He Tells Me He Loves Me’, the latter recalling the New York Dolls covering the Shangri-Las’ ‘Give Him A Great Big Kiss’, mainly because it has similar chords.

“The Delmonas Volume 2” opened with Sarah’s idea of covering the Doors’ hit. “We thought, ‘How would the Kinks have played it?’” she affirms. ‘Hello, I Love You’ had got the Doors into hot water with the Kinks’ publishers for its resemblance to ‘All Day And All Of The Night’. The Delmonas home in and highlight that similarity, adding bonkers psychedelic drop and evocative new coda. Their surf-tinged version of the Milkshakes’ ‘I’m The One For You’ is followed by the swampy screaming of ‘Peter Gunn Locomotion’, a cover of a 1963 single by Freddie Starr in his pre-stand-up comedian days as singer with the Midnighters. The set closed with the sultry organ-led vamp of the Milkshakes’ ‘I Want You’, the nearest the Delmonas get to the slowies Sarah helpfully points out they referred to as “shag songs”.

All these tracks would re-appear on their “Dangerous Charms” album, along with out-takes and recordings from a BBC session, before the original trio splintered, leaving Sarah and Hilary to return for further adventures as Ludella Black and Ida Red. The eight tracks here capture a moment when three fun-loving friends got to live out some musical fantasies and had a blast doing it. 37 years later, it sounds just as contagious.
Noel Gallagher's High Flying Birds - Back The Way We Came From Colored Record Store Day 2021 Edition
Noel Gallagher's High Flying Birds
Back The Way We Came From Colored Record Store Day 2021 Edition
2LP | 2021 | EU | Original (Ignition)
40,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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Record Store Day 2021 Release. WE Came VOL. 1 (2011-2021)/rsd 21/black AND Yello
Suburban Lawns - Suburban Lawns
Suburban Lawns
Suburban Lawns
LP | 1981 | US | Reissue (Superior Viaduct)
27,99 €*
Release: 1981 / US – Reissue
Genre: Rock & Indie
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If your brain has a shortlist of bands that instantly evoke New Wave, Suburban Lawns deserve a slot right next to the likes of Devo, Talking Heads and the B-52’s. After putting out two singles on their own Suburban Industrial imprint, the Lawns signed to I.R.S. Records and released their debut LP in 1981. While the band gained cult status thanks in part to a Jonathan Demme-produced music video which aired on Saturday Night Live, their self-titled album would sadly be the five-piece’s only full-length statement. Suburban Lawns’ asymmetrical aesthetic is personified by co-vocalist SuTissue, whose mesmerizing stage persona was at once childlike and terrifying. Her unique style embodies the awkward/arty female singer of the Reagan era, while the group’s male vocals—courtesy of Frankie Ennui, Vex Billingsgate and John McBurney—maintain the satirical themes of Southern California’s postwar mirage of limitless sprawl. Suburban Lawns’ catchiness can be attributed to their drum-tight performance and taut songwriting. Listen to the vocal trade-offs on “Anything,” which could have easily come out on any purely Punk label from LA at the time, while Tissue’s deadpan delivery on “Janitor” glides into the best art-warble this side of Lene Lovich, broaching the possibility of nuclear annihilation with a murmured “Boom, Boom, Boom, Boom.” From aWest Coast scene dominated by 7-inch singles and EPs, the Suburban Lawns’ lone LP remains in a class with precious few. It’s not surprising that they found acceptance in the Hollywood punk scene, despite their Long Beach roots, and would influence other bands such as Minutemen. This is not a disc that will get parked in your collection hoping to get pulled once in a while; this is a record you will play.
Alex Maas Of The Black Angels - Luca
Alex Maas Of The Black Angels
Luca
LP | 2020 | EU | Original (Basin Rock)
22,99 €*
Release: 2020 / EU – Original
Genre: Rock & Indie
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The music of Alex Maas has always mesmerised. Now, on his soul-baring solo debut Luca, the Texan and Black Angels singer's journey is taking an equally hypnotic detour along the wild trails of his indigenous homestead. Driven by the force of nature, each phase of life is celebrated through songs of love, hope, human connection whilst navigating perils of modern society and tentatively facing the darkness. “I’m trying to find balance in the insane world we live in,” reveals Alex. “Is shit scary? Yes. Is life beautiful and filled with hope and inspiration? Yes. You have to go into the dark to appreciate the light and vice versa. Everything isn't always peachy, one day you are walking through a beautiful field and get bit by a rattlesnake because you are blinded by the colourful flowers. It’s ok to be afraid, sad and fearful because you need it to appreciate all the beauty the world has to offer.” Like the echoes of nature that Alex grew up around Luca dances like dandelions on a breeze but is spiked with a squint of suspicion as its percussion shimmers like that cautionary rattlesnake. His album crackles with the vintage warmth of Grace Slick or smoky melodies of Nico, rising like a campfire’s embers whilst taking cues from Beth Gibbons, Sam Cooke, Lee Hazlewood, Vashti Bunyan, Mississippi John Hurt, and Huun-Huur-Tu. “I like music that makes me feel like I’m entering a magical place. I’m drawn to those whose voice sounds like it’s coming from the forest,” he says. Recorded at Space Flight Studios in Austin Luca was an evolutionary project with some early songs worked up from their acoustic origins whilst others were written more recently. Co-produced with long-time collaborator Brett Orrison, the record began its transformation from loner folk leanings to a worldlier embrace. Calling upon members of The Black Angels, Wide Spread Panic, Mien, the Sword, Jack White’s band the Eels. Stepping out on his own Maas is walking along his own untrodden path, offering an honest and true account of what has passed and what may yet come. Luca sings from the soul, is believable and could well be everything the world needs right now.
Sault - Untitled (Rise)
Sault
Untitled (Rise)
CD | 2020 | UK | Original (Forever Living Originals)
16,19 €* 17,99 € -10%
Release: 2020 / UK – Original
Genre: Organic Grooves, Rock & Indie, Pop
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The fourth album by Sault scored 97/100 at Metacritic and is the most beloved album at HHVs Supreme 100 of 2020 list, chosen by 150 journalists, musicians, label makers and record collectors. Currently repressed and soon back in stock.
Jerry Cantrell - Degradation Trip 1 & 2
Jerry Cantrell
Degradation Trip 1 & 2
4LP | 2019 | EU | Reissue (Music On Vinyl)
52,99 €*
Release: 2019 / EU – Reissue
Genre: Rock & Indie
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Degradation Trip is the second solo-album by Alice in Chains lead guitarist Jerry Cantrell. The musical rhythms are comparable to his former band, but the shorter songs are balanced with long prog rock epics. Jerry locked himself in his house to write 25 songs, all about different parts from his life. The lyrics are confessional and haunting, dealing with personal issues including drug abuse, hedonistic lifestyle of musicians and relationships. It’s a great reminder of the time in which Alice in Chains was one of the most popular bands in the grunge scene. For those who loved the band’s slow and doomy riffs this is a massive two hour voyage through whatever Cantrell could dig up. The expanded limited (1&2) edition consists of all the material he recorded in the Degradation Trip sessions.

Jerry Cantrell is an American musician who is best known as the lead guitarist, co-lead vocalist and main songwriter for the rock band Alice in Chains. Besides his influential role in this Seattle grunge band he pursued a solo career, releasing two albums to date.

Degradation Trip Volumes 1 & 2 is now available on black vinyl and includes a 12-page booklet.
Hanni El Khatib - Flight
Hanni El Khatib
Flight
LP | 2020 | EU | Original (Innovative Leisure)
25,99 €*
Release: 2020 / EU – Original
Genre: Rock & Indie
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In the life of any interesting artist, there is the perpetual war between the
simplicity of public perception and the complexities of reality. Consider Hanni
El Khatib, a definitive purveyor of visceral, blues-wracked, punk-spiked,
soul-warped, knife fight rock n’ roll over the last decade. You may be familiar
with him through any one of his four acclaimed solo albums on Innovative
Leisure, his work with Dan Auerbach of the Black Keys, or as one of the rare
polymaths able to artfully blend serrated guitars and hardcore rap on collaborations with GZA and Freddie Gibbs. And while these are all real things that
could accurately yield a sketch of the multi-dimensional Los Angeles-based
artist, they amount to little more than a black and white pencil sketch.
From 2010 until 2017, there was the usual cycle that consumes most working
21st musicians: make an album, and tour it for the next 18 months. Return
home, rinse and repeat. And with it came the predictable pitfalls that ensnare
too many artists whose professional obligations require high-octane performances before 1,000 or more strangers every night. It is a dream until that
one night when it isn’t any longer, and despite his gratitude for his fans and
station in life, El Khatib found himself wracked by depression and anxiety.
What had once been joyous creative outlet felt like a job. In the wake of the
release of 2017’s Savage Times, it became readily apparent that if El Khatib
didn’t make drastic changes to his lifestyle, there might not be a life to speak
of. So he quit drinking, stopped touring, and took an indefinite hiatus from the
studio. But eventually, the desire to create songs slowly returned.
What would eventually become El Khatib’s fifth studio album, the virtuosic
but characteristically raw FLIGHT began as spontaneous experimentation.
Over the last several years, El Khatib had become close friends with Leon
Michels, best known as the mastermind of the soul controllers, the El Michels
Affair, but who has also quietly racked up producer credits for the likes of pop
juggernauts like Lana Del Rey, Rick Ross, Travis Scott, A$AP Rocky, and
Eminem -- as well as frequently working in sessions with Grammy-winning
super-producer Mark Ronson. The finished result is a rollicking sampledelic
opus that recalls the beautiful chaos that the Dust Brothers created on Paul’s
Boutique and Odelay. It’s the type of thing that Dilla and Madlib would’ve
created if they had come up on The Cramps.
The irony, of course, is that for a record that sounds like little else El Khatib
has ever done, it’s the most complete embodiment of who he is as an artist.
It’s a record both dense and intricate yet direct and spontaneous. It is garage
rock, it is hip-hop, it is soul, it is blues, it is psychedelic, but more than
anything, it’s a brilliant Hanni El Khatib record -- one that taps into the adolescent spirit of creation that first stirred him to make songs in the first place.
Here he is on his fifth album, back for the first time.
Clannad - In A Lifetime Super Deluxe Bookpack Edition
Clannad
In A Lifetime Super Deluxe Bookpack Edition
2LP+LP+4CD+7"+Book+4Cards+Poster | 2020 | EU | Original (Warner)
83,99 €*
Release: 2020 / EU – Original
Genre: Rock & Indie
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Box including a 4CD Anthology, 2LP on black vinyl, 1 LP of Macalla, a 7", a book, 4 post cards and a poster.
Power Of Zeus - The Gospel According To Zeus
Power Of Zeus
The Gospel According To Zeus
LP | 1970 | EU | Reissue (Mr Bongo)
22,99 €*
Release: 1970 / EU – Reissue
Genre: Rock & Indie
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* Record Store Day Europe / UK 2019 Exclusive Release!
* Transferred from 2 x 1/4"" analog reels at 192kHz/24-bit.
* Half-speed cut at Abbey Road Studios.
* One of the most sampled breaks in hip hop history - including KRS-One, Kanye West, Jay-Z, Cyprus Hill, Tribe Called Quest and Eminem to name a few.
* 180gm vinyl

Seminal funk-rock album originally released on Rare Earth in 1970. Featuring the monster breakbeat on 'The Sorcerer Of Isis’.

Formed in Detroit in 1968, Power of Zeus became the first rock band to be signed by Motown subsidiary label, Rare Earth. The group drew inspiration from British hard rock and heavy metal giants like Cream, Black Sabbath, and Led Zeppelin when they created this well-produced, seminal post-hard rock album. After ‘The Gospel According to Zeus’, the group never made another album and the band slipped into obscurity, until it was discovered by the hip hop diggers. The drum beat from "Sorcerer of Isis" has been one of the most sampled in hip-hop music, including KRS-One, Kanye West, Jay-Z, Cyprus Hill, Tribe Called Quest and Eminem to name a few.
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