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Classic Radio broadcast recording from Smashing Pumpkins' Siamese Dream tour.With their uncompromising vision and diverse, swirling, guitar-heavy sound, Chicago quartet The Smashing Pumpkins touched on prog rock, metal, psychedelia and dream pop, becoming one of the most successful bands of their generation.This fantastic 2LP set captures them at their peak, documenting the Westwood One FM broadcast of the October 26, 1993 show in Del Mar, California during the Siamese Dream tour. The band perform most of the album, including a sparkling version of 'Disarm'. SIDE A:1. Geek U.S.A. 5:012. Rocket 4:313. Today 3:024. Disarm 3:12Total side length – 15:46SIDE B:5. Bury Me 4:406. Drown 5:167. Hummer 6:06Total side length – 16:02SIDE C:8. Soma 6:339. Siva 6:0810. Quiet 3:26Total side length – 16:07SIDE D:11. Cherub Rock 4:5112. I Am One 5:4313. Mayonaise 6:52Total side length – 17:26

Superb Clash broadcast recording from 1982! When punk arrived in the UK in the mid-seventies it sent shock waves around the country. Spearheading the musical assault on all we had previously known were The Clash, a mighty punk rock machine that exhilarated its audience and recklessly combined influences such as dub reggae, rockabilly and ska.The Clash at their best on stage in Tokyo during the band's tour of the Far East in 1982. The band had just finished recording "Combat Rock", but none of the songs from the soon-to-be-released album made the setlist. Here we’ve got The Clash powering through 13 songs including the hits 'London Calling', 'This Is Radio Clash' and 'Tommy Gun'. At one point, bassist Paul Simonon’s wife Pearl Harbor (a.k.a. Pearl E. Gates) of the new wave band Pearl Harbor and the Explosions joins the band onstage to sing 'Fujiyama Mama'. The set comes to a close with a rousing performance of 'White Riot'. SIDE A:1. London Calling 3:242. Safe European Home 4:483. (White Man) In Hammersmith Palais 4:414. Brand New Cadillac 2:07Total side length – 15:00SIDE B:5. Charlie Don’t Surf 6:146. Clampdown 4:367. This Is Radio Clash 4:56Total side length – 15:46SIDE C:8. Armagideon Time 5:039. Jimmy Jazz 6:05Total side length – 11:08SIDE D:10. Tommy Gun 3:4011. Fujiyama Mama (With Pearl Harbour) 2:2812. Police On My Back 3:1413. White Riot 2:05Total side length – 11:27

Mr Bongo proudly presents an official reissue of an iconic, exploratory album by Indian maestro of the sitar, Ananda Shankar, aptly titled 'Ananda Shankar And His Music'.

Released on His Master's Voice in 1976, the album is a sublime collage of sitar-funk, traditional Indian classical music and psychedelic grooves, from the Indian sitarist, composer and musician. Nephew to India’s legendary sitar virtuoso Ravi Shankar, Ananda’s musical family and upbringing led to a deep respect and love of the wealth of music that emanated from his birthplace. His travels to the west coast of America in the late ‘60s though, saw Shankar immersed in the full swing of psychedelic rock. The collision of these two musical worlds with a whole range of other Eastern and Western influences on 'Ananda Shankar And His Music', is a truly entrancing combination.

First big in the UK in the mid-‘90s jazz/rare groove club scene, when it was unearthed by adventurous DJs and crate diggers, the sensational Indian-funk tracks 'Streets Of Calcutta' and 'Dancing Drums' became firm dancefloor favourites. The mixture of drum-heavy funk with Indian music and psychedelia is the perfect melting pot. Flavourful and balanced, it still feels fresh and exciting 40 years on.

Like a fine wine, this album keeps getting better with age and once-overlooked tracks are now seen in a new light. Aside from the main 'club' cuts that many have praised and loved, 'The River' is a part blissed-out, Balearic gem, part cosmic wild west soundtrack, that would provide the perfect complement to any sunset session. Elsewhere, 'Dawn' is a spiritual and meditative journey into Indian classical music, with ‘Cyrus’ floating you away to heavenly heights. On a different tip, 'Back Home' fuses styles and themes via an organ and Moog-infused, tripped-out excursion, whilst 'Renunciation' hits with a psych-rock sentiment to its sitar-soaked grooves.

A beautiful time capsule of Eastern culture meets Western influence, where experimentation and intrigue produced a fusion of sounds that still sound as vibrant and alluring as they have ever been.

Having released two albums proper and a Remix-EP with Born Bad Records, now it's the time to re-release a selection of further singles and b-sides. Perfectly balanced between dark electro and misty post-punk, as inspired by clubbing and krautrock as by bands like Bauhaus and The Fall, VOX LOW could get us moving on the dancefloor while an apocalyptic storm rages outside. VL are four knights of darkness: Jean-Christophe Couderc (machines and vocals), Benoît Raymond (bass), Mathieu Autin (drums), and Jérome Pichon (guitar).For the first time, a selection of hard to find tracks released by VOX LOW on various small labels. Some tracks has been released on very limited 7" vinyl, sometimes at 100 copies only.A1/A2 : 12" Released on Astrolab Recordings 2015 - A3/B2: 7" Released on Evrlst.inc 2014 - A4: 7" Released on Astrolab Recordings 2016- B...

Oakland's Naked Roommate have been slinking around the Bay Area lighting up stages, shaking asses & confounding listeners since 2018, when the group - originally just the duo of real-life partners Andy Jordan & Amber Sermeno (both formerly of The World) - self-released a cassette of demos (2018's "Naked Roommate"). Members Michael "Mig" Zamora & Alejandra Alcala (Blues Lawyer) joined soon after to augment the sound & live band with their proper full-length album "Do The Duvet", co-released in September of 2020 via UK label Upset! The Rhythm & Trouble In Mind. 2024 finds the lineup expanded even further to incorporate the horn section of Geoff Saba & Jeanne Oss on tenor & alto saxophones as well as percussion & marimba as the band readies their sophomore effort, the dizzyingly ecstatic "Pass The Loofah" Recorded by members Andy Jordan & Mig Zamora from 2021-2023 as time & restrictions allowed, "Pass The Loofah" retains the wild energy of their debut, but leans into the rhythmic throbs perpetuated by forbears like Kid Creole & The Coconuts, Lizzy Mercier Descloux & ESG; the signature sound of UK's On-U Sound & NYC's 99 Records, but with a decidedly West Coast irreverence & a knack for absurdist exposition. Make no mistake, this is music designed to make your body Move & Naked Roommate won't stop until they 've made sure every ass is shook. The band freely incorporates elements of the dancier side of post-punk (think A Certain Ratio or Liquid Liquid) as well as disco, funk, & house music. However, the group's uplifting melodicism belies a deeper subtext, understanding the importance of the sense of community of dance music & the culture surrounding it and leaning into a Neo-socialist lyrical context. Shit is fucked, & we get thru it by helping one another & acknowledging & addressing the failures of disaster Capitalism & tech-bro hegemony (a state the band is all-too familiar with, living in The Bay Area) Take the first single "Bus"; a four-on-the-floor banger & salutary paeon to the ups & downs of the people's transport that throbs & pulses with a late-night sashay (and a bridge that launches the tune into the stratosphere). Elsewhere, "Fight Flight "s funky horn stabs and Sermeno's slinky vocals swoon over Numan-esque synth squiggles that are fortified & funkified toward the dance floor. "Broken Whisper " edges into new territor y for the group, adding a Caribbean flavor a'la Kid Creole or The Specials that punctuates the persistent & synthetic beats underneath. Meanwhile instrumental interludes like "Ducky & Viv", "g-y pt. 1" & "g-y pt. 2" oscillate into zones of sci-fi meets soap opera soundtracks, sounding not unlike the electronic experiments of UK industrial pioneers Chris & Cosey. Album closer "I Can't Be Found" might be the album's secret weapon; It 's swooning synth melody & processed vocals recall early Daft Punk or Mgmt by way of Derrick Carter & The Au Pairs. It 's a beautiful song; perfect for the late night (or early morning) car ride home from the club. "Pass The Loofah" is released worldwide on October 25th, 2024 via Trouble In Mind Records digitally via most DSPs & on black vinyl & limited "disco ball " silver vinyl.

Oakland's Naked Roommate have been slinking around the Bay Area lighting up stages, shaking asses & confounding listeners since 2018, when the group - originally just the duo of real-life partners Andy Jordan & Amber Sermeno (both formerly of The World) - self-released a cassette of demos (2018's "Naked Roommate"). Members Michael "Mig" Zamora & Alejandra Alcala (Blues Lawyer) joined soon after to augment the sound & live band with their proper full-length album "Do The Duvet", co-released in September of 2020 via UK label Upset! The Rhythm & Trouble In Mind. 2024 finds the lineup expanded even further to incorporate the horn section of Geoff Saba & Jeanne Oss on tenor & alto saxophones as well as percussion & marimba as the band readies their sophomore effort, the dizzyingly ecstatic "Pass The Loofah" Recorded by members Andy Jordan & Mig Zamora from 2021-2023 as time & restrictions allowed, "Pass The Loofah" retains the wild energy of their debut, but leans into the rhythmic throbs perpetuated by forbears like Kid Creole & The Coconuts, Lizzy Mercier Descloux & ESG; the signature sound of UK's On-U Sound & NYC's 99 Records, but with a decidedly West Coast irreverence & a knack for absurdist exposition. Make no mistake, this is music designed to make your body Move & Naked Roommate won't stop until they 've made sure every ass is shook. The band freely incorporates elements of the dancier side of post-punk (think A Certain Ratio or Liquid Liquid) as well as disco, funk, & house music. However, the group's uplifting melodicism belies a deeper subtext, understanding the importance of the sense of community of dance music & the culture surrounding it and leaning into a Neo-socialist lyrical context. Shit is fucked, & we get thru it by helping one another & acknowledging & addressing the failures of disaster Capitalism & tech-bro hegemony (a state the band is all-too familiar with, living in The Bay Area) Take the first single "Bus"; a four-on-the-floor banger & salutary paeon to the ups & downs of the people's transport that throbs & pulses with a late-night sashay (and a bridge that launches the tune into the stratosphere). Elsewhere, "Fight Flight "s funky horn stabs and Sermeno's slinky vocals swoon over Numan-esque synth squiggles that are fortified & funkified toward the dance floor. "Broken Whisper " edges into new territor y for the group, adding a Caribbean flavor a'la Kid Creole or The Specials that punctuates the persistent & synthetic beats underneath. Meanwhile instrumental interludes like "Ducky & Viv", "g-y pt. 1" & "g-y pt. 2" oscillate into zones of sci-fi meets soap opera soundtracks, sounding not unlike the electronic experiments of UK industrial pioneers Chris & Cosey. Album closer "I Can't Be Found" might be the album's secret weapon; It 's swooning synth melody & processed vocals recall early Daft Punk or Mgmt by way of Derrick Carter & The Au Pairs. It 's a beautiful song; perfect for the late night (or early morning) car ride home from the club. "Pass The Loofah" is released worldwide on October 25th, 2024 via Trouble In Mind Records digitally via most DSPs & on black vinyl & limited "disco ball " silver vinyl.

Since debuting in 2004 with a self-titled album, Brett Dennen has established himself as the kind of singer-songwriter who finds inspiration by digging into the nooks and crannies of the human condition-exploring pain, joy, sadness, and all points in between. Along the way, Dennen has had multiple top 10 hits on AAA radio, with the keening title track of See the World, landing at No. 4 in 2021. Brett's touring plans have seen him alongside artists like John Mayer, Jason Mraz and G Love and Special Sauce, as well as landing multiple song placements in the hit TV show Parenthood. With "If It Takes Forever" (Mick Music), the California native's eighth solo album and first full-length since 2021's See the World, is no exception. The warm, immersive collection boasts deeply felt sentiments, underpinned by rich acoustic guitars and Dennen's earnest vocals, in the vein of dusky Americana ("Golden State of Mind"), harmonica-driven blues (the Tom Petty-esque "Careful What You Wish For"), rootsy indie ("Don't Go Talking"), and meditative folk-rock (highlight "Time To Wake Up"). If It Takes Forever emerged from a tough 2023 for Dennen, as he was dealing with the death of his dad. "He was such a strong figure in my life that I depended on so much as both a dad and a best friend," he said. "And I knew immediately in order for me to deal with his death, the best thing I could do was to make an album about it." Alongside the release of If It Takes Forever, Dennen plans to hit the road once again, but he possesses additional perspective on-and gratitude for-the solace provided by art and music. "To really boil it down, this is life," he says. "Life is full of things that get complicated and make you busy, and are really hard to deal with. But if you write songs about it, and put it into art, then it makes it a lot more relevant and meaningful and worthy of celebration."