Search "fettes brot:" 721 Items

Bad Dreams / Don't Tread On Me

Release: 2021

Genre: Rock & Indie

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Record Store Day 2021 Drop 2 release limited to 800 copies worldwide. 12 tracks of the best bits by Australian Underground Legends Bored!. Geelong's most raucous guitar led rock action destroyers, whom started a whole scene back in 1987, 12 tracks picked by a long term fan / friend of the band as a tribute to Dave Thomas, leader of Bored! who passed away in early 2020. All monies raised from this release to be passed to his surviving family. Its loud, and it rocks.. join in!

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Fadeaways

7" | 2021 | EU | Original (Outro)

13,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Sunny Bastards)

Daydrinker

First Round

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Deadline)

Pretty Boy Floyd

Set The Night On Fire

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Waldinsel)

John Winston Berta

Right To Wonder

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Craft)

Between The Buried & Me

Alaska

42,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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Charmer Pink Clear Vinyl Edition

Tigers Jaw

LP | 2021 | US | Original (Run For Cover)

LP | 2021 | EU | Original (Mama Bird)

Release: 2021 / US – Original

Genre: Rock & Indie

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Between The Power Pop Melodies Of Early Saves The Day And The Hard Driving Folk Rhythms Of Fleetwood Mac Lies Tigers Jaw, A Band Who's Raw Immediacy Is Infectious And Intoxicating. Shimmering Organ Textures, Chunky Guitar Chords, And Male/Female Vocal Harmonies Show The Scranton, Pa Natives Taking Rural Rock Music From Its Legendary Past To Its Vibrant Future. Among The More Innovative Acts On Run For Cover Record's Star Studded Roster, Tigers Jaw Have A Profound Musical Purity That Is As Equally Stirring In A Basement Of 40 People As It Is In A Club Of 1,000. Engineered/Produced At Studio 4 By Will Yip. For Fans Of Balance&Composure, Title Fight, Brand New, Saves The Day.

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Tristen

Aquatic Flowers

Release: 2021 / EU – Original

Genre: Rock & Indie

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Sell Your Gun Colored Vinyl Edition

The Gabbard Brothers

7" | 2021 | US | Original (Karma Chief)

11,99 €*

Sell Your Gun By A Guitar Black Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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For Fans Of The Buffalo Killers, The Black Keys, Neil Young & Crazy Horse.From The Ashes Of The Acclaimed Ohio Rock Band Buffalo Killers, Singers/Songwriters/Siblings Zachary And Andy Gabbard Have Re-Emerged As The Gabbard Brothers. And While There Are Still Similarities To Their Previous Band, With Nods To Greats Like Neil Young, James Gang And Buffalo Springfield, There's A Hazier, Organic, Earthy-Psych Vibe Running Through The Brothers' New Music.Fresh From Their Black Keys Tour (Zachary And Andy Are Current Bassist And Guitarist, Respectively, In The Keys' Expanded Tour Group), The Gabbard Bros. Are Releasing Their Debut Single 'Sell Your Gun Buy A Guitar' Via Colemine Records' Imprint Karma Chief, Which Citybeat Music Editor Mike Breen Called A "Great '60s-Flavored Pop Nugget." The B-Side, 'Too Much To Feel' - A Musical Middle Finger To The Bigots, Racists And Folks Holding On To An Old, Outdated Way Of Thinking. This New Single Will Be Included In Their Forthcoming Debut Studio Album.

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The Gabbard Brothers

7" | 2021 | US | Original (Karma Chief)

12,99 €*

The Anders & Poncia Album

Release: 2021 / US – Original

Genre: Rock & Indie

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Anders & Poncia

LP | 1969 | EU | Reissue (Hanky Panky)

22,99 €*

Long Day Good Night Black Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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First ever reissue of this bona fide “buried treasure” produced by Richard Perry and featuring Ry Cooder and the Wrecking Crew. Includes 4 page insert with notes by music historian Stephen J McParland and Vini Poncia, and many rare pictures and ephemera. Like the other more familiar and phenomenally successful duos Goffin/King, Barry/Greenwich or Mann/Weil, Peter Anders and Vini Poncia also graduated from the Brill Building era school of songwriting. Friends since high school, Anders and Poncia debuted as members of the Providence, Rhode Island vocal group The Videls whose second single Mister Lonely (written by Anders-Poncia) proved to be a moderate national hit (#73 on Cash Box and Billboard) in early 1960. It would be five more years before the duo’s pièce de résistance, The Trade Winds’ New York’s A Lonely Town, would appear on the legendary Red Bird label (started by George Goldner and songwriters Jerry Leiber and Mike Stoller in 1964). An East Coast (though California molded) surf music anthem, New York’s A Lonely Town had impressed both Phil Spector (with whom Anders and Poncia had enjoyed a brief working association, writing songs for The Ronettes, The Crystals or Darlene Love) and Beach Boys leader Brian Wilson. They also worked on an Elvis Presley film score – “Harum Scarum”. After releasing albums as The Trade Winds and The Innocence, as well writing and releasing a bunch of songs under various guises for Kama Sutra and Buddah Records, Anders & Poncia signed to Warner Bros in 1969. Produced by Richard Perry (Captain Beefheart, Fats Domino, Tiny Tim…), and featuring the Los Angeles A-Team of sessioneers (later known as “The Wrecking Crew”), their only album features ten original compositions and a version of Leiber & Stoller’s “Smokey Joe’s Cafe” (with some great bottleneck guitar by Ry Cooder). Reissued here for the first time these eleven brilliant and extraordinarily powerful tracks are ripe for rediscovery. As the liner notes state: “listen to Anders & Poncia … and you have found your poets.”

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Fates Warning

2LP | 2020 | EU | Original (Metal Blade)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Joske Harry's / Burt Blanca

Louie Louie / Taboo '69

7" | 2015 | EU | Reissue (Radio Martiko)

13,99 €*

LP | 2021 | US | Original (Sentient Ruin Laboratories)

Release: 2015 / EU – Reissue

Genre: Rock & Indie

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This release is handmade and numbered silk screen cover. Reprint of Radio Martiko’s 2nd single from 2015.

"Louie Louie" by Belgian schlager legend Joske Harry's (aka Joe Harris) blows The Kingsmen's original version away. Absolute dancefloor-filler.
There must be about 11,283 versions of "Tabou." This ultra-rare gem by Burt Blanca just might be the ultimate version... or maybe not. Anyway, this is a must-have for your collection.

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Labored Breath

Dyspnea

28,99 €*

LP+CD | 2021 | EU | Original (Century Media)

Release: 2021 / US – Original

Genre: Rock & Indie

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Bridging The Spellbinding Atmospherics And Evocative Power Of Icelandic Black Metal (Sinmara, Carpe Noctem, Mis_yrming, Svartidaudi) With The Crushing Violence And Brute Antagonism Of French Black Metal (Aosoth, Drastus, Antaeus), Labored Breath Has Created An Intimidating And Majestic Black Metal Crucible That Shape-Shifts And Morphs In Perpetual Motion, Stirring An Immense Sinister Aural Maelstrom Of Tenebrous Surrealism And Masterful Sonic Destruction As Ultimate And Supreme Homage To The Omnipotence And Splendor Of Our Endless Destroyer.

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The Pretty Reckless

Death By Rock And Roll

Release: 2021 / EU – Original

Genre: Rock & Indie

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7" | 2021 | US | Original (Bridge Nine)

Buried Alive

Death Will Find You

9,99 €*

2LP | 2021 | EU | Original (Look At Me)

Release: 2021 / US – Original

Genre: Rock & Indie

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Hailing from Buffalo, NY, and featuring TERROR’s Scott Vogel on vocals, Buried Alive was known for their unique metallic edge, and despite their short-lived existence, proved to be one of the most influential hardcore bands from the late ’90s. From touring with the likes of 7 Seconds, ALL OUT WAR, HOT Water Music, and Converge, to releasing now classic records with Victory, their brief few years cemented their place in hardcore’s history. Twenty years after their initial breakup, Buried Alive is back and ready to release Death Will Find You, an EP featuring two brand-new songs and two re-mastered songs from their split with Reach THE SKY. The band picks up right where they left off, bringing you a serious dose of hard-hitting urgent, metallic hardcore.

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Birth Control

Here And Now

Release: 2021 / EU – Original

Genre: Rock & Indie

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Turn Up That Dial Black Vinyl Edition

Dropkick Murphys

LP | 2021 | Original (Born And Bred)

Puro Amor Black Vinyl Edition

Release: 2021 / Original

Genre: Rock & Indie

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Dropkick Murphys,the legendary Boston-born Celtic punk band is back and in great shape with their new studio album Turn Up That Dial available on April 30, 2021 via Born & Bred Records/[PIAS]. Through these 11 new titles, Dropkick Murphys celebrates the simple pleasure of playing music, to sweep away our troubles, relieve us and try to free us from this feeling of worry that seems irremediably to punctuate our days for almost a year... With the volume pushed to the maximum, we feel them straighten their heads, display wide smiles, and bring their conquering glances as far as possible. True to his initial state of mind, Dropkick Murphys sounds the charge. Like an indestructible pack, the band performs each track of Turn Up That Dial with the determination and exuberance that have forged its stage reputation, and we will not complain, quite the contrary!

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Broilers

LP | 2021 | EU | Original (Skull & Palms)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Reflections Volume 1 (Bumble Bee Crown King)Black Vinyl Edition

Woods

LP | 2021 | US | Original (Woodsist)

Reflections Volume 1 (Bumble Bee Crown King)Colored Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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With no touring in 2020, and possibly this year, Woods decided to take a deep dive into their archives and put together the first volume of their much discussed archival series, Reflections. Featuring rare and unreleased recordings from 2009 - 2013, including a ghost town desert jam off the side of the highway, their first live performance in Big Sur, the first recorded version of “Bend Beyond” and some shelved diamonds in the rough that were finished up during quarantine. Their hope is that it plays like a “lost record” from an extremely strange and fruitful period in Woods history.

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Woods

LP | 2021 | US | Original (Woodsist)

Binging, Bragging, Bitching

Release: 2021 / US – Original

Genre: Rock & Indie

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Tears

LP | 2021 | EU | Original (Part Time)

LP | 2021 | EU | Original (The Sign)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Centered Around Guitar, Piano And Andersen's Bittersweet Taletelling, 'Binging, Bragging, Bitching' Was Written Over The Course Of Five Years And Tells A Chronological Tale Of Personal Ruin And Disintegration. Whilst Serving Mainly As A Testimony Of Self-Pity And Downfall, The Album Concludes With A Moment Of Clarity And Reflection. Recorded In 2020, 'Binging, Bragging, Bitching' Is Tears' Sophomore Album And The First To Be Recorded With The Current Line-Up. It Will Be Out Digitally And On Vinyl On March 12 Via Part Time Records. Tears Started In 2015 As The Solo Moniker Of Aarhus, Denmark Local Jeppe Gronbæk Andersen. The First Manifestation Of The Project Was The Cassette Release "33" Through Copenhagen Label Posh Isolation The Same Year. The Release Showcased Andersen's Newfound Love Of Casio Keyboards And Drum Machines, Which Contrasted His Prior Affiliation With Local Punk And Hardcore Bands Such As Urban Achievers, Happy Hookers For Jesus, Pleasure And Tilebreaker. Tears Has Since Become A Full Rock Band With A Sound That Emphasizes Melody And Carries Elements Of Chamber Pop.

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Hot Breath

Rubbery Lips

John Dwyer, Ted Byrnes, Brad Caulkins, Tom Dolas & Greg Coates

Release: 2021 / EU – Original

Genre: Rock & Indie

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Hot Breath Releases Their Debut Studio Album "Rubbery Lips". With A Foundation Built On Dirty Riffing, Memorable Hooks, And A No-Nonsense Attitude, The New Album Contains 10 Tracks Of Energetic And Catchy Garage Rock 'N' Roll. With Their Minds Firmly Set On Releasing Nothing But Killers, Hot Breath Has Pushed Themselves Into Perfecting The Sound That They Presented On Their 2019 Self-Titled Ep. The Result Is A Straight-Shooting Album, Guaranteed To Twist Your Hips."Rubbery Lips" Is Recorded And Mixed By Mattias Nyberg (The Soundtrack Of Our Lives, The Datsuns). The Cover Artwork Is Made By Anders Muammar. Hot Breath Members Have Previously Seen In Bands As Honeymoon Disease, Hypnos, Grand And Others....

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Endless Garbage

LP | 2021 | US | Original (Castle Face)

2LP | 2021 | EU | Original (Unique Leader)

Release: 2021 / US – Original

Genre: Organic Grooves, Rock & Indie

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“Walk the dog. Exercise. Make art.’The mind is happy when the body is.’ Things I can potentially fill my days with if I am stuck at home for months on end…Then, one day, I hear a frenetic, free drummer playing in his garage a few blocks from me. And I think ‘interesting’. I stand outside his garage staring at the wall, like a fool, for a minute, then decide to leave a note on the car parked there. This is how I ended up meeting and working with Ted Byrnes. He wasn’t creeped out, and he ended up sending me a pile of truly spontaneous drums recordings from the carport to work with. I decided to have every musician come in one at at time and just take a wild pass at their track over the drums. None of these people had ever met or played together. I was the connecting thread. I scratched the surface initially with electric bass, saxophone, guitars, cuica, synthesizers, flute and effects, but soon realized I would need heavy hitters to make this place habitable. “Greg Coates, upright bass expressionist extraordinaire, hacked through the dense weeds, vines and frayed cabling. He lays the map out and makes breathing room. Space to swing a cat. Tom Dolas (keys), my often foil, came in and began tip-toeing through the rubble and refuse. Dotting the layout with flecks of light, flights of fancy and potential tangential trajectories. Then the finisher, Brad Caulkins on horns. As always, Brad came in like grace itself, scanned the floor for food, and huffed and puffed and blew the house down. He takes a bruiser situation and lends it some warmth and hospitality, old school. “After I spent a bit of time mixing and editing this down to a palatable offering I couldn’t help but think about human consumption. ...Endless Garbage seemed a fitting title. A cacophonous and glorious sketch of ourselves. For fans of Albert Ayler, ECM records, Gong, improvisation, sustainability and consumption” —John Dwyer

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Humanity's Last Breath

Valde

18,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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Mathus, Jimbo & Andrew Bird

These 13

LP | 2021 | EU | Original (Wegawam)

22,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Big Scary Monsters)

Alpha Male Tea Party

Infinity Stare

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP+CD | 2020 | EU | Original (Pias)

Fotos

Auf Zur Illumination!

Release: 2020 / EU – Original

Genre: Rock & Indie

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Sleepparty People 10th Anniversary Pale Gold Vinyl Edition

Sleep Party People

LP | 2021 | US | Original (Joyful Noise)

The Flying Burrito Brothers

Release: 2021 / US – Original

Genre: Rock & Indie

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The 10 Year Anniversary Reissue: Pale Gold Colored Vinyl + Digital Download with 8 Bonus Tracks (3 unreleased Live at Copenhagen X Sessions & 2011 Remixes EP). Recommended If You Like: Boards of Canada, The Antlers, Erik Satie, Blonde Redhead, Forest Swords, Cocteau Twins. After several years of writing music in bands, Danish multi-instrumentalist Brian Batz began experimenting at home with digitally altered piano and voice. In 2008, he began uploading eerie and introspective songs as Sleep Party People, with a home-recorded, eponymous debut album of whispery, otherworldly post-rock released in 2010. 10 years on, Joyful Noise is honored to commemorate this truly special album with an anniversary reissue, including eight bonus tracks and reimagined cover artwork.

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Gilded Palace Of Sin Black Vinyl Edition

LP | 2021 | US | Original (A&M)

Release: 2021 / US – Original

Genre: Rock & Indie

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LP | 2020 | US | Original (Warner Bros.)

Brett Eldredge

Sunday Drive

Release: 2020 / US – Original

Genre: Rock & Indie

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Gun Street Boy: The Bridge School Benefit Broadcast

Tom Waits

LP | 2021 | EU (Mind Control)

Tape | 2020 | EU | Original (Feel It)

Release: 2021 / EU

Genre: Rock & Indie

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Stunning Tom Waits set from a live FM Broadcast recorded at the Bridge School Benefit, Shoreline Amphitheatre, Mountain View, CA, 30th October 1999.

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Star Party

Demo 2020

10,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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Angel's Breath White Vinyl Edition

Angel's Breath

LP | 1994 | EU | Reissue (Croatia)

LP | 2020 | EU | Original (Grund)

Release: 1994 / EU – Reissue

Genre: Rock & Indie

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180 gram vinyl

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Janos Brody

Gaz Van, Babam!

Release: 2020 / EU – Original

Genre: Rock & Indie

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Between The Buried And Me

Colors 2020 Remix / Remaster

2LP | 2020 | EU | Original (Spinefarm)

42,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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2LP | 2020 | EU | Original (Noisolution)

The Picturebooks

The Early Years

34,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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Macabre Cabaret Black Vinyl Edition

My Dying Bride

LP | 2020 | EU | Original (Nuclear Blast)

17,99 €*

3LP | 2020 | US | Original (Sony Legacy)

Release: 2020 / EU – Original

Genre: Rock & Indie

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No rest for one of Britain’s most melancholic exports: Just half a year after MY Dying Bride returned from their break with their haunting and successful (German Album Charts #12) masterpiece »The Ghost Of Orion«, the sons of Halifax raise the curtains to the »Macabre Cabaret«.

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Jimi Hendrix

Live In Maui

56,99 €*

Parachute 50th Anniversary Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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Numbered edition.

Triple vinyl LP pressing + Blu-ray edition. Experience Hendrix announces a collection that couples the brand new feature length documentary Music, Money, Madness... Jimi Hendrix In Maui with the accompanying live performances on both audio and video. The film chronicles the Jimi Hendrix Experience's storied visit to Maui, their performance on the dormant lower crater of Haleakala volcano on the island and how the band became ensnared with the ill-fated Rainbow Bridge movie produced by their controversial manager Michael Jeffery. Directed by John McDermott and produced by Janie Hendrix, George Scott and McDermott, the documentary incorporates never before released original footage and new interviews with firsthand participants and key players such as Billy Cox, Eddie Kramer, Warner Bros. Executives and several Rainbow Bridge cast members, as well as it's director Chuck Wein. The Blu-ray will include the full documentary as well as the 16mm color film shot of the two afternoon performances captured on July 30, 1970 mixed in both stereo and 5.1 surround sound. Also included in the package will be Live In Maui - both of the aforementioned sets spread across 2 CDs, newly restored and mixed by longtime Jimi Hendrix engineer Eddie Kramer, and mastered by Bernie Grundman. Included are breathtaking renditions of crowd favorites like "Foxey Lady, " "Purple Haze" and Voodoo Child (Slight Return), " as well as then-unreleased songs like "Dolly Dagger" and "Freedom" that showcased the new direction Hendrix was moving toward.

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The Pretty Things

2LP | 2020 | EU | Original (Kscope)

Release: 2020 / EU – Original

Genre: Rock & Indie

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E La Luna Busso / In Alto Mare

Loredana Berte

7" | 2020 | EU | Original (Groovin)

13,99 €*

Release: 2020 / EU – Original

Genre: Organic Grooves, Rock & Indie

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2LP | 2020 | EU | Original (Rezarts Prod)

Farees

Border Patrol

On The Ellipse Purple Record Store Day 2020 Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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Farees has a rich heritage of many cultures and a fertile and robust background in music. With Farees mom being of Tuareg (Black and Berber) ancestry, and his dad being of Italian and German heritage - all of this gives meaning to his embracing of the planet and call to make a difference through his music. Just as his family roots are embedded and rich, his musical growth and development have also been rich. Starting in Africa, playing in bands like Tinariwen and Terakaft, becoming part of that Saharan scene, sharing stages and adventures in the desert and getting to being recognized as an influential artist in Africa at first - Mali, Algeria, Niger, Morocco, etc. - then in the western world.

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Bardo Pond

2LP | 2003 | US | Reissue (Fire)

30,99 €*

LP | 2020 | US | Original (Earth)

Release: 2003 / US – Reissue

Genre: Rock & Indie

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Record Store Day 2020 Release.
Limitation: 1500 copies.

Double Purple Vinyl. Gatefold Sleeve. The sixth album by Bardo Pond, a critically revered space rock masterpiece, 2003's 'On The Ellipse' is reissued for the first time since 2003.

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Bert Jansch

Crimson Moon

LP | 2020 | US | Original (Bright Antenna)

Release: 2020 / US – Original

Genre: Rock & Indie

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One of Bert Jansch's later recordings, 'Crimson Moon' is some of his finest work and sees the musician at the top of his game, with appearances from Johnny Marr, Bernard Butler and many more. Earth Recordings revisits the album on its 20th Anniversary with its first standalone cut to vinyl. Originally released in 2000, there is a brooding resonance in 'Crimson Moon' centred around his accomplished guitar style that brings his contemplative songwriting to the fore. Traditional ballads have touches of jazz and blues adorned by contributions from guitarists Johnny Marr, Bernard Butler and Johnny "Guitar" Hodge along with guest vocals from Bert's wife Loren Auerbach ('My Donald'). The addition of electric guitar subtly compliments Bert's percussive fingerpicking bringing new depth to his compositions. Title track 'Crimson Moon' is a take on traditional song 'Omie Wise' and was written about his wife Loren, 'Caledonia' conjures pastoral images of Scotland alongside covers of The Incredible String Band's 'October Song', Guy Mitchell's 'Singing The Blues' and Owen Hand's 'My Donald'. Otherworldly tale 'Neptune's Daughter' sees a mermaid-like creature recount the death of her relatives from a poison in the sea. Passionate about nature, the song carries an underlying ecological message. Released in his 60s, 'Crimson Moon' proves Bert Jansch to still be an innovator and a unique talent. "Stunning" - NPR // "Irrevocably Bert" - Mojo // "Genius" - Metro

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Wombats

Release: 2020 / US – Original

Genre: Rock & Indie

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Midnight Manor Black Vinyl Edition

The Nude Party

LP | 2020 | US | Original (New West)

Release: 2020 / US – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Mapache)

Jack Nitzsche

LP | 2020 | US | Original (Red Scare Industries)

Release: 2020 / EU – Original

Genre: Rock & Indie

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The Lost 1974 Reprise Album: A Forgotten Masterpiece First ever vinyl release. Includes 4 page insert with notes by Bryan Thomas, and many rare pictures and graphics

Best known as the right-hand-man and arranger of producer Phil Spector and for his work with the Rolling Stones or Neil Young, among many others, Bernard Alfred “Jack” Nitzsche also worked extensively in film scores, notably for films such as Performance, The Exorcist and One Flew Over the Cuckoo's Nest (in 1983, he won the Academy Award for Best Original Song for co-writing "Up Where We Belong"). As a solo artist, he scored one of Reprise label’s first pop hits with his instrumental “The Lonely Surfer” in 1963.

Between January 14-23, 1974, Jack Nitzsche recorded a self-titled album at Cinderella Studios in Madison, Tennessee, and a release date was set for April 26, before it was pulled from the label's schedule by Warner Bros. label chief Morris "Mo" Ostin. The project was a collaboration between Nitzsche and underground filmmaker Robert Downey.

The album remained unreleased, abandoned in a North Hollywood storage facility that Warner employees call "the Vault," until Rhino Handmade included all eleven tracks in their Jack Nitzsche collection Three Piece Suit: The Reprise Recordings 1971-1974, a long out of print internet-only CD issued to great critical acclaim in 2001. This Hanky Panky / Mapache LP release marks the first time it has been made available on vinyl, as originally intended.

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Broadway Calls

Sad In The City

18,99 €*

Between The Buried And Me

Release: 2020 / US – Original

Genre: Rock & Indie

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We’ve been fans of Broadway Calls for a while now and after years of pestering they finally gave in and joined the team. Their exact words were, “It would take a catastrophic act of god that destroyed the music industry for us to consider working with Red Scare.” And what do ya know! Thank you, 2020. (Ironically, the record is about the impending civil war and apocalypse… so maybe this is all their doing?!) Then we sent ‘em down to the Bay Area to work with Scott Goodrich (Culture Abuse, Direct Hit!, etc.) and they emerged with the best 11 songs we’ve ever heard from this Oregon trio. Sad In The City is fast, it’s loud, and most of all it is catchy as hell. It’s their finest full length and it’ll likely go down as one of the top releases in our entire catalog.

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The Silent Circus 2020 Remixed & Remastered Edition

2LP | 2003 | EU | Reissue (Spinefarm)

42,99 €*

Release: 2003 / EU – Reissue

Genre: Rock & Indie

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Down In The Weeds, Where The World Once Was

Bright Eyes

Tape | 2020 | US | Original (Dead Oceans)

16,99 €*

Down In The Weeds, Where The World Once Was Red & Transparent Orange Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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A lone pair of footsteps meanders down a street in Omaha, into the neighborhood bar and then into a near-imperceptible tangle of conversations - about wars, sleepless nights - a surrealist din pushing against the sound of ragtime. Then, as the background quiets, a line rings out clearly: "I think about how much people need - what they need right now is to feel like there's something to look forward to. We have to hold on. We have to hold on." Thus we enter the fitting, cacophonic introduction to Bright Eyes' tenth studio album and first release since 2011. Down in the Weeds, Where the World Once Was is an enormous record caught in the profound in-between of grief and clarity - one arm wrestling its demons, the other gripping the hand of love, in spite of it. The end of Bright Eyes' unofficial hiatus came naturally. Conor Oberst pitched the idea of getting the band back together during a 2017 Christmas party at Bright Eyes bandmate Nathaniel Walcott's Los Angeles home. The two huddled in the bathroom and called Mike Mogis, who was Christmas shopping at an Omaha mall. Mogis immediately said yes. There was no specific catalyst for the trio, aside from finding comfort amidst a decade of brutal change. Sure, Why now? is the question, but for a project whose friendship is at the core, it was simply Why not? The resulting Bright Eyes album came together unlike any other of its predecessors. Down in the Weeds is Bright Eyes' most collaborative, stemming from only one demo and written in stints in Omaha and in bits and pieces in Walcott's Los Angeles home. Radically altering a writing process 25 years into a project seems daunting, but Oberst said there was no trepidation: "Our history and our friendship, and my trust level with them, is so complete and deep. And I wanted it to feel as much like a three-headed monster as possible." As a title, as a thesis, Down in the Weeds, Where the World Once Was functions on a global, apocalyptic level of anxiety that looms throughout the record. But on a personal level, it speaks to rooting around in the dirt of one's memories, trying to find the preciousness that's overgrown and unrecognizable. For Oberst, coming back to Bright Eyes was a bit of that. A symbol of simpler times, vaguely nostalgic. And even though it wasn't actually possible to go back to the way things were, even though there wasn't an easy happy ending, there was a new reality left to work with. And here, there is a bleary-eyed hopefulness - earnest, emotive recommitments to love appear on "Dance and Sing" and "Just Once in the World." And throughout, Down in the Weeds features snippets of Oberst's loved ones speaking, in late-night conversations. The fleeting loveliness of intimate moments punctuates the bleakness of the record's existential crisis, crackling like lightning bugs illuminating the long night. Down in the Weeds is a distillation of a prolific, enduring canon. It's immediate and urgent, the product of its creators' growth across a decade apart, as well as the need to make a record together to find solace from loss. Through deliberate, fearless experimentation in process, the trio made the truest Bright Eyes sound: the sound of a deep bond, of a band coming home, but also a seamless continuation, like Bright Eyes never went away. It's the impossible, sprawling mess of human experience that Bright Eyes has always sought to put to tape, since the beginning - the sound of holding on. Why now? Why not?

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Bright Eyes

2LP | 2020 | US | Original (Dead Oceans)

Down In The Weeds, Where The World Once Was Black Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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First pressing on limited edition Transparent Red + Transparent Orange vinyl - 2xLP packaging features die-cut jacket and Side 4 phenakistoscope etching!

A lone pair of footsteps meanders down a street in Omaha, into the neighborhood bar and then into a near-imperceptible tangle of conversations - about wars, sleepless nights - a surrealist din pushing against the sound of ragtime. Then, as the background quiets, a line rings out clearly: "I think about how much people need - what they need right now is to feel like there's something to look forward to. We have to hold on. We have to hold on." Thus we enter the fitting, cacophonic introduction to Bright Eyes' tenth studio album and first release since 2011. Down in the Weeds, Where the World Once Was is an enormous record caught in the profound in-between of grief and clarity - one arm wrestling its demons, the other gripping the hand of love, in spite of it. The end of Bright Eyes' unofficial hiatus came naturally. Conor Oberst pitched the idea of getting the band back together during a 2017 Christmas party at Bright Eyes bandmate Nathaniel Walcott's Los Angeles home. The two huddled in the bathroom and called Mike Mogis, who was Christmas shopping at an Omaha mall. Mogis immediately said yes. There was no specific catalyst for the trio, aside from finding comfort amidst a decade of brutal change. Sure, Why now? is the question, but for a project whose friendship is at the core, it was simply Why not? The resulting Bright Eyes album came together unlike any other of its predecessors. Down in the Weeds is Bright Eyes' most collaborative, stemming from only one demo and written in stints in Omaha and in bits and pieces in Walcott's Los Angeles home. Radically altering a writing process 25 years into a project seems daunting, but Oberst said there was no trepidation: "Our history and our friendship, and my trust level with them, is so complete and deep. And I wanted it to feel as much like a three-headed monster as possible." As a title, as a thesis, Down in the Weeds, Where the World Once Was functions on a global, apocalyptic level of anxiety that looms throughout the record. But on a personal level, it speaks to rooting around in the dirt of one's memories, trying to find the preciousness that's overgrown and unrecognizable. For Oberst, coming back to Bright Eyes was a bit of that. A symbol of simpler times, vaguely nostalgic. And even though it wasn't actually possible to go back to the way things were, even though there wasn't an easy happy ending, there was a new reality left to work with. And here, there is a bleary-eyed hopefulness - earnest, emotive recommitments to love appear on "Dance and Sing" and "Just Once in the World." And throughout, Down in the Weeds features snippets of Oberst's loved ones speaking, in late-night conversations. The fleeting loveliness of intimate moments punctuates the bleakness of the record's existential crisis, crackling like lightning bugs illuminating the long night. Down in the Weeds is a distillation of a prolific, enduring canon. It's immediate and urgent, the product of its creators' growth across a decade apart, as well as the need to make a record together to find solace from loss. Through deliberate, fearless experimentation in process, the trio made the truest Bright Eyes sound: the sound of a deep bond, of a band coming home, but also a seamless continuation, like Bright Eyes never went away. It's the impossible, sprawling mess of human experience that Bright Eyes has always sought to put to tape, since the beginning - the sound of holding on. Why now? Why not?

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Bright Eyes

2LP | 2020 | US | Original (Dead Oceans)

Giles Corey (Dan Barrett of Have A Nice Life)

Release: 2020 / US – Original

Genre: Rock & Indie

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2xLP packaging features die-cut jacket and Side 4 phenakistoscope etching!

A lone pair of footsteps meanders down a street in Omaha, into the neighborhood bar and then into a near-imperceptible tangle of conversations - about wars, sleepless nights - a surrealist din pushing against the sound of ragtime. Then, as the background quiets, a line rings out clearly: "I think about how much people need - what they need right now is to feel like there's something to look forward to. We have to hold on. We have to hold on." Thus we enter the fitting, cacophonic introduction to Bright Eyes' tenth studio album and first release since 2011. Down in the Weeds, Where the World Once Was is an enormous record caught in the profound in-between of grief and clarity - one arm wrestling its demons, the other gripping the hand of love, in spite of it. The end of Bright Eyes' unofficial hiatus came naturally. Conor Oberst pitched the idea of getting the band back together during a 2017 Christmas party at Bright Eyes bandmate Nathaniel Walcott's Los Angeles home. The two huddled in the bathroom and called Mike Mogis, who was Christmas shopping at an Omaha mall. Mogis immediately said yes. There was no specific catalyst for the trio, aside from finding comfort amidst a decade of brutal change. Sure, Why now? is the question, but for a project whose friendship is at the core, it was simply Why not? The resulting Bright Eyes album came together unlike any other of its predecessors. Down in the Weeds is Bright Eyes' most collaborative, stemming from only one demo and written in stints in Omaha and in bits and pieces in Walcott's Los Angeles home. Radically altering a writing process 25 years into a project seems daunting, but Oberst said there was no trepidation: "Our history and our friendship, and my trust level with them, is so complete and deep. And I wanted it to feel as much like a three-headed monster as possible." As a title, as a thesis, Down in the Weeds, Where the World Once Was functions on a global, apocalyptic level of anxiety that looms throughout the record. But on a personal level, it speaks to rooting around in the dirt of one's memories, trying to find the preciousness that's overgrown and unrecognizable. For Oberst, coming back to Bright Eyes was a bit of that. A symbol of simpler times, vaguely nostalgic. And even though it wasn't actually possible to go back to the way things were, even though there wasn't an easy happy ending, there was a new reality left to work with. And here, there is a bleary-eyed hopefulness - earnest, emotive recommitments to love appear on "Dance and Sing" and "Just Once in the World." And throughout, Down in the Weeds features snippets of Oberst's loved ones speaking, in late-night conversations. The fleeting loveliness of intimate moments punctuates the bleakness of the record's existential crisis, crackling like lightning bugs illuminating the long night. Down in the Weeds is a distillation of a prolific, enduring canon. It's immediate and urgent, the product of its creators' growth across a decade apart, as well as the need to make a record together to find solace from loss. Through deliberate, fearless experimentation in process, the trio made the truest Bright Eyes sound: the sound of a deep bond, of a band coming home, but also a seamless continuation, like Bright Eyes never went away. It's the impossible, sprawling mess of human experience that Bright Eyes has always sought to put to tape, since the beginning - the sound of holding on. Why now? Why not?

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Giles Corey

2LP+Book | 2020 | US | Original (The Flenser)

46,99 €*

Strange To Explain Black Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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“‘Some time in the Spring of 2009, I tried to kill myself. Six months before that, I used a Voor’s Head Device for the first time.’ This line opens the 150-page book that accompanies Giles Corey, an intensely personal, intimate portrait of depression that took me almost four years to make.” —Dan Barrett

Giles Corey’s haunting self-titled debut is back in print! The Flenser is pleased to offer a new version of this cult favorite as a double LP housed in a gatefold jacket, with the same 150-page book that accompanied the previous versions.

Giles Corey is the gloomy folk-driven solo project from Have A Nice Life mastermind Dan Barrett. Here, Barrett forgoes the post-industrial trappings of Have A Nice Life in favor of an intimate singer-songwriter approach. While thematically related to his other work—dealing with subjects like suicide, death and the paranormal—Giles Corey feels more personal, with impressive shifts from quiet desperation to cathartic outburst. Over the years the album has gained a fervent following, and has sometimes been compared to a religious experience. It is dark yet purgative enterprise not for the frail of heart.

The accompanying book is an integral part of the album. Its examinations of the life and times of cult leader Robert Voor parallel the themes within the lyrics and offer further immersion for the reflective listener. In Barrett’s own words: “The album follows a story arc of emotions that are detailed in the accompanying book, as much a part of this record as the music. The text switches between personal tales of struggles with depression, suicide, and a feeling of being lost, and the story of cult-leader and afterlife theorist Robert Voor. Voor’s writings on death and the afterlife feature prominently across Have A Nice Life’s Deathconsciousness, Nahvalr’s self-titled debut, and Giles Corey, making him the unifying factor behind most of the music I’ve written in the last ten years. This record is as personal and raw as anything I’ve ever done.”

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Woods

LP | 2020 | US | Original (Woodsist)

7" | 2020 | US | Original (Rum Bar)

Release: 2020 / US – Original

Genre: Rock & Indie

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“Dreaming doesn’t come easy these shadowed days, which is why Strange To Explain by Woods is such a welcome turning of new colors. It presents an extended moment of sweet reflection for the 15-year-old band, bouncing back to earth as something hopeful and weird and resolute. Like everything else they’ve recorded, it sounds exactly like themselves, but with subtly different shades and breaths and rhythmic feels and everything else that changes, the natural march of time and the intentional decisions of the musicians moving in what feels like an uncommonly organic alignment.
“Strange To Explain trades in a different kind of dependability, maintaining a steady connection to the voice on the other side of the record needle. After quickly recording and releasing 2017’s Love Is Love in response to the tumultuous events of their (and our) 2016, Jeremy Earl and company took their time with what came next. Parenthood arrived, as did a short songwriting pause. The band went bicoastal when Jarvis Taveniere headed west. And when they returned to their posts, there on the other side of this particular mirror, they made this, an album that not only catches and holds and shares the light in yet another new way, but recognizes that there’s still light to be caught, which is also no small thing.
“A bend beyond the last bend beyond, Woods keep on changing, thoughtfully and beautifully. The colors were always there, like trees blossoming just slightly differently each season, a synesthetic message coded in slow-motion. Recorded in Stinson Beach, the kind of place that seems like an AI simulation of an idyllic northern California coastal escape, the familiar jangling guitars recede to the background. John Andrews’s warm keyboards and twining Mellotron rise around Earl’s songs and dance across the chord changes like warm sunlight off the Pacific. The music feels a karmic landmass away from the creepiness of the uncanny valley.” —Jesse Jarnow

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Brad Marino

False Alarm

11,99 €*

2LP+CD | 2002 | EU | Reissue (Sony)

Release: 2020 / US – Original

Genre: Rock & Indie

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Brad Marino, singer, guitarist, songwriter, and co-founding member of beloved garage rock n’ roll band The Connection, stepped into the spotlight on his first solo outing 'Extra Credit' with a wave of rave reviews accolades, and radio play. The momentum, song-writing, and recording continued and we have for you today Marino's second solo outing of brand new material plus a cover or two. What you have is an EP filled top to bottom with tried and true rock n’ roll. Rockpile meets the Ramones, Mick and Keef get into a tussle with the Flamin’ Groovies, The Knack get all tangled up in blue. Hints of Chuck, shades of country, stabs of punk, and jolts of power pop, celebrated and created in the Garage...get the picture?

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Evanescence

Synthesis

Release: 2002 / EU – Reissue

Genre: Rock & Indie

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LP | 2020 | EU | Original (Craft)

Between The Buried & Me

35,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2020 | UK | Original (4AD)

Purity Ring

Womb Red Vinyl Edition

Release: 2020 / UK – Original

Genre: Rock & Indie

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LP | 2020 | UK | Original (4AD)

Purity Ring

Womb Black Vinyl Edition

Release: 2020 / UK – Original

Genre: Rock & Indie

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Party Diktator / Snob Club

Splitting

LP | 2020 | EU | Original (Kollektive Halluzination)

23,39 €* 25,99 € -10%

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Sacred Bones)

Hilary Woods

Birthmarks

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 1987 | EU | Reissue (V2)

Bruut! & Anton Goudsmit

Go Surfing

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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The Ghost Of Orion Black Vinyl Edition

My Dying Bride

2LP | 2020 | EU | Original (Nuclear Blast)

Tape | 2020 | US | Original (Sub Pop)

Release: 2020 / EU – Original

Genre: Rock & Indie

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MY DYING BRIDE‘s three decades of misery almost came to an end several years ago. Following 2015’s universally lauded »Feel the Misery« album, vocalist Aaron Stainthorpe’s daughter, just five years old at the time, was diagnosed with cancer. Shocked and heartbroken, Stainthorpe put all band activities on hold while he, his immediate family, and MY DYING BRIDE put their collective energies into eradicating what Stainthorpe called, “the cruellest of God's bitter and loveless creations.” The high hurdles, however, didn’t stop with cancer. In 2018, returning original member and guitarist Calvin Robertshaw texted his departure, effective immediately. No reason was given or explanation provided to anyone. Then, just as MY DYING BRIDE had regrouped after positive news that his daughter was effectively cancer free, returning drummer Shaun Taylor-Steels departed right before the band were slated to enter Mark Mynett’s studio, Mynetaur Productions. Down two members but feeling right as rain, MY DYING BRIDE moved on, mastered the doldrums, recording magnificent new album, »The Ghost of Orion«, to the joyful tears of fans across the globe, in the process.

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Wolf Parade

Thin Mind

12,99 €*

Release: 2020 / US – Original

Genre: Rock & Indie

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LP | 2020 | US | Original (Sub Pop)

Wolf Parade

Thin Mind Loser Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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LP | 2020 | US | Original (Sub Pop)

Wolf Parade

Thin Mind

Release: 2020 / US – Original

Genre: Rock & Indie

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Anfang Verpasst (1992-1999)

Die Sterne

7CD | 2019 | EU | Original (Tapete)

71,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2019 | EU | Original (Free Bird)

Impala Ray

Jangwar Summers

11,89 €* 16,99 € -30%

Release: 2019 / EU – Original

Genre: Rock & Indie

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2LP | 2019 | EU | Original (Madfish)

The Pretty Things

The Final Bow

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 1978 | EU | Reissue (Speakers Corner)

The Doobie Brothers

Minute By Minute

33,99 €*

LP | 2019 | EU | Original (Afro7)

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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How the Doobie Brothers came to form a “family” is not only a fateful event but also a good story. While getting high on a marihuana joint (or doobie) that was passed from one to the other in a practice room, one of the group apparently uttered the following momentous words: »We are all Doobie brothers«. Later, when in possession of all his faculties, the co-founder of the group, Tom Johnston, was thinking along the lines of a Motown sound, with a bass line resembling that of Seals and Crofts, and vocals in the style of Stevie Wonder. That "Minute By Minute", the first album to appear in the post-Johnston era, so perfectly reflects the mature style of the group is mostly thanks to the two experienced former Steely Dan musicians Jeff “Skunk” Baxter and singer Michael McDonald.
Subtle, gently electrified groove epitomizes the main focus of this album. Its laid back, colourful and glittering sounds are rounded out with powerful rhythms and warm sounds ("What A Fool Believes"). Solo vocals are layered over rolling chords on the piano, a snappy bass and a multi-voiced background to create an appealing harmony ("Here To Love You"). Perfectly tempered and accomplished solos from the lead guitar and saxophone are welcome extras that never drown out the impressive leader of the group. So much brotherliness on a record certainly deserved to be recognized with three Platinum Records and a Grammy Award.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com.
All royalties and mechanical rights have been paid.

Recording: 1978 at Warner Bros.-Studios, North Hollywood, by Donn Landee and Loyd Clifft
Production: Ted Templeman

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Yaseen & Party

LP | 2019 | US | Original (Elektra)

Release: 2019 / EU – Original

Genre: Organic Grooves, Rock & Indie

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A collection of 12 fantastic taarab songs from Yaseen Mohammed (Mac & Party) rich in exotic tone colour, full of swing and groove, compiled from the elusive Mzuri catalogue, Mombasa, Kenya 1960’s. Comes with with a large 4 page fold-out insert with extensive background story and never-before-seen pictures.

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Fitz & Tantrums

All The Feels

32,99 €*

Release: 2019 / US – Original

Genre: Rock & Indie

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LP | 1980 | US | Reissue (Return To Analog)

Perth County Conspiracy

LP | 2007 | EU | Reissue (Pompeii)

Release: 1980 / US – Reissue

Genre: Rock & Indie

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Beastly sounds for a zombie nation as classic 80s gaming soundtrack Shadow of the Beast gets debut vinyl edition with a recording taken from the original platform game, and new artwork from acclaimed illustrator Keith Rankin.
Composed by David Whittaker for the 1989 Amiga platformer of the same name, Shadow of the Beast sees its first ever vinyl release courtesy of the UK's Lag Records, presented in also its first mastered edition as directly taken from the original game system.
A prolific VGM composer, Whittaker holds more gaming soundtracks to his name than any other, with titles such as Lazy Jones to his name, as (in)famously sampled for the 1999 club hit Zombie Nation.
Shadow of the Beast remains a prime example of his pioneering hands-on approach, programming music directly with instrumental samples of his own on a Korg M1 synthesizer. The tunes make for a singular combination of Spaghetti Western-style tension mixed with world beats. Tracks like The Plains play with harder rhythms like warped speed techno, while a hard-to-miss melancholy pervades the Underground suite.
The fiendishly difficult Shadow of the Beast itself was an interesting example of game design for its time, recorded at a frame rate to match arcade machines as opposed to monitors, and loaded with a 128 colour palette. Two sequels later followed in the 1990s, along with a 2016 remake for the Playstation console.
The soundtrack comes ready for a 2019 audience with mastering courtesy of Jerome Schmitt at the AirLab, and brand new artwork from acclaimed illustrator and musician Keith Rankin in collaboration with artist Ellen Thomas. Shadow of the Beast will also come on transparent purple vinyl, in standard LP format.

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Beirut

The Flying Club Cup

LP | 2006 | EU | Reissue (Pompeii)

Release: 2007 / EU – Reissue

Genre: Rock & Indie

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The Flying Club Cup is the second studio album by Balkan folk-influenced band Beirut, originally released on October 9, 2007.

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Beirut

Gulag Orkestra

Echoes Of The Second Sun Clear Orange Vinyl Edition

Release: 2006 / EU – Reissue

Genre: Rock & Indie

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The first studio album by the American indie folk band, Beirut, originally released on September 25, 2006. Include digital album download coupon.

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Wolf Prayer

LP | 2019 | EU | Original (Barhill)

Release: 2019 / EU – Original

Genre: Rock & Indie

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10" | 2019 | EU | Original (Glassnote)

Jade Bird

Something American

10,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 1984 | EU | Reissue (Season Of Mist)

Saint Vitus

29,99 €*

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Jade Bird White Vinyl Edition

Jade Bird

LP | 2019 | US | Original (Glassnote)

22,99 €*

Release: 2019 / US – Original

Genre: Rock & Indie

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Home Made Ice Cream 45rpm, 200g Vinyl Edition

Tony Joe White

2LP | 2019 | US | Original (Analogue Productions)

80,99 €*

LP | 2019 | US | Original (Rum Bar)

Release: 2019 / US – Original

Genre: Rock & Indie

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You may or may not know of Tony Joe White, but we all know his two most famous songs — "Polk Salad Annie" and "Rainy Night In Georgia". This record is up to the standards of those great numbers. So soulful, humid, rich and textured. Or as Tony Joe would say, »It's swampy«.
And because it's such a classic, such a southern musical touchstone, we've gone and upped the ante — making this standout a 45rpm double LP release. Veteran audiophiles know and hear the difference. With more LP real estate, inner groove distortion is reduced and tracking by your stereo cartridge is improved. That's a major sonic advantage! Mastered by Kevin Gray at Cohearent Audio from the original analog tape, this LP sounds phenomenal from the first note to the last fade out.
The last four songs on side two of this album are going to positively floor you. They are so sparse and bluesy and emotional. And the sound is as good as the music. With this new QRP pressing, the sound is so good it's tape-like. So solid and jet-black is the foundation from which the music just jumps. Ya gotta hear it to understand what we're trying to describe. It's one of those jaw-hit-the-floor, sit-in-stunned-silence, goose-bump-raising, tears-in-your-eyes records. You know, the kind we're all looking for as audiophiles?
When Chad decided to reissue this album, he knew that it wasn't going to be a top-seller. But it's one of his all-time favorites for music and sound, and we feel that whoever takes a chance on this one is going to be richly rewarded. We gotta figure this one is going to end up being one of the favorites of some of our customers, too. If you trust us at all, you can buy with great confidence.
"Homeade Ice Cream" was originally released in 1973 on Warner Bros. and was co-produced by White and legendary Atlantic producer Tom Dowd. It's White's sixth overall record and his third for Warner Bros. This is very much a back porch acoustic affair. The music has the space to breathe, one of the reasons for the life-like sound.

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Brad Marino

Extra Credit

LP | 2019 | EU | Original (Akuphone)

Release: 2019 / US – Original

Genre: Rock & Indie

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Brad Marino, singer, guitarist, songwriter, and co-founding member of beloved garage rock n’ roll band The Connection, is about to embark on a journey
stepping into the spotlight front and center on his own. Brad has spent the past year writing, recording, playing every instrument, and producing his
solo full length debut ‘Extra Credit’ with a little ‘extra’ help from his friend Kris Rodgers on the keys and mixing board. What you have is an album filled
with tried and true rock n’ roll with hints of country, stabs of punk, and jolts of power pop, created in the garage. Rockpile meets the Ramones, Mick and
Keef get into a tussle with the Flamin’ Groovies, The Knack gets all tangled up in blue… get the picture? Featuring the lead single “C’Mon C’Mon C’Mon”
which sat atop at #1 on the Indie Radio Alliance’s Secret Weapon Radio for several weeks, along with the power pop punk sweetness of “Broken Record
Baby”, head boppin’ and fist raising of “Fit To Be Tied”, Mick Jagger swagger of “No One Else Tried It”, and the country hearted barroom twang of “What
Comes Naturally”, we can go on and on but we want you to hear this for yourself.

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Praed

Doomsday Survival Kit

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2019 | US | Original (Mexican Summer)

Jessica Pratt

Quiet Sings

33,99 €*

Release: 2019 / US – Original

Genre: Rock & Indie

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Quiet Signs Black Vinyl Edition

Jessica Pratt

LP | 2019 | EU | Original (City Slang)

Release: 2019 / EU – Original

Genre: Rock & Indie

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2LP | 2010 | UK | Reissue (Fire)

Bardo Pond

Release: 2010 / UK – Reissue

Genre: Rock & Indie

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Gallipoli Black Vinyl Edition

Beirut

LP | 2019 | EU | Original (4AD)

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2018 | US | Original (Cleopatra)

Musta Paraati

Black Parade

Release: 2018 / US – Original

Genre: Rock & Indie

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2LP | 2018 | US | Original (Ridng Easy)

Alastor

Slave To The Grave

30,99 €*

Schafe, Monster Und Mäuse

Release: 2018 / US – Original

Genre: Rock & Indie

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Alastor hearken to the days when heavy rock was the music of the rebel, the occult adherent and lurker in the shadows, not hipster bros. Theirs is the doom sound for those who discovered it on the edge of town, in the cold rain, perhaps, as an escape from the squares who’ll never understand. Drenched in heavy, distorted darkness and steeped in occult horror that will make your skin crawl and ears cry sweet tears of blood, Slave To The Grave pulls no punches in the Swedish band’s unabashedly bleak themes.

The band formed under a bad moon in 2016, consisting of Dharma Gheddon (vocals, bass, acoustic guitar and organ), Lucy Ferian on lead & acoustic guitar and organ, Terry Fying on guitar and Levi Athan on drums.

The quartet released its epic three-song debut album Black Magic in early 2017 via Twin Earth Records, followed by the two-track Blood On Satan’s Claw EP on Halloween the same year. Joining forces with Riding Easy Records in 2018, they hunkered down to summon this seven-track hateful gospel with engineer Magnus Sörensen.

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Element Of Crime

LP | 2018 | EU | Original (Vertigo)

40,99 €*

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 2018 | EU (TV Party)

Beastie Boys

We Rock Well

16,14 €* 16,99 € -5%

Release: 2018 / EU

Genre: Hip Hop, Rock & Indie

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Tom Waits & Crystal Gayle

One From The Heart

LP | 1982 | US | Reissue (8th)

32,99 €*

LP | 2018 | US | Original (Barsuk)

Release: 1982 / US – Reissue

Genre: Rock & Indie

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Tom Waits is a highly influential singer/songwriter,
noteworthy for delving into realms of noisy industrial blues
experimentation, blues jazz, and dust, rust-belt folk, as well
as for his distinct, heavily raspy vocal style. Crystal Gayle is
a Top 40 country artist, with more than fifteen #1 singles on
the Billboard US Country charts, including her #2 Billboard
Top 200 signature hit "Don't It Make My Brown Eyes Blue",
and a member of the Grand Ole Opry.
By all accounts there's little reason for these two vastly
different artists to come together and collaborate on an
album. Yet in 1982, the two were brought together to write
and perform on the soundtrack to Francis Ford Coppola's
1982 romantic musical film One From The Heart. The
soundtrack was written by Waits himself, who also sang and
played piano, while Gayle (Whom Waits had picked himself,
after Bette Midler was unavailable.) provided vocals on
several solo songs as well as duets with Waits, all backed by
a cavalcade of jazz session veterans, like Jack Sheldon on
trombone, Shelly Manne on percussion, Greg Cohen on
bass, Teddy Edwards on tenor saxophone, and more.
Though the film One From The Heart was a box office flop,
the Waits & Gayle-featured soundtrack was embraced by
critics, many of whom pointed to it as the best thing
associated with the film. Recorded just before Waits
abandoned jazz-blues for the junkyard clamor of his 1983
album Swordfishtrombones, Waits' ragged baritone is mixed
with Gayle's silky croon to perfect effect, and makes One
From The Heart's soundtrack a must-own for any fan of film
soundtracks, cinematic jazz, and certainly of Waits & Gayle

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Active Bird Community

Amends

17,99 €* 19,99 € -10%