Search "the+walkmen+heaven" 16069 Items

Release: 2023 / Reissue

Genre: Rock & Indie

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Steve Wynn & The Miracle 3

Static Transmission

2LP | 2003 | DE | Original (Blue Rose)

The Plastic People Of The Universe

Release: 2003 / DE – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl is close to NM.

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Co Znamena Vésti Kone / Leading Horses

LP | 2023 | EU | Original (Guerilla)

Release: 2023 / EU – Original

Genre: Rock & Indie

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The Red Shoes 2018 Remaster Dracula Vinyl Edition W/ Obi-Strip

Kate Bush

2LP | 1993 | EU | Reissue (Fish People)

2LP | 2023 | EU | Original (Universal)

Release: 1993 / EU – Reissue

Genre: Rock & Indie

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Pressed on 180g, comes with Obi-Strip. The Red Shoes is Kate's seventh studio album and was released in November 1993.

The album was accompanied by Kate's short film, "The Line, The Cross and The Curve".

The album reached no. 2 in the UK album chart and has been certified Platinum by the British Phonographic Industry for over 300,000 copies sold.

The album also reached no. 28 in the US album chart.

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The Tragically Hip

Yer Favourites Volume 2

Release: 2023 / EU – Original

Genre: Rock & Indie

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2LP | 2023 | EU | Original (Universal)

The Tragically Hip

Yer Favourites Volume 1

Release: 2023 / EU – Original

Genre: Rock & Indie

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Uchu The Best Of Fishmans Orange Version

Fishmans

2LP | 2024 | JP | Original (Universal)

2LP | 2008 | US | Reissue (Illegal Art)

Release: 2024 / JP – Original

Genre: Rock & Indie

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Drummer Kinichi Motegi, currently with the Tokyo Ska Paradise Orchestra, curated a selection of tracks for this album based on the concept of "Kuchu (Aerial)" and "Uchu (Universe)," featuring music from two labels in 2005. The album has been highly requested by Fishmans fans for an analog version and is available as a limited edition on clear sky blue 2LP.

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Girl Talk

Feed The Animals

Forever Live Sessions Random Gold Or Silver Colored Vinyl Edtion

Release: 2008 / US – Reissue

Genre: Hip Hop, Rock & Indie

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Pittsburgh artist Gregg Gillis (a.k.a. Girl Talk) has scrupulously created music from samples for over eight years. His fourth album on the Illegal Art label, Feed the Animals, continues his sonic evolution towards his party-infested live show and steps even closer towards a creation that is centered on pop musicality rather than attention-deficit sample splicing.

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Men I Trust

Box Set | 2023 | CA | Original (Return To Analog)

Release: 2023 / CA – Original

Genre: Rock & Indie

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7" and Tape in Gold or Silver with Poster, Postcard and five Poodle Pins. Destiny decides - golden edition comes with autgraphed postcard. Good luck!

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Some Girls: Live in Texas 78

2LP+DVD | 2012 | US | Original (Eagle)

Release: 2012 / US – Original

Genre: Rock & Indie

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House Of The Black Geminus Oxblood / Black Splatter Vinyl Edition

Akhlys

2LP | 2024 | EU | Original (Debemur Morti)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-08

LP | 2024 | JP | Original (Just Luck)

The Tiger

Get Ready

Release: 2024 / JP – Original

Genre: Rock & Indie

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Frank Black And The Catholics

Live At Melkweg - Expanded Edition

3LP | 2023 | UK | Original (Demon)

Release: 2023 / UK – Original

Genre: Rock & Indie

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LP | 2004 | US | Original (Vagrant)

The Get Up Kids

Guilt Show

Release: 2004 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

2LP | 2008 | UK | Reissue (XL)

The White Stripes

Elephant

Release: 2008 / UK – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP+CD | 2013 | EU | Original (Parlophone)

Babyshambles

Sequel To The Prequel

LP | 2007 | US | Original (Polydor)

Release: 2013 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Clear vinyl .Without CD. Still in shrink, but opened, with hype sticker

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Feist

The reminder

Release: 2007 / US – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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2LP | 2020 | Reissue (Island)

Tame Impala

The Slow Rush

Between The Buried And Me

Release: 2020 / Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

180 gram cream coloured vinyl. Insert and original inner sleeves included.

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The Parallax II: Future Sequence

2LP | 2021 | EU | Reissue (Metal Blade)

Lost At Sea: Rarities, Outtakes And Other Tales From The Deep Colored Vinyl Edition

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Violet with black and white splatter vinyl version!

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Howlin Rain

2LP | 2024 | US | Original (Silver Current)

LP | 1962 | US | Original (ATCO)

Release: 2024 / US – Original

Genre: Rock & Indie

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Howlin Rain’s grand 3xLP archival statement and untold story, written over nearly two decades in invisible ink between the lines. Features never before heard songs from The Russian Wilds, The Dharma Wheel, The Alligator Bride, Mansion Songs, Live Rain and the lost Ethan Miller Band sessions.

With a broad cast of musical characters including Rick Rubin (Producer/American Records), Luther Dickinson (North Mississippi Allstars), Scarlet Rivera (Bob Dylan’s Rolling Thunder Revue), Joel Robinow (Once and Future Band), Isaiah Mitchell (Earthless/ The Black Crowes) and many more.

Includes songs by The Rolling Stones, Grateful Dead, Leon Russell and Neil Merryweather.

“I wanted to compile the record so it would have impact like our grandest, wildest, most unabashed studio album. I left out home demos, and songs from quiet corners, sketches, etc, in favor of fully formed, fully finished, studio level tracks from front to back. Lost at Sea is intended to be something that you can pour yourself into and get swept away in.”

—Ethan Miller (Founder, bandleader)

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The Coasters

LP | 2015 | EU | Reissue (Rough Trade)

Release: 1962 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines. Cover with shelf wear on the back, close to VG+

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The Strokes

Is This It

Release: 2015 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2015 | EU | Reissue (Rough Trade)

The Strokes

Is This It

LP | 1999 | US | Original (Level Plane)

Release: 2015 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Still in shrink, but opened

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You And I

The Curtain Falls

2LP | 2002 | US | Original (Jade Tree)

Release: 1999 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with a couple of light scuffs. Cover with slightly bumped corner and small beginning of seam split on top spine. Overall copy closer to VG+

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Jets To Brazil

Perfecting Loneliness

LP | 2024 | EU | Original (Republic)

Release: 2002 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Gold Marble vinyl is close to NM, the cover as well.

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Conan Gray

Found Heaven

2LP | 2023 | EU | Original (Universal)

Release: 2024 / EU – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Purple Translucent "Alley Rose" vinyl. With insert.

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Imelda May

11 Past The Hour

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 1987 | UK | Reissue (Cooking Vinyl)

The Gun Club

Mother Juno

The Spirit Of The Beehive

Release: 1987 / UK – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Yellow translucent vinyl!

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Entertainment, Death

LP | 2021 | US | Original (Saddle Creek)

LP | 2020 | US | Original (Relapse)

Release: 2021 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Tan vinyl version!

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Nothing

The Great Dismal

LP | 2024 | Original (Wurmgroup)

Release: 2020 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

US original.
Limited edition picture disc.

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Diehumane

The Grotesque

Release: 2024 / Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-08

Venereal Dawn White Vinyl Edition

Dark Fortress

2LP | 2024 | US | Original (The Circle Music)

Release: 2024 / US – Original

Genre: Rock & Indie

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Venereal Dawn Red Vinyl Edition

Dark Fortress

2LP | 2024 | US | Original (The Circle Music)

Release: 2024 / US – Original

Genre: Rock & Indie

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Misadventures White Vinyl Edition

Pierce The Veil

LP | 2016 | US | Original (Fearless)

Release: 2016 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

7" | 2017 | UK | Original (Haus Of Pins)

Pins

Serve The Rich

LP | 1966 | US | Original (Cameo)

Release: 2017 / UK – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Pink vinyl!

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? & The Mysterians

96 Tears

4LP | 2023 | EU | Original (Long Branch)

Release: 1966 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl with a couple of light scuffs. Cover with punch hole

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The Hirsch Effekt

Urian Fanbox

Release: 2023 / EU – Original

Genre: Rock & Indie

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Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition

V.A.

2LP | 2024 | US | Original (Light In The Attic)

The 119 Show Deluxe Triple Red Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”

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Lacuna Coil

3LP | 2024 | EU | Original (Sevan Mater)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Strange Times Re-Mastered Colored Vinyl Edition

The Chameleons

3LP | 1986 | UK | Reissue (Blue Apple Music)

Release: 1986 / UK – Reissue

Genre: Rock & Indie

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Boom Dynamite Record Store Day 2023 Edition

The Courettes

12" | 2023 | JP | Original (Cava / Hayabusa Landings)

Release: 2023 / JP – Original

Genre: Rock & Indie

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Ru The World (Lilac Vinyl)

Ruger

LP | 2024 | Original (Promised Land)

Release: 2024 / Original

Genre: Rock & Indie

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Grrr Live (Live At Newark)

3LP | 2023 | EU | Original (Mercury Studios)

Kiss Off The Soundboard: Live At Donington

Release: 2023 / EU – Original

Genre: Rock & Indie

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"Happy" ist das erste Musikstück, das aus dem kommenden Album "Grrr Live!" veröffentlicht wird. - der definitiven Live-Greathits-Sammlung von The Rolling Stones.

Aufgenommen während der "50 and counting"-Jubiläumstour der Band im Jahr 2012 in Newark, New Jersey, wurde der Ton neu bearbeitet und neu abgemischt, auch in Dolby Atmos.

Das komplette "Grrr Live!"-Projekt wird am 10. Februar veröffentlicht und enthält ein unglaubliches Aufgebot an Gästen, die die Band unterstützen - The Black Keys, Gary Clark Jr, Lady Gaga, John Mayer, Bruce Springsteen & Mick Taylor.

Mercury Studio wird "Grrr Live!" nicht nur auf Audio, sondern auch auf mehreren audiovisuellen Formaten veröffentlichen, darunter Blu-ray und digital.

Das komplette Konzert war seit seiner Pay-per-View-Ausstrahlung im Jahr 2012 nicht mehr verfügbar - eine willkommene Ergänzung für die Fans.

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Kiss

3LP | 2022 | EU | Original (Universal)

Release: 2022 / EU – Original

Genre: Rock & Indie

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No Tolerance For Imperfection Splatter Vinyl Edition

Man Must Die

2LP | 2022 | UK | Original (Innerstrength)

The BQE (The Original Motion Picture Soundtrack)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Formed in Glasgow Scotland in 2002 as a project and quickly signed to Retribute Records in 2003, releasing their first album in 2004 entitled …start killing. Recorded in a low budget studio in Clydebank, Scotland with producer JF Dagenais making the long trip from Quebec to record/produce. Some extensive UK touring followed and the band the went on to become the first UK band ever to sign to US label Relapse Records in 2006, a 2 album deal was done and the first offering the Human Condition 2007) propelled the band onto the European stage with tours alongside Kataklysm, Aborted, Macabre, and Misery index. The Human Condition also saw the band travel to Canada for a month long stay to record once again with JF Dagenais Kataklysm) for an unforgettable adventure. It was in 2009 when Man Must Die released what was their breakthrough album No Tolerance for Imperfection, recorded by Scott ”the terminator” Atkins in England,UK. Featuring the tracks “Kill it skin it wear it” and “It Comes in Threes” which will always be mainstays in the MMD set lists. On the back of this release MMD toured with the likes of Machine Head, Hatebreed, Exodus, Decapitated and Kataklysm. Some years of set backs with Band members and life in general slowed progression after this release, some line upchanges and the band was back in the studio in 2012 to record their 4th album Peace was never an option. At this point only the founding members Joe and Alan the MMD writers) remained. The album was recorded By Micheal “Raphone” Allan now the second guitarist in Mmd) in a beaten up studio in the back of beyond in the east of Scotland. The Album was released in the UK with Grindscene records and in the Europe/world wide by Lifeforce records in Germany.

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Sufjan Stevens

LP | 2009 | US | Original (Asthmatic Kitty)

Release: 2009 / US – Original

Genre: Rock & Indie, Classical Music, Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG+

With booklet and comic. Vinyl with light scuffs ! Cover has slight edge wear. Excellent copy !

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Grrr Live! Live At Newark Limited Edition

3LP | 2023 | Original (Mercury)

Release: 2023 / Original

Genre: Rock & Indie

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LP | 1967 | US | Reissue (International Artist)

13th Floor Elevators

Easter Everywhere

Release: 1967 / US – Reissue

Genre: Rock & Indie

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The 119 Show Deluxe Triple Gold Vinyl Edition

Lacuna Coil

3LP | 2024 | EU | Original (Sevan Mater)

Release: 2024 / EU – Original

Genre: Rock & Indie

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2LP | 2024 | US | Original (Hells Headbangers)

Cardiac Arrest

The Stench Of Eternity

Release: 2024 / US – Original

Genre: Rock & Indie

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The Way To A Girls Heart Is Through Her Boyfriend's Stomach

Smackin Isaiah

LP | 2019 | Original (Purchase Street Records)

2LP | 2024 | US | Original (Cuneiform)

Release: 2019 / Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Limited Edition.
Sea Green Vinyl.
Record is close to NM.

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Janel & Anthony

New Moon In The Evil Age

Release: 2024 / US – Original

Genre: Rock & Indie

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Morrison Hotel 50th Anniversary Deluxe Edition

The Doors

LP+2CD | 2020 | EU | Original (Rhino)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Sticky Fingers Limited Deluxe CD Boxset

Box | 2015 | EU (Universal)

Release: 2015 / EU

Genre: Rock & Indie

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A Bigger Bang Live In Rio 2006 Limited Deluxe Edition

Box | 2021 | EU (Universal)

Release: 2021 / EU

Genre: Rock & Indie

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The Somberlain Black Friday Record Store Day 2023 Pop-Up Gold Vinyl Vinyl Edition

Dissection

2LP | 2023 | EU | Original (Sound Pollution / Black Lodge)

Bathe The Babe In Bats Blood

Release: 2023 / EU – Original

Genre: Rock & Indie

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Exklusive Wiederveröffentlichung von 'The Somberlain', dem klassischen Debütalbum der schwedischen Melodic Black/Death Metal Band Dissection, zum Black Friday 2023. Streng limitierte 'Gold Colored 2LP im Pop-Up Gatefold' ein absolutes Muss für Sammler!

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Spiter

LP | 2023 | UK | Original (Hells Headbangers)

Release: 2023 / UK – Original

Genre: Rock & Indie

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The Endless Coloured Ways - The Singles Collection- Record Store Day 2024 Edition

Nick Drake

6x7" | 2024 | UK | Original (Chrysalis)

58,89 €* 61,99 € -5%

Release: 2024 / UK – Original

Genre: Rock & Indie

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Why Don't You Smile Now: Lou Reed At Pickwick Records 1964 -1965 Red & Gold Vinyl Edition

V.A.

2LP | 2024 | US | Original (Light In The Attic)

Keep Walkin': Singles, Demos & Rarities 1965-1978 Blue Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Light in the Attic, in cooperation with Laurie Anderson and the Lou Reed Archive, is thrilled to announce the forthcoming release of Why Don’t You Smile Now: Lou Reed at Pickwick Records 1964-65. Due out September 27th, the latest installment in LITA’s critically acclaimed Lou Reed Archive Series is a compilation of pop songs penned by Reed during his mid-60s stint as a staff songwriter for the long-defunct label Pickwick Records. The compilation follows on the heels of Lou Reed’s Hudson River Wind Meditations (2023) and Words & Music, May 1965 (2022).

One of the most original and innovative figures in music history, Reed (1942-2013) first gained recognition as co-founder and frontman of the massively influential Velvet Underground. Over the course of his five-decade career, the two-time Rock & Roll Hall of Famer brought his singular vision to an eclectic expanse of musical endeavors, including era-defining albums like 1972’s Transformer and wildly experimental works like the 1975 avant-garde noise classic Metal Machine Music. But before establishing himself as an enduringly iconic singer, songwriter, musician, and poet, Reed got his start as an in-house songwriter (and occasional session guitarist/vocalist) for Pickwick Records—a label specializing in sound-alike recordings that emulated the major pop hits of the day. Encompassing everything from garage-rock and girl-group pop to blue-eyed soul and teen-idol balladry, Reed’s output for Pickwick ultimately offers a fascinating early glimpse at his ever-evolving and truly limitless artistry.

The album has been restored and remastered by GRAMMY®-nominated mastering engineer John Baldwin. Both the 2xLP & CD editions feature in-depth booklets with unseen photos, liner notes by Richie Unterberger (renowned music journalist and author of such acclaimed titles as White Light/White Heat: The Velvet Underground day-by-day), and an essay by Lenny Kaye (the legendary guitarist, Patti Smith Group co-founder, writer, producer, and curator of seminal garage-rock anthology Nuggets). The double-LP package is designed by multi-GRAMMY®-winning artist Masaki Koike and pressed at world-renowned plant Optimal (Germany). A special color vinyl edition is pressed on “Oxblood” wax (a/b side) and “Gold” wax (c/d side). This release marks the first official anthology of Lou Reed’s work for Pickwick Records and features rarities, cult classics (The Primitives’ “The Ostrich”), & previously unreleased material (The Beachnuts’ “Sad, Lonely Orphan Boy”).

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Nancy Sinatra

2LP | 2023 | US | Original (Light In The Attic)

Makoto Kubota & The Sunset Gang

Release: 2023 / US – Original

Genre: Rock & Indie

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Definitive collection of Nancy's rare singles, demos and previously unreleased cuts. Includes 3 previously unreleased tracks, plus 3 tracks making their vinyl debut. Deep booklet includes new Q&As with Nancy & Don Randi (The Wrecking Crew) - both conducted by Grammy®-nominated co-producer Hunter Lea Plus never-before-seen photos from Nancy Sinatra’s personal archive. Features audio freshly remastered from the original analog tapes by Grammy®-nominated engineer John Baldwin. Vinyl pressed at RTI. Double LP housed in a gatefold jacket with 24-page book Light in the Attic continues to celebrate the influential career of singer, actress, activist, and icon *Nancy Sinatra* with a captivating new collection, Keep Walkin’: Singles, Demos & Rarities 1965-1978. Exploring the lesser-known gems from Sinatra’s rich catalog through 25 B-sides, rare singles, covers, demos, and previously-unreleased recordings, Keep Walkin’ was remastered by the *Grammy®-nominated engineer John Baldwin* and available in a variety of formats, including vinyl, CD, 8-track, and digital. The 2LP set, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and accompanied by a 24-page booklet featuring an array of photos from the artist’s personal collection, as well as a new in-depth Q&A with Sinatra, conducted by the reissue’s Grammy®-nominated co-producer, Hunter Lea. The booklet also contains a fascinating interview with keyboardist Don Randi (The Wrecking Crew), who recently spoke to Lea about his hit-filled career and his 50 years of work with Nancy. Keep Walkin’: Singles, Demos & Rarities 1965-1978 serves as a companion to the widely-acclaimed 2021 career-spanning retrospective, Start Walkin’ 1965-1976, and marks the latest release in LITA’s ongoing Nancy Sinatra Archival Series, a partnership with the legendary artist, which honors her musical legacy through lovingly curated reissues (including her 1966 debut, Boots and the 1968 classic, Nancy & Lee), limited-edition merch, and other special releases. In 1965, 25-year-old Nancy Sinatra scored her first No.1 hit with “These Boots are Made for Walkin’,” a bold anthem for female empowerment. Brazen, sassy, and utterly infectious, it was a reintroduction of sorts for the eldest daughter of Frank Sinatra, who had been struggling to find a spotlight of her own amid a changing musical landscape. Suddenly, audiences who had initially brushed off Sinatra as too demure or out-of-touch were paying attention. Written and produced by Oklahoma-born songsmith Lee Hazlewood (with swaggering instrumentals, courtesy of Billy Strange and The Wrecking Crew), the song launched the singer’s career, as well as one of music’s most unlikely, yet compelling, creative partnerships. Over the next decade, Sinatra continued to notch multiple hits on both sides of the Atlantic, including “Sugar Town,” “How Does That Grab You, Darlin?,” and a haunting rendition of the Sonny Bono-penned “Bang Bang (My Baby Shot Me Down).” The singer also paired up with Hazlewood for a series of popular duets (“Summer Wine,” “Jackson,”* and *“Some Velvet Morning”) and collaborative albums. In between best-selling LPs like Boots (1966), How Does That Grab You (1966), and Nancy & Lee (1968), Sinatra performed the theme song to the 1967 James Bond film, You Only Live Twice, and collaborated with her father on the global chart-topper, “Somethin’ Stupid.” While these career landmarks are well-documented in the annals of pop culture history, however, much of Sinatra’s catalog remains sorely overlooked. As Keep Walkin’ co-producer Hunter Lea explains, “With the changing taste of the record-buying public in the late 1960s and the counterculture taking over, artists like Nancy Sinatra weren’t in the mainstream as they once were.” Despite that fact, “[Sinatra] kept working, recording, and performing at a voracious pace.” Lea continues, “This compilation is a celebration of some of the many glorious recordings that may have been overlooked, forgotten, or never even released at the time. The obscurity of some of these recordings doesn’t mask the genius, brilliance, and effort that went into them; on the contrary, it’s incredible to learn that some of the lost gems are just as rich as the national treasures.” Among the highlights is the spritely opener “The City Never Sleeps at Night,” which served as the B-Side to “These Boots Were Made for Walkin’.” Overshadowed by the colossal success of its A-side, it’s no surprise that the cinematic tune never had its proper due. Yet, Lea reveals, Hazlewood initially intended to make it the focus single. Another long-lost B-side is “The Last of the Secret Agents?,” which was paired with the Top 10 hit, “How Does That Grab You, Darlin’?” The playful song, written by Hazlewood, served as the theme to the 1966 comedy of the same name, in which Sinatra co-starred alongside Marty Allen and Steve Rossi. Keep Walkin’ also features several choice A-sides that were never included on albums and were overlooked for one reason or another. Among them is 1966’s “In Our Time,” a rebellious anthem for ‘60s youth, which references drug culture and women’s liberation, among other topics. Speaking to the Hazlewood-penned track, Sinatra recalls, “That was a fun song. Lee was starting to do his ‘anti’ stuff. He was cynical and it showed in his writing at some point.” But, despite the themes of the song, Nancy laments that she was never embraced by the counterculture. “[drugs] knocked me out of the picture completely. I was so far removed from the hip people in those days. I think they probably made fun of my stuff.” Another stylistic departure for both artists is “Love Eyes,” a bluesy, soulful single from 1966. The song, Nancy shares, is “one of my favorites. I think what helped Lee’s writing at that point was the bigger sound.… I really love it. I think it holds up to this day.” She adds that her dreamy vocal performance was inspired by early female R&B stars like Ruth Brown and LaVern Baker. The collection also features several outstanding covers, including a previously-unreleased rendition of the Barry Mann/Cynthia Weil classic, “I Just Can’t Help Believing” (a hit for both B.J. Thomas and Elvis Presley). This 1978 recording, reimagined as a duet, marked one of Sinatra’s brief reunions with Hazlewood, following his abrupt move to Sweden not long after 1972’s Nancy & Lee Again. Another choice track finds Nancy interpreting Neil Diamond’s “Glory Road.” Released as a single in 1971, it features one of the singer’s most cherished vocal performances. “After I worked on my voice and improved as a performer and as a singer, I embraced Neil Diamond. Anything I did by Neil Diamond, to me, is my best work.” Nancy also looks back fondly on her moving rendition of Bill Withers’ “Ain’t No Sunshine," released in 1973 as the B-side to “Sugar Me.” The recording (which features particularly lush orchestral arrangements by Billy Strange) reunited Nancy with another close collaborator, Jimmy Bowen, who produced the singer in the early ‘60s and later introduced her to Hazlewood. “I love Jimmy,” she declares. “The records we did early on…had a depth to them that I appreciated. He heard me and saw me in a different light; he saw me as a much more serious performer, which I appreciated.” Listeners will also be delighted to hear a pair of previously-unreleased demos: “Something Pretty” (the 1968 country hit, made famous by Wynn Stewart) and the theme to the 1965 Richard Rogers/Stephen Sondheim musical, Do I Hear a Waltz?, both of which were intended for a self-described “disco” record. Despite the two catchy takes featured on Keep Walkin’, Sinatra calls the shelved album “A disaster. I called it the disco fiasco!” Offering additional insight into Sinatra’s career is music director, songwriter, and keyboardist, Don Randi. A member of the hallowed *Wrecking Crew* collective, Randi was one of the most prolific session musicians of the ‘60s and ‘70s with hundreds of credits to his name, including The Beach Boys’ “Good Vibrations,” Linda Ronstadt’s “Different Drum,” and “These Boots are Made For Walkin’” – his first recording with Sinatra. For the next fifty years, he would be a fixture at her sessions and live shows. He also appears on nearly every track in this collection. Speaking to Lea, Randi delves deep into his time with Sinatra, with a palpable admiration for the singer. *“She was easy to work with,”* he shares. “She was always wonderful to musicians; nobody even comes close.” The keyboardist, who met Sinatra through Hazlewood, also recalls the magic of that partnership. “I always liked working with Nancy & Lee. They had something very special that they could get out of each other. It was a good team.” He continues, “Sinatra stood up for herself [around Lee]…He could be so cantankerous…but that’s Lee…. [Nancy] saw through it. She was so lovely and helpful to him a number of times when he really needed someone to talk to.” That said, Randi also appreciates the power of Sinatra’s solo performances. “I never thought she really needed [Hazlewood},”* he reveals. “I thought her shows were just as well with everybody else; they were excellent.” After stepping back from the industry in the ‘70s to focus on her young family, Sinatra returned to the spotlight in the mid-90s, releasing a string of new albums, including the star-studded Nancy Sinatra, which paired the artist with some of her biggest fans, including Morrissey, U2, Calexico, and Sonic Youth. Since then, Nancy’s legacy has only continued to grow. In more recent years, her impact has been recognized by the likes of Pitchfork, NPR, and Rolling Stone, while in 2020, “Boots” was inducted into the Grammy® Hall of Fame*. Today, Sinatra remains a force in the industry, as new generations discover her influential catalog, which boasts nearly 20 studio albums and dozens of charting singles.

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Live Best 1975-1979

LP | 2022 | JP | Original (Tuff Beats)

Directions To See A Ghost

Release: 2022 / JP – Original

Genre: Rock & Indie

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The LP includes their original song, Bye Bye Baby (co-created by Yoma Fujita and Haruomi Hosono) performed live in 1975, at the Spring Carnival in April 1976 at the Hibiya Open Air Concert Hall, and at the “Haruichiban Concert” in Osaka in May of 1976. The LP also includes two songs performed with Richard Bell from the Full Tilt Boogie Band (Janis Joplin’s band), John Sebastian, and Taeko Onuki at the Rolling Coconut Revue Concert in Harumi, Tokyo in 1977. Comprised with a total of 11 songs, this is the best of best selection of the live performances of the Makoto Kubota & THE Sunset Gang. Please enjoy their true essence with this LP. On February 15, 2023, a LP version of the album Rhythm Romance by Makoto Kubota & THE Sunset Gang is planned for release. This album is mastered based on the studio demo that was recorded in the late ‘70s on a 10-inch open-reel tape.

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The Black Angels

3LP | 2008 | US | Reissue (Light In The Attic)

Release: 2008 / US – Reissue

Genre: Rock & Indie

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3LP | 2013 | UK | Original (Fire)

The Chills

Somewhere Beautiful

Release: 2013 / UK – Original

Genre: Rock & Indie

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Directions To See A Ghost

The Black Angels

3LP | 2008 | US | Original (Light In The Attic)

The Plastic People Of The Universe

Release: 2008 / US – Original

Genre: Rock & Indie

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"The Black Angels bring the aura of mid-1966 the drilling guitars of early Velvet Underground shows, the raga inflections of late-show Fillmore jams, the acid-prayer stomp of Austin avatars the 13th Floor Elevators everywhere they go, including the levitations on their second album, Directions to See a Ghost (Light In The Attic). Mid-Eighties echoes of Spacemen 3 and the Jesus and Mary Chain also roll through the scoured-guitar sustain and Alex Maas' rocker-monk incantations. But he knows what time it is. 'You say the Beatles stopped the war," Maas sings in 'Never/Ever.' 'They might've helped to find a cure/But it's still not over.' Even so, this medicine works wonders." - David Fricke, Rolling Stone

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Egon Bondy's Happy Hearts Club Banned

LP | 1976 | EU | Reissue (Guerilla)

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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2LP | 2024 | US | Original (Orange Twin)

Elf Power

When The Red King Comes

Release: 2024 / US – Original

Genre: Rock & Indie

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Autophagie Crystal Clear Vinyl Edition

Kill The Thrill

2LP | 2024 | EU | Original (Season Of Mist)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Giant Steps 30th Anniversary Remastered Edition

The Boo Radleys

2LP+10" | 1993 | EU | Reissue (Two-Piers)

Release: 1993 / EU – Reissue

Genre: Rock & Indie

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The Red Shoes 2018 Remaster Black Vinyl Edition

Kate Bush

2LP | 1993 | EU | Reissue (Fish People)

All One Tonight (Live At The Royal Albert Hall) Limited Crystal Clear Vinyl Edition

Release: 1993 / EU – Reissue

Genre: Rock & Indie

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Pressed on 180g. The Red Shoes is Kate's seventh studio album and was released in November 1993.

The album was accompanied by Kate's short film, "The Line, The Cross and The Curve".

The album reached no. 2 in the UK album chart and has been certified Platinum by the British Phonographic Industry for over 300,000 copies sold.

The album also reached no. 28 in the US album chart. Fish People are proud and excited to announce new pressings of all 10 of Kate Bush's albums, featuring a special new edition for independent retailers.

"It’s very exciting to see people appreciating the physical presence of an album released on vinyl. It’s how it’s always been for me, especially when I was a teenager. The whole buzz of the record store was part of the experience. Buying an album was an event." Kate Bush.

The records are all pressed on 180g vinyl at the world-renowned Record Industry plant in the Netherlands. New lacquers were cut from the 2018 remasters by Bernie Grundman and overseen by mastering engineer James Guthrie.

Indie editions were all designed by Kate and feature new Fish People label designs, stunning Color Vinyl combinations and obi strips with pressing date. They are protected in resealable poly-bag liners with a 'Fish People Reissue' sticker, bottom right.

These are unlimited editions and will be in production constantly.

Street date for the first batch is set at 20 November.

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Marillion

4LP | 2023 | EU | Reissue (Earmusic)

Release: 2023 / EU – Reissue

Genre: Rock & Indie

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Live At The Fillmore East 1968

The Who

LP | 2018 | US | Original (Sunpower)

Release: 2018 / US – Original

Genre: Rock & Indie

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The Tour To End All Tours - Live In Amsterdam

Sabaton

3LP | 2024 | EU | Original (Nuclear Blast)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Mick Fleetwood And Friends

Celebrate The Music Of Peter Green And The Early Years Of Fleetwood Mac Super Deluxe Edition Box Set

Box | UK (Bmg Rights Management (Uk) Ltd)

All The Young Dudes Orange Vinyl Edition

Release: UK

Genre: Rock & Indie

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4lp/2cd/1blu-Ray

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Mott The Hoople

2LP | 1972 | UK | Reissue (Madfish)

Release: 1972 / UK – Reissue

Genre: Rock & Indie

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The Wolf Changes Its Fur / Horrific Honorifics Silver Vinyl Edition

Crippled Black Phoenix

3LP | 2024 | EU | Original (Season Of Mist)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-29

Behind The Counter With Ian Rankin

V.A.

2LP | 2024 | EU | Original (Rough Trade Shops)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-22

2LP | 2017 | US | Original (Now-Again)

German Oak

Down In The Bunker

Yoshimi Battles The Pink Robots Super Deluxe Edition

Release: 2017 / US – Original

Genre: Rock & Indie

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The 6th entry in the Now-Again Reserve Edition series is the definitive reissue of a lauded and misunderstood Krautrock album as well as the first band-sanctioned reissue in the series.

The most mysterious Krautrock album, German Oak’s “Down in the Bunker” has been fetishized and demonized, lauded and misunderstood for nearly four decades. In this definitive Reserve Edition of the album, the German Oak trio – together again after 30 years apart – have approved the remastering of their 70s music, finally tell the story behind the creation of their dark, brooding album – and the occult-obsessed record collector behind the original album’s release and its myth – and they share previously unreleased music and photos.

The obscure Düsseldorf band’s self-produced debut were mainly spontaneous sessions recorded in a bunker. According to an online statement by the alleged bandleader the music was later published by a friend of the band who centered the titles and the artwork on World War II themes, in which the band itself had little say.

This two LP set presents the album as it was initially released, and a second disc of other songs by the band, both rare and previously unreleased.

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The Flaming Lips

6CD | 2024 | EU | Original (Warner)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Permission To Land...Again 20th Anniversary Box Set

The Darkness

5CD | 2024 | EU | Original (Warner)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP+CD+All Media | 2020 | DE | Original (Century Media)

Skeletal Remains

The Entombment Of Chaos

LP | 2016 | DE | Original (End Hits)

Release: 2020 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Yellow Neon vinyl. Still in shrink, but opened, with hype sticker. With bonus CD

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Swain

The Long Dark Blue

The Promise (Extended Remix)

Release: 2016 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Still in shrink but opened. tiny wear. green vinyl.

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Arcadia

12" | 1986 | JP | Original (EMI)

LP | 2020 | GR | Original (Inner Ear)

Release: 1986 / JP – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Japanese pressing. With OBI and insert. Tiny wear. few scuffs.

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The Boy

Αντιλόπη

Release: 2020 / GR – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Genre: Rock & Indie

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3LP+DVD | 2023 | UK | Original (Happy Happy Birthday To Me)

Wedding Present

24 Songs