Search "fettes brot:" 725 Items

Release: 2017 / EU – Original

Genre: Rock & Indie

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Large As Life And Twice As Natural

Davy Graham

LP | 2017 | UK | Reissue (Bread & Wine)

Release: 2017 / UK – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2018 | US | Original (RCA)

Voidz

Virtue

41,99 €*

Release: 2018 / US – Original

Genre: Rock & Indie

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12" | 2018 | US | Original (Mexican Summer)

Dungen & Woods

Myths 003

28,99 €*

Release: 2018 / US – Original

Genre: Rock & Indie

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For the third Marfa Myths release, Mexican Summer is proud to present seven all-new songs written and recorded by Stockholm's psychedelic masters Dungen and adventurous Brooklyn indie-folk pioneers Woods. As the Marfa Myths record series progresses, the spirit of the collaborations between the artists chosen - one a member of the Mexican Summer family, the other for which we share deep admiration - deepens as well.

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On The Line In ’89 Volume 2

2LP | 2018 | UK (Vinyl Slab)

Release: 2018 / UK

Genre: Rock & Indie

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LP | 2018 | EU | Original (Rhino)

Bread

The Best Of Bread

30,99 €*

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 2018 | US | Original (Dirtnap)

Proud Parents

Proud Parants

17,09 €* 18,99 € -10%

Release: 2018 / US – Original

Genre: Rock & Indie

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2LP | 2018 | EU | Original (Anti)

Brawlers

Release: 2018 / EU – Original

Genre: Rock & Indie

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2LP | 2018 | EU | Original (Anti)

Bawlers

Release: 2018 / EU – Original

Genre: Rock & Indie

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2LP | 2018 | EU | Original (Anti)

Bastards

Release: 2018 / EU – Original

Genre: Rock & Indie

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2LP | 2018 | US | Original (Epitaph)

Bawlers

40,99 €*

Release: 2018 / US – Original

Genre: Rock & Indie

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LP | 2018 | EU | Original (Phantom)

Schiach

14,99 €*

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 2018 | US | Original (New West)

Release: 2018 / US – Original

Genre: Rock & Indie

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LP | 2018 | US | Original (Barsuk)

Active Bird Community

Amends

17,99 €* 19,99 € -10%

LP | 2018 | EU (TV Party)

Release: 2018 / US – Original

Genre: Rock & Indie

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Amends dwells in the intricacies of relationships -- broken bonds between friends, family, and lovers -- and hoping to heal. A contemplation on loss and forgiveness, the album volleys between the perspectives of D'Agustino and co-songwriter/lead guitarist Andrew Wolfson. The 11 tracks deal with universal themes including the tension of family, loss, and learning to move on without resentment (Amends, Lighthouse), breakups (Unwind With Me), anxieties (Downstairs), and hope for the future (Silver Screen). As a whole, Amends represents Active Bird Communitys efforts to contend honestly with the pain of their experiences and explore the empowering nature of forgiveness. Active Bird Communitys 2017 album, Stick Around, was self-released last year and hailed as a scrappy punk slugfest rife with immediate post-college struggles" (Billboard), and superb...full of addicting cuts" (Earmilk). The band -- who have been playing together since middle school -- recently played a sold-out show at Brooklyn's Knitting Factory as part of Northside Festival, have toured with artists including Cymbals Eat Guitars and We Were Promised Jetpacks, and performed at festivals including Panorama and Audiotree. Active Bird Community are: Tom Agustino (vocals, guitar), Andrew Wolfson (vocals/lead guitar), Quinn McGovern (drums), and Zach Slater (bass).

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Beastie Boys

We Rock Well

16,14 €* 16,99 € -5%

Release: 2018 / EU

Genre: Hip Hop, Rock & Indie

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Schafe, Monster Und Mäuse

Element Of Crime

LP | 2018 | EU | Original (Vertigo)

40,99 €*

Release: 2018 / EU – Original

Genre: Rock & Indie

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2LP | 2018 | US | Original (Ridng Easy)

Alastor

Slave To The Grave

30,99 €*

LP | 2018 | US | Original (Cleopatra)

Release: 2018 / US – Original

Genre: Rock & Indie

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Alastor hearken to the days when heavy rock was the music of the rebel, the occult adherent and lurker in the shadows, not hipster bros. Theirs is the doom sound for those who discovered it on the edge of town, in the cold rain, perhaps, as an escape from the squares who’ll never understand. Drenched in heavy, distorted darkness and steeped in occult horror that will make your skin crawl and ears cry sweet tears of blood, Slave To The Grave pulls no punches in the Swedish band’s unabashedly bleak themes.

The band formed under a bad moon in 2016, consisting of Dharma Gheddon (vocals, bass, acoustic guitar and organ), Lucy Ferian on lead & acoustic guitar and organ, Terry Fying on guitar and Levi Athan on drums.

The quartet released its epic three-song debut album Black Magic in early 2017 via Twin Earth Records, followed by the two-track Blood On Satan’s Claw EP on Halloween the same year. Joining forces with Riding Easy Records in 2018, they hunkered down to summon this seven-track hateful gospel with engineer Magnus Sörensen.

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Musta Paraati

Black Parade

Release: 2018 / US – Original

Genre: Rock & Indie

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LP | 2018 | EU | Original (La Belle Brute)

Jean-Luc Guionnet

Arantzazu Close & Far

13,99 €* 19,99 € -30%

Release: 2018 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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The Nude Party Colored Vinyl Edition

LP | 2018 | US | Reissue (New West)

Release: 2018 / US – Reissue

Genre: Rock & Indie

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2LP | 2018 | EU | Original (Insideoutmusic)

Spock's Beard

Noise Floor

Release: 2018 / EU – Original

Genre: Rock & Indie

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Meg Baird And Mary Lattimore

Ghost Forests Green Vinyl Edition

LP | 2018 | US | Reissue (Three Lobed)

LP | 2018 | US | Original (Cornelius Chapel)

Release: 2018 / US – Reissue

Genre: Rock & Indie

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Meg Baird and Mary Lattimore's collective work'as solo artists, band members, and collaborators'could fill a small record collection. Despite this productivity, these two long-time friends have never recorded an entire album focused exclusively on their unique talents. "Ghost Forests" mysteriously, thrillingly fills that void - within its six collaborative compositions we hear deeply sympathetic conversations between the two artists. With access to a deep pool of shared influences, these two friends assembled a collection of sounds conjured from harp, guitar (both acoustic and electric), synths, the human voice, and a shared poetic language. Baird and Lattimore's subjects range from the sound of light on water, seismic geopolitical anxiety, the smog-exploded sunsets of Don Dudley's paintings, and vertigo from their respective relocations to San Francisco and Los Angeles from their once-shared home in Philadelphia. New 2022 pressing on transparent green vinyl.

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Brad Armstrong

Empire

16,09 €* 22,99 € -30%

Release: 2018 / US – Original

Genre: Rock & Indie

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Rockfile Volume 2

Release: 2018 / EU – Original

Genre: Rock & Indie

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Rockfile Volume 3

Release: 2018 / EU – Original

Genre: Rock & Indie

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Rockfile Volume 4

Release: 2018 / EU – Original

Genre: Rock & Indie

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Rockfile Volume 1

Release: 2018 / EU – Original

Genre: Rock & Indie

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Rockfile Volume 5

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 2018 | EU | Original (Long Branch)

Walking Dead On Broadway

Dead Era Ltd.Box Set

49,99 €*

Release: 2018 / EU – Original

Genre: Rock & Indie

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Iran Iraq Ikea Pink Vinyl Edition

Les Big Byrd

LP | 2018 | EU | Reissue (PNKSLM)

Release: 2018 / EU – Reissue

Genre: Rock & Indie

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Live Over Europe White Vinyl Edition

Fates Warning

3LP | 2018 | UK | Reissue (Back On Black)

69,99 €*

Release: 2018 / UK – Reissue

Genre: Rock & Indie

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Progressive Metal pioneers Fates Warning’s "Live Over Europe" was recorded at various European locations during the band's January 2018 headlining tour for the "Theories Of Flight" album (FW’s most successful studio release to date). The live-album features the stellar line-up of Ray Alder (Vocals), Jim Matheos (Guitars), Joey Vera (Bass and vocals), Bobby Jarzombek (Drums) plus Mike Abdow (Guitars and vocals) and was mixed by Jens Bogren (Opeth, Haken).

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2LP | 2018 | EU | Reissue (Anti-)

Nighthawks At The Diner

29,99 €*

Release: 2018 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Verdugo Limited Edition Vinyl Edition

Fuerza Bruta

LP | 2018 | EU | Original (Rebellion)

17,99 €*

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 2018 | EU | Original (Wagram)

Fats Domino

Blueberry Hills

15,99 €*

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 2018 | EU | Original (Jayfish)

Wake Woods

Blow Up Your Radio

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 2018 | EU | Original (Bread & Butter)

Glorietta

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 2018 | EU | Original (Party Fowl)

Sister Sparrow

Gold

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 2018 | US | Original (New West)

19,99 €*

Release: 2018 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

LP | 2018 | EU | Reissue (Anti-)

Small Change

Release: 2018 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Blue vinyl

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2LP | 2018 | EU | Reissue (Anti-)

Bastards

32,99 €*

Release: 2018 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Limited edition for Record Store Day 2018! Grey vinyl.

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LP | 2018 | NL | Original (Anti-)

Blue Valentine

Release: 2018 / NL – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

2LP | 2018 | DE | Original (Glitterhouse)

Birth Of Joy

Hyper Focus

Gallipoli Black Vinyl Edition

Release: 2018 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed.

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Beirut

LP | 2019 | EU | Original (4AD)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Quiet Signs Black Vinyl Edition

Jessica Pratt

LP | 2019 | EU | Original (City Slang)

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2019 | US | Original (Mexican Summer)

Jessica Pratt

Quiet Sings

33,99 €*

Release: 2019 / US – Original

Genre: Rock & Indie

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LP | 2019 | EU | Original (Akuphone)

Praed

Doomsday Survival Kit

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2019 | US | Original (Rum Bar)

Brad Marino

Extra Credit

20,99 €*

Home Made Ice Cream 45rpm, 200g Vinyl Edition

Release: 2019 / US – Original

Genre: Rock & Indie

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Brad Marino, singer, guitarist, songwriter, and co-founding member of beloved garage rock n’ roll band The Connection, is about to embark on a journey
stepping into the spotlight front and center on his own. Brad has spent the past year writing, recording, playing every instrument, and producing his
solo full length debut ‘Extra Credit’ with a little ‘extra’ help from his friend Kris Rodgers on the keys and mixing board. What you have is an album filled
with tried and true rock n’ roll with hints of country, stabs of punk, and jolts of power pop, created in the garage. Rockpile meets the Ramones, Mick and
Keef get into a tussle with the Flamin’ Groovies, The Knack gets all tangled up in blue… get the picture? Featuring the lead single “C’Mon C’Mon C’Mon”
which sat atop at #1 on the Indie Radio Alliance’s Secret Weapon Radio for several weeks, along with the power pop punk sweetness of “Broken Record
Baby”, head boppin’ and fist raising of “Fit To Be Tied”, Mick Jagger swagger of “No One Else Tried It”, and the country hearted barroom twang of “What
Comes Naturally”, we can go on and on but we want you to hear this for yourself.

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Tony Joe White

2LP | 2019 | US | Original (Analogue Productions)

80,99 €*

Jade Bird White Vinyl Edition

Release: 2019 / US – Original

Genre: Rock & Indie

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You may or may not know of Tony Joe White, but we all know his two most famous songs — "Polk Salad Annie" and "Rainy Night In Georgia". This record is up to the standards of those great numbers. So soulful, humid, rich and textured. Or as Tony Joe would say, »It's swampy«.
And because it's such a classic, such a southern musical touchstone, we've gone and upped the ante — making this standout a 45rpm double LP release. Veteran audiophiles know and hear the difference. With more LP real estate, inner groove distortion is reduced and tracking by your stereo cartridge is improved. That's a major sonic advantage! Mastered by Kevin Gray at Cohearent Audio from the original analog tape, this LP sounds phenomenal from the first note to the last fade out.
The last four songs on side two of this album are going to positively floor you. They are so sparse and bluesy and emotional. And the sound is as good as the music. With this new QRP pressing, the sound is so good it's tape-like. So solid and jet-black is the foundation from which the music just jumps. Ya gotta hear it to understand what we're trying to describe. It's one of those jaw-hit-the-floor, sit-in-stunned-silence, goose-bump-raising, tears-in-your-eyes records. You know, the kind we're all looking for as audiophiles?
When Chad decided to reissue this album, he knew that it wasn't going to be a top-seller. But it's one of his all-time favorites for music and sound, and we feel that whoever takes a chance on this one is going to be richly rewarded. We gotta figure this one is going to end up being one of the favorites of some of our customers, too. If you trust us at all, you can buy with great confidence.
"Homeade Ice Cream" was originally released in 1973 on Warner Bros. and was co-produced by White and legendary Atlantic producer Tom Dowd. It's White's sixth overall record and his third for Warner Bros. This is very much a back porch acoustic affair. The music has the space to breathe, one of the reasons for the life-like sound.

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Jade Bird

LP | 2019 | US | Original (Glassnote)

22,99 €*

Release: 2019 / US – Original

Genre: Rock & Indie

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10" | 2019 | EU | Original (Glassnote)

Jade Bird

Something American

10,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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Echoes Of The Second Sun Clear Orange Vinyl Edition

Wolf Prayer

LP | 2019 | EU | Original (Barhill)

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2019 | US | Original (Elektra)

Fitz & Tantrums

All The Feels

32,99 €*

Release: 2019 / US – Original

Genre: Rock & Indie

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LP | 2019 | EU | Original (Afro7)

Yaseen & Party

20,99 €*

2LP | 2019 | EU | Original (Madfish)

Release: 2019 / EU – Original

Genre: Organic Grooves, Rock & Indie

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A collection of 12 fantastic taarab songs from Yaseen Mohammed (Mac & Party) rich in exotic tone colour, full of swing and groove, compiled from the elusive Mzuri catalogue, Mombasa, Kenya 1960’s. Comes with with a large 4 page fold-out insert with extensive background story and never-before-seen pictures.

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The Pretty Things

The Final Bow

37,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2019 | EU | Original (Free Bird)

Impala Ray

Jangwar Summers

11,89 €* 16,99 € -30%

Release: 2019 / EU – Original

Genre: Rock & Indie

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Anfang Verpasst (1992-1999)

Die Sterne

7CD | 2019 | EU | Original (Tapete)

71,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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7" | 2019 | EU | Original (Push My Buttons)

Henry Fiats Open Sore

Drunk N Stoned

8,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2019 | EU | Original (Push My Buttons)

Henry Fiats Open Sore

Fiat Currency

19,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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I Got No Place Remembers Me

Brad Armstrong

LP | 2019 | US | Original (Cornelius Chapel)

16,09 €* 22,99 € -30%

Release: 2019 / US – Original

Genre: Rock & Indie

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LP | 2019 | FR | Original (Akuphone)

Praed

Doomsday Survival Kit

23,74 €* 24,99 € -5%

Release: 2019 / FR – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

7" | 2019 | UK | Original (Lucky 7)

Lady Bird

Reprisal

9,99 €*

Release: 2019 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Tape | 2019 | EU | Original (Glassnote)

Jade Bird

11,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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2LP | 2019 | EU | Original (Pretty Faithful)

Keuning

Prismism

23,79 €* 27,99 € -15%

Release: 2019 / EU – Original

Genre: Rock & Indie

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2LP | 2019 | EU | Original (Woods Music)

Steel Woods

Old News

Release: 2019 / EU – Original

Genre: Rock & Indie

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2LP | 2019 | EU | Original (Unique Leader)

Humanity's Last Breath

Abyssal

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2019 | EU | Original (Western Vinyl)

Heather Woods Broderick

Invitation

20,99 €*

12" | 2019 | UK | Original (Peaceville)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Includes insert. Cover close to NM

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My Dying Bride

Towards The Sinister

30,99 €*

Release: 2019 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Supergiant Transparent Violet Vinyl Edition

Valley Queen

LP | 2019 | EU | Original (Bread & Butter)

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2020 | US | Original (Sub Pop)

Wolf Parade

Thin Mind

Release: 2020 / US – Original

Genre: Rock & Indie

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LP | 2020 | US | Original (Sub Pop)

Wolf Parade

Thin Mind Loser Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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Tape | 2020 | US | Original (Sub Pop)

Wolf Parade

Thin Mind

12,99 €*

Release: 2020 / US – Original

Genre: Rock & Indie

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The Ghost Of Orion Black Vinyl Edition

My Dying Bride

2LP | 2020 | EU | Original (Nuclear Blast)

37,99 €*

LP | 2020 | EU | Original (Sacred Bones)

Release: 2020 / EU – Original

Genre: Rock & Indie

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MY DYING BRIDE‘s three decades of misery almost came to an end several years ago. Following 2015’s universally lauded »Feel the Misery« album, vocalist Aaron Stainthorpe’s daughter, just five years old at the time, was diagnosed with cancer. Shocked and heartbroken, Stainthorpe put all band activities on hold while he, his immediate family, and MY DYING BRIDE put their collective energies into eradicating what Stainthorpe called, “the cruellest of God's bitter and loveless creations.” The high hurdles, however, didn’t stop with cancer. In 2018, returning original member and guitarist Calvin Robertshaw texted his departure, effective immediately. No reason was given or explanation provided to anyone. Then, just as MY DYING BRIDE had regrouped after positive news that his daughter was effectively cancer free, returning drummer Shaun Taylor-Steels departed right before the band were slated to enter Mark Mynett’s studio, Mynetaur Productions. Down two members but feeling right as rain, MY DYING BRIDE moved on, mastered the doldrums, recording magnificent new album, »The Ghost of Orion«, to the joyful tears of fans across the globe, in the process.

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Hilary Woods

Birthmarks

Release: 2020 / EU – Original

Genre: Rock & Indie

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Party Diktator / Snob Club

Splitting

LP | 2020 | EU | Original (Kollektive Halluzination)

23,39 €* 25,99 € -10%

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2020 | UK | Original (4AD)

Purity Ring

Womb Black Vinyl Edition

Release: 2020 / UK – Original

Genre: Rock & Indie

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LP | 2020 | UK | Original (4AD)

Purity Ring

Womb Red Vinyl Edition

Release: 2020 / UK – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Craft)

Between The Buried & Me

35,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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7" | 2020 | US | Original (Rum Bar)

Brad Marino

False Alarm

11,99 €*

Strange To Explain Black Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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Brad Marino, singer, guitarist, songwriter, and co-founding member of beloved garage rock n’ roll band The Connection, stepped into the spotlight on his first solo outing 'Extra Credit' with a wave of rave reviews accolades, and radio play. The momentum, song-writing, and recording continued and we have for you today Marino's second solo outing of brand new material plus a cover or two. What you have is an EP filled top to bottom with tried and true rock n’ roll. Rockpile meets the Ramones, Mick and Keef get into a tussle with the Flamin’ Groovies, The Knack get all tangled up in blue. Hints of Chuck, shades of country, stabs of punk, and jolts of power pop, celebrated and created in the Garage...get the picture?

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Woods

LP | 2020 | US | Original (Woodsist)

Giles Corey (Dan Barrett of Have A Nice Life)

Release: 2020 / US – Original

Genre: Rock & Indie

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“Dreaming doesn’t come easy these shadowed days, which is why Strange To Explain by Woods is such a welcome turning of new colors. It presents an extended moment of sweet reflection for the 15-year-old band, bouncing back to earth as something hopeful and weird and resolute. Like everything else they’ve recorded, it sounds exactly like themselves, but with subtly different shades and breaths and rhythmic feels and everything else that changes, the natural march of time and the intentional decisions of the musicians moving in what feels like an uncommonly organic alignment.
“Strange To Explain trades in a different kind of dependability, maintaining a steady connection to the voice on the other side of the record needle. After quickly recording and releasing 2017’s Love Is Love in response to the tumultuous events of their (and our) 2016, Jeremy Earl and company took their time with what came next. Parenthood arrived, as did a short songwriting pause. The band went bicoastal when Jarvis Taveniere headed west. And when they returned to their posts, there on the other side of this particular mirror, they made this, an album that not only catches and holds and shares the light in yet another new way, but recognizes that there’s still light to be caught, which is also no small thing.
“A bend beyond the last bend beyond, Woods keep on changing, thoughtfully and beautifully. The colors were always there, like trees blossoming just slightly differently each season, a synesthetic message coded in slow-motion. Recorded in Stinson Beach, the kind of place that seems like an AI simulation of an idyllic northern California coastal escape, the familiar jangling guitars recede to the background. John Andrews’s warm keyboards and twining Mellotron rise around Earl’s songs and dance across the chord changes like warm sunlight off the Pacific. The music feels a karmic landmass away from the creepiness of the uncanny valley.” —Jesse Jarnow

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Giles Corey

2LP+Book | 2020 | US | Original (The Flenser)

46,99 €*

Down In The Weeds, Where The World Once Was Black Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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“‘Some time in the Spring of 2009, I tried to kill myself. Six months before that, I used a Voor’s Head Device for the first time.’ This line opens the 150-page book that accompanies Giles Corey, an intensely personal, intimate portrait of depression that took me almost four years to make.” —Dan Barrett

Giles Corey’s haunting self-titled debut is back in print! The Flenser is pleased to offer a new version of this cult favorite as a double LP housed in a gatefold jacket, with the same 150-page book that accompanied the previous versions.

Giles Corey is the gloomy folk-driven solo project from Have A Nice Life mastermind Dan Barrett. Here, Barrett forgoes the post-industrial trappings of Have A Nice Life in favor of an intimate singer-songwriter approach. While thematically related to his other work—dealing with subjects like suicide, death and the paranormal—Giles Corey feels more personal, with impressive shifts from quiet desperation to cathartic outburst. Over the years the album has gained a fervent following, and has sometimes been compared to a religious experience. It is dark yet purgative enterprise not for the frail of heart.

The accompanying book is an integral part of the album. Its examinations of the life and times of cult leader Robert Voor parallel the themes within the lyrics and offer further immersion for the reflective listener. In Barrett’s own words: “The album follows a story arc of emotions that are detailed in the accompanying book, as much a part of this record as the music. The text switches between personal tales of struggles with depression, suicide, and a feeling of being lost, and the story of cult-leader and afterlife theorist Robert Voor. Voor’s writings on death and the afterlife feature prominently across Have A Nice Life’s Deathconsciousness, Nahvalr’s self-titled debut, and Giles Corey, making him the unifying factor behind most of the music I’ve written in the last ten years. This record is as personal and raw as anything I’ve ever done.”

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Bright Eyes

2LP | 2020 | US | Original (Dead Oceans)

Down In The Weeds, Where The World Once Was Red & Transparent Orange Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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2xLP packaging features die-cut jacket and Side 4 phenakistoscope etching!

A lone pair of footsteps meanders down a street in Omaha, into the neighborhood bar and then into a near-imperceptible tangle of conversations - about wars, sleepless nights - a surrealist din pushing against the sound of ragtime. Then, as the background quiets, a line rings out clearly: "I think about how much people need - what they need right now is to feel like there's something to look forward to. We have to hold on. We have to hold on." Thus we enter the fitting, cacophonic introduction to Bright Eyes' tenth studio album and first release since 2011. Down in the Weeds, Where the World Once Was is an enormous record caught in the profound in-between of grief and clarity - one arm wrestling its demons, the other gripping the hand of love, in spite of it. The end of Bright Eyes' unofficial hiatus came naturally. Conor Oberst pitched the idea of getting the band back together during a 2017 Christmas party at Bright Eyes bandmate Nathaniel Walcott's Los Angeles home. The two huddled in the bathroom and called Mike Mogis, who was Christmas shopping at an Omaha mall. Mogis immediately said yes. There was no specific catalyst for the trio, aside from finding comfort amidst a decade of brutal change. Sure, Why now? is the question, but for a project whose friendship is at the core, it was simply Why not? The resulting Bright Eyes album came together unlike any other of its predecessors. Down in the Weeds is Bright Eyes' most collaborative, stemming from only one demo and written in stints in Omaha and in bits and pieces in Walcott's Los Angeles home. Radically altering a writing process 25 years into a project seems daunting, but Oberst said there was no trepidation: "Our history and our friendship, and my trust level with them, is so complete and deep. And I wanted it to feel as much like a three-headed monster as possible." As a title, as a thesis, Down in the Weeds, Where the World Once Was functions on a global, apocalyptic level of anxiety that looms throughout the record. But on a personal level, it speaks to rooting around in the dirt of one's memories, trying to find the preciousness that's overgrown and unrecognizable. For Oberst, coming back to Bright Eyes was a bit of that. A symbol of simpler times, vaguely nostalgic. And even though it wasn't actually possible to go back to the way things were, even though there wasn't an easy happy ending, there was a new reality left to work with. And here, there is a bleary-eyed hopefulness - earnest, emotive recommitments to love appear on "Dance and Sing" and "Just Once in the World." And throughout, Down in the Weeds features snippets of Oberst's loved ones speaking, in late-night conversations. The fleeting loveliness of intimate moments punctuates the bleakness of the record's existential crisis, crackling like lightning bugs illuminating the long night. Down in the Weeds is a distillation of a prolific, enduring canon. It's immediate and urgent, the product of its creators' growth across a decade apart, as well as the need to make a record together to find solace from loss. Through deliberate, fearless experimentation in process, the trio made the truest Bright Eyes sound: the sound of a deep bond, of a band coming home, but also a seamless continuation, like Bright Eyes never went away. It's the impossible, sprawling mess of human experience that Bright Eyes has always sought to put to tape, since the beginning - the sound of holding on. Why now? Why not?

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Bright Eyes

2LP | 2020 | US | Original (Dead Oceans)

Down In The Weeds, Where The World Once Was

Release: 2020 / US – Original

Genre: Rock & Indie

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First pressing on limited edition Transparent Red + Transparent Orange vinyl - 2xLP packaging features die-cut jacket and Side 4 phenakistoscope etching!

A lone pair of footsteps meanders down a street in Omaha, into the neighborhood bar and then into a near-imperceptible tangle of conversations - about wars, sleepless nights - a surrealist din pushing against the sound of ragtime. Then, as the background quiets, a line rings out clearly: "I think about how much people need - what they need right now is to feel like there's something to look forward to. We have to hold on. We have to hold on." Thus we enter the fitting, cacophonic introduction to Bright Eyes' tenth studio album and first release since 2011. Down in the Weeds, Where the World Once Was is an enormous record caught in the profound in-between of grief and clarity - one arm wrestling its demons, the other gripping the hand of love, in spite of it. The end of Bright Eyes' unofficial hiatus came naturally. Conor Oberst pitched the idea of getting the band back together during a 2017 Christmas party at Bright Eyes bandmate Nathaniel Walcott's Los Angeles home. The two huddled in the bathroom and called Mike Mogis, who was Christmas shopping at an Omaha mall. Mogis immediately said yes. There was no specific catalyst for the trio, aside from finding comfort amidst a decade of brutal change. Sure, Why now? is the question, but for a project whose friendship is at the core, it was simply Why not? The resulting Bright Eyes album came together unlike any other of its predecessors. Down in the Weeds is Bright Eyes' most collaborative, stemming from only one demo and written in stints in Omaha and in bits and pieces in Walcott's Los Angeles home. Radically altering a writing process 25 years into a project seems daunting, but Oberst said there was no trepidation: "Our history and our friendship, and my trust level with them, is so complete and deep. And I wanted it to feel as much like a three-headed monster as possible." As a title, as a thesis, Down in the Weeds, Where the World Once Was functions on a global, apocalyptic level of anxiety that looms throughout the record. But on a personal level, it speaks to rooting around in the dirt of one's memories, trying to find the preciousness that's overgrown and unrecognizable. For Oberst, coming back to Bright Eyes was a bit of that. A symbol of simpler times, vaguely nostalgic. And even though it wasn't actually possible to go back to the way things were, even though there wasn't an easy happy ending, there was a new reality left to work with. And here, there is a bleary-eyed hopefulness - earnest, emotive recommitments to love appear on "Dance and Sing" and "Just Once in the World." And throughout, Down in the Weeds features snippets of Oberst's loved ones speaking, in late-night conversations. The fleeting loveliness of intimate moments punctuates the bleakness of the record's existential crisis, crackling like lightning bugs illuminating the long night. Down in the Weeds is a distillation of a prolific, enduring canon. It's immediate and urgent, the product of its creators' growth across a decade apart, as well as the need to make a record together to find solace from loss. Through deliberate, fearless experimentation in process, the trio made the truest Bright Eyes sound: the sound of a deep bond, of a band coming home, but also a seamless continuation, like Bright Eyes never went away. It's the impossible, sprawling mess of human experience that Bright Eyes has always sought to put to tape, since the beginning - the sound of holding on. Why now? Why not?

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Bright Eyes

Tape | 2020 | US | Original (Dead Oceans)

16,99 €*

LP | 2020 | US | Original (Red Scare Industries)

Release: 2020 / US – Original

Genre: Rock & Indie

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A lone pair of footsteps meanders down a street in Omaha, into the neighborhood bar and then into a near-imperceptible tangle of conversations - about wars, sleepless nights - a surrealist din pushing against the sound of ragtime. Then, as the background quiets, a line rings out clearly: "I think about how much people need - what they need right now is to feel like there's something to look forward to. We have to hold on. We have to hold on." Thus we enter the fitting, cacophonic introduction to Bright Eyes' tenth studio album and first release since 2011. Down in the Weeds, Where the World Once Was is an enormous record caught in the profound in-between of grief and clarity - one arm wrestling its demons, the other gripping the hand of love, in spite of it. The end of Bright Eyes' unofficial hiatus came naturally. Conor Oberst pitched the idea of getting the band back together during a 2017 Christmas party at Bright Eyes bandmate Nathaniel Walcott's Los Angeles home. The two huddled in the bathroom and called Mike Mogis, who was Christmas shopping at an Omaha mall. Mogis immediately said yes. There was no specific catalyst for the trio, aside from finding comfort amidst a decade of brutal change. Sure, Why now? is the question, but for a project whose friendship is at the core, it was simply Why not? The resulting Bright Eyes album came together unlike any other of its predecessors. Down in the Weeds is Bright Eyes' most collaborative, stemming from only one demo and written in stints in Omaha and in bits and pieces in Walcott's Los Angeles home. Radically altering a writing process 25 years into a project seems daunting, but Oberst said there was no trepidation: "Our history and our friendship, and my trust level with them, is so complete and deep. And I wanted it to feel as much like a three-headed monster as possible." As a title, as a thesis, Down in the Weeds, Where the World Once Was functions on a global, apocalyptic level of anxiety that looms throughout the record. But on a personal level, it speaks to rooting around in the dirt of one's memories, trying to find the preciousness that's overgrown and unrecognizable. For Oberst, coming back to Bright Eyes was a bit of that. A symbol of simpler times, vaguely nostalgic. And even though it wasn't actually possible to go back to the way things were, even though there wasn't an easy happy ending, there was a new reality left to work with. And here, there is a bleary-eyed hopefulness - earnest, emotive recommitments to love appear on "Dance and Sing" and "Just Once in the World." And throughout, Down in the Weeds features snippets of Oberst's loved ones speaking, in late-night conversations. The fleeting loveliness of intimate moments punctuates the bleakness of the record's existential crisis, crackling like lightning bugs illuminating the long night. Down in the Weeds is a distillation of a prolific, enduring canon. It's immediate and urgent, the product of its creators' growth across a decade apart, as well as the need to make a record together to find solace from loss. Through deliberate, fearless experimentation in process, the trio made the truest Bright Eyes sound: the sound of a deep bond, of a band coming home, but also a seamless continuation, like Bright Eyes never went away. It's the impossible, sprawling mess of human experience that Bright Eyes has always sought to put to tape, since the beginning - the sound of holding on. Why now? Why not?

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Broadway Calls

Sad In The City

LP | 2020 | EU | Original (Mapache)

Release: 2020 / US – Original

Genre: Rock & Indie

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We’ve been fans of Broadway Calls for a while now and after years of pestering they finally gave in and joined the team. Their exact words were, “It would take a catastrophic act of god that destroyed the music industry for us to consider working with Red Scare.” And what do ya know! Thank you, 2020. (Ironically, the record is about the impending civil war and apocalypse… so maybe this is all their doing?!) Then we sent ‘em down to the Bay Area to work with Scott Goodrich (Culture Abuse, Direct Hit!, etc.) and they emerged with the best 11 songs we’ve ever heard from this Oregon trio. Sad In The City is fast, it’s loud, and most of all it is catchy as hell. It’s their finest full length and it’ll likely go down as one of the top releases in our entire catalog.

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Jack Nitzsche

Release: 2020 / EU – Original

Genre: Rock & Indie

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The Lost 1974 Reprise Album: A Forgotten Masterpiece First ever vinyl release. Includes 4 page insert with notes by Bryan Thomas, and many rare pictures and graphics

Best known as the right-hand-man and arranger of producer Phil Spector and for his work with the Rolling Stones or Neil Young, among many others, Bernard Alfred “Jack” Nitzsche also worked extensively in film scores, notably for films such as Performance, The Exorcist and One Flew Over the Cuckoo's Nest (in 1983, he won the Academy Award for Best Original Song for co-writing "Up Where We Belong"). As a solo artist, he scored one of Reprise label’s first pop hits with his instrumental “The Lonely Surfer” in 1963.

Between January 14-23, 1974, Jack Nitzsche recorded a self-titled album at Cinderella Studios in Madison, Tennessee, and a release date was set for April 26, before it was pulled from the label's schedule by Warner Bros. label chief Morris "Mo" Ostin. The project was a collaboration between Nitzsche and underground filmmaker Robert Downey.

The album remained unreleased, abandoned in a North Hollywood storage facility that Warner employees call "the Vault," until Rhino Handmade included all eleven tracks in their Jack Nitzsche collection Three Piece Suit: The Reprise Recordings 1971-1974, a long out of print internet-only CD issued to great critical acclaim in 2001. This Hanky Panky / Mapache LP release marks the first time it has been made available on vinyl, as originally intended.

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Midnight Manor Black Vinyl Edition

LP | 2020 | US | Original (New West)

Release: 2020 / US – Original

Genre: Rock & Indie

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LP | 2020 | US | Original (Bright Antenna)

Wombats

19,99 €*

Release: 2020 / US – Original

Genre: Rock & Indie

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LP | 2020 | US | Original (Earth)

Bert Jansch

Crimson Moon

2LP | 2020 | EU | Original (Rezarts Prod)

Release: 2020 / US – Original

Genre: Rock & Indie

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One of Bert Jansch's later recordings, 'Crimson Moon' is some of his finest work and sees the musician at the top of his game, with appearances from Johnny Marr, Bernard Butler and many more. Earth Recordings revisits the album on its 20th Anniversary with its first standalone cut to vinyl. Originally released in 2000, there is a brooding resonance in 'Crimson Moon' centred around his accomplished guitar style that brings his contemplative songwriting to the fore. Traditional ballads have touches of jazz and blues adorned by contributions from guitarists Johnny Marr, Bernard Butler and Johnny "Guitar" Hodge along with guest vocals from Bert's wife Loren Auerbach ('My Donald'). The addition of electric guitar subtly compliments Bert's percussive fingerpicking bringing new depth to his compositions. Title track 'Crimson Moon' is a take on traditional song 'Omie Wise' and was written about his wife Loren, 'Caledonia' conjures pastoral images of Scotland alongside covers of The Incredible String Band's 'October Song', Guy Mitchell's 'Singing The Blues' and Owen Hand's 'My Donald'. Otherworldly tale 'Neptune's Daughter' sees a mermaid-like creature recount the death of her relatives from a poison in the sea. Passionate about nature, the song carries an underlying ecological message. Released in his 60s, 'Crimson Moon' proves Bert Jansch to still be an innovator and a unique talent. "Stunning" - NPR // "Irrevocably Bert" - Mojo // "Genius" - Metro

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Farees

Border Patrol

E La Luna Busso / In Alto Mare

Release: 2020 / EU – Original

Genre: Rock & Indie

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Farees has a rich heritage of many cultures and a fertile and robust background in music. With Farees mom being of Tuareg (Black and Berber) ancestry, and his dad being of Italian and German heritage - all of this gives meaning to his embracing of the planet and call to make a difference through his music. Just as his family roots are embedded and rich, his musical growth and development have also been rich. Starting in Africa, playing in bands like Tinariwen and Terakaft, becoming part of that Saharan scene, sharing stages and adventures in the desert and getting to being recognized as an influential artist in Africa at first - Mali, Algeria, Niger, Morocco, etc. - then in the western world.

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Loredana Berte

7" | 2020 | EU | Original (Groovin)

13,99 €*

Release: 2020 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Parachute 50th Anniversary Vinyl Edition

The Pretty Things

2LP | 2020 | EU | Original (Kscope)

37,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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3LP | 2020 | US | Original (Sony Legacy)

Jimi Hendrix

Live In Maui

56,99 €*

Macabre Cabaret Black Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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Numbered edition.

Triple vinyl LP pressing + Blu-ray edition. Experience Hendrix announces a collection that couples the brand new feature length documentary Music, Money, Madness... Jimi Hendrix In Maui with the accompanying live performances on both audio and video. The film chronicles the Jimi Hendrix Experience's storied visit to Maui, their performance on the dormant lower crater of Haleakala volcano on the island and how the band became ensnared with the ill-fated Rainbow Bridge movie produced by their controversial manager Michael Jeffery. Directed by John McDermott and produced by Janie Hendrix, George Scott and McDermott, the documentary incorporates never before released original footage and new interviews with firsthand participants and key players such as Billy Cox, Eddie Kramer, Warner Bros. Executives and several Rainbow Bridge cast members, as well as it's director Chuck Wein. The Blu-ray will include the full documentary as well as the 16mm color film shot of the two afternoon performances captured on July 30, 1970 mixed in both stereo and 5.1 surround sound. Also included in the package will be Live In Maui - both of the aforementioned sets spread across 2 CDs, newly restored and mixed by longtime Jimi Hendrix engineer Eddie Kramer, and mastered by Bernie Grundman. Included are breathtaking renditions of crowd favorites like "Foxey Lady, " "Purple Haze" and Voodoo Child (Slight Return), " as well as then-unreleased songs like "Dolly Dagger" and "Freedom" that showcased the new direction Hendrix was moving toward.

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My Dying Bride

LP | 2020 | EU | Original (Nuclear Blast)

17,99 €*