Search "dillon+this+silence+kills" 794 Items

7" | 2017 | US | Original (Famous Class)

Release: 2024 / US – Original

Genre: Rock & Indie

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If the apocalypse occurred in the wild west and electric guitars existed, this 5 song mini LP might just be the perfect soundtrack. With an assortment of Portland’s most notorious rockers, metalheads and punks, Zone Trooper brings us a killer set of Nwobhm inspired rock n’ roll numbers from the wastelands. Channeling bands such as Tank and Jaguar, the 3 main guys of this band (members of such groups as Rigorous Institution, Genogeist, Frenzy, Andy Place AND THE Coolheads, etc., etc., etc.) bring in many guest appearances from friends creating insane soundscapes, guitar solos, acoustic guitars, piano parts, whistles, and noises that spark the imagination while keeping the listeners’ feet tapping and heads banging. This is a studio only project (for now???) but if they keep cranking out the hits akin to the ones on this record, Portland will have another absolute favorite. The proof is in the music video for “Shoot the Sundown”, in which some notable Portland deviants appear to rock, shoot guns, and smoke cigarettes in the wasteland. Total perfection.

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Zig Zags

Ripping Death

14,99 €*

Zia Mohiuddin Dagar & Zia Fariduddin Dagar

Release: 2017 / US – Original

Genre: Rock & Indie

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Look out! Los Angeles punk cretins Zig Zags are back on wax. In true Zig Zags fashion, we've got all bases here covered. On the A-side, “Ripping Death” explores the horrors of everyday life in a war torn world. Blasting at 'Kill ‘em All' speed, this track doesn't let up until your nails are stuck in the desk and your boss sends you home out of pity. On the flip, “Riddle of Steel” extols the virtues of the John Milius classic “Conan The Barbarian." This one moves at a Medieval gallop, and features the first ever appearance on any ZZ recordings of the ancient instrument, "the lute". Hold tight cause the songs have gotten faster, meaner, leaner and angrier—a reflection of our societal whole barreling toward a stinging sun, that burns hot with anger and defeat...

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Raag Malkauns & Ragini Miyan Ki Todi

3LP | 2024 | EU | Original (Black Sweat)

48,99 €*

12" | 1986 | EU | Reissue (Rush Hour)

Release: 2024 / EU – Original

Genre: Organic Grooves, Rock & Indie

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These recordings were made in Bombay in 1968 by Bengt Berger (Bitter Funeral Beer Band) during a stay with Ustad Zia Mohiuddin Dagar, who was primarily responsible for the revival of the Rudra Veena as a solo concert instrument. His home in the suburb of Chembur was at the time the magical haunt of a plethora of fantastic musicians, including Ritwik Sanyal and K. Sridhar, who took part in the session. In perfect and stern Duphrad vocal style, these two Raga lead us to different atmospheres and perceptions : Malkauns is the contemplative state of the evening, of the abandonment of the senses before the breaking of the silence in the night; Miyan Ki Todi is the first breath of the morning, the gentle awakening of the limbs before a puja. The two Dagar brothers, Mohiuddin on the Rudra and Fariduddin on the chant, complement each other, become ocean and fire, stillness and storm, in an intimate and tight dialogue of exploration and expressive subtlety, in which the purity of an Indian summer becomes the highest symbol of beauty and freedom of spirit. Originally released on CD by Country & Eastern.

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Zenana

Witches

19,99 €*

Los 4 Jinetes Del Apocalipsis

Release: 1986 / EU – Reissue

Genre: Rock & Indie, Pop

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Rush Hour’s RSS series excels in unearthing buried treasure, offering a second chance for artists and releases that have long been overlooked. That’s certainly the case with ‘Witches’, the superb sole single by British 1980s wave trio Zenana.

Originally released on seven-inch by the tiny PRM label in 1986, ‘Witches’ was the product of a sister-brother songwriting team whose music was mostly recorded in the front room of a terraced house in Nanpean, a small industrial village in Cornwall, England’s most south-westerly county. While the single was infectious, impeccably produced and dancefloor-ready, it sold in limited quantities at the time.

Zenana’s story can be traced back to the early 1980s, when singer-songwriter Anita Tedder founded the all-female trio as a vehicle for her musical ambitions. To bring her songs to life, she joined voices with her brother Mike, an early adopter of electronic music who had built a studio – nicknamed MFR, short for ‘Mike’s Front Room’ – in his Cornish home.

Countless Zenana tracks were recorded at ‘mfr’ between 1984 and ’86, with the resultant demo cassette securing the band a management contract, a slew of live bookings, a video shoot and even a television appearance. Buoyed by this underground success, they headed to the remote Sawmills Studio in Cornwall – famously only accessible by boat – to re-record ‘Witches’, a song inspired by local folk tales of witches gathering near Mike’s home.

While this version of ‘Witches’ failed to make an impact at the time, it has become something of a cult classic following its’ rediscovery by crate digger Kiernan Abbott – and subsequent championing by other dusty-fingered DJs including Antal, Skyrager, Trevor Jackson and Luke Una – in early 2023. The buzz inspired Zenana to perform live again for the first time in decades, with the story of their surprise comeback being covered by British media outlets including the BBC and (more surprisingly) the Daily Mail.

Now presented in re-mastered form, ‘Witches’ is a genuinely slept-on gem. Propelled forwards by punchy drum machine beats, a killer synth bassline and fizzing keyboard sounds, the song benefits greatly from strong vocals and an extra-percussive middle eight layered with vocalisations, cosmic spoken word sections and swirling noises.

It comes backed by a brand-new extended ‘spell of love’ courtesy of Bristol duo Bedmo Disco, AKA music journalist Matt Anniss (author of Join The Future: Bleep Techno and the Birth of British Bass Music) and DJ/production partner Gareth Morgan. Anniss is a long-time friend of Mike and Anita Tedder who has fond memories of visiting Mike’s home studio with his family around the time that ‘Witches’ was recorded.

Working from Zenana’s original MFR eight-track recording (tapes of the single version were lost years ago), Anniss and Morgan have turned in the extended ‘dance mix’ the track never had first time around. More atmospheric, clandestine and dancefloor-focused, it offers authentic nods to New York proto-house, mid-80s Shep Pettibone dubs, and the pioneering synth-pop productions and dub mixes of Factory Records regular Martin Rushent.

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Zarpa

LP | 1978 | EU | Reissue (Sommor)

21,84 €* 22,99 € -5%

LP | 2024 | US | Original (Blind Owl)

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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A conceptual album featuring five long tracks with raw in–your–face sound and production, over–charged fuzz & wah wah guitar, powerful vocals with killer echo/reverb and studio effects. This is must for any hard rock / metal / heavy psych aficionado, reissued for the first time on vinyl and remastered from the original tapes.

Including insert with liner notes and rare pictures from the archive of Vicente Feijóo, the original guitarist & vocalist from Zarpa. Heavy carboard sleeve + OBI.

Formed in Mislata, Valencia, in 1977 by four teenager friends (Vicente Feijóo on lead vocals & lead guitar, Eduardo Feijóo on bass & vocals, Javier Herviás on guitar and Jesús Martinez on drums), Zarpa Rock (“Claw Rock”), later shortened to Zarpa, evolved from a group called Wolframio. After spending most of 1977 learning how to play their instruments, they were approached by a management agency called Zeus Rock, joining their roster in company of bands like Doble Zero. Under Zeus Rock guidance, the band did their first recording: a conceptual album titled “Los 4 Jinetes del Apocalipsis” (The Four Horsemen of Apocalypse) which due to low studio budget, was recorded “live in the studio” in a single one-hour-and-a-half take. After the bankruptcy of Zeus Rock, the proposed album project was shelved. Zarpa shared stage with legends like Ian Gillan and later on, in the heyday of Heavy Metal in Spain, they managed to release two more LP’s which established them as a very popular band, even opening for Barón Rojo, true Metal Stars in the early 80’s. They’re still in active.

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Zander Schloss

Song About Songs

LP | 2024 | EU | Original (Kraak)

Release: 2024 / US – Original

Genre: Rock & Indie

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Well known to punk rock aficionados for his nearly four-decade tenure as the Circle Jerks' bassist - Zander Schloss opens a new chapter in his musical career with the release of his first solo recording, Song About Songs, from San Diego-based Blind Owl Records. The album was recorded at Los Angeles' Sargent Recorders, the Filipinotown studio owned by producer and fellow Missouri native Gus Seyffert, who also plays bass on the collection; Seyffert is a well-traveled sideman who has worked with Roger Waters, Norah Jones, Beck, and the Black Keys, among others. Jake Blanton, Seyffert's best friend in Kansas City, Mo, contributed keyboards; he has played behind Brandon Flowers of the Killers and Michelle Branch. Josh Adams, also from KC, is a highly skilled studio drummer who supported Schloss and Wheeler on their second album Other Desert Cities. The emerging singer-songwriter Bedouine guests as vocalist on the track "I Have Loved the Story of My Life." "This is my polar opposite version of punk rock. Punk rock is volume and anger and speed. I wanted to do space and vulnerability and excruciating, almost subconscious emotions, things that I feel so deeply that I would never say them out loud."

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Younes Zarhoni

24,99 €*

The Rabbit That Hunts Tigers

Release: 2024 / EU – Original

Genre: Rock & Indie, Classical Music

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Highly original material on a very limited EP... be quick!

Polyphonic Waves OF Soulful Madrigals

The power of duality is an inscrutable thing: we’re endlessly fascinated by the interplay between light and darkness, East and West, voice and silence, our senses tingling from the compelling synergies that thrive in perceived opposites. Drawing from an urbane Antwerpian upbringing and a Moroccan family lineage, the Brussels-based multidisciplinary artist Younes Zarhoni, embraces these very dualities in all of his projects, exploring those murky areas of contrast and bringing all their ambiguous energy to crystal clear focus.

A longtime staple of the local electronic music scene with his hypnotic techno outings as YZ, Zarhoni’s latest focus is on the compositional power of pure harmony and silence: namely, his polyphonic renditions of medieval mystical poetry, sung in multiple voices and left to solemnly radiate beyond their given spatial grounds. Stripped of all instrumental accompaniments, what you get is Gregorian chant meets Boyz 2 Men, articulated by the lyrical ineffability of Arabic tongues and finding their rhythm in the silences that act as the juncture between observation and anticipation.

These sparse stanzas tread under an elusive referential threshold, conjuring visions of architecture and archaism, madrigals and MTV, the sacred and the profane ~ ostensibly disparate elements that seamlessly fold themselves into the radicality of the compositions. In these 20 minutes of verse, Zarhoni oversteps the margins of categorization to deliver an immersive story of song, flowing freely and sustaining the arc of the narrative long after it has ebbed into silence.

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Yin Yin

LP | 2019 | EU | Original (Les Disques Bongo Joe)

24,99 €*

Long Walk Of The Navajo Red, Yellow & Pink Vinyl Edition

Release: 2019 / EU – Original

Genre: Rock & Indie

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Where to place Yīn Yīn on the map ? Maybe somewhere between Netherlands and South-East Asia, on an imaginary tropical island. That’s where they brew a strange cocktail made of disco grooves, powerful “thaï beat” tunes and experimental tropi-synths. After two mind blowing singles on Les Disques Bongo Joe, they’re back with «The Rabbit That Hunts Tigers ». Yīn Yīn passed last months burning scenes and make people dance around Europe, so they’re ready to blow the world with this awaited Sirst album. Made of groovy tunes and danceSloor killers, this album could be the crazy soundtrack of a 60s hippie village on the South China Sea. Due for fall 2019, still on Les Disques Bongo Joe, this twelve songs gem will warm you up during the cold season.

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Yawning Man

Long Walk Of The Navajo Gold Colored Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Long walk of the Navajo features Gary Arce (Guitar), Bill Stinson (Drums), and the return of Billy Cordell (Bass). The Long Walk Sessions were inspired by a desert storm that hit the Joshua tree landscape that created a dark and gloomy backdrop for the bands creativity and improvisations. Blood Sand was recorded at Gary’s house by Steve Kille of Dead Meadow in Oct of 2022. It was a complete improvisation. Long Walk of the Navajo and Respiratory Pause were recorded at Gatos Trail Recording Studio by Dan Joeright in January of 2023. All songs mixed and mastered by Steve Kille.

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Yawning Man

Long Walk Of The Navajo Black Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Yawning Man

Release: 2023 / EU – Original

Genre: Rock & Indie

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Volume Two Multi-Colored Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Bob Balch here. In November of 2022 I went out to Joshua Tree for a day of jamming with the guys in Yawning Man with the intention of calling it “Yawning Balch.” No riffs were planned. We just plugged in and played. The only discussion beforehand was that Gary Arce and I wanted to mess with tons of guitar pedals. I knew that while we were jamming it sounded great, but it wasn’t until I got home and listened to it all that I realized we had something special. It’s hard to believe that we jammed for five hours and got two full length LPs and then some out of it. Every player killed it on these recordings and I’m beyond grateful to have my name involved with this legendary band. Fingers crossed they invite me back out annually for more jam sessions. I hope you enjoy these jams and please use responsibly. Side ONE A Moment Expanded (A Form Constant) ‘This is sort of a parallel piece to “Dreaming with Eyes Open” from Volume One. This is another totally improvised jam like the other songs. Although, I took this one back home and changed my guitar tones a little using different delays and reverbs. The overall piece of music remained the same though.’ Side TWO Flesh Of The Gods ‘This was actually the first song we tracked during the session. Just getting a feel for how we all played together as a band. I think it turned out awesome considering that. The main melody came quick and like the other tunes this one surfaced easily.’ Psychic Aloha 'This tune is the only song on the album that features any synth. For that reason there is a lot of different synth sounds as the song progresses. I overdubbed the synth parts after the fact but the other instrumentation remained untouched from the original jam.'

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Volume Two Cream Colored Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Volume Two Black Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Volume One Orange Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Volume One Color In Color Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Volume One Black Vinyl Edition

LP | 2023 | US | Original (Vampire Blues)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Wylde Rattz

Wylde Ratttz

41,99 €*

Cry Cry Cry Loser Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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The Wylde Ratttz were formed in 1997 to record tracks by The Stooges for the film Velvet Goldmine. With Ron Asheton as the secret weapon, the songs were easily dispatched and the band quickly organized a second session that produced a mixture of originals brought in by the band members, covers by The Pretty Things (one of Ron’s fav bands), and 40 minutes of killer instrumental tracks. Ron Asheton: Guitar, vocals, piano, tympani. Mark Arm: Vocals. Thurston Moore: Guitar, vocals, electronics. Mike "Pipe" Watt: Bass, Beam, spiel. Steve Shelley: Drums, percussion. Don Fleming: Guitar, vocals. Sean Ono Lennon: Multitronics, guitar, vocals. Produced by Don Fleming for Instant Mayhem Productions Recorded and mixed by Bil Emmons in NYC, 1997

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Wolf Parade

2LP | 2017 | US | Original (Sub Pop)

30,59 €* 33,99 € -10%

LP | 2021 | US | Reissue (Dead Oceans)

Release: 2017 / US – Original

Genre: Rock & Indie

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White Vinyl Edition

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Wednesday

Twin Plagues

How Is It That I Should Look At The Stars

Release: 2021 / US – Reissue

Genre: Rock & Indie

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In a long and emotionally exhausting year of being inside (alone, in my case,) I have found myself thinking about mirrors. How to avoid spending too much time in them, most days. Taking inventory of the real, physical self is difficult work, work that I'm not entirely opposed to but work that became immediately more treacherous for me when I had to witness the very real toll that time, modern anxieties, isolation, and boredom were taking on me. It was easier, it seemed, to spiral into a not-so-distant glorious past, to use memory as a tool of both excitement and healing. But, speaking of excitement, I like to stumble towards a band with no agenda, no purpose, uncovering sound almost on accident. This is how I first heard Wednesday. The band came to me and I don't remember how, or why. They simply arrived, as if we'd been traveling toward each other our whole lives. I Was Trying To Describe You To Someone soaked into my summer of 2020, and in sound, in spirit, in central concerns and the execution of them, it took me back to an era before the current era, which I'd needed at the time. The past can feel less hellish than the present if we are, sometimes, not fully honest with ourselves. There is the trick of nostalgia that I spend a lot of time playing with in my own writing, and somewhat tormented by in my own living. The very real idea that nostalgia is both a useful tool and also a weapon if it isn't paired with something that approaches a type of rigorous honesty. But if I may go back to all of these ideas of nostalgia and our old, tricky, past selves that are, indeed, a part of the house of bricks that make up our present self, what I also hope you, listener, might adore about this album is the exact moment at the start of "The Burned Down Dairy Queen" when Karly sings I was hiding in a room in my mind / and I made me take a look at myself. Because if you, like me, have been avoiding mirrors - both metaphorical and real - this is where the album becomes a lighthouse, echoing bright across the darkness of my otherwise dark and empty chambers. So much of these songs meditate on the past in far less romantic ways than I have found myself meditating on the past, and I was desperate for the recalibration that this album provided. So, yes, the songs are good. You will maybe roll down your windows on a comfortable day on the right stretch of road in a warm season and turn the volume up when "Birthday Song" gets good and loud and singalong- able. You might sit atop a rooftop at night, closer to the moon than you were on the ground, and let "Ghost Of A Dog" churn and rattle you to some nighttime realization that you couldn't have had in silence. But, even on top of all of this, on top of all the pleasures and the mercies that the sounds on this album might afford. I hope and think, too, that it will remind anyone who listens that we are a collection of many reflections. All of them deserving patience. _Hanif Abdurraqib

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Weather Station

LP | 2022 | US | Original (Fat Possum)

LP | 2021 | US | Original (Riding Easy)

Release: 2022 / US – Original

Genre: Rock & Indie

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One year after the release of Ignorance, The Weather Station returns with How Is It That I Should Look At The Stars. The album is intended to be heard as a companion piece to Ignorance; songs written at the same time that connect thematically and emotionally, songs that reveal the vulnerability at the heart of the body of work. Recorded live in just three days, How Is It That I Should Look At The Stars is achingly intimate; full of breath, silence, and detail.

How Is It That I Should Look At The Stars was written in the same fruitful winter of songwriting that gave rise to Ignorance, but were songs that Lindeman felt were too internal, too soft to fit on the album she had envisioned.

Not long after completing Ignorance, Lindeman decided to make this album on her own terms, fronting the money herself and not notifying the labels. She assembled a new band, and communicated a new ethos; the music should feel ungrounded, with space, silence, and sensitivity above all else.

On this record, there are no drums, no percussion; in the absence of rhythm, time stretches and becomes elastic. Lyrically, many of the songs return to what has often been a hallmark of Lindeman’s writing; a description of a single moment and all the meaning it might encompass. And this dilation of the moment occurs musically too; as the band moves through music so ephemeral it often incorporates stretches of near silence, and breaths, single notes, and brief solos take on greater importance in the absence of other sound. Whereas the recordings on Ignorance leaned towards ambition and grandeur, here the band reaches towards a different goal; grace perhaps.

How Is It That I Should Look At The Stars was recorded from March 10 - 12, 2020. When the band entered the studio, Covid-19 was a news item, not front of mind, but by the time they left, just three days later, everything had changed. Somehow, the music captures that instability; it is ungrounded and diaphanous, it floats and drifts. It is an album of immense sensitivity, a recording of a band and a person daring to reach towards softness without apology.

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Warish

Next To Pay

25,99 €*

Waking Into Nightmares Purple Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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With a name like Warish, the San Diego noisy punk-metal trio assured listeners they were in for a maniacal bludgeoning from the get-go. But the band has never been as dark and bitingly vicious as the wholly ominous Next To Pay. The band’s mix of early AmRep skronk, dark horror rock and budget doom antipathy is taken to a whole new level on this thirteen song invective. “Next To Pay is about a sense of imminent doom, everyone is going to die,” vocalist / guitarist Riley Hawk says. “It’s not the happiest record, I guess.” To say the least. On the title track opener, Hawk screams through shredded vocal chords with the tuneful rage of Kill ‘Em All-era James Hetfield and the seething desperation of Kurt Cobain. “This album is more of an evolution, it’s a little more punk-heavy,” Hawk says of the group quickly founded in 2018. “We figured out what our sound was.” And with that evolution comes a change in the lineup. Original drummer Nick (Broose) McDonnell plays on about half of the songs, while new drummer Justin de la Vega brings an even tighter urgency to the remaining, more recent tracks. Bassist Alex Bassaj joined after the debut album was recorded and here showcases muscular and melodic low end previously missing. Riley Hawk is also the pro-skater son of Tony Hawk. Inspired by early-Nirvana, The Misfits, The Spits and Master Of Reality-era Black Sabbath, Next To Pay keeps things heavy and pummeling at all times. The guitars are heavy and powerful, though decidedly not straightforward cookie cutter punk; more like Greg Ginn’s and Buzz Osbourne’s wiry contortions, and occasionally drenched in chorus effects. The rhythms bash right through it all with aggressive force ensuring that nothing gets overly complicated. Warish’s cover of ’80s Dischord Records punks Gray Matter turns the emotive flail of “Burn No Bridges” into a Motörhead-style basher.

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Warbringer

LP | 2009 | EU | Reissue (M-Theory Audio)

31,34 €* 32,99 € -5%

The Awakening Curacao Vinyl Edition

Release: 2009 / EU – Reissue

Genre: Rock & Indie

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We’re pleased to present the first of three classic Century Media vinyl reissues from Warbringer. The next generation’s thrash metal force Warbringer have built a commendable reputation for themselves with heralded albums and consistent touring supporting some of the biggest names in metal. We’re pleased to present a limited 500 copy run of this purple vinyl version with gatefold jacket, album art poster, expanded insert with extra pics and liner notes by singer John Kevill, and two bonus tracks including a cover of Swedish Death Metal band Unleashed. 2009’s Waking Into Nightmares was introduced with over 100 tour dates supporting the likes of Exodus, Kreator and Soilwork, and the relentless touring continued with European tours supporting Testament and Sacred Reich and further US shows opening for Megadeth, Suicide Silence, Slipknot, Vader, Obituary, Krisiun and more. The album was heralded as the next extreme step for the young thrashers who further enhanced their sound by introducing death metal elements and becoming even more fierce and precise than their classic debut hinted. Produced by Exodus/Slayer guitarist Gary Holt and engineered by Zack Ohren, Waking Into Nightmares is an esteemed favorite and now it’s back in print with expanded packaging and bonus tracks.

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Wade Black's Astronomica

LP | 2024 | EU | Original

Release: 2024 / EU – Original

Genre: Rock & Indie

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Liminal Fields Bone Vinyl Edition

Vulture Feather

LP | 2023 | US | Original (Felte)

Killing Technology Picture Disc Editoin

Release: 2023 / US – Original

Genre: Rock & Indie

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Colin McCann didn't pick up a guitar for nearly ten years. The Northern-California-based songwriter, previously performing under Long Dog Bird, had been creating music with longtime friend and collaborator Brian Gossman for much of their adult lives with early-00s Baltimore-based band Wilderness. So what would cause such a stagnant period? And how could McCann find his way back to the joy that music had once so easily conjured? The answer was to go back to the very beginning, where the kinetic forces that urged McCann to make music in the first place could emerge once again. But first, he had to make space in his internal world; a kind of silence where he could hear the exhale of his past, and the blossoming of a new song. That blossoming would soon become the first songs for McCann's latest project Vulture Feather. The band's debut album Liminal Fields exists on an intangible plane: a crack in the concrete, a gauze between worlds. For as long as McCann can recall, he's been using music as a vehicle to try and connect with an underlying, indescribable nature that only the sonic world seems to be able to reach. "There's a feeling of ecstasy that comes when one merges with music," he says. "It's what calls us all back again and again to listen, to sing, and to play." McCann had been striving to reach this outlying environment throughout his career, often stretching in ways that eventually came to negatively impact his life, and his health. The wake up call came when McCann suffered a near-death experience, eerily predicted by a friend through a dream she had had almost a year earlier. Newly awoken to the beauty of being alive, McCann strove to slow down, to listen to the inherent nature in all living things, and to rediscover our mutual connectivity. He stopped playing and listening to music, and instead soaked himself in the cacophony of silence. Then without any epiphany or grand catalyst, something urged McCann to pick up a guitar again. Ideas flowed more naturally than ever, and he soon realized that the liminal space he had been searching for was there all along--he only had to listen. McCann tentatively reached out to Gossman to collaborate and the friends found themselves once again jamming together, in an off-grid quonset hut where they now practice. "It was like no time had passed," McCann says. "That feeling of ecstatic joy, of forgetting your own name, came flooding back." They were soon joined by another old friend, Eric Fiscus, who completed Vulture Feather on drums.

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Voivod

LP | 1987 | EU | Reissue (High Roller)

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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Killing Technology Galaxy Effect Vinyl Edition

Voivod

LP | 1987 | EU | Reissue (High Roller)

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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Next Is Now Neon Pink Vinyl Editoin

Vivien Goldman

LP | 2022 | EU | Original (Cadiz Music)

Release: 2022 / EU – Original

Genre: Rock & Indie

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7" | 2022 | US | Original (Sloth Mate)

Violent Change

9,99 €*

The Riot City Years Yellow Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Violent Change is a San Francisco Bay Area act formed in 2012 as the recording project of Matt Bleyle (sopors / ABI Yoyos). The band has had a rotating cast of musicians (once including Tony Molina and Sterling Mackinnon of The False Berries). The current line up featuring, Stanley Martinez (rays, THE World) finds them straddling the boundaries, again, of all things questionably recorded. Their sound has been described as somewhere between GBV and a Killed By Death compilation or The Idle Race meets Vertical Slit.

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Vice Squad

LP | 2003 | EU | Reissue (Audioplatter)

17,99 €*

The Presidents Of The Poison Air

Release: 2003 / EU – Reissue

Genre: Rock & Indie

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Bristol's own Vice Squad were one of the earliest UK punk groups with a female lead vocalist. Beki Bondage was a heartthrob to any British lad of a certain age and her dynamic stage presence and vocal prowess made Vice Squad one of the most popular acts of the second wave of British punk. This killer collection features tracks from the Riot City singles plus demos. Another essential UK punk compilation from one of the greatest singles bands of the early 80's scene.

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Vibravoid

LP | 2022 | EU | Original (Stoned Karma)

Ultracopacetic (Copacetic Remixed And Expanded) Red Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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In the midst of crises, world war scenarios and madness, Vibravoid float on their own cloud and tell o...

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Velocity Girl

2LP | 2024 | EU | Original (Sub Pop)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Ultracopacetic (Copacetic Remixed And Expanded)

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Velocity Girl

LP | 2024 | US | Original (Sub Pop)

32,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-29

7" | 1983 | EU (Radiation Reissues)

Vatican Commandos

Just A Frisbee

11,99 €*

LP | 2024 | EU | Original (Avantgarde)

Release: 1983 / EU

Genre: Rock & Indie

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First vinyl reissue for Darien, Connecticut hardcore punk legends Vatican Commandos’ 1983 second 7", originally on the Pregnant Nun label. A 'killed by death' holy grail for the US hardcore collectors finally back in print, courtesy of the original members. Faithful reproduction of the original cover art by Rob Zombie himself. Fully remastered.

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Vastigr

The Path Of Perdition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-08

Vástígr is the solo project of Þ. (Hāg, Ill Tidings and several other projects), Austrian composer, guitarist and singer. Vástígr debut, Aura Aeternitatis,was released by Avantgarde Music in 2019 and impressed all those who dared entering its realm.A perfect blending of atmospheric black metal and dissonant, complex structures typical to the Icelandic scene, Vástígr music is one of the veryrare cases in which a black metal artist is actually crafting something personal and unique.After a five-year long silence, Vástígr is back with its sophomore album, The Path of Perdition, a cathartic journey through downfall and uprising, ofaccepting man’s futility and insignificance in a greater (cosmic) scheme. As described by Þ., “the eternal cycle goes ever on and could not care lesswhat happens to us. Eventually the wheel of time crushes us all like insects. What remains is memory, ruins, ashes, until even those fade intooblivion – and the knowledge that the cycle shall repeat itself, for better or worse”.Produced in Iceland at Studio Emissary by Stephen Lockhart (Rebirth of Nefast and producer for Sinmara, Svartidauði, Nexion and many more),The Path of Perdition will feature once again a cover art by French artist Metastazis, who created art for Blut Aus Nord, Alcest, Amorphis, Ondskaptand many other prominent artists. 01 - Plunge02 - Chasm03 - Katharsis04 - Eternity

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Terror - An Industrial Metal Compilation

LP+CD | 1993 | DE | Reissue (Weird System)

Release: 1993 / DE – Reissue

Genre: Rock & Indie

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Strum & Thrum: The American Jangle Underground

2LP | 2020 | Original (Captured Tracks)

47,99 €*

Release: 2020 / Original

Genre: Rock & Indie

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North America's Answer To The Legendary Uk C86 Compilation Includes An 80+ Page Booklet With A Comprehensive Oral History Of The American Jangle Pop Scene And Tons Of Photos And Ephemera //Strum & Thrum: The American Jangle Underground 1983-1987 Is The First Volume Of Captured Tracks' New Venture Into Compilations - Excavations.Inspired By Pebbles, Killed By Death, Soul Jazz And Numero Group Compilations, Excavations Is A Series Dedicated To Compiling Forgotten Music From The 1970s - 1990s That Has A Connection To Captured Tracks' Sound And Aesthetic. Much Like The Cleaners From Venus, The Wake, And Saäda Bonaire Reissues We've Put Out, Excavations Releases Will Bridge The Past To Our Current Roster And Showcase The Kinds Of Sounds That Inspire Us.It Makes Sense That The First Volume Of Excavations Is Strum & Thrum. As An American Label, We've Often Wondered Why British, Aussie, And Kiwi Indie Rock From The `80s Has Had The Most Influence On Modern Acts And The Collector's Market. Granted, The Music Released On Creation, Sarah, Cherry Red, Postcard, Flying Nun, Et Al. During That Era Was Fantastic, But A Parallel To This Sound Existed In The Us And Canada As Well. Outside Of Bands Like R.E.M., The Rain Parade, The Dream Syndicate, And A Few Others, Most Of These Bands Received Little Attention From National Or International Press Outlets And Markets - Unless They Opted For A "Big `80s" Sound And Signed To A Major. The Acts On This Compilation Are The Antithesis Of That, With A True Diy Spirit That Lead Many Of These Bands To Self-Record And Self-Release Within Tiny Local Scenes In Small Cities And College Towns Across America.Though Hardcore Dominated The American Underground At The Time, The Indie Scene Was No Less Vital And Operated Utilizing Many Of The Distribution Channels Hardcore Set Up. The Two Genres May Have Sounded Nothing Alike, But The Diy Ethos And Dedication To Community Was The Same_ But This Isn't The Story We're Used To Hearing. While Noted Underground Archivist And Com...

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LP | 2023 | US | Original (Riding Easy)

Scrap Metal 2

Release: 2023 / US – Original

Genre: Rock & Indie

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Featuring long-lost gems from ultra-rare 45s and private press singles—plus one previously unreleased banger—Scrap Metal Vol. 2 maintains a steady Nwobhm course. Packed with infectious outliers and supremely talented one-and-done metal warriors from the crucial British movement of the late ’70s and early ’80s (and some killer American obscurities inspired by them), this collection delivers all the fist-pumping, riff-mongering and flashy solos of heavy metal’s golden age. As always, every track has been officially licensed and every artist gets paid. Some examples include: As a late entry into the Nwobhm sweepstakes, JJ’s Powerhouse was formed in Merseyside, England, by guitarist Jon “J.J.” Cox with members of his previous band, Quad. Much like the opener to the original Scrap Metal comp, one can hear early Metallica coursing through this legendary ripper. Coincidentally, this ultra-rare 45 was released in ’83, the same year as Kill ’Em All. Taking their name from a 1978 sci-fi novel by Marion Zimmer Bradley, Welsh super troopers Storm Queen reveled in animal-print clothing and flying Vs. The Motörhead-meets-Priest anthem “Raising the Roof” is the flipside to their only single, which the band self-released in 1982. Led by guitarist Dave Morse, Storm Queen’s earliest lineup included bassist Bryn Merrick (rip), who would go on to join The Damned. Roaring out of Birmingham, England, in 1975, Jameson Raid palled around with fellow Brummies Black Sabbath and named themselves after a failed 19th century attack that helped kick off South Africa’s Second Boer War. Their three-song 1979 debut featured the infectious “It’s a Crime,” which comes across like a deadly hard-glam version of Budgie. Still fronted by vocalist Terry Dark, they’re going strong as of 2022. Both sides of Metropolis’ sole single bear the legend, “Unauthorized duplication shall result in getting your ass beat.” This San Jose metal squad released their only single in 1986 and dedicated it to Metallica bassist Cliff Burton, who had recently been killed in a bus accident. “The Raven” is the serpentine Nwobhm- and Edgar Allan Poe-influenced flipside to “Time Heals Everything.”

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Rock Rendez Vous: Musica Moderna Portuguesa 1985 - 1986

LP | 2024 | US | Original (Dark Entries)

Release: 2024 / US – Original

Genre: Rock & Indie

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The seductive sounds of Portugal swing to Dark Entries on Rock Rendez Vous: Música Moderna Portuguesa 1985-1986, a compilation of vintage Iberian synth, wave, and postpunk gems. The legendary club Rock Rendez Vous (rrv) opened its doors in Lisbon in 1980, heralding a new era in the Portuguese underground. Although touring acts like Killing Joke, Danse Society, or Echo & the Bunnymen graced its stage, RRV more vitally served as ground zero for a new generation of Portuguese bands, one simultaneously in touch with broader international musical movements while being invested in establishing a national sonic identity. Rock Rendez Vous culls 9 tracks of prime Portuguese indie tunes from the Música Moderna Portuguesa compilations released in 1985 and 1986, documenting the heyday of this movement. Jangly and brooding postpunk gems like “Levante” from Jovem Guarda, Projecto AZUL’s “New Sides,” and Essa ENTENTE’s “Festa Final” are well-represented here. Meanwhile, quirky Balearic-laced synthpop gems like D. W. ART’s “Mate” or Zona PROIBIDA’s “Musak” add a subtly regional flare. Rock Rendez Vous: Música Moderna Portuguesa comes housed in a sleeve designed by Eloise Leigh featuring a photo of the club RRV, and also includes a double-sided insert with lyrics, photos, and liner notes.

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Rhythm & Blues Guitar Crushers Vol. 1

LP | 2023 | EU | Original (Pancho)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Here's a strongly recommended new release from Pancho Records: Real cool compilation of 12 wild guitar tracks from the 50s and 60s!Killer compilation of rare R&B 45's featuring wild and crazy guitarists. First volume of this series, limited edition of 300 ww copies.

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Punk And Disorderly Volume 2

LP | 2022 | EU | Original (Spittle)

Release: 2022 / EU – Original

Genre: Rock & Indie

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At Last! a new vinyl edition of the three legendary "Punk and Disorderly" compilations originally released between 1982 and 1983. At the dawn of the Eighties the first volume arrived as a fiery statement from the heart of the British punk scene. Back in the day, the glorious early punk energy was still alive and in the meantime transforming through a wave of new bands coming up with fresh ideas and attitudes. Thanks to a great selection of both originators and newcomers, the whole explosive energy that was at the core of punk movement is perfectly captured throughout these three landmark compilations. An incredible roster of bands such as Vice Squad, Blitz, Chaos UK, Anti Nowhere League, Vibrators, Angelic Upstarts... all original British punk acts except the San Francisco based Dead Kennedys represented here with their seminal hit "Kill the Poor". This is fierce, loud and raw music caught in the midst of transition between punk rock and its next "hardcore" evolution. All three volumes feature brand new tracklists including bonus tracks not available in the first editions.

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LP | 2010 | EU | Reissue (Cosmic Rock)

Persian Underground

24,99 €*

Release: 2010 / EU – Reissue

Genre: Rock & Indie

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A serious obscure object of desire ! Amazing collection that gathers some of the rarest Persian 45s. Such an eclectic mix of styles, from garage rock to cool Persian beat, exotic rock&roll and astonishing prog/psych numbers. Featuring female drummer & singer Zangoleah with some killer garage/rockin' tracks, obscure bands like Takkhalha doing a fab cover of the Stones 'Play With Fire' and an amazing take on the Persian traditional song 'Mastom, Mastom', Golden Ring-styled beat by Big Boys, exotic Persian beat by Saeed and Tigers, terrific garage-beat by Ojubeha and the two sides of the Kambiz 45, probably the major discovery from Iran in the recent years and one of the few, if not the only truly Persian prog/psych 45s ever recorded.

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Louisville In The 60's The Lost Allen-Martin Tapes

LP | 2019 | EU | Original (Out-Sider)

Release: 2019 / EU – Original

Genre: Rock & Indie

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14 tracks from the Louisville late 60s/early 70s garage-psych scene.
These cuts (all of them previously unissued except for one originally released on a rare 45) were found in the archives of the city's well known Allen-Martin Studio, after the owners retired and the place closed down.
Including some rather well known names such as The Rugbys, The Illusions, The Keyes and The Oxfords, as well as more obscure local heroes like Free Reign, The Premieres, Roc, Conception…Highlights include fabulous psych rockers by Rugbys and Oxfords; fuzzed out garage by Blues and Illusions; psychedelic hard-rock by Babylon and Free Reign; jangly teen beat by JB and The Young Wheels; killer psych covers of Beatles and Traffic by Keyes and Company Front,…

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Kill Rock Stars 30th Anniversary Clear Vinyl Edition

LP | 1991 | US | Reissue (Kill Rock Stars)

Release: 1991 / US – Reissue

Genre: Rock & Indie

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What an outstanding compilation of artists who played at the International Pop Underground Convention in 1991. You read the performers list; from Bratmobile, to Courtney Love, to Bikini Kill, to Nirvana, to 7 Year Bitch. This is a beautiful 'snapshot' of the best of the early 90's west coast, and perhaps more importantly and as the liner notes accurately put it, 'all of these bands have faith in the future of punk rock and they are, without question, punk rock.' Kill Rock Stars is an excellent 14-track various-artists collection capturing the essence of early-'90s indie-rock pop underground. It's divided equally between amateurish indie-pop, abrasive punk and riot grrrl, featuring many of the best underground bands of that time, including Bratmobile, Mecca Normal, Bikini Kill, Heavens to Betsy, Unwound, Nation of Ulysses, Some Velvet Sidewalk, Nirvana, and Lois performing under the name Courtney Love. If there was a single compliation of 'Grunge' this would be it. Between Bikini Kill, Infamous Menagere and Nirvana, you really get a sense of what was going on during the early 1990s. I don't think it is over the top to say that this is a slice of music revolution.

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LP | 2022 | EU (Reverendo Moon)

Kick Your Mama's Ass

13,99 €*

Release: 2022 / EU

Genre: Rock & Indie

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International punk compilation done in the Killed By Death / Bloodstains style. Features THE MAD, THE Kids, FU2, Mentally ILL, Rotters, and many more. 18 Tracks total, great mix of obscure punk gems.

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Keb Darge Presents The Best Of Ace Rockabilly

LP | 2023 | UK | Original (Ace)

Release: 2023 / UK – Original

Genre: Rock & Indie

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Legendary international DJ, Keb Darge, fell under the spell of this music when his Japanese girlfriend forced him to go down to a ‘Rockabilly’ night back in 1989. As soon as the DJ dropped the needle on Johnny Burnette’s ‘Rockabilly Boogie’ Keb was mesmerized. He was soon hunting down the hideously rare top tunes and slipping thousands of pounds into specialist collectors like Boz Boorer’s back pocket, when the legendary guitarist was not recording or touring with Morrissey. Of course, Keb was then taking these records and introducing them to new audiences in his DJ sets worldwide.

Although it has taken an age to persuade him, Keb has now applied his perfectionist compiling skills to pick 14 killers to grace this fantastic collection. Ranging from the bopping Glen Glenn’s ‘Blue Jeans and A Boy’s Shirt’ to the almost hillbilly Jimmy Johnson’s ‘All Dressed Up’. This is a must-have compilation not only for those who have been oiling their quiffs for decades, but also those wondering what this “rockabilly” is all about. Keb drops you in at the deep end with no easy-going fillers, and you’ll be glad he did.

Keb has written the sleeve notes and with cover art by the legendary Robin Banks – this album looks as good as it sounds.

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Jerk Boom Bam Volume 1 - Greasy Rhythm & Soul Party

LP | 2011 | EU | Reissue (Jerk!boom!bam!)

Release: 2011 / EU – Reissue

Genre: Rock & Indie

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Wow! Brand new series of killer late-1950s to mid-1960s American rhythm'n'blues and pre-soul and greasy soul!Volumes One and Two are all Male Groups/Artists belting out dance-floorfillers and wild party winners! Volumes Three and Four are all Female Groups/Artists and cover a wide range of Cool Chick Chanters! Killer sound, killer packaging, killer HITS for all shops to sell like hotcakes, as it's been a quite boring period lately on the Compilation Scene! PREPARE TO SWING, BABY!

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I Killed The Monster Black Vinyl Edition

LP | 2023 | EU | Original (Shimmy Disc)

Release: 2023 / EU – Original

Genre: Rock & Indie

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"I Killed The Monster" is an 11-track compilation of songs written by celebrated American music legend Daniel Johnston, whose classic LPs '1990' and 'Artistic Vice' were produced by Kramer at his legendary Noise New York recording studio and released on Shimmy-Disc in 1990 and 1991, respectively. All of the songs were Re-Mastered by Kramer in 2022 and will be available for the very first time on vinyl, and on a limited-edition cassette which will also feature the remaining 10 tracks (for a total of 21) from the original 2006 cd-only release."I Killed The Monster" features standout tracks and performances by some of Indie music's greatest talents, including Danielson & Sufjan Stevens, Kimya Dawson, Dot Allison, Mike Watt, Jad Fair, and Jeffrey Lewis. Kramer produced and mixed most of the songs on the LP, and he himself delivers one of the most startling tracks on this release; Daniel's great masterpiece, "Bloody Rainbow".Few artists have been where Kramer has been, or worked with the variety of artists he has (Ween, Butthole Surfers, John Zorn, Half Japanese, The Fugs, and Bongwater, and Will Oldham, to name but a few). This extraordinary LP showcases Kramer's unmistakable prowess as one of his generation's most veresatile producers, and continues the 21st century re-birth of his iconic Shimmy-Disc label.

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Tape | 2022 | EU | Original (Shimmy Disc)

I Killed The Monster

Release: 2022 / EU – Original

Genre: Rock & Indie

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"I Killed The Monster" is an 11-track compilationof songs written by celebrated American musiclegend Daniel Johnston, whose classic LPs '1990'and 'Artistic Vice' were produced by Kramer at hislegendary Noise New York recording studio andreleased on Shimmy-Disc in 1990 and 1991,respectively. All of the songs were Re-Masteredby Kramer in 2022 and will be available for thevery frst time on vinyl, and on a limited-edition cassette which will also feature the remaining 10tracks (for a total of 21) from the original 2006cd-only release."I Killed The Monster" features standout tracksand performances by some of Indie music'sgreatest talents, including Danielson & SufanStevens, Kimya Dawson, Dot Allison, Mike Watt,Jad Fair, and Jefrey Lewis. Kramer produced and mixed most of the songs on the LP, and he him- self delivers one of the most startling tracks onthis release; Daniel's great masterpiece, "BloodyRainbow".Few artists have been where Kramer has been, orworked with the variety of artists he has (Ween,Butthole Surfers, John Zorn, Half Japanese, TheFugs, and Bongwater, and Will Oldham, to namebut a few). This extraordinary LP showcasesKramer's unmistakable prowess as one of hisgeneration's most veresatile producers, and con- tinues the 21st century re-birth of his iconicShimmy-Disc label.

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LP | 2022 | EU | Original (Shimmy Disc)

I Killed The Monster

Release: 2022 / EU – Original

Genre: Rock & Indie

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"I Killed The Monster" is an 11-track compilationof songs written by celebrated American musiclegend Daniel Johnston, whose classic LPs '1990'and 'Artistic Vice' were produced by Kramer at hislegendary Noise New York recording studio andreleased on Shimmy-Disc in 1990 and 1991,respectively. All of the songs were Re-Masteredby Kramer in 2022 and will be available for thevery frst time on vinyl, and on a limited-edition cassette which will also feature the remaining 10tracks (for a total of 21) from the original 2006cd-only release."I Killed The Monster" features standout tracksand performances by some of Indie music'sgreatest talents, including Danielson & SufanStevens, Kimya Dawson, Dot Allison, Mike Watt,Jad Fair, and Jefrey Lewis. Kramer produced and mixed most of the songs on the LP, and he him- self delivers one of the most startling tracks onthis release; Daniel's great masterpiece, "BloodyRainbow".Few artists have been where Kramer has been, orworked with the variety of artists he has (Ween,Butthole Surfers, John Zorn, Half Japanese, TheFugs, and Bongwater, and Will Oldham, to namebut a few). This extraordinary LP showcasesKramer's unmistakable prowess as one of hisgeneration's most veresatile producers, and con- tinues the 21st century re-birth of his iconicShimmy-Disc label.

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Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition

2LP | 2024 | US | Original (Light In The Attic)

58,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”

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Even The Forest Hums: Ukrainian Sonic Archives 1971-1996

2LP | 2024 | US | Original (Light In The Attic)

55,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Elephant Stomp - 12 Instrumental Freaky Stomper Rock Gems From 70s

LP | 2021 | EU | Original (Naughty Rhythm)

Release: 2021 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Here the Cosmic Discotheque team temporarily gives up with the pure 70s Disco mark of the previous releases and, while remaining in the same decade, the spotlight will move on the Rock scene. Those who have followed the series, know that the Cosmic-compilations are based on great selections of European singles (often B-sides) and lots of bizarre productions, mostly unknown and sometimes rare; and so it will be for Elephant Stomp too! Killer Drum Breaks, Tribal Freak Rock, Stomper Junkshop Glam, Instrumental psych rock, proto-Disco... those are the explosive ingredients of this unique compilation. So no long and useless solos or empty virtuosity here, just lots of groove and rousing tracks, in other words the best food for you party animals and digging maniacs!

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Ecuatoriana - El Universo Paralelo

LP | 2023 | EU | Original (Analog Africa)

32,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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On 12 February 1949 an angry mob stormed into the centre of the Ecuadorian capital of Quito, burning the offices of the city’s main newspaper and its oldest radio station to the ground.

On that tragic day Radio Quito had just broadcast a local adaptation of H.G. Wells’s The War of the Worlds. The novel – first published in 1898 and famously adapted into a radio series by Orson Welles – is one of the earliest stories to depict a conflict between mankind and a hostile race of extra-terrestrials. The large audience - not understanding that it was pure fiction - believed that intergalactic intelligence had invaded the country as all hell broke loose. Thousands began running the streets of Quito looking for shelter, chaos broke out, causing a deadly stampede. People blamed the broadcaster for the tragedy, formed a dense crowd and stormed Radio Quito, setting it ablaze. Several musicians, who were there performing, were killed.

In the decades after the second world war, outer space was on everyone’s mind and the ‘space race’ of the 1950s and 60s not only produced groundbreaking efforts to launch artificial satellites, send space probes to Mars and land a human on the moon, it also had a huge impact on the movie and music industry which was taking advantage of the world‘s fascination with space voyages and lunar missions to create instruments capable of mimicking imaginary interstellar sounds. These synthesised space effects that captivated the imagination of a whole generation of young Ecuadoreans coincided with a period in which workers and musicians from the provinces started flocking to Quito and to the commercial port of Guayaquil, some hoping to find regular work, others looking to break into the musical big leagues by getting hired by one of the prestigious urban radio station. These artists brought riches of rhythms to the major Ecuadorian cities who would soon witness the explosion of what would be known as “Andean Cumbia”.

That fusion, of tropical electronics mixed in with Andean melodies and lyrics describing the cruel reality of migrant workers, achieved massive success. And so while budding Ecuadorian UFOlogy lead to widespread extraterrestrial sightings, Ecuadorian musicians began released various albums consisting of traditional music combined with synthesisers in order to bring their traditional music into the space age. One of these musicians is Polibio Mayorga who had travelled 160km from his hometown of Chisalata to Quito where he showcased his talent as he championed the art of modernising his region’s ancestral rhythms - Huaynito, Sanjuanito, Albazo and many others - using the latest in electronic instruments.

After 4 years with Los Locos del Ritmo, one of Ecuador’s most popular bands, Polibio joined Fadisa (Fabrica De Discos S.A) in 1973 as a solo musician and songwriter before becoming their musical director a year later. While there he would team up with saxophonist extraordinaire Olmedo Torres, and for 10 years they would compose and arrange hits, not only for themselves but also for their fellow artists in the Fadisa family. Although Fadisa had countless labels in their roster, the jewel in their crown was Rondador and it was on that imprint that Polibio would release “Ponchito de Colores” and his famous album “La Farra Está Aquí”. With their novel use of Moog synthesiser, both become huge hit records and were broadcast constantly by Cosmopolita and Marañón de Quito – the two major radio stations of the capital. This led to a surge of interest in Andean cumbia, and the subsequent record sales helped to revive the country’s flagging music industry, turning Polibio into Ecuador’s most influential musician.

Polibio has never considered his music to be “tropical psychedelia” - although he thinks it would make a good name for a band. He has the sense of humour of a genius and the ability to make anyone laugh, yet he remains discreet, eloquent and humble … but as a musician he is daring and visionary, with an intrepid, vigorous style almost impossible to imitate. More than perhaps any of his peers, Polibio Mayorga established a unique place for himself at the vanguard of tropical music.

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Eccentric Deep Soul Opaque Purple / Pink Splatter Vinyl Edition

LP | 2023 | US | Original (Numero Group)

Release: 2023 / US – Original

Genre: Rock & Indie

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The next installment of our "Eccentric" single LP compilation series, in the same style as our Eccentric Funk and Eccentric Disco releases. A simple digestable run-down of our favorite genre specific tracks. All killer no filler. Focusing on Deep Soul for this one. The only divorce record you'll ever need to own.

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Tape | 2023 | US | Original (Cold Busted)

Bust Free 22

19,94 €* 20,99 € -5%

Release: 2023 / US – Original

Genre: Rock & Indie

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If one thing seems certain in the realm of downtempo and instrumental hip-hop sounds, it's the arrival of another high quality Bust Free compilation chock full of amazing producers, both known and new. Cold Busted is now issuing Bust Free 22 — yes, the 22nd in the acclaimed series — and it might be the best one yet. These 14 beat-lab concoctions bring out the best in Cold Busted, with previously unheard delights from a global gathering of top notch artists. From Es-K to Sim Nagai, Leo Low Pass & Emapea to DJ Taek — there's much to discover, whether on boomin' systems or cozy earbuds. Highlights include Bay Area beatsmith Nu Vintage and his frequent collaborator, the multi-instrumentalist Pat Van Dyke, exploring the futuristic edges of a beachside hip-hop lounge with the flute-laden feel-good tune "Daylight." Gentle piano, a serene saxophone, and breezy vibes float over tough downtempo beats on "On The Way Home," a delightfully laid back cut from Polish freestyle-footballer turned beat-maker MichRyc. There's "In A Good Mood," sonically shuffling its way out of the '70s and into today's head-nodding beat-zone. Produced by Cologne's Midan, this cut glides by with smooth guitar licks and keyboard melodies, delivering on the promise of its title. Maria Whoat brings some deep heat to bear with the subdued bop of "Between You And Me." Lowdown bass moves, swirling tones and textures, and a tough-as-nails slo-mo drum track recall the trippiest moments of the trip hop canon. Listeners will also uncover "Overpass," a lively and upbeat track from sus9th that proves the old adage that the early bird catches the earworm. An instantly memorable melody guides a percussive rhythm, filtered chords, and percolating synths. Japanese crate digger and turntable maestro Pigeondust ventures to exotic locales with "Nova," a cut that aims to dazzle with bewitching vocal motifs, chiming electric piano chords, and a killer drum beat that's more than ready for prime time. These cuts and more will fulfill any discerning listener's craving for high protein Bust Free beats.

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Brown Acid - The Sixteenth Trip

LP | 2023 | US | Original (Riding Easy)

Brown Acid - The Nineteenth Trip Colored Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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Sixteen trips might fry the fragile psyche of the average teenager, but the hoary old heads at Brown Acid boiled their brain pans long ago! As such, Riding Easy is bringing even more hard rock, heavy psych, and garage rock rarities from the North American wasteland of the 1970s. From L.A. to Youngstown, OH, from Toronto to Charlotte, The Sixteenth Trip has got everything covered. As always, original copies of these 45s would cost a pretty penny—if one could find ’em in the first place. And by now one knows the drill: This ain’t no bootleg. All songs are officially licensed. This sixteenth installment kicks off with “Shuckin’ and Jiving,” a seven-minute power jam from L.A.’s kings of garage psych, the Seeds. The song appeared as a single in 1972 with “You Took Me By Surprise” on the flipside. It was the only release on Productions Unlimited, a label created by (or for) the Seeds at the tail end of their late ’60s / early ’70s run as Sky Saxon And The Seeds. Get shucked! Macbeth released their one and only 45 in 1978, with the steamrolling “Freight Train” as the b-side to “Didn’t Mean (To Come This Far).” Boasting a thick-ass riff, a tasty stereo-panned guitar solo and at least one space laser sound effect, this one should satisfy fans of Blue Cheer and Grand Funk alike. Macbeth’s bassist, Ned Meloni, went on to play with UFO guitarist Paul Chapman, Virgin Steele guitarist Jack Starr and do a brief stint with doom legends Pentagram. Formed by three brothers—David, Bruce and Barry Flynn, all GM factory workers—along with organist Tom Applegate, The Headstones (also known as simply Headstone) lent their 1974 garage boogie “Carry Me On” to The Fourth Trip. This time, the Midwest psych rockers return with their killer 1975 instrumental “Snake Dance.” One can hear echoes of this particular guitar style in the recent work of Swedish adventure rock overlords Hällas. The band Clinton might’ve been from Pennsylvania, but that didn’t stop them from writing about New York City. “Midnight In New York” is the flipside to their sole single, 1976’s “Falling Behind.” Stylistically and thematically, it’s not unlike something famous New Yawker Ace Frehley would’ve written for Kiss around the same time.

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V.A

LP | 2024 | US | Original (Riding Easy)

Release: 2024 / US – Original

Genre: Rock & Indie

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There is NO Light at the end of this tunnel! Brown Acid: The Nineteenth Trip fires ten more savage nails deep into the coffin of ‘60s psychedelic idealism. This series is THE premier top dog journey into the rarest and most wasted early local eruptions of heavy rock, unleashed at a time when harsh reality, human nature and disillusionment drove prevailing underground rock glimpses of a ‘better’ world into ever darker selfabsorbed comedowns. Mind expanding ’60s love energies transform into toxic aggression right before your ears! The great thing is that these moves are totally justified, ‘we are all one’ is cosmically good in theory but ‘get it while you can’ ends up perhaps better advice in the light of human history. Both of those angles of awareness can coexist, some of these bands deliver unrelenting sideways positive energy but they aren’t over-thinking it, they are youthfully driven by hunger for life and satisfying the undeniable urges their DNA thrusts upon them. Sonically, the results in the Brown Acid series never fail to breathe hot and heavy, the guitars kill it every time, the variety of approaches these tracks take keep the scenery shifting into new places. The key element that makes this stuff so potent is that They (the bands) are in control. Captured genuinely with no compromise, right out of the gate. No doubt they had ambition with high hopes for the future when they laid down these primal efforts, the fact that they captured their energy so vividly at a moment in time when the only direction imaginable was UP creates a hard hitting life affirming subtext to the proceedings. That is the core energy of blues and rock and roll, dealing with the struggles of existence by flipping a gigantic ‘what the fuck’ high energy bird right in the face of the moronic defective reality these bands were born into. If you take this stuff too ‘seriously’ you are utterly missing the point, it is beyond analysis, it is life itself! No amount of thinking will get you there quicker! Brown Acid: The Nineteenth Trip is scary... the bottomless pit of deranged vintage heavy rock the series presents continually expands over time... one deadly dose too many and you might be trapped in the bad trip loop forever... enjoy it or lose your mind!

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Brown Acid - The Nineteenth Trip Black Vinyl Edition

LP | 2024 | US | Original (Riding Easy)

Release: 2024 / US – Original

Genre: Rock & Indie

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Brown Acid: The Eigtheenth Trip Colored Vinyl Edition

LP | 2024 | US | Original (Riding Easy)

Release: 2024 / US – Original

Genre: Rock & Indie

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if you survived trips 1-17 with one tiny speck of psychedelic sunshine intact, Brown Acid The 18th Trip will be your coming of age nightmare. Vintage underground '70s hard rock, coming at you from bizarre angles, local scene wasteland America when everybody was out for themselves and the drugs went bleak. The guitars kill, the attitude is twisted, even the sex is headed down the wrong road. Real people, no compromise, pure and potent. Get stoked, take the 18th Trip and know that the artists will get paid for pulverizing your soul! "People… are you ready?, 'cause the music now is getting so heavy"… Back Jack out of St. Louis, Missouri in 1974 launch our trip with "Bridge Waters Dynamite". It's an invocation to rock flashing on Mark Farner whooping up a Grand Funk crowd, then getting to the point quickly with berserk guitar assaults. Heavy riff with power chord stalks beneath as you take their advice… get loose and blow up the past. Smokin' Buku Band dropped my jaw with the audacious track "Hot Love" coming on like some fractured fever dream burlesque of Led Zep moves out of Hollywood in 1980. Swooping elongated vocals above, a total Zep chord move at the end of each verse. Writer/producer Steve Shauger aka Shag Stevens gets a brilliantly messed up sound quality here, the ideal polar opposite of slick. The extended guitar break is an epitome of serendipitously crude virtuosity, simply outrageous! Coming at you from way outta left field is "Moby Shark" by Atlantis, a hilarious and strange Baltimore pre-punk vibed dose of D.I.Y. meets hard rock. Lon Talbot is the mastermind, the flip side of this impossibly rare Mekon Records label single was featured in an obscure 1978 B-movie titled "The Alien Factor". Follow the lyrics closely, when the ominous jaws jaws jaws start coming after you you you… the song's big hook is so preposterously catchy the shark attack feels like good news. Inquiring minds should know that the band formerly known as Atlantis can now be found by searching for the Lon Talbot Group! Tommy Stuart and the Rubberband's "Peeking Through Your Window" from 1970 opens with a spooky organ riff, slips into a gushy fuzz/organ groove akin to "Mustache In Your Face” by Pretty. The singer creates downright creepy vibes, a stalker peeking through the girl's mind like a peeping Tom at the window up to no good. The lyrics evoke a disturbing scenario. Tommy Stuart also made a strange LP titled Hound Dog Man in 1977 and some terrific rare garage singles under the names Magnificent Seven and The Omen & Their Love in the mid '60s. Nothing better than an angry two chord guitar attack with cowbell to set the stage for this rant about getting "Ripped Off" by love. Taken from their rare 1977 LP on Dynamite Records, Chicago Triangle was Marvey Esparza, Dave Guereca, Jose 'Tarr' Perez and Robert Aguilera. They unleash such strong brain-scrubbing wah wah frenzy in the guitar break here that it seems to perversely mock it's own intensity! Like I said, Brown Acid the 18th Trip comes at you from all kinds of uncanny angles. Damnation of Adam Blessing out of Cleveland, Ohio unleashed a stone killer psychedelic hard rock classic "Cookbook" in the late '60s, this track "Nightmare" from 1973 has them cooking again at full power. A different singer, name change to Damnation and then Glory, unleashing a deadly dose of dark progressive heavy rock drama peaking when spooky 'oooo-wa-oooo' background vocals emerge during a bizarre spoken bit. It unfolds like a mini-epic and includes some remarkably brutal guitar and turbulent organ, too. "Swing your sword, all aboard… bid farewell to the dreamer" Dalquist exclaims. Cynical view of human nature, idealism is over, war is coming, it always does. Opens with a cold menacing riff and atmosphere reminiscent of "Synthezoid Heartbreak" by Maya. Mournful despondent vocals ride an insistent churning groove, gnarly guitar break moves into free noise territory. This rare track is from a local various artists benefit album titled Kangaroo Jam issued for the Waco Family Abuse Center in Texas circa 1980. The Pawnbrokers "Realize" is prime proto heavy rock emerging out of psychedelic garage roots in 1968 Fargo, North Dakota. Unusual arrangement, terrific sustain guitar tones like on the first Blue Cheer LP, even a rip on Hendrix "Manic Depression" with unison voice and guitar ascent near the end. They made three 45s and were active from '65 to '69. Hats off to Blake English, Kent Richey, Paul Rogne and Steve Harrison, you nailed it in just a hair over two minutes! As pure and creative as the original psychedelic garage hard rock gets. Parchment Farm from Union, Missouri gigged with the likes of ZZ Top and Foghat back in the day and unleashed the amazing "Songs Of The Dead" in 1971. Primitive riff/chord pattern dosed with some funky prog moves, sky turning black, 'is this heaven or hell' type disoriented confusion… may as well grab your guitar and sing songs to the dead. Robert 'Ace' Williams on bass, Paul Cockrum on guitar, Gary Reed on keys and Micky Waterman on drums, replacing Mike Dulany (R.I.P.) Cool that they use the Blue Cheer misspelling from Vincebus Eruptum for the band name! Ominous organ, thick minimalist fuzz riff, funky psychedelic wah wah flashes and freaky sex combine in one twisted dance titled "Rockin' Chair" by Brothers Of The Ghetto. Out of Chicago in 1975 with some Santana atmospherics and a delicious fuzz wah screamin' guitar break, the groove is highlighted by an off the wall vocal which sounds eerily detached in a subtly sleazy way. Rene Maxwell is the writer of this hard-rock boogie-down hybrid straight out of the twilight zone. It was issued on Ghetto, a subsidiary of the peculiar Kiderian label that released the Creme Soda LP. Now that your head is totally skewered, go Back Jack and play side one again! (Words by Paul Major)

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Angel Dust Psychedelia 1968-1972

LP | 2014 | EU | Original (Frisco Speedball)

7" | 2021 | US | Original (Iron Lung)

Release: 2014 / EU – Original

Genre: Rock & Indie

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Non-hippie devastating guitar-psych and PCP induced hard-rock!! ANGEL DUST PSYCHEDELIA is a "100% killers, no fillers" compilation featuring obscure and unknown 45s / unreleased acetates from the US, most of them released on private labels. Many local underground bands of the late 1960s-early 1970s lacked the money and/or material needed to make a full-length album, and would put out a self-released 45 instead. Record collectors and writers have been slow to understand this treasure of vintage private press singles, with music that is every bit as good as hallowed underground LPs like Mystic Siva or Boa. 14 tracks including the monster acid-punker "Time gone to waste" by Local Traffic, post-Stereo Shoestring band Red House with an unreleased track, the mega rare acetate by Matchbox from Houston, tremendous acid-psych by Dick St John and Ragweed Patch, raw hard-rock by Masque and Zoo and more. The perfect companion to those legendary 80s psych comps like Brain Shadows, Acid Dreams, Endless Journey. Remastered sound for a stunning in-your-face heavy guitar experience. Limited to 500 copies.

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Urin

Afekt

12,74 €* 16,99 € -25%

LP | 2023 | EU | Original (Voodoo Rhythm)

Release: 2021 / US – Original

Genre: Rock & Indie

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Completely fucking mental raw D-Beat played by some of Berlin's noisiest humans. Following up their pulverizing 2019 EP, Urin have turned up the mania, tweaked it out even further and afforded absolutely no room for silence whatsoever. After all Silence IS Death! "Afekt" is sure to leave you scratching what is left of your blown out dome.

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Urban Junior

Urban Et Orbi

20,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Unwound Rising Blood Vinyl Edition

Unwound

LP | 1995 | US | Reissue (Numero Group)

Unwound Antifreeze Blue Vinyl Edition

Release: 1995 / US – Reissue

Genre: Rock & Indie

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Back in print for the first time this century, first time for color and tip-on jacket, the definitive edition remastered from the original tapes.Meeting at the halfway point between Bleach and Damaged, Unwound's 1995 self-titled album arrived years after the original trio of Vern Rumsey, Justin Trosper, and Brandt Sandeno made their Avast Studios debut. Compiling their EPs for Kill Rock Stars and Gravity Records with five more session outtakes, Unwound was released on Rumsey's Punk In My Vitamins as the band began flirting with the mainstream. Witness a band's prehistory as it plays out in a feral maelstrom of screaming, distortion, feedback, and abrasive promise.

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Unwound

LP | 1991 | US | Reissue (Numero Group)

Tape | 1995 | US | Reissue (Numero Group)

Release: 1991 / US – Reissue

Genre: Rock & Indie

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Antifreeze Blue vinyl.Meeting at the halfway point between Bleach and Damaged, Unwound's 1995 self-titled album arrived years after the original trio of Vern Rumsey, Justin Trosper, and Brandt Sandeno made their Avast Studios debut. Compiling their EPs for Kill Rock Stars and Gravity Records with five more session outtakes, Unwound was released on Rumsey's Punk In My Vitamins as the band began flirting with the mainstream. Witness a band's prehistory as it plays out in a feral maelstrom of screaming, distortion, feedback, and abrasive promise.

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Unwound

Polychrome The Pink Album Postlude

Release: 1995 / US – Reissue

Genre: Rock & Indie

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Meeting at the halfway point between Bleach and Damaged, Unwound's 1995 self-titled album arrived years after the original trio of Vern Rumsey, Justin Trosper, and Brandt Sandeno made their Avast Studios debut. Compiling their EPs for Kill Rock Stars and Gravity Records with five more session outtakes, Unwound was released on Rumsey's Punk In My Vitamins as the band began flirting with the mainstream. Witness a band's prehistory as it plays out in a feral maelstrom of screaming, distortion, feedback, and abrasive promise.

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Unloved

LP | 2023 | EU | Original (Heavenly)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Killing Eve'r "Ode To The Lovers"

Unloved

LP | 2023 | UK | Original (Heavenly)

Release: 2023 / UK – Original

Genre: Rock & Indie

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V HHV European Exclusive Frosted Blue Vinyl Edition

Unknown Mortal Orchestra

2LP | 2023 | US | Original (Jagjaguwar)

35,99 €*

V Golden Nugget Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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Artist Edition – exclusive to HHV in Germany.

Created between Palm Springs, California and Hilo, Hawai'i, V is the first double album from the Hawaiian-New Zealand singer-songwriter, multi-instrumentalist and producer Ruban Nielson's Unknown Mortal Orchestra band. Designed to play as one continuous movement and road-tested on dry California freeways, V is the definitive Unknown Mortal Orchestra car record. It's also the fifth full-length album Ruban has released in twelve years. Across fourteen sunbleached songs - written solo or with his brother Kody - Ruban draws from the rich traditions of West Coast AOR, yacht rock, weirdo pop and Hawaiian Hapa-haole music. Over a laidback blend of singalong anthems and cinematic instrumentals, he evokes blue skies, afternoons spent lounging by hotel swimming pools and the alluring darkness that lurks below perfect, pristine surfaces. It's a duality expressed in the dilapidated sunset blues and the saltcorroded soul Ruban explores through tracks like `Layla' and `Nadja. ' During the pandemic's early days, Ruban reunited with Kody at a cousin's wedding in Hawai'i. With assistance from their father, Chris Nielson (saxophone/flute) and longstanding Unknown Mortal Orchestra member Jake Portrait, they brought everything Ruban had been thinking about together. The result was V, due for release on March 3, 2023, through Jagjaguwar. When they talked about records that moved them in that spine-shivering manner, Ruban started thinking about the 70s AM radio rock and 80s pop songs that had lurked on the edge of his subconscious mind for most of his life. He wanted to write his version of records like that, leading to the two glorious uptempo singles Unknown Mortal Orchestra released in 2021, `Weekend Run' and `That Life'. However, the golden good times never last forever. Not long after, health issues began to plague his extended family. Putting his recordings aside, he helped his mother and his uncle move home from New Zealand and Portland to Hawai'i, and began dividing his time between Hawai'i and Palm Springs. During this period he reconnected with his relatives, reassessed his past, and started to look at things with fresh eyes. Hawai'i brought back memories of the darker side of his parents' lifestyle as entertainers. On those trips, he heard those classic AM radio rock records everywhere. They were inextricably intertwined with the palm trees, swimming pools, and glamorized hedonism he'd internalized from his childhood. There's a type of music in Hawai'i called Hapa-haole (Half white). You can hear it expressed in signature Unknown Mortal Orchestra style through the humid guitar-led atmosphere of V's penultimate song, `I Killed Captain Cook'. Although the songs are presented in a traditional Hawaiian manner, they're mostly sung in English. Having been influenced by Hawaiian music since Unknown Mortal Orchestra's first album, Ruban saw a space for himself within the tradition. When he reflected on his success, he realised he had the responsibility and platform to represent Hapa-haole music on the global stage.

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Unknown Mortal Orchestra

2LP | 2023 | US | Original (Jagjaguwar)

35,99 €*

2LP | 2023 | US | Original (Jagjaguwar)

Release: 2023 / US – Original

Genre: Rock & Indie

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Created between Palm Springs, California and Hilo, Hawai'i, V is the first double album from the Hawaiian-New Zealand singer-songwriter, multi-instrumentalist and producer Ruban Nielson's Unknown Mortal Orchestra band. Designed to play as one continuous movement and road-tested on dry California freeways, V is the definitive Unknown Mortal Orchestra car record. It's also the fifth full-length album Ruban has released in twelve years. Across fourteen sunbleached songs - written solo or with his brother Kody - Ruban draws from the rich traditions of West Coast AOR, yacht rock, weirdo pop and Hawaiian Hapa-haole music. Over a laidback blend of singalong anthems and cinematic instrumentals, he evokes blue skies, afternoons spent lounging by hotel swimming pools and the alluring darkness that lurks below perfect, pristine surfaces. It's a duality expressed in the dilapidated sunset blues and the saltcorroded soul Ruban explores through tracks like `Layla' and `Nadja. ' During the pandemic's early days, Ruban reunited with Kody at a cousin's wedding in Hawai'i. With assistance from their father, Chris Nielson (saxophone/flute) and longstanding Unknown Mortal Orchestra member Jake Portrait, they brought everything Ruban had been thinking about together. The result was V, due for release on March 3, 2023, through Jagjaguwar. When they talked about records that moved them in that spine-shivering manner, Ruban started thinking about the 70s AM radio rock and 80s pop songs that had lurked on the edge of his subconscious mind for most of his life. He wanted to write his version of records like that, leading to the two glorious uptempo singles Unknown Mortal Orchestra released in 2021, `Weekend Run' and `That Life'. However, the golden good times never last forever. Not long after, health issues began to plague his extended family.Putting his recordings aside, he helped his mother and his uncle move home from New Zealand and Portland to Hawai'i, and began dividing his time between Hawai'i and Palm Springs. During this period he reconnected with his relatives, reassessed his past, and started to look at things with fresh eyes. Hawai'i brought back memories of the darker side of his parents' lifestyle as entertainers. On those trips, he heard those classic AM radio rock records everywhere. They were inextricably intertwined with the palm trees, swimming pools, and glamorized hedonism he'd internalized from his childhood. There's a type of music in Hawai'i called Hapa-haole (Half white). You can hear it expressed in signature Unknown Mortal Orchestra style through the humid guitar-led atmosphere of V's penultimate song, `I Killed Captain Cook'. Although the songs are presented in a traditional Hawaiian manner, they're mostly sung in English. Having been influenced by Hawaiian music since Unknown Mortal Orchestra's first album, Ruban saw a space for himself within the tradition. When he reflected on his success, he realised he had the responsibility and platform to represent Hapa-haole music on the global stage.

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Unknown Mortal Orchestra

V Black Vinyl Edition

Universal Order Of Armageddon

Release: 2023 / US – Original

Genre: Rock & Indie

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Universal Order Of Armageddon Clear Transparent Vinyl Edition

2LP | 2024 | US | Original (Numero Group)

35,99 €*

Universal Order Of Armageddon

Release: 2024 / US – Original

Genre: Rock & Indie

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From the ashes of Moss Icon, Universal Order of Armageddon blasted out of Annapolis, MD in a fiery maelstrom of punishing riffs, syncopated breakbeats, and terrifying shrieks. Compiled here are the complete Gravity, Vermin Scum, and Kill Rock Stars recordings, remixed and remastered from the original sessiontapes, and housed in a deluxe gatefold jacket with a chunky 24-page book packed with photos, notes, and iconography fromtheir 1993-'94 run. Armageddon IS now.

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Universal Order Of Armageddon Black Vinyl Edition

2LP | 2024 | US | Original (Numero Group)

United States Of Existence

Release: 2024 / US – Original

Genre: Rock & Indie

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The Psychedelic Yesterdays Of Tomorrow

LP | 2020 | EU | Original (Guerssen)

LP | 2017 | EU | Original (Rave Up)

Release: 2020 / EU – Original

Genre: Rock & Indie

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United Sates Of Existence were one of earliest neo-psychedelic groups from the US. Born in Baltimore in 1978 out of the ashes of prog-rock outfit Klangfarb, their goal was to reproduce the sound of their favourite 60s psych bands: Strawberry Alarm Clock, Electric Prunes, Blues Magoos, Nazz, The Assocation… They consisted of Paul Rieger (guitar, bass and electric sitar), Bob Tiefenwerth (organ, electric harpsichord and piano), Dennis Davison – of Jigsaw Seen fame - (lead vocals, acoustic guitar and theremin) and Gary Schwartz on drums and harmony vocals. The group used vintage instruments and antiquated recording techniques to fully embrace the sounds of the first psychedelic era (1967-68). They never got to play live, preferring to spend their time recording in their basement studio or going on record-buying binges at all the discount stores, searching for obscure psychedelic albums with weird names like Harumi, Phulph, Bohemian Vendetta… They were championed by Greg Shaw (Bomp!) who chose one of their first recordings, the killer Return To The Psychedelic, as the opening track for the seminal Battle Of The Garages LP compilation (1981). They also appeared in another famous compilation, The Rebel Kind (1983). Anything Goes!, their first 45, saw the light in 1984, self-released on the band’s own label, U.S. Fidelity Sounds, and featuring members of the Association on backing vocals (no kidding!). In 1986, they caught the attention of the Bam Caruso label from the UK, where they released their only album, Introducing: the United States of Existence, in 1986. The Psychedelic Yesterdays Of Tomorrow compiles all the material released by United Sates of Existence, including their Bam Caruso album along with various single / compilation tracks, as well as a few previously unreleased tracks and alternate mixes. “Surround sound not required – these stereo recordings will transport the listener to the proper state of existence. Recorded in the band’s basement and mixed down on a picnic table - because that’s where it was all happening.”

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Uniplux

1981

7" | 2024 | EU | Original (Time To Kill)

Release: 2017 / EU – Original

Genre: Rock & Indie

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Incredible but true, your fave label discovered an entire unreleased punk rock album from the land of spaghetti and mandolino! Uniplux were one of the few bands of 1977 Roman punk scene that included bands such as Trancefusion, Elektroshock, Luxfero, Ulster Punk Group, Apologia Di Reato, Bads, Stigma, Ddt. This band released two singles, the first, released for a major label RCA and entitled ‘Chi siamo noi?’ came out in 1982. The second one, ‘Maledetto rock’, (Pogo records), came out two years later in 1984. Both records are very hard to find and sought after, mainly because Uniplux offered a unique vision of melodic punk rock. in 1997, a bunch of European punk collectors compiled ‘killed by death 201’, dedicated to Italian 1977/82 punk rock scene, selecting the track “U.X.” to represent this band. After over 36 years, Rave Up Records unearthed from the tomb 11 killer tracks!!!! Amazing Italian punk with female vocals. For fans of Generation X, Buzzcocks, Penetration and all the early UK punk rock.

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Undertakers / Plakkaggio

Split

18,99 €*

2LP | 2018 | EU | Original (Vendetta)

Release: 2024 / EU – Original

Genre: Rock & Indie

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"Pet Sematary" is UNDERTAKERS' first release since the compilation "Dictatorial Democracy", issued in 2020 via Time To Kill Records."Dictatorial Democracy" features a few brand new songs, old classics from the band's back catalogue and a couple of acclaimed cover songs: "Fascist Pig", originally by Suicidal Tendencies, and "Ripetutamente" by Neapolitan band 99 Posse.The most controversial and underdog italian band combo since 1993The New Wave Of Black Heavy Metal Oi! has its undisputed progenitor, the legendary Paul Di'Anno. Plakkaggio pay a tribute to the Founding Father by regenerating the furthest thing from their musical proposition: Pull Me Under by Dream Theater, to definitively break down genre fences, celebrating the return of Mike Portn'Oi!

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Ultha

Converging Sins

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 2019 | EU | Original (Fighter)

Tytus

Rain After Drought

17,99 €*

LP | 2022 | US | Original (Drag City)

Release: 2019 / EU – Original

Genre: Rock & Indie

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2nd album by this italian Heavy Metal band, a great work full of killer tunes with strong riffing.

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Ty Segall

"Hello, Hi"

Release: 2022 / US – Original

Genre: Rock & Indie

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Tape | 2021 | US | Original (Drag City)

Ty Segall

Harmonizer

Release: 2021 / US – Original

Genre: Rock & Indie

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LP | 2021 | US | Original (Drag City)

Ty Segall

Harmonizer

Release: 2021 / US – Original

Genre: Rock & Indie

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Wide-Eyeed Nowhere Pink Vinyl Edition

Turin Brakes

LP | 2022 | UK | Original (Cooking Vinyl)

Wide-Eyed Nowhere Black Vinyl Edition

Release: 2022 / UK – Original

Genre: Rock & Indie

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2022 sees Turin Brakes release their ninth studio album - Wide-Eyed Nowhere. Of Wide-Eyed Nowhere the band say 'We surprised ourselves with what came out; a sweeter, groovier set of songs in no hurry to be anything but themselves. The South London 4-Piece comprising Olly Knights, Gale Paridjanian, Rob Allum and Eddie Myer recorded this new set of songs at Twin Palms - Olly's garden studio - over the summer of 2021, choosing to let time infuse into the music and mature in a way it couldn't in a pressurised commercial studio setting. 'Friends would visit, kids would add a voice or two, bees would buzz and we'd get to sit in the South London sun while the music poured out of the speakers and floated across the lawn. Sometimes we decided it's okay to just let it happen naturally, not to try too hard - just get out of the way let the songs take shape, and that maybe you don't have to be in a bad place to make the deeper cuts.' Turin Brakes released Mercury Prize shortlisted the Optimist Lp in March 2001 (achieving gold status in the UK), followed up by 2003's Ether Song which featured the top 5 hit single Pain Killer (Summer Rain). The band has since moved on to rack up seven top 40 singles, seven top 40 albums and over a million record sales worldwide.

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Turin Brakes

LP | 2022 | UK | Original (Cooking Vinyl)

25,19 €* 27,99 € -10%

7" | 2011 | EU | Original (Screaming)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Turbo A.C.'s

Black Lipstick

9,99 €*

LP | 2022 | EU | Original (Part Time)

Release: 2011 / EU – Original

Genre: Rock & Indie

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BACK IN PRINT! Originally issued in 2011, this was the second single taken off the NYC-based punk rock band's 'Kill Everyone' album, backed with the exclusive flipside track 'The Story'.

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Trader

Their Best Work So Far

In For The Kill Limited Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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INTRODUCING: TRADER Hailing from Aarhus, Denmark, this explosive, close-knit four-piece have created what is best described as a sonic freight train. Equally noisy and catchy, the songs are driven by distortion, relentless drumming and an enchanting sense of directness. Throughout their existence Trader have thrilled audiences and critics alike, gaining a reputation as a riveting live band as well as trusted deliverers of potent rock anthems. This October, Trader will release their sophomore album "Their Best Work So Far". The album sees Trader taking on a more diverse and dynamic sound while still homaging their beloved grand era of American 90's alternative rock music. As the album title wittily indicates, the band took the ambition of good, sincere songwriting and craftsmanship as their cornerstones. To fulfill this ambition, the band relocated from the confines of their home studio to the legendary Silence Studio in Sweden - an old, refurbished two-storey school house hidden in the woods of small-town Koppom. This was the perfect remotion for Trader to escape the everyday humdrum and focus their piled-up energy into 9 songs. Being a hard-working band with no big commercial payoffs in sight can make you question if you chose the right path in life. Drummer Kristian Vissing elaborates: "We just had an anniversary at our old high school and met with our class mates from back then, who talked about how great it was to finish university and finally have a career going. These expectations from peers and society on how to lead a good and proper life can get you down sometimes and leave you with doubt. It's sort of a theme on this album. We want to urge everyone to take a halt and enjoy where you're at right now and not always have your eyes set on the future." "Their Best Work So Far" is out on November 11 via Part Time Records.

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Toxicrose

LP | 2021 | EU | Original (Golden Robot)

25,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2023 | US | Original (Transylvanian)

Torture Tomb

LP | 2018 | US | Original (Slumberland)

Release: 2023 / US – Original

Genre: Rock & Indie

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Greasy Texas Death Metal! The long awaited debut from the Texans Torture Tomb! It's been three years since their proper introduction to the world with the release of Killing To See How It Feels. That first demo was rabidly consumed by the underground masses, numerous waves were unleashed and Transylvanian has been working on giving their tunes the vinyl treatment! Features a torturous eye-grabbing hellscape by Mark Riddick on the cover.

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Tony Molina

Kill The Lights

20,99 €*

Home Made Ice Cream 45rpm, 200g Vinyl Edition

Release: 2018 / US – Original

Genre: Rock & Indie

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With his brilliant new album "Kill The Lights," West Bay native Tony Molina continues his artistic evolution, steadily moving away from raging Weezer/Teenage Fanclub-style power-pop nuggets fueled by shredding guitar pyrotechnics and Tony's ironclad DIY HC roots to mostly acoustic arrangements that owe as much to "Horizontal"-era Bee Gees and the Fanclub's mellower moments as they do to Georges Harrison and Martin. From the Byrds-y opener "Nothing I Can Say" to the subtly wrenching "Wrong Town" and the gorgeous folk-picking of "Now That She's Gone" we hear Tony synthesizing his influences with great skill and intention These classic folk and pop styles are being employed in the service of stellar songs and universal lyrical truths, reflecting a dedication to craft combined with an intense commitment to self-expression that transcends simplistic genre boundaries and is totally true to Tony's DIY punk roots.

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Tony Joe White

2LP | 2019 | US | Original (Analogue Productions)

69,99 €*

The Will To Live Colored Vinyl Edition

Release: 2019 / US – Original

Genre: Rock & Indie

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You may or may not know of Tony Joe White, but we all know his two most famous songs — "Polk Salad Annie" and "Rainy Night In Georgia". This record is up to the standards of those great numbers. So soulful, humid, rich and textured. Or as Tony Joe would say, »It's swampy«.
And because it's such a classic, such a southern musical touchstone, we've gone and upped the ante — making this standout a 45rpm double LP release. Veteran audiophiles know and hear the difference. With more LP real estate, inner groove distortion is reduced and tracking by your stereo cartridge is improved. That's a major sonic advantage! Mastered by Kevin Gray at Cohearent Audio from the original analog tape, this LP sounds phenomenal from the first note to the last fade out.
The last four songs on side two of this album are going to positively floor you. They are so sparse and bluesy and emotional. And the sound is as good as the music. With this new QRP pressing, the sound is so good it's tape-like. So solid and jet-black is the foundation from which the music just jumps. Ya gotta hear it to understand what we're trying to describe. It's one of those jaw-hit-the-floor, sit-in-stunned-silence, goose-bump-raising, tears-in-your-eyes records. You know, the kind we're all looking for as audiophiles?
When Chad decided to reissue this album, he knew that it wasn't going to be a top-seller. But it's one of his all-time favorites for music and sound, and we feel that whoever takes a chance on this one is going to be richly rewarded. We gotta figure this one is going to end up being one of the favorites of some of our customers, too. If you trust us at all, you can buy with great confidence.
"Homeade Ice Cream" was originally released in 1973 on Warner Bros. and was co-produced by White and legendary Atlantic producer Tom Dowd. It's White's sixth overall record and his third for Warner Bros. This is very much a back porch acoustic affair. The music has the space to breathe, one of the reasons for the life-like sound.

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Titus Andronicus

2LP | 2022 | US | Original (Merge)

The Will To Live Black Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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The Will to Live was produced by Titus Andronicus singer-songwriter Patrick Stickles and Canadian icon Howard Bilerman (Arcade Fire, Leonard Cohen, The Whole Nine Yards) at the latter's Hotel 2 Tango recording studio in Montreal. Drawing on maximalist rock epics from Who's Next to Hysteria, Bilerman and Stickles have crafted the richest, densest, and hardesthitting sound for Titus Andronicus yet. All at once, the record matches the sprawl and scope of the band's most celebrated work, while also honing their ambitious attack to greater effect than ever before. "It may strike some as ironic we had to go to Canada to record our equivalent to Born in the USA," quips Stickles, "but the pursuit of Ultimate Rock knows no borders." For his recent stretch of personal stability, he credits a newfound domestic bliss and steadfast mental health regimen ("Lamictal is a hell of a drug") as well as the endurance of what has become the longest-running consistent lineup of Titus Andronicus_Liam Betson on guitar, R.J. Gordon on bass, and Chris Wilson on drums. On the crueler side of the coin, however, The Will to Live was created in large part as an attempt to process the untimely 2021 death of Matt "Money" Miller, the founding keyboardist of the band and Stickles' closest cousin. Stickles explains: "The passing of my dearest friend forced me to recognize not only the precious and fragile nature of life, but also the interconnectivity of all life. Loved ones we have lost are really not lost at all, as they, and we still living, are all component pieces of a far larger continuous organism, which both precedes and succeeds our illusory individual selves, united through time by (you guessed it) the will to live." "Naturally, though, our long-suffering narrator can only arrive at this conclusion through a painful and arduous odyssey through Hell itself," he qualifies. "This is a Titus Andronicus record, after all." When Titus Andronicus made their long-awaited return to the stage in 2021, it was to celebrate the anniversary of their landmark breakthrough The Monitor, and the act of playing that material before an ecstatic audience left the band determined to deliver an album that would reach for those same lofty heights, relying this time less on the reckless fire of youth and more on the experience and perspective at which a band only arrives with a thousand shows under their belt. Through this golden ratio, Titus Andronicus have arrived at the peak of their creative powers. From its adrenalizing opening instrumental "My Mother Is Going to Kill Me" to its wistful closing benediction "69 Stones," The Will to Live conjures a vast landscape and sends the listener on a rocket ride from peak to vertiginous peak. Rock fans will find themselves a feast, whether they crave barn-burning rock anthems such as "(I'm) Screwed" and "All Through the Night," rapid-fire lyrical gymnastics ("Baby Crazy"), symphonic punk throwdowns ("Dead Meat"), or an adventurous excursion into the darkness that delivers thrills as it breezes boldly past the seven-minute mark, "An Anomaly." As if that wasn't enough gas for the tank, The Will to Live features sterling contributions from members of the Hold Steady, Arcade Fire, and the E Street Band, as well as duets with the aforementioned Betson, former Titus Andronicus drummer Eric Harm, and Josée Caron of the Canadian rock band Partner. The album comes packaged with gorgeous triple-gatefold artwork by illustrious illustrator Nicole Rifkin, a Hieronymus Bosch-inspired triptych which mirrors the three-part structure of the narrator's perilous voyage across the corresponding three sides of vinyl. All together, this esteemed ensemble, with Stickles and Bilerman determined and defiant at the helm, have found The Will to Live_now, the question is_ will you?

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Titus Andronicus

2LP | 2022 | US | Original (Merge)

LP | 2024 | EU | Original (Ladlo)

Release: 2022 / US – Original

Genre: Rock & Indie

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Time Lurker

Emprise

25,99 €*

LP | 2022 | EU | Original (Southern Lord)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Time Lurker is a solo atmospheric black metal project, created by Mick in 2014. Inspired by the darkness of the human soul and introspective journeys deep into his own torments. Returning after 5 years' silence, Time Lurker are back in 2024 with a new album that has been built on doubt, self-questioning and suffering, but also on the strength of self-transcendence and determination. Joined in 2023 by SOTTE for all the vocals and lyrics. 1. Emprise2. Cavalière de feu3. Poussière mortifère4. Disparais, soleil5. Fils sacré

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Thurston Moore

Screen Time

King Of The Black Sunrise Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Screen Time is a series of instrumental guitar pieces recorded during the summer of 2020 as the world confronted the pandemic shutdown and as the people of good conscious stood up against the oppression of racist police oppression and murder. How much screen time does a parent allow a child? How much screen time does a child need to realise a world which has the means to coexist as a community in shared exchange? The cover image of Screen Time is of a youngster curled into a book, the pages vibratory with text radiating through the skin, blood and bone – an aspect entirely missing from digital media, though the actuality of transparency in our daily lives through streaming etc we can only hope leads to the awareness of fairness. Screen Time is in reflection to dream time, a state of meditation, hypnagogia and pillow talk.

Thurston Moore born 1958, moved to NYC 1976, started Sonic Youth 1980, edited the fanzines Killer, Sonic Death, and Ecstatic Peace Poetry Journal, started Ecstatic Peace records + tapes label, senior editor of Ecstatic Peace Library, and Flowers & Cream, edited books at Rizzoli and Abrams, on faculty at the Naropa University summer writing program since 2011, published through various imprints, worked collaboratively with Yoko Ono, Merce Cunningham, Cecil Taylor, Rhys Chatham, Lydia Lunch, John Zorn, Takehisa Kosugi and Glenn Branca, composed music for films by Olivier Assayas, Gus Van Sant, and Allison Anders, records and tours both solo, with various ensembles and with his own band, resides everywhere. Mastered by Lasse Marhaug for Southern Lord.

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Thunder And Roses

LP | 1969 | EU | Reissue (Out-Sider Music)

LP | 2023 | EU (Chainsaw Distro)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Led by explosive guitar player Chris (later Christa) Bond, Thunder and Roses was a power-trio from Philly in the best tradition of Cream or the Jimi Hendrix Experience. This is their sole album, originally released in 1969. A cult psychedelic hard-rock classic, including “White Lace and Strange”, famously covered by Nirvana. Thunder and Roses (named after a story from The Astounding Science Fiction Anthology) started to take form when genius 18-years old guitar player Chris Bond and bassist Tom Schaffer met heavy drummer George Emme (previously of The Electric Power House). Rehearsing six days a week the trio gelled quick and soon they were playing memorable shows at venues like Electric Factory and the Trauma. Recorded at Sigma Sound by Joe Tarcia, “King of the Black Sunrise” was released by United Artists in 1969. Dominated by Bond’s outstanding fuzz-wah guitar playing, the album featured seven original songs plus a storming cover of Hendrix’s “Red House”. Sadly, the record label took a wrong decision when refused to release the killer “White Lace and Strange” as a 45 to promote the album, choosing the mockery “Country Life” instead. After Thunder & Roses split, guitar player and main songwriter Chris Bond had a successful career as producer, songwriter, arranger and session musician, working closely with Daryl Hall & John Oates as well as other top artists. Later in his life, Chris eventually transitioned from male to female and changed her name to Christa. She sadly passed away in 2019.

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Thrashit

Chaos Of Fear

18,99 €*

LP | 2024 | UK | Original (Jump The Cut)

Release: 2023 / EU

Genre: Rock & Indie

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Second full length album by the Malaysian Evil Thrash Metal horde – Thrashit! Old school thrash metal at its finest! With a teutonic influence the band releases a killer album full of headbanging razor sharp riffs and great songwritting! Adding their own trademark sound this is an album not to miss! All hail the cult of evil!

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This Rebel

7" | 2001 | US | Original (Sedition)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Introducing This Rebel; a chemically-propelled, loose-lipped collective with Phil Etheridge (The Twang) and Jon 'Simmo' Simcox (Liam Gallagher, The Kills, FKA Twigs, Bring Me The Horizon) at the helm, inspired by a love of Murder Ballads and free noise.

Armed with a Space Echo, Eventide H910 and a story to tell they release their Self-titled album on Jump the Cut Records. A cinematic cocktail of soulful, blues- tinged indie rock.

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This Computer Kills

This Life Is Lived

5,99 €*

Release: 2001 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Happy Now Colored Vinyl Edition

Thick

LP | 2022 | EU | Original (Epitaph Europe)

Decade Black/Red Splatter Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Since first forming in 2014, New York trio THICK have triumphed at turning the harshest truths into wildly exhilarating punk songs. On their second album Happy Now, vocalist/guitarist Nikki Sisti, vocalist/bassist Kate Black, and vocalist/drummer Shari Page deliver their most complex and confessional work yet, exploring everything from self-sabotage and insecurity to victim-blaming and destructive relationships. Raw, irreverent, and brutally honest, Happy Now ultimately offers both joyful catharsis and much-needed instruction for living well in turbulent times. The follow-up to 5 Years Behind (a 2020 release praised by Under the Rader as a "dazzling debut album...laced with anger, humor, killer guitar riffs, and soaring punk melodies"), Happy Now finds THICK working again with producer Joel Hamilton (Iggy Pop, Juiceboxxx) and recording at Studio G Brooklyn. In a profound evolution of their previous work, the 11-track album encompasses sharper arrangements and stickier hooks and a more explosive energy-an effect often achieved through the sheer force of their three voices singing in unstoppable unison.

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They Fell From The Sky

LP | 2021 | EU | Original (Say Something)

LP | 2024 | EU | Original (Haha Fonogram)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Debet release from 'They Fell From The Sky'! They Fell From The Sky formed after Colin Doran (Hundred Reasons) and Jason Bowld (Bullet For My Valentine, Pitchshifter, Killing Joke) got together for Jason’s collaborative project ‘This Is Menace’. They then started writing with Dave Draper and completed the line up with Lee Erinmez (Snuff) and Oly Edkins. Once in the studio the band’s song writing flourished and the album ‘Decade’ began to take shape, blending the multitude of styles each member brought to the table. The songs started to flow and the sound honed to make the unique song writing juggernaut that is ‘They Fell From The Sky’!

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Then Comes Silence

Trickery