Search "abolano records" 56264 Items

Boeckner! Orange Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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After a successful tour following the release of "Alors quoi!" on Bongo Joe records, accompanied by a drummer/percussionist change, the prospect of what comes next naturally arose. Elements surfaced, including a desire for more low frequencies, a fascination with the marimba/vibraphone, and a liberating indifference to the difference between recorded and live performances. To evolve, the team collaborated with outsider Kwake Bass, known for collaborations with Kae Tempest, Tirzah, Mica Levi, and others. Despite aesthetic differences from Meril Wubslin"s previous albums, this divergence was seen as key-an enriching risk that resulted in a unique blend of influences. The acoustic core of Meril Wubslin now embraces electronic elements, revealing a more powerful and urban dimension. While maintaining a commitment to French lyrics, the themes explore the concrete yet remain grounded in the intimate and the sensitive, avoiding overly clear and univocal messages.

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Boeckner

LP | 2024 | EU | Original (Sub Pop)

2LP | 2024 | EU | Original (Shukai)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Daniel Boeckner understands the grit and gravel that accumulates in the heart and that it takes an unwavering courage to crack through that clutter and burrow to the other side. And in Boeckner's hands, that quest comes via post-apocalyptic synth and guitar heroism, a rallying cry for those always coming home through the scorched clouds. Throughout his work with Wolf Parade, Handsome Furs, Divine Fits, Operators, Atlas Strategic, and more, the iconic Canadian indie rocker recognizes that few feelings are more gratifying-more memorable, more generative, more abundant-than hope. But it takes getting the hell out of your own way. A culmination of that deep library of musical reference, Boeckner is set to release his first album under his own name: Boeckner! No matter where his genre exploration has taken him, there's something about growing up in punk and DIY spaces that puts collaboration in Boeckner's blood. Composed of a collection of intimately familiar elements, Boeckner! elicits the same thrill of young passion and discovery. It's a jet-powered chase through a tech-noir cityscape-fueled by a dream and that special someone in the passenger seat. That urgency and passion have always been a trademark of Boeckner's, and writing on his own pushes those feelings further into the center of the scope. But while Boeckner may be the clear driving force behind the album, he's not without collaborators for his solo debut. After meeting producer Randall Dunn while contributing to the soundtrack to the Nicolas Cage-starring psychedelic horror film Mandy, Boeckner knew he'd found the perfect counterpart for his solo debut. "I'd been a fan of his forever, especially the Sunn0))) records he produced," Boeckner says. "Working with Randall really unlocked some suppressed musical urges, things that I enjoy in my private life but don't normally weave into what I'm releasing-like occult synth, pseudo-metal, krautrock, and heavy psych influences." That base allows Boeckner to thoughtfully weave between emotional imagism and more grounded storytelling. Throughout the record, his imagery delves into science fiction, but it's charged first and foremost by experience. The trio of Boeckner, Dunn, and drummer Matt Chamberlain (Pearl Jam, David Bowie, Fiona Apple) formed a sort of dark engine for the album, and Chamberlain's ingenious approach of triggering a vintage Arp synthesizer simultaneously with each drum track helped Boeckner shape the record's atmosphere. That tense futurism was influenced by Boeckner's time staying in Dunn's Circular Ruin studio, a dusky, electronic aura burned into every track. By the end of the album, Boeckner! eases from sci-fi epic into something more akin to a torched VHS copy of a John Cassevetes film, the chemtrails and nuclear fallout fading long in the distance. Like all good sci-fi, the emotion and pain hits home for the author and listener alike, and the genre flourishes bolster the human experience. In revealing more than ever before, Boeckner! ratchets up the musical intensity to unforeseen levels and hopes to find some peace at the end of the journey.

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Cukor Bila Smert'

46,99 €*

Folding Story Silver Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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The founders of Cukor Bila Smert’ (Ukrainian: Цукор– Біла Смерть, English: Sugar – White Death) band were Svitlana Okhrimenko (a.k.a. Svitlana Nianio), Oleksandr Kohanovs’kyi, and Tamila Mazur, who studied at the Reinhold Glier Kyiv Academy of Music in 1984-1988. In the summer of 1988, they got acquainted with Eugene Taran, a young guitarist and artist. He joined the band and also became the ideologist of Sugar – White Death. Moreover, Eugene coined the name for the band: the irony towards the Yellow Press. The musicians gathered at Kohanovs’kyi’s house, where they spent their free time not only playing music but also listening to and discussing new records and thinking about the conception of their new project.

For two years, the band recorded a few home-made albums, such as “Rhododendrons Coral Aspides” in 1988 (which is considered lost), where Kostyantyn Dovzhenko took part as a guitarist and sound engineer. He also replaced Taran during the recording session because Eugene was passing an exam at that time. The band also recorded another album – “Lilies and Amaralises,” in 1989, which is also considered lost. Eugene remembers that the band made a lot of recordings but did not pay so much attention to them. Sugar – White Death played live occasionally but spent more time creating their own sound, which was named by Oleksii Dekhtyar (a founder of “Ivanov Down”) as a “sugar calypso sound.” At that time, the music was mostly created by Oleksandr Kohanovs’kyi, and the lyrics were written by Svitlana Okhrimenko and Eugene Taran.

In February 1990, a quartet came to the Scientists House Studio in Kyiv, where they had one studio session only, recorded by Valerii Papchenko. Musicians played live for about one take. This session was represented on the “Mannered Music” compilation by several blocks – “Venus with Long Neck,” “The New Sissies,” and “Rhododendrons Coral Aspides,” which was shortened to “Rhododendrons” on the cassette (two songs from which – “Summer Will Not Come” and “The Great Hen-Yuan’ River,” dedicated to Grigorii Khoroshylov, the sinologist from Kyiv). The compilation cover design was created by Eugene Taran. Later, this tape got to Vlodek Nakonechnyj, the founder of Koka Records, a young Polish label, who released “Mannered Music” on cassettes and made efforts to invite Sugar – White Death to play several gigs in Poland.

In November 1990, Sugar – White Death played their last gig as a quartet in Kharkiv. They were invited by Sergii Myasoyedov, who curated the art association “Nova Scena” (The New Scene). The band played selected tracks from the albums “The New Sissies” and “The Shellfishes in Gold Wrappers” (the last one is also considered lost). Due to Sergii Myasoyedov's efforts, the performance was documented: he saved a lot of photos and fragments of soundboard recordings on reel-to-reel tape.

Later, Oleksandr Kohanovs’kyi and Tamila Mazur left Sugar – White Death: Oleksandr founded his own project Pan Kifared, and Tamila became a bass player of Shake Hi-Fi (whose co-founder was Eugene Taran). Sugar became a duo of Svitlana and Eugene. They started to focus on their next work: “Antinoy Is Leaving” in late 1990.

In 1992, they were also invited by Sergii Myasoyedov for a studio session in Kharkiv, where due to the efforts of Oleksandr Vakulenko, Sugar recorded the new album called “All Secrets Of A Poem”. Some tracks from the work (“Dead Ceremony,” “Vienna Is Sleeping,” and “Untitled”) were released on their next and last album, “Selo” (“The Village”). The rest compositions were published as a part of the compilation for the first time.

In the autumn of 1992, the musicians went to Poland, where Vlodek Nakonechnyj, who wanted Sugar to come to a “real” studio, organized their last recording session. Although the journey’s beginning was unsuccessful (Eugene’s guitar was taken away by a customs officer when crossing the border), the musicians worked fast during the session at the Arek Was studio at Marki on an 8-track reel-to-reel machine. Boleslav Blazhchyk took part as a cellist, playing the parts created by Svitlana. The album was completed in three days – the musicians spent two days recording and one-day mixing, mostly done by Eugene Taran. In 1993, this work was released as “Selo” (“The Village”) album on cassette tapes by Koka Records (remastered by Tadeusz Sudnik). Later, Sugar – White Death was disbanded.

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Fazi

LP | 2024 | EU | Original (Pelagic)

30,99 €*

Kiki Komendo / Martin Vital

Release: 2024 / EU – Original

Genre: Rock & Indie

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Fazi are a post-punk band based in the ancient Chinese city of Xi'an. However, there is much more to their story than meets the eye_ With five immersive full-length records and a brief stint on peak-time commercial TV already establishing the four-piece at the forefront of a truly pioneering wave of alternative music in China, the Euro-pean re-release of their latest offering, `Folding Story', represents an incredible new beginning for a band who have already spent years honing their craft - transforming timeless traditions of love, life and death into a perpetual dance of fre- netic, krautrock energy and sprawling, shoegaze panoramas. Fittingly, `Folding Story' is itself a cyclic experience of rebirth, renewal and a return to origin. Album opener `Invisible Water' is a contemplative start as frontman Peng Liu's yearning vocals reach out across synthesisers reminiscent of sonar and the hypnotic lapping of water on an un- known shore. Described by Peng as an "artistic conception of amniotic fluid in the mother's body", this motif returns at the end of the album's final track, `Way to Atman', this time as a gentle tide washing away the ash of a spent funeral pyre. Just as the album and its protagonist is born at the beginning and dies at the end, by deliberately opening and closing `Folding Story' with the sounds of water, Fazi invite listeners to flow through the record on a never ending loop, to listen to a story without pause, one that rises from a whisper to a roar only to subside as quickly as it arrived. First released in 2022 on pioneering Chinese record label Space Circle, `Folding Story' is a collection of 10 tracks that serve as stories themselves as well as part of a universal narrative in constant flow. A phenomenal accomplishment, its forthcoming re-release in Europe via Pelagic Records will ensure that Fazi continue to blow as many minds and ruffle as many feathers as possible. Ltd Silver vinyl, Gatefold sleeve, silver offset ink, printed on special all-black cardboard. FFO Joy Division, Suicide, Savages, Cabaret Voltaire, Iceage, Gilla Band, Fontän

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La Noce Des Elements

LP | 2024 | US | Original (Groovedge)

17,54 €* 26,99 € -35%

Asylum Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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This record is to be listened to as a moment spent in Laura Lippie's studio-living room with her good friend Martin Vital. This is like a delusional spontaneous and improvised exercice with a special sens of lightess. Created through nights and days during last winter, La Noce Des Éléments offers 6 singular songs of their complicity mingling both sci-fi folk, pseudo rock and psych electronism or some interspace of spoken word and poetry.

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Atrophy

LP | 2024 | EU | Original (Massacre)

Release: 2024 / EU – Original

Genre: Rock & Indie

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The Haunting Of Silvåkra Mill - Rites Of Passage

Malsten

LP | 2024 | EU | Original (Svart)

29,44 €* 30,99 € -5%

Release: 2024 / EU – Original

Genre: Rock & Indie

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Epic Gold / Black Marbled Vinyl Edition

Vltimas

LP | 2024 | EU | Original (Season Of Mist)

39,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Udad Transparent Vinyl Edition

Udad

LP | 2024 | EU | Original (Peaceville)

37,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Of Grace Of Gravity Transparent Clear Vinyl Edition

Merrimack

LP | 2024 | EU | Original (Season Of Mist)

26,24 €* 34,99 € -25%

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Century Media)

Skeletal Remains

Fragments Of The Ageless

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Ink Music)

Rahel

Miniano

Release: 2024 / EU – Original

Genre: Rock & Indie

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Prophecy "Firefly Glow" Marbled Vinyl Edition

Gost

LP | 2024 | EU | Original (Sony Music/Metal Blade)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Burn To The Moon Blood Red Vinyl Edition

Lie Heavy

LP | 2024 | UK | Original (Cardinal Fuzz)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LIE HEAVY brings together notable rockers, Karl Agell, JD Dennis, TR Gwynne and Graham Fry. You may know them from some of their musical forays with Corrosion of Conformity, Leadfoot,The Skull/Legions of Doom, Confessor, Patriarchs in Black, The Point, Deltoid and The Backsliders. LIE HEAVY draws on the original hard 'n groovy jams of Sabbath, Mountain, Lizzy and Purple, fused with their own massive experience. So, it is not difficult to fathom why LIE HEAVY sounds like a well-oiled, hard working band of 30 years rather than a new entity. Their pedigree does not belie their power. Collectively, they have spent tens of thousands of hours in practice spaces, studios and on stages around the world, honing their vast skills, to find one another in this moment being among the top guardian practitioners at the gates of transcendently HEAVY music.

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Firefriend

Rcknrll

Aurora Black / Gold Marble Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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Firefriend Rcknrll ‘São Paulo is one of the largest, filthiest, and most violent cities of the world. And this is the music we make here’. Captured live at the No. 74 in São Paulo – brace yourself for a one way trip to the heart of darkness. Rcknrll is an transcendental psychedelic sonic assault, a lightning storm of guitar haze and drugged-out wailing. Mainlining an elegantly wasted take on two-chord avant garage rock that makes direct reference to Plastic Inevitable era Velvet Underground, where Yury Hermuche devotional fuzz layerd on top of Julie and Caca primal throbbing rythm - you will feel the effect as time and space start creasing and folding in at the edges. The overall music created at this venue on this night is so intense and claustrophobic that, at times it will pin you back into your seat – such is the physicality of Firefriends music. This is not just another live album - this is a mission statement. With a taste for hallucinogens and the drone Rcknrll is completely unyielding, it offers no concessions to listeners, demanding they embrace the distortion - . Do yourself a favour. Turn the music on, the lights off, and let yourself go.

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Brother Dege

LP | 2024 | UK | Original (Prophecy)

35,99 €*

Release: 2024 / UK – Original

Genre: Rock & Indie

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In The Twilight Grey Vinyl Edition

Necrophobic

LP | 2024 | EU | Original (Century Media)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Loose Music)

The Hanging Stars

On A Golden Shore

7" | 2024 | EU (Demons Run Amok Entertainment)

Release: 2024 / EU – Original

Genre: Rock & Indie

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On A Golden Shore arrives as The Hanging Stars reflect on a year of triumphs. With an Americana Music Association Bob Harris - sanctioned award and a Nashville sell-out in Third Man’s Blue Room with Jack White approvingly looking on, they’re a leading light in the UK Cosmic Americana cohort. Their standing has allowed them to pay less attention to any preconceptions of what they are ‘supposed to be’. On A Golden Shore - their fifth album and their second for the pioneering Loose Music, following 2022’s Hollow Heart - finds them definitively themselves and presents a set of disparate songs whose fundamental linkage is the band that made them. On A Golden Shore was recorded at Edwyn Collins’ Clashnarrow Studios with Sean Read producing. Singer/guitarist Richard Olson, drummer Paulie Cobra, multi-instrumentalist Patrick Ralla, plus freshman bassist Paul Milne – laid down the album’s backbone over eight days. Mostly recorded live, even the solos done as a piece. Much is first take because trying better, it never worked as well. Pedal-steel player Joe Harvey-Whyte created and added his parts at his London studio bringing ‘shimmery psychedelic goodness’. Smartly sequenced On A Golden Shore proceeds in clusters of songs; commencing with the free and easy choogle of ‘Let Me Dream Of You’, encompassing the sunny glam of ‘Sweet Light’, the baggy Balearic waft of ‘Happiness Is A Bird’, the pan pipes and bongos of the exotic ‘Golden Shore’, through to the rolling banjo of ‘No Way Spell’ and the celestial cascades of ‘Heart In A Box’. Fashioned instinctively On A Golden Shore is ultimately an album of sensation as much as thought, filled with fleeting moments of blissful excess, and stumbling, rushing flutters of sound; its evanescent psychedelia, divine choruses, and shards of strings combine into an infectious, compelling Cosmic Heartbreak Boogie.

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Municipal Waste

Picture Shape Vinyl

19,99 €*

Release: 2024 / EU

Genre: Rock & Indie

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DRA is happy to announce another Shape Vinyl in their upcoming Shape Vinyl Series. We´re excited to offer this adorable collectors items of Thrash Metal Titans - Municipal Waste! You´re Cut Off and Unholy Abductor are taken from the album "The Fatal Feast"! "

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The Front

Wet Things

LP | 2024 | EU (Rave Up)

11,99 €*

LP | 2024 | EU (Demons Run Amok)

Release: 2024 / EU

Genre: Rock & Indie

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The Front were formed on Miami Beach in 1980. To the Miamians they were weird, but also tight and catchy: people soon remembered songs’ hooks. In 1981 they did their first 7’ Ep “The Front First Strike” at Sync Studios on diy label Foam Records. The B side “Immigration Report” hit #1 on Wvum and went on to heavy rotation on college radios across the US. The band played everywhere there was a stage, eventually becoming the opening act for bands such as U2, Psychedelic Furs, The Go-Go’s, Ultravox, Bow Wow Wow and many others. In 1982 released 2nd single “Aluminum Room”, which garnered the band a Billboard Single Pick. Many major labels were courting us… Nevertheless, by that time the band members were fragmenting personally and artistically. On 7/25/1983 they played last gig at a club called The Blitz in Hialeah, FL with a surprise appearance by Joey Ramone. A few years back, The New Times listed The Front at #5 of the “Greatest 20 Florida Punk Bands Of All Time” list. Not getting signed has its rewards, so put your headphones on and listen to a band that was on the cusp of international fame 40 years ago but just being heard today.

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Cutthroat L.A.

Fear By Design

18,99 €*

Burn To The Moon Green White & Orange Vinyl Edition

Release: 2024 / EU

Genre: Rock & Indie

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Inspired by the streets and surrounded by personal, political, and religious chaos, CutthroatLA uses music as a platform to express the truths that deception hides. Using a mixture of hardcore, beatdown, 90s hip-hop and thrash as a canvas to express their feelings about this crazy world we live in, Cutthroat LA is a band of brothers coming from different musical backgrounds to form a bond that can’t be broken.

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Lie Heavy

33,29 €* 36,99 € -10%

One Of These Days: Studio Sessions 1979-1980

Release: 2024 / EU – Original

Genre: Rock & Indie

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Raleigh, North Carolina's Lie Heavy is one of the few, true throwbacks to another era. They feature the vocals of Karl Agell, best known for Corrosion of Conformity's BLiND album and Leadfoot. Heavy, heavy-ass blues that would have fit on the Man's Ruin label back in the 90s, around the time that Orange Goblin was making waves. This is primal stuff: not quite Stoner, not quite Metal, and not quite giving a shit. Biography LIE Heavy brings together notable rockers, Karl Agell, JD Dennis, TR Gwynne and Graham Fry. You may know them from some of their musical forays with Corrosion of Conformity, Leadfoot,The Skull/Legions of Doom, Confessor, Patriarchs in Black, The Point, Deltoid and The Backsliders !!! LIE Heavy draws on the original hard 'n groovy jams of Sabbath, Mountain, Lizzy and Purple, fused with their own massive experience. So, it is not difficult to fathom why LIE Heavy sounds like a well-oiled, hard working band of 30 years rather than a new entity. Their pedigree does not belie their power. Collectively, they have spent tens of thousands of hours in practice spaces, studios and on stages around the world, honing their vast skills, to find one another in this moment being among the top guardian practitioners at the gates of transcendently Heavy music.

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Trespass

2LP | 2024 | EU (Verne)

33,99 €*

Release: 2024 / EU

Genre: Rock & Indie

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So I Could Have Them Destroyed Colored Vinyl Edition

Hard-Ons!

LP | 2024 | EU (Wallride)

Release: 2024 / EU

Genre: Rock & Indie

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Rejects Of Society Discipline Picture Disc Vinyl Edition

Discipline

LP | 2024 | EU (Captain Oi!)

20,99 €*

Release: 2024 / EU

Genre: Rock & Indie

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LP | 2024 | EU (Overground)

Kronstadt Uprising

Insurrection

18,89 €* 20,99 € -10%

Complete Singles And Rarities

Release: 2024 / EU

Genre: Rock & Indie

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Kronstadt Uprising took their name from the uprising at the Kronstadt Naval Base in 1921. Lenin referred to the incident as “the flash that lit up reality better than anything else”.

Formed in Southend-On Sea, Essex in 1981, Kronstadt Uprising survived six turbulent years with many members coming and going. However, far from being a negative factor, it produced a very stimulating and creative environment that lead to an ever evolving musical style that can be heard on this CD.

Founder member Steve Pegrum was encouraged by the self-empowerment message and ethos of punk rock. In 1979 he acquired a drum kit and formed several punk bands. By 1981 the scene was starting to fragment. The area of punk that now interested Steve was that which stayed true to the original DIY ethic and this developing scene encouraged Steve to form Kronstadt Uprising.

By November 1981 the band were ready to record. They recorded nine tracks and sent the tape to Crass who decided to use ‘Receiver Deceiver’ on Bullshit Detector Vol. 2, released in September 1982. Also in 1982 the band recorded ‘The Unknown Revolution’ EP under the production of John Loder and Derek Birkett at Southern Studios for Spiderleg Records. The record was eventually released a year later.

Late 1983/1984 saw the band move away from the confines of the current punk scene and concentrate on writing new material. However, after three years various members felt they had progressed as far as they could and in March 1984 they played their final concert in London.

In the Summer of 1984 Steve decided he wanted to continue playing, so a new Kronstadt Uprising emerged with a totally new line-up. In April 1985 they recorded the ‘Part Of The Game’ EP for local Dog Rock Records. The band continued to gig and increased their fan base, but diversifying music tastes within the band took their toll and they eventually decided to call it a day in 1987.

Always true to punk, but never happy being genericised or put into any kind of musical straightjacket, this CD shows the ever-evolving Kronstadt sound.

Limited to 300 copies, the 15 tracks feature both singles, their Bullshit Detector Vol. 2 appearance and seven studio recordings including one previously unreleased, packaged with a 12″ x 12″ insert with previously unseen photos and a detailed history from founder member Steve Pegrum.

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Retaliator

2LP | 2024 | EU (84 Records)

Release: 2024 / EU

Genre: Rock & Indie

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Tape | 2024 | EU (Radiation Reissues)

Damned

Music For Pleasure

16,99 €*

Tape | 2024 | EU (Radiation Reissues)

Release: 2024 / EU

Genre: Rock & Indie

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Music for Pleasure’ by The Damned, released in 1977, showcases a unique evolution in the band's sound. The album, often overshadowed by its predecessor, offers a blend of punk and experimental elements. Tracks like 'Problem Child' and 'Don't Cry Wolf' reveal a dynamic range, highlighting The Damned's willingness to push musical boundaries. 'Music for Pleasure' remains a gem for those exploring the band's diverse discography.

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Damned

Damned Damned Damned

16,99 €*

Release: 2024 / EU

Genre: Rock & Indie

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The Damned's debut album, 'Damned Damned Damned,' released in 1977, captured the raw energy of punk. With its frenetic pace and rebellious spirit, this cassette edition allows fans to experience the brilliance of tracks like 'Neat Neat Neat' and 'New Rose' on the go. An iconic punk record, a cherished relic.

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Lie Heavy

Burn To The Moon

Tape | 2024 | EU (Phobia)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Exploatör

Blind Elit

10,99 €*

LP | 2024 | EU | Original (Black Truffle)

Release: 2024 / EU

Genre: Rock & Indie

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New album - what we can say? I believe everyone will love it! 3rd album from project featuring original Totalitär members

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Dagar Brothers

Berlin 1964 - Live

12,99 €*

LP | 2024 | EU | Original (Sony Music Catalog)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Following on from last year’s acclaimed Vrindavan 1982 by rudra veena master Z.M. Dagar, Black Truffle is thrilled to present a pair of archival releases from the Dagar Brothers, among the most revered 20th century exponents of the ancient North Indian dhrupad tradition. The vocal duo of Moinuddin and Aminuddin Dagar (sometimes referred to as the ‘senior’ Dagar Brothers to distinguish them from their younger siblings, Zahiruddin and Faiyazuddin Dagar), belonged to the nineteenth generation of a family of musicians in which dhrupad tradition has been kept alive through patrilinear transmission, each generation undergoing a rigorous education of many years’ duration that can include singing up to twelve hours each day. Famed for the meditative purity of their approach to dhrupad, the Dagar Brothers helped to keep the tradition alive in the years after Indian independence in 1947, when the royal courts that had traditionally patronised dhrupad musicians were abolished. Many Western listeners were first introduced to dhrupad by the Dagar Brothers’ tour of Europe in 1964-65 and their LP in UNESCO’s ‘Musical Anthology of the Orient’ collection, both organised by pioneering musicologist and scholar of Indian culture Alain Daniélou. Documents from this tour are especially precious, as Moinuddin Dagar passed away in 1966. Unheard until now, Berlin 1964 – Live (released alongside Bt114, a newly discovered studio session from the same trip) documents a concert held at the Charlottenburg Palace in September 1964. Accompanied only by Moinuddin’s wife Saiyur on tanpura and Raja Chatrapati Singh on pakhawaj (a large double-headed drum), the brothers present stunning performances of two ragas stretching out over 65 minutes, exemplifying what a journalist at the time called the ‘pristine severity’ of their style. Much of each piece is taken up by the alap, the highly improvised exposition section where the notes of the raga are gradually introduced as the singing builds in intensity. As Francesca Cassio points out in her extensive liner notes, both performances are somewhat unorthodox in beginning with the raga scale being sung in its entirety, ascending and descending; this is probably, as she suggests, a strategy to introduce the European audience to the language of the music they are about to hear. From there, both ragas settle into alaps of breathtaking beauty, with the two brothers trading long solo passages that move gradually from extended held notes at the bottom of the scale to animated melodic variations as it ascends in pitch. Within the atmosphere of meditative attention, the range of melodic, rhythmic, and timbral invention is remarkable. Especially on the opening ‘Rāga Miyān kī Todī’, the final moments of the alap find the voices at a peak of intensity, their microtonal ornamentation taking on an ecstatic, warbling quality. Only once the wordless, free-floating alap is over and the composition proper begins to the brothers sing in unison, joined by the pakhawaj for a rhythmic section that in both ragas develops gradually into a propulsive display of melodic invention and metrical nuance. Accompanied by detailed liner notes and striking archival images, Berlin 1964 – Live is a rare document of these masterful exponents of one of the world’s most profound musical traditions.

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Peter Garrett

The True North

Release: 2024 / EU – Original

Genre: Rock & Indie

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Hellish Expectations Crimson Red Wblack Smoke

Midnight

LP | 2024 | EU | Original (Sony Music/Metal Blade)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Infinite Peaks Black Vinyl Edition

The Cosmic Dead

2LP | 2024 | Original (Insideoutmusic)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Infinite Peaks is the long awaited ninth full length album from tumultuous Glaswegian astral travellers The Cosmic Dead, the album features two extended incantations recorded and mixed at Glasgow's 16 Ohm Recording Studio.

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Whom Gods Destroy

Insanium

31,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Asylum Clear Vinyl Edition

Atrophy

LP | 2024 | EU | Original (Massacre)

48,79 €* 60,99 € -20%

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Deathwish)

Gouge Away

Deep Sage Cloudy Clear

Release: 2024 / EU – Original

Genre: Rock & Indie

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Ario Lalli & The Rubber Snake Charmers

Folklore From Other Desert Cities Violet Vinyl Edition

Apocalypse Red Ten Year Anniversary Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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New super-band featuring desert rock legends Mario Lalli, Brant Bjork, Sean Wheeler and Ryan Güt !!! The first release from this band of pioneering Desert rock musicians captures the band and its purest form exercising the desert born ethic and approach of rock improvisation, psychedelic and flowing, heavy and explorative. The foundation of Mario Lalli’s grooving heavy bass lines and meditative themes with a intuitive guitar work with Brant Bjork and percussion of Ryan Güt set the scene for Sean Wheeler’s poems and songs capturing the dark and beautiful stories and images of life in the Mojave desert of Southern California. This is a representation of desert rock in its purest form. A very special live performance in Gold Coast Australia. Mario Lalli & The Rubber Snake Charmers began in 2010 with a focus on live psychedelic rock improvisation and sonic experimentation curated by desert rock pioneer Mario Lalli, featuring likeminded musicians from all walks of the musical spectrum. Some of the past Snake Charmers include, Dino Lalli, Brant Bjork, Gary Arce, Tony Tornay, Sean Wheeler, JOE Baiza, Vince Meghrouni, Mathias Schneeberger, Bill Stinson, Ryan GUT, Nick Oliveri, Janet Housden, Michael Glass, Alain Johaness, Jason Simon, Dave Travis, John Ramirez, Herb Lienau to name a few. Anchored by Lalli’s heavy grooving and morphing bass lines, a heavy meditation on rhythms, drones, grooves and riffs. Sonically becoming a canvas where each participant is encouraged to create fine lines or splatter and explode into chaos…wherever it goes it goes. Adding to the vision is the dark beautiful words and otherworldly vocal energies of the deserts own Sean Wheeler. Mario Lalli and the Rubber Snake Charmers takes us on a shamans journey through the desert landscape of imagination.

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Thundercat

LP | 2024 | UK | Original (Brainfeeder)

38,99 €*

Release: 2024 / UK – Original

Genre: Rock & Indie

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LP | 2024 | UK | Original (Re:Warm)

Horsebeach

Things To Keep Alive

31,99 €*

Release: 2024 / UK – Original

Genre: Rock & Indie

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There Goes The Neighbourhood Pink Vinyl Edition

Kid Kapichi

LP | 2024 | DE | Original (Spinefarm)

Release: 2024 / DE – Original

Genre: Rock & Indie

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There Goes The Neighbourhood Glow In The Dark Vinyl Edition

Kid Kapichi

LP | 2024 | DE | Original (Spinefarm)

Release: 2024 / DE – Original

Genre: Rock & Indie

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There Goes The Neighbourhood Yellow Vinyl Edition

Kid Kapichi

LP | 2024 | DE | Original (Spinefarm)

Release: 2024 / DE – Original

Genre: Rock & Indie

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Tim Burgess Listening Party Green Vinyl Edition

V.A.

2LP | 2024 | Original (Demon Curated Compilation)

40,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-08

LP | 2024 | US | Original (Centrpetal Force)

Patrick Sansone Of Wilco

Infinity Mirrors

44,99 €*

LP | 2024 | US | Original (Sentient Ruin Laboratories)

Release: 2024 / US – Original

Genre: Rock & Indie

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Patrick Sansone is a Nashville based multi-instrumentalist, composer, music producer, and photographer. He is also a member of Wilco, The Autumn Defense, and Mellotron Variations. Infinity Mirrors is his first album as a solo artist.

Sansone’s interest in synthesizers goes back to his teens in the 1980s when he was afforded the benefits and luxury of time, time to simply discover and enjoy the pure pleasures of sound. Meridian, Mississippi in the mid-eighties wasn’t exactly a synthesizer kind of town, but he did manage to get his hands on a Korg Polysix and an Arp Axxe and spent solitary hours creating sounds and blissing out. It was a foundational experience, one that has led to a life long passion for collecting and playing vintage synthesizers. Some of Patrick’s favorites utilized in Infinity Mirrors include the Roland Jupiter-8, MiniMoog Model D, and Sequential Circuits Prophet-10, as well as the modern Mellotron D4000 and Teenage Engineering OP1

The ideas behind what have become Infinity Mirrors have been brewing for several years. Patrick’s plan had always been to use his ever growing stable of synthesizers in some sort of project, but it wasn't until 2017 that these ideas really started to come together. His goal was not to sit down and record an album. It was more of a desire to engage with new creative processes, an effort to recapture the spirit and energy he enjoyed when he first discovered synthesizers. To accomplish this, Patrick established a set of expectations around which he would record. Central to his expectations was the idea that all of the pieces would be spontaneously created. He decided the instruments needed to be the ones to lead the recording sessions. Patrick arranged several synthesizers from his collection in the studio and set aside a series of evenings for recording. This would allow each composition to retain its own unique mood and identity. Patrick simply entered the room and allowed his instruments to draw him in. There was no planning ahead. It was simply improvisation in its purest form, what he has called “sonic sand-painting.” And as a result, four of the six pieces on Infinity Mirrors were recorded during these sessions. For listeners who enjoy Klaus Schulze, Brian Eno, and Tangerine Dream.

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Sulfuric Hatred

LP | 2024 | US | Original (Sentient Ruin Laboratories)

Release: 2024 / US – Original

Genre: Rock & Indie

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The debut self-titled album by emerging East Coast chaos-mongering warnoise terrorists Sulfuric Hatred (formed by vocalist Alexander Jones of Undeath, guitarist / bassist Liam McMahon of Vile Ritual, and Sam Shereck of Stabbed, Exsanguinated, Bowel Erosion, Blame God, ex-Pink Mass, ex-Reeking Aura etc.) brings a new meaning and purpose to the concept of dehumanizing music and of its forced transmutation into a weapon. Bringing the listener to their knees to surrender, succumb and dissolve before the omnipotency and immensity of absolute armageddon, across its eleven tracks and thirty four minutes of musical terrorism, Sulfuric Hatred experiment on human senses the limits and effects of complete audial insanity. Black metal, grindcore, and death metal in this context can be used as nothing more than simplistic references for the sake of generalization, as the actual and true fabric really materializing this abomination is something that can hardly be associated to music and which is actually closer to pure noise, to other forms of experimental sensorial warfare or to abstract idealizations of pure terror. An underlying contradiction that can not be overlooked defines this senseless display of audial savagery: where in most bands and subgenera of extreme music an antihuman aspect is sought out musically, in the case of Sulfuric Hatred, the formula of bass, guitar, drums and vocals is actually the last human thing standing. The incessant carpet-bombing blasting, the ear-splitting screams, and the mangled, chaotic guitar carnage, in the chaos-torn world of Sulfuric Hatred are nothing but the last shred of humanity left. Everything else being engulfed and devoured in this blown out, noise-broken abomination, is the embodiment of absolute, abstract, and conceptual antihuman bedlam.

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Junta

Supersonic Megafauna Collision Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Raw hardcore punk insurgents Junta arise from the concrete purgatory of New York City with their pulverizing debut self-titled full-length offering, a twenty-minute incursion of blistering upheaval and caustic retaliation. This dark document of crystalline urban terror introduces the NYC four-piece at the height of their rage as they emanate a grim edict against imperialism, genocide, capitalism and social injustice. Junta's uncompromising and militant vision has been known for years in New York City, frequently manifesting with benefit shows across the city aimed at the empowerment and defense of the city's vibrant multicultural underground to which they belong and have committed unconditional militancy. The self-titled eleven-track weapon of social unrest and abject refusal represents the band's sense of belonging and commitment to a social fabric torn by segregation and injustice and their strenuous combat against powers much larger than themselves which has resulted in a bleak manifesto of cultural warfare. The work encompasses the most bitter aspects of idealism and realism, with this ambivalent concept animating a raw onslaught of blown out, dissonant hardcore aggression interwoven with passages of poetry and spoken word that define and exalt an existence spent at the forefront of struggle and in a perpetual fight for enlightenment and retribution.

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Acid Mammoth

Psychodrama Mustard Colored Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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We are very happy to announce our brand-new full-length album, “Supersonic Megafauna Collision”! This product of impenetrable evil is coming out on April 5th by Heavy Psych Sounds Records! Get ready to be overtaken by a storm of pachyderm guitar riffs, wooly bass, explosive drumming, and witchy vocals! “Supersonic Megafauna Collision” is an unholy celebration of all things heavy, and as the album progresses it just keeps getting doomier! It is an evil and explosive album, with 666% fuzz! Recorded, mixed & mastered at Descent Studio. Drums recorded at Ritual Studios. Artwork by Branca Studio.

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Tigers On Opium

Disorder Black & White Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Psychodrama is Tigers on Opium debut full length.A structured form of therapy in which a person dramatizes a personal problem or conflict, usually in front of a group of other therapy participants. The other participants usually take part in the drama, though each performance focuses on a single person's concerns. The goal of psychodrama therapy is to work together in a group to achieve a better understanding of past traumas and the influence they can create, the members must feel willing to work together. "When I came across the idea of psychodrama therapy, I started to think about how we have so many joint experiences as a society that currently happen or have happened, and how they shape both our singular and collective consciousness. Music has always been a form of therapy for not just me, but a massive amount of the people in the world. I started to conceptualize this as an idea for the album, thinking that we all have so many connections to major/micro events in time, and generally similar interpretations of them. Like the idea of a psychodrama therapy session, I started to envision how the songs could play out about these different moments... Almost like vignettes or snapshots of life, with the song playing the role of the individual, and the listeners playing the role of the group.” Juan Carlos Caceres The album Psychodrama explores various psychological and social experiences that have shaped our cultural evolution. Occultism, Propaganda, Atomic Warfare, Media Consumption, Religion, Social unrest, Nostalgia, Mental Struggle, Pop Culture, Revolution, and Change - are all themes explored throughout the album. Out via Heavy Psych Sounds on March 1st 2024.

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Kxllswxtch

LP | 2024 | US | Original (Empire)

LP | 2024 | Original (Third Floor Music)

Release: 2024 / US – Original

Genre: Rock & Indie

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Known for his range of style and skilled songwriting, KxllSwxtch has become a household name in the underground community, and has become even more well-known in recent years by openly sharing his bouts with anxiety, depression, and bipolar disorder, in hopes of helping others who can relate. An enigmatic and genre-bending artist, blending elements rap, heavy metal, emo and grunge, KxllSwxtch first exploded onto the scene with a number of singles in 2017, followed by his debut album, Kill!, in 2020. His sophomore album, Disorder, was released the following year in 2021, and included the viral hit song, “WASTE,” a dark and alternative driven sound inspired by a recent breakup. “waste” continues to remain a force, generating hundred of thousands of streams daily and remaining in the viral charts at TikTok. In celebration of it’s 2 year anniversary, Disorder is finally getting the vinyl treatment. The album includes additional singles, “lights OUT,” & “crying IN THE CLUB,” as well as several other standout tracks such as “YASOPP,” & “black LAGOON.” Pressed on Black & White Smash Vinyl and housed in a gatefold jacket, this first run anniversary pressing is limited to 500 copies.

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Clannad

Clannad In Concert

38,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-08

Gobs On Teh Midway - Singles 1991-95

Strapping Fieldhands

LP | 2024 | US | Original (Maize-Y)

LP | 2024 | US | Original (Feel It)

Release: 2024 / US – Original

Genre: Rock & Indie

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A first-time on vinyl reissue of the band's early singles (1991 - 1995) collected together on one album, originally released as a CD by Siltbreeze in 1996. Remastered by Aussie knobs legend Mikey Young with a new fuller sound. The record is pressed on 180gm choice vinyl and features lyrics and photos of the singles on the inner sleeve. "Gobs on the Midway collects some of the earliest small-format output of Philadelphia’s mighty Strapping Fieldhands, and this first ever vinyl edition serves as both the single best place for a novice to dive in or a handy device for old fans with either too little patience for endless side-flipping or a lack of operational cd player. You can track the band's evolution in chronological order, from their beginnings as a duo crafting creaky acoustic Appalachian Gothic to the double-drumming, boozily romantic swirling psych pop monster they became. Each and every song is a glorious jumble of the haphazard and the innovative, bound by dazed melodies and the knowledge that nobody else could possibly sound like them. Includes printed inner with Bob Malloy's lyrical magic for all to behold."—Max Milgram

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The Follies

Permanent Present Tense

Never Meant To Be: 1988-1993

Release: 2024 / US – Original

Genre: Rock & Indie

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A new beginning with familiar roots. No matter how you slice it, Permanent Present Tense is a high test trek to the forefront of rock'n'roll's boundless canvas. The Follies have spent a collective lifetime in dark, amplified dives (see: Vanity, Vexx, Ajax, Twisted Thing for more) but their approach here is different, and firmly rooted in the present. Sure, these ten tracks have that compact, New-York-Fuckin'-City drive that's innate to the five boroughs, but let's talk about the sheer quality songwriting and arrangement on display here.

Permanent Present Tense has both the roots and the refinement that transcend the usual debut album. Fashion and genre are thrown down the fire escape in favor of memorable hooks and words that have immense replay value. Think Love and Arthur Lee, or even the Kinks' own Arthur. Brit pop & pub rock shouldered up to the shimmering guitar jangle of Haight-Ashbury, but arranged by Punks. Perhaps you'll remember this album differently, but the one sticking point to the Follies is their collective ability to synthesize the past into the present throughout ten utterly bulletproof tracks.

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Love Child

2LP | 2024 | US | Original (12XU)

45,99 €*

(Live) Never Use The Same Door Twice

Release: 2024 / US – Original

Genre: Rock & Indie

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"At the very dawn of the 90s, Love Child's debut 7” made a splash on the burgeoning scene of shambolic bands and lo-fi recordings. Back then, they were mentioned in the same breath as Pavement, Sebadoh, or Beat Happening. But Love Child’s two great albums and sparkling singles have become the stuff of record collectors, unavailable vis streaming and out of print, until now. Never Meant to Be: 1988-1993 pulls from these releases and some unreleased radio sessions, unearthing a trove of lost gems by a band that could be the bestof all of the 90s buried treasures. Culled from their smashing debut 7-inch, their two full-length albums, another great single and some unreleased radio sets (including a Peel Session), Never Meant To Be has catchy hooks, gritty noise, sneakily-deft playing, brainy but blunt lyrics, and lots of other awesome stuff. Love Child were part of lo-fi’s beginnings, but also had the NYC pedigree to absorb predecessors like the Velvet Underground, the Voidoids and Teenage Jesus and the Jerks. (Their swirl of brightness, brains, and brawn led Byron Coley to liken them to a fantasy VU made up of Moe Tucker, Doug Yule, and Angus MacLise). Will Baum started Love Child while a student at Vassar College, bringing on classmates Rebecca Odes and Alan Licht. At first, Baum wrote the majority of the songs, bringing a Modern Lovers-like garage-pop attack to the band’s 19-song whirlwind debut album Okay? (Homestead, 1991) But Odes and Licht contributed songs as well, each with a distinct sonic fingerprint (One fan, Kurt Cobain, allegedly predicted Love Child would become the Fleetwood Mac of the 90s). All three members were happy to trade roles and instruments from song to song, but they also had some specific chops. Licht was a bit of a guitar prodigy, having taught himself how to tap like Eddie Van Halen, but versed enough in punk to know simplicity could be just as powerful. Odes’ bellowing bass was equally prominent, and her vocals could veer quickly from sweet to snarling, like Kim Deal or Georgia Hubley with a jagged edge. Take 'Asking for It' (taken here from a 1992 Peel Session), whose righteous slam makes it a proto-riot-grrrl anthem. Not long after Okay?, Baum left, replaced by drummer Brendan O’Malley. Love Child’s sound evolved too, toward a dronier zone not far from the bubbling haze of then-nascent shoegazers like My Bloody Valentine and Slowdive. On their next album Witchcraft (Homestead, 1992), smart hooks stretched into deeper ruminations, without any loss of brashness. 'Stumbling Block' turned a riff into a minimalist mantra, while 'Wait and See' took two melodies–one sung by Licht, one by Odes–and weaved them into the band’s most hypnotic moment on record. Love Child didn’t last long past Witchcraft, though it's not 100% sure that they're fully done (Alan and Rebecca have been rumored to be playing together again). But until that comeback emerges, Never Meant To Be should satisfy fans and newcomers for a long time."—Marc Masters

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Corum

Tape | 2024 | US | Original (Psychic Sounds)

11,99 €*

LP | 2024 | US | Original (Sentient Ruin Laboratories)

Release: 2024 / US – Original

Genre: Rock & Indie

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A newly unvaulted Fake Hospital Group Operators band performing Never Use the Same Door Twice in a live transmission celebrating the 10th anniversary release of album by the same. Recorded live & transmitted on radio in Los Altos, California by Kfjc 89.7.

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Maurda

Cultus Brachypter

25,49 €* 29,99 € -15%

LP | 2024 | US | Original (Sentient Ruin Laboratories)

Release: 2024 / US – Original

Genre: Rock & Indie

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Brachyptery, the condition in insects of having vestigial wings and having lost the capacity of flight. This is the cult of the dewinged, of the downcast and of the condemned. Now remastered (courtesy of Will Killingsworth at Dead Air Studios) and consecrated through its first ever vinyl edition and a graphic facelift, Maurda's catastrophic second short player "Cultus Brachypter" went largely ignored upon its original 2022 self-release, but its obscurity can be solely attributed to the hermetic extremism that defines it. In reality, a world is contained within these sixteen minutes and six movements of absolute eschaton. A world so impenetrable it takes complete sacrifice to enter it. With its ruinous sensorial assault, "Cultus Brachypter" initially evokes the war-torn bestial insanity of bands like Pseudogod or Teitanblood, but as the onslaught progresses the listener soon realizes they are being drawn into a desolate, void-like inner world of dehumanized alienation. The grim specter of Dsbm rears its head as the minutes pass and the sense of misery and isolation becomes suffocating and reaches its inevitable consequences and conclusions. This form of enigmatic, inward-vanquishing extreme metal appears inscrutable in its uncommunicative isolationism, and can be solely superficially interpreted as an unprecedented fusion of war metal and depressive black metal in which feelings of dread, melancholy and self-loathing are taken to their extremes and weaponized into an abstract white-wall representation of absolute nihilism and self-destruction that ultimately evokes the grim soul-tearing lineaments of pure noise. Limited edition silkscreened single-sided black vinyl inside a matte laminated sleeve with black flood inside the pocket, xeroxed insert and download card.

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Altarage

Nihil

35,99 €*

LP | 2024 | US | Original (Sloth Mate)

Release: 2024 / US – Original

Genre: Rock & Indie

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Suffocate in the void that Altarage brings forth. Reality will suffer. Nothing can crawl away from the open mouth of Nihl. In 2016 Spain's Altarage changed the face of death metal with a watershed moment that marked an inexorable point of no return, and Sentient Ruin was there to tell this story through release of the band's debut demo the year prior and of this beast on cassette tape format the following year. With its sheer tonnage and immensity, Nihl appeared instantly as a masterpiece that would pave the way to a new era of death metal and to a new way of conceiving and interpreting the notion of absolute heaviness. While the game-changing repercussions and influence this monster has had on extreme metal may still require some years to be fully assessed and understood, still nothing in the present can challenge what Altarage have accomplished and constructed within the omnipotency of Nihl. Before Nihl dissonant, abstract, atmospheric extreme metal, and traditional riff-heavy death metal still lived two clearly defined, separated existences traveling on parallel trajectories which rarely touched. Nihl created a visionary and daring perturbation in this balance. A foreboding disturbance which sent the course of events on an entire new path, causing the two styles to inexorably converge unto another creating a new lineage of hyper-evolved death metal that conjoined the best of both worlds and triggered the birth of a new death metal world entirely its own. A world in which the notions of immensity, surrealism, and sensorial oppression assume monstrous traits and in which unreality becomes a not only a reality, but a bleak weapon of catharsis and transcendence. After working with the band from their obscure inception back in 2015, we continue to honor and celebrate the genius and legacy of Altarage, particularly of Nihl the point of no return that gifted us all with a new notion of heaviness, with a reissue on all formats of a beast whose power and enormity remain enigmatic and ungraspable, but widely acknowledged and revered to this day.

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Cuneiform Tabs

Infinite Peaks Multi Colored Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Cuneiform Tabs is a correspondence recording project between Matt Bleyle (violent Change / Sopors) and Sterling Mackinnon (false Berries / Violent Change). Compiled from 18 months of recordings traded between their respective homes in the Bay Area and the UK, this eponymous debut was assembled with Tascam portastudios and entry-level home studio software. For anyone familiar with Violent Change and the False Berries, this will sound like a hybrid of both. For the unfamiliar, this recording is recommended if you like R.D. Laing, technology in flames, Sylvia Browne, blue dream, Sid and Marty Kroft, narrow band light therapy, Vera Figner, Kim Philby, Art Bell, and Gunfight At Carnegie Hall. Edition of 200 copies.

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Cosmic Dead

Infinite Soft Yellow Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Infinite Peaks is the long awaited ninth full length album from tumultuous Glaswegian astral travelers The Cosmic Dead, the album features two extended incantations recorded and mixed at Glasgow's 16 Ohm Recording Studio. The album will be released on the 12th of April 2024 exclusively on Heavy Psych Sounds Records.

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The Cosmic Dead

LP | 2024 | US | Original (Curb)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Bobbie Gentry

Greatest Hits

27,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | UK | Original (Taxi Gauche)

Laena Myers

Luv (Songs Of Yesterday)

21,99 €*

LP | 2024 | UK | Original (Dischord)

Release: 2024 / UK – Original

Genre: Rock & Indie

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On 23 February 2024 wildly creative free-form L.A. singer-songwriter and multi instrumentalist Laena Myers is set to release her highly anticipated debut solo album, ‘luv (Songs Of Yesterday)’. Released on Taxi Gauche Records, the 11-track collection is the first to feature the genre-spanning composer, in-demand session player/singer and classically trained violinist putting her own name to her recordings.

Formerly known as Laena Geronimo and L.M.I. / Laena Myers-Ionita, Laena is perhaps best known as lead singer, songwriter and guitarist of critically-acclaimed and internationally touring rockers Feels, but that is only the tip of the iceberg. She’s also known for her time as bassist for goth-punk band Numb.er as well as the Motown-inspired pop outfit The Like, and as the go-to-violinist for a myriad of artists from the L.A. music scene and beyond - contributing to released recordings by John Frusciante, Jhené Aiko, Ty Segall, Shannon Lay and The Allah Las to name a few.

Describing herself as “An awkward, shy kid who played in the Jr. Philharmonic Orchestra of California and wore headphones blasting NIN, The Velvet Underground and Sonic Youth all the time”, Laena cut her teeth in a busking band, performing purely improvised

material on street corners in Hollywood and spent the entirety of her young adulthood as a supporting player in countless L.A. bands - at times as many as five simultaneously, while working full time and sleeping in her car during lunch breaks.

Inspired as much by the soft weight of Hope Sandoval and Patsy Cline’s dramatic powers, Patti Smith’s poetic punk and Nico’s avant-garde musings as she is by contemporaries like Angel Olsen, Aldous Harding and Cate LeBon, her musical roots run deep. She is the daughter of American drummer Alan Myers (devo, Skyline Electric, Jean Paul Yamamoto) and Romanian singer/songwriter and visual artist Greta Ionita (Babooshka).

As a solo artist, Laena's punk background of guitar-based songwriting and swagger merges with her innovative classical/experimental roots and love for singing ballads, and this is shown throughout ‘luv (Songs Of Yesterday’), leading to a depth of emotion that cuts to the heart of even the most hardened, revealing a more tender side to her vocal and lyrical prowess over lush string arrangements.

The album’s opening track ‘luv’, with it’s only lyrics “When I say I’m in love you best believe I mean love L.U.V.” is a nod to The Shangri-Las and New York Dolls, and was used to evocatively soundtrack fashion brand CELINE’s Spring 2020 campaign. “Half the songs on the album are about relationships in which I thought I was in love - true love - but it turned out to be something else”, Laena explains, “so ‘luv (Songs of Yesterday)’ seemed a fitting title: sounded like love, looked like love, but it wasn’t real love.”

“The overarching theme of the album is strength in vulnerability” Laena explains, “it’s a collection of songs that were too personal and dreamy for Feels, songs of haunted love, melancholy and hope, selected and woven together with instrumental segues and field recordings into a whole experience.”

The record’s first single, ‘Give ‘Em Hell’, written six months after her father passed away, is about keeping the flame alive and having the courage to believe in yourself. “We were very close” she says. “One night before I got on stage he stopped me and said “Give ‘em hell, kid”, and this phrase has become a mantra to me, to not hold back and give it my ALL. Many of these songs come from heavy times”, she continues, “but there is always the glimmer of a brighter tomorrow. Reach out when you need to, move through the gears and you’ll come out the other side.”

The songs contained in ‘luv (Songs Of Yesterday)’ are picked from over the course of a decade, written purely from a place of honest expression and filled with texture, depth, and meaning. They were recorded between tours mostly in sweltering summer bedrooms by friend and co-producer Scott Cornish (Angel Olsen, Big Thief, No Age), and mixed during the pandemic. The album features Laena’s vocals, guitar, bass, and violin playing and huge-sounding, lush string arrangements supplemented with drums and percussion by Nick Murray (Cate Le Bon, White Fence, Thee Oh Sees), synths by Jeff Fribourg (Numb.er, Froth), lap steel by Cole Berliner (Kamikaze Palm Tree), and sax by Gabe Flores (Grave Flowers Bongo Band), as well as field recordings — birds singing at daybreak, footsteps and bells making their way into a cave, the wind on a peak in Angeles National Forest.

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J.Robbins

Basilisk

Venereal Dawn White Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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Recorded at his Baltimore-based studio, The Magpie Cage, between 2021

and 2022 with the assistance of John Haggerty (Naked Raygun / Pegboy) (guitar) , Brooks Harlan (Jawbox / Office Of Future Plans (bass), Darren Zentek (Kerosene 454 / Office Of Future Plans) (drums) , Gordon Withers (cello and guitar) and Dave Hadley (pedal steel).

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Dark Fortress

2LP | 2024 | US | Original (The Circle Music)

59,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Venereal Dawn Red Vinyl Edition

Dark Fortress

2LP | 2024 | US | Original (The Circle Music)

59,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Into The Abysmal Void Black Vinyl Edition

Carnal Savagery

LP | 2024 | US | Original (Moribund)

18,19 €* 25,99 € -30%

LP | 2024 | UK | Original (Southern Lord)

Release: 2024 / US – Original

Genre: Rock & Indie

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The Highly Anticipated 5th album from the New Swedish Gods of Gothenburg Death Metal!!!

Formed from the ashes of original 1990’s 1st wave of Swedish Death Metal progenitors Cromlech, Carnal Savagery have released 4 critically acclaimed and radio charting albums, "Grotesque Macabre" (2020/2023), "Fiendish" (2021), "Scent of Death" (2022) and "Worm Eaten" (2022) to date.

Carnal Savagery Now return like the living dead to eat your brains and take over the world with their career defining and most accomplished album to date, “Into The Abysmal Void”. “Into The Abysmal Void” delivers 11 new corpse rousing songs filled with de-fleshing Gothenburg melody, writhing Death Metal groove and enough skull cracking brutality to reanimate the undead!

With “Into The Abysmal Void” Carnal Savagery climbs their way up the cadaver pile to the upper echelons of the Death Metal scene!

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Toadliquor

Back In The Hole

LP | 2024 | US | Original (Eternal Death)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Violently bleeding out into the mid-90s with their lone release "Feel My Hate-The Power Is The Weight - R.I.P. Cain" vinyl lp then completely disappearing into the ether. Southern Lord compiled all known recordings in 2003 on the "Hortators Lament" compact disc.

Then in commiseration of the label's 20th anniversary (2018), TL allowed Southern Lord to release all these recordings (and even some more cryptic, current musings) on the limited edition 2xLP set: "Cease & Decease".

2024! Toadliquor continues their decades-long onslaught of desolation, despair, and damaged vocal cords with Back in the Hole. Seven prize picks for the communal trough. Strap in and feed.

FFO: Pain, Misery, Destruction. (not bands, emotions/actions)

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Ritual Clearing

Penitence

44,99 €*

Kisses Like Feathers Chrystal Clear Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Ritual Clearing have returned, building off of the cold depravity of their 2020 demo and now unleashing their debut full-length effort, Penitence. Continuing their unholy alliance with Eternal Death, this new record showcases six epic tracks of dark, brooding black metal. The band's noble influences they displayed across that well-received first demo—Bathory, Sacramentum, and Lord Belial—have been built upon and refined here, revealing riff labyrinths not unlike the cult '90s work of Sorhin but further fleshed out by bouts of nearly hardcore-punk mania and especially a raw hideousness not unlike their American brethren in the Black Twilight Circle. Still, Ritual Clearing and clearly their own masters, and the alternately linear / darting depths of Penitence open wide to devour the listener in hypnotic, harrowing splendor. Still as melodic-yet-cutting as ever, it's not surprising that the album was written during the grim landscape of the global plague; there's an undeniable sense of dread across Penitence, laced with a resigned melancholia (sickly) colored by opportunely timed acoustics. Fucking Riffs for days, Ritual Clearing provide this offering as the overture to a sick and dying world. Edition of 100 copies.

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Glas

LP | 2024 | Original (HFN Music)

18,69 €* 21,99 € -15%

Release: 2024 / Original

Genre: Rock & Indie

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Supersonic Megafauna Collision Red Vinyl Edition

Acid Mammoth

26,99 €* 29,99 € -10%

LP | 2024 | UK | Original (Upset The Rhythm)

Release: 2024 / EU – Original

Genre: Rock & Indie

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The Pheromoans

Wyrd Psearch

15,74 €* 20,99 € -25%

Stuck On Common Ground Blue & Orange Splattered Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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The Pheromoans are tenants of an unruly domain. Over the last 18 years the group have evolved from garage rock primitivists to auteurs of their own curious sound; a frothy brew of loose electronics, refractory rock and humdrum musing. Their songs are mutable, capricious, unreliable narrations, often withholding as much as they reveal. Russell Walker’s understated vocal has always been the band’s unifying focus, it is wry, unsparing and wilfully honest. Walker’s lyrics are an observational tour de force, sometimes droll, yet often tipping over into unlikely pathos. With previous releases on Upset The Rhythm, Convulsive and Alter, 2024 will witness The Pheromoans return with lucky album number 13, entitled ‘Wyrd Psearch’ (out March 1st on Upset The Rhythm).

‘Wyrd Psearch’ was recorded in Lewes throughout 2023. This was undertaken by founding member James Tranmer, his keen instinct for how the band should sound shaping many of the creative decisions. Joined by new guitarist Henry Holmes, the five piece doubled down on a decidedly breezy, melodic approach. Scott Reeve’s drumming is ever brisk, whilst Daniel Bolger explores AOR peripheries on keyboard and bass. “Wyrd Psearch finds us on relatively zestful form” affirms Walker “whether it be merrily recalling the Jason Williamson / Tim Lovejoy Covid summit, or mentally bathing in the pleasures of lunch hours spent strapped to a listening post in Borders.” With The Pheromoans there is always a familiarity at play, only broken and reassembled, like a bygone sitcom gone rogue in your memory. This contributes to the group’s peculiarly British outsider perspective, one that shouts from the sidelines, but never goes unnoticed.

Subjects covered lyrically on ‘Wyrd Psearch’ include “mid-life crises, male pattern baldness, and thwarted artistic and personal ambitions” according to Walker himself. “Nothing is off limits for scrutiny, even rural arts communities” he concludes. Lead single ‘Downtown’ swings with chiming guitars and finds Walker mid-breakdown trying to persuade a loved one to accompany him into the town centre to collect controlled medication and wind back the clock to happier times. “I want to keep you in cotton wool until pay day” he confides. ‘Cropped to Death’ and ‘Father Austin’ are ruminative and more relaxed in nature, whilst ‘Twibbon Wife’ is a more energetic effort, all jabbed synth chords, circuitous basslines and rampant drum fills. ‘Faith in the Future’ similarly bounds along with reverie.

Walker claims that the album’s title is an expression of his frustration at the ubiquity of people claiming things are eerie or weird / wyrd in the present cultural milieu. The artwork for the record is designed as an actual word search too, a knowing nod to how we all grapple for meaning amongst the absurdity of each day. Leaning into ‘weird’ as a coping mechanism is not on The Pheromoans’ agenda however. This album holds little sway with the supernatural, it’s not enough. The overriding impression given by ‘Wyrd Psearch’ is of a band renewed with ideas. There’s no trouble finding the right words, they’re hitting their mark, keeping up with the commentary. ‘Wyrd Psearch’ is a document of The Pheromoans

mastering their unquiet moment.

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Hijss

Stuck On Common Ground Magenta Colored Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Stuck on common ground is the debut album of the Italian Power Trio Hijss. With a mixture of heavy blues influenced riffs and synthesized Krautrock parts hijss tries to create a high dynamic range that will keep your attention at all time. On top of gritty basslines and ferocious drums lie cosmic guitars, tantalizing vocals and arpeggiated electronic drones. All three band members come from a vast musical background. Their common denominator is without a doubt a punkish attitude. The album was produced by Toni Quiroga and hijss, drums were recorded at Nologo Recording Studio, Laives by "holy barbarian" Fabio Sforza. Engineered, mixed and mastered at accept productions by Toni Quiroga, album cover by Luca Guarino.

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Hijss

Stuck On Common Ground Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Hijss

LP | 2024 | EU | Original (Welfare Sounds &)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Bergslagsdiagonalen

De Fyra Arstiderna

23,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | UK | Original (La Castanya)

La Paloma

Todavia No

Psychodrama 3 Colored Striped Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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“Todavía No”, La Paloma’s debut album, consolidates the young band from Madrid as one of the realities of the current scene. Undoubtedly, it’s definitely a bold step forward in all senses: compositional, interpretative, and artistic. Noise-rock to combat all the noise out there.

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Tigers On Opium

Psychodrama Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Tigers On Opium

14,94 €* 22,99 € -35%

LP | 2024 | EU | Original (Silver Arrow)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Black Crowes

Happiness Bastards

34,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Le Phonographie Uk)

Juniore

Un Peu D'histoire

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Le Phonographie Uk)

Juniore

Marabout

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Off Label)

Das Wrack

Vogue

Release: 2024 / EU – Original

Genre: Rock & Indie

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Maxwell & Le Superhomard Farrington

Please Wait... Blue Vinyl Edition

LP | 2024 | EU | Original (Talitres)

30,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Maxwell & Le Superhomard Farrington

Please Wait...

LP | 2024 | EU | Original (Talitres)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Music On Vinyl)

Katherine Thomas

Worship Me Or Die!

Release: 2024 / EU – Original

Genre: Rock & Indie

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7" | 2024 | Original (V2)

Marathon

Mind Fire

13,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Target)

Mike Tramp

Mand Af En Tid

37,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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2LP | 2024 | Original (SPV)

Ellis Mano Band

Live: Access All Areas

33,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Love Will Fix It Marbled Clear Gold Black Vinyl Edition

Emil Bulls

LP | 2024 | EU | Original (Arising Empire)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Paradox Of Laughing 180gr. Green

Øyvind Holm

LP | 2024 | EU | Original (Crispin Glover)

33,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Nettikettenschwindel Crystal Clear Vinyl Edition

Katastrophen-Kommando

LP | 2024 | EU | Original (Dackelton)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Kiramekini Naihousuru Horobino Kokuin Towa, Mokushou No Aidani Semaru Toutetsu Na Keigan

Te'

7" | 2024 | JP | Original (Shinkyo Music Entertainment)

20,99 €*

Katedralen Black Vinyl Edition

Release: 2024 / JP – Original

Genre: Rock & Indie

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The final work left behind by hiro, the guitarist of "te'", is now going to be released on a 7".

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Mork

LP | 2024 | EU | Original (Peaceville)

34,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Yume Marbled w/ SunYellow & Red Vinyl Edition

Floya

LP | 2024 | EU | Original (Arising Empire)

27,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Yume Curacao Transparent Vinyl Edition

Floya

LP | 2024 | EU | Original (Arising Empire)

Release: 2024 / EU – Original

Genre: Rock & Indie

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