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Common Courtesy is the fifth album from A Day to Remember and is reissued on both CD and double LP vinyl for the first time since 2016. The newly packaged vinyl includes updated cover art and pressed on lemon and clear color in color vinyl with die-cut album packaging. Since its initial release in 2013 Common Courtesy has gone on to amass over 500k in total consumption and includes some of the bands biggest hits including “Right Back At it Again” and “Sometimes You’re the Hammer, Sometimes You’re the Nail”. Over the course of the past several years, each of A Day To Remember’s releases have hit No. 1 on Billboard’s Rock, Indie and/or Alternative Charts, they’ve sold more than a million units, racked up over 400 million Spotify streams and 500 million YouTube views, garnered two gold-selling albums and singles (and one silver album in the UK) and sold out entire continental tours, amassing a global fanbase whose members number in the millions.

Introducing "The Sevens” - A Sonic Revelation from A Place To Bury Strangers Prepare to embark on a transcendent auditory journey with "The Sevens” a series of four 7-inch vinyl records that unveil a treasure trove of previously unreleased tracks from A Place To Bury Strangers' critically acclaimed 6th album, "See Through You." Renowned for their visceral sonic assault and immersive live performances, A Place To Bury Strangers has cemented the end-all-be-all space for over-the-top post-punk / shoegaze destruction. With this special vinyl collection, the band invites listeners to delve deeper into their sonic universe, exploring uncharted territories and hidden gems. Change Your God/Is It Time is the first release coming February 23. "When looking back at the recordings that were done around the time of See Through You there were a bunch of great tracks that just captured life back then and really had something incredible going on. Even though they are a bit raw and a bit personal, I thought it would be a mistake if they didn't come out. I thought it would be best to go back to my roots and put out a series of 7"s the way A Place To Bury Strangers started. That strange weird format where the tracks each speak for themselves, no album context to muddy the water. These tracks are such a contrast to the way I am feeling now and the current songs we've been working on so slip back into this moment in time.” says Aptbs’ Oliver Ackermann.

A Place TO Bury Strangers’ 2009 single “Keep Slipping Away,” including brand new “Keep Slipping Away 2022” and previously unreleased “My Heart Was Empty.” Taken from their sophomore studio album Exploding Head, released in 2009, the limited edition release also features 4 remixes, including South Central, Cereal Spiller, Maps & Richard Fearless.

A Place to Bury Strangers defund post-punk orthodoxy with the most audacious and varied songwriting of their career on their sixth album, See Through You' out February 4, 2022, on Oliver Ackermann's label, Dedstrange. Following up on 2021"s highly acclaimed Hologram EP, the rebooted lineup' vocalist/guitarist Oliver Ackermann plus drummer/vocalist Sandra Fedowitz and bassist John Fedowitz (both of Ceremony East Coast)' delivers an overclocked set of futuristic electronic punk music encoded with punishing industrial rhythms, swirling voltage-starved guitars and unclassifiable auditory annihilation. Across thirteen tracks recorded in seclusion throughout the nihilistic absurdity of the coronavirus pandemic, See Through You is proof-positive that the group hailed as 'The Loudest Band in New York' is still finding new ways to push the needle deeper in the red.

A Place to Bury Strangers defund post-punk orthodoxy with the most audacious and varied songwriting of their career on their sixth album, See Through You' out February 4, 2022, on Oliver Ackermann's label, Dedstrange. Following up on 2021"s highly acclaimed Hologram EP, the rebooted lineup' vocalist/guitarist Oliver Ackermann plus drummer/vocalist Sandra Fedowitz and bassist John Fedowitz (both of Ceremony East Coast)' delivers an overclocked set of futuristic electronic punk music encoded with punishing industrial rhythms, swirling voltage-starved guitars and unclassifiable auditory annihilation. Across thirteen tracks recorded in seclusion throughout the nihilistic absurdity of the coronavirus pandemic, See Through You is proof-positive that the group hailed as 'The Loudest Band in New York' is still finding new ways to push the needle deeper in the red.

This Record Store Day, the Dedstrange Rogues’ Gallery of Remix Producers joins forces with renowned Danish Electronic Composer Trentmøller, Andy Bell of legendary shoegaze band Ride (as Glok), post-punk anti-heroes Xiu Xiu, the luminescent Annie Hart of hypnotic synth trio Au Revoir Simone (Twin Peaks: the Return), psychedelic guitar genius Sonic Boom (Spacemen 3, Spectrum), UK Post Punks TV Priest, Tampa Goth band Glove, UK emerging shoegazers bdrmm and many more to tear down the walls between Oliver Ackermann’s dreams on the remix album See Through You: Rerealized, an RSD-exclusive 2xLP set featuring twenty-one brand-new, spicy hot takes on songs from the sixth APTBS album, See Through You.
Sonic Boom stretches the epic “Love Reaches Out” across the galaxy, taking APTBS over the event horizon with boundless, infinite energy and pulsar repeat percussion fuzz guitar radiating from every molecule in the solar system.
In Annie Hart’s somber re-imagining of “Nice of You to Be There for Me,” delicate musicbox synths shine like stardust while her sparse production captures Oliver Ackermann’s isolated vocal in soft focus, flickering in headphones like light through a lonely projectionist’s lens.
Wah Together pull “Hold On Tight” onto the dancefloor with an extended acid house remix which transforms APTBS’ breakneck punk-industrial cacophony with looped basslines, buzzing TB-303 synths and near-Nile Rodgers guitar licks while layering enough danceable percussion to coax even the stickiest wallflowers onto the floor.
The dystopian shadow figure Lunacy pours salt in “My Head is Bleeding,” wrapping the song’s existential plea for sanity in ethereal droning electronics and tattered sheets of damp, gauzy reverb, struggling to contain the desperation and hurt.
Grimoose reimagines “Let’s See Each Other” as a rolling, gritty electro two-step, warping the beat with a pulsing synth-bass treatment and a mesmerizing gridwork of interlocking electronic rhythms guaranteed to wake your ass up.
And on their lucid deconstruction of “Love Reaches Out,” psychedelic NYC quintet GIFT take a spiritual journey through the pearly gates of new age 4AD heaven, floating across the speakers on delicate, softly filtered tufts of reverb.
Set an alarm, stay up all night—do whatever you have to do—but don’t sleep on See Through You: Rerealized, only available Record Store Day 2023—only on Dedstrange.

Synthesizeris the title of A Place to Bury Strangers' seventh album. It is also a physical entity, a synthesizer madespecificallyfor A Place to Bury Strangers’ seventh album.Synthesizeris a record that celebrates sounds that are spontaneous and natural, the kind of music that can only come from collaboration and community. It now features a fully collaborative new lineup, withJohn and Sandra Fedowitz. That spirit of reinvention is all over the record.Synthesizeris out October 4, 2024 -- only on Dedstrange.

Synthesizeris the title of A Place to Bury Strangers' seventh album. It is also a physical entity, a synthesizer madespecificallyfor A Place to Bury Strangers’ seventh album.Synthesizeris a record that celebrates sounds that are spontaneous and natural, the kind of music that can only come from collaboration and community. It now features a fully collaborative new lineup, withJohn and Sandra Fedowitz. That spirit of reinvention is all over the record.Synthesizeris out October 4, 2024 -- only on Dedstrange.

Synthesizeris the title of A Place to Bury Strangers' seventh album. It is also a physical entity, a synthesizer madespecificallyfor A Place to Bury Strangers’ seventh album.Synthesizeris a record that celebrates sounds that are spontaneous and natural, the kind of music that can only come from collaboration and community. It now features a fully collaborative new lineup, withJohn and Sandra Fedowitz. That spirit of reinvention is all over the record.Synthesizeris out October 4, 2024 -- only on Dedstrange.

The Rifts is the 3rd album of Swedish duo A Swarm of the Sun and was originally released in 2015. The Rifts is sombre and brooding, heavy and melancholic, crushing and fragile in equal measure: a bleak and beautiful journey through the battered inner landscapes of the heart and soul: a dolorous tale of lost hopes, dreams falling apart, final moments of clarity and redemption... and appositely reflecting the current state of the world 5, years after its release – isolation. The Rifts is the sonic manifestation of a heavy black cloud of abstract yet overwhelming feelings, thoughts, hopes and fears-- a collection of intimate reflections on a very specific, profound and personal struggle which needs to stay somewhat untouchable and diffuse, as further verbal explanations would be divesting this immense work of art of its sheer and raw emotional impact. What initially was a handful of piano sketches, nine song titles, a few lines of lyrics and a notebook full of script-like visual references slowly evolved into something much more dense and layered. Karl Daniel Lidén (The Old Wind, ex- Terra Tenebrosa) was added to the lineup on drums, and he also recorded the album. The sessions culminated with the recording of the pipe organ. The result is absolutely massive, overwhelming, cinematic and pummeling; a sinister foreboding of the emotional truths at the core of this tremendous album. A Swarm Of the Sun is Erik Nilsson and Jakob Berglund. In 2007 the debut EP The King of Everything was released, followed by the critically acclaimed full-length album Zenith in 2010. The Rifts was written and produced by the band and recorded by Erik Nilsson, drums performed and recorded by Karl Daniel Lidén at Studio Gröndahl, mixed and mastered by Magnus Lindberg (Cult of Luna, Refused, Pg.lost). Further contributing musicians are Anders Carlström (The Isolation Process) on bass, Anna Carlsson on vocals, Minna Heimo on pipe organ and Robin Bergh (Aoria) on vibraphone. All artwork and videos directed and produced by the band's own Jakob. Why are we releasing this, 5 years later? Because everyone here at Pelagic agrees that in the nebulous world of post-metal, The Rifts is one of the 5 best albums ever made. We're honored to add this masterpiece to our catalogue.

Limited edition promo 5" vinyl in numbered cardboard sleeve.

Both cover and records super close to NM.

Reissue of the 2011 album Tao of the Dead by American alternative rock band ...And You Will Know Us By The Trail Of The Dead. First time available on vinyl since its release year. Features a replica of the original comic book insert.



Tao of the Dead is their seventh album. The band stripped down to its core four-piece lineup for the record, deviating from the past two records that featured a filled-out six-piece band. This resulted in a stripped-down record with heavy emphasis on guitar. It’s a two-part record, each side with a specific musical tuning; Part One in D and Part Two in F.



The album can be listened to as 16 different movements or two lengthy tracks. Part One: Tao Of The Dead is split into eleven tracks, whereas Part Two: Strange News From Another Planet is five songs combined into one. Lead singer Conrad Keely described the album's composition; "It's the way I listened to albums when I was a kid, seeing as some of my favorite records were Pink Floyd's Dark Side of the Moon, Yes' Relayer and Close to the Edge... I always liked listening to records that were just a continuous piece, like an orchestra or a symphony."

Reissue of the 2011 album Tao of the Dead by American alternative rock band ...And You Will Know Us By The Trail Of The Dead. First time available on vinyl since its release year. Features a replica of the original comic book insert.



Tao of the Dead is their seventh album. The band stripped down to its core four-piece lineup for the record, deviating from the past two records that featured a filled-out six-piece band. This resulted in a stripped-down record with heavy emphasis on guitar. It’s a two-part record, each side with a specific musical tuning; Part One in D and Part Two in F.



The album can be listened to as 16 different movements or two lengthy tracks. Part One: Tao Of The Dead is split into eleven tracks, whereas Part Two: Strange News From Another Planet is five songs combined into one. Lead singer Conrad Keely described the album's composition; "It's the way I listened to albums when I was a kid, seeing as some of my favorite records were Pink Floyd's Dark Side of the Moon, Yes' Relayer and Close to the Edge... I always liked listening to records that were just a continuous piece, like an orchestra or a symphony."

Limited. Re-issued from the original master tapes, exquisite gatefold sleeve plus 20 page booklet on orange translucent vinyl with new liner notes. When originally released by Interscope in January of 2005, the reviews poured in: Filter gave the album a score of 92% and called it ''the best album Trail of Dead has ever made.'' Billboard gave it a very favorable review and stated that ''Trail of Dead has made the album of its career.''

2 x Vinyl, LP, 45 RPM, Album, Limited Edition, Reissue, Orange Translucent
Includes 20-page booklet with new liner notes.