Search "tally hall" 1274 Items

Release: 2022 / EU – Original

Genre: Rock & Indie

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The Midwest Book Of The Dead

Wes Tirey

LP | 2022 | EU | Original (Mapache)

LP | 2022 | EU | Original (Svart)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Wes Tirey’s The Midwest Book Of The Dead, is an intimate study of the Midwestern condition. A double album, it tells of silos like chapels, spiders in the cane, of drunkards and saints and fugitives; it speaks of wild geese, and the good life, rhinestone suits, Coca Colas, and dishes drying on the rack. Sincerity, sensuality, and humor all reside in the candor and weight of these songs — its playing and arrangements, rich but unfettered, and Tirey’s voice grown several feet deeper and more sonorous. It is a sublime expansion of a trademark style he has come to call “rustic minimalism”.

The Midwest Book of the Dead finds Tirey both solo for acoustic laments and backed by close collaborators for barroom ballads, with Ryan Gustafson (Hiss Golden Messenger, Phil Cook, Charlie Parr) taking the helm as producer.

This assemblage of strangers and stories and snapshots of lives that make up The Midwest Book of the Dead, Tirey likens to “the book of photographs that you find at a Goodwill” — perhaps in Dayton, or Fayetteville, or in any of the stops on the highways that separate them. And while there are clues laid out across these lyrics, he believes there is an open-endedness to these songs. Still, the clues carry us on, into this land of high corn and pool halls, of farmboys, rusty Fords, and fathers like Elvis. Blue herons, hearts of steel, vinegar and piss; a land where people might rise “with everything to show, strong and comely as a colt.” They are songs told straight and sincere, but that are nonetheless beguiling; the work of a master songwriter, a craftsman, an artist; a man who will always be part of the Midwest.

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Spiritus Mortis

The Great Seal

DCLXVI - To Ride, Shoot Straight And Speak The Truth Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Black vinyl, gatefold sleeve, 12″ insert

Finnish Heavy Metal legends, Spiritus Mortis unveil a grand–scale epic of antique Doom on 16th of September via Svart Records.

Erecting a new monolith in the halls of Doom Metal history with their fifth album The Great Seal, Spiritus Mortis certify true classic status as one of the scene’s modern greats.

There are few modern-day bands that can be uttered under the same breath as the giants of Traditional Doom and Heavy Metal like Spiritus Mortis. Formed in 1987 as Rigor Mortis they can firmly attest to having been “the first Finnish Doom Metal band”, uncovering hallowed ground before the later imitators. Carrying the banner of powerful true Metal, the likes of which stands proudly next to the masters such as Dio era Sabbath, Solitude Aeturnus and Trouble, Spiritus Mortis have established a tradition of catchy song-writing and consummate knowledge of sacred riff-craft. The Great Seal is a collosal album which Spiritus Mortis describes as “a rite of collective suicide and an orgy of self-immolation” and plumbs the depths of epic sorrow with gargantuan slabs of igneous riffs and emotional vocals.

Synonymous with classic Finnish Doom bands like Reverend Bizarre, whose singer Albert Witchfinder intoned previous albums’ vocals, Spiritus Mortis continue to define and cement their formidable legacy. Albert’s replacement, Kimmo Perämäki is more than worthy of the consecrated robes he inherits, delivering a performance which is flawlessly dominating and instantly gratifying. Tracks like Martyrdom Operation and Visions Of Immortality see Perämäki boldly carving his own name in the stone tablets of future history, marrying the riffs of the Maijala brothers and guitarist Kari Lavila with the splendor of magnificent melancholy that Spiritus Mortis is so known and admired for.

Not only will true devotees of the Spiritus Mortis Doom church be raising their fists with full hearts, but those who seek knowledge of the faithful spirit of real Metal can surely look no further than within The Great Seal.

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Entombed

LP | 1997 | UK | Reissue (Threeman)

32,99 €*

Forse Le Lucciole Non Si Amano Piu Transparent Green Vinyl Edition

Release: 1997 / UK – Reissue

Genre: Rock & Indie

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Entombed was inducted into the Swedish Music Hall of Fame in 2014 with the following motivation: "Hard Rock is just as typical of growing up in medium-sized Swedish towns as football and mopeds. Hard Rock is Swedish folk music with studded wrist bands instead of tasseled garters. After two decades of Anglo-Saxon hard rock a Swedish band, Entombed, became one of the world leaders in death metal. A subculture that has spread throughout the world, mutated in various forms, and after 20 years continues to be just as vital. Entombed is part of the heavier internationalization of Swedish popular music - all categories." The band was founded in 1987 under the name of Nihilist. With its catchy, versatile but still rock-hard music Entombed pioneered Scandinavian death metal, which was different from its American counterpart mainly by the characteristic, chainsaw-like guitar sound. The special sound they got by tuning down their guitars three full steps (to C or less), by using a maxed-out Boss Hm-2 Heavy Metal pedal, in combination with a guitar running through a Boss Ds-1 Distortion Pedal. The debut album "Left Hand Path" was released in 1990 and followed up the following year with "Clandestine" and “Wolverine Blues” in 1993. For the 25th anniversary of Dclxvi To Ride Shoot Straight And Speak The Truth is finally reissued and packaged as the band originally intended it.

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Locanda Delle Fate

LP | 1977 | EU | Reissue (Vinyl Magic)

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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Duello Madre Clear Vinyl Edition

Duello Madre

LP | 1973 | EU | Reissue (Vinyl Magic)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Calling The Unknown White Vinyl Edition

Delia Meshlir

LP | 2022 | EU | Original (Ba Da Bing)

Hugh Cornwell Of The Stranglers

Release: 2022 / EU – Original

Genre: Rock & Indie

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Swiss musician Delia Meshlir didn’t realize what her voice could do when she started out playing music. Through such groups as the drudge-rock Cheyenne and experimental Primitive Trails, Meshlir let the music lead her singing along. It wasn’t until she began writing the songs for Calling The Unknown that she started allowing her vocals to preside. Unbounded by structure, Delia Meshlir’s first full-length under her name brings layers of beauty, intensity and strength, all coming to a head with her striking vocal delivery.

Having acquired a stocking job at Irascible, a label based in Lausanne, Switzerland, dedicated to promoting local talent, Meshlir had the ideal launching point for her music. Now, in coordination with Irascible, Ba Da Bing will be releasing Calling The Unknown in North America.

Meshlir lost her grandmother while preparing the album, and many of the tracks reflect seeking a path through grief with love. On “A River”, she explores where feelings can exist when they are for someone who has passed. She sings: “I’m calling the unknown / but no one remains.” As the first song on the album, it serves as a perfect introduction, with refined drumming, reverb-wrapped guitars and tasteful saxophone lines. At command of a full band, Meshlir never abuses the opportunity, often having members hold back in restraint and add mere touches of color to her songs. However, when more urgency is required, she adapts beautifully, as on the raw and driven track “Dirty Colors”. Ultimately, the album is an invitation to peace after suffering.

Delia Meshlir is a trained visual artist who is creating her own videos and doing her own artwork for Calling The Unknown. It is a singular artistic work with stunning breadth.

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Moments Of Madness

LP | 2022 | EU | Original (His)

29,99 €*

Escape: Expanded Blue Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Hugh Cornwell, ein Poet der Punk-Ära seit seiner Zeit als Frontmann der Stranglers, setzt sein illustres Schaffen mit dem zehnten Solowerk fort. Auf den zehn Tracks auf 'Moments Of Madness', alle von ihm selbst produziert und alle Instrumente im Alleingang eingespielt, läßt Hugh seine musikalischen Muskeln spielen. Die verführerischen Melodien und unverwechselbaren Texte, die unauslöschlich von Hughs Markenzeichen, der Fantasie, geprägt sind, versprühen einen unkonventionellen, schrägen, hallenden Sixties-Vibe. Sowohl stimmlich wie textlich hat Hugh noch nie so gut geklungen wie auf diesem modernen Meisterwerk, das als das wichtigste Album seiner Karriere gehandelt wird.

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Moon Duo

LP | 2010 | US | Reissue (Sacred Bones)

Nancy Sinatra & Lee Hazlewood

Release: 2010 / US – Reissue

Genre: Rock & Indie

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Reissue of the original album in its entirety, plus three additional rare tracks taken from Moon Duo's wild early days. Reflecting on the album in March 2020, the band shared the following statement: "We made this record in a rehearsal space in San Francisco in late 2009. It was kind of a classic band space, shared by a rangy assortment of musicians over months and years, behind one of several similar doors in a dark red hall. A windowless room lit by string lights and an odd assortment of lamps, the walls a palimpsest of posters and gig fliers. There was a grimy, burn-pocked rug, cluttered gear in various stages of use and abandonment, and the air seemed to hang in a permanent film of smoke residue and stale beer. We recorded to a 4-track tape machine over the course of a few nights - we'd just start the beats, hit 'record' and let fly. We had a vague sense of coalescence, or fomentation, like a glimpse of a thing in outline which you can't yet see, but neither of us knew at the time that this was the record that would mark the beginning of our life as a touring band and would initiate our connections to so many (now long-time) friends, familiars and collaborators. Ten years feels like both a lifetime and the blink of an eye - measurable but impossible to quantify. These four tracks, and the others that join them here, are a snapshot of our earliest incarnation: flying blind, but high on the freedom of experimentation and filled with hope for things to come. 'Escape' was originally released on Woodsist in 2010. 'A Little Way Different' taken from the Welcome Home: Diggin' the Universe comp on Woodsist. 'Catch As Catch Can' and 'Set It On Fire' taken from a 2010 7-inch on Agitated Records.

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Nancy & Lee 8Track Edition

8Track | 1968 | US | Reissue (Light In The Attic)

Creedence Clearwater Revival

Release: 1968 / US – Reissue

Genre: Rock & Indie

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This is an 8track-cartridge, not a music cassette

First ever official reissue of Nancy & Lee’s classic 1968 duet album
Definitive reissue with Nancy’s involvement
Includes the bonus tracks, “Tired Of Waiting for You” and “Love Is Strange,” from the album sessions
Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
Vinyl pressed at RTI
Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
Never-before-seen photos from Nancy Sinatra’s personal archive

Light in the Attic is thrilled to announce the first official reissue of Nancy & Lee: the highly-influential 1968 duet album from Nancy Sinatra and Lee Hazlewood. This definitive edition of Nancy & Lee features newly-remastered audio by the GRAMMY®-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an uptempo version of “Love Is Strange” (first made famous by Mickey & Sylvia in 1956). This release marks the official debut on vinyl for both tracks.

Nancy & Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q&A with Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). In addition to the classic black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

In celebration of the release, Nancy Sinatra and fellow musician and longtime friend Don Randi (The Wrecking Crew) visited Record Technology, Inc. (RTI) in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and RTI plant manager, Rick Hashimoto is available here.

MORE ABOUT NANCY & LEE

When Nancy – the eldest daughter of Frank Sinatra – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.

Initially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.

Recalling her duets with Hazlewood, Sinatra laughs, “we used to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”

Before long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.

Throughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”

That je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy & Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the RIAA. Over the decades, however, the appeal of Nancy & Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus & Mary Chain, have cited Nancy & Lee as an influence.

In recent years, Nancy & Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy & Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy & Lee to be “a masterpiece that still ripples in the sonic waves today.” NPR, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy & Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”

Today, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy & Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”

Sinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic Records for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021, LITA reissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.

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Travelin' Band Live At Royal Albert Hall Record Store Day 2022 Vinyl Edition

7" | 1970 | EU | Reissue (Universal)

15,99 €*

Patina Limited Colored Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Mirroring the original double-sided “Travelin’ Band”/“Who’ll Stop the Rain” 45, which dropped in January 1970, this release showcases what were the band’s newest songs in a live setting. Side A features the Royal Albert Hall performance of the song from April 14, 1970, and marks the very first release of this rare recording. Side B, meanwhile, offers a live version of “Who’ll Stop the Rain,” recorded at the Oakland Coliseum, and previously released on the platinum-selling live album, The Concert.

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Tallies

LP | 2022 | EU | Original (Bella Union)

27,99 €*

Mayhem In Blue Blue Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Nostalgia: it’s a fickle beast, isn’t it? Everyone loves music that evokes a strong sense of days gone by, but stare through those rose-tinted glasses too long and you lose the magic of the present. With their brand-new sophomore album, Patina, Toronto-based indie pop band Tallies have found a way to expertly walk that razor-thin tightrope, nodding to their favorite bands of the past while transforming their sound into something tight, bright, and undeniably fresh.

They dove into bands like the Sundays, the Smiths, Aztec Camera and added their own signature elements, including Sarah’s airy-yet arresting vocals, Dylan’s stunning, gossamer guitar work and Cian’s astronomic drumming. The follow up to 2019 self-titled debut, which solidified them as Canada’s leading dream pop scholars, Patina’s lush soundscapes were produced by Graham Walshof the stalwart art-rock band Holy Fuck (who has also helmed records by Alvvays, Metz and Bully) and features a juxtaposition of light and dark, upbeat tunes with undercut with sometimes deliciously discordant guitars.

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Hail Spirit Noir

LP | 2016 | UK | Reissue (Dark Essence)

Release: 2016 / UK – Reissue

Genre: Rock & Indie

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Combat Rock+The People's Hall

The Clash

3LP | 2022 | EU | Original (Sony Music)

46,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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12" | 2022 | US | Original (Indecision)

No Plan

32,99 €*

7" | 2022 | US | Original (Flatspot)

Release: 2022 / US – Original

Genre: Rock & Indie

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Born from a common love for ’90s pop punk, Matt Ants (headcount) and Eva Hall (power Alone) not only toyed with the idea of writing and recording some songs together but they followed through and got it done. After recording five tracks this January at Buzzbomb Studios with Paul Miner, they brought in Whitney Marshall (ursula), Dave Itow (berthold City) and Shane Grimsley (bent Blue) to round out the line up of the band.

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Kill Your Idols

Rule Them All

10,99 €*

LP | 2019 | US | Original (Calar Music)

Release: 2022 / US – Original

Genre: Rock & Indie

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Kill Your Idols formed in 1995 by vocalist Andy West and guitarist Gary Bennett, listening to hardcore and dreaming of recording a 7” and opening for their favorite bands like 7 Seconds and Sick OF IT ALL. That dream became reality faster than they could have ever imagined as they ended up doing all that, and then some, spending 1997 through 2006 touring the United States, Europe, and even Asia at a Black Flag pace, as well as releasing scores of full-length albums and EPs, including splits with Fisticuffs, Full Speed Ahead, THE Nerve Agents, Voorhees, Good Riddance, Crime IN Stereo, Modern Life IS WAR, Poison Idea, and yes, 7 Seconds. Then, in 2007 the band called it quits with members moving on to other projects, but not before playing several legendary final shows. In 2013, the band rose from the dead, performing a now famous “welcome back Kyi” set at Black N’ Blue Bowl, at a sold out Webster Hall in NYC. Ever since, the band knew they belonged on the stage, and have continued to play shows to their loyal fans as well as reaching a new, younger audience. Hardcore as ever, the band plans on writing, recording, and performing whenever possible. Never say die. Rule Them ALL was created with one goal in mind: deliver gimmick-free hardcore that speaks truth to power. The band was formed in 2017 by Richie Armour and Jon Gusman, who have since completed the lineup with members of diverse experience that spans a wide range of musical disciplines. Their carefully constructed and deliberately paced songs call to mind both the emotional intelligence of classic D.C. hardcore and the raw aggression of the Long Island scene they call home. The result is a confrontational blend of vintage and modern styles that force the listener to reckon with their own notions of what it means to be independent in today’s fractured society. Sonically, Rule Them ALL expertly synchronize hard-hitting drums with harmonic riffs to form an unshakeable foundation over which the message in the vocals can be easily heard and understood crystal clear. This shines on their latest EP, Dreams About... and upcoming split with fellow Long Island punk act Kill Your Idols (both released by Flatspot Records). The band’s potent blend of hardcore has lead way to an ever-growing fanbase and sharing the stage with acts like Terror, Turnstile, Gorilla Biscuits, and more.

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Isabelasnacho

Antes Del Olvido

LP | 2013 | EU | Reissue (Hound Gawd!)

Release: 2019 / US – Original

Genre: Rock & Indie

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Sebastián Wesman, a composer and performer born 1980 in Buenos Aires, Argentina. Currently living in Estonia. His two earliest works Antes del Olvido (2001) and Invento (2006) were recorded and produced independently in Argentina under the artist name Isabelasnacho. Since 2008 his creative work continues in Estonia, giving solo violin concerts in different places like galleries, museums, libraries, churches and concert halls.

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Nikki Hill

Here's Nikki Hill

Release: 2013 / EU – Reissue

Genre: Rock & Indie

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LP | 2022 | EU | Original (Reprise)

Neil Young

Royce Hall 1971

Release: 2022 / EU – Original

Genre: Rock & Indie

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Le Forte Four / Doo-Dooettes

Lafms Live At The Brand

2LP | 1976 | US | Reissue (Etats-Unis)

40,99 €*

Time-Lapse Nature Green & White Marbled Vinyl Edition

Release: 1976 / US – Reissue

Genre: Rock & Indie, Electronic & Dance

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Los Angeles Free Music Society (lafms) formed in the mid-1970s as a loose-knit experimental music collective and multimedia publishing vehicle. Founded by teenage Le Forte Four members Chip Chapman, Joe Potts and Rick Potts and soon joined by Tom Recchion of Doo-Dooettes, Lafms incorporated free improvisation, modular synthesizers, tape music, sampling, musique concrète, homemade instruments, noise, mail art and avant-rock in permissive and anarchic sessions at the Raymond Building and Poo-Bah Record Shop in old Pasadena. Inspired by The Residents, Lafms self-released records and periodicals, organized performances and connected with fellow outsiders via post in the years before punk. Their uninhibited, egalitarian ideal of music-making and DIY distribution would influence generations of underground musicians. Live At The Brand documents the second performance of newly formed Lafms core groups Le Forte Four and Doo-Dooettes on July 8, 1976 at the recital hall of the Brand Library in Glendale. Le Forte Four (now joined by Tom Potts) did not actually perform live, but rather created 44 pyramid-shaped headphone helmets with internal quadraphonic speakers and countless wires in order to share their latest tape assemblages with showgoers deprived of sight. The recordings delivered in this Fluxus-inspired manner feature the Buchla synthesizer at nearby CalArts, radio interpolations, group improvisations, addled outbursts and splices from source material lost to time. Doo-Dooettes – Tom Recchion, Harold Schroeder, Juan Gomez, Dennis Duck and Fredrik Nilsen – performed a series of alternately droning and chaotic duets with guitar, percussion, piano, tape loops and synthesizer, all improvised around loosely structured compositions and culminating in a spontaneous group composition at the end of the program. Originally released in 1976, the double LP would be Lafms' third release. This first-time vinyl reissue is limited to 500 numbered copies. Comes with inserts.

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Diatom Deli

LP | 2022 | US | Original (Rvng Intl.)

Time-Lapse Nature Black Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Diatom Deli's Time~Lapse Nature is a channel between cerebral ascension and somatic memory, tethered to the micro-present though humbled by a beyond. Dilated by celestial fluctuations and dynamic flutters, the reverberations from the Taos-based artist's new album culminate through airy tests of vocal layering, longing guitar laments, and discreetly sourced sound, compelling Deli's commitment to esoteric precision and impulse. Delisa Paloma-Sisk was born and raised in Clarksville, Tennessee, an hour north of Nashville and many more from Lares, Puerto Rico, where she spent extended time with her mother's side of the family while growing up. Deli recalls hearing her grandmother's neighbor playing classical guitar every night during one visit to Lares, the melodies lingering and resurfacing while she self-taught herself the instrument in her early teens and then formally studied it in college. Deli would gradually bring together the guitar, synthesizer, and her own voice, recording and releasing two albums, Feelsounds and TQM (Te Quiero Mucho), as Diatom Deli in 2015 and 2017. Written between 2016 and 2019, Time~Lapse Nature embodies Deli's generous, ongoing excavation of her inner emotive spectrum and offers listeners a lush, loving overgrowth; a hiding place for heart-centric radiation. After several synchronistic and collaborative encounters, the album was channeled with the help of Michael Hix (synthesizers, connective magic) and Bryan Talbot (engineering, soundscapes), Deli steadfast at the center, a transparent catalyst for the album's omniscient landscapes and fleeting tenor. Deli's affecting process is palpable throughout the eight songs of Time~Lapse Nature; moods move like planets in thick orbit, spinning forward like an anti-apology, embracing new feeling frequencies where vulnerability radiates tenderly in tonal embers, conveying an exalted melancholy that sticks the moment it lands. A clairsentient offering from Deli, where sound imparts knowing, and is felt more than heard, Time~Lapse Nature is a space to which listeners are invited to commune in a hymnal harmony, prismic beams stretching over sweet, nourishing water. Like a mist dissipating over open fields, Time~Lapse Nature incants a process of succulent renewal towards the mythic, eternal_summoning each listener to delight in the resounding stillness.

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Diatom Deli

LP | 2022 | US | Original (Rvng Intl.)

22,94 €* 26,99 € -15%

Nigel The Gannet Record Store Day 2022 Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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The Burning Hell

7" | 2022 | UK | Original (Nine X Nine)

15,99 €*

7" | 2022 | UK | Original (Detour)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Nigel the Gannet is the true story of a gannet in New Zealand, who briefly became an international media star when he died of old age next to the concrete decoy gannet he had chosen as his mate. Though the press spun his story as a lonely one, the song celebrates Nigel’s choice of solitude over social life, suggesting that he knew the difference between being lonely and being alone all along. Comes with a postcard.. of which 1 in 5 wil lbe signed by Mathias. • For the B side, The Burning Hell took a crack at a cover of the excellent Half Man Half Biscuit song Lark Descending, recorded outside in the woods of Eastern Canada with the help of a solar-powered recording studio trailer. • The Burning Hell is the songwriting project of Mathias Kom, particularly known for their literate—often literary—and humorous lyrics. Theirs is a diverse yet distinctive brand of DIY Indie Pop. • Over a varied musical career, The Burning Hell have often remained idiosyncratic and unclassifiable, much to the delight of those who love them. Although musical style and influence differs from record to record, and song to song, the constant has always remained Kom’s singular outlook on the world: wise and naive, cynical and life-affirming, full of brilliant, unexpected narratives and a deeply felt generosity of spirit. The band’s live performances underscore these themes: they exhibit a joy and camaraderie too infrequently seen on stage. Indeed, the essence of the band is inclusive and celebratory; whether on stage or on record, there’s something for everyone.

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The Clerks

Dancing With My Girl

16,99 €*

Excess Black Vinyl Edition

Release: 2022 / UK – Original

Genre: Rock & Indie

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In 1976 The Clerks were a four-piece group of schoolfriends living amidst the burgeoning punk rock scene in Birmingham. In October '76 two members of the band saw the notorious Sex Pistols gig at Bogarts, a small club in the city, and later the likes of Blondie, Buzzcocks, The Clash and Ramones at Barbarella's. Like many others, the guys were inspired by what they were hearing and before too long The Clerks would be playing these clubs themselves. From the start they wrote their own three-minute songs with a 60's pop sensibility and included in the set a couple of covers of The Beatles, 'I'm Down' and the Stones 'Paint It Black'. The guys didn't consider themselves to be Punks or Mods although they did share some of the same influences. Indeed, The Clerks name was taken from a line in a Velvet Underground song, 'Sweet Jane'. Throughout 1977 and '78 The Clerks gigged the pubs, clubs and halls of Birmingham, a demo was recorded in late '78 and the group decided, with a handful of friends and fans, to move en masse, to London. Starting to gig around London and with demo tape in hand the guys were picked up by ROK records for a single and compilation LP. 'No Good For Me' and the LP 'Odd Bods, Mods and Sods', were released in the spring of 1979. The single 'No Good For Me' was described by the music press at the time as 'Straight out of organised Sixties Pop'. Two of the group had become homesick by this time and moved back to Birmingham. However, the song writing team Paul Day and Martin Poole remained and recruited Londoner Paul Cuthbert on drums and another schoolfriend, now working as a photographer in London, Martin Booth on guitar and vocals. 1980 was a very busy year for the new line up. They gigged extensively in London and Birmingham and places in between, developed a new following, supported the likes of Athletico Spizz 80 and Tenpole Tudor and in the summer made another recording of four of their own songs. Dancing With My Girl, All I Want Is You, On The Telephone and Cold About Love. Things seemed to be going well enough and by now there was some record company interest but by the end of 1980 for reasons lost in the mists of time, the band had had enough and had gone their separate ways. A couple of years after their demise a limited-edition EP called Dancing With My Girl with three of the four 1980 studio recordings was released. This EP is now a collector's item and changes hands for up to £50 in mint condition to grateful fans as far away as Japan, Europe and USA. However, for some reason that no one can recall, one song 'Cold About Love' was not included and has never been released. Until now that is, on Detour Records! So, we have for you, three new 7" vinyl releases. For the first time Detour Records release from 1978 (dr124) 'No Good For Me' and 'When The Light Go Out' back-to-back and from 1980 the previously unreleased (dr128) 'Cold About Love' b/w 'On The Telephone' and last but not least, also from 1980 (dr129) 'Dancing With My Girl' b/w 'All I Want Is You'.

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Automatic

LP | 2022 | CA | Original (Stones Throw)

Release: 2022 / CA – Original

Genre: Rock & Indie

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LP | 2020 | EU | Reissue (Columbia International)

Hank Von Hell

Dead Red Vinyl Edition

29,99 €*

Release: 2020 / EU – Reissue

Genre: Rock & Indie

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LP | 2020 | EU | Original (Columbia International)

Hank Von Hell

Dead

29,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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The Very Best Of Dolly Parton

Dolly Parton

2LP | 2020 | EU | Original (Sony)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Merle Travis

Live At Town Hall 58/59

LP | US (Sundazed)

Release: US

Genre: Rock & Indie

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Dale Watson & His Lonestars

Live At The Big T Roadhouse

LP (Red House)

Genre: Rock & Indie

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All These Worlds Are Yours

Holy

2LP (Pnk Slm)

Genre: Rock & Indie

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Genre: Rock & Indie

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Genre: Rock & Indie

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Dolly Dots

Forever

2LP (Music On Vinyl)

30,59 €* 33,99 € -10%

Genre: Rock & Indie

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Genre: Rock & Indie

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Surfer's Choice-Original Album+Bonus Tracks

Dick Dale & Deltones

LP | 1962 | Reissue (Vinyl Passion)

17,99 €*

Release: 1962 / Reissue

Genre: Rock & Indie

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Genre: Rock & Indie

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Live At Town Hall Party 1958

Johnny Cash

LP (Sundazed)

Genre: Rock & Indie

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Blu-Ray Disc | 2022 | EU | Original (RCA)

Tool

Opiate2

35,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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5LP | 2022 | EU | Original (RCA)

Tool

Fear Inoculum Deluxe Box

197,99 €*

LP | 2021 | US | Original (Dial Black Sounds)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Limited Edition – Five 180 gram Black vinyl discs, with unique etchings on second side, in casebook with vinyl pockets and new artwork, in hard shell box. This is the long awaited limited edition vinyl package of Tool’s Grammy winning and critically acclaimed album, Fear Inoculum. This package features five 180 Gram Black vinyl discs, with album tracks featured on Side A, and unique etchings featured on Side B. The discs are packaged in a hard shell box with new album art, and a bound casebook holding the vinyl along with new imagery not previously seen.

Tool members include drummer Danny Carey, guitarist Adam Jones, bassist Justin Chancellor and vocalist Maynard James Keenan.

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Krista Shows

Prone To Wander

14,29 €* 25,99 € -45%

Release: 2021 / US – Original

Genre: Rock & Indie

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Sergio Messina & The Four Twenties

Sensual Musicology

LP | 2022 | UK | Original (Hell Yeah)

19,99 €*

Land Of Heroes Record Store Day 2022 Gold & Black Vinyl Edition

Release: 2022 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Legendary Italian musician Sergio Messina serves up his 13 track Sensual Musicology on Hell Yeah this March. It comes a couple of years after he first released on the label's Buena Onda compilation and takes in everything from demented waltz to grown-up jazz, groovy beach music to heart-aching melancholia with artwork by virtuoso Italian AD DeeMo. Now based in Lombardy, Sergio was there at the birth of pirate radio in the mid-seventies and eventually produced Radio art for national broadcaster Rai. At the same time, his DJ career took off and he helped establish Hip hop in Rome before taking his own live show to the stage with a mix of PCs, samplers and tape recorders as early as 1989. Frank Zappa declared himself a fan and in the years since Sergio has done everything from radio art to producing Neapolitan reggae and hip hop band 99 Posse, producing his own solo albums and writing for monthly music magazine Rumore.

On top of this, he has both written books about and delivered lectures on the digital porno revolution, as well as teaching History of Pop Culture at the Istituto Europeo di Design in Milan. All this makes him a truly original creative thinking who has long been immersed in many niche facets of popular culture. Sensual Musicology took several years and four different locations to happen. Its release has been delayed by the pandemic, during which Sergio lost many friends and relatives close to him. As a result, the album is dedicated to all of them. It is a record that addresses many topics from economic migration to jazz piano, 60s blues motifs to corruption, pollution and racism via Michael Jackson covers, odes to West Coast guitar albums and spaced-out pieces of electronica. Opening with the beautifully delicate Mingus melodies of 'Goodbye Porkpie Hat' the album roams through the bluesy Italo-American-Jamaican groove of 'Amara,' slow melancholy of 'Sometimes Remember' with classy vocals from chanteuse Valeria Rossi and 'The Way You Make Me Feel', an acoustic rebuild of Michael Jackson's hit song. Then comes the serenade that is 'Just Because You're Dead,' and ‘Sono Stufa di Tutto’ which is based around a protest speech recorded from the radio in the 1980s. Jon Hassell Beach Bar' is a musical hybridisation for dancing pleasure. The second half of the album takes in 'Ouana Di lambo' which is the Four Twenties taking you to a cocktail bar in the tropics, 'Benjamino Placido' which is a melody for a man who inspired Sergio to start writing his columns, and 'Nowhere Special' which is a tribute to West Coast guitar albums. Closer ‘Switchblade Bolero' has a Zappaesque theme. Sensual Musicology is a rich and diverse musical world that is as thought-provoking and deep as it is emotionally rewarding.

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Jorma Kaukonen

LP | 1995 | US | Reissue (Culture Factory)

LP | 1993 | UK | Reissue (Mute)

Release: 1995 / US – Reissue

Genre: Rock & Indie

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Limited to 2500 copies. Grammy Award winner/Rock n' Roll Hall of Fame Inductee (Hot Tuna and Jefferson Airplane) Jorma Kaukonen’s The Land of Heroes is a Relix Records 1995 studio album, and was his first new solo album in over 10 years, displaying once again his mastery of blues guitar. The album incorporated the work of several other musicians, including Michael Falzarano, who had joined Hot Tuna at the time. This deluxe package includes an OBI strip, gatefold album jacket, printed inner sleeve, orginial record labels and hazed-gold-and-black-effect color vinyl.

Re-Enlisment Blues | Trial by Fire | Do Not Go Gentle | From the Land of Heroes | It's a God Almighty World | Follow the Drinking Gourd | Banks of the River | Judge, I'm Not Sorry | Dark Trian | Have More Faith in Jesus

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Inspiral Carpets

Devil Hopping

Rock On Record Store Day 2022 Red Vinyl Edition

Release: 1993 / UK – Reissue

Genre: Rock & Indie

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Limited to 500 copies with obi strip. P-funk classic from 1978. Solo Album By Parliament/Funkadelic co-founder Fuzzy Haskins. Featuring a Tom Moulton Mixed Track. First ever vinyl reissue. Comes with insert/liner notes, A co-founder of the P-Funk movement, Clarence Eugene 'Fuzzy' Haskins was born in West Virginia in 1941 and started as a singer in the doo-wop vocal group The Parliaments, led by George Clinton in the late 1950s. He was a founding member of the groundbreaking and influential 1970s funk bands Parliament-funkadelic. Fuzzy Haskins toured and appeared on P-Funk albums as a singer, and occasionally as a guitarist, throughout the 1970s. He is a member of the Rock and Roll Hall of Fame, inducted in 1997.

Despite the success of Mothership Connection, Fuzzy Haskins was growing frustrated that his songs were no longer being featured on albums by Funkadelic and Parliament. He also watched as Bootsy Collins, a relative newcomer to the family, embarked upon a solo career. This added to Haskins’ frustration and at the height of P-Funk's popularity, Fuzzy left the ensemble to pursue a solo career.

Fuzzy Haskins released two landmark solo albums on Westbound Records: ‘A Whole Nother Thang’ in 1976 and ‘Radio Active’ in 1978. With his brand of earthy & heavyweight funk, Fuzzy Haskins’ solo works fits right in with many of the other great P-Funk side projects and was sampled by renowned artists and acts from the likes of Prince, The Prodigy, N.W.A and Fatboy Slim.

On the album we are presenting you today (Radio Active from 1978) you’ll find eight sublime tracks written (or co-written) by Mr. Haskins himself and recorded by Richard Becker at the legendary PAC 3 Recording Studios in Dearborn, Michigan where classic albums from Norman Feels and Dennis Coffey were born. One of the tracks (Woman) was personally mixed for the album by Tom Moulton (the originator of musical revolutions like ‘the remix’, ‘the breakdown section’ and the ‘12inch single vinyl format’).

Fuzzy switched between drums and guitar, while taking charge of the lead vocals and production, he was accompanied in the studio by an all-star musician line-up of P-Funk family members such as Jerome ‘Bigfoot’ Brailey (drums), Cordell ‘Boogie’ Mossom (bass), Gary Shider & Michael Hampton (guitars), Glen Goins (piano, drums & guitar)…and of course the fantastic Mr. Bernie Worrell on keyboards. Besides these Parliament/Funkadelic alumni, also present on the recordings are Bruce Nazarian (The Temptations) on Moog and Jazz pianist Gary Schunk (known for his collaborations with Marcus Belgrave & Wendell Harrison).

The result of all this musicianship was a record that oozed quality. Despite the quality of the music (and just like with ‘A Whole Nother Thang’) the album didn’t sell the vast quantities that were projected and didn’t reach the audience it deserved.

‘Radio Active’ is filled with keyboard-driven spacey funk, sharp hooks, popping bass-lines, JB styled soulful (yet sexy) vocals, a hint of disco, fantastic guitar build-ups and breaks that make you shake…a true gem that deserves a place in your record collection (mint vinyl copies are hard to find and pricey these days). If you are a Funkateer…this one’s for you!

Tidal Waves Music now proudly presents the First ever vinyl reissue of ‘Radio Active’ since 1978 (the year the record was originally released on Westbound Records).

This unique album comes as a deluxe 180g vinyl edition (strictly limited to 500 copies) with obi strip and features the original artwork created by virtuoso Ronald Edwards (known for his graphic work with Parliament-Funkadelic, Bootsy Collins, Fred Wesley, George Clinton, Maceo Parker, Bernie Worrell, Fishbone…and countless others). To top it all off, this release also includes an insert featuring the original liner notes written in 1994 by renowned author and producer Rob Bowman (Otis Redding, Isaac Hayes, Marvin Gaye) who reflects on Fuzzy Haskins’ two solo albums. Released exclusively for Record Store Day 2022 (UK & Europe) and available in participating stores on April 23, 2022. This Rsd22 release is not available to stores located in the US. There will be a regular North American edition for this album coming out as well in May!

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Del Shannon

LP | 2022 | Original (Demon)

21,99 €*

Warm Evenings, Pale Mornings: Beside You Then

Release: 2022 / Original

Genre: Rock & Indie

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Limited edition for Record Store Day 2022.

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Caleb Dailey

LP | 2022 | EU | Original (Alien Transistor)

27,99 €*

LP | 2022 | US | Original (Ba Da Bing)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Growing up in the Californian sprawl and the vast suburbs of Phoenix, Arizona, Caleb Dailey largely dismissed the country and western music that surrounded him. Instead, he was drawn to independent rock, experimental zones, and other genre-defying forms, which led him to create skewed rock music with Bear State and establish the “minimal art label” Moone Records with his brother Micah Dailey in 2013. But in the early half of the 2010s, Dailey began to hear things differently. Drawn into the left-of-center works of artists like Gram Parsons and Blaze Foley, a more idiosyncratic take on country, folk, and roots music began to swirl in his imagination.

Wandering into the form’s cowboy chords and lonesome scenes, Dailey found himself wondering what his own country album might sound like. The result is his debut solo album, a collection of covers called Warm Evenings, Pale Mornings; Beside You Then. Produced by John Dieterich of Deerhoof, Keiko Beers, and Dailey himself, it’s a melancholy charmer, rooted in traditional ideas but free roaming in its scope. Laced with synths, pedal steel, acoustic guitars, and commanded by Dailey’s full and woozy voice, it owes as much to the busted waltzes of Lambchop and the homespun lo-fi folk of Little Wings (whose Kyle Field appears on the album via a spoken intermission) as it does to the songwriters and performers who provide its source material, which include Parsons, Foley, Elvis Presley associate Chips Moman, steel guitarist Buddy Emmons, and others.

“The subversive nature of country music isn’t as much at the surface as some other genres,” Dailey says. “But the deeper down the ‘country hole’ I went, the more I wanted to be part of it. It is truly a strange world.”

The hands of Dailey and his collaborators, which includes a wide roster of DIY experimentalists like James Fella of art punks Soft Shoulder, Jay Hufman (Gene Tripp), Lonna Kelley of Giant Sand, Japanese DIY hero’s Koji Shibuya and Tori Kudo, Nicholas Krgovich, Markus Acher of The Notwist, and more, that strangeness is accentuated. Dailey doesn't aspire to retro Nashville fetishism or sanctioned notions of “realness” so much as a genuine outsider authenticity. Take his version of Gordon Lightfoot’s “If You Could Read My Mind” for example: a highlight of the record, it pairs familiar genre signifiers like pedal steel and guitar strums with warbled synths. Then there’s his read of “Dreaming My Dreams,” originally made famous by Waylon Jennings (who also did time in the Arizona desert), which morphs from a mournful ballad into a wash of far-off sonic noise.

The attention here is on the songcraft itself, with Dailey inhabiting these songs and turning them inside out to reveal unexpected tenderness and playfulness.

Recorded at home with an acoustic guitar and 4-track, Dailey began open correspondences with his collaborators, who fleshed out ideas and added touches, often working with skeletal frames before Dieterich and Dailey shaped it into a cohesive whole. “John is the reason this album exists,” Dailey says. “He sculpted all these parts together in such an otherworldly way. He is truly a magician.” Deeply allergic to insincerity, Dailey avoids any trace of irony. He’s created a cohesive gem out of disparate parts, uniting Americana songcraft with experimental disassemblage. From this bric-à-brac, he’s made something touching and beautifully strange.

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Delia Meshlir

Calling The Unknown

LP | 2022 | UK | Original (Bluelight)

Release: 2022 / US – Original

Genre: Rock & Indie

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Swiss musician Delia Meshlir didn’t realize what her voice could do when she started out playing music. Through such groups as the drudge-rock Cheyenne and experimental Primitive Trails, Meshlir let the music lead her singing along. It wasn’t until she began writing the songs for Calling The Unknown that she started allowing her vocals to preside. Unbounded by structure, Delia Meshlir’s first full-length under her name brings layers of beauty, intensity and strength, all coming to a head with her striking vocal delivery. Having acquired a stocking job at Irascible, a label based in Lausanne, Switzerland, dedicated to promoting local talent, Meshlir had the ideal launching point for her music. Now, in coordination with Irascible, Ba Da Bing will be releasing Calling The Unknown in North America. Meshlir lost her grandmother while preparing the album, and many of the tracks reflect seeking a path through grief with love. On “A River”, she explores where feelings can exist when they are for someone who has passed. She sings: “I’m calling the unknown / but no one remains.” As the first song on the album, it serves as a perfect introduction, with refined drumming, reverb-wrapped guitars and tasteful saxophone lines. At command of a full band, Meshlir never abuses the opportunity, often having members hold back in restraint and add mere touches of color to her songs. However, when more urgency is required, she adapts beautifully, as on the raw and driven track “Dirty Colors”. Ultimately, the album is an invitation to peace after suffering. Delia Meshlir is a trained visual artist who is creating her own videos and doing her own artwork for Calling The Unknown. It is a singular artistic work with stunning breadth.

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Hal Peters And His Trio

Takes On Carl Perkins

34,99 €*

The William Loveday Intention

Release: 2022 / UK – Original

Genre: Rock & Indie

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Hal Peters and His Trio's new album "Takes on Carl Perkins" features fourteen stunning versions of Carl Perkins songs. As far as we know, no such tribute has been made to one of the greatest rockabilly songwriters and guitarists. Hal Peters and His Trio's interpretations, as well as Eino Rastas' stunning guitar playing, also caught the attention of Hal Davis and Scott Parker. These two Sun Records and Carl Perkins historians wrote the liner notes of the album.

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Cowboys Are Sq

LP | 2022 | EU | Original (Liberation Hall)

2LP | 2022 | EU | Original (Liberation Hall)

Release: 2022 / EU – Original

Genre: Rock & Indie

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For the uninitiated, The William Loveday Intention is the latest band put together by the multi-hyphenate Billy Childish.Every 5 years or so Billy Childish is sited by a current top band as the embodiment of rock `n' roll integrity, and every 5 years or so Billy splits his group up and starts again from scratch. It'd be impossible to pigeonhole Billy as he's been successful in music (He's recorded over 125 albums over a 37+ year career) art, poetry, photography, film making, advocacy and more and this 5th album from his William Lovejoy Intention may be his best and his fan base is massive.- Billy Childish and his bands have been championed by a succession of high profile artists: Kurt Cobain, Beck, Jack White, and even Kylie Minogue who named an LP after one of Billy's poetry collections.- Tributing him, Jack White of The White Stripes had Childish's name written in large letters on his arm for an early Top of the Pops appearancePress Quotes:an influence on Jack White, Tracy Emin and Kylie Minoqgue _Paul Maps, joyzine.orgyou are perhaps too subtle and sophisticated for the mass market. _Ivor Cutlera seething, dyslexic, better-looking British Bukowski _The Observerthe most garage and most punk rocker alive _NME

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Mountain

Eruption Live In Nyc

31,99 €*

LP | 2022 | EU | Original (Liberation Hall)

Release: 2022 / EU – Original

Genre: Rock & Indie

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The 7 tracks on Eruption were recorded in 1985 at the legendary NYC night clubs, The Ritz and L'Amour.Heralded as one of rock's greatest guitarists, Leslie West formed Mountain in 1969 and continued on with band member Corky Laing throughout their career. In 1984 Mark Clarke, of Uriah Heep fame, joined the band on bass. The 7 tracks on Eruption were recorded in 1985 with this lineup at the legendary NYC night clubs, The Ritz and L'Amour. The set features 3 of their most popular songs with a blistering version of Joe Walsh's "Rocky Mountain Way". The album makes its vinyl debut.Mountain was formed in 1969 by West and Felix PappalardiHis musical career began with the Vagrants, an R&B/blue-eyed soul-rock band, West died December 23, 2020 at age 75.He helped popularize the Gibson Les Paul Jr. guitar with P-90 pickups, along with the use of Sunn Amplifiers.Leslie West has been acknowledged as one of rock 'n' roll's greatest guitarists.

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Kim Fowley

In Deutschland

LP | 2022 | US | Original (Castle Face)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Legendary performance by Fowley and Chris Wilson of Barracudas/Flamin' Groovies plus unknown band here named as Ivan Kral Band, which was interrupted when go-go dancers came on stage and later ended by the organizers.One of very few live recordings of Kim Fowley to survive and amazingly, he survived this show as the audience boo-ed him off the stage. The resentful backing band played with awkward but authentic garage fire, but hadn't rehearsed properly and mid-show, the organizer asked the audience if they wanted the show to continue and even though they emphatically replied "YES!!!!", Fowley and the band continued on, oblivious to the jeering audience. Eventually, he was 'removed' from the stage. Tracks 1 through 9 are all that remain of the original concert, 10 through 16 were recorded at a rehearsal.Taped October 26th, 1992 in Berlin, featuring Chris Wilson of Barracudas/Flamin' GrooviesThe first time Kim Fowley has ever recorded live (anywhere!) Selections 1 to 9 were recorded before a Berlin Independence Day audience, Oct 26, 1992, other selections from the rehearsal at Huxley's Neue Welt at Oct 25, 1992."

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Bronze

Absolute Compliance

LP | 1976 | EU | Reissue (Universal Music)

Release: 2022 / US – Original

Genre: Rock & Indie

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The folks at Castle Face dig a good trance. Hypnosis, mesmerization, and brain trickery are some of their favorite results of deep listening and it is a suggestive, ritualistic and dreamlike vibe that Bronze ooze like pheromones all over their excellent new record. Absolute Compliance is a truly hypnogogic group of tunes from Bronze on their best and weirdest behavior and it hits all Castle Face’s favorite things about them immediately and repeatedly: insistently strange synth voicings emanating from Miles Friction’s mad scientist’s lab worth of equipment, controlled by a homemade-looking oversized knob; Brian Hock’s throbbing, woolly, hall-of-mirror grooves; and above it all Rob Spector’s thousand yard croon, the vaguely familiar touchstone amongst these Lynchian, mutated surroundings—these are songs of dreams and nightmares, hidden rituals observed, futuristic coliseum entertainments displaced in time, sci-fi jams of an uncertain future. Bronze are one-of-a kind great and if unfamiliar, go find their other records (including their great live record for Castle Face) and get caught up. They are real-deal weirdo kings of San Francisco and their spell is not easily dissipated once cast.

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Banco Del Mutuo Soccorso

Come In Un'ultima Cena

40,99 €*

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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La Mia Voce Black Vinyl Edition

Fabrizio Moro

LP | 2022 | EU | Original (La Fattoria Del Moro)

19,79 €* 35,99 € -45%

Release: 2022 / EU – Original

Genre: Rock & Indie

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2LP | 2022 | EU | Reissue (BMG Rights Management)

Daryl Hall & John Oates

Marigold Sky

Release: 2022 / EU – Reissue

Genre: Rock & Indie

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LP | 2022 | UK | Original (Season Of Mist)

Hell Militia

Hollow Void

18,59 €* 30,99 € -40%

LP | 2015 | EU | Reissue (Audiolith)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Ten years have eclipsed since French underground black metal Hell Militia released their last studio album ‘Jacob’s Ladder’. When the band regrouped in 2018, the tumult of recent years, the pandemic and real life’s comings-and-goings were perfect ammunition for Hollow Void’s creation. The resultant album is perhaps Hell Militia’s most strident effort to date. The band’s orthodox, unrelenting approach coalesce into an album that exploits the true nature of black metal: Savage, unforgiving and grim.

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Feine Sahne Fischfilet

Bleiben Oder Gehen

Release: 2015 / EU – Reissue

Genre: Rock & Indie

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LP | 2022 | EU | Original (The Complete Atomic)

Gale P

Hifilofi Scifiwifi

16,79 €* 27,99 € -40%

Release: 2022 / EU – Original

Genre: Rock & Indie

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Gold Afternoon Fix Black Vinyl Edition

Church

LP | 2022 | EU | Reissue (Music On Vinyl)

Tremulant Transparent Vinyl Edition

Release: 2022 / EU – Reissue

Genre: Rock & Indie

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Gold Afternoon Fix is the sixth album by the Australian alternative rock band The Church, originally released in April 1990. After the 1988 hit album Starfish, The Church continued to receive critical appraise and gained a larger audience with Gold Afternoon Fix. The single “Metropolis” reached #1 on the Modern Rock Tracks chart. This is also the only release by The Church that doesn’t feature a 12-string electric guitar, as guitarists Marty Wilson-Piper’s 12-string Rickenbacker had been stolen during the previous tour. This temporary change in sound didn’t stop the band from maintaining a devoted following, and the band were induced into the ARIA Hall of Fame in 2010. Gold Afternoon Fix is available on black vinyl.

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The Mars Volta

12" | 2022 | EU | Reissue (Clouds Hill)

16,99 €*

Release: 2022 / EU – Reissue

Genre: Rock & Indie

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LP | 2022 | EU | Original (Ferryhouse)

Dahlia Sleeps

Overflow

22,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Oumuamua Black Vinyl Edition

Daily Thompson

LP | 2020 | EU | Original (Noisolution)

21,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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2Tape | 2021 | US | Original (Mom+Pop)

Del Water Gap

14,99 €*

Release: 2021 / US – Original

Genre: Rock & Indie

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11:11 Opaque Red Vinyl Edition

Pinegrove

LP | 2022 | UK | Original (Rough Trade)

34,99 €*

Release: 2022 / UK – Original

Genre: Rock & Indie

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11:11 Black Vinyl Edition

Pinegrove

LP | 2022 | UK | Original (Rough Trade)

27,99 €*

Release: 2022 / UK – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Delle)

Intimspray

Religion

Release: 2022 / EU – Original

Genre: Rock & Indie

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Tape | 2022 | US | Original (Scat)

Outerwear

The Outerwear Limits

13,99 €*

Solely Black Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Outerwear were a more primitive, less ambitious offshoot of Cleveland's Spike in Vain, which means the rhythm section was so crappy that simple songs were a necessity and they took an inordinate amount of pride in just badly they sucked. In fact, sucking was so much the point that once the band had become "kind of good," they mummified themselves in gauze at their final shows so their hands couldn't function nor could they see their instruments. This, along with painfully long versions of their slowest songs were enough to drive more than 200+ audience members from a hall show when opening for Social Unrest. Perhaps Outerwear's finest moment, aside from the day they were somehow allowed into a recording studio to record their 1983 cassette album, The Outerwear Limits, which against all odds, is fairly compelling. Given that Chris Marec of Spike in Vain sang, played guitar, and wrote all the songs, there's six string insanity in spades, and the morbid tales of amateur coroners and being buried alive somehow contain genuine hooks. Yes, you will find yourself singing along to "Bloody Toilet Paper," banging your head to "Fountain of Scuz," and then scratching it as you puzzle through the backwards guitar and trombone of "Piss II." But wait, there's more! Power tools! Tuba! Cello solos! Or how about the absolute worst version of the Ohio Players' "Fire" ever recorded by man? Amateur home lobotomy may become an attractive new hobby, because you'll want to remove the parts of your brain that might remember this track. That, or listen to their cover of the Doors' "The End," which could do the job on its own (and doesn't include any of the actual music from the song). These are just a few among the many torturous pleasures the listener will "enjoy" on a great aural adventure, as they experience the awe and mystery of The Outerwear Limits.

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Natalie Jane Hill

LP | 2022 | EU | Original (Dear Life)

22,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | US | Original (Goldenlane)

Dolly Parton

Early Dolly

Release: 2022 / US – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Svart)

Tal

Sapiduz

LP+CD | 2022 | EU | Original (Insideoutmusic)

Release: 2022 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Black vinyl Tuomas A. Laitinen’s debut album Sapiduz is a shapeshifting spectre containing traces of early music, mutated vocals, and granular electronic composition techniques. The album process started when Laitinen commissioned samples from vocalist Milla Mäkinen and created compositional tools out of this material. Sapiduz is like medieval music played on an interstellar journey, creating both absurd and chimeric combinations of sounds and moods. Analogous to Laitinen’s other works as an artist, the album is an entanglement of symbiotic processes and worldbuilding where the (mythical) past is attuned to submit questions about emerging futures. Sapiduz is a sibling to Laitinen’s installation in the 2021 Helsinki Biennial. The online part of this artwork contains an ambient 24h radio station transmitted every full moon until the end of 2021. In the radio station ΨFM, a fluid music technology Bronze AI is utilised to create a neverending composition from the same root samples used in Sapiduz. This generative system is steered with the logic of mRNA codons. The album’s title is a word for a bee in the medieval polymath Hildegard of Bingen’s constructed language Lingua Ignota. Tuomas A. Laitinen is an artist who works with sound, glass, and video installation. Laitinen composes situations and installations that inquire into the porous interconnectedness of language, body, and matter within morphing ecosystems. Album is released on Öm-sound label curated by Timo Kaukolampi, and distributed by Svart Records.

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Jethro Tull

The Zealot Gene

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Ripple)

Holy Death Trio

Introducing...

Release: 2022 / EU – Original

Genre: Rock & Indie

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Hall Of The Mountain King Gold Vinyl Edition

Savatage

LP+7" | 1987 | EU | Reissue (Earmusic)

37,99 €*

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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Hall Of The Mountain King Black Vinyl Edition

Savatage

LP | 1987 | EU | Reissue (Earmusic)

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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LP | 2021 | US | Original (Heavy Machinery)

J.P. Shilo

Jubjote

Landscape Tantrums The Unfinished Original Recordings Of De-Loused In The Comatorium Indie Retail Exclusive Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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Enigmatic multinstrumentalist J.P. Shilo emerges from the shadows to present Jubjoté, a beautifully esoteric live reimagining of the Melbourne Town Hall Grand Organ. Best known for his work with legendary Melbourne band Hungry Ghosts, as well as contributions to classic albums by Rowland S. Howard, Mick Harvey, Adalita, The Triffids and the Blackeyed Susans, Shilo’s unique musicianship is world-renowned. Here he lends his magic touch to the grand organ, guitar, synthesiser, electronics, sound collage and spoken word to produce a work of singular artistic vision. Guided by the eternal motion of the Shepard Tone, the listener is plunged beyond the comfort of normalcy to consider a shifting subject position that cannot escape the churn of cultural progress. As L.J. SPRUYT’s cover art suggests, Jubjoté invokes a reckoning with multiple concurrent realities. Shilo’s Grand Organ is by turns elegant, sick, beautiful and decrepit. Backed for this live performance by Hungry Ghosts violinist & co-conspirator T. J. Howden, Shilo leads the capacity Town Hall audience through oscillations of neoclassical focus, wild-eyed psychedelia and avant-garde fragmentation.

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The Mars Volta

LP | 2022 | EU | Original (Clouds Hill)

Release: 2022 / EU – Original

Genre: Rock & Indie

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CD | 2021 | UK | Original (Polytechnic Youth)

Lone Bison

Transistor Memory

12,99 €*

One Day Crystal Amber Vinyl Edition

Release: 2021 / UK – Original

Genre: Rock & Indie

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Polytechnic Youth’s enforced, quickfire pre-Christmas release schedule continues apace here with the wonderful debut full length from Lone Bison. As many small labels are discovering just now, one of the only viable alternatives to the current nightmarish world of vinyl pressing, is wandering back into yesteryear and -armed with a call from the PY devotees to ‘just keep getting the music out’- turning to the previously scorned upon compact disc. With ticks alongside the ‘cramming more music onto it’, having it look cool and charging £9.99 tops, we present this fabulous first Lone Bison full length. An incredible 13 track, electronic project for Ramsgate UK based Nick Bonell. Inspired by a love for ‘70s German electronic music and the current golden age of synthesizer based film soundtracks, it’s key theme as Nick says is “Repetition. I just like to lose myself in interlocking arpeggios which transport me away from the stresses of the day job. The tunes came out of me moving increasingly away from guitar and towards using hardware synths like the Korg Ms20, and, having made music as part of a band or a duo- I fancied something solo this time. The album was recreated very quickly, often with single takes and carefully choosing times when the family and neighbours were out!” Hugely recommended to fans of Tangerine Dream / Klaus Schulze or Edgar Froeses’ solo work as well as Cluster and lots on (label favourite) Sky records’ output. Musically, the album is wonderful but the sleeve is pretty neat too; Nick adds “I will be forever grateful for the amazing linocut cover art by Ieuan Edwards aka The Black Gold Press. I originally asked if I could use an existing print, but he insisted on a bespoke piece and chiselled lino all night to turn around the print in 24 hours. Then Jules Bigg (one of the original team behind the launch of Ramsgate Music Hall) did the photography and graphic design, the man is a wizard. I am truly lucky to live in an area where, if you chuck a rock in the air, it will land on an artist or musician. I had pretty much given up on making original music, after the untimely death of my songwriting partner some years ago. However, living in an area where new venues have mushroomed and great gigs are so plentiful, has inspired me to dig out the synths and fx pedals again”. Released in a one time pressing only of 500 with insert cards carrying more of Ieuan and Jules’ work, the album is released by Polytechnic Youth in December.

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The Cactus Blossoms

LP | 2022 | US | Original (Walkie Talkie)

Wet Leg Black Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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One Day is the third album from the Cactus Blossoms - featuring eleven songs written, produced, and harmonized by brothers Jack Torrey and Page Burkum. Recorded and mixed by longtime collaborator Alex Hall using a mobile rig in Page's Minneapolis basement, the album continues the evolution of the band's signature blend of country, soul, and 60"s rock sounds, all anchored by the brothers' core sibling harmony vocal style.

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Wet Leg

LP | 2022 | UK | Original (Domino)

Release: 2022 / UK – Original

Genre: Rock & Indie

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LP | 2021 | UK | Original (Outernational)

The Mallory-Hall Band

The Last Special

LP | 2021 | UK | Original (Outernational)

Release: 2021 / UK – Original

Genre: Rock & Indie

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Outernational Sounds very proudly Presents The Mallory-Hall Band "Song of Soweto" & "The Last Special". Limited, fully licensed digital and vinyl reissues of two crucial South African sessions led by Charles Mallory and Al Hall, Jnr., featuring Kirk Lightsey, Marshall Royal, Rudolph Johnson, Billy Brooks and more! Essential companion pieces to Kirk Lightsey’s legendary ‘Habiba’. Featuring tracks: Song Of Soweto: Side A – ‘Song of Soweto’, ‘Hamba Samba’; Side B – ‘Cape Town Blues’, ‘Moroka Rock’, ‘The African Night’ The Last Special: Side A - ‘The Last Special’, ‘Princess of Joh’Burg’; Side B - ‘Amafu (Clouds)’, ‘Blue Mabone’ Never released outside South Africa, and out of print since 1974, Outernational Sounds presents two long-lost Johannesburg sessions from the Mallory-Hall Band – an all-star review of West Coast jazz stars who toured apartheid South Africa in the mid-1970s. Sanifu Al Hall, Jnr. is a musician’s musician. During a storied career stretching across six decades, Hall has recorded with the greats of the music including Freddie Hubbard, Doug Carn, and Johnny Hammond, and leads his own Cosmos Dwellerz Arkestra. But until recent years, the only records on which he had appeared as leader were a brace of rich, funky LPs, Song Of Soweto and The Last Special, issued only in South Africa under the moniker of The Mallory-Hall Band (named for Hall and his co-leader, guitarist Charles Mallory – musical director for Martha Reeves and the Vandellas, Mallory was conductor for Dusty Springfield touring bands, and had worked with John Lee Hooker, Stevie Wonder, and many others). Neither LP had any wider release, and both have remained out of print since 1974. How did a young stalwart of the Los Angeles jazz scene end up in a recording studio in apartheid South Africa? Al Hall, Jnr. and Charles Mallory had arrived in South Africa as part of the touring band for the singer Lovelace Watkins. Sometimes billed as ‘the Black Sinatra’, the Detroit-born Watkins sang standards and ballroom classics on the Las Vegas circuit. He never made it big in the US, but in his 1970s heyday he was a huge star in southern Africa, and 1974 he hired a jazz big band to accompany him on a tour of South Africa – Hall and Mallory were part of the line-up, alongside Mastersounds bassist Monk Montgomery, pianist Kirk Lightsey, tenorist Rudolph Johnson, drummer Billy Brooks, and Marshall Royal, musical director of the Count Basie band. The tour was a huge success, and during downtime from performing, members of the group managed to independently record no fewer than three albums. Lightsey and Johnson’s stunning Habiba was the first (reissued as Outernational Sounds OTR.013), and it was followed by two crucial sessions led by Hall and Mallory – Song of Soweto and The Last Special, issued on the local IRC imprint. Visiting apartheid South Africa in 1974 was a controversial choice for any artist. Numerous artistic and cultural bodies around the world had already announced that their members would boycott the country in solidarity with the struggle against apartheid, and working in South Africa was severely frowned on by anti-apartheid activists everywhere. For a Black band, touring the country to play to mostly white audiences could have been seen by many both inside and outside South Africa as a questionable decision. ‘It was a batch of mixed reactions when I choose to visit South Africa whilst apartheid policies were in place,’ Hall recalls. ‘To me the choice was a simple one – “I wanna see for myself!” I also wanted to be a part of breaking down racial barriers, having been down some of the same roads in my own country.’ The albums were recorded by a twelve-piece band at Johannesburg’s Video Sounds Studios in December 1974, and feature the legendary pianist Kirk Lightsey, Black Jazz recording artist Rudolph Johnson, and the rest of the touring band. Both records are superbly arranged slabs of peak 1970s funky big band soul jazz, with tasteful Latin inflections and more than a nod to South Africa’s upful township jazz sound. They are the sonic traces left by a seasoned African American band who were touring South Africa in the depths of the apartheid era, and who immediately moved beyond the segregated hotels and ballrooms to build links with local South African players and audiences. Never previously available outside South Africa, Outernational Sounds’ new editions of Song of Soweto and The Last Special (alongside our edition of Kirk Lightsey’s Habiba) represents the first time these albums have been in print for nearly fifty years. Fully licensed from Gallo Records and pressed at Pallas in Germany from Gallo’s original masters, they feature new sleeve notes from Francis Gooding (The Wire) based on interviews with Al Hall, Jnr., and a reminiscence from pianist Kirk Lightsey.

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The Mallory-Hall Band

Song Of Soweto

LP | 2021 | EU | Original (Bad Afro)

Release: 2021 / UK – Original

Genre: Rock & Indie

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Trip Hill

Ain't Trip Ceremony

22,99 €*

7" | 2020 | EU | Original (I Dischi Del Barone)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Trip Hill is a one-man operation by Fabrizio Cecchi out of Florence, Italy. With a naïve approach to making music and inspiration from all over the world he is making his own homemade and original version of trippy psychedelia and krautrock.Fabrizio Cecchi played in various garage and psych rock bands in the early 90's but by 1994 he set his own cause and started to work alone and in his own universe. Originally a bass-player he since taught himself guitar, drums, keyboards and various other instruments to be able to find his own way in making psychedelic music.Ain't Trip Ceremony is the latest output in a long string of experimental home productions recorded in his basement studio. Until recently it was only available on his Bandcamp and as a very cool limited edition CD-R with covers printed on thick cardboard with a special linograph technique. But now it gets the proper release on vinyl via Bad Afro Records that these recordings deserve. 1st print is limited to 500 copies on black vinyl.

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The Futurians

Atuan

11,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2022 | JP | Original (P-Vine)

Otogivanashi

Rebel Without A Cause

37,79 €* 41,99 € -10%

LP | 2022 | JP | Original (P-Vine)

Release: 2022 / JP – Original

Genre: Rock & Indie

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Coming to you live from the Hibiya Open-air Concert Hall, indie-rockers Otogivanashi bring out their inner James-Dean for a set of high-octane bangers as they look back on their debut record Rebel Without A Cause. There’s much to adore with these throw-back romantics; combining sounds from the 70s with the glorified charisma-driven rock spirit of Lou Reed and Jonathan Richman, and spinning it with their unique Japanese flair. Fan favourites ‘Neon Boys' and ‘smile’ are now etched into their live sets, and within these twelve tracks there's much to admire from the band formed in Tokyo. P-vine is delighted to be reissuing their first record with a new remaster, and new artwork from the talented Satoshi Jinbo.

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Jintana & Emeralds

Emerald City Guide

31,99 €*

LP | 2021 | EU | Original (Shimmy Disc)

Release: 2022 / JP – Original

Genre: Rock & Indie, Pop

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"After a gap of seven years, Jintana & Emeralds have returned to charm once again with their genre-hopping blend of doo-wop melodies and futuristic electronic productions. Across these ten tracks, the band seek out fragments of beach-pop, surf and soul of the sixties, and feed them into a Japanese built revival machine. P-vine is delighted to be bringing this album to vinyl format in what’s been a year of celebrating past and new for a band who continue to take life in their stride. The celebrations get underway without hesitation on album opener ‘Oh! Southern Wind,’ where hitomitoi’s spell-binding vocals pull down the covers, setting off a hall of swaying melodies and glistening strings as the corkscrews fly. ‘Love Again,’ with a guest appearance from Stones Throw Records’ almighty Los Retros, is an album highlight, and in the context of the record, his vocals take on peculiar likeness to Tetsuro Yamashita as the band deliver a dreamy modern-day city-pop classic.

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Kramer

Words & Music, Book One

Live At Carnegie Hall 1969

Release: 2021 / EU – Original

Genre: Rock & Indie

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White Vinyl LP ltd edition of 500. Music by Shimmy-Disc founder KRAMER. Spoken word recordings from Gregory Corso, Tina May Hall, Sam Lipsyte, Christine Schutt, Gary Lutz, Allen Ginsberg, Dawn Raffel, Jason Schwartz, Kathryn Scanlan, Scott McClanahan, & Terry Southern."About 40 years ago, in a record shop on Long Island during a weekend visit there to see my parents, i found a double-LP that looked like something i should definitely buy. It was called "BIG EGO", by the The DIAL-a-POEM POETS. On the cover was a picture of John Giorno (a great poet Ed Sanders had turned meon to) on a NYC rooftop with Philip Glass, Meredith Monk, and two kids. It cost $2. I bought it and rushed back to my parents house, where i still had my old turntable in the basement, not far from my Jimi Hendrix and Zappa Crappa posters, and my framed portrait of John Cage. My copy of Eno's "DIscreet Music" was still on the turntable, having been left there years before,when i'd fled Long Island for good. I lifted it from the platter, gently slid it back into its sleeve, like a priceless religious artifact, and put Side A of the Dial-a-Poem LP on.I almost lost my mind while listening to it. The next day i went back to the same record shop looking for more DIAL-A-POEM LP's. i found two. One had a long list of names on the back, some famous, and some i'd never heard of before. I bought both LP's, and an hour later, for the first time in my life, i was exposed to the art of Laurie Anderson, whom i'd never heard of before. This was 1978. Her contribution was a piece called "Time To Go". It changed my life. Or at least, that's how I remember it. I was just a kid, so there were a lot of moments like that, around then. Nowadays, these moments can be had in seconds, with a click of the cursor. That evening, as i sat alone by my imaginary campfire (ie; that record player inmy parents basement), i promised myself that someday, somehow, i would embark upon a WORDS & MUSIC project that might move people the same way i was moved when i first hea...

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Joni Mitchell

3LP | 2021 | EU | Original (Rhino)

54,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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Aeolian Hall At Bbc April 14 1969

Chicken Shack

LP | 2022 | EU | Original (No Kidding)

La Bibbia - 50th Anniversary

Release: 2022 / EU – Original

Genre: Rock & Indie

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Truly excellent BBC Session from these UK bands formed by singer and pianist Christine Perfect, bass guitarist Andy Sylvester, guitarist Stan Webb, saxophonist Chris Wood and drummer Dave Bidwell. Blues rock the English way.

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Rovescio Della Medaglia

LP | 2021 | EU | Original (Jolly Roger)

Everything Was Beautiful Pink Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Il Rovescio della Medaglia was born in Rome in 1970 from an idea of guitarist Enzo Vita, then Stefano Urso on bass, Gino Campoli on drums and singer Pino Ballarini joined the band. Unlike many prog-rock bands of the time (pfm, Banco del Mutuo Soccorso, Orme, Osanna,...), they chose not have a keyboard player, aiming to offer so a straight-hard rock sound with a strong live impact. Showing great skills with their instruments, they played live at many festivals in in Italy. In 1971 they signed a deal with major RCA to record their first album entitled “La Bibbia”. Recorded live in only one day (!) it’s a “rock bomb” and immediately a triumph among critics and audiences. In 1972 they recorded their second album entitled “Io come Io”, inspired by Hegel's philosophy. Then they started to tour (also outside Italy) and play live with their “rare” huge music-equipment, infact at the time owning more than 10 thousand watts of power was thing reserved to few groups. At their shows people was hit by a sonic avalanche! In 1973, Luis Enriquez Bacalov, famous orchestra conductor and composer of many motion-soundtracks (won a Oscar with Troisi's “Il Postino”) contacted the band to propose to work together on a new album that would have melt rock to symphonic music. For Bacalov it was the third experience like this, after the previous successes with New Trolls (“Concerto Grosso”) and Osanna (“Milano Calibro 9”). The result of this cooperation was the album "Contaminazione". It’s considered a milestone of the italian progressive rock, taking inspiration from by J.S. Bach’s preludes and fugues while lyrics tell the alleged theme of a Scottish son not recognized by the great Austrian composer. It was a worldwide success, so high that RCA company also released an english language version with the title “Contamination”. To present live the new album Il Rovescio della Medaglia recruited a keyboard player, Franco Di Sabatino. Unfortunately later their truck with all the precious equipment is stolen and even if the most famous bands of the time organized a concert to help them, at the “Piper” in Rome, the band feels the blow: the singer left and after a new single, they decided to quit. Founder Enzo Vita began his career as session-man collaborating with many Italian artists and in 2011 gave new life to the band releasing a new album “Microstorie” with Roberto Tiranti (Labyrinth, New Trolls,…) on vocals. In 2016 it’s time for another new album, entitled “Tribal Domestic” (with major Sony) back to a progressive and symphonic rock sound as the first album “La Bibbia”. Featuring Chris Catena on vocals with the help of the first singer Pino Ballarini and many international session-musicians. In 2017 Enzo Vita contacted bassist Andrea Castelli (Shabby Trick, Silver Horses, Mantra, Cappanera…) to form also a live-band to bring on stages once again their music. From this collaboration they release "Contaminazione 2.0" (Jolly Roger Records 2020) recorded live in San Galgano and totally focused on their album "Contaminazione" and now "La Bibbia - 50th Anniversary" (completely re-recorded) to celebrate the 50th anniversary of the debut; the record gave at the time the "Italians Black Sabbath" nickname to the band: for fans of the genre it can be considered the first Italian Hard Rock album for its original heavy sound, so dark and powerful thanks also to the excellent skills of the musicians.

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Spiritualized

LP | 2022 | Original (Bella Union)

36,99 €*

Release: 2022 / Original

Genre: Rock & Indie

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Everything Was Beautiful Black Vinyl Edition

Spiritualized

LP | 2022 | Original (Bella Union)

Release: 2022 / Original

Genre: Rock & Indie

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Simple, Sweet, And Smiling Purple Vinyl Edition

Kacy Hill

LP | 2022 | Original (Supergood)

36,99 €*

LP | 2022 | EU | Original (Staatsakt)

Release: 2022 / Original

Genre: Rock & Indie

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Simple, Sweet, and Smiling is a document of Kacy Hill working through hardship—her dad suffered a heart attack right as she was beginning the album, and her own latent anxiety disorder began to surface. She confronts these feelings of powerlessness in the face of her own mind and mortality, while giving thanks to the partners, friends and family who have helped her through. Simple, Sweet, and Smiling, has many meanings—it's genuinely aspirational; an acknowledgement of gratefulness for those moments in which clarity briefly breaks through mental anguish; and a tongue-in-cheek admission of something which for many of us never quite feels possible.

Born and raised in Phoenix and now living in Los Angeles, Hill got her start in 2014 when her self-released single “Experience,” the second song Hill had ever recorded, started attracting attention online. After touring with Kanye West and Vanessa Beecroft as part of the cast of the Yeezus tour, Hill signed to West’s imprint G.O.O.D. Music. Her debut EP Bloo came shortly thereafter, and she’s since released two albums: 2017’s Like A Woman and 2020’s independently issued Is It Selfish If We Talk About Me Again. Throughout her career, Hill has collaborated and shared stages with Travis Scott, Kid Cudi, Bon Iver, Francis and the Lights, Cashmere Cat and countless others.

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Pauls Jets

Jazzfest

Release: 2022 / EU – Original

Genre: Rock & Indie

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2LP | 2021 | US | Original (Captured Tracks)

Mouth Cingress

Waiting For Henry

18,69 €* 33,99 € -45%

Mitch Winehouse & Thilo Big Band Wolf

Release: 2021 / US – Original

Genre: Rock & Indie

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Remastered and released for the very first time! Blue & Transparent Tan vinyl - limited to 1000 copies Riyl: Kids In The Hall, Devo, Butthole Surfers, Ween, John Waters, Yoko Ono Mouth Congress - friends Paul Bellini and Scott Thompson of Kids In The Hall fame - wrote and recorded hundreds of songs in the 0s without ever putting out a proper release. Alongside various cohorts and conspirators, the band drew on their experiences as gay men to craft hilariously crude punk songs that run the gamut of strange characters and taboo subject matter. Their rag tag approach to songwriting blended various styles from noisy punk to lo-fi new wave and DIY disco, all with a very gay bent. Without trying, they were surprisingly cutting edge. Mouth Congress did dozens of live shows through the mid-80s that gained a reputation for being theatrical, combining props, sets, multiple costume changes, unusual song choices, guest stars, and Scott's stand-up comedy. In 1988, they recorded a 7-song demo tape. The tracks were recorded quickly, as the Kids in the Hall were about to go to New York City to develop their material. Then, caught up in the excitement of the Kids in the Hall being signed to television, Mouth Congress activities slowed to a crawl. In 2011, Paul dug out an old VHS tape of one of the live shows. The sight of one of the Kids in the Hall covered in sweat, writhing on stage like Iggy Pop, was something he felt comedy fans might enjoy seeing. Naturally, Scott agreed and they uploaded everything - over 600 recordings - onto Bandcamp. One day in 2019, Mike Sniper of Captured Tracks stumbled upon the Bandcamp page, got in touch, and suggested assembling a compilation of the best recordings to be officially released for the very first time. Waiting for Henry is a collection of 29 tracks over 2 LPs with a booklet of interviews and ephemera from one of the 0s last queercore bands.Who is Henry? We don't really know, but we certainly hope he shows up soon.

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Swinging Cole Porter

LP | 2021 | EU | Original (RecordJet)

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP+7" | 2021 | EU | Original (Voodoo Rhythm)

The Monsters

You're Class, I'm Trash