Search "little simz" 1090 Items

More Love - Songs From Little Voice Season One

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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An album made by Kim Chang-wan in place of his two younger brothers who were serving in the military, together with the project ‘Broken Spaceship’ composed of session musicians such as Park Dong-ryul (bass), Yu Ji-yeon (acoustic guitar, harmonica), and Kim Yeong-guk (drums). It is the same work as the beginning of Kim Chang-wan's 'Sanullim Alone', and the energetic rock sound and lyrical folk coexist in harmony. Including with an attractive psychedelic fuzz tone guitar and funky, as well as , , and , Sanullim's best works of the mid-year period It contains beautiful songs that are faint, cozy, and beautiful. (Original release date: May 5, 1980)

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Sara Bareilles

LP | 2020 | EU | Original (Epic)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Sarah Neufeld of Arcade Fire

Hero Brother

LP | 2013 | UK | Original (Constellation)

Sarah Neufeld & Richard Reed Parry & Rebecca Foon

Release: 2013 / UK – Original

Genre: Rock & Indie, Classical Music

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Sarah Neufeld is a violinist and composer based in Montréal, Canada. Best known as a member of Arcade Fire, she is also a founding member of the acclaimed contemporary instrumental ensemble Bell Orchestre and has performed and recorded with many other groups, including The Luyas, Esmerine and Little Scream.

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First Sounds

2LP | 2024 | EU | Original (One Little Independent)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Sarah Neufeld & Richard Reed Parry & Rebecca Foon

First Sounds

2LP | 2024 | EU | Original (One Little Independent)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Sarah Neufeld & Richard Reed Parry & Rebecca Foon

First Sounds

CD | 2024 | EU | Original (One Little Independent)

17,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2022 | UK | Original (First Word)

Sarah Williams White

Unfathomable

14,99 €* 19,99 € -25%

LP | 2022 | UK | Original (Avantgarde)

Release: 2022 / UK – Original

Genre: Rock & Indie

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First Word Records is very pleased to present a brand new full-length album from Sarah Williams White! Emanating from the "hilly fields of Lewisham" in South London, Sarah Williams White is a singer songwriter, multi-

instrumentalist and producer. Her sound is a unique blend of psych-soul, folktronica and experimental synth-pop.

Sarah released her acclaimed debut album 'Of The New World' on First Word in 2015, which was written, produced and performed by Sarah from her home studio, with the assistance of drummer, engineer & husband, Timmy Rickard. Her projects have seen support from the likes of Lauren Laverne, Tom Ravenscroft, Nemone & Chris Hawkins (bbc 6 Music), Jamie Cullum (bbc Radio 2), FIP Radio, Clash & The Guardian, to name a few, and she's toured the UK with Dan Le Sac vs Scroobius Pip and Golden Rules (Lex). There have been additional collaborations with label-mate Quiet Dawn (on the 2021 compilation / EP 'A Family Affair') and with her brother, Paul White - a revered producer in his own right, with credits including Danny Brown and Sudan Archives.

Following a hiatus, Sarah now brings us her sophomore album, 'Unfathomable'. A project that offers up escapism from the mundane, enticing us to connect with our natural planet in this prevalent time, via the eyes of a new mother.

In her words, Sarah states that the album is "about escape. It's about deflating the ego by looking up to the endlessness of outer space, connecting with the greatness of mother nature, and loving how unfathomable the universe and life itself is".

11-tracks in all, including the recent singles 'Nebula', 'Green' and 'Monsters', this opus sees Sarah's buttery lathing of vocals merged with cutting beats and atypical pop sensibilities across the project, again entirely self-produced from home, defining her as one of the UK's most irresistible DIY psych-soul talents.

With a voice reminiscent of Peggy Lee, tapestried harmony akin to Hiatus Kaiyote, beats fit for Little Dragon, and experimental production evocative of Kate Bush, Sarah Williams White's signature genre-defying sound invites us into a world uniquely hers.

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Saturn's Cross

Cheat Death

LP | 2019 | UK | Reissue (Forever Living Originals)

Release: 2022 / UK – Original

Genre: Rock & Indie, Pop

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Sebastian Montesi is a prolific artist, probably best known for his endeavors in Mitochondrion and for being one of the founding members of Auroch. With Saturn’s Cross, the Canadian took a very different path, delving into cold wave territories, which little have to share with the bands he is usually associated to. Yet, when we listened to what Sebastian crafted, we had no doubt, and we gladly welcomed this new project to our roster.

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Sault

CD | 2021 | UK | Original (Forever Living Originals)

Release: 2019 / UK – Reissue

Genre: Organic Grooves, Rock & Indie, Pop

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Last chance, last repress.

Sault - 5 is the debut album by the mysterious collective Sault, released in May 2019. It was the first in a series of albums that would establish the group's signature blend of genres, including funk, soul, R&B, post-punk, Afrobeat, and electronic influences. The album received critical acclaim for its fresh sound, combining socially conscious themes with infectious grooves and rhythms.

The album features minimalist yet impactful production, with prominent basslines, funky guitar riffs, and layered vocal harmonies. The vocals are often delivered with a cool, detached style, which contrasts with the emotional and sometimes politically charged lyrics. Themes of identity, love, power dynamics, and the Black experience are present throughout the album.

Sault's 5 also stands out for its stripped-down approach to instrumentation, emphasizing rhythm over complexity, and allowing space for the vocals to shine. The tracks have a raw, DIY aesthetic, reminiscent of post-punk and underground soul movements, yet they feel timeless and modern.

Key Tracks:
“Up All Night” – One of the most well-known songs from the album, it’s a funky, high-energy track with danceable grooves and infectious hooks.
“Don’t Waste My Time” – A song that encapsulates the band’s ability to blend catchy melodies with a gritty, almost industrial sound.
“Why Why Why Why Why” – This track combines soulful vocals with a driving rhythm and contemplative lyrics about the struggles of life.
“Let Me Go” – A standout song about freedom and independence, with minimalist production that places focus on the emotional delivery of the vocals.
Mystery Around Sault: At the time of this release, very little was known about the members of Sault, which only added to the intrigue. The group has kept a low profile, eschewing traditional promotion and rarely giving interviews or detailed credits for their music. It’s widely believed that the producer Inflo is a central figure in the collective, with vocal contributions from artists like Cleo Sol and Kid Sister, though these have not always been officially confirmed.

Sault - 5 marks the beginning of the collective’s prolific output, which would continue to evolve with subsequent albums like 7 (2019), Untitled (Black Is) (2020), and more.

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Sault

NINE

12,34 €* 18,99 € -35%

LP | 2022 | AU | Original (Rather Be Vinyl)

Release: 2021 / UK – Original

Genre: Rock & Indie

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Sault returns with a new album featuring Michael Ofo and Little Simz. NINE will be limited to a short press run of 16,000 units, never to be re-issued again!

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Scattered Order

Where Is The Windy Gun?

39,99 €*

7" | 2024 | US | Original (Indecision)

Release: 2022 / AU – Original

Genre: Rock & Indie

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The new album from Australian post/industrialists Scattered Order. Now in their 5th decade Mitchell Jones, Michael Tee and Shane Fahey return with the follow up to “Everything happened in the beginning”. Recorded remotely during the 2021 Covid lockdown this sees the band continuing their quest for human/machine bliss.

Some new little time machines, bespoke engines and introverted cata-claustrophobia, with the occasional breath taking moment and resonance, made with nonchalance, reluctance, enthusiasm and great care. Constructed in a little pocket of anxiety, banging to the beats of an obsolete hubris, with a contempt for nostalgia and yet while trying not to repeat ourselves, to repeat ourselves. They say in repetition there is change and progression. It never adds up, always more than the sum of the parts and off trend with the rest of the prattle and noisemakers.

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School Drugs

Disposition

12,99 €*

No Roof No Floor Clear Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Disposition stands as the final installment of the School Drugs , four-part full-length venture Funeral Arrangements. “I called a local funeral home to ask if the term ‘disposition’ was commonly used in the industry,” says School Drugs vocalist Josh Jurk. The director was a little surprised by the question. He said “yes” with some reservation. When I asked him why, he noted that it’s more of an insider term and derives its meaning from disposal, and the bereaved most likely wouldn’t be thrilled by the insinuation.” Opening the 7” record, “With Sympathy” admonishes the callousness of those involved

in an industry of death. Following close behind, “Feel Like Shit” is derived from a real- life conversation Josh had in therapy. The final track, “Funeral Arrangements,” reads

something like a hardcore ode to NOFX’s “The Decline”—an over 5-minute journey through various movements, tempos, and emotions.

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Scout Gillett

LP | 2022 | US | Original (Captured Tracks)

Release: 2022 / US – Original

Genre: Rock & Indie

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"Home" is a tough thing to pinpoint for someone who's constantly in motion. Scout Gillett knows this well, but since relocating from Kansas City in 2017, she's found one in Brooklyn's DIY scene, playing in multiple live bands and even starting her own booking company to organize local shows. Her intrepid nature results from a childhood spent running barefoot through rural Missouri and coming of age in Kansas City's punk scene. Her debut solo album no roof no floor is a bold and spirited yet warm, intimate meditation on trust, surrender, and what makes a home. Following the sudden overdose of a lover in 2018 and the onset of the 2020 quarantine, Scout returned to Missouri in search of reprieve. Instead, she was dismayed to find that her hometown was suffering; friends and family members were caught in the grips of drug and alcohol addiction. Overcome by grief and helplessness, she retreated inward, channeling her fears and frustrations, as she always had, into songwriting. The resulting songs were more vulnerable than any of her prior work, and it was a while before the notion of sharing them even occurred to her. Then Nick Kinsey, the album's producer, called from his recording studio The Chicken Shack in Stanfordville, New York to tell Scout that his friends Ellen Kempner (Palehound) and David Lizmi (MS MR) had relocated upstate, and were interested in working on an album with her. Recorded in a big wooden barn with the doors wide open, there's a sense of spaciousness on no roof no floor befitting its title. On some songs, there are even audible cricket chirps. The arrangements, too_ which feature contributions from Kempner, Lizmi, and Kevin Copeland (The Big Net)_reflect Scout's rural roots and her indie spirit; a fusion of upbeat, guitar-driven melodies and folk/country instrumentation like pedal steel, harmonica, and tenor banjo. All of these elements are underpinned by Scout's signature soaring, velvet vocals and open- hearted lyricism. She arrives at her thesis on the haunting six-minute centerpiece "hush, stay quiet": "you can only save yourself," she muses over a resolute guitar. We can't always know what to expect, even in a place we've been before. With a little trust, though, we can find a safe place within. No roof required.

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Genre: Rock & Indie

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7" | 2022 | JP | Original (Alchemy)

Sekiri

19,99 €*

LP | 2023 | EU | Original (Pleasuresonic Recordings)

Release: 2022 / JP – Original

Genre: Rock & Indie

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With lyrics that seem purposely designed to get as little radio play as possible, and complete and utter apathy, the brash punk music of these Kansai punks still sounds as fresh as it did nearly four decades ago. Released in 1985 from Beat Crazy Records, P-vine and Alchemy Records hare releasing Sekiri’s self-titled debut EP as it was originally released - on a 7" record!

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Semisonic

A Little Bit Of Sun

Release: 2023 / EU – Original

Genre: Rock & Indie

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Senior Service Feat. Rachel Lowrie, The

A Little More Time With The Senior Service

10" | 2022 | EU | Original (Damaged Goods)

15,99 €*

Tape | 2023 | US | Original (Hardly Art)

Release: 2022 / EU – Original

Genre: Rock & Indie

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The Senior Service returns with a brand new 10" EP for 2022. A year or so ago, The Senior Service decided that it wanted to add a little more to its well-honed instrumental sound. On one slightly drunken night out, they approached local songwriter and chanteuse Rachel Lowrie and asked if she'd like to perform guest vocals on some specially written new material. By this time, Rachel had supplied impressive 'pipework' on quite a few Medway records so the band was confident that she'd be able to deliver - the band was right.Following a lengthy hiatus in activity due to lockdown restrictions, The Senior Service was finally able to get together to record the new songs, so they piled into Ranscombe Studios to crack on. It soon became apparent that they'd lost none of the chemistry that had made them such a powerful musical collective and the instrumental backing tracks were laid down with relative ease. It was when Rachel arrived and sprinkled vocal sugar over the tracks that they really began to shine! Intuitively, she understood the approach needed and delivered a made-to-measure performance for each song.This collection includes four original tracks penned by the band plus two rollicking covers of lesser-known instrumentals; John Schroeder's take on 'Lovin' You Girl' - a slinky slice of lounge grooviness, given a slightly chunkier sound, informed by the band's musical aesthetic, and 'Mysterious Land' - The Chris Lamb Orchestra's little heard filmic masterpiece; a track seemingly tailor-made for the band to get its musical chops around. So, we invite you to spend 'A Little More Time with The Senior Service'.

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Shana Cleveland

Manzanita

13,99 €*

Manzanita Maroon Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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Manzanita is the common name for a kind of small evergreen tree endemic to California which has strong medicinal properties. It's also the name of the brand new full length by visual artist, writer, songwriter, and musician Shana Cleveland. Subtle, powerful, and unafraid. We can't actually tell you how much we love this record because you'd never believe us, so we'll just say that it is her strongest and most personal album to date. These songs are as strong as the bricks in the Brill building, and seem destined to be covered by others in years to come. Where her previous record, 2019's Night of the Worm Moon (Hardly Art) functions as a collection of speculative fictions equally inspired by Afro-futurist pioneers Herman "Sun Ra" Blount and Octavia Butler, Manzanita concerns the love that loves to love. "This is a supernatural love album set in the California wilderness," Cleveland explains. The combinations of words and song structure are so strong throughout that one hardly notices Cleveland's nimble fingerpicking on first listen, or how much is packed into the arrangements. The lyrics are satisfyingly direct, with the buoyantly whimsical descriptions typical of the 1960s New York School of poetry. It's peppered with the kind of unexpected turns that make the words more modern, and in their spookiness they are more West Coast, as in "Mystic Mine," with its "Mystic Mine Lane, cars rotting away/ I feel so relieved to be/ Back in the country." So much of the pop music we love is propelled by those first blushes of infatuation and lust, but Manzanita concerns the kind of love that one can only experience with time, work, and devotion. Cleveland says: "The songs were all written while I was pregnant (side A) or shortly after my son's birth in that weird everything-has-quietly-but-monumentally-shifted state (side B)," she says. Moving to the country, starting a family, laughing for real at the same joke the thirteenth time you've heard it, surviving heavy shit (this is the first release since Cleveland's successful treatment for a diagnosis of breast cancer at the start of 2022). This is a love album that's somehow populated with the insect world, ghosts, and evil spirits. Sonically, Manzanita sits in a meadow similar to her previous solo records, set back and away from the genre-recombinant garage pop of her band La Luz. This is part due to the fact that there's a different sonic palette in use here. While Cleveland continues to play guitar and vocals; Johnny Goss, who has recorded all of Shana's solo material and early La Luz recordings, and Abbey Blackwell (Alvvays, La Luz) play the bass; Olie Eshleman is on pedal steel; and Will Sprott plays the keyboards, dulcimer, glockenspiel, and harpsichord-little of which would have been out of place on her previous two solo records-Sprott also adds layers of synthesizer infused with the sounds of the natural world.

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Shana Cleveland

LP | 2023 | US | Original (Hardly Art)

Sharon Van Etten & The Attachment Theory Amber Galaxy Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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Sharon Van Etten

LP | 2025 | US | Original (Jagjaguwar)

Sharon Van Etten & The Attachment Theory Amber Galaxy Vinyl Edition + Laptop Sticker

Release: 2025 / US – Original

Genre: Rock & Indie

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Awareness Edition: Amber Galaxy Vinyl.From the off, Sharon Van Etten & The Attachment Theory issonically different from Van Etten's previous work. Writing andrecording in total collaboration with her band for the first time,Van Etten finds the freedom that comes by letting go. The resultof that liberation is an exhilarating new dimension of sound andsongwriting. The themes are timeless, classic Sharon - life andliving, love and being loved - but the sounds are new, whollyrealized and sharp as glass.Reflecting on this new artistic frame of mind, Van Etten muses,"Sometimes it's exciting, sometimes it's scary, sometimes you feelstuck. It's like every day feels a little different - just being at peacewith whatever you're feeling and whoever you are and how yourelate to people in that moment. If I can just keep a sense ofopenness while knowing that my feelings change every day, thatis all I can do right now. That and try to be the best person I can bewhile letting other people be who they are and not taking itpersonally and just being. I'm not there, but I'm trying to be thereevery day."Sharon Van Etten & The Attachment Theory is a quantum leap inthat direction.- Lol Tolhurst

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Sharon Van Etten

LP | 2025 | US | Original (Jagjaguwar)

Sharon Van Etten & The Attachment Theory Black Vinyl Edition

Release: 2025 / US – Original

Genre: Rock & Indie

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Awareness Edition: Amber Galaxy Vinyl + Laptop Sticker.From the off, Sharon Van Etten & The Attachment Theory issonically different from Van Etten's previous work. Writing andrecording in total collaboration with her band for the first time,Van Etten finds the freedom that comes by letting go. The resultof that liberation is an exhilarating new dimension of sound andsongwriting. The themes are timeless, classic Sharon - life andliving, love and being loved - but the sounds are new, whollyrealized and sharp as glass.Reflecting on this new artistic frame of mind, Van Etten muses,"Sometimes it's exciting, sometimes it's scary, sometimes you feelstuck. It's like every day feels a little different - just being at peacewith whatever you're feeling and whoever you are and how yourelate to people in that moment. If I can just keep a sense ofopenness while knowing that my feelings change every day, thatis all I can do right now. That and try to be the best person I can bewhile letting other people be who they are and not taking itpersonally and just being. I'm not there, but I'm trying to be thereevery day."Sharon Van Etten & The Attachment Theory is a quantum leap inthat direction.- Lol Tolhurst

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Sharon Van Etten

LP | 2025 | US | Original (Jagjaguwar)

Lineage Black And White Vinyl Edition

Release: 2025 / US – Original

Genre: Rock & Indie

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From the off, Sharon Van Etten & The Attachment Theory issonically different from Van Etten's previous work. Writing andrecording in total collaboration with her band for the first time,Van Etten finds the freedom that comes by letting go. The resultof that liberation is an exhilarating new dimension of sound andsongwriting. The themes are timeless, classic Sharon - life andliving, love and being loved - but the sounds are new, whollyrealized and sharp as glass.Reflecting on this new artistic frame of mind, Van Etten muses,"Sometimes it's exciting, sometimes it's scary, sometimes you feelstuck. It's like every day feels a little different - just being at peacewith whatever you're feeling and whoever you are and how yourelate to people in that moment. If I can just keep a sense ofopenness while knowing that my feelings change every day, thatis all I can do right now. That and try to be the best person I can bewhile letting other people be who they are and not taking itpersonally and just being. I'm not there, but I'm trying to be thereevery day."Sharon Van Etten & The Attachment Theory is a quantum leap inthat direction.- Lol Tolhurst

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Shigeto

LP | 2012 | CA | Reissue (Ghostly International)

Rejected Fish Black Vinyl Edition

Release: 2012 / CA – Reissue

Genre: Rock & Indie

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Black and White Vinyl.Zach Saginaw consistently grounds his music in a deeply personal, familial context; his grandmother inspired two releases, his producer aliases, Shigeto and Frank Omura, both reference family names and it's not for nothing that his latest release as Shigeto is titled Lineage.While only Saginaw could speak to the ancestral motivation being referenced on the eight instrumental songs that comprise the mini-LP, Lineage, it's easy to see it as an acknowledgement of debt to musical forebears, reverent respect due to the jazz, hip-hop, funk and folk that animates these eight songs. And while these elements aren't new to Saginaw's work, never has he demonstrated such complete command of his material. Each song is a complex constellation of sounds and ideas, but his compositional focus and restraint grounds songs that are otherwise cosmically inclined."Lineage (Prologue)" eases into being with windchimes, effects, circular organ and little else, recalling a particularly subdued Sun Ra passage. That segues into "Lineage" proper, which props up the melody with shifty uptempo percussion and bass. "Ann Arbor Part 3 & 4" announces itself with lovely keys and falling rain before hip-hop beats steal the show. "Soaring" eases back into a handclap, acoustic guitar and harp sounds reverie, underpinned with lazy, spacey bass. Shigeto's brilliant drumming takes center stage on "A Child's Mind," moving from a bombastic unaccompanied run into esoteric jazz and finally settling into a shuffling, prismatic hip-hop. Shigeto's deft cymbal and snare work are also found on Huron River Drive, a dubby, smoky, soulful joint that dials back the lysergic digitalia that colors so much of the mini-LP as a whole. The title of "Field Trip" perfectly captures the adolescent joy and wonderment of the song, with live drums, ebullient toybox sounds and wide-eyed melodies. The understated "Please Stay," which adds rare vocal sounds to Shigeto's repertoire of claps and keys, gently guides listeners out of the journey th...

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Shitkid

LP | 2023 | EU | Original (PNKSLM)

LP | 2023 | EU | Original (Spikerot)

Release: 2023 / EU – Original

Genre: Rock & Indie

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As part of PNKSLM’s 10 year anniversary series of special releases/represses - we're over the moon to finally present ShitKid - "Rejected Fish"! This is the previously unheard, studio version of the now legendary debut album "Fish".

ShitKid originally recorded "Fish" at MFG Studios here in Stockholm, with myself Luke Reilly on production duties. The week before it got sent of to the vinyl pressing plant though, Åsa had a bit of a panic that it "sounded too good for ShitKid" - and she ended up re-recording all the songs herself on garageband (mostly in her car) - and this super lo-fi take was the version that ended up getting released.

Obviously at the time ourselves, plus our PR and radio partners were a little shocked, but as always, Åsa made the right move (in ShitKid we trust) and the album went on to be the best selling PNKSLM vinyl, streamed millions, won awards, and made fans out of the likes of Iggy Pop and Billie Joe Armstrong. And almost the best part was how divisive the lo-fi recordings made the record - Fish received both the best and worst reviews we've ever had on the label!

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Shores Of Null

The Loss Of Beauty

35,99 €*

Oblivion Will Own Me And Death Alone Will Love Me (Void Filler)

Release: 2023 / EU – Original

Genre: Rock & Indie

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The Loss of Beauty’ is Shores Of Null’s fourth album and follows the acclaimed ‘Beyond The Shores (On Death And Dying)’, unanimously considered by fans and critics as one of the Doom Metal gems of recent years. Both albums were recorded between 2019 and early 2020, and although ‘The Loss of Beauty’ was initially conceived as the band’s third album, ‘Beyond The Shores’ took its place as it better reflected the doom and gloom sentiment of the 'annus horribilis' 2020. Across 11 tracks (plus two bonus tracks), Shores Of Null once again submerges listeners with tempestuous and turbulent riffs. The band continues to hone its sound and take its melancholic dark metal to new heights by mastering an assorted palette of genres with inbred poignancy. The lyrics celebrate beauty in imperfection and transience and are meant to be an invitation to seek beauty in little things, especially those unexpected and ephemeral. ‘The Loss of Beauty’ is dark and heavy, tinged with feelings of despair and melancholy. 'The Loss of Beauty' will be released on March 24 on Oxblood Vinyl limited to 300 copies worldwide & 6-panel digipak-CD, both formats will come with a 16-page booklet

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Short Fictions

LP | 2023 | US | Original (Lauren)

2LP | 2016 | US | Original (New West)

Release: 2023 / US – Original

Genre: Rock & Indie

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On every Short Fictions album, there is some kind of apocalypse happening. With Fates Worse Than Death, the threat of climate change loomed in the background of each song. Last year’s Every Moment of Every Day featured romantic infatuation ampli ed to the dramatic scale of a trainwreck. The band’s new third album and second for Lauren Records, Oblivion Will Own Me and Death Alone Will Love Me, sits at the center of several crises. From the sudden deaths of close friends, to the e ects of aging on touring and making music, and the aftermaths of those aforementioned infatuations, these ideas converge to create a return to form for the Pittsburgh emo band. “I wrote this one in kind of a time of panic,” says guitarist and vocalist Sam Treber. “Whereas the last one was a fun one, this one's a little bit more chaotic and spastic again.”

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Shovels & Rope

Little Seeds

16,99 €*

Release: 2016 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 2024 | EU | Original (Long Branch)

Siamese

Elements

34,99 €*

LP | 2023 | EU | Original (Seayou)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-15

Hailing from a small country with big dreams, Siamese stands out as a beacon of hope in the Danish music scene. Drawing inspiration from bands likeArchitects and Bad Omens, Siamese navigates the contemporary heavy music landscape with finesse.As they gear up for their upcoming album "ELEMENTS," Siamese embarks on a journey of exploration and evolution. With tracks already gainingtraction on Octane and Kerrang! Radio, "ELEMENTS" not only showcases their heavier sound but also commemorates their 10-year journey asSiamese and having shared stages with heavyweights such as Korn, Corey Taylor, Nothing More and Beartooth it is clear that for Siamese, the journeyis far from over. After all, how can you slow down when you've stared down the end and emerged victorious? 1 The Shape of Water (feat. Ten56)2 Vertigo3 Predator4 Chemistry5 Through My Head (feat. Resolve)6 On Fire7 God Is A Woman8 Utopia9 Hurricane10 This Is Not A Song

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Siamese Elephants

There Goes The Sun

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2019 | EU | Original (Long Branch)

Siamese

Super Human

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2022 | US | Original (Lauren)

Signals Midwest

Dent

20,99 €*

LP | 2012 | US | Reissue (Drag City)

Release: 2022 / US – Original

Genre: Rock & Indie

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Dent is the fth LP from Cleveland, OH rock band Signals Midwest, recorded by J. Robbins (Against Me!, Jets to Brazil, The Promise Ring). Inspired by a stolen and ultimately totaled van, the album confronts the uncertainty of a world at halt, and transmits the shaken-up-soda-can energy that fueled its writing process. With a feedback squeal and a quick four-count, Dent hits the ground running, and what follows is just over a half-hour's worth of big songs about little moments, ominous futures, the lure of nostalgia, and nding shards of peace in an almost all-consuming wreckage. In a world up in ames, Dent is a project born from the ashes. About Signals Midwest: Signals Midwest is a loud, smiley punk rock band, made up of Maxwell Stern on guitar and vocals, Steve Gibson on drums and backup vocals, Je Russell on guitar, and Ryan Williamson on bass, all (he/him). Signals Midwest has been creating punk/indie music in Cleveland, OH since 2008, and is about to release their 5th album. Transparent Blue (Limited to 500)

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Silver Jews

Early Times

Simon Nicol & Ric Sanders, Iain Matthews & Ad Vanderveen, Little Johnny England

Release: 2012 / US – Reissue

Genre: Rock & Indie

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Flow on, silver juice, flow on...into the vein-streams of the nu generation via 90s classics like American Water and Starlite Walker and thence to the new century. They say time has no meaning, but we know otherwise. The pages of history condense eons and epochs into the stuff of mere chapters - sometimes as little as paragraphs - but how many lifetimes have we lived since the salad days and nightz of the original Silver Jews, when they walked the back-alleys of the earth just a scant couple decades ago? Since we"re asking pseudo-rhetorical questions, who knows how many fans of the arena-rock Silver Jews (circa Tanglewood Numbers and Lookout Mountain, Lookout Sea) even know of the humble-yet-powerful origins of the band captured in the hiss-laden boombox mics of 1990-91?Just a few guys in a room, that what makes these recordings: muppet baby versions of the David Berman, Stephen Malkmus and Bobby Nastanovich that we know today. There wasn"t much going on back then, though we"d hardly call it nothing. Still, these young post-collegiates were footloose and fancy-free, to say the least - working dayjobs with all the impermanence that implies - and not just working for the weekend, but trying to live the weekend every day of the week! Tough guys at a party; quick studies, quicker still with the wit. Legends of their own minds...prophets even. If only six-packs worked the way they did back then, then we might get together with them and see the light they saw on those endless nights-into-dawns. The stupid little laws they broke. The archaic little drugs they took. All these things that might not hardly mean anything anymore added up to make these songs, to make these moments in a room, captured so incredibly imperfectly! The air is still locked inside them; the space in the room has depth and definition, defying all laws of audio science. Now these moments feel like they"ll last for centuries, growing stranger all through time.The songs lodged here are the tracks from the original 7" EP "Dime Map of the R...

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Folk Grolloo 1 March 2003, Zaal Hofsteenge Grolloo The Netherlands

2CDr | 2003 | NL | Original (A Harry Production)

120,99 €*

LP | 2011 | Reissue (Constellation)

Release: 2003 / NL – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

with booklet

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Siskiyou

Keep Away The Dead

LP | 2021 | US | Original (Three Lobed)

Release: 2011 / Reissue

Genre: Rock & Indie

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Most of the tunes on Keep Away The Dead were born at Mara Hall in Mara, BC (pop. 350) where bed tracks were laid down in the crisp air during the depth of winter. The arctic atmosphere of that empty, cavernous, hardwood structure was the perfect complement to Huebert's sensibility: a tense and acute restraint; a shivering, biting, sometimes bitter rending of barebones, folk-inflected rock music.Siskiyou's debut was a stunning little scrapbook of short, sharp tunes; Keep Away The Dead ramps up with subtle care and clarity - something closer to a sonic novella. The resulting song cycle yields a strikingly cold-eyed, warm-hearted album, marked by quiet defiance and desperation, where each tune feels like another precious log thrown on a lone campfire burning in the cold night.

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Six Organs Of Admittance

The Veiled Sea

B-Side Ourselves Black Friday Record Store Day 2023 Yellow & Black Marble Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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"The Veiled Sea" is easily one the most viscerally satisfying records in the Six Organs of Admittance discography. As always, Chasny finds the invisible threads between incongruous sound worlds. Here it's American (electric) guitar heroics and galactic postpunk, Popol Vuh-ish pastoralism and heavy psych. But these disparate musical regions are here rendered so fully and tangibly, one is struck by the sheer mass of them. It is an improbable universe, but somehow it all connects. This is a record a little outside of the standard Six Organs catalog but no less a perfect part of it - one where big, beefy extended electric guitar solos stand proudly on one track and extraterrestrial-seeming rock on the next. Chasny is always one to boldly follow his own muse and the audience has always had the privilege of following. "The Veiled Sea" is no exception and a grand addition to the 6Ø catalog.

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Skid Row

LP | 1992 | CA | Reissue (BMG)

33,99 €*

Quiet The Room Black Vinyl Edition

Release: 1992 / CA – Reissue

Genre: Rock & Indie

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Quantity: 2500
Release type: RSD Exclusive Release

Limited Edition reissue of Skid ROW’s 1992 covers EP A Out of print for 30 years, B-side Ourselves hit #58 on the Billboard Top 200 and is certified Gold. On Yellow & Black Marble Vinyl. Features Skid Row’s classic line up covering “Psycho Therapy”(The Ramones), “C’mon and Love Me” (kiss), “Delivering The Goods” (Judas Priest), “What You’re Doing” (rush) & “Little Wing” (Jimi Hendrix).

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Skullcrusher

LP | 2022 | US | Original (Secretly Canadian)

Quiet The Room Cloudy White Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Helen Ballentine's spellbinding first full-length album Quiet the Room is the sound of a window opening, a barrier dissolving. Across these fourteen tracks, the outside world seeps in and the inside world crawls out. The result is a stunning and quietly moving work that reflects the journeys we take through the physical and spiritual realms of ourselves in order to show up for the world. While writing the album in the summer of 2021, Ballentine drew inspiration from her childhood home in Mount Vernon, NY. What she set out to capture on Quiet the Room was not the innocence of childhood, as it is so often portrayed, but the intense complexity of it. Past and present merge Escher-like in this dreamlike space laced with elements of fantasy, magic, and mystery. Musically, this translates into a sound that feels somehow weighty and ephemeral all at once, like a time lapse of copper corroding. To capture the effortless blend of electronic, ambient, folk, and rock, Ballentine and her partner and collaborator Noah Weinman brought in producer Andrew Sarlo to record at Chicken Shack studio in Upstate New York, close to where Ballentine grew up. "We wanted every song to have that little twinkle, but also a sense of crumbling," she says. These songs thrum with moments of anxiety that boil over into moments of peace, as on lead single "Whatever Fits Together," which chugs to a ragged start before the gears catch and ease. On "It's Like a Secret," Ballentine struggles to connect and let people in, recognizing that no one can ever fully know our inner worlds and that to understand each other is to cross a barrier and leave a part of ourselves behind. And yet, on closing track "You are my House," she finds a way to reach out. "You are the walls and floors of my room," she sings in perfect, hopeful harmony. As the album cover invites, these are dollhouse songs to which we bend a giant eye, peering into the laminate, luminous world that Ballentine has created. Like a kid constructing a shelter in a patch of sharp brambles, she r...

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Skullcrusher

LP | 2022 | US | Original (Secretly Canadian)

LP | 1995 | EU | Original (One Little Indian)

Release: 2022 / US – Original

Genre: Rock & Indie

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Skunk Anansie

Paranoid & sunburnt

Release: 1995 / EU – Original

Genre: Rock & Indie

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LP | 1996 | EU | Original (One Little Indian)

Skunk Anansie

Stoosh

Release: 1996 / EU – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Concord)

Sleater-Kinney

Little Rope

Release: 2024 / US – Original

Genre: Rock & Indie

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Little Rope Indie Exclusive Orange Vinyl Edition

Sleater-Kinney

LP | 2024 | DE | Original (Concord)

This Time / Here Today Record Store Day 2024 Red Vinyl Edition

Release: 2024 / DE – Original

Genre: Rock & Indie

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„Little Rope" ist eines der besten und vielschichtigsten Alben in der fast 30-jährigen Karriere von Sleater-Kinney. Das Album als makellos zu bezeichnen, wäre eine Beleidigung für seine Intention - es stürzt sich kopfüber in Fehler und Gebrochenheit - eine Meditation darüber, was das Leben in einer Welt der ständigen Krise aus uns gemacht hat und was wir im Gegenzug der Welt antun. Oberflächlich betrachtet, reichen die 10 Songs des Albums von sparsam bis hymnisch, von eingängig bis absichtlich hart. Dahinter verbergen sich jedoch die vielleicht komplexesten und subtilsten Arrangements aller Sleater-Kinney-Alben und ein lyrischer und emotionaler Kompass, der fest in die Richtung von etwas sowohl Befreiendem als auch Erschreckendem weist: das Gefühl, dass der einzige Weg, die Kontrolle zu gewinnen, darin besteht, sie loszulassen.

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Sleater-Kinney

2LP | Reissue (Concord)

16,99 €*

LP | 2009 | Reissue (Western Vinyl)

Release: Reissue

Genre: Rock & Indie

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Little Rope von Sleater-Kinney ist eine der feinsten und vielschichtigsten Platten in der 30-jährigen Karriere der Band. Oberflächlich betrachtet reicht Little Rope von sparsam bis hymnisch, von eingängig bis absichtlich hart. Doch darunter verbergen sich die vielleicht komplexesten und subtilsten Arrangements aller Sleater-Kinney-Alben. Nach der von der Kritik gefeierten Veröffentlichung von Little Rope präsentieren Sleater-Kinney zwei spezielle Bonustracks aus der ursprünglichen Aufnahmesession auf einer exklusiven RSD 7".

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Sleep Whale

Little Brite

15,99 €*

Tweez Black Vinyl Edition

Release: 2009 / Reissue

Genre: Rock & Indie

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Much like a handmade quilt, SLEEP WHALE's music is filled with collected scraps of material, beautiful patterns and meticulous crafting. For guitarist/cellist Joel North and violinist/sequence programmer Bruce Blay, the melding of traditional live acoustic sounds of violin, cello, and guitar with vanguard electronic processing is the most natural thing in the world. Woven throughout the infectious melodies of violin, cello, and guitar you'll find music boxes, shortwave radios, tape machines, water and much more. The six songs on "Little Brite" conjure a universe whose ancient forbears include Steve Reich, Penguin Cafe Orchestra, Eno's looping ambiences, Brit-folk guitarist Bert Jansch, gamelan ensembles and Hindustani hand percussion, however, the wall-to-wall beauty of the proceedings is anything but reverential ear candy. Engaging, melodically rewarding, and sophisto-whimsical, SLEEP WHALE's cerebrally atmospheric marriage of the luddite and techno worlds makes for essential listening.

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Slint

LP | 1993 | Reissue (Touch And Go)

LP | 1993 | Reissue (Touch And Go)

Release: 1993 / Reissue

Genre: Rock & Indie

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It's almost always muddy in the lousy little shanty town by the river. All the children's toys are old and rusty, even the plastic ones. Jimmy and Mel fashioned their own toy out of a live chicken that they stole. A knot was tied around the bird's feet with a shoe lace. The two boys painted their plaything yellow and silver and swung it around like a lasso, screaming gibberish and laughing the whole time. Mel got so excited that he wet himself. So, Jimmy slugged him square in the eye. About five or eight miles south east of the shanty town all the fellows in SLINT were suffering from headaches, except the drummer, who only got them when the others didn't.

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Slint

Tweez Red Vinyl Edition

32,99 €*

LP | 2021 | US | Original (Saddest Factory)

Release: 1993 / Reissue

Genre: Rock & Indie

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Red Vinyl.It's almost always muddy in the lousy little shanty town by the river. All the children's toys are old and rusty, even the plastic ones. Jimmy and Mel fashioned their own toy out of a live chicken that they stole. A knot was tied around the bird's feet with a shoe lace. The two boys painted their plaything yellow and silver and swung it around like a lasso, screaming gibberish and laughing the whole time. Mel got so excited that he wet himself. So, Jimmy slugged him square in the eye. About five or eight miles south east of the shanty town all the fellows in SLINT were suffering from headaches, except the drummer, who only got them when the others didn't.

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Sloppy Jane

Madison

LP | 2023 | US | Original (Anyway)

Release: 2021 / US – Original

Genre: Rock & Indie

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"A big part of the project and why I did it," says Sloppy Jane's Haley Dahl of her Saddest Factory debut Madison, "Was because it felt similar to being a little kid and buying an outfit that was too big that I'd have to grow into. I really valued from the start that making Madison gave me someone I had to become." The record, which Dahl first conceived of back in late 2017, is a grand gesture, a statement about big love, and about growing into yourself in the process. Dahl and her 21 bandmates recorded all of Madison at the Lost World Caverns in West Virginia from 3pm to 8:30am each day over the course of two weeks (they also made four music videos on location during this time). To access the space, they'd enter through the back of a gift shop, down a long tunnel where they'd walk down 200 feet of stairs to reach the entrance. Dahl and her bandmates did this steep walk with a piano. The ceiling of Lost World Caverns is massively high and is a perfect dome. The inside was also 98 percent humidity, leading to both stellar sound and also problems with tuning and gear. Engineer Ryan Howe sat in his parents Subaru above the cave with his mixing board and computer, and threaded cables down 90 feet through a hole in the ground to the ceiling of the cave. It's the first time someone has ever recorded an entire album in a cave, and the results are pretty sonically stunning. That alone is a marvelous thing. Madison is an astounding, glorious record of melodrama of the highest order.

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Smug Brothers

In The Book Of Bad Ideas

19,99 €*

Tape | 2022 | EU | Original (Bayonet)

Release: 2023 / US – Original

Genre: Rock & Indie

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Since forming in 2004, Ohio rock band Smug Brothers have enjoyed a relaxed, almost nonchalant, approach to writing and recording, with most albums being minor Big Bangs - instant and electric. New LP In the Book of Bad Ideas, on the other hand, was a struggle against entropy - the disorder caused by plagues and departing personnel.

Singer, guitarist, and songwriter Kyle Melton wrote the majority of the tunes in "bunker fashion" during the miserable pandemic summer of 2020, then slowly started recording them with bassist Kyle Sowash, lead guitarist Scott Tribble, and drummer/Smug Brothers co-pilot Don Thrasher in 2021. That November, his contributions partially completed, Tribble decamped the band due to a new job and new demands. The exit was amicable, yet left the group in a lead guitar lurch. Melton had little choice but to enter the ring and play solos on some songs.

"That was both fun and frustrating," Melton admits. "Other than a handful of tracks over 15 years, I've not really done much lead playing with Smug Brothers. When Scott left, I was initially like 'Great. What now?' It took me a few weeks to psyche myself up to just go for it."

Finally, belatedly, both In the Book of Bad Ideas and its sister EP Emerald Lemonade were finished in the spring of 2022. And against the odds, the two-year slog produced pleasantly surprising results. On In the Book of Bad Ideas, the band's typical, semi-60s sound - boasting biting leads and breakneck jangles - is now fully integrated with synthesizers and crafted with a cool gloss, anachronistically creating the first Smug Brothers album of the early 80s. While all songs pop with Pac-Man vibrancy, tracks such as "Helium Drag" and "Enceladus Lexicon" could be lost classics by The Cars.

As Melton reveals, "I'm not sure it was a conscious move, honestly. We've been expanding our sonic palette significantly since [2017 LP] Disco Maroon; Scott had a lot to do with that push, especially with his keyboards. I just kept running with those moves. I was thinking more in terms of a 'slicker' sound on the tracks, adding more polish and really trying to get a better overall production."

Clearly the perseverance paid off. But album highlight "What Starts Out as Fun" begs an obvious question. "Yes, it's all still fun," Melton says with a laugh. "It's just more work now. We're really pushing ourselves, exploring new approaches. We are already working on new material, so we will just keep going forward and make it up as we go. Hopefully, In the Book of Bad Ideas gets a favorable reception that can give us a good headwind into the future."

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Smut

How The Light Felt

10,99 €*

How The Light Felt Orange Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Smut shines a spotlight on the sounds of the 90s acrossgenres - a record scratch, a spacey synth line, a breakcorebeat - all while maintaining freshness and originality. Thecollaborative project of vocalist Tay Roebuck, guitaristAndrew Min, bassist and synth-player Bell Cenower,guitarist and synth-player Sam Ruschman and drummerAidan O'Connor, Smut have conquered national tours withBully, Swirlies, Nothing, and WAVVES. Based in Chicago, IL,the band hits their stride in `How the Light Felt'. It is anexercise in coping, an electrifying statement of hope in thethick of resounding loss, and a love letter to the peoplethat keep us going. With their powers combined, Smutmeld the songwriting sensibilities of Oasis with the vocaldelivery of the Cocteau Twins - the percussive grooves of...

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Smut

LP | 2022 | EU | Original (Bayonet)

LP | 2009 | EU | Reissue (Pias)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Soap&Skin

Lovetune For Vacuum

19,99 €*

Release: 2009 / EU – Reissue

Genre: Rock & Indie

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LP | 1983 | EU | Reissue (Craft)

Social Distortion

Mommy's Little Monster

35,99 €*

Mommy's Little Monster Remastered 2023

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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40 YEAR VETERANS OF THE CALI PUNK SCENE WHO ARE STILL TOURING TO THIS DAY. THIS ALBUM IS RESPONSIBLE FOR PUTTING THEM ON THE PUNK-ROCK MAP, A RAW AND RAGING CLASSIC.

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Social Distortion

LP | 2023 | US | Original (Craft)

Release: 2023 / US – Original

Genre: Rock & Indie

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Poshboy's Little Monsters

Social Distortion

12" | 2019 | EU (Radiation Reissues)

18,99 €*

LP | 2017 | UK | Original (Sodastream)

Release: 2019 / EU

Genre: Rock & Indie

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Formed in Fullerton, CA in 1978, Social Distortion were one of the original LA punk groups and their first single was released on legendary LA punk label Posh Boy. But far more rare than that first single ("Mainliner" b/w "Playpen") is the unreleased EP Posh Boy's Little Monsters. This EP only made it to the test pressing stage back in 1981, and featured those two tracks from the first single along with "All The Answers" and "Justice For All." This is the absolute holy grail for Social Distortion fans and it's finally available in commercial form on two limited edition pressings for RSD 2019, black vinyl available worldwide and a Europe only red vinyl limited edition. Includes 2 bonus tracks.
“Of the 3 teenagers who recorded for me, one has died, another was believed to be dead and one became immensely wealthy from playing music. The one who did hard time in prison was not Mike Ness. It was the drummer Carrot, better known as John Stevenson, now living a very ordinary life in rural Florida.
I now count John as a dear friend. Apparently, he was only l6 years old when he rolled into the studio that day in April l98l, armed with a taped up pair of drumsticks. He played great as did both Mike and Dennis (RIP). This time there was no fighting in the studio over production values. I had promised Ness that we would not fight so once there was a minor disagreement over the artwork for the proposed l2", I dropped the project in favor of the Playpen/Mainliner 7" which sported iconic artwork from the band.”

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Sodastream

Little By Little

16,99 €*

Release: 2017 / UK – Original

Genre: Rock & Indie

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LP | 2019 | US | Original (Tiny Engines)

Somos

Prison On A Hill

Release: 2019 / US – Original

Genre: Rock & Indie

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LP | 2019 | US | Original (Tiny Engines)

Somos

Prison On A Hill

Release: 2019 / US – Original

Genre: Rock & Indie

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Aloha Black Vinyl Edition

Son Little

LP | 2020 | EU | Original (Anti)

LP | 2000 | EU | Reissue (Secretly Canadian)

Release: 2020 / EU – Original

Genre: Rock & Indie

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That was certainly the case with his new album, aloha, his third studio album. Recorded at Paris's iconic Studio Ferber, the entire project was an exercise in letting go, in ceding control, in surrendering to fate. While SON LITTLE (the stage name of songwriter, producer, and multi-instrumentalist Aaron Livingston) still plays nearly every instrument on the album himself, he put his songs in the hands of an outside producer for the first time here, collaborating with French studio wizard Renaud Letang (Feist, Manu Chao) to create his boldest, most self-assured statement yet.Equal parts vintage and modern, the collection blends classic soul, old-school R&B, and adventurous indie sensibilities into a timeless swirl fueled by gritty instrumental virtuosity and raw, raspy vocals. It's an ambitious work of vision and reflection, to be sure, but more than that, it's an ecstatic testament to the freedom that comes from torching the map and trusting the currents of life to carry you where you belong.

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Songs:Ohia

Protection Spells

LP | 2024 | EU | Original (Ladlo)

Release: 2000 / EU – Reissue

Genre: Rock & Indie

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"The Protection Spells is a collection of songs recorded over a period of several Songs: Ohia tours. Presented here are nine entirely improvised pieces. The approach to these songs involved no rehearsals, no second takes, no additions and no going back. What you have here are songs that just happened in real time. The many musicians on these recordings were friends, bandmates, and, at times, total strangers. I have long hoped to offer the listener a chance to have some of these great accidents on record. It is a direct look at my songwriting process, only a little more risky, and nobody has any idea what direction we are going until we all start working on it together. I think that the years of improvised music I played in the past helped to strengthen the risk-taking with these songs. Here the goal was to still have basic songs without falling into long freak-out noise experiments, saving that kind of exploration for live settings. You will notice the appearances and disappearances of ideas that could never be recreated, not that they are all brilliant, but they are certainly not forced. The seemingly arbitrary moments of strange repetition the lyrics, the clear lack of a preconceived system of established song parts, all are the marks of improvised songwriting. Since even the singing had no idea what the floorplan of the song was to be, there were some unanticipated troubles and some shy steps taken, but I have preserved these mappings of the dangerous musical byroads that Songs: Ohia has always depended on. I hope you enjoy this." - Jason Molina, July 10, 2000

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Sordide

Ainsi Finit Le Jour

7" | 1961 | UK | Reissue (Fredlo)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Sordide comes from the wet gutters of Rouen, Normandy. Since the release of its debut album through Avantgarde, back in 2014, the trio has been spitting a scornful and desperate anger in Moliere’s language under the motto NEITHER NAME, NOR FLAG. Since then, the band has multiplied albums culminating with the release of “Les idées blanche”, in 2021, and played throughout Europe and at Roadburn and Hellfest festivals. After travelling to Iceland and Finland, Sordide will release its fifth full-length, “Ainsi finit lejour”, through Les Acteurs de l'ombre, and its own collective, La Harelle. To present this abrasive opus, Sordide will tour in France, Switzerland and Belgium in October 2024, and in Europe in February 2025. 1. Des feux plus forts2. Nos cendres et nos râles3. Le cambouis et le carmin4. Sous vivre5. Banlieues rouges6. La poésie du caniveau7. Ainsi finit le jour8. La beauté du désastre9. Tout est à la mort

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Sotos Brothers

Little Lila / Miserlou

9,99 €*

LP | 2021 | US | Original (Hozac)

Release: 1961 / UK – Reissue

Genre: Rock & Indie

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Here's a reissue of an Iowa roackabilly oddity, originally from 1961, complete with its exotica-tinged flip.

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Soursob

Major Arcana 10th Anniversary Colored Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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We’re excited to announce the debut LP from Glasgow’s Soursob this month, a viciously minimal 3-piece that does so much with so little, yet packs such a powerful punch you won’t soon forget. A bass-driven groove holds these songs in an awesome aggressive limbo between the lush, heavy-noise of the post C-86 sound and the brash early 90s invigoration of riot grrrl noise. Like nothing we’ve ever encountered, their anger toward simple modern pleasures is just short of breath-taking, dragging everything you hold sacred into their pit of resilience. Thick accents drizzle over thick blocks of drastic fuzz as each song bleeds effortlessly into the next, encompassing some of the catchiest choruses this side of Dolly Mixture, yet with a sinister darker underpinning, all tied into their increasingly hypnotic bass lines. With the three members of Soursob originating from Glasgow, Lithuania, and Australia, they are currently in limbo post-pandemic, but with the immediate impact of this crushingly infectious new LP, they hope to be bashing it out in front of live crowds again soon. Such an impressively confident collection of songs here, and your fleeting taste for craft beer, cocaine, mass transit, watching TV on a cell phone, and Berlin in general, is very much “on the line” with these sublime and profound revelations. One these teeth sink in, you won’t believe how you’ve lived this long without the prickling & sickening throb of Soursob!

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Speedy Ortiz

12" | 2013 | UK | Reissue (Carpark)

The Turning Wheel Violet Vinyl Edition

Release: 2013 / UK – Reissue

Genre: Rock & Indie

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Limited 'The Star's Sky' coloured LP.

Gatefold jacket with lyrics and inner sleeve with photos from the original recording session..

Bathed in a green haze, the crowd oozed to the mutant rock and roll roaring from the basement's dusty depths — everything and everyone was sweaty and sticky. But as Speedy Ortiz crammed into the back corner, their grins just inches away from ours, D.C.’s Dougout became a moshed-and-sloshed sauna of 20-somethings delirious on rock euphoria.

After spending much of the new millennium bored out of my skull by network soap indie, Speedy Ortiz — not to mention its pals in Pile, Ovlov, Grass is Green and the rest of New England’s burgeoning basement scene — was rock's wild howl. The songs were unpredictable, yet weirdly memorable, swaggering with a winky and wry sense of self. Riffs would twist with a topsy tenderness, then slam a ruptured discord. Sadie Dupuis' sphinxian-yet-sensitive lyrics were not only matched but accentuated by her coil-sprung vibrato. How could Speedy Ortiz not immediately become my new favorite band?

What began as a short-lived solo project recorded in Dupuis' off-hours as a rock camp counselor became a four-piece band in Northampton, Mass., by the end of 2011: Dupuis on guitar and vocals with drummer Mike Falcone, bassist Darl Ferm and guitarist Matt Robidoux. They made cool mixtapes, cracked inside jokes and gushed about teenagers that opened for them on tour. They freaked out (via LiveJournal) when they met the bassist from Polvo or Helium's Mary Timony, but also rolled their eyes at '90s indie-rock comparisons. The band's first single — the gender-bending got-laid grunge yowler "Taylor Swift'' — elicited that rare response of the simultaneous giggle and headbang. The Sports EP amped up the taut yet rubbery riffery.

Released July 9, 2013, Major Arcana is filled with wedding chapel exorcisms, oiled-down attractants and criminally twisted puny little villains — this is Dupuis' haunted lexicon as she scales the toxic Aggro Crag of a breakup. And while Dupuis wrote these songs, the band's convulsing arrangements and diverse influences sprawled the squigglier edges of feedbacked fuzz to mete out matters of the heart. Falcone — who, it's worth noting, has a knack for vocal harmony — swung as much as he smashed the drums. In easily tipoverable songs, Ferm's burly bass and percussive overdubs gave the unruly glee its momentum. Robidoux ripped skronky guitar solos and countered Dupuis' riffs with decorative splatter. Over a four-day marathon session at Sonelab in Easthampton, recording engineer Justin Pizzoferrato sparked the studio imagination of Speedy Ortiz — not only leaning into gritty tones but layer-caking dense dynamics that made these songs pop and pulverize.

For all her sweet-toothed seething, Dupuis was not easy on herself. Everyone's allowed the idiot growing pains of your 20s and the misery that follows, but I can only imagine the emotional exhaustion that playing these songs on the road, night after night, must have wrought. "But you left something on my lips: a mark so sick," she repeats over the doomy destruction that ends the album. Thinking back to the many Speedy Ortiz shows I caught in those early years, including an unofficial after-after party for my own wedding, "mkvi" often served as the noisy down-and-out closer — heads would bang in solidarity as the crowd became co-authors in the chaos, the biting phrase now a hex, Speedy Ortiz forever our coven. —Lars Gotrich

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SPELLLING

2LP | 2022 | US | Original (Sacred Bones)

LP | 2022 | EU | Original (Meritorio)

Release: 2022 / US – Original

Genre: Rock & Indie

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Spellling, das Projekt der in der Bay Area lebenden kalifornischen Künstlerin Chrystia Cabral, veröffentlicht mit "The Turning Wheel" den Nachfolger von "Mazy Fly" aus dem Jahr 2019. Das neue Album dreht sich um Themen wie menschliche Einheit, die Zukunft, göttliche Liebe und die rätselhaften Höhen und Tiefen des Karnevals namens Leben. Auf "The Turning Wheel" stellt sich Spellling der ehrgeizigen Aufgabe, ein Album mit einem 31-köpfigen Ensemble aus Musikern zu orchestrieren und selbst zu produzieren. Das Ergebnis begeistert mit einer großen Bandbreite an akustischen Klängen, die ihre Arbeit in eine neue, lebendige Dimension überführen. Das Album ist in zwei Hälften, Above und Below, aufgeteilt. Der Above-Teil wird von opulenten Streichern, warmen Banjoklängen und dem Fagott dominiert. Im Verlauf kippt die eher jubilierende, verträumte Stimmung ins Schaurige und Gothic-hafte. Diese Entwicklung wird durch Spelllings Gesangsstil verankert, der das theatralische und folkloristische Herz ihres Songwritings betont. Eröffnet wird der Above-Reigen von der Klavier untermalten Lead-Single "Little Deer", die mit bezaubernden Vocals und 17 verschiedenen Akustikinstrumenten aufwartet. Verzerrte Synthesizerklänge geben dem Track eine skurrile Note, der von dem Frida Kahlo-Gemälde Wounded Deer inspiriert wurde, auf dem sich die Künstlerin selbst als Mischwesen aus Tier und Mensch darstellt.

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Spice World

There's No I In Spice

LP | 2021 | US | Original (Born Yesterday)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Spice World are a 4-piece band formed on Whadjuk Noongar Boodja (Fremantle, WA) for a one-night-only performance in early 2021 before their drummer Julia had to rush back to Melbourne a few days later. This performance was surprisingly well-received and so Spice World continued with occasional shows, sometimes in a more soft-edged trio format. When Julia returned to Perth for a Christmas visit in 2021 they decided to capture the sound of the band in full. But time was running out before Julia had to leave again—so, they set up for a day of recording in their living room. With little knowledge of recording a band, this ten-track album was recorded all completely live in just 5 hours. Endearingly scrappy, Spice World perform DIY, ad-hoc pop music that is sometimes sad and sometimes silly, but always offered in earnest. They bring a punk mindset and laissez faire approach to sun-drenched kitchen table music. Join in whenever you want!.

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Spirits Having Fun

Two

13,19 €* 23,99 € -45%

Amazing Grace Colored Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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Spirits Having Fun records are ones made from and for shows and spaces—arrangements rooted in a deeply collaborative process, that come to life through intuitive and locked-in live improvisation. Following their 2019 debut Auto-Portrait, Two finds the New York and Chicago based four-piece continuing to challenge ideas of what a rock band can be, pulling apart their musical experiences and reimagining them as kinetic compositions, equally studied but palpably organic.

Two is constructed around gut feelings and strong grooves, elastic rhythms and playful pacing. Its twelve songs expand, contract, and make sharp turns between melodies under singer-guitarist Katie McShane’s meditative lyrics. “Broken Cloud,” which was also released last year on a compilation in support of Chicago Community Jail Support, offers a glimpse into her reflections on the natural world: "A city grew out of the ground / to a mountain it's only a blur."

True to its name, the internal logic of the band is also just a lot of fun, built on trust and deep-rooted musical relationships. Before there was Spirits Having Fun, McShane, bassist Jesse Heasly, guitarist-vocalist Andrew Clinkman, and drummer Phil Sudderberg had performed together in various arrangements over the years. McShane, Heasly and Clinkman met in a specific corner of the Boston underground in 2013, a time when a scene had coalesced around students from local music conservatories frequently collaborating with punk bands and noise artists, exchanging ideas and warping musical worldviews. Heasly and Clinkman played together in Cowboy Band, making mutant, free jazz-inspired takes on old country tunes. When Clinkman moved to Chicago, Heasly and McShane played in experimental groups like EKP and Listening Woman; in Chicago, Clinkman met Sudderberg playing in projects like jazz scene fixture Ken Vandermark’s high-powered band Marker.

Spirits first came together as an attempt at a long-distance collaboration among friends in 2016, driven by the simple feeling of missing each other; they’d meet up for marathon weekends here and there to practice, playing small loops through dive bars and art spaces around the Midwest—just enough for McShane and Heasly to afford plane tickets back home. Being split between Chicago and New York forced the project into a deliberate pace. “We tried to take it slow and let it be what it was,” said McShane. That sense of patience unexpectedly prepared them for March of 2020, when their planned tours and the release of Two were indefinitely delayed.

Two was mostly recorded in the summer of 2019 with the help of omnipresent Chicago engineer Dave Vettraino and DPCD’s Alec Watson, whose contributions on organ, synths, and piano are laced throughout the record. The album reflects a synthesis of solitary and communal songwriting processes—each song drawing on fragments written by individuals, which McShane threaded together and shaped through her distinct compositional lens, making the songs whole before returning to them to the band to mature collectively. When composing, McShane writes first on the keyboard before adapting parts for guitars played by herself and Clinkman. Their dueling approaches to guitar are complementary: McShane, being a newer guitarist, brings a freshness to the project (“I'm just discovering the whole time,” she says) while Clinkman has been playing since childhood.

“There's a lot more collaboration on this record,” says Clinkman, “in terms of all of us letting stuff bloom a little bit more.” The record’s first single, “Hold The Phone” is a good example of this process—it started with a playful intro riff from Clinkman, a melody and bridge added by McShane, a wobbly outro groove added by Heasly, which Sudderberg brought to life. Another single, the dynamic “See a Sky,” written primarily by Heasly, underscores the rhythm section chemistry at play across the record, the song ebbing and flowing around Heasly and Sudderberg’s eclectic percussive palettes.

“Entropy Transfer Partners” is the only song on the record with lyrics by Clinkman, and the album’s most politically direct—a call for solidarity in the face of systemic failures, an acknowledgment of the shared material devastation caused by our country’s ongoing healthcare and housing crises: “These are not things we're experiencing individually. We struggle through them collectively. And we could actually declare, all of us, that it doesn't have to be this way, and fight and organize to ameliorate some of those conditions.” (“We won't work to create the shit you monetize, to run our lives,” they sing.)

From front to back, Two is an absorbing listen simply for its impressive range. But as the members explain themselves, the complexity of the record is about more than its intricate riffs, or how often they count out an odd time signature, but how they reject the notion of boxing the songs in, letting the melodies take on lives of their own. “Making music that feels alive is important to us,” says Clinkman. “Music feels most powerful to me when it deepens our sensation of feeling alive and connected to other humans. It’s so easy to feel worn down and isolated; that your life’s value is fixed to your productivity at your job, or the things that you have or don’t have. Making music that feels joyful and fun seems like one effective antidote to that feeling.”

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Spiritualized

LP | 2003 | US | Reissue (Fat Possum)

43,99 €*

Splodgenessabounds Black Record Store Day 2021 Edition

Release: 2003 / US – Reissue

Genre: Rock & Indie

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Amazing Grace is the fifth album by the British rock band Spiritualized, so named to indicate its considerable gospel influence. Although the title hymn does not appear on the album, the ballad 'Hold On' is based upon the same melody, and the opening track 'This Little Life of Mine' is clearly indebted to the spiritual 'This Little Light of Mine'." "After working with free-jazz collective Spring Heel Jack on one of their albums and tour, frontman Jason Pierce was inspired to make a record with the same principles. His approach meant that the rest of Spiritualized was given the songs on the same day as they were recorded, meaning the record (including orchestral overdubs) was completed in 3 weeks. This is a huge difference compared to its predecessor, Let It Come Down, which took four years to record." Remastered for vinyl in London by engineer Matt Colton, the 180 gram album features lacquer cuts by Metropolis Mastering, presented in a gatefold jacket designed by Mark Farrow.

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Splodgenessabounds

LP | 1981 | EU (Radiation Reissues)

18,99 €*

LP | 2019 | EU | Original (Little Rocket)

Release: 1981 / EU

Genre: Rock & Indie

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Record Store Day 2021 Release. Punk parodists Splondgenessabounds achieved more than most in the early 1980s, with three chart hits, including a top-ten smash and another in the top thirty. Formed above a mini-cab office in Peckham, southeast London, they scored a contract with major label Deram through a Battle of the Bands contest, debut single B-side ‘Two Pints of Lager and a Packet of Crisps’ hitting number 7 on the singles chart in June 1980. An equally unlikely cover of Boer War saga ‘Two Little Boys’ hit the top thirty and initial single A-side ‘Simon Templar,’ based on the theme from The Saint, was also popular. This incredible debut album has each of these tracks and so much more, with plenty of fart songs and a closing dub of ‘Two Pints.’ This is the sound of the band at their magnificent best, a pick of the bunch for all Splondgs fans.

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Spoilers

Recently Re-Released

17,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2018 | EU | Original (Little Rocket)

Spoilers

Roundabouts

17,99 €*

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 2007 | US | Reissue (Jagjaguwar)

Spokane

Little Hours

Release: 2007 / US – Reissue

Genre: Rock & Indie

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Springtime Clear Vinyl Editoin

Springtime

LP | 2022 | US | Original (Joyful Noise)

LP | 2022 | EU | Original (Trapped Animal)

Release: 2022 / US – Original

Genre: Rock & Indie

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As The World Continues To Plunge Into A Fiery Blaze Of Calamity, The Southern Hemisphere's Air Warms, Its Leaves Glow Green, And The Damp Earth Jolts Awake. Springtime Is Coming To Australia, And It Will Be Ushered In By Three Sonic Shamans Who Are No Strangers To Our Ears. Gareth Liddiard (Tropical Fuck Storm / The Drones), Jim White (Dirty Three / Xylouris White) And Chris Abrahams (The Necks) Are Springtime _ A New Endeavor That Is As Much A Tonal Experiment As It Is A Meditation On Modern-Day Absurdity. Springtime's Self-Titled Debut Combines Free Jazz, Poignant Lyricism Crafted Alongside Renowned Irish Poet Ian Duhig -- Aka Gareth Liddiard's Uncle - And Improvisation To Craft Austere Portraits Of A World Paralyzed By Shellshock. It's As Monstrously Ravishing As It Is Clumsy Inits Elegance. Words Run Into Each Other With Little Regard For One Another's Injuries. There Are Sounds Which Come Out Of Nothingness To Wallop And Brutalize Their Fellow Sounds. The Live Recording Of Will Oldham's "West Palm Beach" Is Treated With Love And Respect And Would Certainly Be Met With Open Arms By Its Author. Across The Span Of Seven Tracks, Liddiard Incants With Wild-Eyed Fury As White And Abrahams Lay Down Stuttering Strings, Fizzling Electronics, And Feathery Piano Melodies. It Is Within These Raving Abstractions That One May Find An Answer To The Enduring Question, "What Fresh Hell Willthis New Season Bring?"

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Stars And Rabbit

Rainbow Aisle

With A Little Help From My Friends

Release: 2022 / EU – Original

Genre: Rock & Indie

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Trapped Animal Records are proud to present for the first time on vinyl, Stars and Rabbit's 2020 smasher 'Rainbow Aisle'. Remastered at Metropolis to lacquer and cut to 300 Purple Stripe 180GSM 12"s this is a very special package from Indonesian household names, Stars and Rabbit! // Press quotes : Alternative Fruit, UK - This fun and catchy album is laid back to back with classic numbers which each have a soul of their own. A friendly rock 'n' roll delivery mixed with classical melodies and homely closeness allows us to hear this band in person from wherever we happen to be. // Analogue Trash, UK - Reviewed (Little Mischievous) There's a joy and innocence at the heart of Little Mischievous that is delightful and infectious, in large part down to the fun, rollercoaster vocals of Elda Suryani. Sounding like a cross between Nina Persson and Björk, her livewire performance is the perfect foil for Didit Saad's equally electric lead guitar melody and the briskly bouncing arrangement. // Reviewed Naked King - They make up the central core of the song, as soft synths and lush strings wash in and out of perception, combining to confect a sweet sense of serenity. Though contemplative, Naked King looks outward and also seeks to engage the listener: the children's choir and assertive guitar solo bringing the song to a euphoric crescendo, with Elda Suryani's performance directing the song to ever greater heights. // Antenna, Japan - Stars and Rabbit were captivated by a variety of songs that sublimated 90s introspective alternative rock, mainly in Europe, such as Sigur Rós, Radiohead and Portishead. On one occasion, listeners like "Little Mischievous" show light guitar pops that can sing a long, and "Attic No.7" shows a jazzy, dark side like a trip hop. // Atwood Magazine, UK - Elda Suryani and Didit Saad make up the group and both employ signature rhythms and harmonies onto each song of theirs, and "Little Mischievous" is no exception with its slick guitar riffs and tantalizing vocal performance. // Beehive Candy...

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Steve Cropper

LP | 2023 | EU | Original (Omnivore)

Release: 2023 / EU – Original

Genre: Rock & Indie

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11 Women Clear W/ Splatter Vinyl Edition

Steve Kilbey

LP | 2024 | UK | Original (Easy Action)

Release: 2024 / UK – Original

Genre: Rock & Indie

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“Recorded over just three days, with little more than two takes making up each tune, the album is an exercise in the immediate, capturing both Kilbey and his accompanying musicians performing tracks while they’re still fresh. The result is one of the most pure records you’ll find anywhere. From the opening notes of “Poppy Byron”, it’s apparent that Kilbey has delivered something transcendental; something that only someone with a musical dexterity and vision like he can provide. Serving as a musical kaleidoscope of sorts, the album switches genres frequently, shifting between the mandolin-driven sweetness of “Josephine”, the ’60sinspired psychedelia of “Woman Number Nine”, and the hazy, dream-like nature of “Lillian in Cerulean Blue”. Meanwhile, the lyrics stay true to the concept of the title, with each track focusing on a feminine subject, whether it be via lyrics about Mary Shelley watching SBS in Mandarin on “Poppy Byron”, the story of evil witch “Doris McAllister”, or “Birdeen”, which, a press release notes, focuses on a greedy lorikeet with a sweet tooth. As Kilbey himself notes, Eleven Women is far from perfect record by any means, but in much the same way that even iconic renaissance painting have notable flaws, therein lies the beauty of this.” Tyler Jenke, Rolling Stone Australia A

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BBC Live In Concert Record Store Day 2022 Pale Blue & Off-White Vinyl Edition

2LP | 2022 | UK (Parlophone)

38,99 €*

Release: 2022 / UK

Genre: Rock & Indie

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Limited to 4500 copies.

Stiff Little Fingers "bbc Live In Concert" features two high energy performances from these very influential Northern Irish punk rockers, recorded for the BBC. Fronted by singer and guitarist Jake Burns, the first LP of this 2LP set kicks off with "Roots, Radicals, Rockers & Reggae" from their "Go For It" album, recorded at London’s Paris Theatre in 1981, a venue used for many classic BBC In Concerts. The second LP features an equally raucous show captured at Norwich’s University of East Anglia in the UK in front of a highly appreciative crowd. Recorded a year after the Paris Theatre show, the 1982 set starts with "Tin Soldiers" and ends with "Gotta Getaway."

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Genre: Rock & Indie

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LP | 2019 | EU | Reissue (Parlophone)

Inflammable Material

Release: 2019 / EU – Reissue

Genre: Rock & Indie

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LP | 2022 | EU | Original (MIG)

Live At Rockpalast 1980

Release: 2022 / EU – Original

Genre: Rock & Indie

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Suspect Device / Gotta Gettaway

7" | 2022 | EU | Original (Sniffin' Glue)

18,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Totally.. Black Vinyl Edition

Stoner

LP | 2022 | EU | Original (Heavy Psych Sounds)

Totally.. Orange Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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This is Epic! Half of the original members of Kyuss: the Lord of Coolness Brant Bjork himself, and the mighty Rex Everything AKA Nick Oliveri former of Queens of The Stoneage are ready to deliver you the album of the year 2022 !!! The Dukes of the Desert are back with an incredible sophomore album: Stöner – Totally … is the perfect mix of Desert Swing, Stoner Rock, Desert Rock, and Low Punk all at once! 8 brand new tracks which will blow your mind, recorded by Yosef Sunborn who followed Brant in the last decade for his solo recordings. Mellow guitars, funky stoner rhythms, blusy atmospheres, tipical Nick’s punky sounds..the album flies away in one single listen and makes you want to play it again immediately. Cover art is Hilarious, as this band wants to be. Nothing too serious, they wanna play and have fun, that’s the recipe the Dukes are bringing us after 30 years of experience !! If the name Stöner seems a little on the nose, well… it is. Brant Bjork and Nick Oliveri, founding members of the stoner rock legend Kyuss, are joined again by drummer Ryan Güt (of Bjork’s solo band) and they’ve got dibs on the thick and dusty swinging grooves, returning as Stöner with their sophomore release ”totally…” Stöner’s love for their early inspirations (bands like Blue Oyster Cult, Kiss, Ramones, Blue Cheer, Misfits, Black Flag, The Stooges, Mc5) result in big, groovy, sunbaked riffs that can cruise low and slow but then floor it and run all the red lights. Live, this is a band about the magnetism between the players, the groove, the loose vibe and straight up badass rock and roll… Stöner are masters of their trade. With “totally...” Stöner is in its true form, getting together and having fun. Stöner’s world is a colorful joyride, heavy of rock but not of head. The record cranks with vibes of classic hard rock, heavy blues, desert rock and psych rock jams - things that come organically to this trio. Stöner can’t help but express an abundance of punk rock rawness and passion for real rock and roll swagger. With two records, “Live at Mojave” and “Stoners Rule” (available on Heavy Psych Sounds), the latest release “totally...” sees the band realizing the chemistry of these old friends developing a statement of pure rock and roll fun. Produced, recorded and mixed by Yoseph Sanborn and Stöner. Released by Heavy Psych Sounds Records. Guest appearances on guitar by Greg Hetson (Circle Jerks) and Mario Lalli (Yawning Man). Grab a slice, crank it, and catch the band on tour in ‘22 in the US, Canada, UK and Europe.

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Stoner

LP | 2022 | EU | Original (Heavy Psych Sounds)

Gobs On Teh Midway - Singles 1991-95

Release: 2022 / EU – Original

Genre: Rock & Indie

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Strapping Fieldhands

LP | 2024 | US | Original (Maize-Y)

36,99 €*

12" | 2023 | US | Original (Iron Lung)

Release: 2024 / US – Original

Genre: Rock & Indie

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A first-time on vinyl reissue of the band's early singles (1991 - 1995) collected together on one album, originally released as a CD by Siltbreeze in 1996. Remastered by Aussie knobs legend Mikey Young with a new fuller sound. The record is pressed on 180gm choice vinyl and features lyrics and photos of the singles on the inner sleeve. "Gobs on the Midway collects some of the earliest small-format output of Philadelphia’s mighty Strapping Fieldhands, and this first ever vinyl edition serves as both the single best place for a novice to dive in or a handy device for old fans with either too little patience for endless side-flipping or a lack of operational cd player. You can track the band's evolution in chronological order, from their beginnings as a duo crafting creaky acoustic Appalachian Gothic to the double-drumming, boozily romantic swirling psych pop monster they became. Each and every song is a glorious jumble of the haphazard and the innovative, bound by dazed melodies and the knowledge that nobody else could possibly sound like them. Includes printed inner with Bob Malloy's lyrical magic for all to behold."—Max Milgram

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Stress Positions

Walang Hiya

LP | 2024 | US | Original (Sophomore Lounge)

Release: 2023 / US – Original

Genre: Rock & Indie

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“I somehow missed that the Chicago hardcore punks C.H.E.W. broke up, but if we get Stress Positions out of the deal, I ain't mad about it. Stephanie Brooks now fronts the ex-C.H.E.W. dudes, but it's not a cut and paste job—where C.H.E.W. relied on speed and swagger, Stress Positions wide-screens the pit's psychedelic vista. There's a little more metal riffage and mid-tempo tension to maximize the intensity so that, once the band revs to hallucinatory level, the impact is devastating.”—Lars Gotrich

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Styrofoam Winos

Real Time

33,99 €*

2LP | 2015 | UK | Original (Rough Trade)

Release: 2024 / US – Original

Genre: Rock & Indie

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"The Styrofoam Winos are that band that we love to have in our lives because they transcend the language of music, not by their individual parts, but by their oneness. On Real Time, Styrofoam Winos 2nd full length of originals for the Sophomore Lounge label, you imagine—and firmly believe—that their relationship extends beyond studios and stages. You believe they not only play music together, but eat meals together, live down the street from one another, practice three days a week because it’s fun, read the same books, and that they’ve agreed in some wordless, musical bond that this is who they are. As a listener, and inevitable fan, you wonder if they found each other by a stroke of luck or the hand of destiny. You believe that they can probably read each other’s minds and that their music is as joyous to them as it is to you. After all, this is what we love about early R.E.M. records, the brainier grooves of Pavement, and the discographies of Yo La Tengo and The Breeders. The Springwater Supper Club and Lounge in Nashville has been a dive bar since before a dive bar was a brand; a place where, in the early 2000’s, everyone would wonder if David and Dave (Berman and Cloud) would be sitting at the bar and a write-up in a weekly paper could fill the room. It seemed like everyone that bought you a beer was either in Lambchop or The Cherry Blossoms. This wasn’t a world that wanted to keep great music a secret. This was a world where great music was born and championed, when a community didn’t have metrics or boardrooms. The members of Styrofoam Winos were in elementary school back then, but they carry on this scene’s shaggy-dog torch that deserves a bigger audience. Real Time was cut live to tape at The Bomb Shelter studio by Andrija Tokic (Alabama Shakes, The Ettes, Margo Price) with few overdubs and over just 5 days, whenever the band had enough money to record. The members – Lou Turner, Trevor Nikrant, Joe Kenkel – all make wonderful solo albums on labels like Dear Life, Earth Libraries, and Spinster, as well as excellent self-releases. But unlike most bands where members compose alone before bringing a song to the table, the Winos write the music and lyrics together. Their van life, which has included tours with MJ Lenderman, has solidified this chemistry. They switch instruments in the studio, too, and allow the friend who found the seed of the song to sing the lead. Between the 3 of them (and a couple visits from pedal steel buddy, Will Ellis Johnson), Styrofoam Winos trade off on guitars, drums, bass, synths, vibraphone, percussion, and all the lovely vocals, like they’re on a cross-country road trip, taking turns behind the wheel, and singing along with each other because they all know the words. And Real Time is just that: a celebration of the present-tense and its ever-shifting moments of living. They’re going down the road, not feeling bad, but feeling. On the opener, “Angel Flies Over,” it sounds like the Styrofoam Winos wind-up a melodic memory from their 2020 all Michael Hurley covers album for their own tuneage. And then, a left turn, and the road trip detours into a feel-good head-trip with the Feelies-ish “Magic Mind.” And on “Don’t Mind Me,” the Winos crib a riff from Little Feat to indulge the tempo-shifting storm clouds mid-song. Over the course of the record, the Winos continue to step on the gas and tap the brakes until “Found Round,” an improvisational finale, where they each take turns singing us the summary, “these are the things that we found,” like they forgot we’ve been listening the whole time. And, yes: I’m wearing my bright yellow, size medium, Styrofoam Winos tee shirt as I type this."—Jerry David DeCicca, Bulverde, Texas

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Sun Kil Moon

Universal Themes

7" | 2014 | US | Original (Fat Wreck Chords)

Release: 2015 / UK – Original

Genre: Rock & Indie

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Universal Themes is the follow-up to Sun Kil Moon's 2014 album Benji, which unexpectedly became one of the most critically acclaimed albums of that year. Like that album, Universal Themes is extremely autobiographical, with songwriter Mark Kozelek spinning yarns about friends, family, his childhood, and other life experiences, with frequent references to boxing, music, films, television, and food. Lyrically, Universal Themes isn't as heavily fixated on death as Benji; instead, there are more songs like "Ben's My Friend," wherein Kozelek sings about his experiences traveling and playing shows. Opener "The Possum" does both, intertwining a story about an old dying possum with an anecdote about hanging out with Justin Broadrick before witnessing an incredible concert by his band Godflesh. "Little Rascals" and "Garden of Lavender" reference previous Kozelek songs by name, as well as fans' reactions to his lyrics, such as a heckler who asks if he really hates Nels Cline (he doesn't; his name just happened to rhyme). The album doesn't contain any references to Kozelek's notorious one-sided media feud with the War on Drugs, but it does include "Cry Me a River Williamsburg Sleeve Tattoo Blues" (complete with text message notification sounds), which starts out from the point of view of a jaded fan who complains that Kozelek won't play his old material, before going into several grim short stories about early deaths and tortures, in order to drive home the first-world-problems message. There's also plenty of lighter, more joyous recollections, such as Kozelek's memory of receiving his first guitar, and a multitude of stories about the best times of his life spent with family and friends. Most of the album's eight songs hover around nine or ten minutes in length, and there are stretches of spoken monologue rather than singing. Musically, Kozelek plays almost all of the instruments himself, other than drums from Steve Shelley and guest appearances by bassist Alex Schwartz and keyboards by Chris Connolly on one track each. A few of the songs rock out more aggressively than any of Kozelek's previous work, and he practically barks out "With a Sort of Grace I Walked to the Bathroom to Cry." As with all Sun Kil Moon albums, Kozelek produced the album himself, and his arrangements remain inventive and gorgeous; the lengthy songs are layered, multi-part suites that frequently switch tempos, drifting off into ethereal passages or graceful tarantellas before snapping back to the driving rhythm framing the story at hand. Like Benji, Universal Themes is a challenging listen, and some might view it as Kozelek's most indulgent album yet. But his brilliant musicianship and guitar playing combined with his fascinating storytelling skills ensure that his music is as poignant and life-affirming as ever, and the album is yet another success in his remarkable catalog. - Paul Simpson at allmusic.com

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Sundowner

Little Elephant Session

10,99 €*

LP | 2023 | US | Original (Rocks In Your Head)

Release: 2014 / US – Original

Genre: Rock & Indie

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Last fall, while touring on the Fat Wreck Chords debut full-length album Neon Fiction, Sundowner made a pit stop at Little Elephant Studio in Toledo, OH. Run by two engineers, Rob Courtney and Brian Gross-bias, Little Elephant has built a reputation recording high quality video of bands performing live and making those performances available to the public. Once the Sundowner session was complete, Chris Mccaughan was so happy with the outcome that he decided to release the audio recordings on a 7" via Fat Wreck Chords in conjunction with Little Elephant rolling out the video footage. The 7", titled Little Elephant Sessions, contains four tracks total; one from each of the three Sundowner full-lengths and one Lawrence Arms classic. All four songs are done in the stripped-down intimate style that has endeared so many fans to Sundowner, just Chris, his guitar, and artistically-crafted, unforgettable songs.

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Sunfoot

In The Baleen

37,99 €*

LP | 2023 | UK | Original (Glass Mile)

Release: 2023 / US – Original

Genre: Rock & Indie

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SUNFOOT—the minimalist expressionistic improvisational experimental emotional intellectual cathartic project of three best friends / musicians created an epic sonic smattering during the heart of the Covid 19 Pandemic. Wearing protective masks just to play music with each other, and staying in separate quarters at the infamous Sou'Wester trailer hotel, they would gather like silent monks in the morning, make highly original music with very little verbal communication and then part ways at end of the day. Under the production of Sonny Smith, they created with little break until they were exhausted and emotionally unhinged. During the mixing of the record, percussionist RON Burns died tragically and unexpectedly, creating a whole new meaning for the record and a whole new meaning for his remaining two best friends. The songs range from a post punk devolved pop song form punctuated by searing guitar to an extremely personal and original musical communication style between three thoughtful musicians. With the passing of Burns, songs like "Space," "Mean World," "You Roll the Dice Everyday" and "No Master Plan" take on a more tragic and sensitive hue. However, Sunfoot has always been a positive vibration ensemble, spiritually speaking they are a very American counterpart to Japan’s Maher Shalal Hash Baz. Sunfoot’s love for each other and life quest to battle negativity has carried through their music all along. Beneath the cloud of tragedy during the making of this sensitive and emotionally intelligent art piece the album stands as a testament of friendship, originality and deep musical exploration. Sunfoot is RON Burns (smog, HOT Spit Dancer, Swell), Chris Johanson (visual artist, Deep Throats, Tina AGE 13), Brian Mumford (dragging AN OX Through Water, Jackie-o Motherfucker, Deep Fried Boogie Band, Jewelry Rash).

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Supakarma

(Brawd Bach) Rings Around The World Record Store Day 2022 Yellow Vinyl Edition

Release: 2023 / UK – Original

Genre: Rock & Indie

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Indie rockers release self-titled debut album after 20 year wait. The end of the nineties was nigh. Britpop mania was over, and the Y2K bug was about to wreak global damage at the turn of the new Millennium. Remember that? In Milton Keynes a quartet of musicians were diligently crafting in the rehearsal room and didn't care much about bugs or anything else. They were consumed by their creations; harnessing the best bits of an exploded genre, and giving their songs a brash, experimental indie rock edge. It was all sounding exciting. The band (frontman Daniel Binks, guitarist Jamie Paul Morris, bassist Steven Sciberras and drummer Ben Hallett) soon took their sounds out of the rehearsal space and into the live, cutting their teeth on the London circuit and making their mark at select festivals in the low countries. They found favour with those dates, and their musical musings landed them an extended stay at top-flight studio, Great Linford Manor (PJ Harvey, The Charlatans, PiL, Skunk Anansie) with esteemed producer Tony Platt (ac/dc, Bob Marley and Sparks). Everything should have been magnificent, and very nearly was, until band friction during the recording process led to the session unravelling. Instead of the promised robust release, an acrimonious split left the project unfinished and gathering dust. Those tracks might well still be sitting on the shelf today, were it not for the devastating loss of guitarist Jamie in 2019. His untimely death reopened lines of communication between the remaining members, and where there had been discontent, there was a realisation that they had unfinished business, and the band have reconvened to deal with it. “We decided we would finish the album as a tribute to Jamie and feel that even after all this time the music still has its own place out there in the musical void,” said Ben, “Once finally released others might stumble across it and appreciate what we made. It just took a while.” The listener will journey from the raw jagged post-punk guitars that air with You Could Be My Heroine through the anthemic swagger of tracks The Way It Is and Calmer Coaster, to the delicately poised acoustic of My Own Advice, perfect for showcasing the range and fragility of Daniel's voice, and the epic melancholic flower powered finale of I Remember You. It took two decades and a tragic turn of events to re-ignite the flame, but in these 'Karma' times the band have made good on their promise from years ago. “I was pleasantly surprised when revisiting these songs at how fresh and punchy they still feel. We were able to give them a bit of a facelift in terms of the sound, but the raw energy needed little in the way of encouragement,” said Tony Platt, who was back for the production process, “I guess the band were somewhat ahead of their time!” An album that would have been ahead of its time but is most definitely a release for the here and now.

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Super Furry Animals

LP | 2022 | US | Original (BMG)

LP | 2023 | US | Original (Ubiquity)

Release: 2022 / US – Original

Genre: Rock & Indie

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Limited to 900 copies.

The ‘Little Brother’ (brawd Bach) of Super Furry Animals, sensational album “Rings Around The World.” Featuring some of thebands best loved B-Sides including: “Tradewinds,” “The Roman Road,” “Edam Anchorman,” “All The Shit U Do,” “Gypsy Space Muffin,” “Patience” and “Happiness Is A Worn Pun.” This astonishing collection of B-Sides released for the first time on 140g yellow Colored Vinyl is a must have for any fan. This exclusive RSD 2022 release was lovingly crafted by Super Furry Animals.

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Super Yamba Band

Last Leap

St. Petersburg E.P. Record Store Day 2023 Plum Colored Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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With an adventurous and daring take on instrumental afrobeat, Super Yamba Band’s Last Leap EP takes listeners back to 2014, the band’s formative year. “We had just moved to Brooklyn—Walter, Sean, Evan, and I,” said Daniel Yount, the band’s founder and drummer, “and our only plan for ‘making it’ was to just play as much music together as possible.”

Finally released from the Yamba archives, the Last Leap EP is a sonic timestamp of the band’s creative energy during those very special first days in New York City. “We were excited, inspired—and probably a little overwhelmed. We wanted to record a few of our tunes so that we could have something for the clubs to listen to as we were trying to book gigs,” Yount explained. “From there, we immediately fell into playing shows at Harlem’s African music clubs—places like Silvana and Shrine—as well as DIY dance parties in Brooklyn.” The result of all of this, Yount said, was “a sound that we intentionally designed to keep people dancing for as long as possible.”

From the early days of the Last Leap sessions, Super Yamba Band never relented. Today the group has gained notoriety in the global afrobeat and afrofunk scenes largely through its extensive touring and Ubiquity Records releases with singer, composer, and guitarist, Leon Ligan-Majek, aka Kaleta, a veteran of the genre. “Our project with Kaleta gained traction so fast, we basically put these masters on the shelves and forgot about them,” Yount explained. “Years later we went back to listen—with fresh ears—and it was reinvigorating. We’re going to keep exploring these sounds and pushing the limits of what an instrumental, afrobeat-centric band can be, even as we continue to double-down on our work with Kaleta.”

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Supergrass

10" | 2023 | Reissue (Echo)

22,99 €*

Tape | 2022 | US | Original (Topshelf)

Release: 2023 / Reissue

Genre: Rock & Indie

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Record Store Day 2023 exclusive release limited to 920 copies,
This limited edition Record Store Day, 10” plum Colored Vinyl release features four of Supergrass’ key tracks from 2004-2005. Opening with the melancholic "St. Petersburg" the slow paced thinker that features an iconic and haunting piano riff that charted #22 in 2005 and as of 2022 is their most recent UK Top 40 Hit. Next up is a live version of the classic Supergrass stomper ‘Road To Rouen’ recorded at Somerset House in 2005. The B side opens to a notably different arrangement of their classic track ‘Kiss Of Life’ recorded live at the Portsmouth Pyramid in 2005. Things take a turn as the EP signs off with ‘Coffee In The Pot’, a lively little Surf Rock inspired number that reminds the listener of Supergrass’ unique sense of humour. The artwork has been recreated from the original ‘St Petersburg’ single artwork originally released in 2005, and features the famous statue of Peter the Great, from Saint Petersburg in Russia. Matte paper print finish and printed inner bag.

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Supernowhere

Skinless Takes A Flight

12,99 €*

Skinless Takes A Flight Marbled Clear And Cloudy White Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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The majority of the nine slithery songs that comprise supernowhere’s Skinless Takes A Flight were originally cuts that didn’t make their debut Gestalt. But after collectively moving across the country from Burlington, VT to Seattle, WA, the scrapped tracks transformed substantially into florid, at times entrancing compositions. The pulsating “Circles” opens the album with lilted reflections on empathy, breathing in midtempo syncopation with subdued guitar tip-toeing around melodic drumming. supernowhere’s cast of Meredith Davey (bass, vocals), Kurt Pacing (guitar, vocals), and Matt Anderson (drums) share a collective ambition for maximum interplay and collaborative writing, materializing cleanly knotted compositions that evoke vivid dreamscapes and the profound epiphanies drawn from them (“The Hand”, “Ecdysis”). On upbeat “Dirty Tangle” Davey’s voice glides through Pacing’s angular arpeggiations, carving her own rhythmic lane with her distinctive, descanting singing style. "Skinless Takes A Flight" notably would not have come to fruition without the help of engineer Dylan Hanwright (mix. Gulfer, mem. Great Grandpa, I Kill Giants), whom the band met shortly after relocating to Seattle. Hanwright offered up the studio where the album was recorded as a temporary rehearsal and writing space during the pandemic, which in turn gave him intimate familiarity with the music, resulting in an album that was recorded as intimately as it was written. Hanwright helped make the little moments shine too, as heard in the fleeting vocal harmonies on "Augury", or the spiraling chaos in "Basement Window," a further testament to the collaborative, everyone’s-input-matters nature that characterizes supernowhere’s dizzying yet meditative sophomore record.

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Supernowhere

LP | 2022 | US | Original (Topshelf)

22,99 €*

LP | 2023 | US | Original (Lame-O)

Release: 2022 / US – Original

Genre: Rock & Indie

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The majority of the nine slithery songs that comprise supernowhere’s Skinless Takes A Flight were originally cuts that didn’t make their debut Gestalt. But after collectively moving across the country from Burlington, VT to Seattle, WA, the scrapped tracks transformed substantially into florid, at times entrancing compositions.

The pulsating “Circles” opens the album with lilted reflections on empathy, breathing in midtempo syncopation with subdued guitar tip-toeing around melodic drumming. supernowhere’s cast of Meredith Davey (bass, vocals), Kurt Pacing (guitar, vocals), and Matt Anderson (drums) share a collective ambition for maximum interplay and collaborative writing, materializing cleanly knotted compositions that evoke vivid dreamscapes and the profound epiphanies drawn from them (“The Hand”, “Ecdysis”). On upbeat “Dirty Tangle” Davey’s voice glides through Pacing’s angular arpeggiations, carving her own rhythmic lane with her distinctive, descanting singing style.

"Skinless Takes A Flight" notably would not have come to fruition without the help of engineer Dylan Hanwright (mix. Gulfer, mem. Great Grandpa, I Kill Giants), whom the band met shortly after relocating to Seattle. Hanwright offered up the studio where the album was recorded as a temporary rehearsal and writing space during the pandemic, which in turn gave him intimate familiarity with the music, resulting in an album that was recorded as intimately as it was written. Hanwright helped make the little moments shine too, as heard in the fleeting vocal harmonies on "Augury", or the spiraling chaos in "Basement Window," a further testament to the collaborative, everyone’s-input-matters nature that characterizes supernowhere’s dizzying yet meditative sophomore record.

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Superviolet

Infinite Spring

LP | 2017 | US | Original (The Flenser)

Release: 2023 / US – Original

Genre: Rock & Indie

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In 2020, Steve Ciolek's long-running and much loved group The Sidekicks called it a day, and he found himself without a band for the first time in much of his adult life. Ciolek had never stopped writing, but now with endless possibilities ahead he found himself creating at a different pace. As his well of potential songs began to grow, Ciolek brought in some familiar faces to help hone them into an album, recruiting The Sidekicks' Matty Sanders to play drums and Saintseneca mastermind Zac Little to help with writing, recording, and production.Infinite Spring is bursting with that sense of discovery and promise without sacrificing the warmth that's always made Ciolek's songwriting feel so timeless and satisfying. The record feels like an amalgam of his many musical interests, woven together into something unique; throughout, sparse folk intersects with soulful indie, and the intricate arrangements and sweeping hooks of '60s and '70s pop rock overlap with the charming looseness of midwest punk. And just as so many of Ciolek's musical inspirations feel evergreen, so does his lyrical focus: falling in love.

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Sutekh Hexen / Hissing