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12 years after their self-title debut this is the "lost" second album from Coconuts (the NYC duo of Tim Evans and Jordan Redaelli)."Coconuts, as I have known them, cracking bunk PAs in NYC hovels, is simply inertia; steam-propelled on the hot guts of rock's past. They mainline into a legacy of pop obfuscation, in which sheer sonics and the sensuality of the guitar-as-tractor-beam blinds any sort of lyrical message or rock narrative. The sound is dire and low and vaguely menacing, like the pulse of an opiated Ritchie Valens slow dancing with the Dead C or the saucer-eyed paens of Japanese mopers The Jacks. And though the 'Nuts are lauded for their no-mind electric antic, their craft reveals a collective instinct honed over countless late nights of bleary deep listenings." - Daniel Lopatin / Oneohtrix Point Never

The EP is the Hull and Leeds-based band's first major release since their debut album, Bedroom, which was hailed as a latter-day shoegaze classic when it came out in July 2020. 'Port', which was originally released as a single last October, marked a major step forward for the band. Sounding not unlike the Low of Double Negative or Hey What deconstructing The Temptations' 'I Know I'm Losing You', it's a much darker sounding song; its distorted drones and beats burst into life with frenzied guitar and howls of anguish. "It helped us consider the band in a much more fluid perspective," says bassist and synth player Jordan Smith of the pivotal track. "Swapping instruments and redefining roles gave us time to spend working on new and more intriguing sonic ideas." This new experimental and more electronic approach was expanded as the standalone single release grew, almost accidentally, into a full EP, which features radical reworkings by Daniel Avery (a fearless, all guns blazing techno stomper); Working Men's Club (New Order's 'Sub-Culture' meets a long-lost early Warp Records classic); A Place To Bury Strangers (a feedback frenzy of total sonic annihilation); Tom Sharkett from Manchester krautpoppers W.H. Lung (dfa Records goes down to the death disco); Jonathan Snipes from LA-based experimental hip-hop trio Clipping (glitchy beats imploding into a wall of white noise); and Jordan himself, as Mouth Company, who brings proceedings to a close with a slow-mo trip-hop treatment. "To have so many influential artists to us putting their own piece of DNA on what has become such an important track to us is so humbling," gushes Ryan. "It's brand new territory for us, and we just feel so lucky to have everybody involved." The EP is being released ahead of bdrmm's dates supporting shoegaze legends Ride in April and will be followed by their eagerly-awaited second album, which they are currently working on."I am so excited to embrace the next chapter of bdrmm,"

Crushing, deep and punishing Doom from Portugal! An ambitious and dense record for fans of Godflesh, Neurosis and (early) Swans. Mixed by Andrew Schneider, mastered by Collin Jordan. In 2022, after four successful albums ("Renounce", 2006; "Erosion", 2009; "Fæmin", 2012, "Black Earth", 2017) and three collaborations with other artists ( 10’ split w/ Caïna, 2007; "The Circle", 2010; 12’ split w/ Rorcal, 2014) with the release of "Slaves Beneath The Sun", Process OF Guilt reaffirm their musical vision as one with no parallel in the Portuguese and European underground.

Following Warren Zevon's death in 2003, his son Jordan Zevon discovered 126 unreleased outtakes and demos in a piano-sized touring case. This discovery would be distilled down to the best of these recordings and eventually released as a 2CD set titled Preludes released on May 1, 2007. When the album was released it featured sixteen unreleased recordings from Zevon's personal archives, as well as six never-before released songs and a five-part 2000 interview with KGSR's Jody Denberg. This release will be pressed for the first time on black vinyl. This double LP set features all of the exclusive bonus tracks as well as a beautiful 20-page perfect bound book, all packaged in a hardbound slipcase.

RSD First, Limitation: 1200

The lineup for the show captured on this release was the classic Groovies core of Cyril Jordan, George Alexander, and Chris Wilson. It was recorded in October 1980 just as the band’s contract with Sire Records expired, introducing an element of uncertainty into the band’s future. The12-track set list from this San Francisco show features their classic takes on the Beatles, Stones, Byrds and some classic rock numbers.
This recording hasn’t ever been available in any format and will be pressed on limited-edition colored vinyl exclusive for RSD Black Friday.