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Paul McCartney - Egypt Station (Explorer Edition)
Paul McCartney
Egypt Station (Explorer Edition)
3LP | 2018 | EU | Original (Capitol)
58,99 €*
Release: 2018 / EU – Original
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Nirvana - Incesticide 25th Anniversary Edition
Nirvana
Incesticide 25th Anniversary Edition
2LP | 2017 | US | Original (Geffen)
58,99 €*
Release: 2017 / US – Original
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Recompiled and remasterd from the original analog master tape and recording sources by Bernie Grundman at Burnie Grundman Mastering Studios, Hollywood. This limited edition audiophile edition of Incesticide was pressed by Analouge Productions on two 180-gram virgin vinyl discs and cut at 45rpm for superior audio quality to past 33 1/3rpm reissues. The faithful recreation of the jacket designed by Kurt Cobain includes the lyric sheet art and for the first time comes house in a deluxe gatefold sleeve.
V.A. - Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition
V.A.
Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition
2LP | 2024 | US | Original (Light In The Attic)
58,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Preorder shipping from 2024-10-18
Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”
Johnny Cash - Songwriter Clear With Black Splatter Vinyl Edition
Johnny Cash
Songwriter Clear With Black Splatter Vinyl Edition
LP | 2024 | Original (Universal)
58,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Limited Clear with Black Splatter Colored Vinyl. Johnny Cash recorded an album's worth of self-penned songs in 1993. Shortly thereafter, he released the American Recordings albums and re-established himself as one of the world's greatest songwriters, introducing him to a new generation of fans. Songwriter's unreleased 11 songs have been updated and produced by his son John Carter Cash and co-producer David Ferguson.
Smackin Isaiah - The Way To A Girls Heart Is Through Her Boyfriend's Stomach
Smackin Isaiah
The Way To A Girls Heart Is Through Her Boyfriend's Stomach
LP | 2019 | Original (Purchase Street Records)
58,99 €*
Release: 2019 / Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: Near Mint
Limited Edition.
Sea Green Vinyl.
Record is close to NM.
The Chameleons - Strange Times Re-Mastered Colored Vinyl Edition
The Chameleons
Strange Times Re-Mastered Colored Vinyl Edition
3LP | 1986 | UK | Reissue (Blue Apple Music)
58,99 €*
Release: 1986 / UK – Reissue
Genre: Rock & Indie
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The Doors - Morrison Hotel 50th Anniversary Deluxe Edition
The Doors
Morrison Hotel 50th Anniversary Deluxe Edition
LP+2CD | 2020 | EU | Original (Rhino)
58,99 €*
Release: 2020 / EU – Original
Genre: Rock & Indie
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The Rolling Stones - Sticky Fingers Limited Deluxe CD Boxset
The Rolling Stones
Sticky Fingers Limited Deluxe CD Boxset
Box | 2015 | EU (Universal)
58,99 €*
Release: 2015 / EU
Genre: Rock & Indie
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The Rolling Stones - A Bigger Bang Live In Rio 2006 Limited Deluxe Edition
The Rolling Stones
A Bigger Bang Live In Rio 2006 Limited Deluxe Edition
Box | 2021 | EU (Universal)
58,99 €*
Release: 2021 / EU
Genre: Rock & Indie
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Tim Bowness - Abandoned Dancehall Dreams
Tim Bowness
Abandoned Dancehall Dreams
LP+CD+All Media | 2014 | EU | Original (Inside Out Music)
58,99 €*
Release: 2014 / EU – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG+, Cover: Near Mint
Limited Edition.
White Vinyl.
Record is close to NM.
Includes original inner sleeve.
Dissection - The Somberlain Black Friday Record Store Day 2023 Pop-Up Gold Vinyl Vinyl Edition
Dissection
The Somberlain Black Friday Record Store Day 2023 Pop-Up Gold Vinyl Vinyl Edition
2LP | 2023 | EU | Original (Sound Pollution / Black Lodge)
58,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Exklusive Wiederveröffentlichung von 'The Somberlain', dem klassischen Debütalbum der schwedischen Melodic Black/Death Metal Band Dissection, zum Black Friday 2023. Streng limitierte 'Gold Colored 2LP im Pop-Up Gatefold' ein absolutes Muss für Sammler!
Los Jaivas - Todos Juntos
Los Jaivas
Todos Juntos
2LP | 2023 | EU | Original (Musica & Entretenimiento)
57,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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"Todos juntos" (1972) by Los Jaivas is released now on double vinyl, from the original IRT masters! True finds that for the first time reach a disc."It is my favorite cover - says René Olivares in the book Cultura Alter-nativa - since it represents the loneliness that each of us felt when we were outside of Chile, but mainly, the poetic soul of the Chilean"."Todos Juntos" was recorded in Chile in 1972-1973 and was presented for the first time to the public in Argentina in 1976 by Record Parnaso S.A. This double album contains all the material that Los Jaivas recorded for IRT during 1972 - 1973, plus a supplement of three previously unreleased recordings.Disc 1 is the re-release of the album "Todos juntos", which appeared in Argentina in 1976 under the Parnaso record label, with a different repertoire and order from the LP known as "La ventana", released in Chile at the end of 1972. Disc 2 completes the catalog of works recorded for IRT, to which are added three unreleased tracks from the same period: the music that Los Jaivas made for the documentary "Descomedidos y chascones", made by Carlos Flores Delpino and produced by the experimental film department of the Universidad de Chile in Santiago, the theme "Ta hueca la vaca está loca", an improvisation recovered from a television special produced by UCV television in Valparaíso, and a live recording of the theme "Marcha al interior del espíritu", taken at the Chilean-French institute of culture in Valparaíso. At that time, the painter René Olivares, who is already part of the Jaivas family settled in Buenos Aires, creates a new cover design for the 1976 edition, which today we deliver to the public in a remastered version, restored and enriched with valuable archival documents.
Makoto Kubota & The Sunset Gang - Live Best 1975-1979
Makoto Kubota & The Sunset Gang
Live Best 1975-1979
LP | 2022 | JP | Original (Tuff Beats)
57,99 €*
Release: 2022 / JP – Original
Genre: Rock & Indie
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The LP includes their original song, Bye Bye Baby (co-created by Yoma Fujita and Haruomi Hosono) performed live in 1975, at the Spring Carnival in April 1976 at the Hibiya Open Air Concert Hall, and at the “Haruichiban Concert” in Osaka in May of 1976. The LP also includes two songs performed with Richard Bell from the Full Tilt Boogie Band (Janis Joplin’s band), John Sebastian, and Taeko Onuki at the Rolling Coconut Revue Concert in Harumi, Tokyo in 1977. Comprised with a total of 11 songs, this is the best of best selection of the live performances of the Makoto Kubota & THE Sunset Gang. Please enjoy their true essence with this LP. On February 15, 2023, a LP version of the album Rhythm Romance by Makoto Kubota & THE Sunset Gang is planned for release. This album is mastered based on the studio demo that was recorded in the late ‘70s on a 10-inch open-reel tape.
Jimi Hendrix - Burning Desire Black Friday Record Store Day 2022 Orange & Red Vinyl Edition
Jimi Hendrix
Burning Desire Black Friday Record Store Day 2022 Orange & Red Vinyl Edition
2LP | 2022 | EU | Reissue (Legacy)
57,99 €*
Release: 2022 / EU – Reissue
Genre: Rock & Indie
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Black Friday Record Store Day 2022 Edition. Color: Translucent Orange and Red Vinyl. Limitation: 5000 copies. Burning Desire is part of Dagger Records’ authorized Jimi Hen drix ‘bootleg’ releases. Mixed by Eddie Kramer, the collection presents compelling examples of Jimi’s remarkable creative explorations through 1969 and early 1970. In the shadow of Electric Ladyland, the original Jimi Hend rix Experience struggled to remain a cohesive unit and Jimi’s ceaseless creative pursuit would lead to experimental sessions with bassist Billy Cox and drummer Buddy Miles and ambitious attempts to integrate fresh musical elements. On these studio recordings, Jimi can be heard developing exciting new material such as “Ezy Ryder,” “Cherokee Mist,” “Villanova Junction Blues,” “Izabella,” and “Burning Desire.” Burning Desire was originally released on CD via mail order only, seeing it’s only LP release on black vinyl as part of a previous RSD Black Friday event. The double LP will now be available for the first time since, pressed on Translucent Orange and Red vinyl by QRP as part of the new RSD Encores series revisiting popular releases from past Record Store Day and RSD Black Friday releases.
The Black Angels - Directions To See A Ghost
The Black Angels
Directions To See A Ghost
3LP | 2008 | US | Reissue (Light In The Attic)
57,99 €*
Release: 2008 / US – Reissue
Genre: Rock & Indie
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The Chills - Somewhere Beautiful
The Chills
Somewhere Beautiful
3LP | 2013 | UK | Original (Fire)
57,99 €*
Release: 2013 / UK – Original
Genre: Rock & Indie
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The Rolling Stones - Some Girls: Live in Texas 78
The Rolling Stones
Some Girls: Live in Texas 78
2LP+DVD | 2012 | US | Original (Eagle)
57,99 €*
Release: 2012 / US – Original
Genre: Rock & Indie
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13th Floor Elevators - Easter Everywhere
13th Floor Elevators
Easter Everywhere
LP | 1967 | US | Reissue (International Artist)
57,99 €*
Release: 1967 / US – Reissue
Genre: Rock & Indie
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Santana - Abraxas
Santana
Abraxas
LP | 1970 | WW | Reissue
57,99 €*
Release: 1970 / WW – Reissue
Genre: Rock & Indie
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Abraxas Remains the Consummate Latin Rock Record: Sophomore Santana Effort Includes “Black Magic Woman,” Ranks #334 on Rolling Stone’s List of the Greatest Albums of All Time

Sourced from the Original Analog Master Tapes for Exceptional Sound: Mobile Fidelity’s Numbered-Edition 180g 33rpm SuperVinyl LP Plays with Remarkable Clarity, Depth, Detail, and Presence

1/4" / 15 IPS analog master to DSD 64 to analog console to lathe

Abraxas remains the consummate Latin rock album. The confident sound of Santana stretching out and carving out new musical territory, the band's 1970 effort pulses with psychedelic accents and Afro-Latin grooves. Ranked on Rolling Stone’s list of the 500 Greatest Albums of All Time and selected by the Library of Congress for inclusion in its National Recording Registry, Abraxas immediately captured the public’s ear, spending six weeks at the No. 1 spot and sending the band's cosmic cover of Fleetwood Mac's “Black Magic Woman” into the Top 5. More than five million copies and countless global accolades later, Abraxas is legend.
J Spaceman & John Coxon - Music For William Eggleston's Stranded In Canton Colored Vinyl Edition
J Spaceman & John Coxon
Music For William Eggleston's Stranded In Canton Colored Vinyl Edition
LP | 2024 | US | Original (Fat Possum)
57,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Preorder shipping from 2024-10-18
In 2015, J Spaceman, John Coxon, and friends performed a new original score for William Eggleston's Stranded in Canton live at a special film screening at the Barbican Gallery in London. The recording sat on a shelf for 10 years, and is finally unveiled through this release. Housed in gatefold jackets with matte varnish and UV spot outer printing. Includes an 8-page booklet. Limited white vinyl edition features alternate artwork. Spaceman and Coxon will perform the work in London, New York, Los Angeles, and Eggleston’s hometown of Memphis, on the invitation of the photographer’s son Winston Eggleston.
V.A. - Why Don't You Smile Now: Lou Reed At Pickwick Records 1964 -1965 Red & Gold Vinyl Edition
V.A.
Why Don't You Smile Now: Lou Reed At Pickwick Records 1964 -1965 Red & Gold Vinyl Edition
2LP | 2024 | US | Original (Light In The Attic)
57,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Light in the Attic, in cooperation with Laurie Anderson and the Lou Reed Archive, is thrilled to announce the forthcoming release of Why Don’t You Smile Now: Lou Reed at Pickwick Records 1964-65. Due out September 27th, the latest installment in LITA’s critically acclaimed Lou Reed Archive Series is a compilation of pop songs penned by Reed during his mid-60s stint as a staff songwriter for the long-defunct label Pickwick Records. The compilation follows on the heels of Lou Reed’s Hudson River Wind Meditations (2023) and Words & Music, May 1965 (2022).

One of the most original and innovative figures in music history, Reed (1942-2013) first gained recognition as co-founder and frontman of the massively influential Velvet Underground. Over the course of his five-decade career, the two-time Rock & Roll Hall of Famer brought his singular vision to an eclectic expanse of musical endeavors, including era-defining albums like 1972’s Transformer and wildly experimental works like the 1975 avant-garde noise classic Metal Machine Music. But before establishing himself as an enduringly iconic singer, songwriter, musician, and poet, Reed got his start as an in-house songwriter (and occasional session guitarist/vocalist) for Pickwick Records—a label specializing in sound-alike recordings that emulated the major pop hits of the day. Encompassing everything from garage-rock and girl-group pop to blue-eyed soul and teen-idol balladry, Reed’s output for Pickwick ultimately offers a fascinating early glimpse at his ever-evolving and truly limitless artistry.

The album has been restored and remastered by GRAMMY®-nominated mastering engineer John Baldwin. Both the 2xLP & CD editions feature in-depth booklets with unseen photos, liner notes by Richie Unterberger (renowned music journalist and author of such acclaimed titles as White Light/White Heat: The Velvet Underground day-by-day), and an essay by Lenny Kaye (the legendary guitarist, Patti Smith Group co-founder, writer, producer, and curator of seminal garage-rock anthology Nuggets). The double-LP package is designed by multi-GRAMMY®-winning artist Masaki Koike and pressed at world-renowned plant Optimal (Germany). A special color vinyl edition is pressed on “Oxblood” wax (a/b side) and “Gold” wax (c/d side). This release marks the first official anthology of Lou Reed’s work for Pickwick Records and features rarities, cult classics (The Primitives’ “The Ostrich”), & previously unreleased material (The Beachnuts’ “Sad, Lonely Orphan Boy”).
V.A. - Sweet Beat
V.A.
Sweet Beat
LP | 1966 | DE | Original (Star-Club)
57,99 €*
Release: 1966 / DE – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
Vinyl with scuffs and hairlines. Cover with long open seam split on bottom spine and punch hole.
The Plastic People Of The Universe - Egon Bondy's Happy Hearts Club Banned
The Plastic People Of The Universe
Egon Bondy's Happy Hearts Club Banned
LP | 1976 | EU | Reissue (Guerilla)
57,99 €*
Release: 1976 / EU – Reissue
Genre: Rock & Indie
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Hawkwind - Live Seventy-Nine Clear Vinyl Record Store Day 2024 Edition
Hawkwind
Live Seventy-Nine Clear Vinyl Record Store Day 2024 Edition
LP | 2024 | EU (Bmw)
57,99 €*
Release: 2024 / EU
Genre: Rock & Indie
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Dark Fortress - Venereal Dawn White Vinyl Edition
Dark Fortress
Venereal Dawn White Vinyl Edition
2LP | 2024 | US | Original (The Circle Music)
57,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Dark Fortress - Venereal Dawn Red Vinyl Edition
Dark Fortress
Venereal Dawn Red Vinyl Edition
2LP | 2024 | US | Original (The Circle Music)
57,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Kill The Thrill - Autophagie Crystal Clear Vinyl Edition
Kill The Thrill
Autophagie Crystal Clear Vinyl Edition
2LP | 2024 | EU | Original (Season Of Mist)
57,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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The Boo Radleys - Giant Steps 30th Anniversary Remastered Edition
The Boo Radleys
Giant Steps 30th Anniversary Remastered Edition
2LP+10" | 1993 | EU | Reissue (Two-Piers)
57,99 €*
Release: 1993 / EU – Reissue
Genre: Rock & Indie
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Integrity - Den Of Iniquity "Clear And Ghostly" Green Vinyl Edition
Integrity
Den Of Iniquity "Clear And Ghostly" Green Vinyl Edition
2LP | 1993 | US | Reissue (Organized Crime)
57,99 €*
Release: 1993 / US – Reissue
Genre: Rock & Indie
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Den Of Iniquity was originally released on Dark Empire Records in 1993 to combine their demos and rare vinyl releases on one CD. Organized Crime is pleased to bring back this early, rare-track anthology and more than double the amount of tracks included. Spanning from the very start of the band in 1988 through 1998, Den Of Iniquity brings together 23 rare tracks as a double LP now available on “clear and ghostly” green vinyl limited to 265 copies. Includes layout by Dwid Hellion along with liner notes by Aaron Melnick.
Kate Bush - The Red Shoes 2018 Remaster Black Vinyl Edition
Kate Bush
The Red Shoes 2018 Remaster Black Vinyl Edition
2LP | 1993 | EU | Reissue (Fish People)
57,99 €*
Release: 1993 / EU – Reissue
Genre: Rock & Indie
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Pressed on 180g. The Red Shoes is Kate's seventh studio album and was released in November 1993.

The album was accompanied by Kate's short film, "The Line, The Cross and The Curve".

The album reached no. 2 in the UK album chart and has been certified Platinum by the British Phonographic Industry for over 300,000 copies sold.

The album also reached no. 28 in the US album chart. Fish People are proud and excited to announce new pressings of all 10 of Kate Bush's albums, featuring a special new edition for independent retailers.

"It’s very exciting to see people appreciating the physical presence of an album released on vinyl. It’s how it’s always been for me, especially when I was a teenager. The whole buzz of the record store was part of the experience. Buying an album was an event." Kate Bush.

The records are all pressed on 180g vinyl at the world-renowned Record Industry plant in the Netherlands. New lacquers were cut from the 2018 remasters by Bernie Grundman and overseen by mastering engineer James Guthrie.

Indie editions were all designed by Kate and feature new Fish People label designs, stunning Color Vinyl combinations and obi strips with pressing date. They are protected in resealable poly-bag liners with a 'Fish People Reissue' sticker, bottom right.

These are unlimited editions and will be in production constantly.

Street date for the first batch is set at 20 November.
Nancy Sinatra - Keep Walkin': Singles, Demos & Rarities 1965-1978 Blue Vinyl Edition
Nancy Sinatra
Keep Walkin': Singles, Demos & Rarities 1965-1978 Blue Vinyl Edition
2LP | 2023 | US | Original (Light In The Attic)
57,99 €*
Release: 2023 / US – Original
Genre: Rock & Indie
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Definitive collection of Nancy's rare singles, demos and previously unreleased cuts. Includes 3 previously unreleased tracks, plus 3 tracks making their vinyl debut. Deep booklet includes new Q&As with Nancy & Don Randi (The Wrecking Crew) - both conducted by Grammy®-nominated co-producer Hunter Lea Plus never-before-seen photos from Nancy Sinatra’s personal archive. Features audio freshly remastered from the original analog tapes by Grammy®-nominated engineer John Baldwin. Vinyl pressed at RTI. Double LP housed in a gatefold jacket with 24-page book Light in the Attic continues to celebrate the influential career of singer, actress, activist, and icon *Nancy Sinatra* with a captivating new collection, Keep Walkin’: Singles, Demos & Rarities 1965-1978. Exploring the lesser-known gems from Sinatra’s rich catalog through 25 B-sides, rare singles, covers, demos, and previously-unreleased recordings, Keep Walkin’ was remastered by the *Grammy®-nominated engineer John Baldwin* and available in a variety of formats, including vinyl, CD, 8-track, and digital. The 2LP set, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and accompanied by a 24-page booklet featuring an array of photos from the artist’s personal collection, as well as a new in-depth Q&A with Sinatra, conducted by the reissue’s Grammy®-nominated co-producer, Hunter Lea. The booklet also contains a fascinating interview with keyboardist Don Randi (The Wrecking Crew), who recently spoke to Lea about his hit-filled career and his 50 years of work with Nancy. Keep Walkin’: Singles, Demos & Rarities 1965-1978 serves as a companion to the widely-acclaimed 2021 career-spanning retrospective, Start Walkin’ 1965-1976, and marks the latest release in LITA’s ongoing Nancy Sinatra Archival Series, a partnership with the legendary artist, which honors her musical legacy through lovingly curated reissues (including her 1966 debut, Boots and the 1968 classic, Nancy & Lee), limited-edition merch, and other special releases. In 1965, 25-year-old Nancy Sinatra scored her first No.1 hit with “These Boots are Made for Walkin’,” a bold anthem for female empowerment. Brazen, sassy, and utterly infectious, it was a reintroduction of sorts for the eldest daughter of Frank Sinatra, who had been struggling to find a spotlight of her own amid a changing musical landscape. Suddenly, audiences who had initially brushed off Sinatra as too demure or out-of-touch were paying attention. Written and produced by Oklahoma-born songsmith Lee Hazlewood (with swaggering instrumentals, courtesy of Billy Strange and The Wrecking Crew), the song launched the singer’s career, as well as one of music’s most unlikely, yet compelling, creative partnerships. Over the next decade, Sinatra continued to notch multiple hits on both sides of the Atlantic, including “Sugar Town,” “How Does That Grab You, Darlin?,” and a haunting rendition of the Sonny Bono-penned “Bang Bang (My Baby Shot Me Down).” The singer also paired up with Hazlewood for a series of popular duets (“Summer Wine,” “Jackson,”* and *“Some Velvet Morning”) and collaborative albums. In between best-selling LPs like Boots (1966), How Does That Grab You (1966), and Nancy & Lee (1968), Sinatra performed the theme song to the 1967 James Bond film, You Only Live Twice, and collaborated with her father on the global chart-topper, “Somethin’ Stupid.” While these career landmarks are well-documented in the annals of pop culture history, however, much of Sinatra’s catalog remains sorely overlooked. As Keep Walkin’ co-producer Hunter Lea explains, “With the changing taste of the record-buying public in the late 1960s and the counterculture taking over, artists like Nancy Sinatra weren’t in the mainstream as they once were.” Despite that fact, “[Sinatra] kept working, recording, and performing at a voracious pace.” Lea continues, “This compilation is a celebration of some of the many glorious recordings that may have been overlooked, forgotten, or never even released at the time. The obscurity of some of these recordings doesn’t mask the genius, brilliance, and effort that went into them; on the contrary, it’s incredible to learn that some of the lost gems are just as rich as the national treasures.” Among the highlights is the spritely opener “The City Never Sleeps at Night,” which served as the B-Side to “These Boots Were Made for Walkin’.” Overshadowed by the colossal success of its A-side, it’s no surprise that the cinematic tune never had its proper due. Yet, Lea reveals, Hazlewood initially intended to make it the focus single. Another long-lost B-side is “The Last of the Secret Agents?,” which was paired with the Top 10 hit, “How Does That Grab You, Darlin’?” The playful song, written by Hazlewood, served as the theme to the 1966 comedy of the same name, in which Sinatra co-starred alongside Marty Allen and Steve Rossi. Keep Walkin’ also features several choice A-sides that were never included on albums and were overlooked for one reason or another. Among them is 1966’s “In Our Time,” a rebellious anthem for ‘60s youth, which references drug culture and women’s liberation, among other topics. Speaking to the Hazlewood-penned track, Sinatra recalls, “That was a fun song. Lee was starting to do his ‘anti’ stuff. He was cynical and it showed in his writing at some point.” But, despite the themes of the song, Nancy laments that she was never embraced by the counterculture. “[drugs] knocked me out of the picture completely. I was so far removed from the hip people in those days. I think they probably made fun of my stuff.” Another stylistic departure for both artists is “Love Eyes,” a bluesy, soulful single from 1966. The song, Nancy shares, is “one of my favorites. I think what helped Lee’s writing at that point was the bigger sound.… I really love it. I think it holds up to this day.” She adds that her dreamy vocal performance was inspired by early female R&B stars like Ruth Brown and LaVern Baker. The collection also features several outstanding covers, including a previously-unreleased rendition of the Barry Mann/Cynthia Weil classic, “I Just Can’t Help Believing” (a hit for both B.J. Thomas and Elvis Presley). This 1978 recording, reimagined as a duet, marked one of Sinatra’s brief reunions with Hazlewood, following his abrupt move to Sweden not long after 1972’s Nancy & Lee Again. Another choice track finds Nancy interpreting Neil Diamond’s “Glory Road.” Released as a single in 1971, it features one of the singer’s most cherished vocal performances. “After I worked on my voice and improved as a performer and as a singer, I embraced Neil Diamond. Anything I did by Neil Diamond, to me, is my best work.” Nancy also looks back fondly on her moving rendition of Bill Withers’ “Ain’t No Sunshine," released in 1973 as the B-side to “Sugar Me.” The recording (which features particularly lush orchestral arrangements by Billy Strange) reunited Nancy with another close collaborator, Jimmy Bowen, who produced the singer in the early ‘60s and later introduced her to Hazlewood. “I love Jimmy,” she declares. “The records we did early on…had a depth to them that I appreciated. He heard me and saw me in a different light; he saw me as a much more serious performer, which I appreciated.” Listeners will also be delighted to hear a pair of previously-unreleased demos: “Something Pretty” (the 1968 country hit, made famous by Wynn Stewart) and the theme to the 1965 Richard Rogers/Stephen Sondheim musical, Do I Hear a Waltz?, both of which were intended for a self-described “disco” record. Despite the two catchy takes featured on Keep Walkin’, Sinatra calls the shelved album “A disaster. I called it the disco fiasco!” Offering additional insight into Sinatra’s career is music director, songwriter, and keyboardist, Don Randi. A member of the hallowed *Wrecking Crew* collective, Randi was one of the most prolific session musicians of the ‘60s and ‘70s with hundreds of credits to his name, including The Beach Boys’ “Good Vibrations,” Linda Ronstadt’s “Different Drum,” and “These Boots are Made For Walkin’” – his first recording with Sinatra. For the next fifty years, he would be a fixture at her sessions and live shows. He also appears on nearly every track in this collection. Speaking to Lea, Randi delves deep into his time with Sinatra, with a palpable admiration for the singer. *“She was easy to work with,”* he shares. “She was always wonderful to musicians; nobody even comes close.” The keyboardist, who met Sinatra through Hazlewood, also recalls the magic of that partnership. “I always liked working with Nancy & Lee. They had something very special that they could get out of each other. It was a good team.” He continues, “Sinatra stood up for herself [around Lee]…He could be so cantankerous…but that’s Lee…. [Nancy] saw through it. She was so lovely and helpful to him a number of times when he really needed someone to talk to.” That said, Randi also appreciates the power of Sinatra’s solo performances. “I never thought she really needed [Hazlewood},”* he reveals. “I thought her shows were just as well with everybody else; they were excellent.” After stepping back from the industry in the ‘70s to focus on her young family, Sinatra returned to the spotlight in the mid-90s, releasing a string of new albums, including the star-studded Nancy Sinatra, which paired the artist with some of her biggest fans, including Morrissey, U2, Calexico, and Sonic Youth. Since then, Nancy’s legacy has only continued to grow. In more recent years, her impact has been recognized by the likes of Pitchfork, NPR, and Rolling Stone, while in 2020, “Boots” was inducted into the Grammy® Hall of Fame*. Today, Sinatra remains a force in the industry, as new generations discover her influential catalog, which boasts nearly 20 studio albums and dozens of charting singles.
Nancy Sinatra - Keep Walkin': Singles, Demos & Rarities 1965-1978 Yellow Vinyl Edition
Nancy Sinatra
Keep Walkin': Singles, Demos & Rarities 1965-1978 Yellow Vinyl Edition
2LP | 2023 | US | Original (Light In The Attic)
57,99 €*
Release: 2023 / US – Original
Genre: Rock & Indie
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Definitive collection of Nancy's rare singles, demos and previously unreleased cuts. Includes 3 previously unreleased tracks, plus 3 tracks making their vinyl debut. Deep booklet includes new Q&As with Nancy & Don Randi (The Wrecking Crew) - both conducted by Grammy®-nominated co-producer Hunter Lea Plus never-before-seen photos from Nancy Sinatra’s personal archive. Features audio freshly remastered from the original analog tapes by Grammy®-nominated engineer John Baldwin. Vinyl pressed at RTI. Double LP housed in a gatefold jacket with 24-page book Light in the Attic continues to celebrate the influential career of singer, actress, activist, and icon *Nancy Sinatra* with a captivating new collection, Keep Walkin’: Singles, Demos & Rarities 1965-1978. Exploring the lesser-known gems from Sinatra’s rich catalog through 25 B-sides, rare singles, covers, demos, and previously-unreleased recordings, Keep Walkin’ was remastered by the *Grammy®-nominated engineer John Baldwin* and available in a variety of formats, including vinyl, CD, 8-track, and digital. The 2LP set, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and accompanied by a 24-page booklet featuring an array of photos from the artist’s personal collection, as well as a new in-depth Q&A with Sinatra, conducted by the reissue’s Grammy®-nominated co-producer, Hunter Lea. The booklet also contains a fascinating interview with keyboardist Don Randi (The Wrecking Crew), who recently spoke to Lea about his hit-filled career and his 50 years of work with Nancy. Keep Walkin’: Singles, Demos & Rarities 1965-1978 serves as a companion to the widely-acclaimed 2021 career-spanning retrospective, Start Walkin’ 1965-1976, and marks the latest release in LITA’s ongoing Nancy Sinatra Archival Series, a partnership with the legendary artist, which honors her musical legacy through lovingly curated reissues (including her 1966 debut, Boots and the 1968 classic, Nancy & Lee), limited-edition merch, and other special releases. In 1965, 25-year-old Nancy Sinatra scored her first No.1 hit with “These Boots are Made for Walkin’,” a bold anthem for female empowerment. Brazen, sassy, and utterly infectious, it was a reintroduction of sorts for the eldest daughter of Frank Sinatra, who had been struggling to find a spotlight of her own amid a changing musical landscape. Suddenly, audiences who had initially brushed off Sinatra as too demure or out-of-touch were paying attention. Written and produced by Oklahoma-born songsmith Lee Hazlewood (with swaggering instrumentals, courtesy of Billy Strange and The Wrecking Crew), the song launched the singer’s career, as well as one of music’s most unlikely, yet compelling, creative partnerships. Over the next decade, Sinatra continued to notch multiple hits on both sides of the Atlantic, including “Sugar Town,” “How Does That Grab You, Darlin?,” and a haunting rendition of the Sonny Bono-penned “Bang Bang (My Baby Shot Me Down).” The singer also paired up with Hazlewood for a series of popular duets (“Summer Wine,” “Jackson,”* and *“Some Velvet Morning”) and collaborative albums. In between best-selling LPs like Boots (1966), How Does That Grab You (1966), and Nancy & Lee (1968), Sinatra performed the theme song to the 1967 James Bond film, You Only Live Twice, and collaborated with her father on the global chart-topper, “Somethin’ Stupid.” While these career landmarks are well-documented in the annals of pop culture history, however, much of Sinatra’s catalog remains sorely overlooked. As Keep Walkin’ co-producer Hunter Lea explains, “With the changing taste of the record-buying public in the late 1960s and the counterculture taking over, artists like Nancy Sinatra weren’t in the mainstream as they once were.” Despite that fact, “[Sinatra] kept working, recording, and performing at a voracious pace.” Lea continues, “This compilation is a celebration of some of the many glorious recordings that may have been overlooked, forgotten, or never even released at the time. The obscurity of some of these recordings doesn’t mask the genius, brilliance, and effort that went into them; on the contrary, it’s incredible to learn that some of the lost gems are just as rich as the national treasures.” Among the highlights is the spritely opener “The City Never Sleeps at Night,” which served as the B-Side to “These Boots Were Made for Walkin’.” Overshadowed by the colossal success of its A-side, it’s no surprise that the cinematic tune never had its proper due. Yet, Lea reveals, Hazlewood initially intended to make it the focus single. Another long-lost B-side is “The Last of the Secret Agents?,” which was paired with the Top 10 hit, “How Does That Grab You, Darlin’?” The playful song, written by Hazlewood, served as the theme to the 1966 comedy of the same name, in which Sinatra co-starred alongside Marty Allen and Steve Rossi. Keep Walkin’ also features several choice A-sides that were never included on albums and were overlooked for one reason or another. Among them is 1966’s “In Our Time,” a rebellious anthem for ‘60s youth, which references drug culture and women’s liberation, among other topics. Speaking to the Hazlewood-penned track, Sinatra recalls, “That was a fun song. Lee was starting to do his ‘anti’ stuff. He was cynical and it showed in his writing at some point.” But, despite the themes of the song, Nancy laments that she was never embraced by the counterculture. “[drugs] knocked me out of the picture completely. I was so far removed from the hip people in those days. I think they probably made fun of my stuff.” Another stylistic departure for both artists is “Love Eyes,” a bluesy, soulful single from 1966. The song, Nancy shares, is “one of my favorites. I think what helped Lee’s writing at that point was the bigger sound.… I really love it. I think it holds up to this day.” She adds that her dreamy vocal performance was inspired by early female R&B stars like Ruth Brown and LaVern Baker. The collection also features several outstanding covers, including a previously-unreleased rendition of the Barry Mann/Cynthia Weil classic, “I Just Can’t Help Believing” (a hit for both B.J. Thomas and Elvis Presley). This 1978 recording, reimagined as a duet, marked one of Sinatra’s brief reunions with Hazlewood, following his abrupt move to Sweden not long after 1972’s Nancy & Lee Again. Another choice track finds Nancy interpreting Neil Diamond’s “Glory Road.” Released as a single in 1971, it features one of the singer’s most cherished vocal performances. “After I worked on my voice and improved as a performer and as a singer, I embraced Neil Diamond. Anything I did by Neil Diamond, to me, is my best work.” Nancy also looks back fondly on her moving rendition of Bill Withers’ “Ain’t No Sunshine," released in 1973 as the B-side to “Sugar Me.” The recording (which features particularly lush orchestral arrangements by Billy Strange) reunited Nancy with another close collaborator, Jimmy Bowen, who produced the singer in the early ‘60s and later introduced her to Hazlewood. “I love Jimmy,” she declares. “The records we did early on…had a depth to them that I appreciated. He heard me and saw me in a different light; he saw me as a much more serious performer, which I appreciated.” Listeners will also be delighted to hear a pair of previously-unreleased demos: “Something Pretty” (the 1968 country hit, made famous by Wynn Stewart) and the theme to the 1965 Richard Rogers/Stephen Sondheim musical, Do I Hear a Waltz?, both of which were intended for a self-described “disco” record. Despite the two catchy takes featured on Keep Walkin’, Sinatra calls the shelved album “A disaster. I called it the disco fiasco!” Offering additional insight into Sinatra’s career is music director, songwriter, and keyboardist, Don Randi. A member of the hallowed *Wrecking Crew* collective, Randi was one of the most prolific session musicians of the ‘60s and ‘70s with hundreds of credits to his name, including The Beach Boys’ “Good Vibrations,” Linda Ronstadt’s “Different Drum,” and “These Boots are Made For Walkin’” – his first recording with Sinatra. For the next fifty years, he would be a fixture at her sessions and live shows. He also appears on nearly every track in this collection. Speaking to Lea, Randi delves deep into his time with Sinatra, with a palpable admiration for the singer. *“She was easy to work with,”* he shares. “She was always wonderful to musicians; nobody even comes close.” The keyboardist, who met Sinatra through Hazlewood, also recalls the magic of that partnership. “I always liked working with Nancy & Lee. They had something very special that they could get out of each other. It was a good team.” He continues, “Sinatra stood up for herself [around Lee]…He could be so cantankerous…but that’s Lee…. [Nancy] saw through it. She was so lovely and helpful to him a number of times when he really needed someone to talk to.” That said, Randi also appreciates the power of Sinatra’s solo performances. “I never thought she really needed [Hazlewood},”* he reveals. “I thought her shows were just as well with everybody else; they were excellent.” After stepping back from the industry in the ‘70s to focus on her young family, Sinatra returned to the spotlight in the mid-90s, releasing a string of new albums, including the star-studded Nancy Sinatra, which paired the artist with some of her biggest fans, including Morrissey, U2, Calexico, and Sonic Youth. Since then, Nancy’s legacy has only continued to grow. In more recent years, her impact has been recognized by the likes of Pitchfork, NPR, and Rolling Stone, while in 2020, “Boots” was inducted into the Grammy® Hall of Fame*. Today, Sinatra remains a force in the industry, as new generations discover her influential catalog, which boasts nearly 20 studio albums and dozens of charting singles.
The Hirsch Effekt - Urian Fanbox
The Hirsch Effekt
Urian Fanbox
4LP | 2023 | EU | Original (Long Branch)
57,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Marillion - All One Tonight (Live At The Royal Albert Hall) Limited Crystal Clear Vinyl Edition
Marillion
All One Tonight (Live At The Royal Albert Hall) Limited Crystal Clear Vinyl Edition
4LP | 2023 | EU | Reissue (Earmusic)
57,99 €*
Release: 2023 / EU – Reissue
Genre: Rock & Indie
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The Sweet - Give Us A Wink = 甘い誘惑
The Sweet
Give Us A Wink = 甘い誘惑
LP | 1976 | JP | Original (Capitol)
57,94 €* 60,99 € -5%
Release: 1976 / JP – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: Near Mint, Cover: VG+
Gimmick cover with Original inner sleeve. OBI is missing.
Strength In Numbers - The Telluride Sessions
Strength In Numbers
The Telluride Sessions
LP | 1989 | US | Original (MCA)
56,99 €* 75,99 € -25%
Release: 1989 / US – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG
US original.

Record close to near mint, faint surface noise audible in the run-ins of the first track on both sides but just for a few rounds.

Cover close to VG+ with just a small seam split at the lower edge.
Stevie Nicks - Bella Donna Deluxe Record Store Day 2022 Vinyl Edition
Stevie Nicks
Bella Donna Deluxe Record Store Day 2022 Vinyl Edition
2LP | 1981 | EU | Reissue (Rhino Atlantic)
56,99 €*
Release: 1981 / EU – Reissue
Genre: Rock & Indie
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Limited to 15000 copies.

Vinyl version of Remastered Original Album + LP of Studio masters, B-sides and demos (many for the first time on vinyl) from the 2016 Bella Donna Deluxe Edition.
Morgen - Morgen
Morgen
Morgen
2LP | 2021 | US | Original (Now-Again)
56,99 €*
Release: 2021 / US – Original
Genre: Rock & Indie
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Morgen’s self-titled 1969 album is the sole release by the NYC band led by songwriter / vocalist Steve Morgen. Now-Again’s Reserve edition of the release pairs the album with previously-unreleased songs and alternate takes to create denitive double LP reissue of the album. That casual listeners have never heard of this late 60s masterpiece is by any measure a musical injustice. Morgen offers a portal to a dream space where the expansive, artful touches never prevent the band members from pummeling their instruments like their lives depended on it. Paul Major, perhaps the first Morgen evangelist, likens the album’s immediacy to that of Hendrix, stating “Morgen was one of the records that came closest to giving me that same kind of thrill on that level. It blew my mind!” Geoffrey Weiss, Now-Again’s nomination for World’s Greatest Record Collector, states “…unlike 95% of the rare psychedelic records that people celebrate it sounds like they were good musicians who were well rehearsed and had worked out this sound very intentionally. Morgen has a kind of power – you really can’t compare it to anything.” The band, and Morgen’s arc were – cribbing Kurt Vonnegut – unstuck in time. It took 50 years for Steve Morgen’s belief, for instance, that an alternate, superior version of his stellar “Purple” was recorded in 1968. It sees release here, alongside other takes of songs from the album, including a version of “Beggin’ Your Pardon (Ms. Joan)” on which Morgen’s fiery guitarist Murray Shiffrin sings lead and songs the band recorded as possibilities for the album, before settling on their dense, hazy vision and etching an indelible entry into the psychedelic canon. The set is rounded out with the inclusion of extensive liner notes by Jeff “Chairman” Mao as well as never-before seen photos and ephemera in an oversized book. Download card for WAV files for all vinyl tracks and additional bonus tracks.
Al Manfredi - Blue Gold
Al Manfredi
Blue Gold
LP | 2019 | US | Reissue (Now-Again)
56,99 €*
Release: 2019 / US – Reissue
Genre: Rock & Indie
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Al Manfredi is the father of hip-hop producer Exile, and Blue
Gold is his little-known West Coast rock masterpiece from
1973. Manfredi’s dreams of securing a record deal with this
album faded, but he spent the rest of his life recording
music. This version of the album was overseen by Exile.
Born into a musical family Al Manfredi started writing songs when he was child. As a teenager in 1965, he formed the Nuts
& Bolts in the small beach town of San Clemente, California. Inspired by the Kinks, the Beatles and the Byrds, the group
separated themselves from the pack by also performing original material written by Manfredi and band mate Mike Ingram.
In late 1966 they changed their name to the Lost & Found and relocated to Phoenix, Arizona, where they cut a rare single,
“Don’t Move Girl” b/w “To Catch the Sun,” which now commands high coin from ‘60s garage collectors.
When they returned to San Clemente in early 1967 their music had taken a more psychedelic direction. The Lost & Found
were riding high that year, until tragedy struck. Ingram was found hanged under suspicious circumstances and soon after
Lost & Found drummer Mike Ryer died of cancer at the age of 19. Heartbroken, Manfredi gave up on the band scene
completely and moved to Garden Grove to teach at his family’s music store.
But alone, behind closed doors, he kept writing songs and working on his music, recording hours of tapes, often tracking
all the instruments himself. In 1973 he chose six of his best songs, some of them written back in the Lost & Found days,
and had them custom-pressed as an LP. Only a handful of copies were pressed, and most of these were sent out to various
record companies in the hope of landing a deal. Despite the outstanding quality of the music, there were no takers. But
decades later, collectors discovered the Al Manfredi album and hailed it a West Coast rock masterpiece. In his Acid Archives
book, Patrick Lundborg called its discovery a deus ex machina and compared it to David Crosby’s first solo album and
Hawaii-era Merrell Fankhauser, “not just the acutely captured mellowness, but the self-confidence and the talent.”
This little-known West Coast rock masterpiece was rediscovered and celebrated by Acid Archives founder Patrick Lundborg
and others around the time that Manfredi died in 1995. This version of the album, overseen by Manfredi’s son Exile,
and with Manfredi’s story told by Ugly Things’ founder Mike Stax, presents the complete package of an incredible lost and
found artist.
Hunger - Strictly From Hunger
Hunger
Strictly From Hunger
LP | 1969 | US | Reissue (Now-Again)
56,99 €*
Release: 1969 / US – Reissue
Genre: Rock & Indie
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The latest release in Now-Again’s Reserve Series is Hunger – Strictly From Hunger: the band’s preferred version of the album, unedited, fuzz-guitar heavy late 60s psych-rock, restored and remastered from a rare test press. Hunger arrived in L.A. from Portland in late 1967 as the Outcasts, a teenage cover band, but within a six months they had signed with a connected manager, played all over Los Angeles, embraced psychedelia and signed on to record an album of original music for the label their manager founded for them: Public! Records. They showed tremendous promise – and their producers invested heavily into a band that was going to be the next marquee act at the Whiskey A Go-Go, bringing in members of Strawberry Alarm Clock, including future Lynyrd Skynyrd star Ed King, to produce an album. But Hunger broke up before their album’s release and their entry in rock’s canon was shadowed for years. This is the definitive Reserve Edition reissue of a late ‘60s psych–rock classic, overseen by Hunger’s band members John Morton, Steve Hansen and Mike Lane: the band’s preferred, unedited, fuzz-guitar heavy version of the album, restored and remastered from a rare test press. This is the first time that band’s vision for the album has been issued in full on vinyl. Contains an extensive booklet by Jim Cherry, Eothen Alapatt and Clark Faville that corrects many factual inaccuracies told over the record’s celebrated past three decades as one of rock’s holy grails. The booklet is filled with never-published photos from lead guitarist John Morton’s archive. Here’s an example of what’s in store – the full version of “Open Your Eyes” featuring Ed King’s lead guitar lines – all but absent on the Public! Records issue – and nearly double the length of the issued version! Download card for WAV files and bonus tracks – including the full Public! Records version of the album and 7” single tracks – included.
German Oak - Down In The Bunker
German Oak
Down In The Bunker
2LP | 2017 | US | Original (Now-Again)
56,99 €*
Release: 2017 / US – Original
Genre: Rock & Indie
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The 6th entry in the Now-Again Reserve Edition series is the definitive reissue of a lauded and misunderstood Krautrock album as well as the first band-sanctioned reissue in the series.

The most mysterious Krautrock album, German Oak’s “Down in the Bunker” has been fetishized and demonized, lauded and misunderstood for nearly four decades. In this definitive Reserve Edition of the album, the German Oak trio – together again after 30 years apart – have approved the remastering of their 70s music, finally tell the story behind the creation of their dark, brooding album – and the occult-obsessed record collector behind the original album’s release and its myth – and they share previously unreleased music and photos.

The obscure Düsseldorf band’s self-produced debut were mainly spontaneous sessions recorded in a bunker. According to an online statement by the alleged bandleader the music was later published by a friend of the band who centered the titles and the artwork on World War II themes, in which the band itself had little say.

This two LP set presents the album as it was initially released, and a second disc of other songs by the band, both rare and previously unreleased.
The Flaming Lips - Yoshimi Battles The Pink Robots Super Deluxe Edition
The Flaming Lips
Yoshimi Battles The Pink Robots Super Deluxe Edition
6CD | 2024 | EU | Original (Warner)
56,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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The Darkness - Permission To Land...Again 20th Anniversary Box Set
The Darkness
Permission To Land...Again 20th Anniversary Box Set
5CD | 2024 | EU | Original (Warner)
56,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Fleetwood Mac - Mirage Tour '82
Fleetwood Mac
Mirage Tour '82
3LP | 2024 | EU | Original (Rhino)
56,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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The Boy - Αντιλόπη
The Boy
Αντιλόπη
LP | 2020 | GR | Original (Inner Ear)
56,99 €*
Release: 2020 / GR – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Bob Frank - Broke Again Record Store Day 2024 Red Vinyl Edition
Bob Frank
Broke Again Record Store Day 2024 Red Vinyl Edition
LP | 1972 | US | Reissue (Real Gone Music)
56,99 €*
Release: 1972 / US – Reissue
Genre: Rock & Indie
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Originally released in 1972 on Vanguard Records, Bob Frank’s self-titled debut album took elements of Dylan, Johnny Cash, and Ian Tyson and filtered it thru a pot-smoked haze and the infusion of Frank’s long-time friend, Memphis guru Jim Dickinson. Dickinson and Frank shared a mutual admiration that ran so deep that on Dickinson’s own 1972 debut album Dixie Fried (released on Atlantic Records), he recorded one of Bob Frank’s songs “Wild Bill Jones.” But despite the Dickinson/Memphis connection, Bob Frank’s only LP for Vanguard became a forgotten, hard to find relic - until Light in the Attic reissued it to great acclaim in 2014. Now, from Real Gone comes more 1972 Vanguard Bob Frank recordings (all previously unreleased studio songs) coupled with a live set from the Old Quarter in Houston 1973 (the first-ever vintage live Bob Frank recordings to be released). Includes an insert with extensive liner notes detailing Frank’s career self-sabotage by Pat Thomas and the director of the documentary Within A Few Degrees: A Little Gest of Bob Frank, Isaac Pingree. 20 tracks, all unreleased, pressed on stems ‘n’ seeds “marijuana” vinyl.
Mott The Hoople - All The Young Dudes Orange Vinyl Edition
Mott The Hoople
All The Young Dudes Orange Vinyl Edition
2LP | 1972 | UK | Reissue (Madfish)
56,99 €*
Release: 1972 / UK – Reissue
Genre: Rock & Indie
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Die Ärzte - Runter Mit Den Spendierhosen, Unsichtbarer
Die Ärzte
Runter Mit Den Spendierhosen, Unsichtbarer
2LP | 2000 | EU | Reissue (Hot Action)
56,99 €* 59,99 € -5%
Release: 2000 / EU – Reissue
Genre: Rock & Indie
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It's the year 2000 and the term "cuddly rock" needs to be reassessed. After the mega-success of the predecessor "13", a new album is on the way. So to warm up, they first recorded an ultra-German punk EP, "5, 6, 7, 8 - Bullenstaat". The genesis of the new album title can be described, but not explained. And: plush.

Under the fluffy cover, "Runter mit den Spendierhosen, Unsichtbarer!" turns out to be a cornucopia of hits, almost all of which still occupy a firm place in the not exactly slender-breasted canon of classics of the best band in the world almost a quarter of a century later and are way ahead of the zeitgeist. Because the ärzte are - surprise! - are extraordinarily diverse, especially when it comes to one topic: Sexual intercourse. There are all kinds of sexual intercourse, including more or less common problems that unfortunately complicate the fun between men, women and everything in between.

"You're even more annoying than Yoko Ono" has not only long since become everyday language, but even landed in the Guinness Book of Records for the short but painful video. "Sometimes Women Have" almost grows into a medium scandal because of the tangible topic, then becomes a radio hit - thanks to the even more tangible video - and ultimately shows an option for feminist self-empowerment. "Rock Rendezvous" is exceedingly F-word intensive and unrestrainedly funny. But BelaFarinRod are also in an extremely good mood in other respects, rhyme their heads off extensively even by their standards and are also totally rock.

die ärzte: Now with a lot of woo-hooing, onprangering, even more pop sex, a fatal lack of kohl and a very simple question: "Does the sun also shine for Nazis?"
Kate Bush - Director's Cut 2018 Remaster Black Vinyl Edition
Kate Bush
Director's Cut 2018 Remaster Black Vinyl Edition
2LP | 2011 | EU | Reissue (Fish People)
56,99 €*
Release: 2011 / EU – Reissue
Genre: Rock & Indie
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Pressed on 180g. Director's Cut is Kate's 9th studio album and was released on 16 May 2011 on Kate's own label Fish People.

On Directors Cut Kate revisits a selection of tracks from her albums The Sensual World and The Red Shoes.

Kate has re-recorded some elements whilst keeping the best musical performances of each song - making it something of a director's cut but in sound, not vision. Fish People are proud and excited to announce new pressings of all 10 of Kate Bush's albums, featuring a special new edition for independent retailers.

"It’s very exciting to see people appreciating the physical presence of an album released on vinyl. It’s how it’s always been for me, especially when I was a teenager. The whole buzz of the record store was part of the experience. Buying an album was an event." Kate Bush.

The records are all pressed on 180g vinyl at the world-renowned Record Industry plant in the Netherlands. New lacquers were cut from the 2018 remasters by Bernie Grundman and overseen by mastering engineer James Guthrie.

Indie editions were all designed by Kate and feature new Fish People label designs, stunning Color Vinyl combinations and obi strips with pressing date. They are protected in resealable poly-bag liners with a 'Fish People Reissue' sticker, bottom right.

These are unlimited editions and will be in production constantly.

Street date for the first batch is set at 20 November.
V.A. - Glitzerbox 2
V.A.
Glitzerbox 2
Book+LP | 2023 | EU | Original (Jimmy Draht)
56,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie, Electronic & Dance
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This compilation contains folk songs, experimental collages, field recordings and lo-fi pop by artists like Maxine Funke, Tenniscoats, A Happy Return, Benoit Pioulard, New North Wales, among others. All tracks are exclusive or have never been released on vinyl before. It is accompanied by a 20-pages book with illustrations with works by Petra Péterffy, Laurent Impeduglia, Nadine Spengler, Michael Dumontier, Tomoko Mori and Nicholas Stevenson.
Wedding Present - 24 Songs
Wedding Present
24 Songs
3LP+DVD | 2023 | UK | Original (Happy Happy Birthday To Me)
56,99 €*
Release: 2023 / UK – Original
Genre: Rock & Indie
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The Wedding Present 24 Songs is a 3LP w/ DVD collecting all the 2022 7" singles in one spot. A. o. featuring a duet with Louise Wener of Sleeper, full lenght versions of songs, a bonus Utah Saints remix and more extra tracks! Throughout 2022, The Wedding Present's '24 Songs' series saw the legendary indie band release two new tracks a month as double A sided 7"s, ultimately creating a much-sought-after box set. David Gedge has now re-curated full-length versions of all twenty-four tracks for a new compilation album that will also comprise five bonus recordings including one featuring The Wedding Present's first guitarist, Peter Solowka. '24 Songs' was a doff of the cap to The Wedding Present's 'Hit Parade' project of 30 years previous. That series proved to be a real milestone for the band with them becoming only the second-ever artist to achieve twelve Official UK Top 40 hits in a calendar year - at the time something that only Elvis had achieved! David Gedge says: "When it came to compiling the '24 Songs' album, I decided not to sequence the tracks in chronological order. With six sides of vinyl, you have six 'beginnings' and six 'ends' to play with, and I felt that the opportunity to build some kind of a musical journey was too good to miss! Listening back to this collection, I have to say that I genuinely believe that, for this project, The Wedding Present have recorded some of the best tracks in our history." Classic black vinyl, the DVD includedThe Wedding Present playing live during the `24 Songs Launch' event in January 2022 plus a fascinating `fly-on-the-wall' documentary filmed as the songs were being written, arranged and recorded and the video for the December single.
Phil Ochs - Best Of The Rest: Rare And Unreleased Recordings Record Store Day 2023 Edition Seether - Si Vis Pacem, Para Bellum Limited Colored Vinyl Edition
Seether
Si Vis Pacem, Para Bellum Limited Colored Vinyl Edition
3LP | 2020 | DE | Reissue (Spinefarm)
55,99 €*
Release: 2020 / DE – Reissue
Genre: Rock & Indie
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The Beatles - Sgt.Peppers´s Lonely Hearts Club Band
The Beatles
Sgt.Peppers´s Lonely Hearts Club Band
LP | 1967 | UK | Original (Parlophone)
55,99 €*
Release: 1967 / UK – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG+, Cover: VG+
Uk reissue from the 2000s.
Includes original inner sleeve.
Rod Stewart And The Faces - Live At The Fillmore Deluxe White Vinyl Edition
Rod Stewart And The Faces
Live At The Fillmore Deluxe White Vinyl Edition
3LP | 2022 | UK | Original (London Calling)
55,99 €*
Release: 2022 / UK – Original
Genre: Rock & Indie
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Dr. Demento - Covered In Punk Green / Pink / Yellow Vinyl Edition
Dr. Demento
Covered In Punk Green / Pink / Yellow Vinyl Edition
LP | 2018 | EU | Original (Demented Punk)
55,99 €*
Release: 2018 / EU – Original
Genre: Rock & Indie
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This Two-Hour Demented Punk Extravaganza Is An Audio Oddity Unlike Anything Else... Twind Up Your Radio Dementites And Dementoids--The Doctor Is In!This Extra-Special Two-Hour Demented Punk Extravaganza Is An Audio Oddity Unlike Anything Else! An Eclectic Mix Of Artists From The World Of Classic And Contemporary Punk/Indie/Alt-Rock Have Assembled, Along With Special Guest Stars From Film, Tv And More, To Pay Homage To Radio Icon Dr. Demento (A World Renowned Institution Who Has Championed Novelty Music And Its Creators Since The 1970s), For This Mind-Blowing Compilation. Over Thirty Different, Never Before Released, All-New 'Punk' Cover Versions Of 'Mad Music And Crazy Comedy' Songs Famously Heard On The Airwaves Of The Legendary "Dr Demento Show"--Have Been Intermixed With 'Wild Card' Tracks Showcasing Some Incredible, Newly 'Demented' Versions Of Punk-Rock Classics!The Result Is A Uniquely Original, Highly Entertaining, Modern Day Homage To Dr. Demento's Classic Radio Show, And Its Undeniable Impact On Popular Culture. This Bizarro Broadcast From Beyond The Fringe Is Hosted By Dr. Demento Himself, Offering Up Interesting Factoids And Anecdotes Between Songs, With Celebrity Guest Id Spots, Creatively Crafted Bumper Segments, And More 'Demented' Surprises Tying It All Together Into An Unconventional Take On The Traditional Radio Show Format.Over Two-Full Hours, A Total Of 64 Tracks--All Created Specifically For "Dr. Demento Covered In Punk"!Both The Two-Disc Cd, Or Three-Disc Vinyl Lp Come With An Equally Entertaining Full-Color Booklet Jam-Packed With Extensive Liner Notes And Quotes Personally Written By The Artists, A Foreword By Producer John Cafiero (Misfits, Ramones, Osaka Popstar), An Afterword By Dr. Demento, As Well As Facts, Photos, And An Array Of Dynamic Paintings And Illustrations Created Specifically For The Project By A Team Of Visual Artists Spanning The World Of Comic Books, Classic Punk-Rock Album Covers, Topps Trading Card Series, Mad Magazine And More.Joined By Everyone From...
The Who - Live At The Fillmore East 1968
The Who
Live At The Fillmore East 1968
LP | 2018 | US | Original (Sunpower)
55,99 €*
Release: 2018 / US – Original
Genre: Rock & Indie
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V.A. - Even The Forest Hums: Ukrainian Sonic Archives 1971-1996
V.A.
Even The Forest Hums: Ukrainian Sonic Archives 1971-1996
2LP | 2024 | US | Original (Light In The Attic)
55,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”
King Gizzard & The Lizard Wizard - Nonagon Infinity
King Gizzard & The Lizard Wizard
Nonagon Infinity
LP | 2016 | UK | Original (Heavenly)
55,99 €*
Release: 2016 / UK – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Sealed, Cover: Sealed
Still sealed with hype sticker.
The Libertines - The Libertines
The Libertines
The Libertines
LP | 2004 | UK | Reissue (Rough Trade)
55,99 €*
Release: 2004 / UK – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: Sealed, Cover: Sealed
Still sealed with OBI. Limited edition Red vinyl 2021 reissue.
The Pretty Things - Parachute
The Pretty Things
Parachute
LP+LP+All Media | 1970 | EU | Reissue (Madfish)
55,99 €*
Release: 1970 / EU – Reissue
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Still in shrink but opened with hype sticker. Tiny wear. 2020 reissue.
Die Ärzte - auch
Die Ärzte
auch
2LP | 2012 | Reissue (Hot Action)
55,99 €*
Release: 2012 / Reissue
Genre: Rock & Indie
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Daughter - Stereo Mind Game
Daughter
Stereo Mind Game
LP+CD+All Media | 2023 | UK | Original (4AD)
55,99 €*
Release: 2023 / UK – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Sealed, Cover: Sealed
Still sealed. Green vinyl Limited edition.
The Cribs - In The Belly Of The Brazen Bull
The Cribs
In The Belly Of The Brazen Bull
2LP+7" | 2012 | EU | Original (Wichita)
55,99 €*
Release: 2012 / EU – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Sealed, Cover: VG+
Still sealed with hype sticker. Cover has Stuffed corners.
Shin Joong Hyun - Beautiful Rivers & Mountains Blue Black Splatter Vinyl Edition
Shin Joong Hyun
Beautiful Rivers & Mountains Blue Black Splatter Vinyl Edition
2LP | 2011 | US | Reissue (Light In The Attic)
55,99 €*
Release: 2011 / US – Reissue
Genre: Rock & Indie
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Beaux Gris Gris & The Apocalypse - Hot Nostalgia Radio Colored Vinyl Edition
Beaux Gris Gris & The Apocalypse
Hot Nostalgia Radio Colored Vinyl Edition
2LP | 2024 | Original (Cadiz - Grow Vision)
55,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Beaux Gris Gris & The Apocalypse are happy to announce the release of their 3rd studio album, 'Hot Nostalgia Radio', alongside the release of the first single, 'Satisfy Your Queen', to digital platforms worldwide.The California-based Roots-Rock band have been gaining momentum across the UK and Europe for their acclaimed genre-bending music and epic one-of-a-kind live shows. Beaux Gris Gris expand their eclectic nature once again with this14 track album, celebrating and paying homage to classic songwriting and crossing the genre's that inspired their development as artists.Kicking the party off with a bang, BGG&TA presents their scorching rock single, 'Satisfy Your Queen'. A classic Rock n' Roll underpinning, bluesy riffs and an empowering chorus, the song kicks up a heavy fuss out of the gate, and doesn’t let up till the final note.True to form the album might be hard to categorize, but as the title suggests, it never strays away from being easily accessible. Front woman and songwriter, Greta Valenti explains: 'We've had over 4 years to write this album. The last album was recorded in 2019, pre-pandemic and then we had to sit on it for two years. I had over 100 song ideas waiting to go, but I really wanted this album to represent classic simple songwriting that strikes a chord within your soul. Every song should be a banger in some way, and these songs are really an evolution of who I am and who we are as a band. They're not complicated on the surface, but I hope these songs make you feel and are added to the soundtrack of your life - fitting seamlessly with the songs you already know and love.' Greta adds, 'So even though the songs may veer from Rock to Blues to Soul to Americana-Country to Singer-Songwriter, they are still essentially 3 to 4 minute pop songs. Our fans aren't genre-specific and neither are we. They just like good songs and wanna have a good time. And so do we.''I think our approach harkens back to when bands like the Beatles would write a bunch of different style songs, be it country, or psychedelic, or whatever they did they would always sound like the Beatles', guitarist Robin Davey adds. 'We certainly don't sound like the Beatles, but I hope that no matter what we do we are still easily identifiable as Beaux Gris Gris'.A deluxe double coloured vinyl set with LP sized booklet. Plays at 45rpm for higher fidelity! Side 1: 1. Oh Yeah (2:33) / 2. Wild Woman (2:47) / 3. Satisfy Your Queen (4:18) / 4. I Told My Baby (2:05). Side 2: 5. Middle Of The Night (3:21) / 6. Sad When I'm Dancing (3:21) / 7. All I Could Do Was Cry (3:22). Side 3: 8. The Runaway (4:36) / 9. Harder To Breathe (3:43) / 10. Don't Let Go (3:51). Side 4: 11. Penny Paid Rockstar (3:18) / 12. Marie (4:19) / 13. Let's Ride (3:23) / 14. Mama Cray (3:30)
The Who - The Story Of The Who Record Store Day 2024 Pink & Green Vinyl Edition
The Who
The Story Of The Who Record Store Day 2024 Pink & Green Vinyl Edition
2LP | Reissue (UMC)
55,99 €*
Release: Reissue
Genre: Rock & Indie
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Sometimes regarded as the most complete Who Best Of, this version with a replica of the original 8-page booklet and pressed on Colored Vinyl (Pink and Green) was mastered by long time Who engineer Jon Astley and cut by Miles Showell at Abbey Road.
Iain Matthews & The Salmon Smokers - Fake Tan
Iain Matthews & The Salmon Smokers
Fake Tan
LP | 2020 | NO | Original (New Noise)
55,99 €*
Release: 2020 / NO – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Limited Edition.
Clear Vinyl.
Record is close to NM.
Includes original inner sleeve.
Ry Cooder - Ry Cooder Radio Show
Ry Cooder
Ry Cooder Radio Show
LP | 1972 | US | Original (Reprise)
55,99 €*
Release: 1972 / US – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
Record is close to VG+.
Writing on cover.
Cover with seam split.
Mugamichill - Mugamichill
Mugamichill
Mugamichill
12" | 2023 | JP | Original (Fourth Hand)
55,99 €*
Release: 2023 / JP – Original
Genre: Rock & Indie
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Centered around Mitsuru Nasuno, Tatsuya Nakamura (former member of Blankey JET City) and Koji Nakamura (former member of Supercar) got together in December of 2016 to form Mugamichill. Since 2017, they have released a total of 8 CDs on their own and have been active performing to live audiences at events and on tour.

This will be their first analog release and will include 3 musical numbers from their long-awaited full album Mugamichill which was released in September of 2022 in a 4-cd package. Included in the 12-inch vinyl is the piece No.9, which is an arranged version of Shadow for a live audience. This vinyl was originally created as a return gift for their cloud funding, but with its popularity, it has been decided to be released to the public in limited numbers.

Recording and mixing was done by Naoyuki Uchida, Japan’s premier DUB engineer who has worked on various musical numbers from pop to avant-garde. As an extension of improvised music, this 12-inch vinyl unites colors, transparency, and ambience of sound, and is something that can only be savored through Mugamichill.
Nick Drake - The Endless Coloured Ways - The Singles Collection- Record Store Day 2024 Edition The Black Angels - Directions To See A Ghost Metallic Silver Vinyl Edition Solefald - In Harmonia Universali
Solefald
In Harmonia Universali
LP | 2022 | EU | Original (Spikerot)
54,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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20 years after its recordings, Solefald’s fourth album ‘IN Harmonia Universali’ will be finally available on vinyl for the first time ever. Solefald are a wilful and truly unapologetical one-of-a-kind band, defying all known genre definitions with each release. ‘IN Harmonia Universali’ is one of their most complex works to date, layered and eclectic, it stems from the band’s obsession with Progressive Rock, making its way through art, history and philosophy with lyrics touching five different languages. An unheard-of blend of Extreme Metal with bombastic passages, Gothic mystique, acoustic interludes, and the fearless use of instruments like saxophone, hammond and piano, make this album a crucial step in the band’s career. «In Harmonia Universali» says Lazare «is one of the most ambitious albums we have created together. And more than anything it’s a statement of what happens when ambition meets possibility. The world has changed since its release, but ‘In Harmonia…’ still rises above convention and keeps on being itself.» This long awaited release comes on Double Black vinyl limited to 400 copies worldwide , housed in a deluxe gatefold sleeve with exclusive and extensive liner notes by Cornelius and Lazare, and including a 4-panel insert with lyrics.
Rob Dickinson - Fresh Wine For The Horses Black Friday Record Store Day 2021 Edition
Rob Dickinson
Fresh Wine For The Horses Black Friday Record Store Day 2021 Edition
2LP | 2021 | US | Original (Real Gone Music)
54,99 €*
Release: 2021 / US – Original
Genre: Rock & Indie
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Limited to 2000 copies worldwide. The 2005 debut solo album from British singer-songwriter and ex-Catherine Wheel frontman Rob Dickinson.

This first-ever vinyl release adds a bunch of extras that did not appear on the original CD, including the track "The End of the World" (recently covered by Billie Eilish), and a second disc with the Nude EP from the 2008 deluxe CD reissue, made up of acoustic versions of Catherine Wheel songs.

Packaged in a gatefold jacket and pressed in red and yellow "seahorse" vinyl, limited to 2000 copies worldwide.
The Lemonheads - Lovey 30th Anniversary Record Stote Day 2020 Edition
The Lemonheads
Lovey 30th Anniversary Record Stote Day 2020 Edition
2LP+Book | 1990 | UK | Reissue (Fire)
54,99 €*
Release: 1990 / UK – Reissue
Genre: Rock & Indie
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Record Store Day 2020 Edition. Ltd edition Bookback Double LP, black vinyl with DL Code (2000 worlwide). Deluxe reissue of The Lemonheads ‘Lovey’ for Record Store Day 2020, housed in a bookback sleeve with expanded liner notes and unseen photos – this is
Coil - Ape Of Naples
Coil
Ape Of Naples
2LP | 2005 | CZ | Reissue (Important)
54,99 €*
Release: 2005 / CZ – Reissue
Genre: Rock & Indie
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The Ape Of Naples is Coil's highly celebrated final album completed by Peter Christopherson following the tragic death of Jhonn Balance in 2004. Often noted for being a fan favorite, The Ape Of Naples uses Balance's final recordings and material recorded at Trent Reznor's studio in New Orleans to create a deep, heavy masterpiece.

This first printing of 2000 copies is packaged in a heavy duty case wrapped, tip-on style jacket with Ian Johnstone's original artwork coated in a custom spot gloss. Each LP is house in a printed inner sleeve and side D contains all three original etchings. Ape's lyrics are spread across the gatefold.
The Smashing Pumpkins - Siamese Dreams Remastered
The Smashing Pumpkins
Siamese Dreams Remastered
2LP | 1993 | US | Reissue (Virgin)
54,99 €*
Release: 1993 / US – Reissue
Genre: Rock & Indie
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Freshly remastered for the 2011 season!
The International Noise Conspiracy - Survival Sickness
The International Noise Conspiracy
Survival Sickness
LP | 2000 | EU | Original (Burning Heart)
54,99 €*
Release: 2000 / EU – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Vinyl with a couple of light scuffs. Cover with light creasing and shelf wear
The Dears - No Cities Left: The Definitive 20th Anniversary Deluxe White Vinyl Edition
The Dears
No Cities Left: The Definitive 20th Anniversary Deluxe White Vinyl Edition
2LP | 2024 | US | Original (Outside Music)
54,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Preorder shipping from 2024-10-11
The Strokes - Is This It
The Strokes
Is This It
LP | 2015 | EU | Reissue (Rough Trade)
54,99 €*
Release: 2015 / EU – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: VG+
Cover with shelf wear on the back
The Last Shadow Puppets - The Dream Synopsis EP
The Last Shadow Puppets
The Dream Synopsis EP
12" | 2016 | EU | Original (Domino)
54,99 €*
Release: 2016 / EU – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: Mint, Cover: Sealed
Talking Heads - Remain In Light
Talking Heads
Remain In Light
LP | 2018 | EU | Reissue (Sire)
54,99 €*
Release: 2018 / EU – Reissue
Genre: Organic Grooves, Rock & Indie, Electronic & Dance
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Red Transparent vinyl. Record Store Day 2018 release. With insert. Still in shrink, but opened, with hype sticker
The Appleseed Cast - Mare Vitalis
The Appleseed Cast
Mare Vitalis
LP | 2000 | UK | Original (Deep Elm)
54,99 €*
Release: 2000 / UK – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Vinyl with a couple of light scuffs.
Picture
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The Baseballs
That's Alright Pink Vinyl Deluxe Edition
LP | 2024 | US | Original (Madizin Next)
54,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Preorder shipping from 2024-10-04
Kenny Rogers & The First Edition - The First Edition
Kenny Rogers & The First Edition
The First Edition
LP | 2014 | US | Reissue (Goldenlane)
54,99 €*
Release: 2014 / US – Reissue
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG, Cover: VG+
Vinyl with scuffs and hairlines, close to VG+. Cover close to NM
The Wonder Years - Sleeping On Trash: A Collection Of Songs Recorded 2005-2010
The Wonder Years
Sleeping On Trash: A Collection Of Songs Recorded 2005-2010
LP | 2013 | US | Original (No Sleep)
54,99 €*
Release: 2013 / US – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Silver vinyl looks unplayed.
Dinosaur Jr - Bug
Dinosaur Jr
Bug
LP | 2005 | US | Reissue (Baked Goods)
54,99 €*
Release: 2005 / US – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: Near Mint
Green/White Splatter vinyl. Record close to NM ! Sleeve has two super slightly bumped corners.
Kate Bush - 50 Words For Snow 2018 Remaster Snowy White Vinyl Edition W/ Obi-Strip
Kate Bush
50 Words For Snow 2018 Remaster Snowy White Vinyl Edition W/ Obi-Strip
2LP | 2011 | EU | Reissue (Fish People)
54,99 €*
Release: 2011 / EU – Reissue
Genre: Rock & Indie
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Pressed on 180g, comes with Obi-Strip. 50 Words For Snow is Kate's 10th studio album on her own label Fish People. It was released on 21 November 2011.

50 Words For Snow features seven brand new tracks set against a background of falling snow. Fish People are proud and excited to announce new pressings of all 10 of Kate Bush's albums, featuring a special new edition for independent retailers.

"It’s very exciting to see people appreciating the physical presence of an album released on vinyl. It’s how it’s always been for me, especially when I was a teenager. The whole buzz of the record store was part of the experience. Buying an album was an event." Kate Bush.

The records are all pressed on 180g vinyl at the world-renowned Record Industry plant in the Netherlands. New lacquers were cut from the 2018 remasters by Bernie Grundman and overseen by mastering engineer James Guthrie.

Indie editions were all designed by Kate and feature new Fish People label designs, stunning Color Vinyl combinations and obi strips with pressing date. They are protected in resealable poly-bag liners with a 'Fish People Reissue' sticker, bottom right.

These are unlimited editions and will be in production constantly.

Street date for the first batch is set at 20 November.
Kate Bush - Director's Cut 2018 Remaster Hazy Red Vinyl Edition W/ Obi-Strip
Kate Bush
Director's Cut 2018 Remaster Hazy Red Vinyl Edition W/ Obi-Strip
2LP | 2011 | EU | Reissue (Fish People)
54,99 €*
Release: 2011 / EU – Reissue
Genre: Rock & Indie
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Pressed on 180g, comes with Obi-Strip. Director's Cut is Kate's 9th studio album and was released on 16 May 2011 on Kate's own label Fish People.

On Directors Cut Kate revisits a selection of tracks from her albums The Sensual World and The Red Shoes.

Kate has re-recorded some elements whilst keeping the best musical performances of each song - making it something of a director's cut but in sound, not vision. Fish People are proud and excited to announce new pressings of all 10 of Kate Bush's albums, featuring a special new edition for independent retailers.

"It’s very exciting to see people appreciating the physical presence of an album released on vinyl. It’s how it’s always been for me, especially when I was a teenager. The whole buzz of the record store was part of the experience. Buying an album was an event." Kate Bush.

The records are all pressed on 180g vinyl at the world-renowned Record Industry plant in the Netherlands. New lacquers were cut from the 2018 remasters by Bernie Grundman and overseen by mastering engineer James Guthrie.

Indie editions were all designed by Kate and feature new Fish People label designs, stunning Color Vinyl combinations and obi strips with pressing date. They are protected in resealable poly-bag liners with a 'Fish People Reissue' sticker, bottom right.

These are unlimited editions and will be in production constantly.

Street date for the first batch is set at 20 November.
James - Laid Transparent Red Vinyl Edition
James
Laid Transparent Red Vinyl Edition
2LP | 1993 | UK | Reissue (Universal)
54,99 €*
Release: 1993 / UK – Reissue
Genre: Rock & Indie
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UK National Album Day Limited Release. Originally released in 1993, this Brian Eno produced album would include the worldwide hit, Laid that became the “theme” to the American Pie series of films. It also included the tracks Sometimes and Say Something. Issued on trans red 2LP vinyl.
England - Concerts In Japan
England
Concerts In Japan
2LP | 2023 | EU | Original (Green Tree)
54,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Includes extensive notes and background information about the concerts, the band, the instruments and illustrations by Robert Webb. Music remastered from the original recordings. This live album, recorded in a concert in Japan in 2006, shows the band unearthed from nothing and has great versions of the studio tracks. The band is very cohesive and the sound has a good weight. The music played is beautiful symphonic prog, combining orchestral and chamber music elements through a large array of musicians used to record the originals songs.
David Bowie - Look At The Moon! Live Phoenix Festival 97 Brilliant Live Adventures Series
David Bowie
Look At The Moon! Live Phoenix Festival 97 Brilliant Live Adventures Series
3LP | 2023 | EU | Original (Parlophone)
53,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Completely unreleased until now, LOOK AT THE MOON! Is the fourth in the Brilliant Live Adventures series of 90s live albums exclusive to Dig!

Recorded live at The Phoenix Festival, Long Marston, England on 20th July, 1997, LOOK AT THE MOON! features such previously unreleased rarities as a cover of Laurie Anderson’s ‘O Superman’, which the band had also played at their secret show as 'The Tao Jones Index’ show at the festival the previous day.

LOOK AT THE MOON! by David Bowie; David Bowie – vocals, guitar, saxophone, Zachary Alford - drums, Gail Ann Dorsey - bass, vocals, lead vocal on ‘O Superman’, keyboards, Reeves Gabrels – guitars, synthesisers, vocals, musical director, Mike Garson – piano, keyboards, synthesisers.
The Lassie Foundation - The El Dorado Lp Record Store Day 2023 Edition
The Lassie Foundation
The El Dorado Lp Record Store Day 2023 Edition
LP | 2023 | JP | Original (Fastcut)
53,99 €*
Release: 2023 / JP – Original
Genre: Rock & Indie
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King Gizzard & The Lizard Wizard - Live At Levitation '14 And '16 Crumbling Castle Edition
King Gizzard & The Lizard Wizard
Live At Levitation '14 And '16 Crumbling Castle Edition
3LP | 2022 | US | Original (Needlejuice)
53,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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Triple LP version. Does NOT CUT ANY Songs. Entirely new vinyl master remastered by Angel Hair Audio Triple Gatefold Jacket Disc 1: Quad (Pac-Man Style) with Blood Red and Grimace Purple, with Grimace Purple and White splatter Disc 2: Butterfly with Blood Red and Grimace Purple, with Hot Pink and Oxblood splatter Disc 3: AB TriColor with Blood Red, Grimace Purple and Oxblood, with Oxlood, Hot Pink, Black and Gray splatter Download card Entirely new cover artwork by Gonzalo Sepulveda
Halestorm - Back From The Dead Record Store Day 2022 Vinyl Edition
Halestorm
Back From The Dead Record Store Day 2022 Vinyl Edition
7" | 2022 | US (Atlantic)
53,99 €*
Release: 2022 / US
Genre: Rock & Indie
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Limited to 2800 copies.
The Lemonheads - It's A Shame About Ray 30th Anniversary Deluxe Edition
The Lemonheads
It's A Shame About Ray 30th Anniversary Deluxe Edition
2LP+Book | 1992 | UK | Reissue (Fire)
53,99 €*
Release: 1992 / UK – Reissue
Genre: Rock & Indie
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"Ray sounds revelatory in its restlessness, mixing college pop with country flair and relocating Gus Van Sant's Portland atmosphere to New England." Pitchfork *****« Lemonheads' seminal album 'It's A Shame About Ray', lovingly reissued for its 30th Anniversary. The long overdue reissue includes a slew of extra material, including an unreleased 'My Drug Buddy' Kcrw session track from 1992 featuring Juliana Hatfield, B-sides from singles 'It's A Shame About Ray' and 'Confetti', a track from the 'Mrs. Robinson/Being Round' EP, alongside demos that will be released for the first time on vinyl. This reissue celebrates their prestigious fifth album, these deluxe bookback editions feature new liner notes and unseen photos. Vinyl versions include download code and are on black vinyl. Standard LP has a gatefold sleeve. Standard CD is a Gatefold wallet. Described by music journalist and author Everett True as "A 30-minute insight into what it's like to live hard and fast and loose and happy with like-minded buddies, fuelled by a shared love for similar bands and drugs and booze and freedom.". 'It's A Shame About Ray' had a considerable impact back in those heady, carefree days of '92, the record perfectly captures Dando's ability to effortlessly encapsulate teenage longing and lust over the course of a two-minute pop song. Singles such as 'My Drug Buddy' and the breezy perfect pop of the title track might stand out (plus the add-on of 'Mrs. Robinson' which later copies included), but the album's real strength lies in the tracks in-between; the truly fantastic 'Confetti' (written about Evan's parents' divorce), and the eye-wateringly casual acoustic cover of 'Frank Mills' (from the "hippie" musical Hair), a version that seems to resonate with every ounce of pathos and emotion felt for the lost 1960s generation. To hear Evan Dando sing lines like 'I love him/but it embarrasses me/To walk down the street with him/He lives in Brooklyn somewhere/And he wears his white crash helmet' is to truly appreciate how wonderful and tantalising pop music can be. Then, there's the rush of insurgency and brattishness on the wonderfully truncated 'Bit Part'; the topsy-turvy 'Ceiling Fan In My Spoon'... this was male teenage skinny-tie pop music on a level of brilliance with The Kinks, early Undertones, Wipers.
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