Search "david haf" 1503 Items

Release: 2023 / EU – Original

Genre: Rock & Indie

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2LP | 2013 | DE | Original (Diynamic Music)

David August

Times

348,99 €*

Can't Buy A Thrill 200g Clarity Vinyl Uhqr 45rpm Vinyl Deluxe Limited Edition Box Set

Release: 2013 / DE – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: Near Mint

Records have light scuffs and hairlines, which do not affect play.

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Steely Dan

Box | 1973 | US | Reissue (Analogue Productions)

201,99 €*

American Idiot 20th Anniversary Deluxe Edition

Release: 1973 / US – Reissue

Genre: Rock & Indie

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Analogue Productions are giving us the Ultimate Steely Dan experience. Their first seven classic albums are being released on Uhqr vinyl. You will never have had heard these recordings sounding so good, period! They are super deluxe packages with booklets, pressed on clarity vinyl using the best techniques to extract the maximum analogue information. They will be strictly Limited to 20,000/15,000 respectively worldwide. Expect huge demand. Pre-order now! The first two titles are due to ship in November/December with the rest to follow next year. Can't Buy A Thrill — Steely Dan's platinum-selling debut studio album now on Uhqr! Definitive reissue Ultra High Quality Record, the pinnacle of high-quality vinyl! 45 RPM LP release limited to 20,000 numbered copies Mastered directly from the original master tape by Bernie Grundman Pressed at Quality Record Pressings using 200-gram Clarity Vinyl® Purest possible pressing and most visually stunning presentation and packaging! Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing

Steely Dan's platinum-selling debut studio album Can't Buy A Thrill, released in November 1972, was a commercial success, peaking at No. 17 on the Billboard chart. It later appeared on many professional listings of the greatest albums, including Colin Larkin's All Time Top 1000 Albums (2000) and Rolling Stone magazine's "500 Greatest Albums of All Time" (2003)

The album was written by band members Donald Fagen and Walter Becker, recorded in August 1972 at The Village Recorder in Los Angeles, and produced by Gary Katz. Its music features tight song structure and sounds from soft rock, folk rock, and pop, alongside philosophical, elliptical lyrics. Two songs recorded during the Can't Buy A Thrill sessions were left off the album and released as a single: "Dallas" b/w "Sail the Waterway." This is the only Steely Dan album to include David Palmer as a lead vocalist, having been recruited after Donald Fagen expressed concerns over singing live. Drummer Jim Hodder also chips in lead vocals on one song, "Midnite Cruiser" (sometimes spelled "Midnight Cruiser"), as well as singing the "Dallas" single. By the time recording of the next album began, the band and producer Gary Katz had convinced Fagen to assume the full lead vocalist role.

AllMusic gave the album 4.5 stars, with reviewer Stephen Thomas Erlewine praising the core duo Walter Becker and Donald Fagen as "remarkable craftsmen." Erlewine noted that "there are very few of the jazz flourishes that came to distinguish their (later) albums", but added that the first single from the album, "Do It Again," incorporates a tight Latin jazz beat, while the second single, "Reelin' In the Years," features jazzy guitar solos and harmonies.

Rolling Stone, in its review, said the debut album was a collection of some of the group's best jazz/rock songs.

"Two of Fagen's four (vocal solo) songs were the singles, ‘Do It Again' and ‘Reelin' In The Years,' the later starting off (and continues throughout) with a ripping solo by session player, Elliot Randall, and in fact, was rated by Led Zeppelin's Jimmy Page as his favourite guitar solo of all time. That's quite an endorsement. The song peaked at No. 11 on the Billboard Charts. ‘Do It Again' charted at No. 6, making it their second highest chart for a single. ‘Dirty Work,' another great song from the record features Palmer. The album is tight, with some of the best musicianship money can buy." — Rolling Stone

The album cover features a photomontage by Robert Lockart that includes an image of a line of prostitutes, standing in a red-light area from Rouen in France waiting for clients. The image was chosen because of its relevance to the album title. Walter Becker and Donald Fagen themselves commented on the album art in their liner notes to the reissued The Royal Scam, saying that The Royal Scam album possessed "the most hideous album cover of the seventies, bar none (excepting perhaps Can't Buy A Thrill)." The cover was banned in Francisco Franco's Spain and was replaced with a photograph of the band playing in concert.

After a brief battle with esophageal cancer, Walter Becker died on September 3, 2017 at the age of 67. Steely Dan has sold more than 40 million albums worldwide and were inducted into the Rock and Roll Hall of Fame in March 2001. VH1 ranked Steely Dan at No. 82 on their list of the 100 Greatest Musical Artists of All Time. Rolling Stone ranked them No. 15 on its list of the 20 Greatest Duos of All Time.

This stereo Uhqr reissue will be limited to 20,000 copies, with gold foil individually numbered jackets, housed in a premium slipcase with a wooden dowel spine.

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Green Day

Box | 2024 | Original (Reprise)

186,99 €*

Luck And Strange Deluxe Set without Art Print

Release: 2024 / Original

Genre: Rock & Indie

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Only 1 per customer!

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David Gilmour

3LP | 2024 | EU | Original (Sony Music Catalog)

169,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Joe Strummer & The Mescaleros

Joe Strummer 002: The Mescaleros Years

7LP | 2022 | EU | Original (Dark Horse)

150,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Box | 2024 | EU | Original (Parlophone)

Rock 'N' Roll Star

140,24 €* 164,99 € -15%

Release: 2024 / EU – Original

Genre: Rock & Indie

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A Divine Symmetryan Altern.Journey Through Hunky

5CD | 2024 | EU | Original (Warner)

130,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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The Wild, The Innocent & The E Street Shuffle Limited Edition Ultradisc One-Step 33rpm Supervinyl Edition

Bruce Springsteen

LP | 1973 | US | Reissue (Mobile Fidelity Sound Lab)

125,99 €* 139,99 € -10%

4LP | 2007 | UK | Reissue (Secretly Canadian)

Release: 1973 / US – Reissue

Genre: Rock & Indie

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Strictly Limited TO 7,500 Numbered Copies: Ultradisc One-step 180g 33pm LP SET Presents 1973 Album IN Audiophile Sound 1/4" / 15 IPS / DBX analogue copy to DSD 256 to analogue console to lathe / Released only eight months after his exhilarating debut, Bruce Springsteen's The Wild, the Innocent & the E Street Shuffle contains rousing dispatches from the boardwalk, the street, the beach, and the bedroom. It explodes with energy, dares to dream, teases with humour, crackles with tragedy, clings to hope, and overflows with discovery, youthfulness, and personality. It features an unforgettable cast of characters — corner boys, teenage hustlers, doomed lovers, jazz men, junk men, factory girls, fortune tellers, alley cats, pimps, escorts, and more — illuminated by vivid colour, breathtaking detail, and poetic action.

Musically, the heartfelt 1973 record is inhabited by sympathetic vignettes and cinematic arrangements steeped in rock 'n' roll, soul, jazz, and R&B. It finds the New Jersey native looking beyond the parameters of his preceding record and seeking to move on from environments he knows well (and chronicles here) by rushing headlong toward unknown territories, adventures, and people. Underpinned by the singer-guitarist's ambitious poetic enterprise and will to succeed, The Wild, the Innocent & the E Street Shuffle is the album on which Springsteen becomes the Boss.

Mastered on Mobile Fidelity's renowned mastering system, pressed at RTI on MoFi SuperVinyl, and strictly limited to 7,500 numbered copies, Mobile Fidelity's UltraDisc One-Step 180g 33rpm LP set is the definitive-sounding version of Springsteen's sophomore record. Benefitting from SuperVinyl’s nearly non-existent noise floor, superb groove definition, and dead-quiet surfaces, The Wild, the Innocent & the E Street Shuffle plays with a clarity, energy, presence, and openness that complement the expressiveness, dynamics, and scope of the seven restless songs that comprise a work Rolling Stone ranked the 345th Greatest Album of All Time.

Beyond the audiophile sonics that practically place you behind the console at 914 Sound Studios — listen to the separation between the instruments, natural decay of the notes, interplay within the widescreen soundstaging, and nothing-to-lose youthfulness of Springsteen’s voice — this reissue takes seriously this record’s influential merit by presenting it in packaging that underlines its status. Tucked in a beautiful slipcase, the LP is housed in a special foil-stamped jacket with faithful-to-the-original graphics. This reissue is made for listeners who prize sound quality and who want to engage themselves in everything involved with the invigorating set that busted Springsteen loose from the club circuit and landed him on the radio

Determined to liberate anyone within earshot and unafraid to come on strong, The Wild, the Innocent & the E Street Shuffle serves as the debut of the E Street Band — not only heard but seen for the first time by most of the public courtesy of the back-cover photograph. This is where saxophonist Clarence Clemons, organist-accordionist Danny Federici, and pianist David Sancious step out of the shadows — and drummer Vini Lopez and bassist Garry Tallent again stoke a fiery rhythmic engine that helps drive the untamed, reimagined big-band swing of “Kitty’s Back,” breathless R&B thrust of “Rosalita (Come Out Tonight),” and carefree dance steps of the funky “The E Street Shuffle.”

Of course, the main attraction remains a then-24-year-old visionary on the precipice of becoming a sensation and turning a then-bloated rock scene on its head. Recorded over three months while Springsteen and company were busy touring his debut LP, The Wild, the Innocent & the E Street Shuffle reflects the high-octane approach the vocalist embraced onstage and drifts away from the label-dictated acoustic-based frameworks of his debut. The set also witnesses Springsteen deepening his observational skills, with narratives such as the romantically tinged “4th of July, Asbury Park (Sandy)” and redemptive epic “Incident on 57th Street” mirroring changes taking place in the singer’s own life, small towns, and America at large.

A thrilling collision of memories, reflections, and composites — Sandy, Rosalita, and the latter’s parents are all based on actual people Springsteen knew, as is the community depicted in the opening track — the aptly titled The Wild, the Innocent & the E Street Shuffle resonates decades on due to its truths, authenticity, and spirit. Those characteristics — as well as the fact that many of its lengthy songs come on as the equivalent of sweaty, feverish soul revue that won’t stop until you’ve been exhausted — also explain how this now-iconic album triumphed over the reservations of industry “experts” that both demanded Springsteen re-record it and instructed deejays not to play it. Yet there’d be no stopping a record that saw the past, present, and future, a band whose will would not be denied, and a phenomenon who was born to run. A never-ending invitation to act real cool and stay up all night, The Wild, the Innocent & the E Street Shuffle always feels alright.

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Magnolia Electric Co.

Sojourner

123,99 €*

Release: 2007 / UK – Reissue

Genre: Rock & Indie

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Crosby Stills & Nash SuperVinyl Edition

Crosby Stills & Nash

LP | 1969 | US | Reissue (Mobile Fidelity)

119,99 €*

Gesamtwerk - Die Studioalben

Release: 1969 / US – Reissue

Genre: Rock & Indie

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ULTIMATE-SOUNDING VERSION OF THE HARMONY-RICH LANDMARK: DELUXE AUDIOPHILE PRESSING LIMITED AND NUMBERED COPIES
1/4" / 15 IPS analogue master to DSD 256 to analogue console to lathe

The enduring charm, contemporary relevance, and harmonic convergence of Crosby, Stills & Nash's fabled self-titled debut owe not only to impeccably played songs and resonant lyrics, but to career-defining performances by music's first genuine supergroup. Crosby, Stills & Nash lingers as an example of the whole being greater than the sum of its parts. Factor in phenomenal studio production and acoustic-based architecture that served as guideposts for myriad albums that followed, and popular music would never be the same.

Limited and numbered, pressed on MoFi SuperVinyl at RTI, and mastered from the original master tapes, Mobile Fidelity's UltraDisc One-Step 180g 45RPM 2LP collector's edition enhances the incalculably influential work for the ages to come. Surpassing the sonics of any prior version, it peels away any limitations to provide a transparent, ultra-nuanced presentation of a record that birthed the Laurel Canyon movement and established a precedent for close harmony singing that has never been eclipsed. The organic presentation of the textures; expanse and depth of the soundstages; fullness of tones; natural extension of the acoustic guitar strings; realistic rise and decay of individual notes; seamless blending of the vocals – all those important sonic facets (and more) reach demonstration-grade levels.

The packaging features the same attention to detail. Housed in a deluxe box, the Crosby, Stills & Nash UD1S pressing features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendour of the recording and the reissue's premium quality. Aurally and visually, MoFi's UD1S copy exists as a curatorial artifact meant to be preserved, touched, and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in the art – and everything involved with the album, from the images to the finishes.

The backstory of how Crosby, Stills & Nash came to be nearly matches the import of its content. Already a renowned multi-instrumental virtuoso, Stephen Stills sought a fresh beginning after Buffalo Springfield splintered. Similarly, vocal powerhouse David Crosby arrived after leaving the Byrds and gaining a reputation for being difficult. Graham Nash drifted over after a frustrating stint in the Hollies. He met his new mates at a party. When the three sang together informally for the first time, their fate was sealed. To further tie their fortunes together, the singers used each of their surnames to identify the group to ensure the collective could not exist or continue on without all three members.

From the opening of the lead track, the multi-part "Suite: Judy Blue Eyes," written for Judy Collins, it's apparent the trio's dynamic cannot be replicated or substituted. Originally released in May 1969 on Atlantic, the eponymous debut cracked the Billboard Top 10 and spent almost two years on the charts. Such longevity can be credited to the distinctive traits each member lends to a record Rolling Stone cites as the 252nd Greatest Album of All Time. Stills trades in folk, country, and rock accents while handing a majority of the instrumental duties (organ, bass, and lead guitar included). Crosby paints with mood and atmosphere, as well as direct political commentary. Nash ties everything together with accessible pop melodies.

More than five decades later, the ensemble's mellifluous singing and homespun arrangements continue to soar. The evidence pervades Crosby, Stills & Nash, whose magnetism reflects in standards such as the breezy "Marrakesh Express," protesting "Long Time Gone," poignant "Helplessly Hoping," and poetic "Wooden Ships." No wonder the trio's chemistry – as well as the distinctive traits of each member's singing, interwoven guitar parts, and contrasting personalities – became a permanent part of an American culture dealing with conflicting themes of peace and war, love and violence, and change and status quo.

More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior
Mobile Fidelity Sound Lab's UltraDisc One-Step (UD1S) technique bypasses generational losses inherent to the traditional three-step plating process by removing two steps: the production of father and mother plates, which are created to yield numerous stampers from each lacquer that is cut. For UD1S plating, stampers (also called "converts") are made directly from the lacquers. Since each lacquer yields only one stamper, multiple lacquers need to be cut. Mobile Fidelity's UD1S process produces a final LP with the lowest-possible noise floor. The removal of two steps of the plating process also reveals musical details and dynamics that would otherwise be lost due to the standard multi-step process. With UD1S, every aspect of vinyl production is optimized to produce the best-sounding vinyl album available today.

MoFi SuperVinyl
Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.

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Ton Steine Scherben

8LP Box | 2015 | DE | Reissue (David Volksmund)

103,99 €*

Once Twice Melody Gold Edition

Release: 2015 / DE – Reissue

Genre: Rock & Indie

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Alle fünf Studioalben der Band um Rio Reiser versammelt auf acht 180g Vinyl-Platten in dieser Box plus Buch und Poster sind wieder erhältlich.

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Beach House

2LP | 2022 | UK | Original (Bella Union)

101,99 €*

Release: 2022 / UK – Original

Genre: Rock & Indie

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Veterans Memorial Coliseum, New Haven, Ct 5/5/77 Black Friday Record Store Day 2024 Edition

Grateful Dead

4LP | 2024 | Reissue (Grateful Dead/Rhino)

99,99 €*

Electric On The Eel: August 29th, 1987 Black Friday Record Store Day 2024 Orange Vinyl Edition

Release: 2024 / Reissue

Genre: Rock & Indie

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Coming Soon 2024-11-29, 12:00 CET

RSD Exclusive, Limitation: 4500

The May 1977: Get Shown The Light vinyl saga comes to a close with the New Haven 5/5/77 opening night performance
Featuring: “Sugaree,” “Scarlet > Fire,” “St. Stephen > Sugar Magnolia,” “Estimated Prophet,” And What Is Widely Considered One Of The Best Performances Of “Peggy-O.”
A limited edition 4 x LP box set mastered By Jeffrey Norman from the original analog tapes, produced for release by David Lemieux.

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Jerry Garcia Band

3LP | 2024 | UK | Original (Round)

99,99 €*

Nuke The Whales 2006-2014 Box Set

Release: 2024 / UK – Original

Genre: Rock & Indie

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Coming Soon 2024-11-29, 12:00 CET

Electric on the Eel: August 29th, 1987 brings the first Eel River show to vinyl. Co-produced by Bill Graham Presents and the Hog Farm, this show lent an air of familiarity not always present in the urban setting Jerry usually played in. With their quintessential band in tow – Gloria Jones, John Kahn, David Kemper, Jacklyn LaBranch, and Melvin Seals – fans traveled across the country to see JGB in the heart of the Emerald Triangle. Limited edition of 4,000 pressed on Orange Sunshine vinyl.

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Pere Ubu

4LP | 2022 | UK | Original (Fire)

94,99 €*

Release: 2022 / UK – Original

Genre: Rock & Indie

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Ltd edition box set, 4xLP + Poster & DL card.Rewriting the history of music, Pere Ubu continue to confound convention and shift personnel. The next box set in Fire Records' reissue series, 'Nuke The Whales' houses 4 LPs originally released between 2006 and 2014 - 'Why I LUV Women', 'Carnival Of Souls', 'Lady Of Shanghai' and 'Long Live Pere Ubu!'. 'Nuke The Whales,' is a nod of respect to a couple in Cleveland who would daub such messages over the big news stations' advertising boards. "Very few bands display such dedication to constant self-reinvention as Pere Ubu" The QuietusAll four albums have been remixed and remastered by original Pere Ubu member David Thomas. 'Why I LUV Women', originally released on Glitterhouse in 2006, gains its first vinyl release. "Spews 11 tunes of arcane lyrics and dense music" shrieked The Cleveland Gazaette.It's joined by 'Long Live Pere Ubu' a soundtrack to a musical adaptation of the play. "Skronking, squalling rhythms and melodic snippets undulating round a pulsating soundscape." Record CollectorAnd 'Lady From Shanghai', their debut for Fire in 2013. Originally released on the 35th anniversary of the group's debut, 'The Modern Dance', a latter day re-evaluation of the unprompted dance genre.And its follow up 'Carnival Of Souls', a haunting "underscore' to a tale of alienation, it "combines metallic percussion, spare guitars and David Thomas' muttered vocals into something rustic and rickety, yet threatening at a moment's notice." AllMusic

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Deutsche Elektronische Musik Volume 2 Special Edition

4LP | 2021 | UK | Original (Soul Jazz)

89,99 €*

Live At Pappy + Harriet's Record Store Day 2024 Edition

Release: 2021 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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This album is the rarest of Soul Jazz's Deutsche Elektronische Musik series! Out-of print since its initial release over 8 years ago and not reissued, it features a monster 2 and ahalf hours of music! Very Limited Edition Super Deluxe Heavyweight Box Collectors' Edition (includes 4 LP + Insert + 2 Art prints + individual inners + download) + excellent extensive sleevenotes (by David Stubbs, writer for Wire/Guardian and author of the definitive 'Krautrock' book) + lots of exclusive photos. This is a one-off pressing of 2,000 copies worldwide.

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Los Hermanos Cosmico

3LP | 2024 | US | Original (Spiritual Pajamas)

89,99 €*

Crosby, Stills, Nash & Young

Release: 2024 / US – Original

Genre: Rock & Indie

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Recorded live under moonlit desert skies while the world sheltered away. Chris Robinson led a cosmic cast of California friends through the catalog of the CRB along with songs from Beachwood Sparks and other hand-picked revivals.

Featuring Chris Robinson, Brent Rademaker (Beachwood Sparks, GospelbeacH), Farmer Dave Scher (Beachwood Sparks, Farmer Dave and the Wizards of the West, The Skiffle Players), Ben Knight (Beachwood Sparks, Farmer Dave and the Wizards of the West), Camilla Saufley (Assemble Head in Sunburst Sound), Barry Sless (David Nelson Band, Moonalice, Bob Weir & Wolf Bros), and Alex Koford (The Terrapin Family Band, Grateful Shred).

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Deja Vu Atlantic 75 Series

2LP | US | Reissue (Analogue Productions Atlantic 75 Series)

86,99 €*

Daylight Again Atlantic 75 Series

Release: US – Reissue

Genre: Rock & Indie

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Analogue Productions (Atlantic 75 Series)

Celebrating the 75th Anniversary of Atlantic Records!

Déjà Vu — CSNY's first album as a quartet, No. 1 on the Billboard 200!

180-gram 45 RPM double LP

Mastered directly from the original master tape by Chris Bellman at Bernie Grundman Mastering

Pressed at Quality Record Pressings

Tip-on old style gatefold double pocket jacket with textured stock by Stoughton Printing

"Déjà Vu" is the title track to Crosby, Stills, Nash & Young's first album as a quartet. With Neil Young now in the mix, the album reached No. 1 on the Billboard 200 after its release in March 1970. The album remains a high point for the supergroup, having sold more than 7 million copies. Also on the record are hit singles "Teach Your Children," "Our House," and a cover of Joni Mitchell's "Woodstock."

The late David Crosby penned "Déjà Vu" for the group. Though it wasn't released as a single, it gave that iconic album its name and has subsequently received its fair share of love from CSNY fans.

"I'm one of those people who thinks we go round again," said Crosby back in 2008. "The Buddhists have got it right. It's a wheel and we get on and get off. I think life energy gets recycled. That's why I wrote ‘Déjà Vu.'"

CSNY took a while to craft the album-which is largely considered their magnum opus. "Getting that second album out of us was like pulling teeth, there was song after song that didn't make it," Stephen Stills once said. "The track ‘Déjà Vu' must have meant 100 takes in the studio. But ‘Carry On' happened in a grand total of eight hours from conception to finished master. So you never know."

All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from the original master tape by Chris Bellman at Bernie Grundman Mastering and cut at 45 RPM. Pressed at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket with textured stock by Stoughton Printing.

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Crosby, Stills And Nash

2LP | 2023 | US | Reissue (Analogue Productions Atlantic 75 Series)

86,99 €*

2LP | 2023 | US | Reissue (Analogue Productions Atlantic 75 Series)

Release: 2023 / US – Reissue

Genre: Rock & Indie

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Analogue Productions (Atlantic 75 Series)

Celebrating the 75th Anniversary of Atlantic Records!

Platinum-selling 1982 studio album by Crosby, Stills & Nash

180-gram 45 RPM double LP

Mastered directly from the original master tape by Chris Bellman at Bernie Grundman Mastering

Pressed at Quality Record Pressings

Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing

Although Crosby, Stills & Nash had, in effect, been together for well over a decade when Daylight Again (1982) was issued, it was only their third studio long-player of concurrently new material. Initially, the project began as a collaborative effort between Stephen Stills (guitar/banjo/keyboards/percussion/vocals) and Graham Nash (guitar/keyboards/percussion/vocals), as David Crosby was descending into a self-induced state of perpetual drug dependency. However, Crosby was included, although arguably in name alone, and his hauntingly lyrical "Delta" stands as one of his finest contributions. Perhaps the most telling element in the trio's state of affairs was the addition of the Eagles' Timothy B. Schmit and CSN bandmember Mike Finnigan (keyboards/vocals) on vocals throughout.

Among the most notable material on the album are Graham Nash's "Wasted on the Way," and "Southern Cross," composed by Michael and Richard Curtis with Stephen Stills. Both were extracted as singles and became among the best-known tracks not only on Daylight Again, but also in the post-'60s CSN canon.

This reissue has all the earmarks of a phenomenal Analogue Productions reissue. Mastered directly from the original master tape by Chris Bellman at Bernie Grundman Mastering and cut at 45 RPM. Pressed on 180-gram vinyl at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.

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Crosby, Stills & Nash

CSN Atlantic 75 Series

86,99 €*

LP | 2019 | EU | Reissue (Virgin EMI)

Release: 2023 / US – Reissue

Genre: Rock & Indie

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Analogue Productions (Atlantic 75 Series)

Celebrating the 75th Anniversary of Atlantic Records!

Fifth album from Crosby, Stills & Nash featuring "Just a Song Before I Go" and "Fair Game"

No. 2 on Billboard's Top Pop Albums chart

180-gram 45 RPM double LP

Mastered directly from the original master tape by Chris Bellman at Bernie Grundman Mastering

Pressed at Quality Record Pressings

Tip-on old style gatefold double pocket jacket with textured stock by Stoughton Printing

"CSN was the trio's last fully realized album, and also the last recording on which the three principals handled all the vocal parts without the sweetening of additional voices. It has held up remarkably well, both as a memento of its time and as a thoroughly enjoyable musical work." — AllMusic

Crosby, Stills & Nash was a folk rock supergroup made up of American singer-songwriters David Crosby, Stephen Stills, and English singer-songwriter Graham Nash. CSN's 1977 self-titled album is a return to the harmony-soaked idealism with which the trio had been catapulted to popularity; it reached No. 2 on the charts, behind Fleetwood Mac's megasuccessful Rumours.

AllMusic says the songs on CSN show a "great deal of lyrical maturity and compositional complexity compared to those earlier albums (from a far more innocent time). "Just a Song Before I Go" was the latest of Graham Nash's radio-friendly acoustic numbers, and a Top Ten single. "See the Changes" and "Dark Star" ranked with the best of Stephen Stills' work, while David Crosby contributed three classics from his distinctive oeuvre: "Shadow Captain," "Anything at All," and the beautiful "In My Dreams."And Nash's multi-part "Cathedral," a recollection of an acid trip taken in Winchester Cathedral on his 32nd birthday, became a staple of the group's live repertoire.

Ground-breaking music perfection deserves definitive sound and top-notch packaging. This reissue was mastered directly from the original master tape by Chris Bellman at Bernie Grundman Mastering and cut at 45 RPM. Pressed on 180-gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket with textured stock by Stoughton Printing.

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David Sylvian

Brilliant Trees

80,99 €*

3xLP | 2024 | UK | Original (Independent Project)

Release: 2019 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: Near Mint

EU reissue from 2019. tiny wear. Original inner sleeve. Vinyl is close to NM.

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David J

Tracks From The Attic

76,99 €*

Release: 2024 / UK – Original

Genre: Rock & Indie

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Bad Magic: Seriously Bad Magic Boxset

Motörhead

Box | 2015 | EU | Reissue (Silver Lining)

75,99 €*

Crosby, Stills & Nash Atlantic 75 Series

Release: 2015 / EU – Reissue

Genre: Rock & Indie

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Motörhead, die Ikonen, die “Godfathers of Heavy Metal“, veröffentlichen ihr 23. (und allerletztes Studioalbum) Bad Magic von 2015 noch einmal.

“Bad Magic: Seriously BAD Magic“ beinhaltet frisches Bonusmaterial und zwei bisher unveröffentlichte Tracks: “Bullet in Your Brain” und “Greedy Bastards”, sowie eine glanzvolle Live Performance von der Bad Magic Tour beim gigantischen Mt Fuji Festival in Japan 2015.

Dazu bekommen die Fans bekommen ein Audio Interview “War, Love, Death and Injustice” natürlich mit Lemmy, geführt vom Motörhead -Experten, Robert Kiewik, auf der Tour 2015 und wer vielleicht mit Lemmy in Verbindung treten will, kann dies mit dem Murder ONE Ouija Board, komplettiert mit einer Ace of Spades Planchette um die Richtung der ‚Konversation‘ anzuzeigen. Dies wird in einem exklusiven Boxset angeboten.

Ein neues Video für “Bullet In Your Brain” und unveröffentlichtes Footage aus dem Studio während der Bad Magic Aufnahmen. Eine Offenbarung für alle Fans, die sich nach neuen Motörhead Material gesehnt haben.

Als Bad Magic 2015 veröffentlicht wurde, tat es einen gewaltigen Schlag und alle, die meinten Motörhead wären zahmer geworden, wurden eines Besseren belehrt. Das Album erreichte in Deutschland auf Anhieb die Top 1 Chart Position mit Songs, wie dem Brechkegel “Thunder & Lightning” oder “Teach Them How To Bleed”. Das Album war tough, clean, mean und eines der kompromisslosesten Werke von Motörhead ever! Cameron Webb hatte seinen Anteil daran; er überzeugte die Band, das Album in den NRG North Hollywood, Maple Studios und Grandmaster in Kalifornien live aufzunehmen– zum allerersten Mal in der Ära Kilmister/Campbell/Dee. Von der gewaltigen Punk Energie bei “Electricity” bis hin zu Queens Brian May, der einen sprühenden Gastauftritt bei “The Devil” hat, dazu gewaltige Aggression, Attitüde und exzellentes Songwriting. Phil Campbell hat nicht nur seine besten Gitarrenstücke aufgenommen, er hat die besten Solos in einer Dekade abgeliefert und Mikkey Dees Schlagzeugspiel gab dem Motörhead Sound eine neue Resonanz. Dazu Lemmys raue lyrische Lebensreflektion wie bei “Till The End” und natürlich das unglaubliche Rolling Stones Cover “Sympathy For The Devil”. Eine der versteckten Juwelen des Albums auf „Bad Magic: Seriously BAD Magic“, ist Motörheads berühmteste, international gefeierte Version des David Bowies Klassiker, “Heroes”. Ursprünglich sollte der Song auf Bad Magic (2015) erscheinen, wurde jedoch in der letzte Minute wieder heruntergenommen. Jetzt aber fand „Heroes“ seinen Platz auf „Seriously Bad Magic“.

„Bad Magic: Seriously BAD Magic“ wird in den folgenden Formaten veröffentlicht : 2-fach 12” Vinyl, CD Digipak mit Bonus Disc, Limited Edition Boxset, Digital Download und Streaming. Das Limited Edition Boxset enthält das CD Digipak mit Bonus Disc, Doppel- 12” Vinyl, das exklusive Lemmy War, Love, Death and Injustice Audio Interview auf 12” Vinyl und die Edition Motörhead – Murder ONE Ouija Board mit Planchette.

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Crosby, Stills & Nash

2LP | 2023 | US | Reissue (Analogue Productions Atlantic 75 Series)

75,99 €*

If I Could Only Remember My Name Atlantic 75 Series

Release: 2023 / US – Reissue

Genre: Rock & Indie

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180g 2LP 45rpm. Analogue Productions (Atlantic 75 Series)
Celebrating the 75th Anniversary of Atlantic Records!
Crosby, Stills & Nash — The debut studio album from the rock supergroup!
180-gram 45 RPM double LP
Mastered directly from the original master tape by Bernie Grundman
Pressed at Quality Record Pressings
Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing

Several unique features set the debut studio album by folk rock supergroup Crosby, Stills & Nash, released in 1969 by Atlantic Records, apart. It's the only album by the band before adding Neil Young to their lineup. The album spawned two Top 40 singles, "Marrakesh Express" and "Suite: Judy Blue Eyes," which peaked respectively at No. 28 during the week of August 23, 1969, and at No. 21 during the week of December 6, 1969, on the U.S. Billboard Hot 100. The album itself peaked at No. 6 on the U.S. Billboard Top Pop Albums chart. It has been certified four times platinum by the RIAA for sales in excess of 4 million copies.

Instantly lifting the group to stardom, along with the Byrds' Sweetheart of the Rodeo and the Band's Music from Big Pink, the previous year, the album is cited by music reviewers for initiating sweeping changes in popular music. In 2021 the album held the rank of No. 161 on Rolling Stone's 500 Greatest Albums of All Time list.

Crosby, Stills & Nash was "the perfect blend of David Crosby's social conscience, Stephen Stills's virtuoso musicianship and Graham Nash's ability to craft the perfect pop melody for radio," writes Rolling Stone, in its review.

The band was brought together after Crosby was fired from The Byrds, Stills's band, Buffalo Springfield had broken up (a band which also featured later member, Neil Young) and Nash's departure from The Hollies. The three decided to form a band after an informal jam led them to discover how well their voices harmonized. Released in May 1969, the band would perform nine of the album's 10 songs at Woodstock, which was the second time they ever did, in August of the same year.

The album features some of CSN's most well known and iconic songs; "Suite: Judy Blue Eyes," "Marrakesh Express," "Guinnevere," "Wooden Ships," "Helplessly Hoping" and "Long Time Gone." This album saw a shift in sound to what was popular at the time — blues based rock, opting for a more folk rock, and sometimes jazz-based sound. It would lay the foundations for the California Sound that would be popularised out of Laurel Canyon in the ‘70s. Artists such as The Eagles, Jackson Browne and Fleetwood Mac would take inspiration from the sound of this record.

All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from the original master tape by Bernie Grundman and cut at 45 RPM. Pressed on 180-gram vinyl at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.

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David Crosby

2LP | 2023 | US | Reissue (Analogue Productions Atlantic 75 Series)

74,99 €*

LP | 2021 | EU | Reissue (Heavy Psych)

Release: 2023 / US – Reissue

Genre: Rock & Indie

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180g 2LP 45rpm Gatefold Sleeve

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Stoner

Stoners Rule

74,99 €*

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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2LP | 1971 | US | Reissue (Mobile Fidelity Sound Lab)

T.Rex

Electric Warrior

73,99 €*

Jerry Garcia & David Grisman

Release: 1971 / US – Reissue

Genre: Rock & Indie

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T. Rex's Exotic Landmark Signals the Birth of Glam Rock, Features "Bang a Gong (Get It On)": Electric Warrior Swaggers with Libido, Flamboyance, Fantasy, Fun, Hooks, and Theatricality

Mastered on Mobile Fidelity's State-of-the-Art Mastering System: 180g 45RPM Vinyl 2LP Set Presents the 1971 Record's Reverb, Colors, Tones, and String Arrangements in Full-Tilt Glory

Bang a gong and get it on. At once sardonic, flamboyant, and trashy, T. Rex's uncommonly unique Electric Warrior catapulted leader Marc Bolan to stardom, triggered an ongoing fascination with glam rock, and launched a movement that soon involved David Bowie, Roxy Music, Mott the Hoople, and more. Yet none of those namesake artists ever released a record that out-glammed, out-innuendoed, out-thrusted, or out-camped Electric Warrior – named the 160th Greatest Album of All Time by Rolling Stone and included in the celebrated book 1001 Albums You Must Hear Before You Die.

Mastered on Mobile Fidelity's state-of-the-art mastering system, pressed on dead-quiet vinyl at RTI, and housed in a gatefold sleeve, the label's numbered-edition 180g 45RPM 2LP set gives the 1971 landmark the widescreen sound quality it has always deserved. Tony Visconti's warm, reverb-soaked production and Roy Thomas Baker's ace engineering remain two of the work's most famous and revered elements. Here, the production and music can be experienced in all its full-tilt glory, from the subtle albeit elegant classical touches to the instantly identifiable Les Paul guitar licks to Bolan's sensual, wispy, are-they-or-aren't-they-serious vocals.

As Sean Egan wrote in the liner notes of a long-out-of-print reissue: "The sound is recognizably rock, yet a previously unheard exotic variant, almost as if concocted by inhabitants of one of the Tolkien-esque worlds common in Bolan's lyrics. The strings are overt but discreet in shape and tone, injecting just the right amount of class." All these aspects and more come to life with a realism, vibrancy, detail, and textural palpability that surpass the presentation on any prior analog edition. If you can hear colors, this audiophile version of Electric Warrior will stimulate your inner synesthesia.

At the time of the album's creation, such cosmic-related phenomenon were well within Bolan's orbit. But the differences between Electric Warrior and the singer/guitarist's earlier works are as vast as those that divide high art and low-brow culture. Chief among them: Bolan's decision to channel his acoustic hippie-inspired visions into hyper-sexualized, metaphor-rich statements that benefit from amplified foundations. And still, part of the songs' charm relates to how they tread a fine line between rock and pop.

Save for the lashing out of "Rip Off," Electric Warrior retains a mellow core underlined by a gauzy tint, gossamer temperament, and crushed-velvet feel. The perception that he record contains blustery heaviness is furthered – and initiated – by the now-iconic album cover, which depicts a giant-sized Bolan standing in front of an equally giant amplifier stack, striking a rock-star pose and giving the impression everything within is designed to go to the proverbial 11 on the volume knob. Akin to a majority of the songs themselves, the visual functions as clever illusion, absurd humor, ostentatious simplicity, and playful pretense.

Bursting with excessive fun and unchecked libido, T. Rex's catchy boogies, shuffles, and vamps scoot by on a seemingly impossible blend of concise hooks, non-sequitur fantasies, and theatrical swagger. From the chart-topping "Bang a Gong (Get It On)" to the beautiful "Life's a Gas," the R&B-stoked hit "Jeepster" to the pout of "Motivator" and galactic soul of "Planet Queen," Bolan, percussionist Mickey Finn, and boards manipulator Visconti craft a rewardingly strange, parallel universe of sound, style, and sex that still has no equal.

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2LP | 2014 | US | Original (Mobile Fidelity)

73,99 €*

Anfang Verpasst (1992-1999)

Release: 2014 / US – Original

Genre: Rock & Indie

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2LP, 180 Gram Audiophile Vinyl, Numbered Limited-Edition

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Die Sterne

7CD | 2019 | EU | Original (Tapete)

71,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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The Exciting Wilson Pickett Atlantic 75 Series

Wilson Pickett

2LP | 2023 | US | Reissue (Analogue Productions Atlantic 75 Series)

70,99 €*

Release: 2023 / US – Reissue

Genre: Rock & Indie

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Analogue Productions (Atlantic 75 Series)

Celebrating the 75th Anniversary of Atlantic Records!

R&B, soul singer Wilson Pickett's classic third album

Features "In the Midnight Hour," "Land of a Thousand Dances" and "Ninety-nine and a Half (Won't Do)"

180-gram 45 RPM double LP

Pressed at Quality Record Pressings

Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing

The Exciting Wilson Pickett, released in 1966, was R&B and soul singer Wilson Pickett's third album, charting at No. 3 on the U.S. Billboard R&B albums chart and No. 21 on the popular albums chart, becoming the highest-charting studio album of Pickett's career.

The making of the album saw Pickett end his relationship with Stax Studios in Memphis, Tennessee, where he had cut his early singles, and move to Fame Studios in Muscle Shoals, Alabama, where he would record for the next two years. According to AllMusic, this album firmly established Picket's "stature as a major '60s soul man," launching four major crossover hits.

The chart-toppers include "In the Midnight Hour" reached No. 1 on the Billboard R&B singles chart and No. 21 on the pop singles chart. "Land of a Thousand Dances" reached No. 1 and No. 6 respectively, his biggest pop hit. "Ninety-nine and a Half (Won't Do)" reached No. 13 and No. 53. "634-5789 (Soulsville, U.S.A.)," a song which Pickett had not on first hearing liked, reached No. 1 and No. 13.

The deeper album cuts hold significant appeal as well and include standards "Something You Got," "Barefootin'" and "Mercy Mercy" as well as several original tunes with Memphis Soul greats Steve Cropper, Eddie Floyd, and David Porter.

Pressed on 180-gram vinyl at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.

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7" | 2015 | Reissue (Parlophone)

Space Oddity

66,99 €*

4LP | 2014 | US | Original (Merge)

Release: 2015 / Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Sealed, Cover: Sealed

Picture disc in stickered plastic sleeve. Still sealed!

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The Clean

Anthology

65,99 €*

Alexander ''Skip'' Spence

Release: 2014 / US – Original

Genre: Rock & Indie

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Anthology serves as a celebration of The Clean, a band whose influence extends so far beyond their New Zealand home that even if you have never heard of The Clean before, you have surely heard of some of the bands (Pavement, Yo La Tengo, and Superchunk, to name a few) who have been influenced by their unique blend of homemade garage rock, hook-filled melodies, and psychedelic experimentalism.

The album is a compilation of songs from across The Clean’s legendary musical career, which began in 1981 and continues today.

The Clean’s story is on-again/off-again purely by design. It suits the trio’s creative desires and keeps them clear of the machinery that threatened to interfere with that process from the moment they threatened to get awfully popular awfully quickly over thirty years ago. The Clean’s modern age has seen them splitting time and hemispheres: David Kilgour has a reputable solo catalog; Robert Scott has The Bats; and Hamish Kilgour has been an endearing and enduring fixture in New York City, playing with assorted combos.

180g vinyl.

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Andoaragain Record Store Day 2019 Edition

3LP | 2019 | US | Original (Modern Harmonic)

64,99 €*

Animals Limited Box Edition

Release: 2019 / US – Original

Genre: Rock & Indie

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AndOarAgain provides unparalleled access to what David Fricke calls ''the most harrowing and compelling artifacts of rock & roll's most euphoric era, across three dozen unheard tracks! A triple LP pressed at RTI, AndOarAgain features nearly two hours of unheard music on the way to Oar –along with roads not taken–that both clarifies and muddies the enigma of how psychedelic legend Alexander ''Skip'' Spence determined the final state of his iconic masterpiece.

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Pink Floyd

Box | 2022 | EU | Original (Parlophone Label Group)

63,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Earl's Closet The Lost Archive Of Earl Mcgrath 1970-1980 Red Vinyl Edition

2LP | 2022 | US | Original (Light In The Attic)

63,99 €*

4LP | 2017 | EU | Original (Sony)

Release: 2022 / US – Original

Genre: Rock & Indie

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All tracks previously unreleased including unheard recordings from Daryl Hall and John Oates, David Johansen (New York Dolls), Terry Allen, Delbert McClinton, Andy Warhol’s Superstar Ultra Violet, Norma Jean Bell, and The Jim Carroll Band Restored and remastered audio by GRAMMY®-nominated engineer, John Baldwin Extensive booklet featuring unseen archive photos, ephemera and label history (LP: 20-pgs, CD: 40-pgs) Liner notes by journalist Joe Hagan with exclusive interviews Double LP pressed on 180-gram vinyl and housed in a gatefold jacket ‘Cocktail Party’ Vinyl Color Edition pressed on Clear Wax “Earl was a wonderful man with a great eye for new and innovative art. And such an amusing companion, too.” – Mick Jagger

Earl McGrath was the ultimate ’70s jet setter, an art collector and comic bon vivant who stumbled into the record business between legendary parties in New York and LA and discovered Daryl Hall and John Oates and then Jim Carroll. Atlantic founder Ahmet Ertegun gave Earl his own label, Clean Records, in 1970; Mick Jagger hired him to run Rolling Stones Records in 1977.

Friend to Joan Didion, Andy Warhol, and a galaxy of luminaries, Earl was an inveterate tastemaker. Actor Harrison Ford, who before Star Wars fame was Earl’s handyman and pot dealer, called him “the last of a breed, one of the last great gentlemen and bohemians.”

After Earl died in 2016, journalist Joe Hagan, author of the critically-acclaimed Sticky Fingers, the biography of Rolling Stone founder Jann Wenner, discovered a trove of rare and unheard tapes in Earl’s apartment in New York—literally inside his closet. “I asked for a step ladder and the first box I pulled off the shelf was a master tape of Some Girls, the Stones album,” says Hagan.

Now Light in the Attic Records proudly presents Earl’s Closet, a double album of the treasures discovered inside, including unheard music by Daryl Hall and John Oates, David Johansen, Terry Allen, Delbert McClinton, Warhol “Superstar” Ultra Violet, Detroit sax legend Norma Jean Bell, Jim Carroll and an eclectic cast of undiscovered artists who once vied for fame and glory—folk, rock, country, funk and R&B gems that virtually no one has heard in decades. Whether it’s the almost-famous power pop of Shadow from Detroit, or the Delfonics-style soul of the Blood Brothers Six, Earl’s Closet retraces the dreams of artists who once sent demos to Earl McGrath. Longtime Light in the Attic-affiliated reissue producer Pat Thomas assisted Hagan in tracking down the artists and finalizing the paperwork.

At once an archival mixtape, a secret history and a journey into the heart of an era, Earl’s Closet features a deep booklet of documents, images and ephemera from Earl’s archive, expansive liner notes by Joe Hagan, who tracked down and interviewed the artists, and astonishing photographs by Earl’s late wife, the Italian countess Camilla Pecci-Blunt McGrath.

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David Gilmour

Live At Pompeii

60,99 €*

Songwriter Clear With Black Splatter Vinyl Edition

Release: 2017 / EU – Original

Genre: Rock & Indie

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Deluxe 4 x LP set of David’s incredible concert in the 2,000 year-old Pompeii amphitheatre in July 2016.
148 minutes of amazing performance across 21 tracks in a hardback slipcase containing 4 x LPs with poly liner bags,
2 x gatefold sleeves and 24-page large format photo booklet.
Produced by David Gilmour. Mixed by Andy Jackson and David Gilmour, assisted by Damon Iddins.
Vinyl half-speed mastering by Mandy Parnell at Black Saloon Studios, London.

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Johnny Cash

LP | 2024 | Original (Universal)

60,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Limited Clear with Black Splatter Colored Vinyl. Johnny Cash recorded an album's worth of self-penned songs in 1993. Shortly thereafter, he released the American Recordings albums and re-established himself as one of the world's greatest songwriters, introducing him to a new generation of fans. Songwriter's unreleased 11 songs have been updated and produced by his son John Carter Cash and co-producer David Ferguson.

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Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition

2LP | 2024 | US | Original (Light In The Attic)

58,99 €*

Jerry Garcia & David Grisman

Release: 2024 / US – Original

Genre: Rock & Indie

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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”

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Rare Bones Colored Vinyl Edition

2LP | 2024 | UK | Original (Round)

Jerry Garcia & David Grisman

Release: 2024 / UK – Original

Genre: Rock & Indie

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Round Records IS Proud TO Reintroduce THE Recordings OF David Grisman & Jerry Garcia AT Retail With THE Debut OF Bare Bones, a collection of duo performances exploring the foundation of their beloved studio recordings.

After over 30 years, Grisman has opened the Dawg Vault to curate a collection honoring the magic of their studio works. They are presented for the first time in their original unadorned state as part of a vinyl series

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Rare Bones Black Vinyl Edition

2LP | 2024 | UK | Original (Round)

Directions To See A Ghost

Release: 2024 / UK – Original

Genre: Rock & Indie

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The Black Angels

3LP | 2008 | US | Reissue (Light In The Attic)

Release: 2008 / US – Reissue

Genre: Rock & Indie

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Directions To See A Ghost

The Black Angels

3LP | 2008 | US | Original (Light In The Attic)

LP | 2019 | US | Reissue (Now-Again)

Release: 2008 / US – Original

Genre: Rock & Indie

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"The Black Angels bring the aura of mid-1966 the drilling guitars of early Velvet Underground shows, the raga inflections of late-show Fillmore jams, the acid-prayer stomp of Austin avatars the 13th Floor Elevators everywhere they go, including the levitations on their second album, Directions to See a Ghost (Light In The Attic). Mid-Eighties echoes of Spacemen 3 and the Jesus and Mary Chain also roll through the scoured-guitar sustain and Alex Maas' rocker-monk incantations. But he knows what time it is. 'You say the Beatles stopped the war," Maas sings in 'Never/Ever.' 'They might've helped to find a cure/But it's still not over.' Even so, this medicine works wonders." - David Fricke, Rolling Stone

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Al Manfredi

Blue Gold

56,99 €*

3LP+DVD | 2023 | UK | Original (Happy Happy Birthday To Me)

Release: 2019 / US – Reissue

Genre: Rock & Indie

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Al Manfredi is the father of hip-hop producer Exile, and Blue
Gold is his little-known West Coast rock masterpiece from
1973. Manfredi’s dreams of securing a record deal with this
album faded, but he spent the rest of his life recording
music. This version of the album was overseen by Exile.
Born into a musical family Al Manfredi started writing songs when he was child. As a teenager in 1965, he formed the Nuts
& Bolts in the small beach town of San Clemente, California. Inspired by the Kinks, the Beatles and the Byrds, the group
separated themselves from the pack by also performing original material written by Manfredi and band mate Mike Ingram.
In late 1966 they changed their name to the Lost & Found and relocated to Phoenix, Arizona, where they cut a rare single,
“Don’t Move Girl” b/w “To Catch the Sun,” which now commands high coin from ‘60s garage collectors.
When they returned to San Clemente in early 1967 their music had taken a more psychedelic direction. The Lost & Found
were riding high that year, until tragedy struck. Ingram was found hanged under suspicious circumstances and soon after
Lost & Found drummer Mike Ryer died of cancer at the age of 19. Heartbroken, Manfredi gave up on the band scene
completely and moved to Garden Grove to teach at his family’s music store.
But alone, behind closed doors, he kept writing songs and working on his music, recording hours of tapes, often tracking
all the instruments himself. In 1973 he chose six of his best songs, some of them written back in the Lost & Found days,
and had them custom-pressed as an LP. Only a handful of copies were pressed, and most of these were sent out to various
record companies in the hope of landing a deal. Despite the outstanding quality of the music, there were no takers. But
decades later, collectors discovered the Al Manfredi album and hailed it a West Coast rock masterpiece. In his Acid Archives
book, Patrick Lundborg called its discovery a deus ex machina and compared it to David Crosby’s first solo album and
Hawaii-era Merrell Fankhauser, “not just the acutely captured mellowness, but the self-confidence and the talent.”
This little-known West Coast rock masterpiece was rediscovered and celebrated by Acid Archives founder Patrick Lundborg
and others around the time that Manfredi died in 1995. This version of the album, overseen by Manfredi’s son Exile,
and with Manfredi’s story told by Ugly Things’ founder Mike Stax, presents the complete package of an incredible lost and
found artist.

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Wedding Present

24 Songs

56,99 €*

Release: 2023 / UK – Original

Genre: Rock & Indie

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The Wedding Present 24 Songs is a 3LP w/ DVD collecting all the 2022 7" singles in one spot. A. o. featuring a duet with Louise Wener of Sleeper, full lenght versions of songs, a bonus Utah Saints remix and more extra tracks! Throughout 2022, The Wedding Present's '24 Songs' series saw the legendary indie band release two new tracks a month as double A sided 7"s, ultimately creating a much-sought-after box set. David Gedge has now re-curated full-length versions of all twenty-four tracks for a new compilation album that will also comprise five bonus recordings including one featuring The Wedding Present's first guitarist, Peter Solowka. '24 Songs' was a doff of the cap to The Wedding Present's 'Hit Parade' project of 30 years previous. That series proved to be a real milestone for the band with them becoming only the second-ever artist to achieve twelve Official UK Top 40 hits in a calendar year - at the time something that only Elvis had achieved! David Gedge says: "When it came to compiling the '24 Songs' album, I decided not to sequence the tracks in chronological order. With six sides of vinyl, you have six 'beginnings' and six 'ends' to play with, and I felt that the opportunity to build some kind of a musical journey was too good to miss! Listening back to this collection, I have to say that I genuinely believe that, for this project, The Wedding Present have recorded some of the best tracks in our history." Classic black vinyl, the DVD includedThe Wedding Present playing live during the `24 Songs Launch' event in January 2022 plus a fascinating `fly-on-the-wall' documentary filmed as the songs were being written, arranged and recorded and the video for the December single.

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Even The Forest Hums: Ukrainian Sonic Archives 1971-1996

2LP | 2024 | US | Original (Light In The Attic)

55,99 €*

Artificial Paradise Double Lp Black Friday Record Store Day 2024 Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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OneRepublic

2LP | 2024 | Reissue (Mosley Music Group/Interscope)

53,99 €*

Live At River Plate 50th Anniversary Golden Vinyl Edition

Release: 2024 / Reissue

Genre: Rock & Indie

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Special two-disc RSD Black Friday variant of the sixth studio album from GRAMMY-nominated OneRepublic with special Gold & Pure Cloudy vinyl LPs, featuring eight new acoustic versions never-before-pressed to vinyl.
OneRepublic is comprised of singer/songwriter and lead vocalist Ryan Tedder, guitarists Zach Filkins and Drew Brown, Brian Willett on keys, bassist and cellist Brent Kutzle, and drummer Eddie Fisher. The album features breakout platinum single, "I Ain't Worried," which was synced to Tom Cruise's Top Gun: Maverick, breaking single "I Don't Wanna Wait (w/ David Guetta)," and much-loved hits "West Coast," "Sunshine," and more. Frontman Ryan Tedder is a 3x GRAMMY-winner for his songwriting work with Adele and Taylor Swift. He has also had huge, global hits for The Jonas Brothers, Ed Sheeran, Tate McRae, Miley Cyrus, 5SOS, OneDirection, John Mayer, Maroon 5 and more.

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AC/DC

3LP | 2012 | EU | Reissue (Sony Music Catalog)

53,99 €*

Release: 2012 / EU – Reissue

Genre: Rock & Indie

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Look At The Moon! Live Phoenix Festival 97 Brilliant Live Adventures Series

3LP | 2023 | EU | Original (Parlophone)

53,99 €*

Directions To See A Ghost Metallic Silver Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Completely unreleased until now, LOOK AT THE MOON! Is the fourth in the Brilliant Live Adventures series of 90s live albums exclusive to Dig!

Recorded live at The Phoenix Festival, Long Marston, England on 20th July, 1997, LOOK AT THE MOON! features such previously unreleased rarities as a cover of Laurie Anderson’s ‘O Superman’, which the band had also played at their secret show as 'The Tao Jones Index’ show at the festival the previous day.

LOOK AT THE MOON! by David Bowie; David Bowie – vocals, guitar, saxophone, Zachary Alford - drums, Gail Ann Dorsey - bass, vocals, lead vocal on ‘O Superman’, keyboards, Reeves Gabrels – guitars, synthesisers, vocals, musical director, Mike Garson – piano, keyboards, synthesisers.

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The Black Angels

3LP | 2008 | US | Reissue (Light In The Attic)

52,69 €* 61,99 € -15%

Release: 2008 / US – Reissue

Genre: Rock & Indie

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Legacy The Very Best Of David Bowie

2LP | 2017 | EU | Reissue (Parlophone Label Group)

51,99 €*

Release: 2017 / EU – Reissue

Genre: Rock & Indie

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Hittin' The Bitchin' Switch (Live) Red / Yellow / Blue Vinyl Edition

Stoner

LP | 2024 | EU | Original (Heavy Psych Sounds)

50,99 €*

Dab City White, Green & Purple Colored Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Brand new Live Album for the Californian super band featuring Brant Bjork, Nick Oliveri and Ryan Güt. An incredible double vinyl gatefold album with all the band's hits and two amazing Kyuss covers. Recorded live at Altroquando Treviso Italy by Matteo Pillon. Album Cover and art by Mirko Gastow.

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Bongzilla

2LP | 2023 | EU | Original (Heavy Psych Sounds)

50,99 €*

The Byrds / Buffalo Springfield

Release: 2023 / EU – Original

Genre: Rock & Indie

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Double gatefold vinyl, alternative purple cover + 2 Bonus Tracks/15 minutes music extra + gatefold sleeve with lyrics. Dab City is an ode to the purest form of THC and our beloved hometown of Madison Wisconsin, which is known as Mad City. A political and social hot bed and lightning rod for our state and the Midwest since the 1960's, Madison is also home to a large University with one of the best agronomy departments in the country and not surprisingly the focal point for some of the finest cannabis our country has to offer(Muleboy has not seen pot with seeds in it since arriving in 1993!)Although not legal, possession is basically ignored and punished with a nominal $1 fine for under 128 grams. For the recording of dab City we procured 10 g plus of the finest concentrates we could lay our hands on and somewhere north of 120 g of cannabis flower. And recorded it on 2-in analog tape over two sessions at Future apple tree Studio in Rock Island Illinois. Fall 2022 session is known as the Harvest Sessions and the February of 2023 session is known as the Propagation Sessions. The record is our 2nd as a three piece and our second full length release for our label Heavy Psych Sounds and continues our journey into ultra stoned sludgey psychedelia. Dab City is 100% recorded on Tape, and is composed by 7 songs with a running time of almost 60 minutes of brand new Stoned Sludge Heavy Doomy Riffs.

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The Byrds / Buffalo Springfield: Live At The Monterey International Pop Festival Black Friday Record Store Day 2024 Edition

2LP | 2024 | Reissue (The Monterey International Pop Festival Foundation)

49,99 €*

LP | 2024 | US | Original (Chunklet)

Release: 2024 / Reissue

Genre: Rock & Indie

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The two most important American rock bands performing at the Monterey International Pop Festival—Buffalo Springfield and The Byrds—had one thing in common: David Crosby. These sets mark a pivotal moment in Crosby’s career: One of his final performances before leaving The Byrds and, sitting in with Buffalo Springfield at the request of Stephen Stills, the beginnings of the partnership that would become Crosby, Stills, and Nash. While the sets by Otis, The Who, Janis Joplin, and Jimi Hendrix were revolutionary moments, these sets by The Byrds and Buffalo Springfield tell a different story, of one artist’s evolution that in turn changed rock music itself.

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Limbo District

Carnival

49,99 €*

LP | 2019 | EU | Original (Deste Foundation)

Release: 2024 / US – Original

Genre: Rock & Indie

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In August 1982, Limbo District—percussionist Jerry Ayers, vocalist Craig Woodall, bass player Davey Stevenson, Farfisa player and vocalist Dominique Amet, and guitarist Tim Lacy—traveled from Athens, GA to Winston-Salem, NC to record at Mitch Easter’s Drive-In Studio. The session took place just two months after fellow Athens band R.E.M. had gone there to record their debut Chronic Town EP.

With Easter, Limbo District recorded a five-song set of bewitching rhythms and guttural poetry, chants, and howls that culminated in a Dionysian, avant-garde pulse.

These songs later accompanied photographer Marlys Cox’s images brought to life in Jim Herbert’s experimental film, “Carnival.” Aside from the few seconds of “Carnival” that appeared in Tony Gayton’s documentary “Athens, GA: Inside/Out,” Limbo District has remained unheard by anyone who wasn’t there to witness the band's powerful blend of music and performance art as it happened.

Carnival offers a glimpse behind the curtain, revealing a contemporary of the B-52’s, Pylon, R.E.M., the Method Actors, Love Tractor, and more, and presents a thread to unravel a perfect mystery.

Limbo District’s significance is matched only by its obscurity, and the complete Mitch Easter session has remained unreleased until now.

"When I moved to Georgia in 1991, the only Athens band I was looking for was Limbo District. For decades, I remained empty handed. And now, the crown jewel of the Limbo story is unearthed: Carnival. Chunklet is proud to have excavated this apparition and it is now time to celebrate the band's delirious, cryptic and in-the-moment existence. Behold: Limbo District!"—Henry Owings, Chunklet Industries

“It was exactly the kind of thing that I wanted to be doing. … Limbo District stood tall as being absolutely their own thing, and not remotely concerned with commercial music at all. Still, the songs were catchy.”—Mitch Easter (original producer, owner of Drive-In Studio, Let’s Active)

“Everything about Limbo District is kind of a surprise. Their music is its own category. What struck me was the uniqueness of it. In a college town music scene, there are so many creative young people who tend to wear their influences on their sleeve. Limbo District's music is not easily pegged.”—David Barbe (2023 producer, Chase Park owner, Mercyland)

“Michael Stipe championed Limbo District because he connected with Jerry. They were such close friends back in those early days. He helped Michael see a vision for himself that he would not have seen on his own, and things wouldn't have been the same for R.E.M.”—Lady Clare Butler, The Now Explosion

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David Shrigley

Goat Music

49,99 €*

Eva Luna Strictly Blue Vinyl Edition

Release: 2019 / EU – Original

Genre: Rock & Indie, Soundtracks

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Picture disc!

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Moonshake

2LP | 1992 | EU | Reissue (Too Pure)

48,99 €*

2LP | 2019 | US | Original (Audika)

Release: 1992 / EU – Reissue

Genre: Rock & Indie

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Moonshake was formed in 1991 by David Callahan (vocals, guitars, samplers), formerly of The Wolfhounds, and New York musician Margaret Fiedler (vocals, guitars, samplers). Callahan and Fiedler recorded a demo for Creation Records, and were joined by John Frenett (bass) and Miguel Morland ("Mig", drums) to record and release the First EP for Creation in 1991 . They took their name from a 1973 single by Can. Both Fiedler and Callahan wrote songs, and they would (generally) sing on the songs that they wrote. Their output of shared inspiration produced wildly different results - Can, PIL, Kraftwerk, MBV, Erik B & Rakim were a melting pot that made Moonshake somewhat uncategorizable, and as Margaret noted in an interview, "Moonshake was a collision - it was supposed to be a collision." Their debut album Eva Luna took its name from a novel by Chilean author Isabel Allende and the tracks on it are split evenly between the two songwriters. Callahan"s songs are somewhatangry, dissonant, post-punk affairs, while Fiedler"s are just as angular, but her quieter sometimes near whispered vocals compliment her writing partner"s equally. Producer/engineer Guy Fixsen, fresh from his work on My Bloody Valentine"s Loveless, was instrumental in making the album cohesive. This album has been critically revisited often since its original release, with Tiny Mix Tapes describing their sound as "an updated take on Can and Public Image Limited"s rhythmic propulsion with noisier guitar work and a predilection for sampling influenced by The Young Gods." Last year, in a wonderfully long piece to celebrate the album"s 30th anniversary, Louder Than War wrote that they were blown away by the album"s "utterly spellbinding, dizzyingly genre-defying approach at articulating explicitly the sound of a city in the throes of urban psychosis and derangement...Eva Luna really is one hell of a ground-breaking record, and it stands resolutely alone among all of the albums released in 1992 as no other band has managed to create anything remote...

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Arthur Russell

Iowa Dream

48,99 €*

3LP+DVD | 2023 | US | Original (Happy Hapy Birthday To Me)

Release: 2019 / US – Original

Genre: Rock & Indie

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Over the past decade, the visionary musician ARTHUR RUSSELL has entered something close to the mainstream. Sampled and referenced by contemporary musicians, his papers now open to visitors at the Performing Arts Library at Lincoln Center in New York, and his name synonymous with a certain strain of tenderness, Russell is as widely known as he’s ever been. Thanks to Russell’s partner Tom Lee and to Steve Knutson of Audika Records, who have forged several records from Russell’s vast archive of unfinished and unreleased work, the world now hears many versions of Arthur Russell. There’s the Iowa boy, the disco mystic, the singer-songwriter and composer, and the fierce perfectionist deep in a world of echo. While all of these elements of Russell are individually true, none alone define him. Now, after ten years of work inside the Russell library, Lee and Knutson bring us Iowa Dream, yet another bright star in Russell’s dazzling constellation. Blazing with trademark feeling, these nineteen songs are a staggering collection of Russell’s utterly distinct songwriting. Features contributions from downtown NYC musicians ERNIE BROOKS, RHYS CHATHAM, HENRY FLYNT, JON GIBSON, PETER GORDON, STEVEN HALL, JACKSON MAC LOW, LARRY SALTZMAN and DAVID VAN TIEGHEM, along with PETER BRODERICK, who makes a contemporary addition to this list: more than forty years after Russell recorded several nearly finished songs, Broderick worked diligently with Audika to complete them, and performed audio restoration and additional mixing. At once kaleidoscopic and intimate, Iowa Dream bears some of Russell’s most personal work, including several recently discovered folk songs he wrote during his time in Northern California in the early 1970s.

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Wedding Present

24 Songs

48,99 €*

My Life In The Bush Of Ghosts

Release: 2023 / US – Original

Genre: Rock & Indie

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Brian Eno & David Byrne

2LP | 1981 | US | Reissue (Nonesuch)

Release: 1981 / US – Reissue

Genre: Rock & Indie, Electronic & Dance

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fully remastered 180 gram vinyl reissue incl. 7 orginally unreleased tracks of this groundbreaking collaboration!

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VH1 Storytellers Live At Manhattan Center

2LP | 2019 | EU | Original (Parlophone)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Deathconsciousness Mint Vinyl Edition

Have A Nice Life

2LP+Book | 2008 | US | Reissue (The Flenser)

Why Call It Anything Colored Vinyl Edition

Release: 2008 / US – Reissue

Genre: Rock & Indie

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Have a Nice Life released their debut double-album Deathconsciousness in 2008 to a whimper and critical non-interest; six years later, the band followed it up with 2014’s stunner The Unnatural World. In the meantime, Deathconsciousness has become a cult classic whose seamless blend of shoegaze, post-punk, new wave, industrial and noise influences inspires fanatic obsession. Now, longtime Have a Nice Life collaborator The Flenser reissues Deathconsciousness on colored vinyl with deluxe packaging. The band commented, “Working with Flenser lets us keep things comfortable on our end, while also pressing enough copies to actually meet the need and not creating an artificially inflated collector’s market, as happened with some of our past releases.”

Rhythmic, primal and expansive, Deathconsciousness offers a meditation on death, loss and unrequited love, with repeated listens revealing new layers of depth and meaning. The Flenser’s reissue is accompanied by a 75-page booklet detailing the dark and forgotten history of the Antiochean cult—an engrossing narrative that blurs the lines between liner notes, novella and academic text.

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The Chameleons

LP | 2001 | EU | Reissue (Blue Apple Music)

Release: 2001 / EU – Reissue

Genre: Rock & Indie

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The Chameleons fourth and final studio album on 2 x heavyweight coloured discs presented in a gatefold sleeve. 'Why Call It Anything' was produced by David M Allen (Strange Times) and was the band's first full studio recordings after a fifteen year break. Featuring the rich guitars and powerful vocals associated with previous Chameleons albums; WCIA is enriched by members solo pursuits throughout the 1990's, with some of the songs having an acoustic, almost folky feel. But fans of The Chameleons rockier side won't be disappointed with tracks such as Shades and Indiana packing an almighty punch. The album has been re-mastered for vinyl and cut at Abbey Road by engineer Geoff Pesche whose impressive CV includes cutting the lacquer for the best-selling 12" of all time, New Order's Blue Monday.

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The Endless Coloured Way: The Songs Of Nick Drake Grey Vinyl Edition

2LP+7" | 2023 | UK | Original (Chrysalis)

Skullage Black Friday Record Store Day 2022 Translucent Emerald Green Vinyl Edition

Release: 2023 / UK – Original

Genre: Rock & Indie

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The Endless Coloured Ways is a collection of songs by legendary singer/ songwriter, Nick Drake, performed and recorded by over 30 incredible artists from a range of different backgrounds, genres, age groups and audiences From Fontaines D.C. to Guy Garvey, Aurora to Feist, and Self-Esteem to David Gray, each artist has offered their own incredible take on a timeless classic "Nick Drake was not that concerned with promoting himself as an artist but I think he would have been overjoyed to hear his art promoted by so many vibrant and talented artists such as the ones we approached. Each track is an example of a fellow artist adopting Nick's art as if it was their own, submitting to the song, and the results prove to me that talent can so often win out over mere skill or 'personality'. We are honoured and so grateful to all our friends, old and new, who took part in the making of this set." - Cally Calloman, Bryter Music "Having initially exchanged a list of our favourite artists and realised how much our tastes overlapped, Cally and I set out on this venture with one simple brief - to ask the artists to ignore the original recording of Nick's in terms of arrangement, production and singing style; basically, we were asking them to reinvent the song. First of all, it was humbling to hear so many similar responses, saying how important Nick's music was to them, and how much they wanted to be part of this project. But as the results came in one by one, we were staggered by the brilliance and invention that each artist had shown. They had done what we asked - they had made the song their own." - Jeremy Lascelles, Chrysalis Records

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Black Label Society

2LP | 2009 | US | Reissue (Mnrk Heavy)

The Kick Inside 2018 Remaster Mango Chutney Vinyl Edition

Release: 2009 / US – Reissue

Genre: Rock & Indie

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Black Friday Record Store Day 2022 Reissue. Color: Translucent Emerald Green. Limitation: 4000. First Time on colored vinyl / 180g

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Kate Bush

LP | 1978 | EU | Reissue (Fish People)

47,49 €* 49,99 € -5%

Giles Corey (Dan Barrett of Have A Nice Life)

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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Pressed on 180g, comes with Obi-Strip. Kate's debut album "The Kick Inside" was released on 17 February 1978 and contains the UK number one hit, "Wuthering Heights".

The album peaked at number three in the UK album charts and has been certified Platinum by the British Phonographic Industry.

The production included contributions from Duncan Mackay, Ian Bairnson, David Paton, Andrew Powell, Stuart Elliott and David Gilmour. Fish People are proud and excited to announce new pressings of all 10 of Kate Bush's albums, featuring a special new edition for independent retailers.

"It’s very exciting to see people appreciating the physical presence of an album released on vinyl. It’s how it’s always been for me, especially when I was a teenager. The whole buzz of the record store was part of the experience. Buying an album was an event." Kate Bush.

The records are all pressed on 180g vinyl at the world-renowned Record Industry plant in the Netherlands. New lacquers were cut from the 2018 remasters by Bernie Grundman and overseen by mastering engineer James Guthrie.

Indie editions were all designed by Kate and feature new Fish People label designs, stunning Color Vinyl combinations and obi strips with pressing date. They are protected in resealable poly-bag liners with a 'Fish People Reissue' sticker, bottom right.

These are unlimited editions and will be in production constantly.

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Giles Corey

2LP+Book | 2020 | US | Original (The Flenser)

Pyramid - 45 RPM Audiophile Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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“‘Some time in the Spring of 2009, I tried to kill myself. Six months before that, I used a Voor’s Head Device for the first time.’ This line opens the 150-page book that accompanies Giles Corey, an intensely personal, intimate portrait of depression that took me almost four years to make.” —Dan Barrett

Giles Corey’s haunting self-titled debut is back in print! The Flenser is pleased to offer a new version of this cult favorite as a double LP housed in a gatefold jacket, with the same 150-page book that accompanied the previous versions.

Giles Corey is the gloomy folk-driven solo project from Have A Nice Life mastermind Dan Barrett. Here, Barrett forgoes the post-industrial trappings of Have A Nice Life in favor of an intimate singer-songwriter approach. While thematically related to his other work—dealing with subjects like suicide, death and the paranormal—Giles Corey feels more personal, with impressive shifts from quiet desperation to cathartic outburst. Over the years the album has gained a fervent following, and has sometimes been compared to a religious experience. It is dark yet purgative enterprise not for the frail of heart.

The accompanying book is an integral part of the album. Its examinations of the life and times of cult leader Robert Voor parallel the themes within the lyrics and offer further immersion for the reflective listener. In Barrett’s own words: “The album follows a story arc of emotions that are detailed in the accompanying book, as much a part of this record as the music. The text switches between personal tales of struggles with depression, suicide, and a feeling of being lost, and the story of cult-leader and afterlife theorist Robert Voor. Voor’s writings on death and the afterlife feature prominently across Have A Nice Life’s Deathconsciousness, Nahvalr’s self-titled debut, and Giles Corey, making him the unifying factor behind most of the music I’ve written in the last ten years. This record is as personal and raw as anything I’ve ever done.”

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The Alan Parsons Project

2LP | 2024 | UK | Original (Cooking Vinyl)

Black Ice 50th Anniversary Golden Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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2LP 180gm 45 RPM audiophile edition, printed insert, polylined inners, gatefold sleeve, numbered Obi strip.The Alan Parsons Project "Pyramid" is re-issued in a variety of different formats including this 2LP heavyweight, 45 RPM Audiophile edition. The first pressing comes with a numbered Obi-strip. This edition was expertly cut by Miles Showell at Abbey Road Studios, October 2023 on a customised Neumann VMS 80 lathe at half speed using high-resolution archive transfers taken from the original 1978 mastertapes.As with other The Alan Parsons Project albums, the focus was on very high-quality studio sound production, and they recorded the album at Abbey Road Studios in London. There were a variety of different lead vocalists employed including John Miles, Colin Blunstone, Lenny Zakatek, David Paton, Jack Harris and Dean Ford. Plus, a selection of session musicians such as guitarist Ian Bairnson and drummer Stuart Elliot with arrangements by Andrew Powell.

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AC/DC

2LP | 2008 | EU | Reissue (Sony Music Catalog)

Release: 2008 / EU – Reissue

Genre: Rock & Indie

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Live At The BBC White Vinyl Edition

The Pretty Things

3LP | 2003 | EU | Reissue (Repertoire Entertainment)

With Friends At St David's

Release: 2003 / EU – Reissue

Genre: Rock & Indie

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In the golden age of the British R&B revival, few groups created as much excitement and controversy as the Pretty Things. They came up alongside the Rolling Stones in the early 1960s, but were deemed by critics and fans as wilder and bluesier than even Mick Jagger & co. When long-haired Phil May sang and shook his maracas with manic intensity, audiences and record buyers knew they were in for a wild ride.

But the Pretty Things took their music seriously and developed into one of the more innovative rock bands of the 70s, much admired by groups and artists from Led Zeppelin to David Bowie. As well as recording hit singles and albums, the Pretties were also heard live in action on BBC radio shows that captured their dynamic performances with remarkable clarity and presence.

We are fortunate that this audio heritage has been carefully preserved and has now been digitally restored for future generations to enjoy. Repertoire is proud to present this comprehensive 6 CD collection that provides over seven hours of non-stop R&B, original songs and new concepts.

Such seminal BBC shows as Saturday Club presented by DJ Brian Matthew and Top Gear by John Peel, who also hosted his own regular Sunday Concert, welcomed the band to their studios where they’d romp into everything from Pretty Thing favourites like ‘Big Boss Man’, ‘Road Runner’ and ‘Buzz The Jerk’ to the experimental ‘Defecting Grey’. Check out 1968’s ‘SF Sorrow Is Born’, an hypnotic and mysterious ri! that might well have infuenced today’s groups like Kula Shaker.

There is more broadcast material from the 1970s and even into the 2000s with BBC shows hosted by Mark Lamarr and Marc Riley that bring the band’s history up to date with vibrant versions of ‘Belfast Cowboys’, ‘Singapore Silk Torpedo’ and even a revival of their first hit single ‘Rosalyn’.

This superb box set has informative liner notes by Richard Morton Jack, progressive rock historian and editor of Flashback magazine, and includes an interview with Phil May discussing the recordings. Repertoire’s Chris Welch also interviews founder member guitarist Dick Taylor, who reminisces about the early days of the Pretty Things and pays tribute to his old friend Phil May who sadly passed away in 2020.

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Marillion

2LP | 2023 | UK | Original (Absolute)

45,99 €*

Release: 2023 / UK – Original

Genre: Rock & Indie

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The Butterfield Blues Band

Live At Woodstock

2LP | 2020 | US | Original (Run Out Groove Vinyl)

45,99 €*

Nick Cave & The Bad Seeds

Release: 2020 / US – Original

Genre: Rock & Indie

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First time that Butterfields incendiary live set at Woodstock is available on vinyl
Remastered for maximum fidelity with lacquers cut at Sam Phillips Recording Studio
Features all new artwork, pressed on 2-140g records and comes in a deluxe gatefold tip-on jacket

Paul Vaughn Butterfield was an American blues harmonica player, singer and band leader. After an early training in classical flute, he developed an interest in blues harmonica and explored the blues scene in his native Chicago.

Butterfield met aspiring blues guitarist Elvin Bishop in the early 1960s and with bassist Jerome Arnold and drummer Sam Lay (both from Howlin Wolfs touring band), the new group secured a highly successful club engagement at Big Johns Folk Club in Chicago which brought them to the attention of producer Paul A. Rothchild. During their engagement, Butterfield met and occasionally sat in with guitarist Mike Bloomfield. Rothchild was impressed with the chemistry between the two and persuaded Paul to bring Bloomfield into the band and eventually signed them to Elektra Records in 1964. Rothchild assumed the role of group manager and used his folk contacts to book them at the Newport Folk Festival in 1965. The band added keyboardist Mark Naftalin, and its debut album, The Paul Butterfield Blues Band was finally successfully recorded in mid-1965 and released later that year. The album reached number 123 in the Billboard 200 chart, but its influence was felt way beyond the sales figures. In July 1966, the sextet recorded their second full length album, EastWest. The album consisted of more varied material and reached number 65 on the album charts. With Bishop and Naftalin remaining, the band added bassist Bugsy Maugh, drummer Phillip Wilson, and saxophonists David Sanborn and Gene Dinwiddie. This lineup recorded the bands third album, The Resurrection of Pigboy Crabshaw in 1967. The album cut back on instrumental jams and focused more on an R&B influenced horn-driven sound. It was Butterfields highest-charting album, reaching number 52 on the chart. On the next album, In My Own Dream, the band continued to move away from its roots in Chicago blues towards a more soul-influenced, horn-based sound. The album reached number 79 on the Billboard chart and by the end of 1968, both Bishop and Naftalin had left the band.

The band was invited to perform at the Woodstock Festival on August 18, 1969. They performed seven songs, and although its performance did not appear in the film Woodstock, one song, Love March, was included on the original album release Woodstock: Music From the Original Soundtrack and More, released in 1970. In 2009, Butterfield was included in the expanded 40th Anniversary Edition Woodstock video, and an additional two songs appeared on the box set Woodstock: 40 Years On: Back to Yasgurs Farm. Finally, in August 2019, Rhino Entertainment released the web-only, 38 CD/blu-ray, numbered and limited box set: WoodstockBack to the Garden: The Definitive 50th Anniversary Archive which included Butterfields complete set. Run Out Groove will issue this incendiary live set on vinyl for the very first time with new artwork and deluxe packaging!

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Wild God Deluxe Edition

LP | 2024 | EU | Original (Play It Again Sam)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Voids HHV Exclusive Canary Yellow Vinyl Edition

Have A Nice Life

2LP | 2024 | US | Original (The Flenser)

2LP | 2024 | US | Original (Amish)

Release: 2024 / US – Original

Genre: Rock & Indie

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This colorway is limited to 150 copies and only available at HHV.

With the broader adoption of the internet around the turn of the century, how people would engage with and discover underground music would change forever. As a result of the new digital era, DIY was now worldwide, and no band embraced this new frontier better than Have A Nice Life. Formed in 2000 by duo Dan Barrett and Tim Macuga, the Middletown, CT-based pair would, throughout the 00s, self-release and share a number of demos and home recordings via early social media channels as well as establish its in-house label Enemies List Home Recordings. These first steps set in motion Have A Nice Life’s rise to renown as an icon of underground music in the internet age, culminating with the release of its pivotal 2008 debut album, Deathconsciousness. Through word of mouth and online discussion, Deathconsciousness became subject to viral praise thanks to its synthesis of bleak post-punk, lo-fi shoegaze, and carpets of hypnotic drone music. Eventually, this humble self-released project would attain the status of a post-internet cult classic, amassing Have A Nice Life a fervent online following that the band would interact with in kind.

In an effort to thank and continue to engage with Have A Nice Life’s internet cult following, Barrett and Macuga would regularly share links to old demos, works in progress, and outtakes from the recording of Deathconsciousness. Over time, a group of fans would compile these demos into an unofficial release. Dubbed Voids, this fan-made compilation several alternate takes of tracks from Deathconsciousness, as well as a handful of early versions of songs that would appear on Have A Nice Life’s two following albums, The Unnatural World and Sea of Worry. While undeniably reminiscent of their final album version counterparts, the earlier versions of these tracks each feel distinct in a way that makes the moody, decidedly lo-fi aura of Voids an essential slice of the Have A Nice Life discography. Hungry for more from the enigmatic duo, fans swarmed around this compilation, accompanied by loud calls for it to receive a physical release. Seeing that demand and with the band’s blessing, a pair of fan-made tape pressings of Voids would be released via Music Ruins Lives, a DIY label run by Have A Nice Life superfan Thom Wasluck, also known for his band Planning for Burial. Between both instances of the tape swiftly selling out and the compilation’s long absence from streaming services, Voids has historically been an elusive release to track down, only available in the obscurest corners of the internet or physically on the secondary market at eye-wateringly high prices. Over a decade since its initial, unofficial release in 2011, The Flenser is proud to reissue Have A Nice Life’s Voids for the first time ever in an official capacity in physical form. Originally released digitally in early 2023 and freshly remastered for the occasion, this reissue of the beloved compilation will receive its first-ever wide release on physical formats (CD/LP/Cassette). This release also marks the first time fan-favorite tracks from Voids “Sisyphus”, “I’m Doctor House”, and “Human Error” will be available on vinyl and CD. Like a symbolic passing of the torch, the physical versions of the 2023 Voids reissue come with a foreword essay written by Wasluck, the previous custodian of Voids during the Music Ruins Lives days.

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Primitive Art Group

1981-1986

Future Past Red & Green Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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This gatefold 2xLP is a combination of the group’s only two albums, consisting of one LP of Five Tread cuts plus “Cecil Likes to Dance” a never-before-released live recording from Thistle Hall (1984) and the full 1985 LP Future Jaw-Clap. This material that has been unavailable since mid-1980s. It is well documented that in the early ‘80’s New Zealand was awash with adventurous new music. Though sharing the kind of happy isolation and the DIY ethic with contemporaneous outfits like Flying Nun, South Indies and Xpressway, one band cut a decidedly different path. The Primitive Art Group, formed in Wellington, devoted itself to collective improvisation coming out of a jazz tradition. With the line-up of Anthony Donaldson (drums), David Donaldson (bass), Neil Duncan (saxes), Stuart Porter (saxes), David Watson (guitar), and originally with Pam Grey (on cello), the group’s relatively brief existence left a lasting impression on the New Zealand’s free music scene. Musically, there was no precedent in New Zealand for their combination of noise, collective playing and compositional freedom. Gary Steel from the local music rag TOM, wrote “The first time I saw the Primitive Art Group they blew my tiny mind… Great sheets of architectural noise coming at you from the stage. Where else would you see free music in New Zealand in the early 80s? You just didn't.” The band’s five-year lifespan was non-stop activity: rehearsing, touring, the creation of Braille Records (their own record label which released ten LPs), dance and theater work, appearances at music festivals, and hosting two hugely influential national festivals of improvisation at Thistle Hall, Wellington. In 1984, Primitive Art Group spent a week making their first recording, an ambitious double LP, Five Tread (Braille 001) which had only a single pressing and sold-out locally. One year later they were back in the studio making their second album, Future Jaw-Clap (Braille 002). This outing contained tighter pieces, as the band widened its repertoire with nods to broader influences and antecedents. In 1986, The Primitive Art Group gave their last concert at the Wellington Town Hall, just a half mile from Rawa House and the legendary Thistle Hall where their first shows had taken place. The band’s Braille Records’ recordings have never been released outside of New Zealand, nor have ever been available digitally. As Thurston Moore writes, “these are magic time capsule, lost-n-found recordings, previously shared only by deep-diving record collector aesthetes”. The group’s brief tenure has continued to inspire new generations of improvisers, but nothing has ever quite matched the visceral blast of the Primitive Art Group’s arrival on the scene. Every member of the group has carried on doing creative work at the highest levels: scoring films, making art, mentoring, organizing, touring and always playing.

· Gatefold 2xlp of improv / free jazz from legendary Wellington, NZ group Primitive Art Group originally released between 1981-1986 · Available on LP for the first time since 1985 · Includes one never-before released live song · Features guitar playing of NY-based David Watson who has worked with artists such as Phil Niblock, Lee Ranaldo, Marc Ribot, Christain Marclay + · Album liner notes by Thurston Moore (Sonic Youth) and Bruce Russell (Dead C)

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Duran Duran

2LP | 2021 | UK | Reissue (ADA)

The Wild, The Innocent & The E Street Shuffle Sacd

Release: 2021 / UK – Reissue

Genre: Rock & Indie

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Future Past is the 15thstudio album from Duran Duran and boasts esteemed producersErol Alkan, Giorgio Moroderand Mark Ronsonbehind the board. It features special guests Graham CoxonofBluron guitar, Mike Garson from David Bowie's band on piano with vocal collaborations from Tove Lo, Ivorian Doll and Chai. ‘Future Past: The Complete Edition ’ features the 12 track album plus 3 bonus tracks and the band’s cover of David Bowie’s ‘Five Years’. The gatefold package also includes 2 12x12 art booklets designed by the band’s long term Creative Director.

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Bruce Springsteen

CD | 1973 | US | Reissue (Mobile Fidelity Sound Lab)

LP | 2023 | EU | Original (Apollon)

Release: 1973 / US – Reissue

Genre: Rock & Indie

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Sacd: Mastered ON Mobile Fidelity's Renowned Mastering System: Numbered-edition Hybrid Sacd Plays With Expressive Clarity / Released only eight months after his exhilarating debut, Bruce Springsteen's The Wild, the Innocent & the E Street Shuffle contains rousing dispatches from the boardwalk, the street, the beach, and the bedroom. It explodes with energy, dares to dream, teases with humour, crackles with tragedy, clings to hope, and overflows with discovery, youthfulness, and personality. It features an unforgettable cast of characters — corner boys, teenage hustlers, doomed lovers, jazz men, junk men, factory girls, fortune tellers, alley cats, pimps, escorts, and more — illuminated by vivid colour, breathtaking detail, and poetic action.

Musically, the heartfelt 1973 record is inhabited by sympathetic vignettes and cinematic arrangements steeped in rock 'n' roll, soul, jazz, and R&B. It finds the New Jersey native looking beyond the parameters of his preceding record and seeking to move on from environments he knows well (and chronicles here) by rushing headlong toward unknown territories, adventures, and people. Underpinned by the singer-guitarist's ambitious poetic enterprise and will to succeed, The Wild, the Innocent & the E Street Shuffle is the album on which Springsteen becomes the Boss.

Mastered on Mobile Fidelity's renowned mastering system, pressed at RTI on MoFi SuperVinyl, and strictly limited to 7,500 numbered copies, Mobile Fidelity's UltraDisc One-Step 180g 33rpm LP set is the definitive-sounding version of Springsteen's sophomore record. Benefitting from SuperVinyl’s nearly non-existent noise floor, superb groove definition, and dead-quiet surfaces, The Wild, the Innocent & the E Street Shuffle plays with a clarity, energy, presence, and openness that complement the expressiveness, dynamics, and scope of the seven restless songs that comprise a work Rolling Stone ranked the 345th Greatest Album of All Time.

Beyond the audiophile sonics that practically place you behind the console at 914 Sound Studios — listen to the separation between the instruments, natural decay of the notes, interplay within the widescreen soundstaging, and nothing-to-lose youthfulness of Springsteen’s voice — this reissue takes seriously this record’s influential merit by presenting it in packaging that underlines its status. Tucked in a beautiful slipcase, the LP is housed in a special foil-stamped jacket with faithful-to-the-original graphics. This reissue is made for listeners who prize sound quality and who want to engage themselves in everything involved with the invigorating set that busted Springsteen loose from the club circuit and landed him on the radio

Determined to liberate anyone within earshot and unafraid to come on strong, The Wild, the Innocent & the E Street Shuffle serves as the debut of the E Street Band — not only heard but seen for the first time by most of the public courtesy of the back-cover photograph. This is where saxophonist Clarence Clemons, organist-accordionist Danny Federici, and pianist David Sancious step out of the shadows — and drummer Vini Lopez and bassist Garry Tallent again stoke a fiery rhythmic engine that helps drive the untamed, reimagined big-band swing of “Kitty’s Back,” breathless R&B thrust of “Rosalita (Come Out Tonight),” and carefree dance steps of the funky “The E Street Shuffle.”

Of course, the main attraction remains a then-24-year-old visionary on the precipice of becoming a sensation and turning a then-bloated rock scene on its head. Recorded over three months while Springsteen and company were busy touring his debut LP, The Wild, the Innocent & the E Street Shuffle reflects the high-octane approach the vocalist embraced onstage and drifts away from the label-dictated acoustic-based frameworks of his debut. The set also witnesses Springsteen deepening his observational skills, with narratives such as the romantically tinged “4th of July, Asbury Park (Sandy)” and redemptive epic “Incident on 57th Street” mirroring changes taking place in the singer’s own life, small towns, and America at large.

A thrilling collision of memories, reflections, and composites — Sandy, Rosalita, and the latter’s parents are all based on actual people Springsteen knew, as is the community depicted in the opening track — the aptly titled The Wild, the Innocent & the E Street Shuffle resonates decades on due to its truths, authenticity, and spirit. Those characteristics — as well as the fact that many of its lengthy songs come on as the equivalent of sweaty, feverish soul revue that won’t stop until you’ve been exhausted — also explain how this now-iconic album triumphed over the reservations of industry “experts” that both demanded Springsteen re-record it and instructed deejays not to play it. Yet there’d be no stopping a record that saw the past, present, and future, a band whose will would not be denied, and a phenomenon who was born to run. A never-ending invitation to act real cool and stay up all night, The Wild, the Innocent & the E Street Shuffle always feels alright.

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35 Tapes

Fabric Of Time

The Birth Of Sol Splatter Black And Red Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Norwegian proggers 35 Tapes have hit their peak with their new album Fabric of Time. Combining time-honoured sounds like the Mellotron and analogue synths with modern sensibilities, the album is a cinematic journey through moods, times and places. At times evoking the symphonic grandeur of early King Crimson and Genesis, the group also touches on the melancholy art-rock of groups like Talk Talk or an artist like David Sylvian. Since several members of the band also have backgrounds in audio engineering, it goes without saying that the album is remarkably audiophile in its presentation, with incredible dynamics ranging from a delicate whisper to roaring blow-outs. And while every musician in the band is a seasoned pro, the focus of the music is not pyrotechnics or virtuosity, but a unified effort to serve the songs and the particular moods evoked on the album.

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Yawning Man

LP | 2009 | EU | Reissue (Heavy Psych Sounds)

Weedsconsin Orange / Neon Green Viny Edition

Release: 2009 / EU – Reissue

Genre: Rock & Indie

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Heavy Psych Sounds is re-issueing the Yawning Man old demo recordings The Birth Of Sol in brand new Colored Vinyl and new cover. Dating back to 1986, these demo recordings by Yawning Man were originally only spread amongst close friends of the band. They were released on iTunes in 2009. Today you can have them on brand new Colored Vinyl in gatefold sleeve.

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Bongzilla

2LP | 2021 | EU | Original (Heavy Psych Sounds)

2LP | 2021 | UK | Original (Parlophone)

Release: 2021 / EU – Original

Genre: Rock & Indie

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On the fringe of chaos, in the Year of the Pandemic, the Cannabeast has awoken!! Bongzilla is back with a new full length album, 16 years since their last record. These Pioneers of Weed Metal would like to present “weedsconsin” to the universe. An album written by the three long standing original members of Bongzilla - Muleboy (bass, vocals), Spanky (guitar), and Magma (drums). Recorded and mixed by the late John Hopkins at Future Apple Tree Studios in Rock Island, Illinois in October 2020. The six brand new tracks will blow your mind! In a single instant you are contaminated by the classic Weed-Infected sounds the band is known for, while also finding new elements mixed into the bowl. In the unique piece that is Weedsconsin, Bongzilla delivers heavy doses of Crushing Stoner Doom and Psychedelic Space Rock that sets it apart from earlier material. (That’s why HPS Records is the perfect label to release this stuff). This record travels down a path of heavy riffs, mind-expanding jams, sonic tones, and stomping beats in the band's first release as a thunderous three piece, with Muleboy moving from guitar to bass. Approaching these songs as a three piece has created more space musically and allowed the band to showcase their musicianship in a different way. It results in a sound that is very heavy, along the lines of Gateway tone-wise, but sonically more clear. The album is mastered by Carl Saff at Saff Mastering in Chicago, Illinois, and Eli Quinn (Madison, Wisconsin) is the artist behind the astounding new cover art. Weedsconsin is dedicated to the memory of John Hopkins.

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Pink Floyd

Live At Knebworth 1990

Blood Orange (Dev Hynes aka Lightspeed Champion of Test Icicles)

Release: 2021 / UK – Original

Genre: Rock & Indie

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Pink Floyd Live At Knebworth 1990 for the first time on CD, double vinyl and digital platforms. This headline show was part of the star-studded 1990 Silver Clef Winners performance at Knebworth House, Hertfordshire that saw Pink Floyd topping the all-star bill that included Paul McCartney, Dire Straits, Genesis, Phil Collins, Mark Knopfler, Robert Plant (with Jimmy Page), Cliff Richard, Eric Clapton and Tears For Fears. Around 120,000 music fans saw these giants of rock appear on the hallowed stage of Knebworth, all in aid of the Nordoff Robbins charity, profits from which went towards setting up the BRIT School. The concert was broadcast globally on MTV.

This stunning live concert features many of the bands best known songs including Comfortably Numb, The Great Gig In The Sky, and Wish You Were Here. Alongside David Gilmour, Nick Mason and Richard Wright, the album also features original The Great Gig In The Sky vocalist Clare Torry, plus guest musicians including sax player Candy Dulfer and keyboard player and composer Michael Kamen.

David Gilmour and Andy Jackson have remixed the audio from this iconic concert featuring all seven tracks performed on the day, and the album features new artwork shot by Floyd collaborator Aubrey ‘Po’ Powell of Hipgnosis and designed by Peter Curzon of Storm Studios. The concert, previously unreleased until it appeared on 2019’s Later Years box set, is now available as CD or double Vinyl set for the first time as a stand-alone album.

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Cupid Deluxe

2LP | 2013 | EU | Original (Domino)

Youth Of Dissent Quad Orange & Purple Vinyl Edition

Release: 2013 / EU – Original

Genre: Rock & Indie

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The album was produced by Hynes in his adopted hometown of New York City, mixed by Jimmy Douglass, and features amazing guest appearances by David Longstreth (Dirty Projectors), Caroline Polachek (Chairlift), Samantha Urbani (Friends), Clams Casino, Despot, Adam Bainbridge (Kindness), Skepta and many more.

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1000mods

2LP | 2020 | EU | Reissue (Heavy Psych Sounds)

Bill Callahan & Bonnie Prince Billy

Release: 2020 / EU – Reissue

Genre: Rock & Indie

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Reissue of the latest 1000mods album in double gatefold new Colored Vinyl. “Youth of Dissent is an exceptional album superbly fusing staggering melodies and meaty and massive stoner/doom riffs. The songs are contagious, captivating and Dani G’s voice is empyrean and spellbinding with every word that comes out of his mouth. This could easily be for many people an entrance to heavier music!” (Distorted Sound Mag) Produced by Matt Bayles & 1000mods. Mixed by Matt Bayles. Engineered by Matt Bayles. Recorded at London Bridge Studio and Studio Litho, Seattle, WA. Mixed at Red Room, Seattle, WA. Mastered by Ed Brooks at Resonant Mastering, Seattle, WA. Artwork by Tind.

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Blind Date Party

2LP | 2021 | US | Original (Drag City)

The Singles Plus 1983-1985 Colored Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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The Blind Date Party hosted by Bill Callahan and Bonnie ‘Prince’ Billy and featuring Azita, Matt Sweeney, Alasdair Roberts, Matt Kinsey, Sean O’Hagan, Bill MacKay, George Xylouris, Dead Rider, David Pajo, Mick Turner, Meg Baird, Ty Segall, Emmett Kelly, Cory Hanson, Six Organs of Admittance, David Grubbs, Cassie Berman, Cooper Crain and Sir Richard Bishop happened online in the fall and winter of ’20–’21 — but the party planning dated back to the spring of 2020. Stuck at home, with no gigs in the foreseeable future, Bill, Bonnie and Drag City needed an outreach program to keep themselves busy, not to mention sane. In the absence of any company or anything on the calendar, playing songs they loved was an idea; playing with people they loved, the desire. And making it fun — so pairing someone with someone else having no say in the matter, the essence of the blind date, was the plan. Favorite songs were chose; players from around the Drag City galaxy were messaged. Pretty soon, songs were flying back and forth — music in the air! And thus, they were entertained throughout the summer of 2020, when so much else in the world seemed so completely wrong. By the fall, the songs started to appear online: Bill and Bonnie singing a song by someone they loved and admired; each song cut by another another artist they loved and admired, then sent to Bill and Bonny to provide the finishing touches. The spotlight pointed in every direction each week: toward the singers and writers who’d originally played the songs (Yusuf Islam, Hank Williams Jr., Dave Rich, The Other Years, Billie Eilish, Steely Dan, Lou Reed, Bill Callahan, Jerry Jeff Walker, Robert Wyatt, Lowell George, Johnnie Frierson, Air Supply, Will Oldham, Leonard Cohen, David Berman, Iggy Pop and John Prine), toward their featured collaborators, the artists whose artwork adorned each digital single and videos made by still more collaborators. And you, the listener. Like the best parties, it turned out to be everything and more than they’d even hoped for. So many more people were involved in the process that we can get on the page here. Suffice to say, making records over the years has required a broad sense of community and an always-surprising mix of independence and unity, inspiration and utility. Some of our best memories are those where as many of our folks as possible were together in one place at one time. In those moments, it was just a great thing just to be there. And with others looking in . . . this was a joy one could only be infinitely lucky to feel and to take for granted, as well. The Blind Date Party was one of these, maybe the most improbable one yet. It’s for everyone who’s here and it’s in the name of everyone who’s gone but will never go and will always live with us here. This album will too. And thus, we are entertained.

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Skeletal Family

2LP | 2021 | US | Original (Graveface)

Release: 2021 / US – Original

Genre: Rock & Indie

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First-ever vinyl issue of this killer comp from 94 (Cherry Red) Side A/B oxblood, Side C/D milky clear. Comes with 18x24 folded poster. Spanning 4 sides of vinyl you'll hear one of the finest deathrock/goth/new wave bands of all time with songs from EPs/12"s/demos from 1983-1985. It's a release not to miss. Formed in Keighley, West Yorkshire, during the Post Punk of early 1980’s out of the band ‘The Elements”, took their name from the title of the song “Chant of the Ever Circling Skeletal Family” from the 1974 David Bowie album, Diamond Dogs. Something unique was brewing up a dark and broody storm in West Yorkshire at the time with bands like The Sisters Of Mercy, The March Violets, Red Lorry Yellow Lorry, Southern Death Cult (later became The Cult) forming the basis of what became the soundtracks to the Goth Subculture. Skeletal Family soon gained popularity in the UK Independent Charts and furiously gigged the length and breadth of the UK and Europe, recorded tracks for the John Peels Sessions, supported The Sisters of Mercy during their 1984 Black October tour, released 2 studio albums ‘Burning Oil’ (1984) and ‘Futile Combat’ (1985) of which saw the release of Skeletal Family’s most successful single ‘Promised Land’ on Red Rhino record label. Anne-Marie left Skeletal Family in 1985 to form Ghost Dance with Gary Marx, former guitarist of The Sisters Of Mercy.

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Modern Love (A Tribute To David Bowie)

2LP | 2021 | EU | Original (BBE Music)

Release: 2021 / EU – Original

Genre: Rock & Indie

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2LP | 2014 | US | Original (Columbia)

Pink Floyd

The Endless River

Hittin' The Bitchin' Switch (Live) Magenta Vinyl Edition

Release: 2014 / US – Original

Genre: Rock & Indie

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The Endless River has as its starting point the music that came from the 1993 Division Bell sessions, when David Gilmour, Rick Wright and Nick Mason played freely together at Britannia Row and Astoria studios. This was the first time they had done so since the 'Wish You Were Here' sessions in the seventies. Those sessions resulted in The Division Bell, the band's last studio album.

In 2013 David Gilmour and Nick Mason revisited the music from those sessions and decided that the tracks should be made available as part of the Pink Floyd repertoire. It would be the last time the three of them would be heard together. The band have spent the last year recording and upgrading the music,using the advantages of modern studio technology to create The Endless River.

The Endless River is a tribute to Rick Wright, whose keyboards are at the heart of the Pink Floyd sound. It is a mainly instrumental album with one song, 'Louder Than Words', (with new lyrics by Polly Samson), arranged across four sides and produced by David Gilmour, Phil Manzanera, Youth and Andy Jackson.

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Stoner

2LP | 2024 | EU | Original (Heavy Psych Sounds)

Cosmic Ritual Supertrip Colored Vinyl 2lp Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Black Rainbows

2LP | 2020 | EU | Original (Heavy Psych Sounds)

3LP | 2019 | EU | Original (Universal)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Black Rainbows are back with a brand new album! This time they are delivering 12 new and fresh tunes. Recorded and produced by Fabio Sforza, who was also behind the previous album Pandaemonium. “Cosmic Ritual Supertrip” has a monolithic force; guitars, drums and bass are all glued together to give the listener a punch in the face! This album gets its magic power from mixing together a 70’s attitude with a doom-occult and stoner rock sound in a masterful way. We can count a bunch of singles, such as “Isolation” and “Master Rocket Power Blast”, as well as a couple of doomy songs like “Universal Phase” and “Saacred Graal” and also more catchy tunes like “Radio 666” and “At Midnight You Cry”. This is the 8th album of the band and we believe the best one so far. Recorded at Forward Studios in Rome on a huge Neve desk, this new gem will be out May 1st, on Heavy Psych Sounds Records.
The amazing artwork, made by the one and only Robin Gnista, is matching in its entirety the album music concept.

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The Rolling Stones

Rock And Roll Circus

Release: 2019 / EU – Original

Genre: Rock & Indie

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2LP | 2002 | EU | Reissue (Universal)

Nirvana

Nirvana Deluxe Version

Giles Corey (Dan Barrett of Have A Nice Life)

Release: 2002 / EU – Reissue

Genre: Rock & Indie

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Deluxe 45rpm double LP on heavyweight 180-gram vinyl with a digital download card for 24-bit 96kHz HD audio!

Originally released in 2002, Nirvana features the rare and previously unreleased studio version of “You Know You’re Right”, the last song the band ever recorded, available exclusively on this compilation. Also among the 14 classics on Nirvana: 1991’s breakthrough “Smells Like Teen Spirit”, and fellow Nevermind singles “Come As You Are”, and “In Bloom”, In Utero singles “Heart-Shaped Box” and “Pennyroyal Tea”, as well as deep cuts including “About A Girl” from first album Bleach, “Been A Son” from the Blew EP, the non-LP single “Sliver”, and live acoustic versions of “All Apologies” and David Bowie’s “The Man Who Sold The World” from the GRAMMY® winning MTV Unplugged In New York.

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Giles Corey

2LP+Book | 2020 | US | Original (The Flenser)

Riders Of The Ancient Storm

Release: 2020 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Small light scuff on side A.
Includes original inner sleeves.

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Heavy Load

LP | 2023 | EU | Original (No Remorse)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Wagram)

Rock Legends Box Edition

Voids Colored Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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A nice boxset with 3 LP and a poster. Including all the great rock artists such as : DAVID BOWIE, DONOVAN, JOHNNY CASH, ELVIS PRESLEY, THE BEATLES, BOB DYLAN, SEX PISTOLS, ROY ORBISON, THE BEACH BOYS...

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Have A Nice Life

2LP | 2024 | US | Original (The Flenser)

42,74 €* 44,99 € -5%