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Tradition is not the passing of ashes, but the passing of a spark to blaze up flames. So do CroworD when it comes to Melodic Death Metal. CroworD don‘t only play this genre, they take this musical style as an aesthetic framework, in which they shape their music into a steelhard mix of rhythm pulsating sound bodies, detailed melodies and relentless work on their instruments. 1. Brothers2. Isle Of The Dead3. The Devil’s Truth [feat. Per Nilsson]4. Secession5. Crimson Gaze6. The Obscure, Known To Everyone7. Death And The Maiden8. Soulcutter9. Between10. Totenlied

180gr vinyl. Original inner sleeve.

Red Vinyl. Side 3 has a deeper scratch, the other sides are between VG+ and NM

We have the great honour of presenting to you the first official reissue of the last project of Gerardo Manuel´s trilogy with Humo . Recorded in 1973 in the style of his previous two albums, although this is the most progressive. As the lyrics leant toward social protest, the military in power didn´t want this music to be popular and as a result of this most of the copies were destroyed. This has made the album extremely rare and an authentic lost jewel of South America Rock.

Gerardo Manuel left behind his deepest beat days with The Dolton’s and the Shain’s, plus his garage psych stage with St Thomas Pepper Smelter. At the beginning of the seventies he was joined by a new band formed by other illustrious Peruvian musicians, called El Humo because, according to Ernesto Samamé (We All Together) they met to play unpretentiously, to test the new sound equipment of the Virrey label. The first of the albums was "Apocallipsis" (1970). A wild and acid work, with its own songs and fabulous covers. An explosion of crazy psychedelia , overflowing solo moments, and the vocals delivered by a very inspired Gerardo Manuel. Songs of lysergic melodies, with Latin touches, give life to this album that looks for peace in the world. Unique and memorable albums, essential for any discography with the best of South American music from the sixties.

Gerardo Manuel left behind his deepest beat days with The Dolton’s and the Shain’s, plus his garage psych stage with St Thomas Pepper Smelter. At the beginning of the seventies he was joined by a new band formed by other illustrious Peruvian musicians, called El Humo because, according to Ernesto Samamé (We All Together) they met to play unpretentiously, to test the new sound equipment of the Virrey label. The first of the albums was "Apocallipsis" (1970). It was followed in 1971 by the conceptual "Machu Picchu 2000" in which he used all his imagination to tell us about the resurgence of the Inca empire after the third world war that broke out at half past five on December 31, 1999. Songs of lysergic melodies, with Latin touches, give life to this album that looks for peace in the world. Unique and memorable albums, essential for any discography with the best of South American music from the sixties.

Cover with creasing