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Uriah Heep - Every Day Rocks - Xxl Box Edition
Uriah Heep
Every Day Rocks - Xxl Box Edition
Box (Sanctuary)
323,99 €*
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Tragically Hip - Fully Completely
Tragically Hip
Fully Completely
3LP | 2022 | EU (Universal)
208,99 €*
Release: 2022 / EU
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Gorillaz - Demon Days
Gorillaz
Demon Days
2LP | 2005 | UK | Original (Parlophone)
189,99 €*
Release: 2005 / UK – Original
Genre: Hip Hop, Organic Grooves, Rock & Indie, Electronic & Dance, Pop
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG+, Cover: VG+
Rare original copy. Original inner sleeves. Stuffed corner.
The Tragically Hip - Up To Here 2024 Limited Br Audio
The Tragically Hip
Up To Here 2024 Limited Br Audio
4LP | 2024 | Original (Universal)
163,99 €*
Release: 2024 / Original
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Preorder shipping from 2024-11-08
The Tragically Hip - Road Apples 30th Anniversary Deluxe Edition
The Tragically Hip
Road Apples 30th Anniversary Deluxe Edition
5LP | 1991 | EU | Original (Universal)
161,99 €*
Release: 1991 / EU – Original
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Lana Del Rey's 'Chemtrails Over the Country Club' album now exclusively on a translucent cobalt LP with an exclusive cover art
The Saints - I'm Stranded Deluxe Box Set
The Saints
I'm Stranded Deluxe Box Set
4LP | 2024 | US | Original (In The Red)
127,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Preorder shipping from 2024-11-22
One of the most revered, reviled and talked about records in all Australian music history (I’m) Stranded by The Saints finally gets the vinyl box set treatment. A joint collaboration between In The Red, Universal Music Australia and spearheaded by Feel Presents and Saints founder Ed Kuepper, the deluxe edition of (I’m) Stranded will feature four vinyl long players covering all the band’s studio and live recordings from 1976 thru 1977 and includes:

- The iconic debut album remastered for vinyl for the first time in over forty years.

- A five-song live performance from Paddington Town Hall Sydney 3.4.1977 appearing on vinyl for the first time.

- A full live performance from the Hope & Anchor Front Row Festival, London November 1977 appearing on vinyl for the first time.

- All three tracks from the 1977 This Perfect Day 12-inch single and all four tracks from the 1977 1-2-3-4 double 7-inch single.

- The previously unreleased 1976 demo mix of the full (I’m) Stranded album.

- In addition to all that vinyl, (I’m) Stranded - Deluxe Box Set will also features a twenty-eight page 12” x 12” photo essay of the band covering their origins from 1973 through the end of of ’77, an authorised band history, an 8” x 10” 1976 promo photo and a (I’m) Stranded sticker.

“It’s been an exhausting yet thrilling process being involved in the creation of this box set. It’s been fifty-one years in the making and has possibly turned out even better than I anticipated. It’s by far the most extensive appraisal of the band, both aurally and visually, that has ever been made available and hopefully reveals some things people may not have known about the band.”

—Ed Kuepper

The iconic debut album remastered for vinyl for the first time in over 40 years

A five-song live performance from Paddington Town Hall Sydney 3.4.1977 appearing on vinyl for the first time.

A full live performance from the Hope & Anchor Front Row Festival, London November 1977 appearing on vinyl for the first time

All three tracks from the 1977 This Perfect Day 12” single and all four tracks from the 1977 1-2-3-4 double 7” single

The previously unreleased 1976 demo mix of the full (I’m) Stranded album.
Bruce Springsteen - The Wild, The Innocent & The E Street Shuffle Limited Edition Ultradisc One-Step 33rpm Supervinyl Edition
Bruce Springsteen
The Wild, The Innocent & The E Street Shuffle Limited Edition Ultradisc One-Step 33rpm Supervinyl Edition
LP | 1973 | US | Reissue (Mobile Fidelity Sound Lab)
125,99 €* 139,99 € -10%
Release: 1973 / US – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Strictly Limited TO 7,500 Numbered Copies: Ultradisc One-step 180g 33pm LP SET Presents 1973 Album IN Audiophile Sound 1/4" / 15 IPS / DBX analogue copy to DSD 256 to analogue console to lathe / Released only eight months after his exhilarating debut, Bruce Springsteen's The Wild, the Innocent & the E Street Shuffle contains rousing dispatches from the boardwalk, the street, the beach, and the bedroom. It explodes with energy, dares to dream, teases with humour, crackles with tragedy, clings to hope, and overflows with discovery, youthfulness, and personality. It features an unforgettable cast of characters — corner boys, teenage hustlers, doomed lovers, jazz men, junk men, factory girls, fortune tellers, alley cats, pimps, escorts, and more — illuminated by vivid colour, breathtaking detail, and poetic action.

Musically, the heartfelt 1973 record is inhabited by sympathetic vignettes and cinematic arrangements steeped in rock 'n' roll, soul, jazz, and R&B. It finds the New Jersey native looking beyond the parameters of his preceding record and seeking to move on from environments he knows well (and chronicles here) by rushing headlong toward unknown territories, adventures, and people. Underpinned by the singer-guitarist's ambitious poetic enterprise and will to succeed, The Wild, the Innocent & the E Street Shuffle is the album on which Springsteen becomes the Boss.

Mastered on Mobile Fidelity's renowned mastering system, pressed at RTI on MoFi SuperVinyl, and strictly limited to 7,500 numbered copies, Mobile Fidelity's UltraDisc One-Step 180g 33rpm LP set is the definitive-sounding version of Springsteen's sophomore record. Benefitting from SuperVinyl’s nearly non-existent noise floor, superb groove definition, and dead-quiet surfaces, The Wild, the Innocent & the E Street Shuffle plays with a clarity, energy, presence, and openness that complement the expressiveness, dynamics, and scope of the seven restless songs that comprise a work Rolling Stone ranked the 345th Greatest Album of All Time.

Beyond the audiophile sonics that practically place you behind the console at 914 Sound Studios — listen to the separation between the instruments, natural decay of the notes, interplay within the widescreen soundstaging, and nothing-to-lose youthfulness of Springsteen’s voice — this reissue takes seriously this record’s influential merit by presenting it in packaging that underlines its status. Tucked in a beautiful slipcase, the LP is housed in a special foil-stamped jacket with faithful-to-the-original graphics. This reissue is made for listeners who prize sound quality and who want to engage themselves in everything involved with the invigorating set that busted Springsteen loose from the club circuit and landed him on the radio

Determined to liberate anyone within earshot and unafraid to come on strong, The Wild, the Innocent & the E Street Shuffle serves as the debut of the E Street Band — not only heard but seen for the first time by most of the public courtesy of the back-cover photograph. This is where saxophonist Clarence Clemons, organist-accordionist Danny Federici, and pianist David Sancious step out of the shadows — and drummer Vini Lopez and bassist Garry Tallent again stoke a fiery rhythmic engine that helps drive the untamed, reimagined big-band swing of “Kitty’s Back,” breathless R&B thrust of “Rosalita (Come Out Tonight),” and carefree dance steps of the funky “The E Street Shuffle.”

Of course, the main attraction remains a then-24-year-old visionary on the precipice of becoming a sensation and turning a then-bloated rock scene on its head. Recorded over three months while Springsteen and company were busy touring his debut LP, The Wild, the Innocent & the E Street Shuffle reflects the high-octane approach the vocalist embraced onstage and drifts away from the label-dictated acoustic-based frameworks of his debut. The set also witnesses Springsteen deepening his observational skills, with narratives such as the romantically tinged “4th of July, Asbury Park (Sandy)” and redemptive epic “Incident on 57th Street” mirroring changes taking place in the singer’s own life, small towns, and America at large.

A thrilling collision of memories, reflections, and composites — Sandy, Rosalita, and the latter’s parents are all based on actual people Springsteen knew, as is the community depicted in the opening track — the aptly titled The Wild, the Innocent & the E Street Shuffle resonates decades on due to its truths, authenticity, and spirit. Those characteristics — as well as the fact that many of its lengthy songs come on as the equivalent of sweaty, feverish soul revue that won’t stop until you’ve been exhausted — also explain how this now-iconic album triumphed over the reservations of industry “experts” that both demanded Springsteen re-record it and instructed deejays not to play it. Yet there’d be no stopping a record that saw the past, present, and future, a band whose will would not be denied, and a phenomenon who was born to run. A never-ending invitation to act real cool and stay up all night, The Wild, the Innocent & the E Street Shuffle always feels alright.
Jerry Garcia Band - Electric On The Eel: August 29th, 1987 Black Friday Record Store Day 2024 Orange Vinyl Edition
Jerry Garcia Band
Electric On The Eel: August 29th, 1987 Black Friday Record Store Day 2024 Orange Vinyl Edition
3LP | 2024 | UK | Original (Round)
99,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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Electric on the Eel: August 29th, 1987 brings the first Eel River show to vinyl. Co-produced by Bill Graham Presents and the Hog Farm, this show lent an air of familiarity not always present in the urban setting Jerry usually played in. With their quintessential band in tow – Gloria Jones, John Kahn, David Kemper, Jacklyn LaBranch, and Melvin Seals – fans traveled across the country to see JGB in the heart of the Emerald Triangle. Limited edition of 4,000 pressed on Orange Sunshine vinyl.
Niagara - 50th Anniversary Edition Boxset
Niagara
50th Anniversary Edition Boxset
3LP | 2022 | EU | Original (Everland Psych)
89,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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50th anniversary boxset containing all three Niagara albums, released in a limited edition of 500 copies, housed in a wooden Box - Colored Vinyl

Niagara - Niagara: Niagara was more a project than an actual band formed by German jazz drum legend Klaus Weiss. He formerly worked with another jazz legend from his mother country, Klaus Doldinger and gained fame in the German jazz circuit of the 60s and 70s. His 1971 works with Niagara was the offspring of the vision to create an orchestra made entirely of drummers and percussionists. Despite the fact that there is definitely no regular melody instrument to be heard on this album, the two lengthy compositions are arranged in such an enthralling way, that they have a rather catchy and memorable feel. Among the cult drummers featured on this album are Udo Lindenberg (yes, this icon of German rock and pop started as a drummer!) and session hero Keith Forsey. So what both compositions offer is an ever pulsating rhythm inferno, a maelstrom of different grooves and sounds. If you go for this album to find some pop tunes, you better change your mind. If you wish to be enchanted and hypnotized by a massive wall of percussion sounds and be dragged deeper and deeper into a state of trance, which is utterly addictive, you are welcome. This album goes deeper as most psychedelic rock with dreamy melodies and heavy organ work. You cannot compare it to anything else, so open your mind for the ultimate rhythm experience and join in if you dare. Only if you dare.

Niagara - S.U.B.: Rhythm master Klaus Weiss knew he had a good thing going with Niagara. The first album was a gathering of every outstanding drummer and percussionist he could get hold of and despite the fact that there were only rhythm instruments featured , it became quite a memorable and unique record. Now for the second album “S.U.B.” he felt he had to go other ways, and recorded with a complete rock outfit plus the one or another brass instrument. ‘S.U.B.’ is definitely worth being traded for 180,00 Euros and more among collectors for a clean original and when the needle hits the groove you will realize why. There is a tightly woven web of rhythms from drums and percussions, as the solid and ever pulsating base with a laid back but really present bass guitar adding more depth and power to the beats and clean rhythm guitars with a nifty wah wah effect for the extra kick. From time to time the guitars fire off a memorable steaming riff on top of the rhythm pulse and the horns answer the call for arms. You really have to look at the backcover to find out that this is a German outfit instead of one of these utterly hot and hip US funk rock cult bands of the time. Niagara aka Klaus Weiss waive the vocals so it is an instrumental record you face with ‘S.U.B’, but then this band goes so wild in some of the compositions, that you will be left breathless on your knees by all these simmering performances. Each musician participating in this project is a professional, but they all let the music erupt into a climax of sound you can only achieve, when you put your whole heart and soul into it. A masterpiece of funky and utterly unleashed rock music from the early 70s.

Niagara - Afire: Niagara's third LP Afire is the rarest one from kraut drummer, formerly of Sunbirds, Klaus Weiss' band. An astonishing album which returns to the minimal sounds based on percussion and rhythm of their first album, yet retaining a feel of harmony all through it - this time not provided by the brass instruments that had been added in S.U.B., but though to the high emphasis put on combining a variety of drums each tuned to their perfect pitch, and the contribution of Embryo's bass player Dave King. Also present on the sessions were percussionists George Brown, Sabu Rex and Norman Tolbert. The phenomenal rhythms contained on this LP have made it a very sought after piece among those looking for cool samplers to mix. Klaus Weiss is considered one of the best drummers of the German jazz scene, he was always very active and played with a lot of USA jazzmen travelling Germany like Hampton Hawes, Herbie Mann, Mal Waldron or Johnny Griffin, as well as with German greats as Klaus Doldinger, George Gruntz, Friedrich Gulda, etc.
Beastie Boys - Check Your Head Deluxe Edition
Beastie Boys
Check Your Head Deluxe Edition
4LP | 1992 | EU | Reissue (Def Jam)
88,99 €*
Release: 1992 / EU – Reissue
Genre: Hip Hop, Rock & Indie
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Celebrating the 30th Anniversary of Beastie Boys’ 2X Platinum Check Your Head album, this limited-edition deluxe reissue is a rare version of the album that was released as a limited run in 2009. Long out-of-print and sought after by fans and collectors, it features two bonus LP’s including remixes, live versions, and B-sides. Featuring the songs ‘So What’cha Want’, ‘Pass the Mic’ and ‘Gratitude’ - Check Your Head was a somewhat return to their punk roots and introduced the trio playing their own instruments for the first time on record since their early EP’s. This 4LP Deluxe Box Set is pressed on 180g vinyl housed in a fabric-wrapped, stamped hardcover case.
Blood Orange - Negro Swan
Blood Orange
Negro Swan
2x12" | 2018 | EU | Original (Domino)
70,99 €*
Release: 2018 / EU – Original
Genre: Hip Hop, Organic Grooves, Rock & Indie
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Used Vinyl
Medium: Sealed, Cover: Sealed
Still sealed. Golden vinyl Deluxe edition. tiny wear
Blood Orange - Negro Swan
Blood Orange
Negro Swan
2LP | 2018 | US | Original (Domino)
70,99 €*
Release: 2018 / US – Original
Genre: Hip Hop, Organic Grooves, Rock & Indie, Pop
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Used Vinyl
Medium: Sealed, Cover: Sealed
Still sealed with hype sticker. Orange Deluxe edition.
The Tragically Hip - Yer Favourites Volume 2
The Tragically Hip
Yer Favourites Volume 2
2LP | 2023 | EU | Original (Universal)
60,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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The Tragically Hip - Yer Favourites Volume 1
The Tragically Hip
Yer Favourites Volume 1
2LP | 2023 | EU | Original (Universal)
60,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Girl Talk - Feed The Animals
Girl Talk
Feed The Animals
2LP | 2008 | US | Reissue (Illegal Art)
59,99 €*
Release: 2008 / US – Reissue
Genre: Hip Hop, Rock & Indie
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Pittsburgh artist Gregg Gillis (a.k.a. Girl Talk) has scrupulously created music from samples for over eight years. His fourth album on the Illegal Art label, Feed the Animals, continues his sonic evolution towards his party-infested live show and steps even closer towards a creation that is centered on pop musicality rather than attention-deficit sample splicing.
My Morning Jacket - Tennessee Fire: 20th Anniversary Blue Vinyl Edition
My Morning Jacket
Tennessee Fire: 20th Anniversary Blue Vinyl Edition
3LP | 2024 | US | Original (Darla)
59,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Darla Records is happy to offer a 20th anniversary deluxe, expanded edition of The Tennessee Fire, the debut album by My Morning Jacket with 16 previously unreleased bonus tracks selected from the archives by Jim James. In February, 1999, Darla Records received a charming Valentine's Day love letter with artwork and 4-track cassette tape demo in the mail from Jim James with the very first My Morning Jacket recordings. Early one Sunday morning, I popped the tape in and fell instantly in love. I could not find the accompanying letter with contact info! Chandra soon found it after I raved at her that she must get out of bed come hear what I was hearing. I called Jim and we began to plan the work. Weeks later, after we'd established a track list, including four songs re-recorded in a real studio, and had artwork together for a debut album, I thought to myself, "I really love this. There's nothing like it in the marketplace. I hope it can sell 1500." And the rest is history. - Mr. Darla Limited edition red vinyl 3xLP in triple gatefold with 16 previously unreleased bonus tracks. Clearwater Blue Vinyl.
Hanni El Khatib - Savage Times
Hanni El Khatib
Savage Times
3x10" | 2017 | US | Original (Innovative Leisure)
59,99 €*
Release: 2017 / US – Original
Genre: Rock & Indie
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Hanni El Khatib’s first idea for his Savage Times project was to do something he’d never done before. Instead, he ended up doing …well, everything he’d never done before. He’d be playing new instruments, writing in unfamiliar new ways, opening himself up to an unrelenting stream of ideas and dedicating himself totally to pure musical instinct. And the result? 19 best-of-the-sessions songs,
destined for vinyl release as a Limited Edition 10” LP Box Set, as well as the kind of creative revelations that only happen when you quit looking around and start looking ahead. Originally, he’d hoped to explode the lingering idea that he was simply a blues-rock guitar player, but that’s why Savage Times touches on everything from garage rock to punk to disco, hip-hop and even some unexpected solo-guitar self-portraiture. But on the way, he also exploded his own idea of what he could do—even maybe who he was, or would be. Savage Times was an experiment as well as an experience, that touched on some of the most personal, social & political elements to date.
V.A. - Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition
V.A.
Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition
2LP | 2024 | US | Original (Light In The Attic)
58,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”
Nancy Sinatra - Keep Walkin': Singles, Demos & Rarities 1965-1978 Blue Vinyl Edition
Nancy Sinatra
Keep Walkin': Singles, Demos & Rarities 1965-1978 Blue Vinyl Edition
2LP | 2023 | US | Original (Light In The Attic)
57,99 €*
Release: 2023 / US – Original
Genre: Rock & Indie
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Definitive collection of Nancy's rare singles, demos and previously unreleased cuts. Includes 3 previously unreleased tracks, plus 3 tracks making their vinyl debut. Deep booklet includes new Q&As with Nancy & Don Randi (The Wrecking Crew) - both conducted by Grammy®-nominated co-producer Hunter Lea Plus never-before-seen photos from Nancy Sinatra’s personal archive. Features audio freshly remastered from the original analog tapes by Grammy®-nominated engineer John Baldwin. Vinyl pressed at RTI. Double LP housed in a gatefold jacket with 24-page book Light in the Attic continues to celebrate the influential career of singer, actress, activist, and icon *Nancy Sinatra* with a captivating new collection, Keep Walkin’: Singles, Demos & Rarities 1965-1978. Exploring the lesser-known gems from Sinatra’s rich catalog through 25 B-sides, rare singles, covers, demos, and previously-unreleased recordings, Keep Walkin’ was remastered by the *Grammy®-nominated engineer John Baldwin* and available in a variety of formats, including vinyl, CD, 8-track, and digital. The 2LP set, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and accompanied by a 24-page booklet featuring an array of photos from the artist’s personal collection, as well as a new in-depth Q&A with Sinatra, conducted by the reissue’s Grammy®-nominated co-producer, Hunter Lea. The booklet also contains a fascinating interview with keyboardist Don Randi (The Wrecking Crew), who recently spoke to Lea about his hit-filled career and his 50 years of work with Nancy. Keep Walkin’: Singles, Demos & Rarities 1965-1978 serves as a companion to the widely-acclaimed 2021 career-spanning retrospective, Start Walkin’ 1965-1976, and marks the latest release in LITA’s ongoing Nancy Sinatra Archival Series, a partnership with the legendary artist, which honors her musical legacy through lovingly curated reissues (including her 1966 debut, Boots and the 1968 classic, Nancy & Lee), limited-edition merch, and other special releases. In 1965, 25-year-old Nancy Sinatra scored her first No.1 hit with “These Boots are Made for Walkin’,” a bold anthem for female empowerment. Brazen, sassy, and utterly infectious, it was a reintroduction of sorts for the eldest daughter of Frank Sinatra, who had been struggling to find a spotlight of her own amid a changing musical landscape. Suddenly, audiences who had initially brushed off Sinatra as too demure or out-of-touch were paying attention. Written and produced by Oklahoma-born songsmith Lee Hazlewood (with swaggering instrumentals, courtesy of Billy Strange and The Wrecking Crew), the song launched the singer’s career, as well as one of music’s most unlikely, yet compelling, creative partnerships. Over the next decade, Sinatra continued to notch multiple hits on both sides of the Atlantic, including “Sugar Town,” “How Does That Grab You, Darlin?,” and a haunting rendition of the Sonny Bono-penned “Bang Bang (My Baby Shot Me Down).” The singer also paired up with Hazlewood for a series of popular duets (“Summer Wine,” “Jackson,”* and *“Some Velvet Morning”) and collaborative albums. In between best-selling LPs like Boots (1966), How Does That Grab You (1966), and Nancy & Lee (1968), Sinatra performed the theme song to the 1967 James Bond film, You Only Live Twice, and collaborated with her father on the global chart-topper, “Somethin’ Stupid.” While these career landmarks are well-documented in the annals of pop culture history, however, much of Sinatra’s catalog remains sorely overlooked. As Keep Walkin’ co-producer Hunter Lea explains, “With the changing taste of the record-buying public in the late 1960s and the counterculture taking over, artists like Nancy Sinatra weren’t in the mainstream as they once were.” Despite that fact, “[Sinatra] kept working, recording, and performing at a voracious pace.” Lea continues, “This compilation is a celebration of some of the many glorious recordings that may have been overlooked, forgotten, or never even released at the time. The obscurity of some of these recordings doesn’t mask the genius, brilliance, and effort that went into them; on the contrary, it’s incredible to learn that some of the lost gems are just as rich as the national treasures.” Among the highlights is the spritely opener “The City Never Sleeps at Night,” which served as the B-Side to “These Boots Were Made for Walkin’.” Overshadowed by the colossal success of its A-side, it’s no surprise that the cinematic tune never had its proper due. Yet, Lea reveals, Hazlewood initially intended to make it the focus single. Another long-lost B-side is “The Last of the Secret Agents?,” which was paired with the Top 10 hit, “How Does That Grab You, Darlin’?” The playful song, written by Hazlewood, served as the theme to the 1966 comedy of the same name, in which Sinatra co-starred alongside Marty Allen and Steve Rossi. Keep Walkin’ also features several choice A-sides that were never included on albums and were overlooked for one reason or another. Among them is 1966’s “In Our Time,” a rebellious anthem for ‘60s youth, which references drug culture and women’s liberation, among other topics. Speaking to the Hazlewood-penned track, Sinatra recalls, “That was a fun song. Lee was starting to do his ‘anti’ stuff. He was cynical and it showed in his writing at some point.” But, despite the themes of the song, Nancy laments that she was never embraced by the counterculture. “[drugs] knocked me out of the picture completely. I was so far removed from the hip people in those days. I think they probably made fun of my stuff.” Another stylistic departure for both artists is “Love Eyes,” a bluesy, soulful single from 1966. The song, Nancy shares, is “one of my favorites. I think what helped Lee’s writing at that point was the bigger sound.… I really love it. I think it holds up to this day.” She adds that her dreamy vocal performance was inspired by early female R&B stars like Ruth Brown and LaVern Baker. The collection also features several outstanding covers, including a previously-unreleased rendition of the Barry Mann/Cynthia Weil classic, “I Just Can’t Help Believing” (a hit for both B.J. Thomas and Elvis Presley). This 1978 recording, reimagined as a duet, marked one of Sinatra’s brief reunions with Hazlewood, following his abrupt move to Sweden not long after 1972’s Nancy & Lee Again. Another choice track finds Nancy interpreting Neil Diamond’s “Glory Road.” Released as a single in 1971, it features one of the singer’s most cherished vocal performances. “After I worked on my voice and improved as a performer and as a singer, I embraced Neil Diamond. Anything I did by Neil Diamond, to me, is my best work.” Nancy also looks back fondly on her moving rendition of Bill Withers’ “Ain’t No Sunshine," released in 1973 as the B-side to “Sugar Me.” The recording (which features particularly lush orchestral arrangements by Billy Strange) reunited Nancy with another close collaborator, Jimmy Bowen, who produced the singer in the early ‘60s and later introduced her to Hazlewood. “I love Jimmy,” she declares. “The records we did early on…had a depth to them that I appreciated. He heard me and saw me in a different light; he saw me as a much more serious performer, which I appreciated.” Listeners will also be delighted to hear a pair of previously-unreleased demos: “Something Pretty” (the 1968 country hit, made famous by Wynn Stewart) and the theme to the 1965 Richard Rogers/Stephen Sondheim musical, Do I Hear a Waltz?, both of which were intended for a self-described “disco” record. Despite the two catchy takes featured on Keep Walkin’, Sinatra calls the shelved album “A disaster. I called it the disco fiasco!” Offering additional insight into Sinatra’s career is music director, songwriter, and keyboardist, Don Randi. A member of the hallowed *Wrecking Crew* collective, Randi was one of the most prolific session musicians of the ‘60s and ‘70s with hundreds of credits to his name, including The Beach Boys’ “Good Vibrations,” Linda Ronstadt’s “Different Drum,” and “These Boots are Made For Walkin’” – his first recording with Sinatra. For the next fifty years, he would be a fixture at her sessions and live shows. He also appears on nearly every track in this collection. Speaking to Lea, Randi delves deep into his time with Sinatra, with a palpable admiration for the singer. *“She was easy to work with,”* he shares. “She was always wonderful to musicians; nobody even comes close.” The keyboardist, who met Sinatra through Hazlewood, also recalls the magic of that partnership. “I always liked working with Nancy & Lee. They had something very special that they could get out of each other. It was a good team.” He continues, “Sinatra stood up for herself [around Lee]…He could be so cantankerous…but that’s Lee…. [Nancy] saw through it. She was so lovely and helpful to him a number of times when he really needed someone to talk to.” That said, Randi also appreciates the power of Sinatra’s solo performances. “I never thought she really needed [Hazlewood},”* he reveals. “I thought her shows were just as well with everybody else; they were excellent.” After stepping back from the industry in the ‘70s to focus on her young family, Sinatra returned to the spotlight in the mid-90s, releasing a string of new albums, including the star-studded Nancy Sinatra, which paired the artist with some of her biggest fans, including Morrissey, U2, Calexico, and Sonic Youth. Since then, Nancy’s legacy has only continued to grow. In more recent years, her impact has been recognized by the likes of Pitchfork, NPR, and Rolling Stone, while in 2020, “Boots” was inducted into the Grammy® Hall of Fame*. Today, Sinatra remains a force in the industry, as new generations discover her influential catalog, which boasts nearly 20 studio albums and dozens of charting singles.
The Black Angels - Directions To See A Ghost
The Black Angels
Directions To See A Ghost
3LP | 2008 | US | Reissue (Light In The Attic)
57,99 €*
Release: 2008 / US – Reissue
Genre: Rock & Indie
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Al Manfredi - Blue Gold
Al Manfredi
Blue Gold
LP | 2019 | US | Reissue (Now-Again)
56,99 €*
Release: 2019 / US – Reissue
Genre: Rock & Indie
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Al Manfredi is the father of hip-hop producer Exile, and Blue
Gold is his little-known West Coast rock masterpiece from
1973. Manfredi’s dreams of securing a record deal with this
album faded, but he spent the rest of his life recording
music. This version of the album was overseen by Exile.
Born into a musical family Al Manfredi started writing songs when he was child. As a teenager in 1965, he formed the Nuts
& Bolts in the small beach town of San Clemente, California. Inspired by the Kinks, the Beatles and the Byrds, the group
separated themselves from the pack by also performing original material written by Manfredi and band mate Mike Ingram.
In late 1966 they changed their name to the Lost & Found and relocated to Phoenix, Arizona, where they cut a rare single,
“Don’t Move Girl” b/w “To Catch the Sun,” which now commands high coin from ‘60s garage collectors.
When they returned to San Clemente in early 1967 their music had taken a more psychedelic direction. The Lost & Found
were riding high that year, until tragedy struck. Ingram was found hanged under suspicious circumstances and soon after
Lost & Found drummer Mike Ryer died of cancer at the age of 19. Heartbroken, Manfredi gave up on the band scene
completely and moved to Garden Grove to teach at his family’s music store.
But alone, behind closed doors, he kept writing songs and working on his music, recording hours of tapes, often tracking
all the instruments himself. In 1973 he chose six of his best songs, some of them written back in the Lost & Found days,
and had them custom-pressed as an LP. Only a handful of copies were pressed, and most of these were sent out to various
record companies in the hope of landing a deal. Despite the outstanding quality of the music, there were no takers. But
decades later, collectors discovered the Al Manfredi album and hailed it a West Coast rock masterpiece. In his Acid Archives
book, Patrick Lundborg called its discovery a deus ex machina and compared it to David Crosby’s first solo album and
Hawaii-era Merrell Fankhauser, “not just the acutely captured mellowness, but the self-confidence and the talent.”
This little-known West Coast rock masterpiece was rediscovered and celebrated by Acid Archives founder Patrick Lundborg
and others around the time that Manfredi died in 1995. This version of the album, overseen by Manfredi’s son Exile,
and with Manfredi’s story told by Ugly Things’ founder Mike Stax, presents the complete package of an incredible lost and
found artist.
Nicki Minaj - Pink Friday 2
Nicki Minaj
Pink Friday 2
LP | 2023 | US | Original (Republic)
56,99 €*
Release: 2023 / US – Original
Genre: Hip Hop, Rock & Indie, Pop
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Used Vinyl
Medium: Near Mint, Cover: VG+
Pink vinyl. Cover is close to NM. Original inner sleeve.
Wedding Present - 24 Songs
Wedding Present
24 Songs
3LP+DVD | 2023 | UK | Original (Happy Happy Birthday To Me)
56,99 €*
Release: 2023 / UK – Original
Genre: Rock & Indie
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The Wedding Present 24 Songs is a 3LP w/ DVD collecting all the 2022 7" singles in one spot. A. o. featuring a duet with Louise Wener of Sleeper, full lenght versions of songs, a bonus Utah Saints remix and more extra tracks! Throughout 2022, The Wedding Present's '24 Songs' series saw the legendary indie band release two new tracks a month as double A sided 7"s, ultimately creating a much-sought-after box set. David Gedge has now re-curated full-length versions of all twenty-four tracks for a new compilation album that will also comprise five bonus recordings including one featuring The Wedding Present's first guitarist, Peter Solowka. '24 Songs' was a doff of the cap to The Wedding Present's 'Hit Parade' project of 30 years previous. That series proved to be a real milestone for the band with them becoming only the second-ever artist to achieve twelve Official UK Top 40 hits in a calendar year - at the time something that only Elvis had achieved! David Gedge says: "When it came to compiling the '24 Songs' album, I decided not to sequence the tracks in chronological order. With six sides of vinyl, you have six 'beginnings' and six 'ends' to play with, and I felt that the opportunity to build some kind of a musical journey was too good to miss! Listening back to this collection, I have to say that I genuinely believe that, for this project, The Wedding Present have recorded some of the best tracks in our history." Classic black vinyl, the DVD includedThe Wedding Present playing live during the `24 Songs Launch' event in January 2022 plus a fascinating `fly-on-the-wall' documentary filmed as the songs were being written, arranged and recorded and the video for the December single.
V.A. - Even The Forest Hums: Ukrainian Sonic Archives 1971-1996
V.A.
Even The Forest Hums: Ukrainian Sonic Archives 1971-1996
2LP | 2024 | US | Original (Light In The Attic)
55,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”
Beaux Gris Gris & The Apocalypse - Hot Nostalgia Radio Colored Vinyl Edition
Beaux Gris Gris & The Apocalypse
Hot Nostalgia Radio Colored Vinyl Edition
2LP | 2024 | Original (Cadiz - Grow Vision)
55,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Beaux Gris Gris & The Apocalypse are happy to announce the release of their 3rd studio album, 'Hot Nostalgia Radio', alongside the release of the first single, 'Satisfy Your Queen', to digital platforms worldwide.The California-based Roots-Rock band have been gaining momentum across the UK and Europe for their acclaimed genre-bending music and epic one-of-a-kind live shows. Beaux Gris Gris expand their eclectic nature once again with this14 track album, celebrating and paying homage to classic songwriting and crossing the genre's that inspired their development as artists.Kicking the party off with a bang, BGG&TA presents their scorching rock single, 'Satisfy Your Queen'. A classic Rock n' Roll underpinning, bluesy riffs and an empowering chorus, the song kicks up a heavy fuss out of the gate, and doesn’t let up till the final note.True to form the album might be hard to categorize, but as the title suggests, it never strays away from being easily accessible. Front woman and songwriter, Greta Valenti explains: 'We've had over 4 years to write this album. The last album was recorded in 2019, pre-pandemic and then we had to sit on it for two years. I had over 100 song ideas waiting to go, but I really wanted this album to represent classic simple songwriting that strikes a chord within your soul. Every song should be a banger in some way, and these songs are really an evolution of who I am and who we are as a band. They're not complicated on the surface, but I hope these songs make you feel and are added to the soundtrack of your life - fitting seamlessly with the songs you already know and love.' Greta adds, 'So even though the songs may veer from Rock to Blues to Soul to Americana-Country to Singer-Songwriter, they are still essentially 3 to 4 minute pop songs. Our fans aren't genre-specific and neither are we. They just like good songs and wanna have a good time. And so do we.''I think our approach harkens back to when bands like the Beatles would write a bunch of different style songs, be it country, or psychedelic, or whatever they did they would always sound like the Beatles', guitarist Robin Davey adds. 'We certainly don't sound like the Beatles, but I hope that no matter what we do we are still easily identifiable as Beaux Gris Gris'.A deluxe double coloured vinyl set with LP sized booklet. Plays at 45rpm for higher fidelity! Side 1: 1. Oh Yeah (2:33) / 2. Wild Woman (2:47) / 3. Satisfy Your Queen (4:18) / 4. I Told My Baby (2:05). Side 2: 5. Middle Of The Night (3:21) / 6. Sad When I'm Dancing (3:21) / 7. All I Could Do Was Cry (3:22). Side 3: 8. The Runaway (4:36) / 9. Harder To Breathe (3:43) / 10. Don't Let Go (3:51). Side 4: 11. Penny Paid Rockstar (3:18) / 12. Marie (4:19) / 13. Let's Ride (3:23) / 14. Mama Cray (3:30)
Nancy Sinatra - Keep Walkin': Singles, Demos & Rarities 1965-1978 Yellow Vinyl Edition
Nancy Sinatra
Keep Walkin': Singles, Demos & Rarities 1965-1978 Yellow Vinyl Edition
2LP | 2023 | US | Original (Light In The Attic)
55,09 €* 57,99 € -5%
Release: 2023 / US – Original
Genre: Rock & Indie
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Definitive collection of Nancy's rare singles, demos and previously unreleased cuts. Includes 3 previously unreleased tracks, plus 3 tracks making their vinyl debut. Deep booklet includes new Q&As with Nancy & Don Randi (The Wrecking Crew) - both conducted by Grammy®-nominated co-producer Hunter Lea Plus never-before-seen photos from Nancy Sinatra’s personal archive. Features audio freshly remastered from the original analog tapes by Grammy®-nominated engineer John Baldwin. Vinyl pressed at RTI. Double LP housed in a gatefold jacket with 24-page book Light in the Attic continues to celebrate the influential career of singer, actress, activist, and icon *Nancy Sinatra* with a captivating new collection, Keep Walkin’: Singles, Demos & Rarities 1965-1978. Exploring the lesser-known gems from Sinatra’s rich catalog through 25 B-sides, rare singles, covers, demos, and previously-unreleased recordings, Keep Walkin’ was remastered by the *Grammy®-nominated engineer John Baldwin* and available in a variety of formats, including vinyl, CD, 8-track, and digital. The 2LP set, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and accompanied by a 24-page booklet featuring an array of photos from the artist’s personal collection, as well as a new in-depth Q&A with Sinatra, conducted by the reissue’s Grammy®-nominated co-producer, Hunter Lea. The booklet also contains a fascinating interview with keyboardist Don Randi (The Wrecking Crew), who recently spoke to Lea about his hit-filled career and his 50 years of work with Nancy. Keep Walkin’: Singles, Demos & Rarities 1965-1978 serves as a companion to the widely-acclaimed 2021 career-spanning retrospective, Start Walkin’ 1965-1976, and marks the latest release in LITA’s ongoing Nancy Sinatra Archival Series, a partnership with the legendary artist, which honors her musical legacy through lovingly curated reissues (including her 1966 debut, Boots and the 1968 classic, Nancy & Lee), limited-edition merch, and other special releases. In 1965, 25-year-old Nancy Sinatra scored her first No.1 hit with “These Boots are Made for Walkin’,” a bold anthem for female empowerment. Brazen, sassy, and utterly infectious, it was a reintroduction of sorts for the eldest daughter of Frank Sinatra, who had been struggling to find a spotlight of her own amid a changing musical landscape. Suddenly, audiences who had initially brushed off Sinatra as too demure or out-of-touch were paying attention. Written and produced by Oklahoma-born songsmith Lee Hazlewood (with swaggering instrumentals, courtesy of Billy Strange and The Wrecking Crew), the song launched the singer’s career, as well as one of music’s most unlikely, yet compelling, creative partnerships. Over the next decade, Sinatra continued to notch multiple hits on both sides of the Atlantic, including “Sugar Town,” “How Does That Grab You, Darlin?,” and a haunting rendition of the Sonny Bono-penned “Bang Bang (My Baby Shot Me Down).” The singer also paired up with Hazlewood for a series of popular duets (“Summer Wine,” “Jackson,”* and *“Some Velvet Morning”) and collaborative albums. In between best-selling LPs like Boots (1966), How Does That Grab You (1966), and Nancy & Lee (1968), Sinatra performed the theme song to the 1967 James Bond film, You Only Live Twice, and collaborated with her father on the global chart-topper, “Somethin’ Stupid.” While these career landmarks are well-documented in the annals of pop culture history, however, much of Sinatra’s catalog remains sorely overlooked. As Keep Walkin’ co-producer Hunter Lea explains, “With the changing taste of the record-buying public in the late 1960s and the counterculture taking over, artists like Nancy Sinatra weren’t in the mainstream as they once were.” Despite that fact, “[Sinatra] kept working, recording, and performing at a voracious pace.” Lea continues, “This compilation is a celebration of some of the many glorious recordings that may have been overlooked, forgotten, or never even released at the time. The obscurity of some of these recordings doesn’t mask the genius, brilliance, and effort that went into them; on the contrary, it’s incredible to learn that some of the lost gems are just as rich as the national treasures.” Among the highlights is the spritely opener “The City Never Sleeps at Night,” which served as the B-Side to “These Boots Were Made for Walkin’.” Overshadowed by the colossal success of its A-side, it’s no surprise that the cinematic tune never had its proper due. Yet, Lea reveals, Hazlewood initially intended to make it the focus single. Another long-lost B-side is “The Last of the Secret Agents?,” which was paired with the Top 10 hit, “How Does That Grab You, Darlin’?” The playful song, written by Hazlewood, served as the theme to the 1966 comedy of the same name, in which Sinatra co-starred alongside Marty Allen and Steve Rossi. Keep Walkin’ also features several choice A-sides that were never included on albums and were overlooked for one reason or another. Among them is 1966’s “In Our Time,” a rebellious anthem for ‘60s youth, which references drug culture and women’s liberation, among other topics. Speaking to the Hazlewood-penned track, Sinatra recalls, “That was a fun song. Lee was starting to do his ‘anti’ stuff. He was cynical and it showed in his writing at some point.” But, despite the themes of the song, Nancy laments that she was never embraced by the counterculture. “[drugs] knocked me out of the picture completely. I was so far removed from the hip people in those days. I think they probably made fun of my stuff.” Another stylistic departure for both artists is “Love Eyes,” a bluesy, soulful single from 1966. The song, Nancy shares, is “one of my favorites. I think what helped Lee’s writing at that point was the bigger sound.… I really love it. I think it holds up to this day.” She adds that her dreamy vocal performance was inspired by early female R&B stars like Ruth Brown and LaVern Baker. The collection also features several outstanding covers, including a previously-unreleased rendition of the Barry Mann/Cynthia Weil classic, “I Just Can’t Help Believing” (a hit for both B.J. Thomas and Elvis Presley). This 1978 recording, reimagined as a duet, marked one of Sinatra’s brief reunions with Hazlewood, following his abrupt move to Sweden not long after 1972’s Nancy & Lee Again. Another choice track finds Nancy interpreting Neil Diamond’s “Glory Road.” Released as a single in 1971, it features one of the singer’s most cherished vocal performances. “After I worked on my voice and improved as a performer and as a singer, I embraced Neil Diamond. Anything I did by Neil Diamond, to me, is my best work.” Nancy also looks back fondly on her moving rendition of Bill Withers’ “Ain’t No Sunshine," released in 1973 as the B-side to “Sugar Me.” The recording (which features particularly lush orchestral arrangements by Billy Strange) reunited Nancy with another close collaborator, Jimmy Bowen, who produced the singer in the early ‘60s and later introduced her to Hazlewood. “I love Jimmy,” she declares. “The records we did early on…had a depth to them that I appreciated. He heard me and saw me in a different light; he saw me as a much more serious performer, which I appreciated.” Listeners will also be delighted to hear a pair of previously-unreleased demos: “Something Pretty” (the 1968 country hit, made famous by Wynn Stewart) and the theme to the 1965 Richard Rogers/Stephen Sondheim musical, Do I Hear a Waltz?, both of which were intended for a self-described “disco” record. Despite the two catchy takes featured on Keep Walkin’, Sinatra calls the shelved album “A disaster. I called it the disco fiasco!” Offering additional insight into Sinatra’s career is music director, songwriter, and keyboardist, Don Randi. A member of the hallowed *Wrecking Crew* collective, Randi was one of the most prolific session musicians of the ‘60s and ‘70s with hundreds of credits to his name, including The Beach Boys’ “Good Vibrations,” Linda Ronstadt’s “Different Drum,” and “These Boots are Made For Walkin’” – his first recording with Sinatra. For the next fifty years, he would be a fixture at her sessions and live shows. He also appears on nearly every track in this collection. Speaking to Lea, Randi delves deep into his time with Sinatra, with a palpable admiration for the singer. *“She was easy to work with,”* he shares. “She was always wonderful to musicians; nobody even comes close.” The keyboardist, who met Sinatra through Hazlewood, also recalls the magic of that partnership. “I always liked working with Nancy & Lee. They had something very special that they could get out of each other. It was a good team.” He continues, “Sinatra stood up for herself [around Lee]…He could be so cantankerous…but that’s Lee…. [Nancy] saw through it. She was so lovely and helpful to him a number of times when he really needed someone to talk to.” That said, Randi also appreciates the power of Sinatra’s solo performances. “I never thought she really needed [Hazlewood},”* he reveals. “I thought her shows were just as well with everybody else; they were excellent.” After stepping back from the industry in the ‘70s to focus on her young family, Sinatra returned to the spotlight in the mid-90s, releasing a string of new albums, including the star-studded Nancy Sinatra, which paired the artist with some of her biggest fans, including Morrissey, U2, Calexico, and Sonic Youth. Since then, Nancy’s legacy has only continued to grow. In more recent years, her impact has been recognized by the likes of Pitchfork, NPR, and Rolling Stone, while in 2020, “Boots” was inducted into the Grammy® Hall of Fame*. Today, Sinatra remains a force in the industry, as new generations discover her influential catalog, which boasts nearly 20 studio albums and dozens of charting singles.
The Weeknd - After Hours
The Weeknd
After Hours
2LP | 2020 | US | Original (Xo)
53,99 €*
Release: 2020 / US – Original
Genre: Hip Hop, Organic Grooves, Rock & Indie, Pop
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Used Vinyl
Medium: Sealed, Cover: VG+
Sealed copy with a bumped corner!
The Black Angels - Directions To See A Ghost Metallic Silver Vinyl Edition Hebi Katana - Impermanence Colored Vinyl Edition
Hebi Katana
Impermanence Colored Vinyl Edition
LP | 2023 | JP | Original (Hebi Katana / Argonauta)
51,99 €*
Release: 2023 / JP – Original
Genre: Rock & Indie
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Hebi Katana, formed in February 2020 and known as "Tokyo Samurai Doom", has completed its second album, produced by Mr. Okazaki of Eternal Elysium/studio ZEN! The first album released in August 2021 attracted attention in the international scene and was released on labels in Italy, Argentina, USA, Poland, and other countries. Only half a year later, they have completed their remarkable second album. Limited edition colored vinyl with Japanese obi is now available for pre-order!!
Nancy Sinatra - Keep Walkin': Singles, Demos & Rarities 1965-1978 Black Vinyl Edition
Nancy Sinatra
Keep Walkin': Singles, Demos & Rarities 1965-1978 Black Vinyl Edition
2LP | 2023 | US | Original (Light In The Attic)
51,99 €*
Release: 2023 / US – Original
Genre: Rock & Indie
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Definitive collection of Nancy's rare singles, demos and previously unreleased cuts. Includes 3 previously unreleased tracks, plus 3 tracks making their vinyl debut. Deep booklet includes new Q&As with Nancy & Don Randi (The Wrecking Crew) - both conducted by Grammy®-nominated co-producer Hunter Lea Plus never-before-seen photos from Nancy Sinatra’s personal archive. Features audio freshly remastered from the original analog tapes by Grammy®-nominated engineer John Baldwin. Vinyl pressed at RTI. Double LP housed in a gatefold jacket with 24-page book Light in the Attic continues to celebrate the influential career of singer, actress, activist, and icon *Nancy Sinatra* with a captivating new collection, Keep Walkin’: Singles, Demos & Rarities 1965-1978. Exploring the lesser-known gems from Sinatra’s rich catalog through 25 B-sides, rare singles, covers, demos, and previously-unreleased recordings, Keep Walkin’ was remastered by the *Grammy®-nominated engineer John Baldwin* and available in a variety of formats, including vinyl, CD, 8-track, and digital. The 2LP set, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and accompanied by a 24-page booklet featuring an array of photos from the artist’s personal collection, as well as a new in-depth Q&A with Sinatra, conducted by the reissue’s Grammy®-nominated co-producer, Hunter Lea. The booklet also contains a fascinating interview with keyboardist Don Randi (The Wrecking Crew), who recently spoke to Lea about his hit-filled career and his 50 years of work with Nancy. Keep Walkin’: Singles, Demos & Rarities 1965-1978 serves as a companion to the widely-acclaimed 2021 career-spanning retrospective, Start Walkin’ 1965-1976, and marks the latest release in LITA’s ongoing Nancy Sinatra Archival Series, a partnership with the legendary artist, which honors her musical legacy through lovingly curated reissues (including her 1966 debut, Boots and the 1968 classic, Nancy & Lee), limited-edition merch, and other special releases. In 1965, 25-year-old Nancy Sinatra scored her first No.1 hit with “These Boots are Made for Walkin’,” a bold anthem for female empowerment. Brazen, sassy, and utterly infectious, it was a reintroduction of sorts for the eldest daughter of Frank Sinatra, who had been struggling to find a spotlight of her own amid a changing musical landscape. Suddenly, audiences who had initially brushed off Sinatra as too demure or out-of-touch were paying attention. Written and produced by Oklahoma-born songsmith Lee Hazlewood (with swaggering instrumentals, courtesy of Billy Strange and The Wrecking Crew), the song launched the singer’s career, as well as one of music’s most unlikely, yet compelling, creative partnerships. Over the next decade, Sinatra continued to notch multiple hits on both sides of the Atlantic, including “Sugar Town,” “How Does That Grab You, Darlin?,” and a haunting rendition of the Sonny Bono-penned “Bang Bang (My Baby Shot Me Down).” The singer also paired up with Hazlewood for a series of popular duets (“Summer Wine,” “Jackson,”* and *“Some Velvet Morning”) and collaborative albums. In between best-selling LPs like Boots (1966), How Does That Grab You (1966), and Nancy & Lee (1968), Sinatra performed the theme song to the 1967 James Bond film, You Only Live Twice, and collaborated with her father on the global chart-topper, “Somethin’ Stupid.” While these career landmarks are well-documented in the annals of pop culture history, however, much of Sinatra’s catalog remains sorely overlooked. As Keep Walkin’ co-producer Hunter Lea explains, “With the changing taste of the record-buying public in the late 1960s and the counterculture taking over, artists like Nancy Sinatra weren’t in the mainstream as they once were.” Despite that fact, “[Sinatra] kept working, recording, and performing at a voracious pace.” Lea continues, “This compilation is a celebration of some of the many glorious recordings that may have been overlooked, forgotten, or never even released at the time. The obscurity of some of these recordings doesn’t mask the genius, brilliance, and effort that went into them; on the contrary, it’s incredible to learn that some of the lost gems are just as rich as the national treasures.” Among the highlights is the spritely opener “The City Never Sleeps at Night,” which served as the B-Side to “These Boots Were Made for Walkin’.” Overshadowed by the colossal success of its A-side, it’s no surprise that the cinematic tune never had its proper due. Yet, Lea reveals, Hazlewood initially intended to make it the focus single. Another long-lost B-side is “The Last of the Secret Agents?,” which was paired with the Top 10 hit, “How Does That Grab You, Darlin’?” The playful song, written by Hazlewood, served as the theme to the 1966 comedy of the same name, in which Sinatra co-starred alongside Marty Allen and Steve Rossi. Keep Walkin’ also features several choice A-sides that were never included on albums and were overlooked for one reason or another. Among them is 1966’s “In Our Time,” a rebellious anthem for ‘60s youth, which references drug culture and women’s liberation, among other topics. Speaking to the Hazlewood-penned track, Sinatra recalls, “That was a fun song. Lee was starting to do his ‘anti’ stuff. He was cynical and it showed in his writing at some point.” But, despite the themes of the song, Nancy laments that she was never embraced by the counterculture. “[drugs] knocked me out of the picture completely. I was so far removed from the hip people in those days. I think they probably made fun of my stuff.” Another stylistic departure for both artists is “Love Eyes,” a bluesy, soulful single from 1966. The song, Nancy shares, is “one of my favorites. I think what helped Lee’s writing at that point was the bigger sound.… I really love it. I think it holds up to this day.” She adds that her dreamy vocal performance was inspired by early female R&B stars like Ruth Brown and LaVern Baker. The collection also features several outstanding covers, including a previously-unreleased rendition of the Barry Mann/Cynthia Weil classic, “I Just Can’t Help Believing” (a hit for both B.J. Thomas and Elvis Presley). This 1978 recording, reimagined as a duet, marked one of Sinatra’s brief reunions with Hazlewood, following his abrupt move to Sweden not long after 1972’s Nancy & Lee Again. Another choice track finds Nancy interpreting Neil Diamond’s “Glory Road.” Released as a single in 1971, it features one of the singer’s most cherished vocal performances. “After I worked on my voice and improved as a performer and as a singer, I embraced Neil Diamond. Anything I did by Neil Diamond, to me, is my best work.” Nancy also looks back fondly on her moving rendition of Bill Withers’ “Ain’t No Sunshine," released in 1973 as the B-side to “Sugar Me.” The recording (which features particularly lush orchestral arrangements by Billy Strange) reunited Nancy with another close collaborator, Jimmy Bowen, who produced the singer in the early ‘60s and later introduced her to Hazlewood. “I love Jimmy,” she declares. “The records we did early on…had a depth to them that I appreciated. He heard me and saw me in a different light; he saw me as a much more serious performer, which I appreciated.” Listeners will also be delighted to hear a pair of previously-unreleased demos: “Something Pretty” (the 1968 country hit, made famous by Wynn Stewart) and the theme to the 1965 Richard Rogers/Stephen Sondheim musical, Do I Hear a Waltz?, both of which were intended for a self-described “disco” record. Despite the two catchy takes featured on Keep Walkin’, Sinatra calls the shelved album “A disaster. I called it the disco fiasco!” Offering additional insight into Sinatra’s career is music director, songwriter, and keyboardist, Don Randi. A member of the hallowed *Wrecking Crew* collective, Randi was one of the most prolific session musicians of the ‘60s and ‘70s with hundreds of credits to his name, including The Beach Boys’ “Good Vibrations,” Linda Ronstadt’s “Different Drum,” and “These Boots are Made For Walkin’” – his first recording with Sinatra. For the next fifty years, he would be a fixture at her sessions and live shows. He also appears on nearly every track in this collection. Speaking to Lea, Randi delves deep into his time with Sinatra, with a palpable admiration for the singer. *“She was easy to work with,”* he shares. “She was always wonderful to musicians; nobody even comes close.” The keyboardist, who met Sinatra through Hazlewood, also recalls the magic of that partnership. “I always liked working with Nancy & Lee. They had something very special that they could get out of each other. It was a good team.” He continues, “Sinatra stood up for herself [around Lee]…He could be so cantankerous…but that’s Lee…. [Nancy] saw through it. She was so lovely and helpful to him a number of times when he really needed someone to talk to.” That said, Randi also appreciates the power of Sinatra’s solo performances. “I never thought she really needed [Hazlewood},”* he reveals. “I thought her shows were just as well with everybody else; they were excellent.” After stepping back from the industry in the ‘70s to focus on her young family, Sinatra returned to the spotlight in the mid-90s, releasing a string of new albums, including the star-studded Nancy Sinatra, which paired the artist with some of her biggest fans, including Morrissey, U2, Calexico, and Sonic Youth. Since then, Nancy’s legacy has only continued to grow. In more recent years, her impact has been recognized by the likes of Pitchfork, NPR, and Rolling Stone, while in 2020, “Boots” was inducted into the Grammy® Hall of Fame*. Today, Sinatra remains a force in the industry, as new generations discover her influential catalog, which boasts nearly 20 studio albums and dozens of charting singles.
The Beatles - The Beatles White Album 50th Anniversary Edition
The Beatles
The Beatles White Album 50th Anniversary Edition
2LP | 2018 | EU | Original (Apple)
50,99 €*
Release: 2018 / EU – Original
Genre: Rock & Indie
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Standard 2LP Vinyl:
- The Beatles (‘White Album’) 2018 stereo mix
- 180-gram 2LP vinyl in gatefold sleeve with faithfully replicated original artwork

In November 1968, millions of double LPs were shipped to record stores worldwide ahead of that tumultuous year’s most anticipated music event: the November 22nd release of The BEATLES (soon to be better known as ‘The White Album’). With their ninth studio album, The Beatles took the world on a whole new trip, side one blasting off with the exhilarating rush of a screaming jet escorting Paul McCartney’s punchy, exuberant vocals on “Back In The U.S.S.R.” “Dear Prudence” came next, John Lennon warmly beckoning his friend and all of us to “look around.” George Harrison imparted timeless wisdom in “While My Guitar Gently Weeps,” singing, “With every mistake we must surely be learning.” Ringo Starr’s “Don’t Pass Me By” marked his first solo songwriting credit on a Beatles album. For 50 years, ‘The White Album’ has invited its listeners to venture forth and explore the breadth and ambition of its music, delighting and inspiring each new generation in turn.

On November 9, The Beatles will release a suite of lavishly presented ‘White Album’ packages (Apple Corps Ltd./Capitol/UMe). The album’s 30 tracks are newly mixed by producer Giles Martin and mix engineer Sam Okell in stereo and 5.1 surround audio, joined by 27 early acoustic demos and 50 session takes, most of which are previously unreleased in any form.

“We had left Sgt. Pepper’s band to play in his sunny Elysian Fields and were now striding out in new directions without a map,” says Paul McCartney in his written introduction for the new ‘White Album’ releases.

This is the first time The BEATLES (‘White Album’) has been remixed and presented with additional demos and session recordings. The album’s sweeping new edition follows 2017’s universally acclaimed Sgt. Pepper’s Lonely Hearts Club Band Anniversary Edition releases. To create the new stereo and 5.1 surround audio mixes for ‘The White Album,’ Martin and Okell worked with an expert team of engineers and audio restoration specialists at Abbey Road Studios in London. All the new ‘White Album’ releases include Martin’s new stereo album mix, sourced directly from the original four-track and eight-track session tapes. Martin’s new mix is guided by the album’s original stereo mix produced by his father, George Martin.

“In remixing ‘The White Album,’ we’ve tried to bring you as close as possible to The Beatles in the studio,” explains Giles Martin in his written introduction for the new edition. “We’ve peeled back the layers of the ‘Glass Onion’ with the hope of immersing old and new listeners into one of the most diverse and inspiring albums ever made.”
Wedding Present - 24 Songs
Wedding Present
24 Songs
3LP+DVD | 2023 | UK | Original (Happy Happy Birthday To Me)
49,99 €*
Release: 2023 / UK – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG+
Grey Vinyl Edition.
Incudes CD & DVD in NM condition.
Lost Zone - Ordinary Misery Silver / Gold Marbled Vinyl Edition
Lost Zone
Ordinary Misery Silver / Gold Marbled Vinyl Edition
LP | 2024 | EU | Original (Drakkar Entertainment Gmbh)
49,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Bloodywood - Rakshak
Bloodywood
Rakshak
LP | 2022 | Original (Not On Label (Bloodywood Self-released))
49,99 €*
Release: 2022 / Original
Genre: Hip Hop, Rock & Indie, Classical Music
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Used Vinyl
Medium: Sealed, Cover: VG
Sealed copy with small seam split!
Tricky - Angels With Dirty Faces Record Store Day 2024 Orange Vinyl Edition
Tricky
Angels With Dirty Faces Record Store Day 2024 Orange Vinyl Edition
2LP | 1998 | Reissue (UMC)
48,99 €*
Release: 1998 / Reissue
Genre: Rock & Indie
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Tricky’s 2nd most sought-after vinyl LP, repressed for the first time, exclusively on orange Colored Vinyl. The 2LP includes 2 tracks not included on the original CD release: Peyote Sings + Taxi. Martina Topley-Bird is once again on vocal duties but also featured are English singer-songwriter PJ Harvey (on “Broken Homes”), Anthrax guitarist Scott Ian (on “Carriage for Two”) plus Marc Ribot adds his twisted guitar lines to a number of tracks. Continuing Tricky’s penchant for covering hip-hop tracks ‘Angels…’ features a cover of Slick Rick’s “The Moment I Feared”.
Opeth - The Last Will And Testament Indie Exclusive Rough Seas Vinyl Edition
Opeth
The Last Will And Testament Indie Exclusive Rough Seas Vinyl Edition
2LP | 2024 | EU | Original (Reigning Phoenix Music)
48,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Preorder shipping from 2024-11-22
”The Last Will and Testament” is a concept record of sorts. A restless musical journey in a way mirroring my own relationship with music as a consumer of it," narrates band leader Mikael Åkerfeldt. "I pick up something here, dismiss something there. I worship and I hate music at the same time. This ambivalence leads me down some type of creative path of my own and then, all of a sudden, a collection of songs has been written. Best case scenario, these songs are good enough to impress the band. Good enough for the ”powers that be” in terms of the industry. Good enough for ”you”?! I love this record. I have to say it (write it). Maybe I’m proud even? There are some familiar ingredients in there I suppose. Most of our music has sprung from the same source, so I guess it’s not much of a shocker if it’s going to sound like ”us”. I’m a bit in awe of what we did with ”The Last Will and Testament”. It feels like a dream. There is some ”coherence" and ” songwriting skills” I hope, but what do I know? I tend to favour the ”strange” over the ”obvious”, but I feel like I’m in the minority, and that’s fine. So…fair warning! Don’t expect an instant rush (as per usual), but if you do ”get it” (have you got it yet?) right away, that’s ok too!" 1-01 - §1 (00:05:57)1-02 - §2 (00:05:34)1-03 - §3 (00:05:11)1-04 - §4 (00:07:05)1-05 - §5 (00:07:35)1-06 - §6 (00:06:04)1-07 - §7 (00:06:28)1-08 - A Story Never Told (00:07:10)
Wedding Present - 24 Songs
Wedding Present
24 Songs
3LP+DVD | 2023 | US | Original (Happy Hapy Birthday To Me)
48,99 €*
Release: 2023 / US – Original
Genre: Rock & Indie
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The Wedding Present 24 Songs is a 3LP w/ DVD collecting all the 2022 7" singles in one spot. A. o. featuring a duet with Louise Wener of Sleeper, full lenght versions of songs, a bonus Utah Saints remix and more extra tracks! Throughout 2022, The Wedding Present's '24 Songs' series saw the legendary indie band release two new tracks a month as double A sided 7"s, ultimately creating a much-sought-after box set. David Gedge has now re-curated full-length versions of all twenty-four tracks for a new compilation album that will also comprise five bonus recordings including one featuring The Wedding Present's first guitarist, Peter Solowka. '24 Songs' was a doff of the cap to The Wedding Present's 'Hit Parade' project of 30 years previous. That series proved to be a real milestone for the band with them becoming only the second-ever artist to achieve twelve Official UK Top 40 hits in a calendar year - at the time something that only Elvis had achieved! David Gedge says: "When it came to compiling the '24 Songs' album, I decided not to sequence the tracks in chronological order. With six sides of vinyl, you have six 'beginnings' and six 'ends' to play with, and I felt that the opportunity to build some kind of a musical journey was too good to miss! Listening back to this collection, I have to say that I genuinely believe that, for this project, The Wedding Present have recorded some of the best tracks in our history." Classic black vinyl, the DVD includedThe Wedding Present playing live during the `24 Songs Launch' event in January 2022 plus a fascinating `fly-on-the-wall' documentary filmed as the songs were being written, arranged and recorded and the video for the December single.
Slipknot - 5: The Gray Chapter Pink Vinyl Edition
Slipknot
5: The Gray Chapter Pink Vinyl Edition
2LP | 2014 | EU | Reissue (Roadrunner)
47,99 €*
Release: 2014 / EU – Reissue
Genre: Rock & Indie
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Oliver Tree - Ugly Is Beautiful Crystal Clear Vinyl Edition
Oliver Tree
Ugly Is Beautiful Crystal Clear Vinyl Edition
LP | 2020 | EU | Reissue (Atlantic)
47,99 €*
Release: 2020 / EU – Reissue
Genre: Rock & Indie
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Red Hot Chili Peppers - Unlimited Love Limited Black Vinyl Gatefold Edition
Red Hot Chili Peppers
Unlimited Love Limited Black Vinyl Gatefold Edition
2LP | 2022 | EU | Original (Warner)
46,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Deluxe 2LP Version – Gatefold Sleeve w/ Poster

Red Hot Chili Peppers will unveil their new album and twelfth full-length offering, Unlimited Love [Warner Records], on April 1, 2022. It notably marks their first recording with guitarist John Frusciante since 2006 and first with producer and longtime collaborator Rick Rubin since 2011. To herald Unlimited Love, the Los Angeles band just shared the first single and music video “Black Summer.”



“Our only goal is to get lost in the music. We (John, Anthony, Chad and Flea) spent thousands of hours, collectively and individually, honing our craft and showing up for one another, to make the best album we could. Our antennae attuned to the divine cosmos, we were just so damn grateful for the opportunity to be in a room together, and, once again, try to get better. Days, weeks and months spent listening to each other, composing, jamming freely, and arranging the fruit of those jams with great care and purpose. The sounds, rhythms, vibrations, words and melodies had us enrapt.



We yearn to shine a light in the world, to uplift, connect, and bring people together. Each of the songs on our new album UNLIMITED LOVE, is a facet of us, reflecting our view of the universe. This is our life’s mission. We work, focus, and prepare, so that when the biggest wave comes, we are ready to ride it. The ocean has gifted us a mighty wave and this record is the ride that is the sum of our lives. Thank you for listening, we hope you enjoy it.

ROCK OUT MOTHERFUCKERS!” - Anthony Kiedis, Flea, Chad Smith, John Frusciante



On lead track “Black Summer,” ethereal guitar underlines introspective lyrics as the rhythm unlocks a hypnotic drum groove highlighted by evocative bass. It quietly inhales only to exhale with a massive refrain, “It’s been a long time since I made a new friend, waiting on another black summer to end,” before a guitar solo echoes to the heavens and back.



Unlimited Love resumes a three-decade partnership with Rick Rubin [Johnny Cash, Adele]. Their creative collaboration spans legendary albums, including the diamond-selling Blood Sugar Sex Magik [1991], Californication [1999], By The Way [2002], and Stadium Arcadium [2006].



The interplay between the band borders on intergalactic once again—yet elevated to another stratosphere altogether. Unlimited Love represents the united spirit of four individual souls still fearlessly exploring the future of their eternal friendship and musical congregation.



This summer, Red Hot Chili Peppers will launch their first tour in support of Unlimited Love. They’ve invited a dynamic cohort of guests along for the ride at select dates, including Anderson.Paak & The Free Nationals and Thundercat and will be playing stadium dates in the UK in June 2022.
Stone The Crows - Live At The Bbc Paris Theatre
Stone The Crows
Live At The Bbc Paris Theatre
2LP | 2023 | EU | Original (Repertoire Entertainment Gmbh)
46,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Renaissance - Live At Fillmore West Marbled Vinyl
Renaissance
Live At Fillmore West Marbled Vinyl
2LP | 2017 | EU | Reissue (Repertoire Entertainment Gmbh)
46,99 €*
Release: 2017 / EU – Reissue
Genre: Rock & Indie
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Desolus - System Shock
Desolus
System Shock
LP | 2024 | US | Original (Hells Headbangers)
46,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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HELLS HEADBANGERS is proud to present DESOLUS' highly anticipated debut album, System Shock.Hailing from the Mid-Atlantic United States, DESOLUS formed in 2019 at the beginning of the pandemic. Inspired by Sodom, Kreator, and Dark Angel, Jimmy Frost (guitars and vocals) and Vivek Rangarajan (bass and vocals) wrote songs as an outlet for the feeling of what seemed to be the end of times. As time went by and the dust settled, they traveled north to Baltimore, where they recorded a series of demos with Sebastian Phillips (Exhumed / Noisem / Castle Freak). Phillips engineered and tracked drums on these demos in hopes to release it for the DMV (DC, Maryland, and Virginia) metal scene. While recording these songs, they met Travis Stone (percussion), a former member of Noisem and current member of Pig Destroyer. Stone heard the songs and was on board as soon as the first riff played. Soon after, he began rehearsing with the band day in and day out until they were ready to take their music to the streets. DESOLUS gained traction within the DMV music scene over the span of a few years and began traveling across the United States to spread their love of old-school thrash. 1 System Shock 4:292 From Man To Machine 4:113 Curse Of The Technomancer 3:554 Metal Fetishist 4:015 The Arrival ( Of Evil) 4:176 The Invasion Begins 3:257 Interlude 1:568 Sea Of Fire 4:599 The Sigilite 4:0610 Panopticon 4:03
Caamp - Boys
Caamp
Boys
2LP | 2023 | US | Original (Monostereo Vinyl)
46,99 €*
Release: 2023 / US – Original
Genre: Rock & Indie
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Senyawa - Vajranala
Senyawa
Vajranala
4LP | 2024 | UK | Original (The state51 Conspiracy)
45,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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In tandem with the recorded album Senyawa undertook the creation of the Vajranala Monument, a 21st-century artefact standing 3.5 metres tall and 2.8 metres wide with a thickness of 2.4 metres, made up of 4100 pieces of carved red brick, surrounded by 26 carved andesite stones. The monument possesses a feature that can emit fire and is built with the hope of becoming a knowledge artefact for humans in the future.

Vajranala sees the Indonesian experimental duo of vocalist Rully Shabara and multi-instrumentalist Wukir Suryadi explore how, over centuries, the natural world has shaped our society, the knowledge systems from which power derives, and why that still resonates today. It’s an exercise in understanding the root of the power (knowledge) discussed in their 2021 release Alkisah. When it comes to ‘power’, says Senyawa vocalist Rully Shabara, “people will normally think of someone political, but I don’t think that’s the case. The origin of power goes deeper than that.” It’s the shamans, he says, who were the first possessors of power: “If you’re in a village, if you’re considered to have the knowledge to connect people with the realm of the gods, then you will have power before the leader. It’s very fundamental to explore this.”
Dan Reed Network - Let's Hear It For The King Blue & Green Vinyl Edition
Dan Reed Network
Let's Hear It For The King Blue & Green Vinyl Edition
2LP | 2023 | EU | Original (Drakkar Entertainment Gmbh)
45,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Workers Comp - Workers Comp
Workers Comp
Workers Comp
LP | 2024 | US | Original (Ever / Never)
44,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Exploiting low wage workers is as American as apple pie, but the trio known as Workers Comp are doing their part to kick against the pricks. Collecting a trio of cassettes, a 45 and an unreleased track, this LP posits what the Dust Bowl migration would have been like if the migrants had access to righteously roughshod rock n’ roll. This is what Americana sounds like after hitchhiking through the Badlands, surrounded on all sides by the ineffectual managerial class, Workers Comp are highly-skilled journeymen—you may recognize drummer Ryan McKeever from his Staffers project, bassist Luke Reddick from art-punk dismantlers Divorce Horse, and singer/guitarist Joshua Gillis from the Detroit-based Deadbeat Beat. With Workers Comp, these three reach back to a time before indie rock became a playground for the idle rich. “High On The Job” sports the kind of weary defiance Johnny Cash made his name with, while “Pick And Choose” sounds like the Replacements got to happy hour before the bartender even started their shift. This self-titled comp contains a baker’s dozen worth of tracks, each one a hunk of soul-nourishing sustenance. Workers Comp might not be able to do anything about the weekly time- theft committed by your place of employment, but they’ll be waiting for you at the end of the day with a cold beer in a frosty mug and a fistful of tears in the form of a song. Edition of 200 copies, includes an insert.
Uriah Heep - Look At Yourself
Uriah Heep
Look At Yourself
LP | 1972 | JP | Original (Bronze)
44,99 €*
Release: 1972 / JP – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG
Japanese pressing, no Obi.
Sleeve has light edge wear.
Uriah Heep - Look At Yourself
Uriah Heep
Look At Yourself
LP | 1972 | JP | Original (Bronze)
44,99 €*
Release: 1972 / JP – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG
seam split. OBI is missing.
Bruce Springsteen - The Wild, The Innocent & The E Street Shuffle Sacd
Bruce Springsteen
The Wild, The Innocent & The E Street Shuffle Sacd
CD | 1973 | US | Reissue (Mobile Fidelity Sound Lab)
44,99 €*
Release: 1973 / US – Reissue
Genre: Rock & Indie
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Sacd: Mastered ON Mobile Fidelity's Renowned Mastering System: Numbered-edition Hybrid Sacd Plays With Expressive Clarity / Released only eight months after his exhilarating debut, Bruce Springsteen's The Wild, the Innocent & the E Street Shuffle contains rousing dispatches from the boardwalk, the street, the beach, and the bedroom. It explodes with energy, dares to dream, teases with humour, crackles with tragedy, clings to hope, and overflows with discovery, youthfulness, and personality. It features an unforgettable cast of characters — corner boys, teenage hustlers, doomed lovers, jazz men, junk men, factory girls, fortune tellers, alley cats, pimps, escorts, and more — illuminated by vivid colour, breathtaking detail, and poetic action.

Musically, the heartfelt 1973 record is inhabited by sympathetic vignettes and cinematic arrangements steeped in rock 'n' roll, soul, jazz, and R&B. It finds the New Jersey native looking beyond the parameters of his preceding record and seeking to move on from environments he knows well (and chronicles here) by rushing headlong toward unknown territories, adventures, and people. Underpinned by the singer-guitarist's ambitious poetic enterprise and will to succeed, The Wild, the Innocent & the E Street Shuffle is the album on which Springsteen becomes the Boss.

Mastered on Mobile Fidelity's renowned mastering system, pressed at RTI on MoFi SuperVinyl, and strictly limited to 7,500 numbered copies, Mobile Fidelity's UltraDisc One-Step 180g 33rpm LP set is the definitive-sounding version of Springsteen's sophomore record. Benefitting from SuperVinyl’s nearly non-existent noise floor, superb groove definition, and dead-quiet surfaces, The Wild, the Innocent & the E Street Shuffle plays with a clarity, energy, presence, and openness that complement the expressiveness, dynamics, and scope of the seven restless songs that comprise a work Rolling Stone ranked the 345th Greatest Album of All Time.

Beyond the audiophile sonics that practically place you behind the console at 914 Sound Studios — listen to the separation between the instruments, natural decay of the notes, interplay within the widescreen soundstaging, and nothing-to-lose youthfulness of Springsteen’s voice — this reissue takes seriously this record’s influential merit by presenting it in packaging that underlines its status. Tucked in a beautiful slipcase, the LP is housed in a special foil-stamped jacket with faithful-to-the-original graphics. This reissue is made for listeners who prize sound quality and who want to engage themselves in everything involved with the invigorating set that busted Springsteen loose from the club circuit and landed him on the radio

Determined to liberate anyone within earshot and unafraid to come on strong, The Wild, the Innocent & the E Street Shuffle serves as the debut of the E Street Band — not only heard but seen for the first time by most of the public courtesy of the back-cover photograph. This is where saxophonist Clarence Clemons, organist-accordionist Danny Federici, and pianist David Sancious step out of the shadows — and drummer Vini Lopez and bassist Garry Tallent again stoke a fiery rhythmic engine that helps drive the untamed, reimagined big-band swing of “Kitty’s Back,” breathless R&B thrust of “Rosalita (Come Out Tonight),” and carefree dance steps of the funky “The E Street Shuffle.”

Of course, the main attraction remains a then-24-year-old visionary on the precipice of becoming a sensation and turning a then-bloated rock scene on its head. Recorded over three months while Springsteen and company were busy touring his debut LP, The Wild, the Innocent & the E Street Shuffle reflects the high-octane approach the vocalist embraced onstage and drifts away from the label-dictated acoustic-based frameworks of his debut. The set also witnesses Springsteen deepening his observational skills, with narratives such as the romantically tinged “4th of July, Asbury Park (Sandy)” and redemptive epic “Incident on 57th Street” mirroring changes taking place in the singer’s own life, small towns, and America at large.

A thrilling collision of memories, reflections, and composites — Sandy, Rosalita, and the latter’s parents are all based on actual people Springsteen knew, as is the community depicted in the opening track — the aptly titled The Wild, the Innocent & the E Street Shuffle resonates decades on due to its truths, authenticity, and spirit. Those characteristics — as well as the fact that many of its lengthy songs come on as the equivalent of sweaty, feverish soul revue that won’t stop until you’ve been exhausted — also explain how this now-iconic album triumphed over the reservations of industry “experts” that both demanded Springsteen re-record it and instructed deejays not to play it. Yet there’d be no stopping a record that saw the past, present, and future, a band whose will would not be denied, and a phenomenon who was born to run. A never-ending invitation to act real cool and stay up all night, The Wild, the Innocent & the E Street Shuffle always feels alright.
Armor For Sleep - What To Do When You Are Dead
Armor For Sleep
What To Do When You Are Dead
2LP | 2005 | US | Reissue (Equal Vision)
44,99 €*
Release: 2005 / US – Reissue
Genre: Rock & Indie
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Lead singer Ben Jorgensen shares: “We are very excited to include some previously unreleased B-sides on the deluxe, 15-year anniversary vinyl pressing of What To Do When You Are Dead. The B-sides we chose to include were demos written and recorded around the same time as the album that we never got to formally polish and fully produce for one reason or another. After a certain amount of time we shelved the songs from this particular era in our history, but over the years we’ve listened back to some of them and thought that one day it would be cool to share them with the people who were fans of the album. We think these extra songs might share some of the same DNA as the songs on the album itself, and we hope they might evoke a similar sense of nostalgia in listeners who might be listening back to the album. We also chose to include some early demos of songs that we wound up re-recording for our first two albums for any of our fans who are interested in rough/early recordings.”
Lars Fredrik Frøislie Of Wobbler - Fire Fortellinger Blue / Turquoise Vinyl Edition
Lars Fredrik Frøislie Of Wobbler
Fire Fortellinger Blue / Turquoise Vinyl Edition
LP | 2023 | EU | Original (Karisma)
44,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Debut solo album from Wobbler’s Lars Fredrik Frøislie! Fitting perfectly into the 70s prog-rock tradition where the keyboardist makes a solo album between the band albums, this is music Frøislie has been doing, mostly alone, during the pandemic. Had it not been for the pandemic, much of the material would probably have ended up on a new Wobbler album - but then run through the Wobbler grinder and with English lyrics. In other words, this is unpeeled and raw, as spontaneous as possible without going through too many rounds of processing. Trying to preserve the impulsive - much of what you hear is improvised, and one-takes (preferably with playing errors and piano strings that break and the like). Trying to preserve the human aspect to a large extent, avoiding click tracks, auto-tune, Midi or too much technology. Expect lots of old analogue keyboards such as cembalo, Mellotron, MiniMoog, Yamaha Cp70 and Hammond organ. Four tunes; Four stories. The first song "Rytter av dommedag" is themed around Ragnarok, when King Rakne awakens in his large burial mound outside Romerike and, together with the old gods, creates real mischief. The second song “Et sted under himmelhvelvet” is dreamy, possibly set in a Renaissance garden near Florence or Arcadia. But in principle it can be anywhere where it feels good to be. It is partly about travelling to a place and feeling that you have been there before - only to find out that you had ancestors who lived there long ago. The third song "Jærtegn" opens in a frenzy, with a horse and cart speeding through the forest. The wagon overturns at the same time as there is a solar eclipse, and the riders become eternal wanderers in the dark forest, only visible to us now and then like the northern lights, as they vainly stretch their arms towards the sun in the hope of finding their way home. The final song “Naturens Katedral” is a depiction of the Norwegian mountains in winter where the cold is bitter, and blizzards and avalanches abound. It is also a search for bygone times when life was more basic out in the wilderness.
Modest Mouse - The Lonesome Crowded West Vinyl Me, Please Edition
Modest Mouse
The Lonesome Crowded West Vinyl Me, Please Edition
2LP | 1997 | US | Reissue (Vinyl Me, Please)
43,99 €*
Release: 1997 / US – Reissue
Genre: Rock & Indie
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Why you'll love it...
“What really stands out about The Lonesome Crowded West is this journey it takes you on. Less like a concept album and more like a road trip soundtrack. It meanders between feelings of grinding teeth and soothing calm, love and heartache, hope and despair, with the mood and emotion shifting like tumbleweeds on a gusty day. The words really make you think, with riddle-like complexity at times.
There’s an endearing honesty and authenticity inherent to this album that doesn’t exist in a lot of popular music. It’s similar to a piece of beautiful framed art, sculpture or metalwork that is obviously handmade, due to the fact that it exhibits noticeable imperfections. Perfectly imperfect: The Lonesome Crowded West.”
Nada Surf - Moon Mirror Moon Mirror (Reflection) Deluxe Galaxy Splatter Vinyl Edition
Nada Surf
Moon Mirror Moon Mirror (Reflection) Deluxe Galaxy Splatter Vinyl Edition
2LP | 2024 | US | Original (New West)
43,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Moon Mirror, Nada Surf’s new record, has everything fans love and expect from them. Bittersweet anthems that begin quiet but explode into soaring harmonies? Check. Songs that are play-on-repeat heart punches? Check. Songs that are poetic and thought-provoking while also being absolute belt-at-the-top-of-your-voice-with-the-windows-down masterpieces? Check. It’s all here. For the past 30 years, Nada Surf has had the same core lineup: Matthew Caws, Daniel Lorca, and Ira Elliot. Moon Mirror, their first for New West Records, was produced by the band and Ian Laughton at Rockfield Studios in Wales. For the recording, Matthew, Daniel, and Ira were joined by their friend and longtime keyboard player Louie Lino. Moon Mirror is a thrilling and moving leap forward for Nada Surf. The songs on the album are true to the human experience—as meaningful and mysterious and sometimes absurd as it is. There’s love, yes, but also grief, deep loneliness, doubt, wonder, and hope. These are not the songs of a band in their 20s. There is hard-won wisdom here, and hard-won belief in possibility—the kind that comes from falling down and getting back up
Beck - Sea Change
Beck
Sea Change
2LP | 2002 | DE | Reissue (Geffen / Interscope)
42,99 €*
Release: 2002 / DE – Reissue
Genre: Rock & Indie
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Beck has always been known for his ever-changing moods -- particularly since they often arrived one after another on one album, sometimes within one song -- yet the shift between the neon glitz of Midnite Vultures and the lush, somber Sea Change is startling, and not just because it finds him in full-on singer/songwriter mode, abandoning all of the postmodern pranksterism of its predecessor. What's startling about Sea Change is how it brings everything that's run beneath the surface of Beck's music to the forefront, as if he's unafraid to not just reveal emotions, but to elliptically examine them in this wonderfully melancholy song cycle. If, on most albums prior to this, Beck's music was a sonic kaleidoscope -- each song shifting familiar and forgotten sounds into colorful, unpredictable combinations -- this discards genre-hopping in favor of focus, and the concentration pays off gloriously, resulting in not just his best album, but one of the greatest late-night, brokenhearted albums in pop. This, as many reviews and promotional interviews have noted, is indeed a breakup album, but it's not a bitter listen; it has a wearily beautiful sound, a comforting, consoling sadness. His words are often evocative, but not nearly as evocative as the music itself, which is rooted equally in country-rock (not alt-country), early-'70s singer/songwriterism, and baroque British psychedelia. With producer Nigel Godrich, Beck has created a warm, enveloping sound, with his acoustic guitar supported by grand string arrangements straight out of Paul Buckmaster, eerie harmonies, and gentle keyboards among other subtler touches that give this record a richness that unveils more with each listen. Surely, some may bemoan the absence of the careening, free-form experimentalism of Odelay, but Beck's gifts as a songwriter, singer, and musician have never been as brilliant as they are here. As Sea Change is playing, it feels as if Beck singing to you alone, revealing painful, intimate secrets that mirror your own. It's a genuine masterpiece in an era with too damn few of them. - allmusic.com

Made in Germany
Tygers Of Pan Tang - Animal Instinct Blue Vinyl Edition
Tygers Of Pan Tang
Animal Instinct Blue Vinyl Edition
LP | 2024 | EU | Original (Emanzipation)
42,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Robb Weir, Tygers of Pan Tang founder and keeper of the flame, was at a cross roads. He had tried to keep the Tygers alive with differing lineups but now he was in the position of seeing his hopes dissolve completely as the band were unable to find just the right vocalist. He was determined to give it one more chance and the band cast around for a new front man. He knew that this was possibly his last chance. Enter Jack Meille, resident of Florence and possessor of a set of pipes that could notonly do justice to the Tygers back catalogue, but crucially, create the hard rock melodies essential to the band’s sound for the future.There was always something about that original release though that bothered the band: the sleeve. It was felt that it didn’t do the band justice. Step in Andy Pilkington, responsible for the last two Tygers albums’ covers. He was asked to create a cover that would sit happily alongside the quality seen in other Tygersalbum sleeves. They also felt that the sound required a new mix and called upon the services of trusted friend and producer Marco Angioni to add the necessary sheen to an already fine sounding album. A bonus track, “Don’t Say Rock’n’Roll Is Gonna Die” has also been added to the re-issue. 1. Rock Candy2. Cry Sweet Freedom3. Live For The Day4. Let It Burn5. If You See Kay6. Hot Blooded7. Devils Find A Fool8. Winners and Losers9. Cruisin’10. Bury The Hatchet11. Dark Rider12. Don’t Say R’n’R Is Gonna Die (bonus track)
In The Nursery - Humberstone
In The Nursery
Humberstone
2x10" | 2022 | UK | Original (Itn Corporation)
42,99 €*
Release: 2022 / UK – Original
Genre: Rock & Indie
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Currently celebrating their 40th anniversary year, Sheffield-based In The Nursery announce a brand new studio album. Entitled ‘humberstone’, the family surname of core group members Klive and Nigel, it is a deeply personal record that sees them in reflective mood as a year in which they also turned 60 comes to a close. “We have always needed a reason to make music, a rationale for its creation and existence,” they state. “As composers, the two of us are conscious of the connection between music and memory. The loss of family is a strong emotion, one that we’ve harnessed to revisit our past. Our antecedents have been a catalyst and a stimulus for this new album and it has been good to reconnect and remember.” ‘Émigré (The Dressmaker)’ opens proceedings, its orchestral post-punk vibe packed with high drama as it depicts the tragic drowning at sea of hundreds of emigrants following the burning of a ship off the Cape of Good Hope in the late 19th Century, including Humberstone family ancestors en route to New Zealand. By way of contrast, it is immediately followed by the gorgeously chilled ‘Ektachrome (The Animator)… In The Nursery is a Sheffield-based group centred around the nucleus of identical twin brothers Klive and Nigel Humberstone. Formed in 1981, their career has been a quest to progress and experiment while remaining true to their original vision. Their sublime, cinematic music blends electronica, classical arrangements, orchestral percussion and soundscapes that evoke a timeless quality. ITN have released over 25 albums since 1981 that have consolidated their distinctive sound but also taken on board contemporary influences. Their music has been used on numerous film soundtracks and trailers that include Game of Thrones and Gran Torino. In parallel to their studio albums, ITN have also developed their Optical Music Series, recording new scores for classic silent films such as The Cabinet Of Dr Caligari and The Passion Of Joan Of Arc. They have performed these scores live at film festivals around the world.
Orebolo - The Chateau
Orebolo
The Chateau
2LP | 2024 | EU | Original (No Coincidence)
42,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Orebolo (or-RAY-beh-low) is an acoustic trio featuring Rick Mitarotonda (vocals, guitar), Peter Anspach (vocals, guitar), and Jeff Arevalo (upright bass). The band, comprised of members of the emergent indie rock group Goose, has built a faithful following nationwide, performing an eclectic mix of originals and covers. With their debut studio album, The Chateau, the trio finds comfort in exploring Goose's deep catalog acoustically - a feeling they hope to translate to those listening at home.
Madder Mortem - Old Eyes, New Heart Transparent Blue Vinyl Edition
Madder Mortem
Old Eyes, New Heart Transparent Blue Vinyl Edition
LP | 2024 | EU | Original (Karisma)
42,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Reaching the end of a strenuous journey beset by turmoil and loss, Madder Mortem is finally ready with their 8th studio album “Old Eyes, New Heart”. Emerging five years after its predecessor "Marrow", the time in which “Old Eyes, New Heart” was made has been a troubled one for the Madders - and in the winter of 2023, Agnete and BP’s dad Jakob passed away. Having always been a huge supporter of the band, Jakob’s backing was essential in launching the band's recording career almost 30 years ago. Being an artist himself, Jakob had prepared two paintings especially for the album and with the adaptation and additional design by long-term Madder collaborator Costin Chioreanu, the cover artwork for “Old Eyes, New Heart” was completed. Even though Jakob didn’t live to see the finished album, he would have been immensely proud to see his art on the cover, and the album is dedicated to his memory. Lyrically and musically, the album deals with hope, disappointment, and the ambivalence between them. It is music from old hearts and deep roots, with new eyes open to the unlimited possibilities of 12 notes, but always with the desire to write a good, honest song. Recorded and produced by guitarist BP M. Kirkevaag, it shows one of Norway’s most interesting bands embracing a multitude of directions spanning from post-metal heaviness to soft Americana grooves and everything in between. Fronted by one of the genre's greatest and most unique voices, it is an album full of surprises, but at all times unmistakably Madder.
Madder Mortem - Old Eyes, New Heart White Vinyl Edition
Madder Mortem
Old Eyes, New Heart White Vinyl Edition
LP | 2024 | EU | Original (Karisma)
42,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Reaching the end of a strenuous journey beset by turmoil and loss, Madder Mortem is finally ready with their 8th studio album “Old Eyes, New Heart”. Emerging five years after its predecessor "Marrow", the time in which “Old Eyes, New Heart” was made has been a troubled one for the Madders - and in the winter of 2023, Agnete and BP’s dad Jakob passed away. Having always been a huge supporter of the band, Jakob’s backing was essential in launching the band's recording career almost 30 years ago. Being an artist himself, Jakob had prepared two paintings especially for the album and with the adaptation and additional design by long-term Madder collaborator Costin Chioreanu, the cover artwork for “Old Eyes, New Heart” was completed. Even though Jakob didn’t live to see the finished album, he would have been immensely proud to see his art on the cover, and the album is dedicated to his memory. Lyrically and musically, the album deals with hope, disappointment, and the ambivalence between them. It is music from old hearts and deep roots, with new eyes open to the unlimited possibilities of 12 notes, but always with the desire to write a good, honest song. Recorded and produced by guitarist BP M. Kirkevaag, it shows one of Norway’s most interesting bands embracing a multitude of directions spanning from post-metal heaviness to soft Americana grooves and everything in between. Fronted by one of the genre's greatest and most unique voices, it is an album full of surprises, but at all times unmistakably Madder.
Lars Fredrik Frøislie Of Wobbler - Fire Fortellinger Dark Green Vinyl Edition
Lars Fredrik Frøislie Of Wobbler
Fire Fortellinger Dark Green Vinyl Edition
LP | 2023 | EU | Original (Karisma)
42,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Debut solo album from Wobbler’s Lars Fredrik Frøislie! Fitting perfectly into the 70s prog-rock tradition where the keyboardist makes a solo album between the band albums, this is music Frøislie has been doing, mostly alone, during the pandemic. Had it not been for the pandemic, much of the material would probably have ended up on a new Wobbler album - but then run through the Wobbler grinder and with English lyrics. In other words, this is unpeeled and raw, as spontaneous as possible without going through too many rounds of processing. Trying to preserve the impulsive - much of what you hear is improvised, and one-takes (preferably with playing errors and piano strings that break and the like). Trying to preserve the human aspect to a large extent, avoiding click tracks, auto-tune, Midi or too much technology. Expect lots of old analogue keyboards such as cembalo, Mellotron, MiniMoog, Yamaha Cp70 and Hammond organ. Four tunes; Four stories. The first song "Rytter av dommedag" is themed around Ragnarok, when King Rakne awakens in his large burial mound outside Romerike and, together with the old gods, creates real mischief. The second song “Et sted under himmelhvelvet” is dreamy, possibly set in a Renaissance garden near Florence or Arcadia. But in principle it can be anywhere where it feels good to be. It is partly about travelling to a place and feeling that you have been there before - only to find out that you had ancestors who lived there long ago. The third song "Jærtegn" opens in a frenzy, with a horse and cart speeding through the forest. The wagon overturns at the same time as there is a solar eclipse, and the riders become eternal wanderers in the dark forest, only visible to us now and then like the northern lights, as they vainly stretch their arms towards the sun in the hope of finding their way home. The final song “Naturens Katedral” is a depiction of the Norwegian mountains in winter where the cold is bitter, and blizzards and avalanches abound. It is also a search for bygone times when life was more basic out in the wilderness.
New Found Glory - Make The Most Of It Yellow Vinyl Edition
New Found Glory
Make The Most Of It Yellow Vinyl Edition
LP | 2023 | US | Original (Revelation)
41,99 €*
Release: 2023 / US – Original
Genre: Rock & Indie
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The forthcoming acoustic album Make The Most Of It by NEW Found Glory tackles the last year head-on with their most emotional and cathartic collection of songs to date. Written in the wake of guitarist Chad Gilbert’s cancer diagnosis and mixed by Mark Trombino (blink-182, Jimmy EAT World), Make The Most Of It is a rumination on what it means to grieve, to live, to approach every day with appreciation and a sense of fulfillment. There’s gratitude for the CPR Gilbert’s wife performed on him (“Mouth To Mouth”), for the doctors who got him back on the road in time to celebrate the landmark 20th anniversary of Sticks & Stones (“Get Me Home”), and for life in general - the opportunity to wake up every day in this beautiful, messy, heartbreaking world (“Kiss The Floor”). “Even though the songs are sadder, they’re still hopeful,” Gilbert says. “You hear so much online about mental health and fear and anxiety. I feel proud that we can release an album with joy and honesty in a way that will hopefully make people less fearful of life. A lot of times we punish ourselves for things that might never happen. I’m going through something that did happen, but doing it with hope and joy and a greater appreciation.” Gilbert and his bandmates - vocalist Jordan Pundik, bassist Ian Grushka, and drummer Cyrus Bolooki - are all husbands and fathers, and as elder statesmen of the pop-punk genre (though still able to incite a circle pit with ease), Make The Most Of It finds the quartet contemplating the future, what they hope their loved ones will hang on to and how they’ll be remembered. It’s all there on “Watch The Lilies Grow,” the record’s centerpiece dedicated to Gilbert’s daughter, Lily, and the most poignant NEW Found Glory song ever.
Red Hot Chili Peppers - Unlimited Love Indie Exclusive Clear Vinyl Edition
Red Hot Chili Peppers
Unlimited Love Indie Exclusive Clear Vinyl Edition
2LP | 2022 | EU | Original (Warner)
41,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Red Hot Chili Peppers will unveil their new album and twelfth full-length offering, Unlimited Love [Warner Records], on April 1, 2022. It notably marks their first recording with guitarist John Frusciante since 2006 and first with producer and longtime collaborator Rick Rubin since 2011. To herald Unlimited Love, the Los Angeles band just shared the first single and music video “Black Summer.”



“Our only goal is to get lost in the music. We (John, Anthony, Chad and Flea) spent thousands of hours, collectively and individually, honing our craft and showing up for one another, to make the best album we could. Our antennae attuned to the divine cosmos, we were just so damn grateful for the opportunity to be in a room together, and, once again, try to get better. Days, weeks and months spent listening to each other, composing, jamming freely, and arranging the fruit of those jams with great care and purpose. The sounds, rhythms, vibrations, words and melodies had us enrapt.



We yearn to shine a light in the world, to uplift, connect, and bring people together. Each of the songs on our new album UNLIMITED LOVE, is a facet of us, reflecting our view of the universe. This is our life’s mission. We work, focus, and prepare, so that when the biggest wave comes, we are ready to ride it. The ocean has gifted us a mighty wave and this record is the ride that is the sum of our lives. Thank you for listening, we hope you enjoy it.

ROCK OUT MOTHERFUCKERS!” - Anthony Kiedis, Flea, Chad Smith, John Frusciante



On lead track “Black Summer,” ethereal guitar underlines introspective lyrics as the rhythm unlocks a hypnotic drum groove highlighted by evocative bass. It quietly inhales only to exhale with a massive refrain, “It’s been a long time since I made a new friend, waiting on another black summer to end,” before a guitar solo echoes to the heavens and back.



Unlimited Love resumes a three-decade partnership with Rick Rubin [Johnny Cash, Adele]. Their creative collaboration spans legendary albums, including the diamond-selling Blood Sugar Sex Magik [1991], Californication [1999], By The Way [2002], and Stadium Arcadium [2006].



The interplay between the band borders on intergalactic once again—yet elevated to another stratosphere altogether. Unlimited Love represents the united spirit of four individual souls still fearlessly exploring the future of their eternal friendship and musical congregation.



This summer, Red Hot Chili Peppers will launch their first tour in support of Unlimited Love. They’ve invited a dynamic cohort of guests along for the ride at select dates, including Anderson.Paak & The Free Nationals and Thundercat and will be playing stadium dates in the UK in June 2022.
Son Lux - Tomorrows
Son Lux
Tomorrows
3LP | 2021 | Original (City Slang)
41,99 €*
Release: 2021 / Original
Genre: Rock & Indie
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The Cat Empire - Where The Angels Fall Yellow Vinyl Edition
The Cat Empire
Where The Angels Fall Yellow Vinyl Edition
2LP | 2023 | UK | Original (Diggers Factory)
41,99 €*
Release: 2023 / UK – Original
Genre: Rock & Indie
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Sault - Untitled (Rise)
Sault
Untitled (Rise)
2LP | 2020 | UK | Original (Forever Living Originals)
40,99 €*
Release: 2020 / UK – Original
Genre: Organic Grooves, Rock & Indie
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Optimal pressing.
The fourth album by Sault scored 97/100 at Metacritic and is the most beloved album at HHVs Supreme 100 of 2020 list, chosen by 150 journalists, musicians, label makers and record collectors.

Sault - Untitled (Rise), released in September 2020, is the follow-up to Untitled (Black Is) and serves as a companion piece to that earlier album. While Untitled (Black Is) focuses on themes of Black identity, struggle, and resilience in the face of systemic racism, Untitled (Rise) takes a more hopeful and celebratory approach. It explores empowerment, joy, and community, offering a sense of uplift and liberation alongside the weightier topics of social justice.

Untitled (Rise) retains the genre-blurring approach that defines Sault’s music, blending soul, funk, Afrobeat, gospel, R&B, and dance rhythms. However, the tone of Rise is generally more upbeat and celebratory compared to the heavier, introspective nature of Black Is. The album captures the feeling of dancing through adversity and finding joy despite the struggle. Its rhythms are infectious, and many tracks are designed to feel anthemic, with powerful group vocals and chants reinforcing themes of collective strength.

Lyrically, Untitled (Rise) touches on similar themes to Black Is, such as Black empowerment, pride, and resistance, but it emphasizes victory and triumph. The album feels like a call to action, but also a celebration of perseverance, healing, and unity.

Key Tracks:
"Strong" – A powerful and uplifting anthem about resilience and overcoming adversity. It features a driving rhythm and empowering lyrics, with group vocals that evoke a sense of unity and strength.
"Fearless" – A rhythmic, upbeat track with Afrobeat-inspired grooves, it’s a call to reject fear and embrace courage, a recurring theme in the album.
"I Just Want to Dance" – One of the standout tracks, this song blends disco-funk elements with a carefree energy, symbolizing the need for joy and release even amidst struggles.
"Free" – A slower, more reflective song that underscores the desire for freedom—both personal and societal. It’s soulful and deeply emotional, with heartfelt vocals.
"Rise" – The title track serves as a rallying cry, encouraging listeners to rise above oppression and celebrate their identity and power. The song's infectious rhythm and group chants amplify the message of empowerment.
Tone and Emotional Arc: Where Black Is may have felt heavy with its focus on the injustices faced by Black people, Rise balances that with a more optimistic and celebratory tone. It conveys a message that while the fight for justice continues, there is always room for joy, self-love, and communal solidarity. The album often feels like a soundtrack to liberation, pairing its socio-political themes with music that’s meant to inspire movement, whether literally on the dance floor or metaphorically in terms of social action.

The flow of the album is dynamic, shifting between more meditative moments and high-energy, danceable tracks. The rhythmic pulse is a constant thread, grounding the album in African and diasporic traditions, while the vocal arrangements often feel like modern spirituals or chants for a collective uprising.

The production, likely spearheaded by Inflo, is tight and minimalist, yet rich in texture. Sault’s signature use of layered vocals, often with group harmonies and chants, continues to play a central role in Rise, contributing to the communal, uplifting feel of the album. As always, Sault’s members remain largely anonymous, though Cleo Sol and Kid Sister are thought to have contributed vocally to the project.

Untitled (Rise) was met with widespread critical acclaim, much like its predecessor. Reviewers praised the album for its optimism and energy, viewing it as a necessary counterpart to Black Is. While Black Is was seen as an urgent protest album, Rise was lauded for its focus on joy, hope, and empowerment, making it feel like a musical celebration of survival and thriving.

The duality of these two albums—Black Is and Rise—allows Sault to capture a full spectrum of the Black experience, from pain and protest to resilience and celebration. Together, they form a powerful artistic statement on the complexities of identity and struggle.
Sault - Untitled (Black Is)
Sault
Untitled (Black Is)
2LP | 2020 | UK | Original (Forever Living Originals)
40,99 €*
Release: 2020 / UK – Original
Genre: Organic Grooves, Rock & Indie
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Last chance, last repress.

“We present our first ‘Untitled’ album to mark a moment in time where we as Black People, and of Black Origin are fighting for our lives. RIP George Floyd and all those who have suffered from police brutality and systemic racism. Change is happening… We are focused.”

Sault - Untitled (Black Is), released in June 2020, is one of the most celebrated albums from the collective Sault. The album came out during a pivotal moment in global discussions about race, equality, and justice, particularly following the murder of George Floyd and the resurgence of the Black Lives Matter movement. This context significantly shapes the thematic and emotional resonance of the record.

Untitled (Black Is) blends a wide array of genres, including soul, R&B, Afrobeat, funk, spoken word, and gospel, creating a sound that feels both timeless and contemporary. The album is deeply rooted in Black identity, pride, and struggle, making it a powerful statement on racial injustice and resilience. Lyrically, the album addresses themes of systemic racism, police brutality, Black empowerment, community, self-love, and the importance of unity.

The production, helmed by the collective’s enigmatic core (likely led by producer Inflo), features stripped-down yet layered instrumentation, with driving basslines, handclaps, and rhythmic percussion forming the backbone of many tracks. The vocals are often communal, with group chants and harmonies giving the album a spiritual, anthemic quality.

Key Tracks:
"Stop Dem" – A politically charged track with a pounding Afrobeat rhythm, addressing police violence and systemic racism head-on.
"Hard Life" – A soulful, melancholic reflection on the hardships faced by Black people, with haunting vocals and minimal production that highlights the emotional weight of the message.
"Wildfires" – A standout song on the album, this track blends silky, understated vocals with a powerful message about injustice and violence against Black lives. Its soulful and reflective tone gives it a timeless feel.
"Miracles" – This track offers a sense of hope and redemption, emphasizing the resilience and strength found within the Black community, despite the hardships faced.
"Black" – A declaration of Black pride and power, this track serves as one of the album’s central anthems, celebrating Black identity and culture while recognizing the challenges that come with it.
Cohesion and Impact: The album flows like a meditation on Blackness, weaving together not just music, but spoken word interludes and chants, creating a narrative arc that goes from pain to empowerment, from struggle to solidarity. The use of group vocals, chants, and Afrocentric rhythms throughout gives the record a communal and collective feel, emphasizing the idea of togetherness and unity.

One of the most distinctive aspects of Untitled (Black Is) is how it balances anger and frustration with hope and healing. While it directly addresses the oppression and violence faced by Black people, it also offers moments of joy, strength, and affirmation. The album is a call for action, but also for love and understanding.

As with previous releases, Sault maintained their air of mystery with Untitled (Black Is), releasing the album without much fanfare or explanation about the contributors. However, it's widely speculated that key figures like Inflo, Cleo Sol, and Kid Sister played significant roles in its creation. The album's timing and thematic focus made it especially impactful, with its messages resonating deeply during a time of global reflection on race and justice.

Untitled (Black Is) was met with critical acclaim, hailed as one of the most important albums of 2020. Critics praised its boldness, its timely themes, and its ability to mix protest music with a sense of spiritual uplift. The album was seen as not only a response to the times but as a work that stands in a long lineage of Black music addressing societal ills, from civil rights-era soul to modern-day protest anthems.
Psychonaut - Violate Consensus Reality Colored Vinyl Edition
Psychonaut
Violate Consensus Reality Colored Vinyl Edition
2LP | 2022 | EU | Original (Pelagic)
40,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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The immense success of Psychonaut's Pelagic debut album Unfold The God Man, which has been repressed 3 times throughout the pandemic and sold close to 3.000 vinyl copies to date, has proven that Psychonaut are a force to be reckoned with. Now, with the release of their sophomore album Violate Consensus Reality, the Belgian three-piece take you on a visceral trip into our collective human consciousness. A journey marked by explosive riffs, soaring vocals and intricate yet catchy compositions. An impressive album which cements Psychonaut's standing as aspirants to the throne of the contemporary European progressive / post metal community. Violate Consensus Reality engages the senses in a way that is quite rare for concept albums, it is raw and brutal, unlike the lofty concept albums of yore with their endlessly repeating motifs and needlessly complex song structures. It stands in a long tradition of activism in music, but it also deconstructs this tradition by taking its loud and admonishing tone and providing it with a thoughtful base rooted in philosophy and spirituality. Violate Consensus is not for the faint hearted, concept-wise but also music-wise as it contains some of the most gnarly riffs and technical playing on any Psychonaut record to date. Violate Consensus Reality constitutes a wild ride from the breakneck paced riffing of «A Pacifist's Guide To Violence», through the undulating neo-classical piano passages of «Hope» to the glorious finale of «Towards the Edge». The mantric title track opens with the angelic voice of Stefanie Mannaerts (Brutus) and slowly builds up to erupt in an explosive sermon delivered by Colin H. van Eeckhout (Amenra, Chve, Absent in Body), the appearance of both gifted musicians affirming Psychonaut's stature in the Belgian metal scene and beyond Psychonaut have played big Belgian open air festivals like Alcatraz, Rock Herk or Boomtown Festival and boutique festivals like Soulcrusher, Roadburn Redux or A Colossal Weekend. The band has supported bands like Amenra or Brutus and they just concluded a European tour with Pelagic label mates The Ocean and PG.Lost
Dehd - Blue Skies Pink Vinyl Edition
Dehd
Blue Skies Pink Vinyl Edition
LP | 2022 | US | Original (Fat Possum)
40,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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The rapturous reception of 2020’s Flower of Devotion gave Dehd access to more resources—budgets, studios, producers. Rather than seek something new however, they invested in themselves, their process, and their deep belief in what they have always done. They booked the same studio where they recorded Flower of Devotion but tripled their stay, giving themselves time to play with arrangements and delight in a wonderland of drum machines and synthesizers. While continuing to write and record every part of the album themselves, the new relationship with Fat Possum did allow for a few indulgences, namely in the addition of Grammy winning mixing engineer, Craig Xilvey (The Rolling Stones, The National, Arcade Fire), and mastering engineer, Heba Kadry (Slowdive, Bjork, Cate Le Bon), ensuring Dehd’s vision for Blue Skies. The result is the band’s second consecutive breakthrough: sharper and smarter, with harmonies and rhythms more sophisticated and considered. Blue Skies is still Dehd—just more wild and wonderful than ever before. Another jolt of timely hope, only with twice the power. Pressed on pink vinyl.
Gombloh - Live Gila
Gombloh
Live Gila
LP | 1983 | US (Elevation)
40,99 €*
Release: 1983 / US
Genre: Rock & Indie
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* Fully-licensed * From original master tape * Remastered at Abbey Road Studio * Long out of print after first pressing in 1983 * New and improved artwork * Folk-rock composition a la Bob Dylan’s Blood on Tracks

Most of Gen X-ers who grew up in the mid-1980s Indonesia must have seen Soedjarwoto Soemarsono, known with his nom de guerre “Gombloh” performing on a state-run television station, playing some of his biggest hits from that era, pop gems like “Kugadaikan Cintaku (I Pawn Off My Love)”, “Setengah Gila (Half-Crazy).”

But of course, it is not fair to judge Gombloh only from these hits. Dig deeper and you will find buried treasure in his early stuff from Indra Records, and there are many of them.

His album with the band Lemon Tree’s Anno ‘69 (yes, that’s the name of the band) is all remarkable, but what he did for Chandra Records was no less spectacular. How can you go wrong with songs like “Kebyar-Kebyar”, the unofficial national anthem for Indonesia, dan “Berita Cuaca” one of the better epic songs in a catalogue full of epochal songs? These were all long out of print and in our journey to source the original master for these albums we met Bob Djumara of Nirwana Records, the Surabaya, East Java-based label which broke Gombloh into the mainstream in the mid-1980s. Almost all albums Gombloh recorded for his early labels, Indra Records and Chandra Records were critically acclaimed, but commercially they bombed, big time. Nirwana Records came up with an ingenious plan. What if they recorded Gombloh performing live and release it as is. After all, the first song in Gombloh debut record Nadia & Atmospheer is him strumming on his guitar backed by the cheering of a crowd, who could be heard going wild when he hurled that epithet “bastard” at the end of the song.

The end result is a brilliant recording which despite being recorded live the sound quality so pristine leading many to doubt the claim of being live. Regardless, Nirwana shipped a decent number of units and Gombloh could buy his first car, a Katana Jeep, with money from the royalty.

One of the best things about Live Gila is its perfect sequencing, beginning with Gombloh’s social commentary on the rich’s debauched lifestyle of preying on young boys and girls, one of the most popular subjects allowed by the censoring machine of the New Order authoritarian government. The second song “Untuk Persada” is a soaring ode to the nation. For this song, Gombloh could be heard drawing his inspiration from The Police, which was undoubtedly popular in the early 1980s, even in a faraway port city like Surabaya.

Listening to this record as a whole (we omitted the last song from the original master tape “Bagimu Negeri” which sounds too jingoistic), we could not help but point to some of similarities it has with Bob Dylan’s Blood on the Tracks. Not a single composition in this record sound indigenous (the Malay-influenced rock of Panbers or Koes Plus come to mind); they all sound modern and effortlessly catchy, and had it not been for the language, this album could be mistaken for a musical output from someone growing up in Laurel Canyon or Southern France.

There are only limited copies of vinyl records in the second-hand market today available for Gombloh music, if at all. For his ardent fans, they have to scavenge for old cassettes to continue to be able to enjoy his music and have to pay top dollar for that. In Indonesia, where he was a superstar in the early 1980s, Gombloh was largely forgotten. With this project, we can only hope that the time is ripe for Gombloh to reemerge and now, more than ever, his music could speak to a bigger audience.
Lovelytheband - Lovelytheband Red Vinyl Edition
Lovelytheband
Lovelytheband Red Vinyl Edition
LP | 2024 | EU | Original (Happy Accident)
40,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Linkin Park - Hybrid Theory
Linkin Park
Hybrid Theory
LP | 2000 | US | Reissue (Warner)
40,99 €*
Release: 2000 / US – Reissue
Genre: Rock & Indie
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Limited Translucent Yellow Vinyl edition. Released in October 2000, Linkin Park's groundbreaking debut album, Hybrid Theory, is a melting pot of heavy alternative rock, hip-hop and electronic flourishes, and was instrumental in creating a new genre of music. Linkin Park inspired a generation of dedicated fans and also influenced many bands who related to the intense and emotional musical style.
Black Grape - Orange Head Orange & Black Vinyl Edition
Black Grape
Orange Head Orange & Black Vinyl Edition
2LP | 2023 | EU | Original (Dgaff)
40,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Phish - Evolve
Phish
Evolve
2xLP | 2024 | US | Original (Jemp)
39,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Phish - "Evolve" / Recorded in the fall of 2023 at the band's studio The Barn, Evolve (the 16th studio album by Phish) was produced by Vance Powell and Bryce Goggin with the 12 songs emerging from the band's dynamic live performances. Some, like fan favorite "A Wave Of Hope," have become springboards for Phish's most soaring improvisation. The songcraft and production are confident and taut, with Phish's distinct musical language on vivid display; still pushing boundaries, still very much continuing to evolve. 2 LP set on "Prismatic Velvet Tones" colored vinyl. [Prismatic Velvet Tones 2 LP]
Redd Kross - Redd Kross
Redd Kross
Redd Kross
2LP | 2024 | US | Original (In The Red)
39,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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In 1979, two school-kids all hopped-up on punk-rock started their own group in their hometown of Hawthorne, Los Angeles (birthplace of the Beach Boys) and soon found themselves opening shows for notorious scene pioneers Black Flag. Jeff McDonald was fifteen, his brother Steven McDonald only eleven. But that didn’t stop their group from becoming one of the most remarkable, enduring and unique outfits punk-rock ever belched up.

2024, then, marks Redd Kross’s forty-fifth birthday—an important anniversary for any group whose heart pulses at 45RPM—and the brothers are celebrating the event with a veritable multimedia extravaganza. There’s a memoir, Now You’re One Of Us, due in November, author Dan Epstein telling the group’s story in the McDonalds’ unmistakable (and occasionally contrary) voices. A brilliant rockumentary, Born Innocent, directed by Andrew Reich, will premiere later in the year. Most exciting of all, this new album—an eponymous double-album, no less, packed with eighteen of their sharpest, most addictive songs yet. These years of joyful service to rock’n’roll have seen Redd Kross evolve into a killer pop-rock concern, dealing in dayglo power-chords, choruses as tall as skyscrapers and a lyric sheet thick with acid couplets and arch pop-cultural references their loyal following will gobble up like quaaludes.
Happy End - Happy End Colored Vinyl Edition
Happy End
Happy End Colored Vinyl Edition
LP | 1973 | JP | Reissue (King)
39,99 €*
Release: 1973 / JP – Reissue
Genre: Rock & Indie
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A must-have for anyone interested in Japanese pop music, the legendary band Happy End (featuring Haruomi Hosono, Eiichi Ohtaki, Takashi Matsumoto, and Shigeru Suzuki) released their final album 'happy End' in 1973. This limited-edition colored vinyl reissue was recorded at Sunset Sound Recorders in Los Angeles. It captures the individual musical styles that would later define each member's solo career, making it a timeless masterpiece with global acclaim. Produced by Van Dyke Parks.
Shai Hulud - Hearts Once Nourished With Hope And Compassion Purple Vinyl Edition
Shai Hulud
Hearts Once Nourished With Hope And Compassion Purple Vinyl Edition
LP | 1997 | US | Reissue (Revelation)
39,99 €*
Release: 1997 / US – Reissue
Genre: Rock & Indie
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Hearts Once Nourished With Hope And Compassion displays some of the most honest and darkest thoughts of Shai Hulud’s career. From the opening guitar chord of “Solely Concentrating On The Negative Aspects Of Life,” it only gets uglier and more real with each track. Mastering was done by Zeuss (Hatebreed, Throwdown, Shadows Fall) and Alan Douches (The Dillinger Escape Plan, Misfits, Between The Buried And Me). Following similar lyrical content as A Profound Hatred Of Man, Shai Hulud gives an outlet to those who are disgusted with everyday life; they are reassured that they are not the only ones who share this feeling.
Hobo Blues Band - Vadászat
Hobo Blues Band
Vadászat
2LP | 1984 | HU | Original (Favorit)
39,99 €*
Release: 1984 / HU – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG
Very small ripoff, light edge and ring wear. Clean labels, minimal ampunt of inaudible superficial scuffs. Record is close to NM.
Rauhbein - Herz Eines Kriegers Clear Splatter Vinyl Edition
Rauhbein
Herz Eines Kriegers Clear Splatter Vinyl Edition
LP | 2023 | EU | Original (Drakkar Entertainment Gmbh)
39,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Lars Fredrik Frøislie Of Wobbler - Fire Fortellinger Black Vinyl Edition
Lars Fredrik Frøislie Of Wobbler
Fire Fortellinger Black Vinyl Edition
LP | 2023 | EU | Original (Karisma)
39,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Debut solo album from Wobbler’s Lars Fredrik Frøislie! Fitting perfectly into the 70s prog-rock tradition where the keyboardist makes a solo album between the band albums, this is music Frøislie has been doing, mostly alone, during the pandemic. Had it not been for the pandemic, much of the material would probably have ended up on a new Wobbler album - but then run through the Wobbler grinder and with English lyrics. In other words, this is unpeeled and raw, as spontaneous as possible without going through too many rounds of processing. Trying to preserve the impulsive - much of what you hear is improvised, and one-takes (preferably with playing errors and piano strings that break and the like). Trying to preserve the human aspect to a large extent, avoiding click tracks, auto-tune, Midi or too much technology. Expect lots of old analogue keyboards such as cembalo, Mellotron, MiniMoog, Yamaha Cp70 and Hammond organ. Four tunes; Four stories. The first song "Rytter av dommedag" is themed around Ragnarok, when King Rakne awakens in his large burial mound outside Romerike and, together with the old gods, creates real mischief. The second song “Et sted under himmelhvelvet” is dreamy, possibly set in a Renaissance garden near Florence or Arcadia. But in principle it can be anywhere where it feels good to be. It is partly about travelling to a place and feeling that you have been there before - only to find out that you had ancestors who lived there long ago. The third song "Jærtegn" opens in a frenzy, with a horse and cart speeding through the forest. The wagon overturns at the same time as there is a solar eclipse, and the riders become eternal wanderers in the dark forest, only visible to us now and then like the northern lights, as they vainly stretch their arms towards the sun in the hope of finding their way home. The final song “Naturens Katedral” is a depiction of the Norwegian mountains in winter where the cold is bitter, and blizzards and avalanches abound. It is also a search for bygone times when life was more basic out in the wilderness.
V.A. - Ultimix 157
V.A.
Ultimix 157
2x12" | 2010 | US | Original (Ultimix)
39,99 €*
Release: 2010 / US – Original
Genre: Hip Hop, Rock & Indie, Electronic & Dance, Pop
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Used Vinyl
Medium: Near Mint, Cover: VG+
The Weeknd - After Hours
The Weeknd
After Hours
2LP | 2020 | US | Original (Xo)
39,99 €*
Release: 2020 / US – Original
Genre: Hip Hop, Organic Grooves, Rock & Indie, Pop
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Used Vinyl
Medium: VG, Cover: VG
Gatefold cover with small, beginning seam split! Records with a few scratches!
Original inner sleeves with seam splits!
Minus The Bear - Infinity Overhead Ten Bands One Cause Pink Vinyl Edition
Minus The Bear
Infinity Overhead Ten Bands One Cause Pink Vinyl Edition
LP | 2021 | US | Original (Dangerbird)
39,19 €* 69,99 € -44%
Release: 2021 / US – Original
Genre: Rock & Indie
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A portion of the proceeds from each shipment will go towards the Red Door Community (formerly Gilda's Club Nyc). The list of participating titles is below.

The nonprofit's mission is to create a welcoming community of Free cancer support to bring knowledge, hope, and empowerment to anyone and everyone impacted by cancer and their families. They are committed to expanding their program and broadening their reach to meet the growing needs of individuals living with cancer, in more places, and in more ways than ever before.
The Rich Beggars - Here Comes The Rich Beggars Black Vinyl Edition
The Rich Beggars
Here Comes The Rich Beggars Black Vinyl Edition
LP | 2024 | JP | Original (Medicom Toy)
39,19 €* 48,99 € -20%
Release: 2024 / JP – Original
Genre: Rock & Indie
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Miraculous reissue of the album by the phantom band THE Rich Beggars, released in 1971 in a limited edition of 100 copies! Rock and roll has always sounded dangerous. This sound is like opening a pile of dusty porno magazines in the back of your garage. I hope you will stop for a moment and enjoy this piece.
The Rich Beggars - Here Comes The Rich Beggars Purple Vinyl Edition
The Rich Beggars
Here Comes The Rich Beggars Purple Vinyl Edition
LP | 2024 | JP | Original (Medicom Toy)
39,19 €* 48,99 € -20%
Release: 2024 / JP – Original
Genre: Rock & Indie
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Miraculous reissue of the album by the phantom band THE Rich Beggars, released in 1971 in a limited edition of 100 copies! Rock and roll has always sounded dangerous. This sound is like opening a pile of dusty porno magazines in the back of your garage. I hope you will stop for a moment and enjoy this piece.
Antisect - In Darkness There Is No Choice
Antisect
In Darkness There Is No Choice
LP | 2024 | Original (Rise Above)
38,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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The word ‘legendary’ is bandied around far too lazily and conveniently these days. But, in the case of Antisect: legendary is precisely what they are! As a band/collective, they sit right up there with other great names from the raging era of early 80s true ‘anti-establishment’ punk rock such as Discharge, Flux Of Pink Indians, Subhumans, Rudimentary Peni and even Crass, in terms of the impact they have had over the years. This, their debut album was released forty years ago in the paranoid year that was 1984. It is, without doubt, a classic combination of autonomous philosophy and hardcore thrash. But there is more to the album than just that. Aside the obvious musical influence of Discharge, Motörhead, Black Sabbath, Venom etc, there was a creative and atmospheric musical backdrop behind the recording that set them apart from everyone else at the time. It was a very ambitious concept, which successfully pieced together the balance hope and despair within the realm of sound and projection. In Darkness, There Is No Choice, is finally reissued as a fully authorised edition for the first time since its original release. 1. Intro2. They (The Eternal Myth and Paradox) 3. The World’s Biggest Runt 4. A Midsummer Night’s Dream 5. Channel Zero (Reality) 6. Yet The Still Ignore 7. Ghost Of Mankind 8. Tortured And Abused9. Education Or Indoctrination10. In Darkness11. Heresy12. Hallo There….How’s Life?13. The Buck Stops Here
Meat Beat Manifesto - Subliminal Sandwich
Meat Beat Manifesto
Subliminal Sandwich
2LP | 1996 | UK | Reissue
38,99 €*
Release: 1996 / UK – Reissue
Genre: Rock & Indie
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Guru Guru - Three Faces Of Guru Guru Splatter Vinyl Edition
Guru Guru
Three Faces Of Guru Guru Splatter Vinyl Edition
2LP | 2023 | EU | Original (Repertoire Entertainment Gmbh)
38,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Neil Halstead - Palindrome Hunche 10th Anniversary Colored Vinyl Edition
Neil Halstead
Palindrome Hunche 10th Anniversary Colored Vinyl Edition
LP | 2012 | UK | Reissue (Sonic Cathedral)
38,99 €*
Release: 2012 / UK – Reissue
Genre: Rock & Indie
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Special 10th Anniversary Edition In Brown Card Artboard Sleeve With Additional Lyric Print Insert Slowdive singer and songwriter's third solo album, which was originally released in November 2012. It is a stunning record and one which, upon its release, underlined the claims that Neil was one of the finest and most underrated British songwriters of recent times. It's also a very special release in the Sonic Cathedral catalogue; the shoegaze label licensed the record from Jack Johnson's Brushfire imprint for the UK and Europe and it was the start of a relationship that also gave us the Black Hearted Brother album in 2013 and, ultimately, brought about the reformation of Slowdive in 2014. But Palindrome Hunches is a very different beast. Both stately and understated, this moody and mesmerising collection of peculiarly British folk songs was made with the Band of Hope, a Wallingford, Oxfordshire based collective consisting of Ben Smith (violin), Drew Milloy (double bass), Paul Whitty (piano) and Tom Crook (guitar). Together with producer Nick Holton, banjo player Kevin Wells and backing singer Aimee Craddock, they recorded the album to tape over a few weekends in the music room of their local junior school. "At first we were going to record in a studio, but everything seemed too clean," said Neil at the time. "We just went through the songs and recorded them live without very much rehearsal. We wanted to be spontaneous and simple and to keep the little mistakes that sneaked in." This goes a long way to explaining the album's humanity and intimacy, and also why it has had a quiet life of its own over the past decade, gradually growing in stature alongside Neil's more high-profile activities with Slowdive; copies of the 2012 original and even the 2017 repress currently fetch up to triple figures on Discogs. Praise for Palindrome Hunches on its original release: ""Nope, it ain't shoegaze as it's been codified and re-codified. But why be disappointed in someone following his muse to a logical conclusion when that path was always the one he walked on?" - Pitchfork An exquisite set of dark folk music" - The Times "Draws from the same understated, reflective well as John Martyn" - Mojo "'Tied To You' doesn't merely evoke Nick Drake but withstands the comparison - evidence of the songs' quality" - Financial Times "Halstead's songs breathe the sort of honesty and goodness that's harder and harder to find in the iTunes age" - The Independent "Given the chance, they could be songs that continue to enchant for many years to come" - The Line Of Best Fit
The Districts - Great American Painting Pink Vinyl Edition
The Districts
Great American Painting Pink Vinyl Edition
LP | 2022 | US | Original (Fat Possum)
38,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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Great American Painting is the rare album that shines a bright light on all that’s wrong in the world but somehow still channels a galvanizing sense of hope. With equal parts nuanced observation and raw outpouring of feeling, the Philadelphia-based band confront a constellation of problems eroding the American ideal (gentrification, gun violence, the crushing weight of late capitalism), ornamenting every track with their explosive yet elegant breed of indie-rock/post-punk. Threading that commentary with intense self-reflection, Great American Painting ultimately fulfills a mission THE Districts first embraced upon forming as teenagers in small-town Pennsylvania: an urge to create undeniably cathartic music that obliterates hopelessness and invites their audience along in dreaming up a far better future. Great American Painting was deeply informed by the two months that Grote spent living in a cabin in Washington state at the height of the pandemic. Mostly made up of songs sketched by Grote during his time at the cabin, Great American Painting marks a significant departure from 2020’s acclaimed You Know I’m Not Going Anywhere.
40 Watt Sun - Perfect Light Black Vinyl Edition
40 Watt Sun
Perfect Light Black Vinyl Edition
2LP+12" | 2022 | EU | Original (Svart)
38,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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40 Watt Sun returns with Perfect Light; the third studio album created by Patrick Walker under the moniker. Perfect Light will be released digitally via Cappio Records, and physically via Svart Records on both CD and vinyl.

The expertly crafted, personal songs range from sparse, unaccompanied voice and guitar, through gently layered instrumentation featuring piano and delicate brush work, to moments more reflective of the warm, subtle overdrive of the band’s previous album, Wider than the Sky (2016). Like Patrick’s best work, the songs quietly build with emotion, and ache with a darkness and melancholy beauty.

Perfect Light is the first 40 Watt Sun album created without a full, formal band structure. Patrick enlisted an array of accomplished musicians to fulfil his vision for the album, including, among others, Andrew Prestidge and Roland Scriver (The Osiris Club), Ajit Gill (Vertaal), Lorraine Rath (Amber Asylum/Worm Ouroboros), and pianist/composer Chris Redman.

Alongside Patrick’s poignant and emotive vocals, his poetic lyrics remain central to the allure of the songs, with their composition strong enough to be evocative even when absorbed aside from the music. With no intention to make deliberately dark music, the album contains shards of hope and light to pierce through the pensiveness.
Tragically Hip - Fully Completely
Tragically Hip
Fully Completely
LP | 2014 | CA | Original (Geffen)
38,99 €*
Release: 2014 / CA – Original
Genre: Rock & Indie
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Heith - X, Wheel + The Liars Tell...
Heith
X, Wheel + The Liars Tell...
LP | 2024 | Original (Pan)
38,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Preorder shipping from 2024-12-06
Heith is the alias of Milan-based artist and musician Daniele Guerrini who crafts a mesmerising and ritualistic subterranean soundscape, a resonant and eclectic collage of distinct sonic elements: from celestial percussion intertwined with jarring, mechanical oscillations to haunting vocals atop murky dubbed-out beats.Exploring the textures of consciousness through research into the ritual animism, he kept an omnivorous and universalist approach to cultural and sonic influence. This is central to X, wheel, Heith's debut album and first release on PAN. It's a deep dive into his creative and spiritual practice, one where art and life are inextricable. The Liars Tell..., on the other hand, feels like a kind of respite, a moment of meditation and pause from the fatigue of dimension-hopping. As if the traveller dismounted their carriage and, standing puzzled on a crossroad, listened to the echoes of distant places. Occupying a liminal space and letting thousand of contradictory tales form the lyrics to one unfathomable song.
OK KID - DREI
OK KID
DREI
LP | 2022 | DE | Original (Not On Label)
38,99 €*
Release: 2022 / DE – Original
Genre: Hip Hop, Rock & Indie, Pop
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Used Vinyl
Medium: VG+, Cover: VG+
Original inner sleeve. Close to NM.
V.A. - Gozira Special Dinner
V.A.
Gozira Special Dinner
LP | 2024 | JP | Original
38,99 €*
Release: 2024 / JP – Original
Genre: Rock & Indie
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Preorder shipping from 2024-11-08
Born from the Tokyo Rockers scene (1978-79), which heralded the dawn of the Japanese punk rock scene, Gozira Records released the singles compilation album "Gozira Special Dinner" in 1983. This album is now being reissued after 41 years! It was remastered using the master tapes from the first CD release. Additionally, the original A1-size inner sleeve has been faithfully reproduced.

The album features Mirrors, a pioneering Japanese punk band formed in 1977 by Hiroshi Higo, who also played in the band 3/3 with members of Friction. It also includes rare solo singles from a member of Friction, tracks by Flesh featuring Kan Takagi (who later became a significant figure in the early days of Japanese hip-hop with Major Force), and songs by Maria 023, a band formed in 1978 by AUTO-MOD's charismatic Genet and Non Band's Non, which later included members Teiyu and OTO of Jagatara. This compilation is a treasure trove of influential tracks from the early days of Japanese punk rock scene.
Oh Sees (Thee Oh Sees) - Face Stabber
Oh Sees (Thee Oh Sees)
Face Stabber
2LP | 2019 | US | Reissue (Castle Face)
38,24 €* 44,99 € -15%
Release: 2019 / US – Reissue
Genre: Rock & Indie
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Hey there, human kids, lift your face out of the feed trough and pluck that feculence from your ears. Hark! A sonar blip from beneath the pile of bodies—the latest Oh Sees, Face Stabber! Boop, blip, ughhh….people churning like a boiling swamp. Man, this din is nauseating. The screen flickers for the first time this year with a transmission from two months in the future: “the internet has deemed guitar music dead and you are free to do whatever the fuck you like ….long live the new flesh!” This album is Soundcloud hip-hop reversed, a far flung nemesis of contemporary country and flaccid algorithmic pop-barf. No songs about money or love are floating in the ether. Just memories, echoes, foggy blurs, blip-blop goes the scope, heavy funk, dystopia-punk canons, long jams, bloated solos dribbling down your caved-in chest. Human cattle like a beef avalanche, right on your burned out face hole. Spider-legs fuzz crawling in your brain. Lots of curse words for your mom. You’ve gotten the over-population blues, so let’s have some art for art’s sake. What else are you gonna do? Stare at the sky? Please…fifty carbon copies of you look back at you as you walk the streets. Take a breath, you’re going to need it. Take drugs, you’re going to need those just to stand in line at the air and water reclamation center soon enough. There’s no fruit, buddy. You’re at the bleak-peak. They will squeeze you till you’re all squeezed out. For fans of fried prog burn-out, squished old-school drool, double drums, lead weight bass, wizard keys (now with poison), old-ass guitar and horrible words with daft meanings. If you don’t like it then don’t listen, bub. Back to the comments section with you! Easy—over and out.
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