Search "dan-e-o" 4307 Items

Release: 2012 / EU – Original

Genre: Rock & Indie

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Antony / I Don't Want To Be Alone

Twin River

7" | 2013 | EU | Original (Light Organ)

11,04 €* 16,99 € -35%

Release: 2013 / EU – Original

Genre: Rock & Indie

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Godspeed, Little Shit-Eater

Twin Pigs

LP | 2022 | EU | Original (Spastic Fantastic)

18,74 €* 24,99 € -25%

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2014 | US | Original (Grand Jury Music)

Twin Peaks

Wild Onion

LP | 2019 | US | Original (Grand Jury)

Release: 2014 / US – Original

Genre: Rock & Indie

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Don't bother asking Twin Peaks about the deeper meaning of their band name. They simply thought it sounded cool, which explains why their second album Wild Onion isn't as spooky or surreal as David Lynch's short-lived TV show. It's more like a modern day Nuggets, with Black Lips, Thee Oh Sees and Ty Segall curating instead of Lenny Kaye. Not literally, of course. But the spirit of those garage demigods is alive and well alongside subtle nods to everything from the Pixies and Tame Impala to the godfathers of guitar-guided pop music, the Beatles, the Rolling Stones and the Beach Boys. Having just wrapped a national tour in support of their fellow Chicagoans The Orwells and midwest dates with Arctic Monkeys, Twin Peaks are on the road currently with Brit buzz band Eagulls and will follow that with a headline club tour of all major US markets around release date."The Chicago teenagers who make up the band Twin Peaks make a confident old-school indie rock chug that should be beyond their years."--Stereogum.

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Twin Peaks

Lookout Low

Release: 2019 / US – Original

Genre: Rock & Indie

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LP | 2019 | EU | Original (Caroline)

Twin Peaks

Lookout Low

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU (Crazysane)

Twin Drugs

In Now Less Than Ever

Release: 2022 / EU

Genre: Rock & Indie

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LP | 2022 | EU | Original (Left Ear)

Twin Cosmos

Double Action

24,64 €* 28,99 € -15%

LP | 2019 | EU | Original (Virgin)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Twin Cosmos is not only the name of the musical output of fraternal twins Morihito & Yasuhito Ito, but more philosophically, an album that encapsulates, “the universe of twins”.

The pair were born 1953 in Yokkaichi, Mie Prefecture. A port city 50 kilometres west of Nagoya, famous for its chemical plants. Despite their surroundings, they grew up in an environment that fostered learning and self-expression. From an early age, they began to carve out their own paths.

Morihito was fascinated with scientific endeavours, space travel and spirituality. His father, an electrician by trade - motivated him to build his own musical equipment. This led him to attend an acoustic engineering school in Tokyo from 1972-1974, after which, Morihito returned to Yokkaichi where he worked in the instrument and audio section of a department store. This helped him keep up to date with the latest equipment, while allowing him to simultaneously work on his own musical endeavours.

Morihito’s side of the ‘Double Action’ LP is a cohesive piece, which effortlessly drifts from one song to the next through samples of flowing water and rockets launching into space ,that were recorded while visiting his brother in the States. His music is carried by flowing vocal harmonies, guitar strums, and floating synths to create an eternal dreamlike ambiance.

In contrast, Yasuhito gravitated towards philosophy and the arts and in 1976 followed his Englsih teachers’ advice and moved to the ‘foreign world’ of the United States. It’s here that he further explored his interests in Christianity, sadomasochism and poetry. He was exposed to artists like John Cage and Sun Ra, as well as a variety of ‘Do It Yourself’ recording techniques that enabled him to record remotely.

Using samples, poetry, and an original approach to traditional folk & rock songs, he recorded his side of the LP. The outcome being provocative, dark and confronting realisations, which solely used English lyrics to represent his experiences in the ‘Western world’. In 1980, Yasuhito was wooed back to Japan by his brother and the prospect of a combined record release.

The self-released album ‘Double Action’, was completed at Victor studios in Japan. Without a distribution network, the release was sold mostly to family and friends and fell into obscurity. Despite not reaching commercial success, the pair have continued to make music over the past four decades, crediting it as their driving force in life. This 2022 release includes an insert with archival images & liner notes in both English & Japanese.

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Twin Atlantic

Power

Release: 2019 / EU – Original

Genre: Rock & Indie

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Meltdown (White/Yellow Split Vinyl)

Twin Atlantic

LP | 2024 | Original (Staple Diet)

35,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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2LP | 2022 | DE | Original (Red Bull)

Twin Atlantic

Free

Release: 2022 / DE – Original

Genre: Rock & Indie

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2LP | 2022 | US | Original (Keeled Scaless)

Twain

Noon

Uppers Black Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Matthew Davidson is a prolific contributor to beloved projects including Big Thief, whose latest album Dragon New Warm Mountain I Believe in You features Davidson's distinct contributions on six songs, as well as a current member of Buck Meek's band. Davidson is also a former member of The Low Anthem, Spirit Family Reunion, and Deslondes and has toured with the likes of Langhorne Slim, Courtney Marie Andrews and more. He made his label debut as Twain with Rare Feeling in 2017. Twain's music resonates a transcendental weight, his performances reliably noted as raw and intensely emotional. The long-awaited album from Twain released via Keeled Scales is his first-ever double LP titled Noon. Twain's first album in three years, Noon looks to explore the balancing exercise between soul-fantasy and self-scrutiny. The songs on Noon try to sit in the liminal state between the spirit's ambition for itself and the often harsh truth of the present. The hope is to erode the barrier between those two states. 'Twain' is Mat Davidson's approach to reconcile those two states, and to forget that they could ever exist in opposition.

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TV Priest

LP | 2021 | EU | Original (Sub Pop)

Tape | 2021 | EU | Original (Sub Pop)

Release: 2021 / EU – Original

Genre: Rock & Indie

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It's Tempting To Think That You Have All The Answers, Screaming Your Gospel Every Day With Certainty And Anger. Life Isn't Quite Like That Though, And The Debut Album From London Four-Piece Tv Priest Instead Embraces The Beautiful And Terrifying Unknowns That Exist Personally, Politically, And Culturally. Posing As Many Questions As It Answers, Uppers Is A Thunderous Opening Statement That Continues The Uk's Recent Resurgence Of Grubby, Furious Post-Punk Music. It Says Something Very Different Though - Something Completely Its Own. Four Childhood Friends Who Made Music Together As Teenagers Before Drifting Apart And Then, Somewhat Inevitably, Back Together Late In 2019, Tv Priest Was Borne Out Of A Need To Create Together Once Again, And Brings With It A Wealth Of Experience And Exhaustion Picked Up In The Band's Years Of Pursuing 'Real Life' And 'Real Jobs', Something Those Teenagers Never Had. Last November, The Band - Vocalist Charlie Drinkwater, Guitarist Alex Sprogis, Bass And Keys Player Nic Smith And Drummer Ed Kelland - Played Their First Show, To A Smattering Of Friends In What They Describe As An "Industrial Freezer" In The Warehouse District Of Hackney Wick. "It Was Like The Pub In Peep Show With A Washing Machine Just In The Middle_" Charlie Laughs, Remembering How They Dodged Star Wars Memorabilia And Deep Fat Fryers While Making Their First Statement As A Band. Unsurprisingly, There Isn't A Precedent For Launching A Band During A Global Pandemic, But Among The General Sense Of Anxiety And Unease Pervading Everything At The Moment, Tv Priest's Entrance In April With The Release Of Debut Single "House Of York" - A Searing Examination Of The Monarchy Set Over Wiry Post-Punk And Fronted By A Mark E. Smith-Like Mouthpiece - Served As A Breath Of Fresh Air Among The Chaos, Its Anger And Confusion Making Some Kind Of Twisted Sense To The Nation's Fried Brains. It's The Same Continued Global Sense Of Anxiety That Will Greet The Release Of Uppers, And It's An Album That Has A Lot To Say Rig...

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TV Priest

Uppers

9,74 €* 12,99 € -25%

1977-1978 Red Splatter Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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TV Eye

LP | 2024 | CA | Original (Cleopatra)

29,99 €*

Release: 2024 / CA – Original

Genre: Rock & Indie

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Myself In The Way Violet Vinyl Edition

Turnover

Myself In The Way Cream Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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A new record from Turnover arrives this fall. Myself in the Way is the band's fifth full-length album, and it follows their first pause in consistent touring in almost 10 years. While the world was shut down, Turnover's four bandmates spent time meditating, painting, volunteer firefighting, skateboarding, and working in state parks - deepening interests and growing roots in places they hadn't been able to while living life on the road for so long. Over 18 months, these individual experiences acted as the soil in which Myself in the Way grew into Turnover's next album. Returning to Pennsylvania to track with longtime friend and producer Will Yip, vocalist & guitarist Austin Getz cites Quincy Jones, Chic, and Dark Side of the Moon as influences in the way that songs like the infectiously-rhythmic "Ain't Love Heavy" and the trippy, disorienting "Tears of Change" feel wider, deeper and more whole than anything in the band's catalog to date. Drummer Casey Getz' new skills behind the drum set that open up songs on Myself in the Way to more improvisation and fluidity, pairing well with bassist Dan Dempsey's infectious bass-lines and Nick Rayfield's sharpened guitar and piano playing. On Myself in the Way, Turnover's creative vision takes center- stage in every way. The album's cover art - a sparkling array of multicolored gems scattered across a neutral canvas - was painted during lockdown by Dempsey. Music videos for the record were directed and filmed by the band, including the dizzy "Wait Too Long" video shot on retreat in upstate New York with friends and collaborators Kyle Lamb and Blair Kemp. Austin's increased involvement on the production side earned him his first-ever co-producer credit, and Nick Rayfield contributed a new perspective as a songwriter for the first time in the recording process. For a band that has never stopped evolving, Turnover has always remained authentic with every release. Myself in the Way is an achievement that ties new and exciting ideas in with the band's unique artistic ambition.

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Turnover

LP | 2021 | CA | Original (Artoffact)

Release: 2022 / US – Original

Genre: Rock & Indie

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Tunic

Exhaling

Release: 2021 / CA – Original

Genre: Rock & Indie

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Winnipeg-Based Hardcore Noise-Rock Trio Tunic Will Release Exhaling, A Slab Of Visceral Tracks Pressed On Yellow Vinyl.Winnipeg-Based Hardcore Noise-Rock Trio Tunic Will Release Exhaling, A Slab Of 23 Visceral Tracks That Take A Page Out Of Con...

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W H O K I L L - Pink, Green & Black Splatter Record Store Day 2021 Edition

LP | 2011 | EU | Reissue (4AD)

Release: 2011 / EU – Reissue

Genre: Rock & Indie

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Record Store Day 2021 Release.
Limitation: 3500 copies.

Tune-Yards' 2011 breakthrough second album whokill will receive a limited edition pressing on splatter vinyl to celebrate its 10th anniversary on Record Store Day. Upon its original release the album received accolades from The Guardian, Pitchfork, NPR, The New York Times, and it won the Village Voice's prestigious Paz & Jop critic's prize. The brainchild of Merrill Garbus, tUnE-yArDs began life as dictaphone recordings which were then painstakingly mixed down on GarageBand to create her opening gambit, the debut album BiRd-BrAiNs. Initially released on a limited LP run with screen printed sleeves recycled from thrift store bargain bins, the album was formally released in late 2009. Alongside the record, she also started to build quite a reputation for her live performances. Using loop pedals, two mics, a snare drum, a ukelele, her distinctive voice (she's spent time teaching singing in Kenya) and crucially, a second band member, Nate Brenner on bass. The album, w h o k i l l, marks a time when everything came together in to one cohesive whole. Recorded in a studio and influenced heavily by her moving to Oakland, California, she and Nate made an album that delivered on her early promise. Lyrically Garbus explores constructs of femininity and sexuality with the threat of violence that lurks on the streets where she now lives, while the energy of their show has been translated perfectly to record.

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LP | 2011 | US | Reissue (4AD)

w h o k i l l

22,99 €*

Coast To Coast (U.S. Girls Remix) / Velvet For Sale (Tune-Yards Remix)

Release: 2011 / US – Reissue

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

White splattered vinyl seems unplayed. Still in shrink but opened with hype sticker. Tiny wear. Record Store Day edition Limited edition 2021 reissue.

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Tune-Yards / U.S. Girls

7" | 2018 | US | Original (4AD)

9,99 €*

Release: 2018 / US – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Sorry To Bother You (Original Score)

LP | 2023 | UK | Original (Beggars Banquet)

30,99 €*

Release: 2023 / UK – Original

Genre: Rock & Indie

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LP | 2021 | UK | Original (4AD)

Sketchy

Release: 2021 / UK – Original

Genre: Rock & Indie

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LP | 2021 | UK | Original (4AD)

Sketchy.

Release: 2021 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Original inner sleeve

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LP | 2021 | UK | Original (4AD)

Sketchy.

19,19 €* 23,99 € -20%

Release: 2021 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed

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LP | 2021 | US | Original (4AD)

Sketchy.

18,99 €*

7" | 1975 | EU | Reissue (Ironhand)

Release: 2021 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Blue vinyl. Still in shrink but opened. Original inner sleeve. Limited edition

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Tünay Akdeniz

Salak Red Vinyl Edition

16,99 €*

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Tuna Universitaria De Compostela

Tuna Universitaria Compostelana

LP | 1975 | ES | Original (Mirman's)

3,99 €*

Release: 1975 / ES – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

LP | 2023 | JP | Original (First On Vinyl)

Tsuki No Wa

Ninth Elegy

37,99 €* 39,99 € -5%

LP | 2024 | EU | Original (Knekelhuis)

Release: 2023 / JP – Original

Genre: Rock & Indie

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The long-awaited first release on vinyl of the indie masterpiece released by Japanese cross-border music group 'Tsuki No Wa' in 2000. It's as if "acid pop" played by Bill Evans. The sound like a daydream, the gentle performance, and the beautiful voice mesmerize the listeners. The 5th release title from the reissue label "First on Vinyl", curated by Calm, one of the most renowned DJ, producer and record collector in Japan.

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Trystero

Sfumare E Vedere

Go To Ground Clear Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Trystero comprises Scottish/Luxembourgish producer Thomas Lea Clarke (aka MR TC) and Low Bat, otherwise known as one half of the formidable duo Jean-Luc. Their debut album, Sfumare e Vedere, was conceived over three days aboard Urban Boat, a 1960s barge transformed into an arts and performance space. Moored along the river just outside of Paris, the duo embarked on a joint residency, discovering their complementary creative energies and a mutual passion for all things strange and psychedelic.

As frontman, Low Bat is a fire-powered poet, his unparalleled stage presence resonating through Trystero's music. The French native and fluent German speaker has a natural flair for languages. For this project, he sings in a combination of Italian and English about love, loss, and class struggle, constructing surreal wordplay about pelicans and puttanesca. Meanwhile, Clarke's drone-lead electronic accompaniment takes its cues from sizzling acid, 1990s snap rhythms, post-punk, krautrock and shoegaze. Firmly rooted in these tripped-out genres, Trystero journeys to entirely new cosmic dimensions.

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True Faith

LP | 2023 | Original (A La Carte)

22,99 €*

Release: 2023 / Original

Genre: Rock & Indie

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Submersive Behaviour Aqua Blue Clear Swirl Vinyl Edition

Tropical Fuck Storm

LP | 2023 | US | Original (Joyful Noise)

Tristwch Y Fenywod Glow In The Dark Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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Enter the wonderful world of the amazing Tropical Fuck Storm! Submersive Behaviour is our favorite Australian art-punk combo's take on the tried and true "covers record" concept. Over the course of 36 minutes, TFS puts their deranged spin on classics by Jimi Hendrix, Middle Aged in the Middle East in the Middle Ages, Men Men Menstration, Compliments to the Chef, and The Stooges. Guest starring their old kangaroo mates and collaborators Dan Kelly, the Bard of Beenleigh and Aaron Cupples, the Earl of East Gippsland on octopus like strings-man-ship, falsetto and apocalyptic vibes.

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Tristwch Y Fenywod

LP | 2024 | Original (Night School)

LP | 2024 | EU | Original (Night School)

Release: 2024 / Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-08

Singing black-lit liturgies of bog bodies caked in mud, entranced by nocturnal landscapes flickering in the moonglow and powered by queer enchantment, Tristwch y Fenywod are a Welsh-language gothic avant-rock powercoven. Exhumed from the depths of Leeds’ experimental underground, the trio consist of Gwretsien Ferch
Lisbeth (Guttersnipe, The Ephemeron Loop), Leila Lygad (Hawthonn) and Sidni Sarffwraig (Slaylor Moon, The
Courtneys).
Stark, striking and bewitching, Tristwch y Fenywod’s self-titled album is their debut studio recording, following just
10 gigs and a live demo. Formed in 2022, Tristwch y Fenywod ("The Sadness of Women”) record exclusively in the
Welsh language, conjuring an eldritch, subterranean, alien folk music played on dual zither, electronic drums and
bass guitar. With towering, siren-like vocals curling around the Welsh consonants, accompanied by stark, martial
rhythms and swirling claw-plucked strings, Tristwch y Fenywod feels like an early 4AD recording dredged from the
waters of an Anglesey swamp. The effect is simultaneously chilling and stirring.
The eight tracks on the record constitute what feels like a recently rediscovered, unholy grail of edgy, atmospheric,
occult feminist goth emissions. Gwretsien’s dual-zither playing scatters melodic fragments and spirals of harmony
around the decimated space opened up by the lugubrious bass playing and pounding, brooding drum pads.
Coupled with the Welsh vocal, Tristwch y Fenywod embody a new, unique Celtic darkwave sound, equal parts
Pornography-era The Cure, Svitlana Nianio’s haunted hammered string-work and the dark beauty of Dead Can
Dance or This Mortal Coil. Opener Blodyn Gwyrdd feels like the last ride of Princess Ukok, with lumbering bass
and 6/8 rhythms in procession to the event horizon with an entreating, impassioned vocal and surprising lyrical
theme. The doomed dancing of the zither provides the mysterious melodic bedrock throughout the album,
particularly on Ferch Gyda’r Llygaid Du’s heavy funereal sway and the slowly building, paroxysmal banshee
breakdown of Awen: an astonishing swell of thrilling chaos.
The album was recorded and produced by Ross Halden and the band at Hohm Studio, Bradford, Summer 2023.

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Tristwch Y Fenywod

24,99 €*

Tripping The Light Fantastic

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-08

Singing black-lit liturgies of bog bodies caked in mud, entranced by nocturnal landscapes flickering in the moon-glow and powered by queer enchantment, Tristwch y Fenywod are a Welsh-language gothic avant-rock power-coven. Exhumed from the depths of Leeds’ experimental underground, the trio consist of Gwretsien Ferch Lisbeth (Guttersnipe, The Ephemeron Loop), Leila Lygad (Hawthonn) and Sidni Sarffwraig (Slaylor Moon, The Courtneys).

Stark, striking and bewitching, Tristwch y Fenywod’s self-titled album is their debut studio recording, following just 10 gigs and a live demo. Formed in 2022, Tristwch y Fenywod ("The Sadness of Women”) record exclusively in the Welsh language, conjuring an eldritch, subterranean, alien folk music played on dual zither, electronic drums and bass guitar. With towering, siren-like vocals curling around the Welsh consonants, accompanied by stark, martial rhythms and swirling claw-plucked strings, Tristwch y Fenywod feels like an early 4AD recording dredged from the waters of an Anglesey swamp. The effect is simultaneously chilling and stirring.

The eight tracks on the record constitute what feels like a recently rediscovered, unholy grail of edgy, atmospheric, occult feminist goth emissions. Gwretsien’s dual-zither playing scatters melodic fragments and spirals of harmony around the decimated space opened up by the lugubrious bass playing and pounding, brooding drum pads. Coupled with the Welsh vocal, Tristwch y Fenywod embody a new, unique Celtic darkwave sound, equal parts Pornography-era The Cure, Svitlana Nianio’s haunted hammered string-work and the dark beauty of Dead Can Dance or This Mortal Coil. Opener Blodyn Gwyrdd feels like the last ride of Princess Ukok, with lumbering bass and 6/8 rhythms in procession to the event horizon with an entreating, impassioned vocal and surprising lyrical theme. The doomed dancing of the zither provides the mysterious melodic bedrock throughout the album, particularly on Ferch Gyda’r Llygaid Du’s heavy funereal sway and the slowly building, paroxysmal banshee breakdown of Awen: an astonishing swell of thrilling chaos.

The album was recorded and produced by Ross Halden and the band at Hohm Studio, Bradford, Summer 2023.

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Six O'Clock News

7" | 2010 | DE | Original (All Rock'n'Roll Speeds Up Records)

4,99 €*

Release: 2010 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 2022 | EU | Reissue (Topshelf)

tricot

T H E

Release: 2022 / EU – Reissue

Genre: Rock & Indie

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CD | 2015 | EU | Original (Tin Angel)

Trembling Bells

The Sovereign Self

8,99 €*

Release: 2015 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Trembling Bells / Alex Rex

10" | 2019 | UK | Original (Tin Angel)

11,99 €*

Release: 2019 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Clear vinyl!

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LP | 2021 | EU | Original (Oh Boy)

You, Yeah, You

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Oh Boy - Thirty Tigers)

Traffic Fiction

24,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Green vinyl.

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LP | 2023 | EU | Original (Oh Boy - Thirty Tigers)

Traffic Fiction

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2020 | US | Original (Oh Boy)

Caught It From The Rye

Chameleon Mint Green Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Cover and vinyl are close to NM.

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Trauma Ray

LP | 2024 | US | Original (Dais)

24,99 €*

Chameleon Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Since first bonding over Slowdive at a Texas karaoke bar six years ago, musicians Uriel Avila and Jonathan Perez have grown trauma ray into Fort Worth's foremost flag bearer of crushing shoegaze. A five-piece rounded out by bassist Darren Baun, drummer Nicholas Bobotas, and guitarist Coleman Pruitt, the band's debut album, Chameleon, captures their evolving sound at an apex of majestic devastation. A fusion of downer hooks, gauzy melancholia, and bulldozer riffs, the album heaves and crashes across 50 minutes of stacked amplifier alchemy. Lyrically the songs trace similarly lofty and brooding terrain; Avila says "The theme is death. And a chameleon, like death, can shape-shift in and out our lives in different forms." Chameleon opens with "Ember," dreamy and distant, alternately anthemic and apocalyptic, defeated and deafening. Lead single "Bishop" perfectly encapsulates trauma ray's depth and dimension, ripping out of the gate with "the biggest, baddest, saddest wall of sound." Lyrics about being burnt at the stake and "tossed in the flame" float above a stop-start assault of precision distortion, eventually expanding into a lush, heavy, sorrowful end coda. "Spectre" is a mysterious, introspective dirge, envisioned as a "mellow, slowcore, Duster-thing," all feeling and heavy fuzz chords (with no lead guitar). Avila wrote it, "to be a hymnal" from the perspective of someone who won't let go - a ghost, an ex, a shadow self. Although the album is rich with subtleties, graceful lulls, and "breaths of air," the band's three guitar attack is its defining force, a power flexed to its peak on "Bardo." Perez's intentions were blunt: "I wanted to write a riff that was hard as fuck." The result is alternately mean and eerie, veering between noisy one string bends and surging headbang, mapping a middle ground between Unwound and early-Deftones. One of trauma ray's greatest gifts is their ability to make doomy, sledgehammer heaviness sound like an earworm, without production tricks or gimmicks: "Riff, verse, chorus, three guitar parts - that's all you need." This quality is particularly apparent on the title track, a churning slab of amplifier worship, swirling chords, and heavenly, defeated vocals about not belonging, shape-shifting, and death ("A twisted face / Void of attention / An empty space / In your reflection"). "U.S.D.D.O.S" closes the album, swaying across seven minutes of grey skied guitar and haunted voice, subtly thickening as it deepens. Feedback and shrapnel gradually begin raining down, like a satellite disintegrating in the atmosphere. Titled as an acronym after a poem by Chilean writer Roberto Bolaño that loosely translates to "a dream within a dream," the melody softens, smears, and then disappears, slowly swallowed by the gravity of eternal descent. Chameleon is a masterpiece of craft, balance, melody, lyricism, and gravity, flexing a fresh vision of loud-quiet-loud architectures and the vertigo depths of blasted harmonics. From Slowdive to Nothing, to Hum and beyond, the band absorb and expand on their influences into a rare and dedicated alchemy. trauma ray's cinematic tempest is a gathering storm only just taking flight.

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Trauma Ray

LP | 2024 | US | Original (Dais)

23,99 €*

Transient & Bastard Noise

Release: 2024 / US – Original

Genre: Rock & Indie

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Completed Exposition & Blackphone666 - Split

7" | 2023 | Original (To Live A Lie)

14,99 €*

Release: 2023 / Original

Genre: Rock & Indie

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Tracyanne & Danny Peak Edition

Tracyanne & Danny

LP+7" | 2018 | US | Original (Merge)

Into The Burning Blue Blue Vinyl Edition

Release: 2018 / US – Original

Genre: Rock & Indie

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Peak Edition LP is double gatefold jacket & poly sleeve + opaque red vinyl + black 7-inch + LP3 coupon. Qty ltd to 3,000 worldwide. Tracyanne & Danny is a new collaborative project between singer-songwriters Tracyanne Campbell (Camera Obscura) and Danny Coughlan (Crybaby). Tracyanne hails from Glasgow, Scotland. London-born Danny is based in Bristol, England. Their paths first crossed in 2013 when introduced by mutual music industry pals. Tracyanne dug Danny's Crybaby album (released on Helium Records) and invited him to open some Camera Obscura shows in the UK. Mutual artistic respect led to the swapping of song ideas, but tentative plans to work together were set aside while Camera Obscura wrote, recorded, released, and promoted their fifth album Desire Lines. Following the death of Camera Obscura's Carey Lander, all band activity stopped. Time passed. Tracyanne and Danny revisited the idea of collaborating. A pool of songs were honed and crafted. On the suggestion of their manager (and Teenage Fanclub drummer) Francis Macdonald, they recorded at Clashnarrow, a studio in Helmsdale in the highlands of Scotland owned by the esteemed Edwyn Collins. Sessions took place throughout 2016 and 2017. Edwyn co-produced along with engineer and multi-instrumentalist Sean Read (Dexys). They had the use of Edwyn's vintage gear (including the guitar pedal which features on his global hit "A Girl Like You") as they invoked a range of shared influences: The Roches, Dion, Lou Reed, The Flamingos, Serge Gainsbourg, Santo & Johnny, and The Style Council. Edywn pops up with a guest vocal on first single "Alabama," an intentionally "joyous" tribute to Tracyanne's late friend and band mate Carey Lander. Tracyanne & Danny is not a diverting curio or a wee stop on the road to someplace else. It is a shared artistic aesthetic, forged over time. They have figured out how to fit round each other and work together, creating a rewarding musical synergy. There will be more songs.

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Trace Mountains

LP | 2024 | US | Original (Lame-O)

House Of Confusion Pink Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Into the Burning Blue, the fifth studio album from Trace Mountains, begins underwater. Songwriter Dave Benton was too. And though the songs were derived from a place of pain and heartbreak, Into the Burning Blue is an adventurous, bold, and groovy album about movement. Benton is at his most declarative, depicting his constant tread of water to stay afloat, and the occasional triumph that comes as reward.Pain often brings a new perspective on pleasure, and without the blues, joy wouldn't be as bright and elusive as it is. But excavation is essential to the new perspective, and you often need new tools to break out of the monochromatic mold. Into the Burning Blue is a testament to looking inward, embracing new methods, and accepting the help of your friends - no matter how hard they are to find.

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Trace Mountains

LP | 2022 | US | Original (Lame-O)

22,49 €* 24,99 € -10%

LP | 2019 | EU | Original (eOne Music)

Release: 2022 / US – Original

Genre: Rock & Indie

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House OF Confusion is Trace Mountains' third album & the rugged, earthier follow-up companion to 2020's Lost in the Country. The songs & arrangements on House OF Confusion lean ever-more into the rootsier impulses of "Lost in the Country", relying heavily on live recording & instrumentation that features the acoustic guitar & pedal steel. This shift reveals a new, understated complexity within the songs & the tangible, tactile nature of the performances, evoking the free-flowing nature of influences like Tom Petty or Built to Spill, all-throughout imbued with the energy of Country icon Emmylou Harris' cult classic & band favorite, Wrecking Ball. The album is comprised of road songs, rock songs, country songs, religious songs, disco songs, satanic songs, jams & simple tunes, laid out in careful presentation _ to use at your leisure.

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Toxic Holocaust

Primal Future: 2019

Release: 2019 / EU – Original

Genre: Rock & Indie

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Lines In The Leave Colored Vinyl Edition

Town Mountain

LP | 2022 | US | Original (New West)

Towers / Take Down Your Art

Release: 2022 / US – Original

Genre: Rock & Indie

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Hailing from Asheville, North Carolina, Town Mountain is the sum of all its vast and intricate influences — this bastion of alt-country rebellion and honky-tonk attitude pushed through the hardscrabble Southern Appalachian lens of its origin. With their latest album, Lines in the Levee, Town Mountain creates a collage of sound and scope within the same template of freedom found in the round-robin fashion of the musical institution that is The Band — a solidarity also found in the incendiary live shows Town Mountain is now revered for from coast-to-coast, this devil-may-care gang of strings and swagger. Recorded at Ronnie’s Place (part of the Sound Stage Studios) on Music Row in the heart of Nashville, Lines in the Levee is a bona fide workshop in the seamless blend of Americana, country, bluegrass and folk roots — this crossroads of deep influences and cultivated visions each member of Town Mountain brings to the table.

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10" | 2010 | US | Original (Engine For A Revolution)

6,99 €*

Release: 2010 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

LP | 2018 | CH | Original (Les Disques Bongo Joe)

Tout Bleu

7,99 €*

Release: 2018 / CH – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

LP | 2021 | CH | Original (Les Disques Bongo Joe)

Tout Bleu

Otium

15,99 €*

Tortoise Colored Vinyl Edition

Release: 2021 / CH – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

Granit Marbled vinyl. Cover with small beginning of seam split on top spine.

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Tortoise

LP | 1994 | US | Reissue (Thrill Jockey)

34,99 €*

Rhythms, Resolutions & Clusters Yellow Vinyl Edition

Release: 1994 / US – Reissue

Genre: Rock & Indie

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Tortoise has spent nearly 30 years making music that defies description. While the Chicago-based instrumental quintet has nodded to dub, rock, jazz, electronica, and minimalism throughout its revered and influential discography, the resulting sounds have always been distinctly, even stubbornly, their own. There is a always the pervasive element of group play, or ensemble?mindedness, as opposed to emphasis on a virtuoso soloist or frontman, despite the fact Tortoise is composed of members who could each easily have taken center stage in another group. In their debut, Tortoise is composed of Douglas McCombs, John Herndon, Dan Bitney, John McEntire, and Bundy K. Brown. This self-titled, incorporates many musical styles and influences, but no one style alone is sufficient to fully describe the distinct sound they craft. This unique blending of styles caused them to be recognized as the leaders of a new musical movement. Tortoise utilize the recording studio, not only to put their music to wax, but in a way that their recording process becomes a compostional tool described at times as the "sixth member", thus creating a boundless parameter in which to create and manipulate music. Tortoise's self-titled debut was originally released in 1994. This re-issue is re-mastered by Roger Seibel at SAE Mastering, in jacket with art insert, both designed by Sam Prekop as well as a free download card. 2022 version is available on limited edition white with hi-melt black vinyl

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Tortoise

LP | 1995 | US | Reissue (Thrill Jockey)

34,99 €*

Rhythms, Resolutions, & Clusters

Release: 1995 / US – Reissue

Genre: Rock & Indie

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Tortoise has spent nearly 30 years making music that defies description. While the Chicago-based instrumental quintet has nodded to dub, rock, jazz, electronica and minimalism throughout its revered and influential discography, the resulting sounds have always been distinctly, even stubbornly, their own. One of the throughlines that create that distinctive sound is what might be called a pervasive element of group play, or ensemble-mindedness, as opposed to emphasis on a virtuoso soloist or frontman. Rhythms, Resolutions and Clusters follows in this line as Tortoise turned their iconic early songs over to their friends to play with. The remixes by other legends including Bundy K. Brown, Steve Albini, Jim O'Rourke, Brad Wood (Liz Phair), Casey Rice, Mike Watt (Minute Men), and Rick Brown (75 Dollar Bill) create a sense of community, and unlimited creativity. It's been out of print since 1995. Tortoise...have spent the past 25 years and seven albums fusing dub, jazz, prog, and indie into an instantly recognizable and much-loved trademark sound. - Pitchfork As with the best of Tortoise, these tracks can be enjoyed on many levels, but when listened to carefully, they reveal seemingly infinite sonic treasures. - Pitchfork

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Tortoise

LP | 1995 | US | Reissue (Thrill Jockey)

Release: 1995 / US – Reissue

Genre: Rock & Indie

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Silver Tongue Black Vinyl Edition

Torres

LP | 2020 | US | Original (Merge)

Release: 2020 / US – Original

Genre: Rock & Indie

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A person whose words are so potent that they cause the people and beings around them to vibrate is said to have a "silver tongue." It's apt, then, that Mackenzie Scott_who has spent the 2010s making boundarypushing pop music under her TORRES moniker_has chosen to call her fourth album, and first release on Merge, just that. Recorded at O'Deer in Brooklyn, New York, Silver Tongue is a full-scale realization of the world Scott has created over TORRES' last few albums. Even when singing in more subdued tones, Scott's voice is fervent, her lyrics stirring and unyielding as she draws from both the divine and the everyday. It's also the first TORRES record produced solely by Scott. After having shared production duties on her first three albums, the latter two alongside PJ Harvey collaborator Rob Ellis, she found the process liberating: "I made exactly the record I want, and it feels very `me.'" Silver Tongue fastidiously chronicles the impulses that make up desire_ from the dreamy first blushes of infatuation through the slightly terrifying wonder that accompanies connection with another. In between, Scott wrestles with the highs and lows of what "being in love" might mean over heady guitars and swirling synths. While potent vocal hooks punctuate songs like the sparkling "Dressing America," which combines New Wave glitter with hovering frustration, and the brooding "Good Grief," which gently pokes at the idea of fetishized sadness, the knottiness lurking underneath reflects Scott's realtime processing of her emotions while making the record. Silver Tongue's musical world is vast and at times seemingly infinite. Edge-of-the-world synths add gravity to the vulnerability of "Two of Everything," and refracted guitars offer a gnarled counterpoint to Scott's increased determination at the end of "Last Forest." On "Gracious Day," one of TORRES' most forthright love songs, Scott's voice hovers over a starlit landscape in a way that transcends the mundane and enters the otherworldly as she sings. TORRES' music has long navigated the space between the physical and the metaphysical, and Silver Tongue faces that conflict head-on, examining the ways in which the actions of others can stir up deep-seated feelings and seemingly alter the space in which one exists.

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LP | 2011 | US | Reissue (Carpark)

Underneath The Pine

23,99 €*

Release: 2011 / US – Reissue

Genre: Rock & Indie

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Columbia, South Carolina’s Chaz Bundick (aka Toro y Moi) rose to the fore of the music blogosphere in summer 2009 when he and a few peers made their hazy bedroom recordings the most talked-about sound of the season. Critics across the board took notice of the range of his compositions, and his debut album, Causers of This, showcased his ability to make elements of Brian Wilson’s pop, 80s R&B, and Stone’s Throw hip hop coalesce into a distinct sound that’s as suitable for a dancefloor as it is a pair of headphones.

When Chaz first signed to Carpark Records, the plan was to release two records in 2010 — one electronic and one with live instrumentation — and although it didn’t quite fit into the same calendar year as his debut, Underneath the Pine is that latter offering. This release sees him following the same creative urges to completely different ends. Having spent the year listening to film composers like Ennio Morricone and François de Roubaix, Bundick returned to his home in Columbia, the birthplace of many Toro tracks of yore, to bring his new ideas to fruition. The result of these sessions is an album evocative of R. Stevie Moore’s homespun ruminations, David Axelrod’s sonic scope, Steve Reich-ian piano phrasing, and the pervasive funk of his first record. Underneath the Pine announces a new phase for an artist whose talent defies classification.

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LP | 2013 | US | Original (Dead Oceans)

Sandhills

Release: 2013 / US – Original

Genre: Rock & Indie

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Mahal Silver Vinyl Edition

LP | 2022 | US | Original (Dead Oceans)

30,99 €*

Release: 2022 / US – Original

Genre: Rock & Indie

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Toro y Moi's seventh studio album, Mahal, is the boldest and most fascinating journey yet from musical mastermind Chaz Bear. The record spans genre and sound_encompassing the shaggy psychedelic rock of the 1960s and `70s, and the airy sounds of 1990s mod-post-rock_taking listeners on an auditory expedition, as if they're riding in the back of Bear's Filipino jeepney that adorns the album's cover. But Mahal is also an unmistakably Toro y Moi experience, calling back to previous works while charting a new path forward in a way that only Bear can do. Mahal is the latest in an accomplished career for Bear, who's undoubtedly one of the decade's most influential musicians. Since the release of the electronic pop landmark Causers of This in 2009, subsequent records as Toro y Moi have repeatedly shifted the idea of what his sound can be. But there's little in Bear's catalog that will prepare you for the deep-groove excursions on Mahal, his most eclectic record to date. The second the album begins we're immediately transported into the passenger seat, jeep sounds and all, ready for the ride Chaz and company have concocted for us. Seeds of some of Mahal's 13 songs date back to the more explicitly rock-oriented What For? from 2015. Mahal was mostly completed last year in Bear's Oakland studio with the involvement of a host of collaborators, Sofie Royer and Unknown Mortal Orchestra's Ruban Neilson to Neon Indian's Alan Palomo and the Mattson 2. "I wanted to make a record that featured more musicians on it than any other record of mine," he explains. "To have them live on that record feels grounded, bringing a communal perspective to the table." As a result, Mahal is lush and surprising at every turn, from the cool-handed "The Loop," which recalls Sly and the Family Stones, to the elastic psych rock of "Foreplay" and the dizzying Mulatu Astatke-recalling of "Last Year." Lyrically, the album zooms in on generational concerns, picking up where the Outer Peace standout "Freelance" effectively left off. Bear seems to be surveying the ways in which we connect with technology, media, each other, and what disappears as a result. Cuts like the squishy "Postman" and the "Magazine" take a deep dive into our relationship with media in a changing digital world. "It's interesting to see how we adapt to this new age. We're so connected, but we're still missing out on things," Bear ruminates while discussing the album's themes. It's not all introspection. Bear cools things down near the album's end with the Mattson 2-featuring "Millennium," a laid-back jam with tricky guitar licks about ringing in new times even when everything else seems upside down. "It's about enjoying the new year, even when it's been shitty," Bear explains. "There's nothing else to do." Finding a sense of joy in the face of adversity is embedded in Mahal's DNA, right down to the jeepney that literally and figuratively brings the music out into the community. "We know that touring is messed up for now, and large gatherings are a fluke," he explains. "It's about the notion of us going out to the people and bringing the record to them." And with the wide-open atmosphere of Mahal, Toro y Moi stands to connect with more listeners than ever before.

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Mahal Black Vinyl Edition

LP | 2022 | US | Original (Dead Oceans)

Release: 2022 / US – Original

Genre: Rock & Indie

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2LP | 2016 | US | Original (Carpark)

Live From Trona

Release: 2016 / US – Original

Genre: Rock & Indie

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Following extensive touring behind What For?, his fourth studio album as Toro Y Moi, acclaimed musician Chaz Bundick brought the band to the middle of the Mojave Desert in April 2016 to play a special concert. Live from Trona documents this experience, recorded live beneath the geological wonders known as the Trona Pinnacles, which formed thousands of years ago in what used to be a prehistoric lake.

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Hole Erth HHV European Exclusive D2C Olive Green Bio Vinyl Edition

LP | 2024 | US | Original (Dead Oceans)

Release: 2024 / US – Original

Genre: Rock & Indie

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Hole Erth, Chaz Bear's eighth full-length studio record as Toro y Moi, is the genre shapeshifter's most unexpected and bold move to date, with Bear diving headlong into rap-rock, Soundcloud rap and Y2K emo. The album blitzes anthemic pop-punk next to autotuned, melancholic rap - two genres that inform one another now more than ever before _ and packs in the most features ever on a Toro y Moi album. A sense of nostalgia sneaks its way into almost every Toro y Moi release, but angst is an emotion that Bear has never intentionally explored the way he does here. Tracks like "Tuesday'' channel a specific, yet forever-relatable sense of adolescent unease. A distorted guitar riff leads into a repeating chorus that conjures misunderstood teenagers singing aloud, maybe too loud, while riding bikes through American suburbs. This foreboding can also be heard on "HOV," though not without poking some fun with lines like "Romance is so cold / My advice? To bring a coat." Bear has the energy, but is acutely aware that his energy isn't forever. At a time when the internet is blending multiple genres into one at an increasingly rapid pace, Bear accomplishes the rare feat of keeping up with the contemporary alternative listener. Constantly changing, evolving and experimenting is the heart of Toro y Moi, and on Hole Erth Bear challenges but also reclaims himself, embracing the myriad sounds and eras that formed him, while crashing new worlds together.

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Hole Erth Clear Blue Smoke Vinyl Edition

LP | 2024 | US | Original (Dead Oceans)

Release: 2024 / US – Original

Genre: Rock & Indie

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Hole Erth Black Bio Vinyl Edition

LP | 2024 | US | Original (Dead Oceans)

29,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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CD | 2024 | US | Original (Dead Oceans)

Hole Erth

14,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-15

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LP | 2011 | US | Original (Carpark)

Freaking Out

30,99 €*

Release: 2011 / US – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Brand new 5 track EP by Chazwick Bundick!

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LP | 2010 | CA | Original (Carpark)

Causers Of This

36,99 €*

Release: 2010 / CA – Original

Genre: Rock & Indie, Electronic & Dance

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Incredibly versatile debut album from the one and only Toro Y Moi. Think of Madlib and Thomas Bangalter producing the next Panda Bear album and you’re halfway there.

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Anything In Return Picture Disc Edition

2LP | 2013 | US | Reissue (Carpark)

God Of Storms Black Vinyl Edition

Release: 2013 / US – Reissue

Genre: Rock & Indie

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Since his first offerings began making the Internet rounds in 2009, Toro y Moi has proven himself to be not just a prolific musician, but a diverse one as well, letting each successive release broaden the scope of his oeuvre. Amassing nearly 150,000 copies sold, Toro y Moi’s third full-length album, Anything in Return, sees Chaz Bear blending funk, psych-pop and colorful, glitchy electronic sampling, locking in his unique sound that would push him to the forefront of alternative and chillwave music in the 2010s. To celebrate its 10-year anniversary, Anything in Return will be released for the first time on picture disc.

But the product of a move he made almost a decade ago, from South Carolina to Berkeley, CA and the subsequent extended separation from loved ones, is what put Anything in Return right in the middle of the producer/songwriter dichotomy that his first two albums established. There’s a pervasive sense of peace with Bundick’s tendency to dabble in both sides of the modern music-making spectrum, and he sounds comfortable engaging in intuitive pop production and putting forth the impression of unmediated id. The producer’s hand is prominent — not least in the sampled “yeah”s and “uh”s that give the album a hip-hop-indebted confidence — and many of the songs feature the 4/4 beats and deftly employed effects usually associated with house music. Tracks like “High Living” and “Day One” show a considerably Californian influence, their languid funk redolent of a West Coast temperament, and elsewhere — not least on lead single, “So Many Details” — the record plays with darker atmospheres than we’re used to hearing from Toro y Moi. Sounding quite assured in what some may call this songwriter’s return to producerhood, Anything in Return is Bear uninhibited by issues of genre, an album that feels like the artist’s essence.

Since his earlier releases, Toro y Moi has continued to make big waves across the music landscape — headlining international tours in the US, Europe, and Asia, producing tracks for major artists like SZA, performing on national television shows like Jimmy Kimmel Live and The Ellen Show, joining festival lineups like Coachella and Fuji Rock, and much more.

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Torian

LP | 2018 | EU | Original (Ram It Down)

20,99 €*

Release: 2018 / EU – Original

Genre: Rock & Indie

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All These Fucking Feelings

Too Much Joy

LP | 2022 | EU | Original (Propeller Sound)

28,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 1961 | JP | Original (Reprise)

Tony Williams

Sings His Greatest Hits

7,99 €*

LP | 1961 | JP | Original (Reprise)

Release: 1961 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: G+

Japanese pressing with OBI!

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Tony Williams

Sings His Greatest Hits

4,99 €*

Release: 1961 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: G+, Cover: G+

The Atlantean Afterlife Splattered Vinyl Edition

Tony Tears

LP | 2021 | IT | Original (Bloodrock)

14,29 €* 25,99 € -45%

Release: 2021 / IT – Original

Genre: Rock & Indie

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Release: SE

Genre: Rock & Indie

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LP | 1980 | JP | Original (Epic)

Tony Sciuto

Island Nights

4,99 €*

Release: 1980 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1980 | JP | Original (Epic)

Tony Sciuto

Island Nights

7,99 €*

LP | 2024 | Original (Real Gone Music)

Release: 1980 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing with obi.

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Tony Rice

Native American

38,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Rebel)

Tony Rice

Guitar

Release: 2022 / EU – Original

Genre: Rock & Indie

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Tony Rice

California Autumn

LP | 2022 | EU (Rebel)

Release: 2022 / EU

Genre: Rock & Indie

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The Lost Chronicles Of Heavy Rock Vol.1

Tony Reed

2LP | 2018 | EU | Original (Listenable)

17,99 €*

Release: 2018 / EU – Original

Genre: Rock & Indie

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Blood And Strings: The Ripple Acoustic Series Chap

Tony Reed

LP (Ripple)

Genre: Rock & Indie

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LP | 2023 | US | Original (Telephone Explosion)

Tony Price

Hit Piece

Release: 2023 / US – Original

Genre: Rock & Indie

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Tony Price returns to Telephone Explosion Records with the new "Hit Piece" LP. The album is his first full-length since his 2022 release, "ibm CONTRA," on L.I.E.S. Records, and the follow-up to the "Bail Bonds" EP on his Maximum Exposure imprint in May 2023. In stark contrast to the expansive cybernetics of "ibm CONTRA," "Hit Piece" features 11 dancefloor-ready cuts that are crude, rude, immediate, and unrefined. There are no lofty intentions or concepts here; this is music about action and movement. Eschewing the narrative-driven structures of his previous albums, Tony shifts his focus to the groove, reducing dance music to its rawest textures and core principles. With this project, he unites jackin' house rhythms, early hip-hop bombast, and the hydraulic drive of Motor City funk with a punk rock immediacy and abrasiveness that recalls pre-robot Daft Punk, Todd Terry, Dance Mania, and his L.I.E.S. label mate Delroy Edwards.

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LP | 2018 | US | Original (Slumberland)

Kill The Lights

20,99 €*

Release: 2018 / US – Original

Genre: Rock & Indie

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With his brilliant new album "Kill The Lights," West Bay native Tony Molina continues his artistic evolution, steadily moving away from raging Weezer/Teenage Fanclub-style power-pop nuggets fueled by shredding guitar pyrotechnics and Tony's ironclad DIY HC roots to mostly acoustic arrangements that owe as much to "Horizontal"-era Bee Gees and the Fanclub's mellower moments as they do to Georges Harrison and Martin. From the Byrds-y opener "Nothing I Can Say" to the subtly wrenching "Wrong Town" and the gorgeous folk-picking of "Now That She's Gone" we hear Tony synthesizing his influences with great skill and intention These classic folk and pop styles are being employed in the service of stellar songs and universal lyrical truths, reflecting a dedication to craft combined with an intense commitment to self-expression that transcends simplistic genre boundaries and is totally true to Tony's DIY punk roots.

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In The Fade Red Vinyl Edition

LP | 2023 | US | Original (Run For Cover)

Release: 2023 / US – Original

Genre: Rock & Indie

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Red VinylIt would be impossible to encapsulate the entire Tony Molina musical worldview in a single record. This is a man whose home stereo,in a single day, could be blaring The Move, Malo, Internal Bleeding,Dear Nora, and The Melvins. All that said, you'd be hard pressed tofind a better entry point to his work than In the Fade, a record thataccording to the artist himself, ties the entire catalog together.Recorded in spurts over two years in the Bay Area with an array oflongtime friends and collaborators, In the Fade is a mix of both newand old for Tony's first solo album in four years. The record cametogether almost like a compilation, the result of Tony taking inventory of both his extensive solo career and his time in the criminally-underrated band Ovens in the early to mid 2000's. This introspection makes for a very "pop" album - hooks permeate the record'sheavier guitar-pop tunes as well as its more delicate folk-rock andindie-pop tracks. It's a return in part to the Ovens sound, but alsofeatures elements of his more recent material and introduces someintriguing new wrinkles.In the Fade evokes the sounds of some of Tony's favorite bands:Fastbacks, The Flaming Lips, The Muffs. There's a Black Sabbathcover, some reworked songs from his past and most important of all,some of Tony Molina's finest original songs to date. As a whole, Inthe Fade encompases every phase of his recording career to datewhile also fitting together as a tight, endlessly listenable album - ashowcase of Tony Molina's love for well-crafted songs that proveshe's one of the best in the game at writing them.

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In The Fade Gold Vinyl Edition

LP | 2023 | US | Original (Run For Cover)

Release: 2023 / US – Original

Genre: Rock & Indie

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Gold VinylIt would be impossible to encapsulate the entire Tony Molina musical worldview in a single record. This is a man whose home stereo,in a single day, could be blaring The Move, Malo, Internal Bleeding,Dear Nora, and The Melvins. All that said, you'd be hard pressed tofind a better entry point to his work than In the Fade, a record thataccording to the artist himself, ties the entire catalog together.Recorded in spurts over two years in the Bay Area with an array oflongtime friends and collaborators, In the Fade is a mix of both newand old for Tony's first solo album in four years. The record cametogether almost like a compilation, the result of Tony taking inventory of both his extensive solo career and his time in the criminally-underrated band Ovens in the early to mid 2000's. This introspection makes for a very "pop" album - hooks permeate the record'sheavier guitar-pop tunes as well as its more delicate folk-rock andindie-pop tracks. It's a return in part to the Ovens sound, but alsofeatures elements of his more recent material and introduces someintriguing new wrinkles.In the Fade evokes the sounds of some of Tony's favorite bands:Fastbacks, The Flaming Lips, The Muffs. There's a Black Sabbathcover, some reworked songs from his past and most important of all,some of Tony Molina's finest original songs to date. As a whole, Inthe Fade encompases every phase of his recording career to datewhile also fitting together as a tight, endlessly listenable album - ashowcase of Tony Molina's love for well-crafted songs that proveshe's one of the best in the game at writing them.

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In The Fade

Release: 2022 / US – Original

Genre: Rock & Indie

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It would be impossible to encapsulate the entire Tony Molina musical worldview in a single record. This is a man whose home stereo, in a single day, could be blaring The Move, Malo, Internal Bleeding, Dear Nora, and The Melvins. All that said, you'd be hard pressed to find a better entry point to his work than In the Fade, a record that according to the artist himself, ties the entire catalog together.Recorded in spurts over two years in the Bay Area with an array of longtime friends and collaborators, In the Fade is a mix of both new and old for Tony's first solo album in four years. The record came together almost like a compilation, the result of Tony taking inventory of both his extensive solo career and his time in the criminally-underrated band Ovens in the early to mid 2000's. This introspection makes for a very "pop" album - hooks permeate the record's heavier guitar-pop tunes as well as its more delicate folk-rock and indie-pop tracks. It's a return in part to the Ovens sound, but also features elements of his more recent material and introduces some intriguing new wrinkles.In the Fade evokes the sounds of some of Tony's favorite bands: Fastbacks, The Flaming Lips, The Muffs. There's a Black Sabbath cover, some reworked songs from his past and most important of all, some of Tony Molina's finest original songs to date. As a whole, In the Fade encompasses every phase of his recording career to date while also fitting together as a tight, endlessly listenable album - a showcase of Tony Molina's love for well-crafted songs that proves he's one of the best in the game at writing them.

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In The Fade

Release: 2022 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Small light scuff on side B.
Record is close to VG+.
Still shrink wrapped but opened.
Cover as new with faintly worn corners.
Includes original insert.

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LP | 2014 | US | Original (Slumberland)

Dissed & Dismissed

20,99 €*

Release: 2014 / US – Original

Genre: Rock & Indie

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Genre: Rock & Indie

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12" | 2021 | US | Reissue (Slumberland)

Confront The Truth

Release: 2021 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2023 | EU | Original (Cie Illimitee)

Tony Melvil

Anti-Tempete

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Green Cookie)

Tony Malacara

Release: 2022 / EU – Original

Genre: Rock & Indie

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Bringing It Down Black Friday Record Store Day 2024 Edition

Tony Levin

2LP | 2024 | Reissue (Flatiron)

TBA

The final price is not yet known.

Release: 2024 / Reissue

Genre: Rock & Indie

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Coming Soon 2024-11-29, 12:00 CET

RSD First, Limitation: 2800

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Tony Joe White

The Beginning Black Vinyl Edition

LP | 2022 | US | Original (New West)

28,99 €*