Search "julien+dyne+glimpse" 1627 Items

Release: 2024 / EU – Original

Genre: Rock & Indie

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Tape | 2024 | UK | Original (Doyenne Books)

Bios Contrast

Red River

15,99 €*

Release: 2024 / UK – Original

Genre: Rock & Indie

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Kolkata-based musician Nilotpal Das aka Bios Contrast's new album 'Red River', arrives as a narrative sequel to his 'Dragon Rising' LP on Hong Kong DIY label Mouhoi. The concept behind the record is a speculative historical drama and myth taking place during the deadly Kalinga War in the Mauryan Empire of India.

Following his intensive 24-hour harmonium drone compositions, Das's 'Red River' uses recordings of Bell 407, a civil utility helicopter as the main body of the record together with a 47-year-old harmonium, field recordings at Chandraketugarh, custom built woodwind prototype instruments together with guitar, violin & vocal improvisations.

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Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition

58,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”

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Why Don't You Smile Now: Lou Reed At Pickwick Records 1964 -1965 Red & Gold Vinyl Edition

57,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Light in the Attic, in cooperation with Laurie Anderson and the Lou Reed Archive, is thrilled to announce the forthcoming release of Why Don’t You Smile Now: Lou Reed at Pickwick Records 1964-65. Due out September 27th, the latest installment in LITA’s critically acclaimed Lou Reed Archive Series is a compilation of pop songs penned by Reed during his mid-60s stint as a staff songwriter for the long-defunct label Pickwick Records. The compilation follows on the heels of Lou Reed’s Hudson River Wind Meditations (2023) and Words & Music, May 1965 (2022).

One of the most original and innovative figures in music history, Reed (1942-2013) first gained recognition as co-founder and frontman of the massively influential Velvet Underground. Over the course of his five-decade career, the two-time Rock & Roll Hall of Famer brought his singular vision to an eclectic expanse of musical endeavors, including era-defining albums like 1972’s Transformer and wildly experimental works like the 1975 avant-garde noise classic Metal Machine Music. But before establishing himself as an enduringly iconic singer, songwriter, musician, and poet, Reed got his start as an in-house songwriter (and occasional session guitarist/vocalist) for Pickwick Records—a label specializing in sound-alike recordings that emulated the major pop hits of the day. Encompassing everything from garage-rock and girl-group pop to blue-eyed soul and teen-idol balladry, Reed’s output for Pickwick ultimately offers a fascinating early glimpse at his ever-evolving and truly limitless artistry.

The album has been restored and remastered by GRAMMY®-nominated mastering engineer John Baldwin. Both the 2xLP & CD editions feature in-depth booklets with unseen photos, liner notes by Richie Unterberger (renowned music journalist and author of such acclaimed titles as White Light/White Heat: The Velvet Underground day-by-day), and an essay by Lenny Kaye (the legendary guitarist, Patti Smith Group co-founder, writer, producer, and curator of seminal garage-rock anthology Nuggets). The double-LP package is designed by multi-GRAMMY®-winning artist Masaki Koike and pressed at world-renowned plant Optimal (Germany). A special color vinyl edition is pressed on “Oxblood” wax (a/b side) and “Gold” wax (c/d side). This release marks the first official anthology of Lou Reed’s work for Pickwick Records and features rarities, cult classics (The Primitives’ “The Ostrich”), & previously unreleased material (The Beachnuts’ “Sad, Lonely Orphan Boy”).

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Why Don't You Smile Now: Lou Reed At Pickwick Records 1964 -1965 Black Vinyl Edition

53,99 €*

LP | 2024 | EU | Original (Beast)

Release: 2024 / US – Original

Genre: Rock & Indie

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Dion Lunadon

Memory Burn

Release: 2024 / EU – Original

Genre: Rock & Indie

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Dion Lunadon (THE D4, A PLACE TO BURY STRANGERS...) is a musician who writes, performs and records his own rock 'n' roll records. Born in New Zealand and residing in New York City he has a 4 piece band who TCB live. Raw, real and off the chain! The art on the jacket of the record is unique, as both the front and back side serve as the front cover, or back cover. Confused?! Snag a copy and untwist your brain!

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Mystery Clear Vinyl Edition

Allen Stone

12" | 2024 | UK | Original (Ato (Uk))

22,99 €*

Release: 2024 / UK – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-15

Ultracopacetic (Copacetic Remixed And Expanded)

Velocity Girl

LP | 2024 | US | Original (Sub Pop)

32,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Cerulean Salt Indie Exclusive Purple In Wheel Vinyl Edition

Waxahatchee

Release: 2024 / US – Original

Genre: Rock & Indie

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Boo! The Early Recording 1971-73

Juliet Lawson

LP | 2024 | UK | Original (Soul Jazz)

31,99 €*

Greatest Hits Live Colored Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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Singer/Songwriter Juliet Lawson"s album, "Boo", was released on the Sovereign label in the UK in 1972. The album was the confident debut of a young British artist and featured twelve of Lawson"s own compositions.In the same wave of early 1970s English singer-songwriters such as Nick Drake, Vashti Bunyan, Christine McVie and despite being described at the time as "Britain"s answer to Joni Mitchell" "Boo" was to prove her only major label release with limited commercial success.Over the next 50 years the album"s reputation has slowly grown and is today an expensive and collectible item. "Boo" is presented here in its entirety.The first pressing of the vinyl edition of the album also come with a bonus 7-inch single featuring two early demo tracks.

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Steely Dan

LP | 2024 | UK | Original (Get Yer Vinyl Out)

Ten Modern American Work Songs Coke Bottle Clear Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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Casting a net over a recording career that spans over 20 years to capture the essence of the Becker/Fagen songwriting vortex is a hard task, but remains highly rewarding work for the compiler and joy for the listener. Thus, the two selected performances here from the ‘All American Tour’ of 1974 combine highlights from their first four albums with their signature classic Do It Again rounding off the 1972-74 timeline. Their return to the stage in 1993 was a hotly anticipated event and saw a broader line-up, bringing back classics from the 1975-1980 period of studio isolation. However, it was clear that the real stars of Steely Dan’s 1993 reunion tour weren’t simply Becker and Fagen alone, but the songs themselves, those gorgeously crafted pop confections; all sleek surface and clandestine passion. When music is this timeless, the word nostalgia doesn’t apply.Get Yer Vinyl Out celebrates the legacy of Steely Dan, live on stage with a selection of ten of their greatest hits beautifully restored and professionally remastered. Presented with background notes. Side 11 Pretzel Logic 5.22 *2 Bodhisattva 4.46 **3 Reelin’ In The Years 4.23 **4 Rikki Don’t Lose That Number 4.03 **5 Your Gold Teeth Jam 5.29 **6 Peg 4.21 ***Side 21 Do It Again 7.37 **2 Deacon Blues 7.40 ***3 Hey Nineteen 5.42 ***4 The Royal Scam / Bad Sneakers / Aja 7.37 **** University Of California, Irvine, CA, March 10th 1974 KSAN-FM** The Record Plant, Sausalito, CA, March 20th 1974 KMET-FM*** Riverport Amphitheater, Maryland Heights, MI, September 1st 1993 KLLT-FM

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St. Lenox

Untenable Icey Blue Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Andrew Choi doesn’t claim to have all of the answers when it comes to talking about work in America. But if anyone is uniquely well positioned to raise questions, it’s him. Over the course of two decades, the Midwest-born, New York-based singer-songwriter—who performs under the name St. Lenox—has been a musician, a clothing store employee, an underpaid graduate student and scholar, and a salaried corporate attorney. This tremendous amount of experience is channeled into Andrew’s latest album.

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Bad Moves

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Big Machine)

Jackson Dean

On The Back Of My Dreams

Release: 2024 / US – Original

Genre: Rock & Indie

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Jackson Dean - "On The Back Of My Dreams" / Jackson Dean's On The Back of My Dreams is a textured body of work, where each song was derived from a moment of imagination from Dean's mind, giving listeners a look into the depth of his artistry. Already one of Nashville's most intriguing artists with his strong gravel-tone vocals, wayward spirit, intentional songwriting and overall mystique, Dean embarks on an impressive new chapter, delivering an aspirational and captivating vocal performance that is striking with both swagger and intellect. 2 LP set on mystic smoke color vinyl.

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LP | 2024 | US | Original (Columbia)

Julien Doré

Imposteur Version Noire

54,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Columbia)

Julien Doré

Imposteur Version Rouge

54,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Columbia)

Julien Doré

Imposteur Version Doree

54,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | Original (Republic)

3 Doors Down

The Greatest Hits

28,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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(12) Treize Cigarettes Red Vinyl Edition

Mastica

LP | 2024 | UK | Original (Go Down)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Preorder shipping from 2024-10-31

Quiet Music For Young People -Red Vinyl-

Dana And Alden

LP | 2024 | EU | Original (Winspear)

Hall Of Mirrors Coke Bottle Green Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Red Vinyl.Brothers Dana and Alden McWayne, along with a troupe of multi-instrumental artists, come together to create jazzy melodies with indie sounds inspired by their unconventional upbringing in Eugene, Oregon. Dana (saxophone) is an organic farm inspector while Alden (drums) is a recent grad of Berklee College of Music.Their debut full-length album, Quiet Music for Young People, is a lush album that melds vintage sounds with the aesthetic and experience of existing in Gen Z and the digital age. Quiet Music For Young People also reminisces of the brother's childhood, summer days spent working at an apple orchard and jamming at jazz clubs on rainy Oregon nights.The experimental smooth jazz-infused album closer "Dragonfly" has been gaining traction on streaming due to trends across Instagram and TikTok. The band has recently toured across the US supporting Benny Sings and will be making their headline debut at NYC's Baby's All Right this winter.

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Acid Rooster

LP | 2024 | EU | Original (Tonzonen)

33,99 €*

Coyote, You're My Star Chocobanano Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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cokebottle-green vinyl, limited to...

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Dana And Alden

LP | 2024 | EU | Original (Winspear)

Slowly But Shirley Limited

Release: 2024 / EU – Original

Genre: Rock & Indie

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Chocobanano Vinyl.Brothers Dana and Alden McWayne, alongwith a troupe of multi-instrumental artists,come together to create jazzy melodies withindie sounds inspired by their unconventionalupbringing in Eugene, Oregon.Following the success of their debutfull-length album and it's lead track "Dragonfly"(which tracked 300,000 TikTok creations,and over 10 million streams) thebrothers recruited Jared Solomon (Sza,Remi Wolf, Teezo Touchdown) to producetheir sophomore LP, Coyote, You're MyStar.Melding vintage sounds with the aestheticand experience of existing in Gen Z and thedigital age, the new LP has already been metwith rousing approval, with airtime on theZane Lowe show on Apple as well as playlistcovers like Spotify's State of Jazz. The bandis also set to tour North America and Europeacross festivals and headline shows.

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Soul Asylum

LP | 2024 | EU | Original (Blue Elan)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Asmara)

Julie Kuhl

Clouds Of Grief

17,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Wild Classical Music Ensemble

Confined

LP | 2024 | EU | Original (Born Bad)

LP | 2024 | EU | Original (Winspear)

Release: 2024 / EU – Original

Genre: Rock & Indie

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The Wild Classical Music Ensemble is a Belgian experimental rock band formed in 2007 by artists with mental disability within the social-artistic non-profit organisation Wit.h in Kortrijk. Their unique sound is a blend of punk/rock riffs, fanatical rhythms and soaring flutes and fiery synths, over which gravitate multiple, multilingual voices that scratch harshly as much as they comfort. There's something very Belgian about this harshness and noisiness. We often think of compadre Arno, from the TC Matic era.During the Covid crisis, the disabled members of the Wild Classical Music Ensemble were undoubtedly subjected more than others to the harsh conditions of confinement, alone in their rooms. Damien Magnette was still able to visit them with sound equipment. This was one of their all-too-few windows onto the world. Forbidden to meet, let alone play together, the members of Wild were nevertheless able to compose songs in tandem with Damien. The tracks were then sent to musician friends - Fabrice Gilbert, Ava Carrère, Wim Opbrouck, Shht, Arthur Satàn, Nathan Roche and Julien ZLDR - who added their artistic touch. Jean Lamoot and Carl Roosens joined the adventure, one as mixer, the other as video director.It's a result of the conditions under which it was created, this is the band's most highly-produced album, and perhaps its most accessible: frankly rock, with a great deal of freedom in production, and sometimes with a certain pop allure. Jean Lamoot's contribution to the mix had a lot to do with it. In addition, the forced slowdown allowed us to devote much more time and attention to writing the lyrics.Leader Damien Magnette says: "For over a year, we were all confined. But what about when you're a mentally handicapped person? Well, it's very different from you and me... We have the right to choose, the luxury of deciding for ourselves what rules we want to follow or not. We have free will. They don't. This series of confined songs is dedicated to all the people who have gone through this...

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Dana And Alden

Coyote, You're My Star

Smithereens Red & Yellow Splatter Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Brothers Dana and Alden McWayne, alongwith a troupe of multi-instrumental artists,come together to create jazzy melodies withindie sounds inspired by their unconventionalupbringing in Eugene, Oregon.Following the success of their debutfull-length album and it's lead track "Dragonfly"(which tracked 300,000 TikTok creations,and over 10 million streams) thebrothers recruited Jared Solomon (Sza,Remi Wolf, Teezo Touchdown) to producetheir sophomore LP, Coyote, You're MyStar.Melding vintage sounds with the aestheticand experience of existing in Gen Z and thedigital age, the new LP has already been metwith rousing approval, with airtime on theZane Lowe show on Apple as well as playlistcovers like Spotify's State of Jazz. The bandis also set to tour North America and Europeacross festivals and headline shows.

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Dan Reeder

LP | 2024 | EU | Original (Oh Boy)

Danny & The Champions Of The World

Release: 2024 / EU – Original

Genre: Rock & Indie

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Red & Yellow Splatter Vinyl.Dan Reeder is a multi-faceted artist, recently championed byboygenius. He is Oh Boy Records longest signed artist, andwas personally signed by the legendary John Prine himself.Reeder is releasing a collection of songs titled,Smithereens, aneclectic mix of songs, many recorded and played on gear hebuilt. A true DIY maestro, Dan seamlessly assumes the roles ofproducer, mixer, mastering engineer, and visual artist,imbuing every facet of his artistry with his distinct touch. Hismusical stylings often draw comparisons to the likes of BlazeFoley, Bon Iver, Sufjan Stevens, and Ween.

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You Are Not A Stranger Here Clearvinyl Edition

LP | 2024 | EU | Original (Loose Music)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Even The Forest Hums: Ukrainian Sonic Archives 1971-1996

55,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Brown Acid - The Nineteenth Trip Black Vinyl Edition

LP | 2024 | US | Original (Riding Easy)

Brown Acid - The Nineteenth Trip Colored Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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There is NO Light at the end of this tunnel! Brown Acid: The Nineteenth Trip fires ten more savage nails deep into the coffin of ‘60s psychedelic idealism. This series is THE premier top dog journey into the rarest and most wasted early local eruptions of heavy rock, unleashed at a time when harsh reality, human nature and disillusionment drove prevailing underground rock glimpses of a ‘better’ world into ever darker selfabsorbed comedowns. Mind expanding ’60s love energies transform into toxic aggression right before your ears! The great thing is that these moves are totally justified, ‘we are all one’ is cosmically good in theory but ‘get it while you can’ ends up perhaps better advice in the light of human history. Both of those angles of awareness can coexist, some of these bands deliver unrelenting sideways positive energy but they aren’t over-thinking it, they are youthfully driven by hunger for life and satisfying the undeniable urges their DNA thrusts upon them. Sonically, the results in the Brown Acid series never fail to breathe hot and heavy, the guitars kill it every time, the variety of approaches these tracks take keep the scenery shifting into new places. The key element that makes this stuff so potent is that They (the bands) are in control. Captured genuinely with no compromise, right out of the gate. No doubt they had ambition with high hopes for the future when they laid down these primal efforts, the fact that they captured their energy so vividly at a moment in time when the only direction imaginable was UP creates a hard hitting life affirming subtext to the proceedings. That is the core energy of blues and rock and roll, dealing with the struggles of existence by flipping a gigantic ‘what the fuck’ high energy bird right in the face of the moronic defective reality these bands were born into. If you take this stuff too ‘seriously’ you are utterly missing the point, it is beyond analysis, it is life itself! No amount of thinking will get you there quicker! Brown Acid: The Nineteenth Trip is scary... the bottomless pit of deranged vintage heavy rock the series presents continually expands over time... one deadly dose too many and you might be trapped in the bad trip loop forever... enjoy it or lose your mind!

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V.A

LP | 2024 | US | Original (Riding Easy)

Pyramid - 45 RPM Audiophile Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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The Alan Parsons Project

2LP | 2024 | UK | Original (Cooking Vinyl)

46,99 €*

We Are All Animals Colored Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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2LP 180gm 45 RPM audiophile edition, printed insert, polylined inners, gatefold sleeve, numbered Obi strip.The Alan Parsons Project "Pyramid" is re-issued in a variety of different formats including this 2LP heavyweight, 45 RPM Audiophile edition. The first pressing comes with a numbered Obi-strip. This edition was expertly cut by Miles Showell at Abbey Road Studios, October 2023 on a customised Neumann VMS 80 lathe at half speed using high-resolution archive transfers taken from the original 1978 mastertapes.As with other The Alan Parsons Project albums, the focus was on very high-quality studio sound production, and they recorded the album at Abbey Road Studios in London. There were a variety of different lead vocalists employed including John Miles, Colin Blunstone, Lenny Zakatek, David Paton, Jack Harris and Dean Ford. Plus, a selection of session musicians such as guitarist Ian Bairnson and drummer Stuart Elliot with arrangements by Andrew Powell.

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Animaux Formidables

LP | 2024 | EU | Original (Go Down)

Pet Products Orchid Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Here's the debut album of Animaux Formidables, a sensual and explosive masked power duo formed in early 2022. We are talking about two characters with animal-like features, fed so far on glam, blues, and rock ‘n roll. They express themselves with a garage-fuzz-noise sound at an extremely fiery level, both on record and on stage, the band’s natural habitat.

Say the artists on the genesis of the album: “Our producer Marco Fasolo, who first listened to some of our stuff recorded with a smartphone in the rehearsal room, encouraged us to reproduce the live sound on the record. So we did a single live take for each song, recording in two rooms divided by glass to avoid feedback. No overdubbing or post-production processing was done. In this way what you hear is the essence of who we are, how we compose and perform our music, with all our deep passion and expressive urgency”.

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Pet Products

LP | 2024 | US | Original (Kill Rock Stars)

28,99 €*

Once Upon A Time In The Desert

Release: 2024 / US – Original

Genre: Rock & Indie

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the Reagan era was just getting started and Pet Products came crashing through as the first Olympia punk band made up of all local kids. Now the band's lo-fi frenetic energy and glimpses of pop brilliance are available on vinyl for the first time. 16 tracks providing the perfect snapshot of Olympia's emerging punk scene and its pioneers who went on to other great Olympia bands (Lush, Young Pioneers) and Sub Pop bands (Swallow, Creep). Found somewhere in that mixtape playlist between Dead Boys and The Damned providing all the rebellion power and snarl to feed any and all teenage frustrations.

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Brant Bjork

LP | 2024 | US | Original (Duna)

Release: 2024 / US – Original

Genre: Rock & Indie

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Pre Apocalypse Motorcycle Music EP

Pet Mosquito

7" | 2024 | US | Original (Slovenly)

11,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Slovenly Recordings presents Carbondale’s creepiest blood suckers PET Mosquito and their “Pre Apocalypse Motorcycle Music” EP, recorded to four track at the “historical” Lost Cross house. Pet Mosquito’s blistering take on Midwestern garage punk draws inspiration from the sounds of a chopped exhaust pipe ripping your eardrums apart whilst you drink a warm beer on the 4th of July. These four songs take the existential anxiety of our pre-apocalyptic world and transmute it into furiously danceable bops that include songs about a femme fatale who sleeps with the Zodiac Killer, secret government projects, and more nonsensical non-nonsense. You’ll be ready to take on any CIA agent, alien, or zombie biker that comes your way. It’s fast, it’s fun, it’s Pre Apocalypse Motorcycle Music!

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The Hawaiian Broadcast: Live At Honolulu International Centre Arena 1970

Janis Joplin

LP | 2024 | EU (Mind Control)

16,99 €*

Antics 20th Anniversary Red Vinyl Edition

Release: 2024 / EU

Genre: Rock & Indie

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Janis Joplin's live performance at the Honolulu International Centre Arena on July 6th, 1970, was electrifying, with her raw, soulful voice commanding the stage. This show, one of her last, highlighted her unmatched energy and emotional intensity, leaving a lasting impression on the audience.

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Interpol

LP | 2024 | EU | Original (Matador)

LP | 2024 | JP | Original (P-Vine)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Released in 2004, Antics cemented Interpol"s position as one of the most influential bands of their generation. The album"s dark, atmospheric soundscapes and frontman Paul Banks" signature vocals spawned iconic tracks such as "Slow Hands," "Evil," and "C"mere" and Antics continues to resonate with fans worldwide, solidifying its place as a modern classic.Formed in New York City, Interpol quickly rose to prominence with their unique blend of post-punk, shoegaze, and dark wave influences. Their debut album, Turn on the Bright Lights, became a critical and commercial success, establishing the band as a major force in alternative music. Over the course of their career, Interpol have released seven critically acclaimed studio albums including The Other Side of Make-Believe in July 2022.

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Dane Donohue

L.A. Rainbow

CD | 2024 | EU | Original (Pure Noise)

Release: 2024 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Preorder shipping from 2025-02-14

The biggest event in the AOR scene in recent years! Singer-Songwriter Dane Donohue, who released his only album in 1978, has released a miraculous new album after 46 years! John Nixon from Page 99, the producer of the album, said "I wanted to make an album that was a direct link to his debut album 46 years ago.". As he said, Dane's voice is as elongated as it was then, as if he had just woken up from a 46-year cold sleep. This is an album that will go down in history as one that all AOR fans should listen to.

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Less Than Jake

Uncharted

13,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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CD | 2024 | EU | Original (Parlophone Label Group)

Tina Turner

Rough

20,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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CD | 2024 | EU | Original (Parlophone Label Group)

Tina Turner

Acid Queen

20,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Tina Turns The Country On!

Tina Turner

CD | 2024 | EU | Original (Parlophone Label Group)

20,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Gillian Welch & David Rawlings

Woodland

CD | 2024 | EU | Original (ADA)

17,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Panacea)

Morgan Wallen

Stand Alone

41,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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2LP | 2024 | US | Original (Vin Du Select Qualit)

Alan Licht

Havens

42,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Phameless)

Jaelyn

Star Of Freyied

Release: 2024 / US – Original

Genre: Rock & Indie

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Dean Wareham / Britta Phillips / Sonic Boom

A Peace Of Us Emerald Vinyl Edition

LP | 2024 | US | Original (Carpark)

Gorilla Warfare Yellow / Red Merge Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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In a season where we all seek comfort, tradition, and a return to a home of sorts, a trio composed of indie music"s foundational members have gifted us A Peace of Us-an album of diverse holiday tunes filtered through their musical imaginations. Dean & Britta, well-known from their work defining a genre with Galaxie 500 and Luna, join Spacemen 3"s Sonic Boom, another bastion of indie"s collective adolescence, to bring to life a collection that draws from early "60s pop, garage, country, James Bond soundtracks, Christmas carols, and electronica. Dean Wareham recalls a sentiment from his DJ friend Chris: "You can experience all the emotions of Christmas through music: love and hate, joy and heartache, nostalgia, regret, anticipation, and frustration."

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Powerflo

LP | 2024 | CA | Original (Dine Alone)

37,99 €*

Release: 2024 / CA – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Sony Music Nashville)

Brooks & Dunn

Reboot II

45,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | Original (Rhino)

Don Henley

I Can't Stand Still

31,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Alien Transistor)

o'summer vacation

Electronic Eye

Dan Tyminski: Live From The Ryman

Release: 2024 / EU – Original

Genre: Rock & Indie

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Readers of encyclopedic tomes are obviously familiar with exploding animals – there are numerous reports of torn-apart toads (even in Hamburg, Germany!), actual ants exploding altruistically – but humans that decide to jointly detonate, and with no harm done, that’s rare: Kobe’s own o'summer vacation are unique (and volatile) like that, and they’re back to light the fuse for the second time, presenting 13 more musical quarter sticks that have already blown up venues in Europe and Japan.

“Keep it lean, keep it mean,” they say, and that’s what this band loves to take to the extreme: breakneck concision and collective combustion meet freeform noise punk hazards on o'summer vacation's second (not quite) full-length – as the Kobe-based three-piece’s “Electronic Eye” is set to arrive on October 11, 2024. Following a bunch of trips to Berlin, Munich etc., the Japanese fire starters have found a new home with Alien Transistor, and it’s the perfect launch pad for their latest set of guitarless pyrotechnics. Going right for max q (maximum dynamic pressure), “Electronic Eye” is (unlike those Starships) actually supposed to explode right after lift-off ;)

Even though there have been some line-up changes since the group recorded its sophomore album, the energy caught by producer Shinji Masuko (dmbq, Boredoms) is still unmatched: a very physical and hard-knocking barrage of mosh-inducing madness that leaves you speechless + inevitably twitching towards the pit. Mastering was done by Masaki Oshima aka Watchman (Melt-Banana).

Opening with sizzling hi-hats and heavy ripples of breathless bass, singer Ami presents a non-sequitur kind of lullaby over the math rock-style interlocutions of “宿痾 (Shuku - A)” – which at 6+ minutes makes up more than a quarter of the album. A shapeshifting frenzy of voice (Ami), unbridled, pedal-powered bassline insanity (Mikkki, formerly Mikiiiii), and hot-blooded drums (Manu, meanwhile replaced by Karry), the album features mosh-inducing blows (previously released “Luna,” “Anti Christ 大体 Super Star”), 30-sec mini noise punk anthems (“竦(shou)”, “Days Go By Fast”), and continues to surf at breakneck pace up and down scales (“@ The”), which often feels like catharsis served with a hammer (“Ultra”). Whereas some tracks are bigger more song-y than others (“Song#2,” that full-throttle “Poodle”), “Vs I” is on time like Tierra Whack (exactly 60 seconds of pick-grinding action), and “Rage” indeed feels like Zack is about to join the party – only to see Ami wipe the floor with pure onomatopoetic fire. Finally, “Aloooooone” and “Humming” (that opening lilt!) are sure going to be live favorites, shifting up and down via hardcore speeds and various break-downs.

Quite hotheaded and terminating things on a high note, o'summer vacation point out that the quick-fire lyrics of their “songs have no meaning. It’s called onomatopoeia in English. Ami, our vocalist, does not like to communicate her thoughts through her music.” Although she considers her contribution “a part of the instrumentation,” they still have strong messages and concerns (unrest, discontent, willingness to shake, wake up, enliven anyone near the audible bomb crater): “That doesn’t mean we don’t have a point of view, but we choose to express ourselves through sound rather than words. Generally, but not exclusively, we are anti-racism, anti-war, gender-free, angry at the companies we work for and their bosses, etc., which are very common sentiments held by so-called rock bands.”

It’s only three ingredients, just like sonic gunpowder: bass, drums, voice – but they tend to explode a few bars into each new track. In a perfect world, there’d be giant colorful clouds of dust gracing the sky over each venue they descend upon.

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Dan Tyminski

LP | 2024 | US | Original (8 Track Entertainment)

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Grapefruit)

Simon Joyner

Coyote Butterfly

LP | 2024 | EU | Original (Pure Noise)

Release: 2024 / US – Original

Genre: Rock & Indie

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Coyote Butterfly is the first album of new songs in two years from singer-songwriter, Simon Joyner, following the overdose death of his son, Owen, in August of 2022. Drawing on the kaleidoscopic nature of grief, Joyner explores his loss through a series of imagined dialogues and raw confessions. The album is a tribute to Owen, but what Joyner generously delivers is an intimate glimpse at his attempt to comprehend the incomprehensible.

The album is bookended by field recordings overlaid with minimalist guitar laments. The first, a spring thrum of sparrows and red-winged blackbirds, functions as an invitation to the elegies which follow, while the last, the late-August drone of cicadas returns us to a life of sweat on the skin, sirens in the distance, and the things we cannot change but must somehow accept. In between these instrumentals, Joyner grapples with regret and fear, shame and love. From the opening song, “I’m Taking You With Me” to the gut-wrenching remorse of “My Lament,” Joyner lays bare the struggles of those left in the wake of personal devastation. On the title track, we hear Joyner perform an elemental incantation, a heartbroken ode infused with forgiveness. The final song of the album, “There Will be a Time,” is a meditation on a future where such suffering, both personal and universal, might be softened by understanding.

The musicians playing alongside Simon on Coyote Butterfly are among his closest friends; David Nance, James Schroeder, Kevin Donahue, Ben Brodin, and Michael Krassner. It’s thanks to their sensitive arrangements and loving support that the songs on Coyote Butterfly could be performed and documented.

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Less Than Jake

Uncharted

Release: 2024 / EU – Original

Genre: Rock & Indie

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I Häxa (Part I, II, III & IV)

I Häxa

LP | 2024 | EU | Original (Pelagic)

33,99 €*

LP | 2024 | US | Original (Chunklet)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Mysterious, multifaceted collective i Häxa have unveiled their epic self-titled, full length debut; a ground-breaking conceptual double album shaped by a collision of ancient gods and bleeding-edge technology_Released as four distinct Parts over the course of the year, `i Häxa' now comes together as a singular vision that weaves together genre-defiant soundscapes, abstract cinema and ancient meteorological mythologies from singer-songwriter and visual artist Rebecca Need-Menear (also of electronic alt-rock duo Anavae) and forward-thinking producer Peter Miles (Architects, Dodie, Fizz). i Häxa is a ritualistic dissection of the world as we know it, a forceful separation of the monotony of modernity from the rites and rituals that for centuries formed the foundations for who we are, how we came to be and where we claim to belong. Disjointed fragments of time collide. Two sides, one of logic and one of chaos, seeking unity and balance through an expression of freedom. This is i Häxa. Whilst the album is composed of four distinct movements, each consisting of four distinct tracks themselves; pulling them apart into easily digestible, standalone singles isn't an easy feat and, as is now clear from the project's sprawling cyclic nature, was never the intention. In an age of fast fun and instant gratification, the ties that bind these works together are intended to transcend tracklisting. With aural, visual and lyrical themes freely intertwining, i Häxa is something to be consumed whole; just as it will, in time, consume you. Charting an existential journey to the very depths of what makes us who we are, with every dark corner illuminated in glitched out, discordant glory; i Häxa is a project years in the making that draws simultaneously from rituals for old gods and the modern day deification of data. i Häxa is both heartwarming and horrifying; i Häxa is ancient history and hyper-real; i Häxa is everybody and no one at all.Check out if you like Radiohead, Julie Christmas, Agnes Obel, Bjork,...

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Limbo District

Carnival

49,99 €*

LP | 2024 | Original (Not Now Vinyl)

Release: 2024 / US – Original

Genre: Rock & Indie

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In August 1982, Limbo District—percussionist Jerry Ayers, vocalist Craig Woodall, bass player Davey Stevenson, Farfisa player and vocalist Dominique Amet, and guitarist Tim Lacy—traveled from Athens, GA to Winston-Salem, NC to record at Mitch Easter’s Drive-In Studio. The session took place just two months after fellow Athens band R.E.M. had gone there to record their debut Chronic Town EP.

With Easter, Limbo District recorded a five-song set of bewitching rhythms and guttural poetry, chants, and howls that culminated in a Dionysian, avant-garde pulse.

These songs later accompanied photographer Marlys Cox’s images brought to life in Jim Herbert’s experimental film, “Carnival.” Aside from the few seconds of “Carnival” that appeared in Tony Gayton’s documentary “Athens, GA: Inside/Out,” Limbo District has remained unheard by anyone who wasn’t there to witness the band's powerful blend of music and performance art as it happened.

Carnival offers a glimpse behind the curtain, revealing a contemporary of the B-52’s, Pylon, R.E.M., the Method Actors, Love Tractor, and more, and presents a thread to unravel a perfect mystery.

Limbo District’s significance is matched only by its obscurity, and the complete Mitch Easter session has remained unreleased until now.

"When I moved to Georgia in 1991, the only Athens band I was looking for was Limbo District. For decades, I remained empty handed. And now, the crown jewel of the Limbo story is unearthed: Carnival. Chunklet is proud to have excavated this apparition and it is now time to celebrate the band's delirious, cryptic and in-the-moment existence. Behold: Limbo District!"—Henry Owings, Chunklet Industries

“It was exactly the kind of thing that I wanted to be doing. … Limbo District stood tall as being absolutely their own thing, and not remotely concerned with commercial music at all. Still, the songs were catchy.”—Mitch Easter (original producer, owner of Drive-In Studio, Let’s Active)

“Everything about Limbo District is kind of a surprise. Their music is its own category. What struck me was the uniqueness of it. In a college town music scene, there are so many creative young people who tend to wear their influences on their sleeve. Limbo District's music is not easily pegged.”—David Barbe (2023 producer, Chase Park owner, Mercyland)

“Michael Stipe championed Limbo District because he connected with Jerry. They were such close friends back in those early days. He helped Michael see a vision for himself that he would not have seen on his own, and things wouldn't have been the same for R.E.M.”—Lady Clare Butler, The Now Explosion

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Duane Eddy

The Very Best Of

18,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Deep In The Blue Milky Clear Vinyl Edition

Tiny Moving Parts

LP | 2024 | US | Original (Many Hats)

36,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Aporia)

Julian Taylor

Pathways

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-22

LP | 2024 | US | Original (Punkerton)

Danny Attack

Kiss You In Hell

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-08

LP | 2024 | US | Original (Universal)

Dean Lewis

Place We Knew

52,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Meltdown (White/Yellow Split Vinyl)

Twin Atlantic

LP | 2024 | Original (Staple Diet)

35,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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2LP | 2024 | DE | Original (Conquest)

Paul Dianno

Book Of The Beast

44,99 €*

Release: 2024 / DE – Original

Genre: Rock & Indie

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2LP | 2024 | DE | Original (Conquest)

Paul Dianno

Book Of The Beast

44,99 €*

Release: 2024 / DE – Original

Genre: Rock & Indie

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2LP | 2024 | DE | Original (Conquest)

Paul Dianno

Book Of The Beast

44,99 €*

Release: 2024 / DE – Original

Genre: Rock & Indie

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Insight Limited White Vinyl

Mayflower Madame

LP | 2024 | UK | Original (Up In Her Room)

The Longest Night Orange / Blue Effect Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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Norwegian post punk duo Mayflower Madame return with their 3rd Studio album and we are delighted to welcome them to the Up In Her Room Family!

Norwegian band Mayflower Madame is set to release their highly anticipated third LP Insighton 1st November 2024. The lead singles, "A Foretold Ecstasy" and "Paint It All in Blue," have garnered widespread acclaim and extensive radio support, including airtime on BBC 6 Music. These tracks offer just a glimpse of what the album delivers—an expansive canvas of pulsating post-punk, shimmering shoegaze, and atmospheric psych-noir, masterfully blended with delicate sonic nuances.

Mixed and mastered by Maurizio Baggio (known for his work with The Soft Moon, Boy Harsher, and The Vacant Lots),Insightshowcases the band refining their sound into a sharper and more expansive sonic landscape than ever before. This album sees them exploring greater depths and heights, delivering a hypnotic journey through the shadows, filled with haunting melodies and dreamy melancholia. At the same time, it remains catchy and dynamic, with moments of vibrant brightness.

Insightis dedicated to frontman Trond Fagernes' stillborn daughter and is bookended by two songs—"Ocean of Bitterness" and "Insightfor the Mourning Hours"—that directly address this profound sorrow. Between these somber pieces, the album delves into a wide range of emotions, from nostalgic reflections on lost loves to feverish depictions of escapism and catharsis.

Over the past years, Mayflower Madame have gained a reputation far beyond their hometown of Oslo, Norway. They made their debut with the album ‘Observed in a Dream’ in 2016, which created a buzz in the indie music press and earned them tours across Europe and North America, while 2020s long-awaited sequel ‘Prepared for a Nightmare’ firmly established their position as one of the continent’s leading purveyors of cinematic shoegaze psychedelia swathed in 1980s post-punk and dark romanticism.

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Abstract Crimewave

LP | 2024 | US | Original (Chimb Limbs)

The 1996 Dep Sessions 2024 Remaster Translucent Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Abstract Crimewave (fka Smile) is a duo comprising of Björn Yttling (Peter Bjorn and John) and Joakim Åhlund (Les Big Byrd, Caesars, Teddybears). The Longest Night, which features guest appearances by Chrissie Hynde, Lykke Li and Dungen, is the sound of Åhlund and Yttling paying tribute to the many different styles of music they love. It's an infectiously sunny journey into the wonderfully weird world.

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Tony Iommi

LP | 2024 | EU | Original (BMG Rights Management)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Richard, Dawn & Zahn, Spencer

Quiet In A World Full Of Noise

LP | 2024 | US | Original (Merge)

Death Colored Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Dawn Richard and Spencer Zahn share a common collaborative ethos, a genuinesense of musical curiosity, and a cosmopolitan eagerness to escape the conventionsof genre. That shared vision first brought them together on 2022's Pigments_icy andwarm, stripped-down and grand, familiar and otherworldly_and now it has reunitedthem for Quiet in a World Full of Noise.By turns intimate, soul-baring, spectral, and startling, Quiet in a World Full of Noiseblends atmospheric and orchestral soundscapes with mellifluous soul, jazz, andjournalistic vocalizing_driving it all home with stark, confessional lyricism. Thenew album finds Richard at her most raw and exposed. This year, Richard's musicianfather experienced mini strokes while being diagnosed with cancer; and last year,her cousin Cisco was fatally shot seven times in New Orleans. Richard channels theemotional impact of these traumatic experiences of loss into her lyrics and vocalperformances, which are left bare and human here, raw and unprocessed across thealbum. Quiet expands the definitions of what constitutes progressive, avant-gardeR&B by rewriting them altogether.On paper, Richard and Zahn's audacious, impressionistic musical collaborations feellike a surprising match. Richard, a New Orleans-reared visionary, has had an improbablejourney from late 2000s reality television and mainstream pop with girl groupDanity Kane to become one of the most prolific, experimental, and visible indieR&B singer-songwriters of the last decade and a half, with seven solo albums underher belt. Zahn is an East Coast-raised multi-instrumentalist and composer workingat the intersections of jazz, Americana, classical, and ambient pop. His growing solodiscography includes People of the Dawn, Sunday Painter, Pale Horizon, and Statues I & II,as well as the duo's first release, Pigments. "Pigments was one of the best projects I'veever made," Richard says, "and the furthest I've ever been pushed as an artist." Thealbum was a critical hit, haile...

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Gods & Punks

LP | 2024 | EU | Original (Electric Valley)

32,99 €*

Death Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Formed in the tropical city of Rio de Janeiro in 2013, Gods & Punks emerged as a beacon of sonic exploration, blending the heavy riffage of Black Sabbath with the intricate melodies of Rush. Founded by brothers Alexandre and Pedro Canhetti, their journey began with a shared passion for the cosmic resonance of stoner rock. Inspired by a Monster Magnet song, the band's name became a testament to their love of psychedelic music. Gods & Punks, the boundary-pushing Brazilian stoner outfit, is set to unveil their latest sonic opus, "Death," on July 26th, 2024. Released digitally and on vinyl through Electric Valley Records, this album promises to be a cathartic journey through frontman Alexandre’s harrowing near-death experience in 2021. Recorded across continents between Santos and Rio de Janeiro, Brazil, and Paris, France, "Death" is a testament to the band's resilience and artistic evolution. "Death" tells a narrative woven through seven tracks, spanning 40 minutes of intense musical exploration.

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Gods & Punks

LP | 2024 | EU | Original (Electric Valley)

Strike Gold, Strike Back, Strike Out

Release: 2024 / EU – Original

Genre: Rock & Indie

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Thine Retail Simps

LP | 2024 | US | Original (Total Punk)

All The Days Opaque White Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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The long playing record splayed out in front of you is the third strike of the Retail Simps’ iron claw. In baseball a strike out is a loathsome outcome, in bowling it’s gold. I ask you, dear listener to sift through these delicate poles of meaning and experience these 16 toons free from the qualitative chains that burden your ear in favour of the openness and exploratory liberation of a child. This one landed the Simps in W.B.A. (world builders anonymous) after total and utter detachment from reality ensued. After copious amounts of blind encouragement from their label boss and his peers (all victims of half-Zheimers) and trace amounts of measurable success (money? no sir), the groups’ egos were operating at a loss, or at least a state of confusion. Faced with the pitfalls of modern drudgery and the music industry’s impending and unrelenting judgement, their perseverance was yet again tested. Through the magical transportive inspiration of rock n roll, our unequivocally handsome protagonists found salvation thrice. R n B stimulation, ponk agitation and slop rock demonstration saved them from themselves, from the downcast stares of detractors, from the cruelness of the everyday. Art as therapy for the clinically insane. A functional state of illness is the bottom line of this cultural achievement. Herein, the band exercises the democratic tools they learnt in their formative years as craftsmen and apply them broadly to a new swath of material. The crucial pin prick guitar, exasperated (ing) vocal maelstrom and beatific pounding of the previous 2 slabs carry over, but new strategies in expounding are implicated for varied and freewheeling results. The spotlight has been flayed, with every simp performing dutifully on the microphone, every simp sitting behind the drumthrone, every simp penning refrains, every simp trading high end for low and visa versa. They have triggered an uncanny singularity. If you have followed the band up to this point, or even happened upon them begrudgingly, with the raw and open ear these savants require, this will truly be Your version of the band. With their service weapons cocked, Total Punk brings you, Thine Retail SIMPS!" —someone who cares

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The Devlins

LP | 2024 | EU | Original (Blue Elan)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Carbon)

Bitter Wish

Candele Finger

39,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Formed in Philadelphia during the Covid days of fall 2021, Bitter Wish is a psychedelic power trio comprising guitarist John Comune, bassist Clint Takeda (Bardo Pond/Double Wig) and percussionist Scott Verrastro (Kohoutek/ Heavy Lidders). While the band doesn't stray far from its Bardo Pond and Kohoutek roots, they incorporate more repetition and minimalism into their fuzzy vibe. Freeform psych—the children of Fire Music parents secretly raised on Sabbath... Candle Finger, Bitter Wish’s debut full-length, is comprised of two side-long jammers. Both sides are untitled, with side A starting out with nearly 10 minutes of psychedelic bass swells, light percussion, and soloing guitar, guiding the listener down the tunnel, just in time for the proverbial freight-train heading their way. It eventually builds into a faster-than-mid tempo scorcher, with heavily phaser-drenched bass, steady drumming with just the right number of fills, and that soloing guitar, still leading the listener on through to the other side of the mountain pass, before chilling things out before its time to flip the record. On the other hand, side B puts it right out there. Right off the bat, this is a thick, heavy, and plodding slab of awesomeness. Destroying everything in its path, before taking a slight breath for a bit, and then cranking up the speed to a manic frenzy. The last 5 or so minutes are spent winding things down, encouraging the listener to flip the record and start things all over again. Recorded live at Main Drag Music in Brooklyn NY, in July 2023. Mastered by James Plotkin. Edition of 284 copies.

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Woodstock 99 Blue Vinyl Edtion

LP | 2024 | EU | Original (Woodstock)

Turns The Colour Of Bad Shit

Release: 2024 / EU – Original

Genre: Rock & Indie

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Peace, love and rage. Woodstock '99 took place in Rome, New York, from July 22 to July 25, 1999, and went down as one of the craziest events in recent music history. The festival was marred by difficult environmental conditions, overpriced food and water, poor sanitation, sexual harassment, rioting, looting, vandalism, arson, violence, leading to media attention and controversy that vastly overshadowed coverage of the musical performances. In honor of its 25-year anniversary, let's listen to some of the incendiary tracks of the time, namely those of Korn, The Offspring, Kid Rock, Limp Bizkit, Metallica, Rage Against The Machine, Creed, Sevendust, Godsmack and Megadeth.

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Alien Nosejob

LP | 2024 | US | Original (Total Punk)

LP | 2024 | US | Original (Signature Sounds)

Release: 2024 / US – Original

Genre: Rock & Indie

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Only 10 measly months has passed sinceAlien Nosejob released their Garage Rock record “The Derivative Sounds of…Or… A Dog Always Returns to its Vomit” (Goner / Anti Fade). Since its release, there’s been two international tours, two interstate tours and a bunch of chillaxing on the beach. ANJ is now back in the office and the next record is fast approaching.

“Turns the Colour of Bad Shit” will be Jake Robertson’s seventh solo record under the extremely vast and evolving umbrella that is Alien Nosejob. On September 20 Anti Fade Records (au), Total Punk (us) & DrunkenSailor (uk) join forces to split the shit pie into three different shades ofBad Shit and feed the 5000 hungry fans across the globe.

Taking musical inspiration from the late 70’s punk sounds of J.T. IV, Elton Motello, X-Ray Spex, ‘Bad Shit' came to life in April 2023 when Jake occupied friends’ Mikey and Raven’s home studio for a weekend and took to the controls on his own.

The album opens with the gut-wrenching terror that is 'Bird Strike’. A song made up of a hypnotic riff, haunting saxophone line (courtesy of Alannah Sawyer) and grotesque lyrical imagery that parallels Revee Bendixen's mutilated album artwork. 'Trapped in Time' lightens the mood with an upbeat tempo and words that poke fun at those stuck living in the past, while 'Annoying Riffs' points the finger at almost all of society (including himself). Jake reminds us that he can most certainly play a guitar solo (In case anyone forgot the Stained Glass record) on 'The Ostrich’ before the blistering 24 minutes wraps up with ‘Medical Treatment’; a 3 minute, minor chord Birdman worship. This record has a little something for everybody.

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Eilen Jewell

Butcher Holler

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-15

Will Sergeant / Paul Simpson

Split Transparent Vinyl Edition

7" | 2024 | UK | Original (Feral Child)

12,99 €*

Only The Void Stands Between Us

Release: 2024 / UK – Original

Genre: Rock & Indie

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Next up on Feral Child sees a reissue of a 45 that initially came and went in a day, last July. A beautiful pair of instrumental gems from two of label head Dom’s musical heroes; Will Sergeant and Paul Simpson. Released as a limited 7” clear vinyl repressing. Wills' “Toy Piano Mantra” is a beautifully meandering, slow building, multi layered piece- more melodic than some of his previous more experimental solo work; of its back story and creation, Will says: “I’m not really one for acoustic guitars, I have played them on Eatb records, but the electric guitar is my weapon of choice. So I set myself a little task -for no other reason than it being a bit of fun- and thought “Why don’t I make a collection of acoustic tunes, purely to see if I could?”. All my acoustic guitars are very cheap, which never stopped me using them. I had bought a Chinese pedal harmonium in London in the ’80s, and scrounged the use of a good ukelele, my Auto Harp was an obvious component, then I remembered the toy piano I had bought in a pop-up flea market in a vacant New York lot, back when New York still had vacant lots. Deliberately deciding against having any tunes ready, everything was set up and with the help of Andrea my engineer and pro tools wizard, we kept the good bits and expanded with these instruments until I felt it was finished. It was all off the top of my head and my fingers created music like some automatic drawing that Austin Osman Spare might have conjured up on one dark and ritualistic night. I added the toy piano and christened it “The Toy Piano Mantra”. Paul’s side features the previously unreleased “Ghosts of the Karelia Forest” recorded in 2006, a beautifully simple piano piece which again slowly builds, and distorts with added moog and so on. Paul says of the piece: “The higher harmonics of the tuned wine glasses used on this piece, sent the VU meters on the mixing desk at The Gossamer Dome studio into the red, but Producer Henry Priestman and I both liked what that distortion added to the atmosphere of the piece, so chose not to correct it. ….I await its use in a disturbing art house movie”. When the single was first released, both Will and Paul were embarking on next / first instalments of their books; Will’s “Echoes” and Paul’s “Revolutionary Spirit: a post punk exorcism”- both are now long since out, selling well and receiving rapturous reviews both here and overseas. Releasing this one is firmly in honour-to-do territory for the label, and initial copies are available from Feral Child HQ but mostly via shops courtesy of Forte Distribution.

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Julie Beth Napolin

LP | 2024 | US | Original (Silver Current)

.Is Committed (Black Marble 2xlp)

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-29

With its ethereal, buzzing acoustic riffs, helix of resonant drones and vocal delivery that often sounds like an ancient form of prayer, Only the Void Stands Between Us sure-footedly takes its place in the post-‘70s experimental folk lineage.

“This is cosmic folk of the highest caliber. Julie’s vocal melodies grow in your mind like they were planted on the shortest day of the year. An absolute treat for all of us temporal adventurers.”

~ Ben Chasny (Six Organs of Admittance)

Single LP on black vinyl with gold foil-printed gatefold jacket.

For fans of: Nico, Kendra Smith, Lungfish & Meg Baird

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Say Anything

2LP | 2024 | WW | Original (Dine Alone Music Inc.)

33,99 €*

Release: 2024 / WW – Original

Genre: Rock & Indie

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Nyctophilian Pearl Vinyl Edition

Then Comes Silence

LP | 2024 | EU | Original (Haha Fonogram)

23,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Emily Frembgen

No Hard Feelings

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | UK | Original (Western Vinyl)

My Brightest Diamond

Fight The Real Terror

Wearing Out The Refrain Blue Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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A classically trained vocalist with a self-taught instrumentalist's spirit, Shara Nova has been releasing spellbinding music as My Brightest Diamond since 2006. Over the years, the band has released five groundbreaking albums, each showcasing a different musical landscape while always centering on Nova's distinctive voice.

Her journey took an unexpected turn in July 2023, when within hours of learning about Sinéad O'Connor's passing, a fierce storm plunged her Detroit home into darkness. As the city held its breath, Nova sat with her guitar, reflecting on O'Connor's iconic SNL performance where she repurposed Bob Marley’s "War" to address child abuse, urging viewers to “fight the real enemy.” Inspired by this act of artistic courage, Nova poured her emotions into a raw demo – the title track "Fight the Real Terror" – which opens the album in its original form.

Traveling from her home in Detroit to Chicago, Shara worked with Tom Schick at Wilco’s studio, The Loft, for five days. Initially expecting to re-record everything, she was surprised when Tom insisted on keeping the raw demo material. The week was spent overdubbing, with Shara playing bass for the first time, alongside pianos, guitars with gizmotrons, and re-amping some original guitar parts recorded in her studio. More than just a collection of songs; Fight the Real Terror is a call to action, and a testament to the transformative power of music. Nova's powerful vocals and genre-bending compositions are simultaneously intimate and expansive, urging listeners to confront their fears, embrace their vulnerabilities, and fight for a better world.

“Her wholly enveloping, finely tuned alto sounds by turns forceful, vulnerable, cooing, playful, and endlessly emotive.” NPR Music

“…percussive, jagged art-pop that explores themes of self- acceptance, sensuality, and community.” Pitchfork.

“...has a feeling for both the grandeur and the grain, building every sweeping gesture in her music out of a swarm of small details.” The New York Times

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Bad Moves

LP | 2024 | US | Original (Cherub Dream)

Release: 2024 / US – Original

Genre: Rock & Indie

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With their third full-length, Washington, D.C.’s Bad Moves have expanded their founding artistic identity — a candy-coated guitar-pop shell surrounding a bitter lyrical core — by refracting their ideas through a new set of musical forms that weaponize repetition. On the new Wearing Out the Refrain, recorded once again with producer Joe Reinhart (Hop Along, Algernon Cadwallader), Bad Moves propose that the flip side of the delirious harmony of the basement show singalong is the volatile, accusatory antiphony of a community divided by strain, shouting the same desperate hook back and forth at one another.

Bad Moves’ tag-team vocals, which forgo centering anyone one member, also let the traditionally confessional “I” become the “we” of a community, or generation. Witness the ambitious climate change metaphor of “Eviction Party,” which understands the union of sugary pop and genuine angst embodied by 1960s girl-group songcraft, and uses it to expand a personal story to planetary scale. “It’s my eviction, I’ll cry if I want to” Bad Moves shouts, channeling the dawning millennial midlife crisis. The personal may be political, but what if both feel weighed down and trapped in circular, inescapable ruts?

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Buddy Junior

Rust

Black Mercy / Band Of Bastards

Release: 2024 / US – Original

Genre: Rock & Indie

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"Buddy Junior’s 'rust' captivates with emotive shoegaze and introspective lyrics, offering a raw, immersive journey from vulnerability to strength. In the shadowed alleys of San Francisco’s vibrant music scene, Buddy Junior emerges with 'RUST,' a track that reverberates with the raw energy of shoegaze and the introspective depth of emo. The song, born from a moment of acute vulnerability and fear, encapsulates the essence of a band unafraid to delve into the darker recesses of human experience. 'rust' unfolds like a confession, with lyrics that paint a vivid picture of anxiety and the struggle for clarity amidst life’s tumultuous moments. The band’s ability to channel the intensity of an emotional ordeal into their music is palpable from the first chord. The track’s sonic landscape is a meticulously crafted chaos, where distorted guitars and relentless percussion create a backdrop for vocals that oscillate between a whisper and a howl, embodying the song’s thematic tension between despair and resilience. Buddy Junior’s approach to songwriting is refreshingly unfiltered, offering a glimpse into personal moments of fragility with a rawness that is both jarring and cathartic. 'rust' doesn’t just aim to narrate an incident; it invites listeners to feel the weight of the metal rod, the sting of tears, and the relief of sight preserved. It’s this immersive storytelling, coupled with the band’s deft blend of genres, that sets 'rust' apart as a standout track. As the song progresses, the initial shock gives way to a reflective resolve, mirrored in the shift from frenetic riffs to a more measured melody. This dynamic progression underscores the band’s adeptness at navigating emotional landscapes through their music, making “rust” not just a song, but a journey from vulnerability to strength, from fear to fortitude. In 'RUST,' Buddy Junior has not only crafted a compelling narrative but also a sonic embodiment of the emo and shoegaze ethos. The track stands as a testament to the band’s ability to transform personal tribulation into a universal anthem of endurance, making it a beacon for anyone who’s ever felt on the brink of losing sight, literally or metaphorically. It’s a raw, unapologetic reminder that sometimes, the most profound revelations emerge from the rust and rubble of our lives."—B-Side Guys

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The Curse / American Carnage - Split

LP | 2024 | US | Original ((In) Sect Records)

Release: 2024 / US – Original

Genre: Rock & Indie

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Black Mercy and Band of Bastards of Austin, TX, team up to give listeners a glimpse of what lies beneath the local underground hardcore scene. The brutal and beautiful album’s 16 songs clock in right around 25 minutes and feature members of bands Tia Carrera, Brick, Employer Employee, Total Diamonds, Those Peabodys, Society Of Friends (Black Mercy) as well as ...And You Will Know Us By the Trail of Dead, Mukilteo Fairies, Broken Gold and Sparta (Band Of Bastards). This split recording breathes new life into the tradition of early '80s-early '90s punk, noise, and hardcore music that has always sought to commune with the unsatisfied and disaffected. Black Mercy “The Curse” (Side A) Description: Black Mercy, an Austin-based band formed in 2019, brings a fierce blend of fast-paced, raw hardcore and punk energy on their new LP “The Curse”, recorded at Adrian Quesada’s studio Electric Deluxe. Embodying the spirit of Minor Threat or Circle Jerks, with the chaotic sensibilities of seeing Clikatat Ikatowi or Unwound blowing out an amplifier. More a noisy band with a hardcore framework, their music exemplifies their aggressive sound that is just a bit off-center. Every song has twists and turns on this record, with one stand out track, “Lost” where they bring the tempo down to where Sleep lives. With vocalist and scene-veteran Noble Brown leading the charge, Black Mercy infuses their music with elements of '90s DIY punk and '80s hardcore, creating a high-energy experience that is both nostalgic and refreshingly intense. Black Mercy’s sound is characterized by gruff, fast, and intense punk rock with a nod to '90s emotive DIY and '80s Dischord records. The band has been praised by Maximum Rocknroll and The Austin Chronicle for their raw intensity and innovative music videos featuring fingerboarding. Their music captures the essence of innovation and a strong respect for the past. Band OF Bastards “American Carnage” (Side B) Description: Band of Bastards, formed in 2018, is a powerhouse hardcore punk band from Austin, Texas, known for their short, explosive tracks and high-octane performances. They recorded their new record “American Carnage” with drummer Sam Rich at the helm, and the result is nothing short of brilliant. Drawing on their diverse backgrounds, vocalist Jason Reece delivers a potent mix of hardcore punk with a modern edge, driving home the message that the world is still imperfect, and you have to give a shit. The band’s music is fast, aggressive hardcore punk with influences from early Dischord records and first-wave hardcore bands, with notable tracks like “Minor" and “fyp". They have been featured for their relentless energy and DIY spirit, with their 2nd release that promises to shake the hardcore scene. Their music embodies the same raw power and fervor that defined the early hardcore scene, capturing the straightforward and impactful nature of music.

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Talking Heads

Chicago 1978

LP | 2024 | EU (DBQP)

21,99 €*

Yon Loader Cloudy Clear Transparent Vinyl Edition

Release: 2024 / EU

Genre: Rock & Indie

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This amazing live set captures the Talking Heads in Chicago at the Park West nightclub, 28 August, 1978. After opening the year in Europe and then heading to the Bahamas to record their legendary second LP, More Songs About Buildings And Food, they hit the road in support of that album's July release. This set finds them at their peak, a well tuned machine, blazing through tracks from their first two albums.

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Yon Loader

LP | 2024 | US | Original (Tiny Engines)

Love Is A Flame In The Dark

Release: 2024 / US – Original

Genre: Rock & Indie

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Yon Loader is a New Zealand recording project developed over distance and led by James Stuteley (Carb on Carb). Made in numerous sessions in various locations, the project weaves together many elements and talents of Aotearoa indie rock. Stuteley composed the core of the songs before fleshing them out with help from a cast of rotating collaborators and key engineer and producer Harry Lilley. These collaborators (including members of Recitals, Welcomer, For Everest, Model Home, Fouler, First Move, and Bad Friend) build Stuteley’s straightforward, candid compositions into an album of weighty, intricate rock songs with melancholic, diaristic emo-punk energy. Interweaving guitar and cello draws on the epic without going into excess. Slipping between thoughtful guitar passages and poignant interludes to expansive uplifting blowouts of repeated vocals and waves of cymbals, Yon Loader's debut album draws you in and holds you tightly.

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Karl D'Silva

LP | 2024 | Original (Night School)

7" | 2024 | US | Original (Dead Oceans)

Release: 2024 / Original

Genre: Rock & Indie

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Love Is A Flame In The Dark is the debut album by experimental songwriter Karl D’Silva. A raw labour of love, a towering
spire of twisted steel, tenderness and becoming, it’s a body of songs that belies the virtuoso talents of an artist whose
reputation has been built on collaborating with various avant garde underground luminaries. Self-recorded at home in
Rotherham and pulsing with the conviction of a true believer, these songs burst out of their self-consciousness to meet life
head on, bristling with energy, 10 glimpses of the human spirit in the darkness.
Recorded throughout 2021 - 2023 and mixed in Leeds with engineer Ross Halden, D’Silva has constructed a Pop language for
himself. Mutated songs that owe a small debt to the post-Industrial music of Cabaret Voltaire, Nine Inch Nails and Coil,
they’re nonetheless powered by a vigorous tenderness, earnestness and D’Silva’s knack for melody. Each song is meticulously
sound-designed, using synthesised sounds created from scratch married with D’Silva’s virtuoso playing on saxophone and
guitar. The songs on Love Is A Flame In The Dark are unabashed, earnest love letters to living, requiems for a world fading away
and small gestures of solidarity in the face of entropy.
Until now, D’Silva’s fingerprints could be found on live dates with Thurston Moore, Oren Ambarchi, Hardcore pioneers Siege
and Rian Treanor as well as recordings by previous groups Trumpets Of Death and Drunk In Hell. Primarily associated with
the alto saxophone in his improvisation work, Love Is A Flame In The Dark features a dizzying array of instrumentation, all
played by D’Silva. D’Silva’s current membership of the group Vanishing may be a good touchstone for the dense, sonically
thrilling world-building on the album but the most striking instrument, perhaps, is D’Silva’s voice. With a soulful, rasping timbre
resulting from prolonged intubation as a new-born, his vocal is both fearless and tender. On the soaring, electronic body mover
Wild Kiss, thundering percussion is in service to Karl’s voice full of desire, arching up into a flayed falsetto. It’s a trick repeated
on Flowers Start To Cry, where it’s deployed against the backdrop of layers of ripping alto and thudding drum programming
that recall Nine Inch Nails’ visceral production, if they were covering a Prince hit. These songs capture the essence of 2024’s
Karl D’Silva music; pure physicality breaking down to reveal a shining, compassionate vulnerability.
The full breadth of Karl D’Silva’s instrumental prowess is in evidence from the off. On The Outside imagines blooming out of
personal apocalypse with a soundscape of synth, saxophone worthy of any late 60s Free Jazz blower and crushing sound
design. Entropy is planet-sized synth pop, Nowhere Left To Run uses midi-string orchestration to tell a story of light emerging
from the dark. It’s a theme picked up throughout the album: The Butcher is a political parable, the narrator holding power to
account with grotesque, brutal imagery. It’s on a track like Real Life that the true message emerges, however. D’Silva is peering
through the layers of artifice, struggle and the fog of daily living to find a life full of energy, connection and light. Each song here
is a route into this light, out of the darkness.

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Greg Mendez

First Time / Alone

19,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-12-06

First Time / Alone, Greg Mendez's new EP and first release withDead Oceans, came together in late summer and early fall of2023; the songs here appear in the order in which they werewritten, recorded straight to four-track in the small spare roomof his West Philadelphia apartment. It's a four song arc, aspectral passageway, one brief and fluid body of work thathangs together from the mournful opening of "Mountain DewHell" to the pitched-up vocals on "Pain Meds," a tiny songfloundering in the enormity of grief. The experience of listeningthrough is like waking up from a half-remembered dream, ashadow in the corner of the room, a strange solitude, a temporalNew York autumn with gray skies and naked trees. But whilethe release is sparse and spontaneous, it's tactile andconsuming, a glimpse into the beautiful, lonely worlds that livein the core of a Greg Mendez song.First Time / Alone is the inverse of his 2023 self-titled album, ameticulous and labored-over collection of songs that went on tobecome a surprise slowburn success. Mendez has releasedmusic in various capacities across 15 years living in Philadelphiaand New York, but the self-titled was what propelled him to awider attention, a critical breakthrough on best-of lists fromRolling Stone, Pitchfork, Paste, and more. That forwardmomentum came to a quick halt following an intensive surgeryon his right wrist in the summer of 2023 - a four-monthpurgatory of bad TV, canceled touring, and physical therapyensued, a painful stretch of boredom leaving Mendez unable toplay guitar. "Mountain Dew Hell" and "First Time," the funerealA-side of the EP, are time capsules of that fever-dream; "Alone"was the first song Mendez wrote once he was able to play guitaragain. Likely none of the songs would have existed as-is ifMendez's right hand hadn't been out of commission, but they'reartful in their directness and simplicity. He initially thought hewould need to refine them, building them out to the same scaleas...

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Screaming Females

Rose Mountain

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | DE | Original (CTM)

Tim Dawn

Outsider

48,99 €*

Release: 2024 / DE – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-08

Occulta Caerimonia Putridum

Miasma Of Occvlt Limbs

LP | 2024 | US | Original (Sentient Ruin Laboratories)