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Ian Dury & The Blockheads - Ten More Turnips From The Tip 20th Anniversary Remaster Record Store Day 2022 Vinyl Edition
Ian Dury & The Blockheads
Ten More Turnips From The Tip 20th Anniversary Remaster Record Store Day 2022 Vinyl Edition
LP | 2002 | UK | Reissue (BMG)
31,99 €*
Release: 2002 / UK – Reissue
Genre: Rock & Indie
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We’re celebrating the 20th Anniversary of the fourth and final studio album by IAN Dury & THE Blockheads. TEN More Turnips From THE TIP was first compiled and released in 2002, two years past Ian Dury’s passing in 2000. For the first time ever this album is being released on vinyl, exclusively for Record Store Day 2022. The album has been remastered for the occasion and is being released not just on vinyl, but on white vinyl!
The Cold Stares - The Southern - Limited Edition Marble Clear Vinyl Edition
The Cold Stares
The Southern - Limited Edition Marble Clear Vinyl Edition
LP | 2024 | EU | Original (Mascot Label Group)
26,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Blood Incantation - Hidden History Of The Human Race
Blood Incantation
Hidden History Of The Human Race
2LP | 2019 | EU | Original (Century Media Catalog)
23,99 €*
Release: 2019 / EU – Original
Genre: Rock & Indie
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Joe Cocker - The Life Of A Man The Ultimate Hits 1968-2013
Joe Cocker
The Life Of A Man The Ultimate Hits 1968-2013
2LP | 2016 | EU | Original (Sony)
26,99 €*
Release: 2016 / EU – Original
Genre: Rock & Indie
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Makoto Kubota & The Sunset Gang - Sunset Gang
Makoto Kubota & The Sunset Gang
Sunset Gang
LP | 1973 | EU | Reissue (Wewantsounds)
34,99 €*
Release: 1973 / EU – Reissue
Genre: Rock & Indie
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Wewantsounds is closing its Makoto Kubota reissue series with the release of "Dixie Fever" recorded in Hawaii in 1976 and co-produced by Haruomi Hosono. Like its predecessors, 'Sunset Gang' and 'Hawaii Champroo', 'Dixie Fever' continues to explore American and Island music through a Japanese prism with a skilful mix of blues, swamp funk and America adding an exotic edge to the whole. It is the first time the album is released outside of Japan and the LP features original artwork with OBI and insert plus remastered audio by Makoto Kubota himself.

A year after the release of their highly-acclaimed album 'Hawaii Champroo' in 1975, Makoto Kubota and The Sunset Gang reunited at Sounds of Hawaii studios with co-producer Haruomi Hosono to record a new album, 'Dixie Fever'. They used pretty much the same ingredients that had made the success of Champroo - an effortless mix of Japanese folk and american roots music with some tropical influences. The same mix that Haruomi Hosono was applying to his own albums, especially ''Tropical Dandy which was experimenting with the same ideas - In fact the front cover of both 'Tropical Dandy' and 'Dixie Fever' are illustrated by Yasuo Yagi. ?As per 'Hawaii Champroo' and 'Sunset Gang', 'Dixie Fever' includes a mix of original compositions and covers. On the album, you spot The Lovin' Spoonful's 'Wild About My Lovin' and a funked up version of UK singer songwriter Ralph McTell's song 'When i Was a Cowboy'. They feature the Gang's usual musicians (Keni Inoue on guitar, Yosuke Fujita on slide guitar and Takashi Onzo on bass and keyboards) complemented by a handful of guests including Tin Pan Alley drummer Tatsuo Hayashi, Motoya Hamaguchi on percussion and New Orleans pianist and Dr. John friend, Ronnie Barron. Together they play a superb brew made of blues, soul, Hawaiian music and southern swamp rhythms. One of the highlights of the album is undoubtedly 'Hoshikuzu' (Stardust) which has become a cult classic over the years on the international City Pop scene and whose sunshine mid-tempo vibe is the perfect reflection of the group's musicianship. The track perfectly adds to the album's charm which Wewantsounds is happy to release for the first time internationally.
Title Fight - The Last Thing You Forget
Title Fight
The Last Thing You Forget
7" | 2009 | US | Reissue (Run For Cover)
11,99 €*
Release: 2009 / US – Reissue
Genre: Rock & Indie
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Joni Mitchell - Joni Mitchell Archives Volume 4:The Asylum Years 1976-1980
Joni Mitchell
Joni Mitchell Archives Volume 4:The Asylum Years 1976-1980
4LP | 2024 | Original (Rhino)
124,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Nap Eyes - The Neon Gate
Nap Eyes
The Neon Gate
LP | 2024 | US | Original (Paradise Of Bachelors)
24,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Heriot - Devoured By The Mouth Of Hell
Heriot
Devoured By The Mouth Of Hell
LP | 2024 | EU | Original (Century Media)
23,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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The Strokes - Room On Fire Transparent Blue Vinyl Edition
The Strokes
Room On Fire Transparent Blue Vinyl Edition
LP | 2003 | EU | Original (Sony Music Catalog)
26,99 €*
Release: 2003 / EU – Original
Genre: Rock & Indie
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The Beatles - Revolver Special Edition Standard Vinyl
The Beatles
Revolver Special Edition Standard Vinyl
LP | 1966 | CZ | Reissue (Apple)
27,99 €*
Release: 1966 / CZ – Reissue
Genre: Rock & Indie, Pop
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Cradle Of Filth - Cruelty And The Beast-Re-Mistressed
Cradle Of Filth
Cruelty And The Beast-Re-Mistressed
2LP | 2019 | EU | Original (Sony)
26,99 €*
Release: 2019 / EU – Original
Genre: Rock & Indie
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King Crimson - In The Court Of The Crimson King 50th Anniversary Edition
King Crimson
In The Court Of The Crimson King 50th Anniversary Edition
2LP | 2019 | UK | Original (Panegyric)
34,99 €*
Release: 2019 / UK – Original
Genre: Rock & Indie
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50th anniversary edition of one of rock music’s seminal debut albums
2LP set pressed on 200 gram audiophile vinyl
LP1 features all new, 2019 stereo mixes as approved by Robert Fripp
LP2 features all new, 2019 alternate takes & recordings with five pieces mixed by Steven Wilson and two pieces mixed by David Singleton.
artwork derived from the original paintings, as meticulously restored for the limited edition full sized, signed prints
Cut by Jason Mitchell at Loud Mastering from original 24/96 high-resolution source files.
Iron Maiden - The Book Of Souls
Iron Maiden
The Book Of Souls
3LP | 2015 | EU | Original (Parlophone)
35,99 €*
Release: 2015 / EU – Original
Genre: Rock & Indie
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The Hard Ons - I Like You A Lot Getting Older
The Hard Ons
I Like You A Lot Getting Older
LP | 2024 | UK | Original (Cheersquard)
25,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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The Hard-Ons were – still are - amazing. Musically, but also for what they were. This multi-cultural band. They were fearless. Ray and Blackie always came to Dirty Three shows in Sydney early on, and I always felt that we were somehow aligned attitude-wise. They were awesome live, with that power that only a trio can have. They also wrote the best singles! Beyond that, they always did whatever they wanted. “ – Warren Ellis (Dirty Three/Nick Cave & The Bad Seeds)
The Exploited - Punks Not Dead Vinyl Edition
The Exploited
Punks Not Dead Vinyl Edition
LP | 1981 | Reissue (Cherry Red)
37,99 €*
Release: 1981 / Reissue
Genre: Rock & Indie
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The Raconteurs - Broken Boy Soldiers
The Raconteurs
Broken Boy Soldiers
LP | 2024 | EU | Original (Sony Music Catalog)
35,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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The White Stripes - Elephant UHQR Vinyl Deluxe Limited Edition Box Set
The White Stripes
Elephant UHQR Vinyl Deluxe Limited Edition Box Set
Box | 2023 | US | Reissue (Analogue Productions)
201,99 €*
Release: 2023 / US – Reissue
Genre: Rock & Indie
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Gotts Street Park - On The Inside
Gotts Street Park
On The Inside
LP | 2023 | EU | Original (Blue Flowers)
28,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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The Strokes - Angles Purple Vinyl Edition
The Strokes
Angles Purple Vinyl Edition
LP | 2011 | EU | Reissue (Sony Music Catalog)
26,99 €*
Release: 2011 / EU – Reissue
Genre: Rock & Indie
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Poets Of The Fall - Signs Of Life Limited Curacao Vinyl Edition
Poets Of The Fall
Signs Of Life Limited Curacao Vinyl Edition
2LP | 2023 | EU | Original (Insomniac)
31,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Picture
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The Starting Line
Say It Like You Mean It
LP | 2001 | UK | Reissue (Umr/Polydor)
33,99 €*
Release: 2001 / UK – Reissue
Genre: Rock & Indie
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Pete Townshend - The Iron Man: Musical By Pete Townshend Hsm
Pete Townshend
The Iron Man: Musical By Pete Townshend Hsm
LP | 1989 | Reissue (Universal)
36,99 €*
Release: 1989 / Reissue
Genre: Rock & Indie
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Iron Maiden - The Number Of The Beast / Beast Over Hammersmith
Iron Maiden
The Number Of The Beast / Beast Over Hammersmith
3LP | 1982 | EU | Reissue (Parlophone Label Group)
71,99 €*
Release: 1982 / EU – Reissue
Genre: Rock & Indie
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Anna von Hausswolff - The Miraculous Silver / Black Marble Vinyl Edition
Anna von Hausswolff
The Miraculous Silver / Black Marble Vinyl Edition
2LP | 2015 | EU | Reissue (City Slang)
32,99 €*
Release: 2015 / EU – Reissue
Genre: Rock & Indie
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Colosseum - Elegy / The Kettle
Colosseum
Elegy / The Kettle
7" | 2022 | UK | Original (Dynamite Cuts)
16,99 €*
Release: 2022 / UK – Original
Genre: Rock & Indie
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Dynamite Cuts takes a different move from the funk & soul and is proud to be able to press for the first time on 7” vinyl, two killer rock club tracks. Our A side is the powerful up-tempo “Elegy” a funky love song, with steaming guitars and heavy groove, massive club track back in the day! On the flip is the “The Kettle” heavy rock groove sampled by Fat boy slim for “Ya Mama”

Perfect for all good music collectors
The Courettes - Back In Mono (B-Sides & Outtakes)
The Courettes
Back In Mono (B-Sides & Outtakes)
EP | 2022 | EU | Original (Damaged Goods)
16,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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10" Mini LP featuring outtakes and re-recorded B-sides from the 'Back In Mono' sessions! Back in Mono, The Courettes' third album, was critically acclaimed worldwide and made it onto numerous best -of -the-year lists in 2021. If, like us, you can't get enough of Back in Mono, here's some good news! Back in Mono - B-sides & Outtakes is bringing some more "spit 'n' snarl garage-meets-Phil Spector pop" (Mojo) in three brand new unreleased tracks. Look forward to hearing the three new smash tunes 'Daydream', 'Tough Like That' and 'Talking About My Baby', all wrapped in a new mix by Wall of Sound aficionado Seiki Sato (Japan) and produced by the hit wizards Soren Christensen & C.T. Levine. Also included are the three non-album B-sides from the band's most recent singles. These B-sides have been newly spruced up with extra instrumentation. Making up the eight tracks is the inclusion of a Courettes rarity - 'So What' was previously only available on a split single with The Jackets released on Chaputa Records.
Creedence Clearwater Revival - Bad Moon Rising: The Collection
Creedence Clearwater Revival
Bad Moon Rising: The Collection
LP | 2019 | EU | Original (Universal)
22,99 €*
Release: 2019 / EU – Original
Genre: Rock & Indie
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Cannibal Corpse - The Bleeding
Cannibal Corpse
The Bleeding
LP | 2016 | EU | Reissue (Metal Blade)
19,99 €*
Release: 2016 / EU – Reissue
Genre: Rock & Indie
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The White Stripes - Get Behind Me Satan
The White Stripes
Get Behind Me Satan
2LP | 2005 | EU | Reissue (Sony)
29,99 €*
Release: 2005 / EU – Reissue
Genre: Rock & Indie
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El Michels Affair - Stack The Deck Feat. Bobby Oroza
El Michels Affair
Stack The Deck Feat. Bobby Oroza
7" | 2021 | US | Original (Big Crown)
12,99 €*
Release: 2021 / US – Original
Genre: Rock & Indie
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Big Crown Records is proud to present this rock solid two-sider from El Michels Affair. This 7" is part of a new Big Crown X El Oms collaboration that includes a custom deck of playing cards and a t shirt series illustrated by El Oms. The labels of this 45 are pulled from some of the King & Queen illustrations contained in the deck.To go with this project, El Michels teamed up again with Bobby Oroza for the A side tune which plays along with the collab theme called "Stack The Deck". These two proved their chemistry on 2020's "Reasons" which became a fast favorite around the globe. This time El Michels comes with a heavier more orchestrated track that Bobby finds the perfect groove on as he plays up the gamble of love.The B side is a speaker smashing cover of the late, great, Notorious B.I.G.'s "Things Done Changed" from his Ready To Die album. El Michels Affair stays close to the tone of the original Easy Mo Bee production but makes it their own with their signature horns and cinematic grit.
Bring Me The Horizon - Post Human: Survival Horror
Bring Me The Horizon
Post Human: Survival Horror
LP | 2020 | EU | Original (RCA)
26,99 €*
Release: 2020 / EU – Original
Genre: Rock & Indie
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The Picturebooks - The Hands Of Time
The Picturebooks
The Hands Of Time
LP+CD | 2019 | EU | Original (Century Media)
21,99 €*
Release: 2019 / EU – Original
Genre: Rock & Indie
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Bob Dylan - Travelin' Thru, 1967-1969: The Bootleg Series Volume 15
Bob Dylan
Travelin' Thru, 1967-1969: The Bootleg Series Volume 15
3LP | 2019 | EU | Original (Legacy)
46,99 €*
Release: 2019 / EU – Original
Genre: Rock & Indie
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Motorpsycho - The Crucible
Motorpsycho
The Crucible
LP | 2019 | EU | Original (Stickman)
25,99 €*
Release: 2019 / EU – Original
Genre: Rock & Indie
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Wynder K. Frog - Out Of The Frying Pan
Wynder K. Frog
Out Of The Frying Pan
LP | 1968 | EU | Reissue (Wah Wah)
20,99 €*
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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The Wynder K. Frog story evolves around Mick Weaver. After he switched from piano to organ he joined a band named The Chapters that would soon be renamed Wynder K. Frog and perform material from James Brown's Flames, Booker T. and The MGs or even songs learned through Georgie Fame's recordings and Graham Bond's repertoire. Wynder K. Frog moved to London and became regulars in the city's R&B scene playing at Swingin' London's clubs like the Tiles or The Marquee. A contract with Island Records was secured and -under the wings of producers like Chris Blackwell, Guy Stevens, Jimmy Miller or Gus Dudgeon- Wynder K Frog, a name that would eventually be used as a pseudonym for Weaver more than a proper band name, did some some amazing Hammond organ-ized recordings and issued in three LPs and a bunch of cool 45s.

At the end of the 1960s, Weaver would quit the "band scene" to become one of the most in demand session musicians and throughout his career he'd be heard backing names such as Eric Burdon, Roger Chapman, Dave Gilmour, Keef Hartley, Alexis Korner, Ralph McTell, Taj Mahal or Otis Rush a.o, but his LPs as Wynder K Frog are classic Hammond sound from the 1960s UK and will appeal to those into Brian Auger, Graham Bond, The Artwoods, Zoot Money, Jimmy McGriff, Booker T. & The MGs and the likes.

OUT OF THE FRYING PAN
Released at the end of the summer of 1968, and with a host of session musicians that included the brass section of John Mayall's Bluesbreakers, producer Gus Dudgeon helped Weaver / Wynder K Frog to improve the results obtained on the debut LP and get one step closer to the live action. The formula was more or less the same, instrumental hammond a go go covers of hits from the era, including The Rolling Stones' "Jumping Jack Flash", a funked up version of the classic Tommy Tucker blues number "Hi Heel Sneakers", an exploding cover of "Tequila" or the standard "Green Door", but it also included the sensational Weaver-penned "Harpsichord Shuffle".
Jeff Buckley - Sketches For My Sweetheart The Drunk
Jeff Buckley
Sketches For My Sweetheart The Drunk
3LP | 2000 | US | Reissue (Sony Legacy)
29,99 €*
Release: 2000 / US – Reissue
Genre: Rock & Indie
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Iron Maiden - The Book Of Souls: Live Chapter
Iron Maiden
The Book Of Souls: Live Chapter
3LP | 2017 | EU | Original (Parlophone)
35,99 €*
Release: 2017 / EU – Original
Genre: Rock & Indie
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Jimi Hendrix - Experience Hendrix: The Best Of Jimi Hendrix
Jimi Hendrix
Experience Hendrix: The Best Of Jimi Hendrix
2LP | 1997 | EU | Reissue (Columbia)
26,99 €*
Release: 1997 / EU – Reissue
Genre: Rock & Indie
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The Cure - Pornography
The Cure
Pornography
2LP | 1982 | EU | Reissue (Vinyl Lovers)
33,99 €*
Release: 1982 / EU – Reissue
Genre: Rock & Indie, Pop
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180 gram gatefold cover double vinyl reissue incl. 8 bonus tracks!
The Allman Brothers Band - At Filmore East Limited Edition
The Allman Brothers Band
At Filmore East Limited Edition
2LP | 1971 | Reissue (Island)
42,99 €*
Release: 1971 / Reissue
Genre: Rock & Indie
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Powerplant - People In The Sun Orange Vinyl Edition
Powerplant
People In The Sun Orange Vinyl Edition
LP | 2023 | EU | Original (Erste Theke)
19,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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The Doobie Brothers - What Were Once Vices Are Now Habits Clear Vinyl Edition
The Doobie Brothers
What Were Once Vices Are Now Habits Clear Vinyl Edition
LP | 2013 | Reissue (Rhino)
34,99 €*
Release: 2013 / Reissue
Genre: Rock & Indie
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Steve Cropper & The Midnight Hour - Friendlytown
Steve Cropper & The Midnight Hour
Friendlytown
LP | 2024 | EU | Original (Mascot Label Group)
26,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Betty Boo - Rip Up The Rulebook Black / White Splatter Vinyl Edition
Betty Boo
Rip Up The Rulebook Black / White Splatter Vinyl Edition
LP | 2024 | EU | Original (Townsend Music)
35,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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The Georgia Thunderbolts - Rise Above It All Transparent Orange Vinyl Edition
The Georgia Thunderbolts
Rise Above It All Transparent Orange Vinyl Edition
LP | 2024 | EU | Original (Mascot Label Group)
26,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Tenacious D - Post-Apocalypto
Tenacious D
Post-Apocalypto
LP | 2018 | EU | Reissue (Sony Music Catalog)
26,99 €*
Release: 2018 / EU – Reissue
Genre: Rock & Indie
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N'zeng - The Trip
N'zeng
The Trip
LP | 2024 | EU | Original (Parigo)
24,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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The Trip is the first solo album by N'Zeng, better known as Sébastien Blanchon. It has to be said that he hid behind his (hollow) nose to sniff out the right projects (ex Le Peuple de l'Herbe, member of Entourloop). His nose is hollow, but not for the trumpet, and yet it's with this instrument that he started out. And he reinvents it, giving it a subtle place on this musical road trip we call The Trip. A journey open to all, with no tolls and no filters, apart from the cinematic filter of this lover of original soundtracks and trip hop. Beautiful images flash before our eyes, and in our ears, the smooth voice of Charlotte Savary (Wax Tailor). An album, a very good trip for lovers of Portishead, Gorillaz, and well-felt scratches in the form of controlled skids. He's making a name for himself as N'Zeng, with his smooth arrangements.

N'Zeng's father played trumpet with his grandfather in the Feurs brass band in the Loire department. When he arrived in Saint Etienne, young Sébastien started out with a cornet à pistons at the Conservatoire. His teacher at the time, Marcel Heyte, had won a prize in Paris at the same time as a certain Maurice André.

His father took lessons in orchestral conducting, accompanying the offspring's budding musical career, which included a course at the Festival de Cuivre in Monastier-sur-Gazeille, where he met the soloists of the Radio France orchestra. A new awareness, a new confidence: off to Lyon, not for a soccer derby, but to "beef up his game". In 1997, he was awarded a gold medal for trumpet by a unanimous jury at the Conservatoire National de Lyon.

Lyon, capital of the Gauls, was the starting point for N'Zeng, who went on to become a member of the group Le Peuple de l'Herbe. 15 years later, with several successful records to his credit, a concert in 2003 at the Transmusicales with Beth Gibbons (Portishead), and a Victoire de la Musique award, it was time for N'Zeng to move on to other things.

Arrival in the City of Light, the place where dreams come true. Nzeng's dreams are not only sonic, but also visual, for Sébastien is not only a friendly presence and a talented musician, but also a cinephile. His knowledge of music theory, acquired during his years at the conservatory, enables him to tackle music for pictures.

He created a soundtrack for the cult film Alien - The 8th Passenger, and worked with musician Rone (collaborating with Baxter Dury) and his bandmates from Le Peuple de l'Herbe, composing 2 tracks for the soundtrack of Virginie Despentes's hard-hitting film "Baise-moi". On the album "Hollywood Hustlers", with the group "Mustang Force", he pays tribute to the soundtracks of Lalo Shiffrin, Ennio Morricone... The album is also well received by the critics. He conducts the arrangements and orchestrations for the Degiheuga Orchestra, and composes the original music for the Hôtel Bellevue dance show, another success!

2019 sees the birth of "The Trip" project. On this record, no masks, but a female voice, that of Charlotte Savary (Wax Taylor), laid on a carpet of strings. With this musical voyage, trip hop takes pride of place, with a balance between the body of the instruments and the mechanics of beatmaking.

There's no getting off track on this well-balanced record, with its silky orchestrations. N'Zeng accompanies us elegantly, with his trusty trumpet as GPS, here used subtly. The album cover is a photograph taken by Sébastien Blanchon's mother, in 1973, a year when Saint Etienne was about to become French champion for the 7th time.
Mercyful Fate - In The Shadows Ri Teal Green Marbled Vinyl Edition
Mercyful Fate
In The Shadows Ri Teal Green Marbled Vinyl Edition
LP | 1994 | EU | Reissue (Sony Music/Metal Blade)
26,99 €*
Release: 1994 / EU – Reissue
Genre: Rock & Indie
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Leprous - The Congregation Re-Issue 2020
Leprous
The Congregation Re-Issue 2020
2LP+CD | 2020 | EU | Original (Century Media Catalog)
23,99 €*
Release: 2020 / EU – Original
Genre: Rock & Indie
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The Rolling Stones - Live At The El Mocambo Limited Neon Vinyl Edition
The Rolling Stones
Live At The El Mocambo Limited Neon Vinyl Edition
4xLP | EU | Reissue (Universal)
110,99 €*
Release: EU – Reissue
Genre: Rock & Indie
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The Courettes - Here Are The Courettes Black Vinyl Edition
The Courettes
Here Are The Courettes Black Vinyl Edition
LP | 2021 | EU | Reissue (Damaged Goods)
18,99 €*
Release: 2021 / EU – Reissue
Genre: Rock & Indie
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Recorded In Only Two Days By Kim Kix From The Iconic Powersolo In A Small, Cramped Studio In Denmark. Unpolished Tunes - Fresh, Raw And Alive Tunes - And The Garage Is Shaking! Minimal Overdubs, No Editing, No Auto Tune, No Bullshit. Punk Straight Out Of The Garage And A Lot Of Riot Grrrl Charisma.Mixed By Kim Kix And Nikolaj Heyman. The Album Features Eightoriginal Songs All In Mono. Now It's Reissued With A New Sleeve, Colored Vinyl And New Mastering Making It Sound Better And Louder Than Ever!The Courettes Are An Explosive Garage Rock Duo From Denmark/Brazil, Highly Praised By The World's Coolest Musicmagazines. Their First Single For Damaged Goods, 'Want You! Like A Cigarette', Was Released In 2020 In The Middle Of The Covid-19 Pandemic. "This Extraordinary 45 Marries A Super-Charged Pop Top Side To A Charging, Rampaging Flip" Wrotekieron Tyler (Mojo). A Brand New Single, 'Hop The Twig',Followed In Spring 2021. Back In Mono, The Duo's Third Album Is Being Mixed Now In Japan By Wall Of Sound Aficionado Seike Sato And Shows The Band In Top Form, With Great Songwriting And Spector-Esque Arrangements.
Legss - Fester
Legss
Fester
12" | 2023 | UK | Original (The state51 Conspiracy)
13,99 €*
Release: 2023 / UK – Original
Genre: Rock & Indie
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Merging a dynamic curio of melodic guitars, disconcerting monologues and a rhythm section both technical and unruly, London’s Legss create a wholly unique and mesmerising sound. New EP Fester is a literary and disarmingly lyrical collection of art-rock songs laden with ideas and sun-licked beneath the bus smog of anxious skies.

Even when leaning into more melodic territory, there’s a pervasive uneasiness that underpins both the vocals and instrumentation. Just as you drift into the relaxing arpeggio flow, vocalist Ned Green’s soft soliloquy accelerates to an exasperated yelp and we’re jolted by discordant noise-rock stabs dragging us into Legss’ deliciously feverish and poetic world.
Black Stone Cherry - Screamin' At The Sky Limited Solid White Vinyl Edition
Black Stone Cherry
Screamin' At The Sky Limited Solid White Vinyl Edition
LP | 2023 | EU | Original (Mascot Label Group)
23,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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The Fall - Marshall Suite Red Vinyl Edition
The Fall
Marshall Suite Red Vinyl Edition
2LP | 2023 | EU | Original (Music On Vinyl)
33,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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180 GRAM AUDIOPHILE VINYL
FEATURES 3 SIDES OF MUSIC (BLANK D-SIDE)
INCLUDES THE TRACK “FINALE: TOM
RAGGAZZI” & A COVER VERSION OF THE

SAINTS “THIS PERFECT DAY”

LIMITED EDITION OF 1500 INDIVIDUALLY
NUMBERED COPIES ON TRANSLUCENT RED

COLOURED VINYL
Show Me The Body - Trouble The Water
Show Me The Body
Trouble The Water
LP | 2023 | US | Original (Concord)
28,99 €*
Release: 2023 / US – Original
Genre: Rock & Indie
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Bruce Springsteen - Hollywood Fm 92 Crystal Clear Vinyl Edtion
Bruce Springsteen
Hollywood Fm 92 Crystal Clear Vinyl Edtion
LP | 2024 | EU (The Vinyl Champ)
18,99 €*
Release: 2024 / EU
Genre: Rock & Indie
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This is a beloved broadcast of Bruce Springsteen; a rehearsal show for his 1992 - 1993 world tour for the albums Lucky Town and Human Touch. Backed by his impressive band, Bruce belts out earlier hits of his career like ‘Born in the Usa’ and ‘Glory Days’. His then new wife Patti Scialfa takes center stage and joins her husband on ‘Human Touch’. The smash hit of this Springsteen era, ‘Hungry Heart’, gets the unplugged treatment during this performance, with Bruce playing the acoustic guitar and harmonica.
Picture
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The Loveless
Elected / Don't Bring Me Down (Ruby Red Vinyl)
7" | 2024 | UK | Original (Cadiz)
16,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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Ivan The Tolerable & Bhajan Bhoy - Infinite Space
Ivan The Tolerable & Bhajan Bhoy
Infinite Space
LP | 2024 | UK | Original (Stolen Body)
33,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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Ivan The Tolerable Trio are back with an alternate version to the amazing Infinite Peace. 2 epic tracks to take you away into infinite space! "When we went in to ATA studios in Leeds to record the Infinite Peace LP - it was always the plan to have two versions of the album - a straight mix that documented what we actually recorded there in its pure form and another version that would rearrange everything into a new shape. Once the LP was out, I passed all the stems to my old pal/former bandmate and frequent collaborator Ajay Saggar (Bhajan Bhoy/King Champion Sounds/University Challenged) and asked him to remix it in a way that sounded nothing like the original record. Its a much more ambient and floaty affair - more Popol Vuh than Sun Ra a full drift spread across two 22 minute suites. This is what he did - infinite space - we hope you like it." Oli Heffernan, September 2024
Emeli Sande / John Grant - The Endless Coloured Ways: The Songs Of Nick Drake
Emeli Sande / John Grant
The Endless Coloured Ways: The Songs Of Nick Drake
7" | 2023 | UK | Original (Chrysalis)
11,99 €*
Release: 2023 / UK – Original
Genre: Rock & Indie
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Dead Moon - Crack The System
Dead Moon
Crack The System
LP | 1994 | EU | Reissue (Mississippi)
26,99 €*
Release: 1994 / EU – Reissue
Genre: Rock & Indie
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Biohazard - State Of The World Address Black Vinyl Edition
Biohazard
State Of The World Address Black Vinyl Edition
LP | 2019 | EU | Reissue (Music On Vinyl)
27,99 €*
Release: 2019 / EU – Reissue
Genre: Rock & Indie
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Limited To 1000 Copies On Silver Vinyl
Elvis Presley - Where The Heart Is
Elvis Presley
Where The Heart Is
LP | EU (Vinyl Passion)
17,99 €*
Release: EU
Genre: Rock & Indie
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Black Country Communion - Black Country Communion Glow In The Dark Vinyl Edition
Black Country Communion
Black Country Communion Glow In The Dark Vinyl Edition
2LP | 2021 | EU | Reissue (Mascot Label Group)
25,99 €*
Release: 2021 / EU – Reissue
Genre: Rock & Indie
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One of the modern eras greatest supergroup’s Black Country Communion - the Anglo-American rock group comprising vocalist/bassist Glenn Hughes (Deep Purple, Trapeze), drummer Jason Bonham (Led Zeppelin, Foreigner), Derek Sherinian (Dream Theater, Alice Cooper, Billy Idol) and blues-rock guitarist/vocalist Joe Bonamassa – will be releasing a series of glow in the dark vinyl reissues later this year. Format: 2LP on 180 grams Glow In The Dark Vinyl
Death Valley Girls - Glow In The Dark Splatter Vinyl Vinyl Edition
Death Valley Girls
Glow In The Dark Splatter Vinyl Vinyl Edition
LP | 2021 | EU | Original (Suicide Squeeze)
24,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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+ Reissue Of Long Out Of Print Sophomore Album+ Lp Package Comes With A Double-Sided Insert + Dl Coupon+ First Pressing Limited To 1500 Copies Worldwide Onunite, Multiply, & Conquer Splatter Vinyl// You Often Hear People Talking About How A Certain Artist Saved Their Life. You Also Frequently Hear People Talk About How Certain Shows Can Be Borderline Spiritual Experiences. Sure, It Might Be Hyperbole, But Any Music Head Knows Those Experiences Are Very Real. And For Death Valley Girls, The Mortal Stakes And Transcendental Power Of Music Was At The Core Of Their Mission. The Band Quite Literally Began As A Haven For Vocalist/Guitarist/Keyboardist Bonnie Bloomgarden And Guitaristlarry Schemel As They Navigated Getting Clean From Hard Drugs. It Was A Kind Of Rebirth, An Outlet For A New Way Of Living. And With That Newfound Appreciation For Life Came A Thirst For Communal Celebration. Their Shows Took On A Mystical Fervor. They Were A Pure Manifestation Of All The Great Moments Of Rock N' Roll_the Adrenalized Swagger Of The Electric Pioneers, The Razor Edge Of Those Early Metal Masters, The Rough-Hewn Heft Of Rst-Generation Punk_with Any Hint Of Nihilism Swappedout For An Afrmation Of Life. Death Valley Girls' Sophomore Album Glow In The Dark (2016) Is A White-Hot Distillation Of Their Sound And Spirit_a Jittery And Jubilant Joyride Of Barnburner Guitar Riffage, Goosebump-Inducing Choral Hooks, Pounding Rhythms Provided By Drummer Laura "The Kid" Kelsey And Bassist Alana Amram, And An Overarching Aura Of Some Secret And Subversive Power. The Band Wastes No Time Detailing Their Strategies As They Crash Out Of The Gate With The Title Track. Bloomgarden And Auxiliary Vocalist Jessie Jones Issue The Song's Call To Arms_"Unite, Multiply, And Conquer"_as A Rallying Cry To Likeminded Souls. "Once You Realize That Money, Government, And This Whole System Is A Shitty Construct That Doesn't Work And Stands In The Way Of Our True Magical Innite Potential, We Start To Glow," Says Bloomgarden About Glow In The...
Matthew & The Atlas - Temple
Matthew & The Atlas
Temple
LP | 2016 | EU | Original (Caroline)
20,99 €*
Release: 2016 / EU – Original
Genre: Rock & Indie
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This cathartic second album mesmerises.
Ministry - Dark Side Of The Spoon
Ministry
Dark Side Of The Spoon
LP | 1999 | EU | Reissue (Music On Vinyl)
28,99 €*
Release: 1999 / EU – Reissue
Genre: Rock & Indie
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Dark Side Of The Spoon (1999) is the seventh studio album by Industrial Metal band Ministry. The song "Bad Blood" was nominated for the Grammy Award for Best Metal Performance in 2000. This is the first issue of Dark Side Of The Spoon on vinyl!

180g vinyl.
Pink Floyd - The Wall
Pink Floyd
The Wall
2LP | 1979 | IT | Original (Harvest)
49,99 €*
Release: 1979 / IT – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG
Records is close to NM. Cover has ringwear and slight discoloration.
The Who - Quadrophenia
The Who
Quadrophenia
2LP | DE | Reissue (Track)
24,99 €*
Release: DE – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
Record is close to VG+. Cover has shelf and ring wear, no seam splits.
Arthur And The Spooners - All Spooned Up
Arthur And The Spooners
All Spooned Up
LP | 2009 | DE | Original (Contra)
22,99 €*
Release: 2009 / DE – Original
Genre: Rock & Indie, Reggae & Dancehall
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Used Vinyl
Medium: Near Mint, Cover: VG+
Slightly bumped bottom left corner, otherwise NM. Comes with bonus CD.
V.A. - The Way Out
V.A.
The Way Out
2LP | 2016 | EU | Original (Cosmic Compositions)
14,99 €*
Release: 2016 / EU – Original
Genre: Rock & Indie, Electronic & Dance
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Deep Purple - The Now What?! Live Tapes
Deep Purple
The Now What?! Live Tapes
2LP | 2013 | Original (Edel:)
32,99 €*
Release: 2013 / Original
Genre: Rock & Indie
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Gracie Abrams, Aaron Dessner - The Good Riddance Acoustic Shows (Live)
Gracie Abrams, Aaron Dessner
The Good Riddance Acoustic Shows (Live)
LP | 2024 | EU | Original (Interscope)
24,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: Near Mint, Cover: VG
Flawless Magenta vinyl. Cover has seam split.
Unicorn Ship Explosion - There's A Rhinoceros In The Mega Church
Unicorn Ship Explosion
There's A Rhinoceros In The Mega Church
LP | 2024 | UK | Original (Sound)
25,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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“There’s A Rhinoceros In The Mega Church” is their debut LP released on Sound Records. U.S.E. (also often expressed as Unicorn Ship Explosion, but feel free to interpret this yourself), are unfortunately two boys known to their mums as Rob & Sash. Since we last saw Rob he has been working really hard as a multi-instrumentalist. He’s almost mastered the drums (he’s even been to jazz school), and he’s near to the final chapter of piano lessons. He’s really talented. He has his own music studio where he produces & writes music for the likes of, The Staves, Holysseus Fly & other fantastic acts that are well worth a listen if you have the time. Sash (or Sasha) is a great guy. Everyone loves working with him. He’s an average musician with big ideas, which is why he uses modular synths. He has written much music for many artists you’ve probably not heard of and has collaborated with some musicians you’ve definitely heard of. He sometimes works as a sound designer for some fashion brands you can’t afford, but you wouldn’t want to wear them anyway (so don’t feel bad for not being successful enough to spend £400 on a t-shirt). Sometimes a really cool woman called, Agnieszka Szczotka, collaborates with these two loveable boys. She is a performance artist of great skill. She studied art at the Royal Academy and chose to abandon her supreme painting and sculpture skills to dedicate her life to confrontational live performance art. Big respect. Together they are Unicorn Ship Explosion (not yet known as U.S.E. as it hasn’t caught on yet). It’s a creative attempt to be in the present and not overwork music as is often the norm these days.As a result an exciting new genre is emerging from this album. The genre hasn’t a name yet, but what is certain is that A.I. can’t recreate it, and wouldn’t want to either. Let’s be human together and accept and appreciate we can’t always be great. Enjoy the good moments with the bad. And together, yes together, you the reader and us(e) your new best friends, shall show A.I. that humanity is beautiful.
The Room - The Telling
The Room
The Telling
LP | 2024 | UK | Original (Nine X Nine)
27,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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Liverpool post-punk pioneers The Room are back with a new album. Theirs is a melodic blend of progressive, alternative pop and sultry post-punk, which is just as fresh and relevant now as it was when they first broke up in 1985. Firm favourites of the late, great John Peel; they have been compared to Joy Division, The Fall and fellow Liverpool band Echo & the Bunnymen.

Following 2023’s warmly recieved ‘Restless Fate’ is new album ‘The Telling’. Consisting of 11 songs that tell a continuous folk-horror story set in a mythical 17th-century European forest. A traveling storyteller mesmerizes an isolated village with macabre tales of wonder, mystery, and the supernatural. The idea was conceived as an aural movie told in self-contained songs that represent chapters in a complete narrative and has no lyrical choruses that repeat its themes. The album comes with a full lyric sheet influenced by the layout of the Guttenberg Bible. Frontman and lyricist Dave Jackson’s interest in folklore and myths is absolutely apparent, the story is effortlessly conveyed through his spirited yet acerbic vocals. The album features: the welcome return of original The Room drummer Clive Thomas and his fluid open-handed drumming; the haunting backing vocals of Helena Jacks; founder-member Becky Stringer (bass guitar); Ethan Kyme (keyboards); Darren Brown (guitar). A magical sonic adventure for fans of 80s post-punk and folk-horror aesthetics.
Orphaned Land - The Road To Or-Shalem Transparent Highlighter Yellow Vinyl
Orphaned Land
The Road To Or-Shalem Transparent Highlighter Yellow Vinyl
2LP | 2016 | EU | Reissue (Black Sleeves)
14,99 €*
Release: 2016 / EU – Reissue
Genre: Rock & Indie
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Dr John - In The Right Place Atlantic 75 Series Sacd
Dr John
In The Right Place Atlantic 75 Series Sacd
CD | 2023 | US | Reissue (Analogue Productions Atlantic 75 Series)
46,99 €*
Release: 2023 / US – Reissue
Genre: Rock & Indie
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Sacd
Death Valley Girls - Islands In The Sky Grimace Purple / Silver Vinyl Edition
Death Valley Girls
Islands In The Sky Grimace Purple / Silver Vinyl Edition
LP | 2023 | EU | Reissue (Suicide Squeeze)
26,99 €*
Release: 2023 / EU – Reissue
Genre: Rock & Indie
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For the better part of a decade, LA's scrappy rock n' roll mystics Death Valley Girls have used theirmusic as a means of tapping into a communal cosmic energy. On albums like Glow In The Dark(2016), Darkness Rains (2018), and Under the Spell of Joy (2020) the band challenged thesoul-crushing banality of modern society and celebrated "true magical innite potential" through acollage of scorching proto-punk riffs, earworm melodies, far-out lyrics, and lysergic auxiliaryinstrumentation. But on their latest album Islands in the Sky, Death Valley Girls' songwritingmastermind Bonnie Bloomgarden uses the band's anthemic revelries as a guidebook to spiritualhealing and a roadmap for future incarnations of the self. And while these may be the loftiest aimsof Death Valley Girls to date, the resulting music is also by far their most infectious and celebratory.
Signs Of The Swarm - Amongst The Low & Empty
Signs Of The Swarm
Amongst The Low & Empty
LP | 2023 | EU | Original (Century Media)
23,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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V.A. - Even The Forest Hums: Ukrainian Sonic Archives 1971-1996
V.A.
Even The Forest Hums: Ukrainian Sonic Archives 1971-1996
2LP | 2024 | US | Original (Light In The Attic)
55,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”
Tom Petty - Wildflowers & All The Rest
Tom Petty
Wildflowers & All The Rest
3LP | 2020 | EU | Original (Warner)
46,99 €*
Release: 2020 / EU – Original
Genre: Rock & Indie
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V.A. - Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition
V.A.
Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition
2LP | 2024 | US | Original (Light In The Attic)
58,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”
V.A. - Why Don't You Smile Now: Lou Reed At Pickwick Records 1964 -1965 Red & Gold Vinyl Edition
V.A.
Why Don't You Smile Now: Lou Reed At Pickwick Records 1964 -1965 Red & Gold Vinyl Edition
2LP | 2024 | US | Original (Light In The Attic)
57,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Light in the Attic, in cooperation with Laurie Anderson and the Lou Reed Archive, is thrilled to announce the forthcoming release of Why Don’t You Smile Now: Lou Reed at Pickwick Records 1964-65. Due out September 27th, the latest installment in LITA’s critically acclaimed Lou Reed Archive Series is a compilation of pop songs penned by Reed during his mid-60s stint as a staff songwriter for the long-defunct label Pickwick Records. The compilation follows on the heels of Lou Reed’s Hudson River Wind Meditations (2023) and Words & Music, May 1965 (2022).

One of the most original and innovative figures in music history, Reed (1942-2013) first gained recognition as co-founder and frontman of the massively influential Velvet Underground. Over the course of his five-decade career, the two-time Rock & Roll Hall of Famer brought his singular vision to an eclectic expanse of musical endeavors, including era-defining albums like 1972’s Transformer and wildly experimental works like the 1975 avant-garde noise classic Metal Machine Music. But before establishing himself as an enduringly iconic singer, songwriter, musician, and poet, Reed got his start as an in-house songwriter (and occasional session guitarist/vocalist) for Pickwick Records—a label specializing in sound-alike recordings that emulated the major pop hits of the day. Encompassing everything from garage-rock and girl-group pop to blue-eyed soul and teen-idol balladry, Reed’s output for Pickwick ultimately offers a fascinating early glimpse at his ever-evolving and truly limitless artistry.

The album has been restored and remastered by GRAMMY®-nominated mastering engineer John Baldwin. Both the 2xLP & CD editions feature in-depth booklets with unseen photos, liner notes by Richie Unterberger (renowned music journalist and author of such acclaimed titles as White Light/White Heat: The Velvet Underground day-by-day), and an essay by Lenny Kaye (the legendary guitarist, Patti Smith Group co-founder, writer, producer, and curator of seminal garage-rock anthology Nuggets). The double-LP package is designed by multi-GRAMMY®-winning artist Masaki Koike and pressed at world-renowned plant Optimal (Germany). A special color vinyl edition is pressed on “Oxblood” wax (a/b side) and “Gold” wax (c/d side). This release marks the first official anthology of Lou Reed’s work for Pickwick Records and features rarities, cult classics (The Primitives’ “The Ostrich”), & previously unreleased material (The Beachnuts’ “Sad, Lonely Orphan Boy”).
V.A. - Why Don't You Smile Now: Lou Reed At Pickwick Records 1964 -1965 Black Vinyl Edition
V.A.
Why Don't You Smile Now: Lou Reed At Pickwick Records 1964 -1965 Black Vinyl Edition
2LP | 2024 | US | Original (Light In The Attic)
53,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Light in the Attic, in cooperation with Laurie Anderson and the Lou Reed Archive, is thrilled to announce the forthcoming release of Why Don’t You Smile Now: Lou Reed at Pickwick Records 1964-65. Due out September 27th, the latest installment in LITA’s critically acclaimed Lou Reed Archive Series is a compilation of pop songs penned by Reed during his mid-60s stint as a staff songwriter for the long-defunct label Pickwick Records. The compilation follows on the heels of Lou Reed’s Hudson River Wind Meditations (2023) and Words & Music, May 1965 (2022).

One of the most original and innovative figures in music history, Reed (1942-2013) first gained recognition as co-founder and frontman of the massively influential Velvet Underground. Over the course of his five-decade career, the two-time Rock & Roll Hall of Famer brought his singular vision to an eclectic expanse of musical endeavors, including era-defining albums like 1972’s Transformer and wildly experimental works like the 1975 avant-garde noise classic Metal Machine Music. But before establishing himself as an enduringly iconic singer, songwriter, musician, and poet, Reed got his start as an in-house songwriter (and occasional session guitarist/vocalist) for Pickwick Records—a label specializing in sound-alike recordings that emulated the major pop hits of the day. Encompassing everything from garage-rock and girl-group pop to blue-eyed soul and teen-idol balladry, Reed’s output for Pickwick ultimately offers a fascinating early glimpse at his ever-evolving and truly limitless artistry.

The album has been restored and remastered by GRAMMY®-nominated mastering engineer John Baldwin. Both the 2xLP & CD editions feature in-depth booklets with unseen photos, liner notes by Richie Unterberger (renowned music journalist and author of such acclaimed titles as White Light/White Heat: The Velvet Underground day-by-day), and an essay by Lenny Kaye (the legendary guitarist, Patti Smith Group co-founder, writer, producer, and curator of seminal garage-rock anthology Nuggets). The double-LP package is designed by multi-GRAMMY®-winning artist Masaki Koike and pressed at world-renowned plant Optimal (Germany). A special color vinyl edition is pressed on “Oxblood” wax (a/b side) and “Gold” wax (c/d side). This release marks the first official anthology of Lou Reed’s work for Pickwick Records and features rarities, cult classics (The Primitives’ “The Ostrich”), & previously unreleased material (The Beachnuts’ “Sad, Lonely Orphan Boy”).
Fugazi - In On The Killtaker
Fugazi
In On The Killtaker
LP | 1993 | US | Reissue (Dischord)
19,99 €*
Release: 1993 / US – Reissue
Genre: Rock & Indie
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incl. Download Code
Rodney Crowell - The Houston Kid Vinyl Me, Please Edition
Rodney Crowell
The Houston Kid Vinyl Me, Please Edition
LP | 2001 | US | Reissue (Vinyl Me, Please)
33,99 €*
Release: 2001 / US – Reissue
Genre: Rock & Indie
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Why you'll love it...
The conventional way of talking about The Houston Kid, Rodney Crowell’s 2001 release and the greatest achievement of his 50-year career, is autobiographically. From this way of thinking, the album pretty straightforwardly looks at Crowell’s life growing up in the poor, white working-class parts of Houston, Texas in the 1950s and 1960s, the only child of J.W. and Addie Cauzette Crowell’s tempestuous, dysfunctional union. Hearing The Houston Kid this way isn’t wrong, of course, but it is incomplete.

For starters, if it’s Crowell’s actual life story we’re after, we’d be better off reading Chinaberry Sidewalks: A Memoir, the book project he began around the same time but didn’t publish until 2011. For another thing, The Houston Kid’s details and effects are autobiographically inspired, sure, but also rife with exaggerations, omissions and flat-out fictions. You know, art.
Tom Misch - Quarantine Sessions
Tom Misch
Quarantine Sessions
LP | 2023 | EU | Original (Beyond The Groove)
21,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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The Cure - Seventeen Seconds
The Cure
Seventeen Seconds
LP | 1980 | EU | Reissue (Polydor)
22,99 €*
Release: 1980 / EU – Reissue
Genre: Rock & Indie
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Finally this classic album is available again. All recordings have been mastered by Robert Smith himself.
Avantasia - The Metal Opera Pt. II Platinum Edition
Avantasia
The Metal Opera Pt. II Platinum Edition
2LP | 2023 | EU | Original (Afm)
39,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Colin Stetson - When We Were That What Wept For The Sea
Colin Stetson
When We Were That What Wept For The Sea
LP | 2023 | US | Original (52 Hz)
45,99 €*
Release: 2023 / US – Original
Genre: Rock & Indie
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The Stooges - The Stooges
The Stooges
The Stooges
LP | 1969 | NL | Reissue (Elektra)
25,99 €*
Release: 1969 / NL – Reissue
Genre: Rock & Indie
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Ozan Ata Canani - Warte Mein Land, Warte Black Vinyl Edition
Ozan Ata Canani
Warte Mein Land, Warte Black Vinyl Edition
LP | 2021 | EU | Original (Fun In The Church)
20,99 €*
Release: 2021 / EU – Original
Genre: Organic Grooves, Rock & Indie
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Mark Lanegan - Whiskey For The Holy Ghost
Mark Lanegan
Whiskey For The Holy Ghost
2LP | 1994 | US | Reissue (Sub Pop)
33,99 €*
Release: 1994 / US – Reissue
Genre: Rock & Indie
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Bob Dylan & The Band - Before The Flood
Bob Dylan & The Band
Before The Flood
2LP | 1974 | US | Reissue (Mobile Fidelity Sound Lab)
88,99 €*
Release: 1974 / US – Reissue
Genre: Rock & Indie
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180 gram audiophile vinyl, numbered limited edition!
The Black Keys - Turn Blue
The Black Keys
Turn Blue
LP | 2014 | US | Reissue (Nonesuch)
32,99 €*
Release: 2014 / US – Reissue
Genre: Rock & Indie
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Johnny Cash - American IV: The Man Comes Around
Johnny Cash
American IV: The Man Comes Around
2LP | 2002 | US | Reissue (American)
48,99 €*
Release: 2002 / US – Reissue
Genre: Rock & Indie
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Reissue of this classic produced by Rick Rubin!
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