Search "the arcs" 15981 Items

Release: 1979 / JP – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Graham Parker And The Rumour

Squeezing Out Sparks

LP | 1979 | DE | Original (Vertigo)

6,99 €*

Release: 1979 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

The 1974 Live Recordings Box Set

Bob Dylan

Box | 2024 | EU | Original (Sony)

124,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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27 CDs.

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Steve Leon & The Accusations

Borrowed Time Bonanza

LP | 2024 | EU | Original (Off Label)

Release: 2024 / EU – Original

Genre: Rock & Indie

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City Of The Sun Solar Flare Vinyl Edition

Seven Impale

LP | 2024 | EU | Original (Karisma)

39,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Ten years after it’s initial release, the classic Seven Impale debut album City of the Sun is finally available on vinyl again! This 10th anniversary edition also an insert sheet with lyrics and comments from both the band and Enslaved’s Ivar Bjørnson. The album has a firm basis in classic progressive rock, but is highly diversified The band is never afraid to explore much harder soundscapes than usually is expected in progressive rock, utilizing elements normally only found in the metal genre. And did we mention saxophone? There’s saxophone, bringing loads of jazzy elements into the mix as well. The band says: “The recording and assembling of City of the Sun was a valuable learning experience,and we are forever thankful for the friendship we’ve built with our producer Iver Sandøy.The process of making this record put all seven of us into a rather confined space,recording it the good old way. Not a click track or grid in sight! It was a sweaty, intimate experience that seems to have been the recipe for.. sweaty, intimate and jazzy prog rock..! Iver will always be that “missing” seventh impala, and we will without hesitation return to Solslottet for the golden touches of the Sun King Himself. Formed in Bergen, Norway in 2010, Seven Impale consists of Stian Økland on vocals and guitars, Fredrik Mekki Widerøe on drums, Benjamin Mekki Widerøe on sax, Tormod Fosso on bass, Erlend Vottvik Olsen on guitar and Håkon Vinje on keyboards 01. Oh, My Gravity02. Windshears03. Eschaton Horo04. Extraction05. God Left Us for a Black-Dressed Woman

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Sacred Reich

The American Way

Release: 2024 / EU – Original

Genre: Rock & Indie

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The American Way is the second studio album by American thrash metal band Sacred Reich, released on May15, 1990 via Metal Blade Records. The video for "The American Way" was used in the 1992 film EncinoMan.The album debuted at No. 153 on September 1, 1990 on the Billboard 200 charts, lasting for nine weeks. Anenhanced remastered version released in 2009 contains pre-production demo recordings.

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Sacred Reich

Surf Nicaragua

Release: 2024 / EU – Original

Genre: Rock & Indie

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Surf Nicaragua is an EP from Arizona thrash metal band, Sacred Reich. It was released on October 4, 1988 onMetal Blade Records and follows the band's debut album, Ignorance, released the previous year.The EP contains a cover version of the Black Sabbath song, "War Pigs", which also appeared on the band's nextEP, Alive at the Dynamo in 1989, in live form. The song "Surf Nicaragua" contains a part from the song "WipeOut" as well as the drum part from the Hawaii 5-0 theme song

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Six Feet Under

The Haunted

Release: 2024 / EU – Original

Genre: Rock & Indie

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Haunted is the debut album by American death metal band Six Feet Under. It was released via Metal Blade Records in 1995, just before Chris Barnes'departure from Cannibal Corpse.

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Six Feet Under

Warpath

Release: 2024 / EU – Original

Genre: Rock & Indie

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Warpathis the second studio album by American death metal band Six Feet Under.Tracks on this album include "Death or Glory", which is a cover of a song originally done by Holocaust, and "4:20", a song four minutes and twenty seconds in length which,according to theliner notes, was recorded at 4:20 PM on April 20, 1997.The last album to feature founding guitarist Allen West.

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Six Feet Under

Maximum Violence

Release: 2024 / EU – Original

Genre: Rock & Indie

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Maximum Violenceis Americandeath metalbandSix Feet Under's 3rd studio album. Thealbum goes back toChris Barnes' roots inCannibal Corpsewith violent themes/lyrics. Itwas also the first Six Feet Under album to featureSteve Swansonon guitars.

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Rotting Christ

Theogonia

Release: 2024 / EU – Original

Genre: Rock & Indie

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Theogonia (Greek for "Theogony") is the ninth full-length album by Greek extreme metal band Rotting Christ. It is their first release through Season of Mist, and the first to feature guitarist Giorgos Bokos (Nightfall) in the line-up.

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Mayhem

Esoteric Warfare

Me First And The Gimme Gimmes

Release: 2024 / EU – Original

Genre: Rock & Indie

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Esoteric Warfare is the fifth full-length studio album by Norwegian black metal band Mayhem. It was released by Season of Mist on 6 June 2014 in Europe and Asia, and on 10 June 2014 in North America. It is the band's first album with Teloch on guitar since Blasphemer's departure from the band in 2008.As with the previous album, the lyrics focus less on the classically Satanic themes of the band's early work, instead referring to occult and conspiracy theory concepts such as psychic powers, mind control and alien tampering with human evolution. (For instance, the song "Corpse of Care" appears to be a direct allusion to Bohemian Grove and the Cremation of Care ceremony performed there.)

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Blow It At Madison's Quinceanera Limited Pink Vinyl Edition

LP | 2024 | EU | Original (Fat Wreck)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Arising Empire)

Awake The Dreamer

Holocene Colored

Release: 2024 / EU – Original

Genre: Rock & Indie

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John Peel Session 1979-1981

The Cure

LP | 2024 | UK (Planet Claire)

18,99 €*

LP | 2024 | UK (Ugly Soda)

Release: 2024 / UK

Genre: Rock & Indie

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A collection of John Peel sessions from The Cure recorded between 1979 and 1981.

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The Fall

Peel Sessions 1978-1980

A Tribute To The Black Emperors

Release: 2024 / UK

Genre: Rock & Indie

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Peel Sessions from The Fall recorded between 1978 and 1980.

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Morbid / Mayhem

LP | 2024 | UK (Land Of The Rising Sun)

Release: 2024 / UK

Genre: Rock & Indie

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A split album between black metal and death metal pioneers Morbid and Mayhem.

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Fear Of The Known

The Last Song

LP | 2024 | UK (Phobia)

18,99 €*

Acid Mothers Temple & The Cosmic Inferno

Release: 2024 / UK

Genre: Rock & Indie

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Debut LP from all-star punk band Fear Of The Known.

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Starless And Bible Black Sabbath

LP | 2024 | UK | Original (Riot Season)

28,99 €*

Acid Mothers Temple & The Melting Paraiso U.F.O.

Release: 2024 / UK – Original

Genre: Rock & Indie

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Acid Mothers Temple & The Cosmic Inferno presents Starless And Bible Black Sabbath, another remastered release in their classic vinyl archives.

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Mantra Of Love

LP | 2024 | UK | Original (Riot Season)

28,99 €*

The Rest Limited Yellow Translucent Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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Acid Mothers Temple & The Melting Paraiso U.F.O. releases Mantra Of Love, remastered by James Plotkin, in a limited edition pressing.

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Boygenius

LP | 2023 | Original (Interscope)

21,99 €*

Release: 2023 / Original

Genre: Rock & Indie

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Brown Acid - The Nineteenth Trip Colored Vinyl Edition

V.A

LP | 2024 | US | Original (Riding Easy)

34,99 €*

Brown Acid - The Nineteenth Trip Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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There is NO Light at the end of this tunnel! Brown Acid: The Nineteenth Trip fires ten more savage nails deep into the coffin of ‘60s psychedelic idealism. This series is THE premier top dog journey into the rarest and most wasted early local eruptions of heavy rock, unleashed at a time when harsh reality, human nature and disillusionment drove prevailing underground rock glimpses of a ‘better’ world into ever darker selfabsorbed comedowns. Mind expanding ’60s love energies transform into toxic aggression right before your ears! The great thing is that these moves are totally justified, ‘we are all one’ is cosmically good in theory but ‘get it while you can’ ends up perhaps better advice in the light of human history. Both of those angles of awareness can coexist, some of these bands deliver unrelenting sideways positive energy but they aren’t over-thinking it, they are youthfully driven by hunger for life and satisfying the undeniable urges their DNA thrusts upon them. Sonically, the results in the Brown Acid series never fail to breathe hot and heavy, the guitars kill it every time, the variety of approaches these tracks take keep the scenery shifting into new places. The key element that makes this stuff so potent is that They (the bands) are in control. Captured genuinely with no compromise, right out of the gate. No doubt they had ambition with high hopes for the future when they laid down these primal efforts, the fact that they captured their energy so vividly at a moment in time when the only direction imaginable was UP creates a hard hitting life affirming subtext to the proceedings. That is the core energy of blues and rock and roll, dealing with the struggles of existence by flipping a gigantic ‘what the fuck’ high energy bird right in the face of the moronic defective reality these bands were born into. If you take this stuff too ‘seriously’ you are utterly missing the point, it is beyond analysis, it is life itself! No amount of thinking will get you there quicker! Brown Acid: The Nineteenth Trip is scary... the bottomless pit of deranged vintage heavy rock the series presents continually expands over time... one deadly dose too many and you might be trapped in the bad trip loop forever... enjoy it or lose your mind!

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V.A.

LP | 2024 | US | Original (Riding Easy)

Lost At Sea: Rarities, Outtakes And Other Tales From The Deep Colored Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Howlin Rain

2LP | 2024 | US | Original (Silver Current)

59,99 €*

The Holy Grail: Bill Callahan's "Smog" Dec. 10, 2001 Peel Session

Release: 2024 / US – Original

Genre: Rock & Indie

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Howlin Rain’s grand 3xLP archival statement and untold story, written over nearly two decades in invisible ink between the lines. Features never before heard songs from The Russian Wilds, The Dharma Wheel, The Alligator Bride, Mansion Songs, Live Rain and the lost Ethan Miller Band sessions.

With a broad cast of musical characters including Rick Rubin (Producer/American Records), Luther Dickinson (North Mississippi Allstars), Scarlet Rivera (Bob Dylan’s Rolling Thunder Revue), Joel Robinow (Once and Future Band), Isaiah Mitchell (Earthless/ The Black Crowes) and many more.

Includes songs by The Rolling Stones, Grateful Dead, Leon Russell and Neil Merryweather.

“I wanted to compile the record so it would have impact like our grandest, wildest, most unabashed studio album. I left out home demos, and songs from quiet corners, sketches, etc, in favor of fully formed, fully finished, studio level tracks from front to back. Lost at Sea is intended to be something that you can pour yourself into and get swept away in.”

—Ethan Miller (Founder, bandleader)

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Bill Callahan

LP | 2024 | US | Original (Drag City)

Pyramid - 45 RPM Audiophile Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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December 2001, Maida Vale: Bill Callahan"s "Smog" perform with demonstrative zeal for their British witness at the BBC, shimmering and hissing with a Lynchian vibe of U.S. darkness in the invariable shadows of the fallen towers. Callahan & band (Jessica Billey, Mike Saenz and Jim White) cover Stevie Nicks, Lou Reed and Smog with grey, ashen resolve and tour-torn flexibility, amassing a bruised, plaintive essence of humanity with their efforts.

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The Alan Parsons Project

2LP | 2024 | UK | Original (Cooking Vinyl)

46,99 €*

LP | 1990 | EU | Reissue (Epitaph Europe)

Release: 2024 / UK – Original

Genre: Rock & Indie

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2LP 180gm 45 RPM audiophile edition, printed insert, polylined inners, gatefold sleeve, numbered Obi strip.The Alan Parsons Project "Pyramid" is re-issued in a variety of different formats including this 2LP heavyweight, 45 RPM Audiophile edition. The first pressing comes with a numbered Obi-strip. This edition was expertly cut by Miles Showell at Abbey Road Studios, October 2023 on a customised Neumann VMS 80 lathe at half speed using high-resolution archive transfers taken from the original 1978 mastertapes.As with other The Alan Parsons Project albums, the focus was on very high-quality studio sound production, and they recorded the album at Abbey Road Studios in London. There were a variety of different lead vocalists employed including John Miles, Colin Blunstone, Lenny Zakatek, David Paton, Jack Harris and Dean Ford. Plus, a selection of session musicians such as guitarist Ian Bairnson and drummer Stuart Elliot with arrangements by Andrew Powell.

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Bad Religion

Against The Grain

Release: 1990 / EU – Reissue

Genre: Rock & Indie

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LP | 2024 | EU | Original (Retroworld)

Wilde Flowers

The Wilde Flowers

28,99 €*

LP | 2024 | Original (IT)

Release: 2024 / EU – Original

Genre: Rock & Indie

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his LP is a selection of tracks by The Wilde Flowers representing the origins of the ‘Canterbury Scene’. It features early works by Robert Wyatt, Mike Ratledge, and brothers Hugh and Brian Hopper. SIDE 1 1. The Pieman Cometh2. Orientasian3. Slow Walkin' Talk4. Man in a Deaf CornerSIDE 21. Belsize Parked2. Hope for Happiness

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Claire Birchall

The Haunting

LP | 2000 | EU | Reissue (Epitaph Europe)

Release: 2024 / Original

Genre: Rock & Indie

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Claire Birchall returns with a new solo album of dark & personal pop songs. A “gothic” tapestry of carefully articulated layered melodies adorned with intricate vocal patterns. The Haunting is an emotionally complex album. Inspired by nightmares, fairy tales and ghost stories, exploring themes of fear, loss and anxiety. Blurring the boundaries between rock and pop, electronic and analogue. Traversing a heady mix of genre, tempo. Invoking everything from edgy disco to anguished torch song.

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NOFX

Pump Up The Valuum

Release: 2000 / EU – Reissue

Genre: Rock & Indie

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LP | 2016 | EU | Reissue (Hellcat)

The Interrupters

Say It Ou Loud

Release: 2016 / EU – Reissue

Genre: Rock & Indie

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The Coming Of Chaos Re-Issue 2024

Sacramentum

LP | 2024 | EU | Original (Century Media Catalog)

21,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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2LP | 2024 | Original (Not Now)

V.A.

The Best Of Country

36,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Even The Forest Hums: Ukrainian Sonic Archives 1971-1996

V.A.

2LP | 2024 | US | Original (Light In The Attic)

55,99 €*

Hear You Yellow, Black, White Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”

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Toe

LP | 2015 | US | Reissue (Topshelf)

Release: 2015 / US – Reissue

Genre: Rock & Indie

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The Silver Tongued Devil And I Vinyl Me, Please Edition

Kris Kristofferson

LP | 1971 | US | Reissue (Vinyl Me, Please)

Floodland Black Ice Galaxy Vinyl Edition

Release: 1971 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
Kris Kristofferson was the true country outsider, a man who single-handedly pushed the genre leftward, changing forever the perception of its songwriters, its performers and its message. He was long-haired, anti-war and sang songs with drug use, sex and violence always lurking as dangers in the margins, at a time when Waylon and Willie were wearing sweaters and playing golf on their album covers. He was the outlaw, in a genre that would soon have people recording his songs, and co-opting his vision for a new version of country, to much greater financial success.

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The Sisters Of Mercy

LP | 1987 | UK | Reissue (Warner Music Uk)

31,99 €*

Be The Cowboy Coke Bottle Clear Vinyl Editoin

Release: 1987 / UK – Reissue

Genre: Rock & Indie

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At the end of their US tour in June 1985 The Sisters of Mercy effectively split up. Returning in November 1987 with ‘Floodland’ (UK #9), and still aided by the trusty Doktor Avalanche, Eldritch hired former Gun Club and Fur Bible bassist Patricia Morrison to complete the new line-up. Featuring the hit singles ‘This Corrosion’ (UK #7), ‘Dominion’ (UK #13) and ‘Lucretia My Reflection’ (UK #20), production duties were shared with none other than famed Meat Loaf writer Jim Steinman. Available for National Album Day on 1LP black ice galaxy vinyl for a limited run. Limited to 3000 copies for National Album Day UK.

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Mitski

LP | 2018 | US | Reissue (Dead Oceans)

Dulling The Horns Mustard Yellow Vinyl Edition

Release: 2018 / US – Reissue

Genre: Rock & Indie

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Coke Bottle CLear Vinyl. The breakout success of 2016's Puberty 2 saw Mitski hailed as the new vanguard of indie rock, the one to save the genre from the white dudes who've historically dominated it. But the often overlooked aspect of being a rising star is the sheer amount of work that goes into it. "I had been on the road for a long time, which is so isolating, and had to run my own business at the same time," Mitski explains, "a lot of this record was me not having any feelings, being completely spent, but then trying to rally myself and wake up and get back to Mitski. I was feeling really nihilistic and trying to make pop songs."We want our artists to be strong but we also expect them to be vulnerable. Rather than avoiding this dilemma, she addresses directly the power that comes from appearing impenetrable and loneliness that follows. "With a lot of the romantic infatuations I've had," she says, "when I look back, I wonder, Did I want them or did I want to be them? Did I love them or did I want to absorb whatever power they had? I decided I could just be my own cowboy figure that I so desire." In Be The Cowboy, delves into the loneliness of being a symbol and the loneliness of being someone, and how it can feel so much like being no one.

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Wild Pink

LP | 2024 | US | Original (Fire Talk)

LP | 2024 | UK | Original (Lightwell)

Release: 2024 / US – Original

Genre: Rock & Indie

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“Do you still believe it?” John Ross asks that question after journeying through the wreckage. The genesis of Dulling The Horns goes back to late 2022, when Ross began workshopping new material during soundcheck on the ILYSM tour. Last summer, Wild Pink decamped to western Massachusetts to reunite with engineer Justin Pizzoferrato. Ross decided to record Dulling The Horns live in the room, in an effort to capture Wild Pink’s onstage style — rawer, grainier. Gone are the glimmering atmospherics and studio affectations of recent Wild Pink outings. Instead, Ross’ voice is haggard against the humid distortion coating every song. “I wanted to make economical songs,” Ross explains. “Music that is very much at its core three or four people rocking.” If before, Wild Pink took notes from Springsteen and Petty, they’ve now entered their Crazy Horse era. On Dulling The Horns, you can hear him rediscovering the fire in real time. Tropes discarded along the roadside, songs pulled from the formative DNA of rock music, all filtered through years of messy fog. “There is no answer to these problems,” Ross says, having eventually yielded. But as far Dulling The Horns is concerned, there’s at least one path forward: Burn it all away, and keep moving. The album was mixed by Alex Farrar in Asheville NC, mastered by Greg Obis in Chicago, IL and is out in October on Fire Talk.

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The Silver Abduction

The Cold Still Green Swirled Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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The Silver Abduction release their debut self-titled album. Following on from two singles, Quarter To Two and Castle Rock, the album is released on August 30th. The Silver Abduction is a collaboration between singer Allison Brice (The 18th Day Of May, Lake Ruth) and musician/producer Andy Dragazis (Blue States). The Silver Abduction's history dates back to 2006. Instantly taken by Brice's haunting voice a musical friendship blossomed - with Brice's sweet, haunting melodies and Dragazis's dense and lush orchestration.

To date The Silver Abduction have had radio play from John Kennedy on Radio X, BBC Radio Wales, RTE 2XM, Amazing Radio amongst others. They have press reviews confirmed for Mojo and four star review in Shindig.

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The Boxer Rebellion

LP | 2010 | UK | Reissue (Absentee)

Release: 2010 / UK – Reissue

Genre: Rock & Indie

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Promises Blue Swirled Vinyl

The Boxer Rebellion

LP | 2013 | UK | Original (Absentee)

Release: 2013 / UK – Original

Genre: Rock & Indie

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Surfin' Bird Canary Yellow Vinyl Edition

The Trashmen

LP | 2024 | US | Original (Sundazed Music, Inc.)

Release: 2024 / US – Original

Genre: Rock & Indie

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Dulling The Horns Black Vinyl Edition

Wild Pink

LP | 2024 | US | Original (Fire Talk)

Year Of The Banana Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Rubblebucket

LP | 2024 | US | Original (Egghunt /Clandestine)

Release: 2024 / US – Original

Genre: Rock & Indie

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Who Let The Dogs Out Blue Vinyl Edition

Lambrini Girls

LP | 2025 | EU | Original (City Slang)

Release: 2025 / EU – Original

Genre: Rock & Indie

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Night Life Crystal Clear Vinyl Edition

The Horrors

LP | 2025 | EU | Original (Vmg)

Release: 2025 / EU – Original

Genre: Rock & Indie

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Night Life Black Vinyl Edition

The Horrors

LP | 2025 | EU | Original (Vmg)

Release: 2025 / EU – Original

Genre: Rock & Indie

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Who Let The Dogs Out Black Vinyl Edition

Lambrini Girls

LP | 2025 | EU | Original (City Slang)

Release: 2025 / EU – Original

Genre: Rock & Indie

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Peace In The Valley Blue Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Peace In The Valley Yellow Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Peace In The Valley White Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Peace In The Valley Red Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Peace In The Valley Clear Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Once Upon A Time In The Desert

Brant Bjork

LP | 2024 | US | Original (Duna)

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Ripple Music)

Hermano

When The Moon Was High

32,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Hootenanny Vinyl Me, Please Edition

The Replacements

LP | 1983 | US | Reissue (Vinyl Me, Please)

LP | 2024 | US | Original (Ba Da Bing!)

Release: 1983 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
The Replacements built an entire career out of rebelling, reacting and kicking against the pricks. And they never kicked harder than on their 1983 album Hootenanny — a stylistic free-for-all that would mark the band’s true artistic departure point.

Crucially, though, it would be Hootenanny that freed the band from its early punk trappings and set them loose. Even though they’d assimilated a variety of genres on the record, Westerberg would note proudly that Hootenanny was “the first album that sounds just like us. The first one, I think, that is our style.”

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The Wickies

America: Live At The Hollywood Bowl 1975

Release: 2024 / US – Original

Genre: Rock & Indie

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Quinnisa Kinsella-Mulkerin recorded her first song at five years old with her parents, who comprise the adventurous Maine band, Big Blood. Ever since the age of five, she was writing songs, banging on chimes, strumming guitars, and clanging together whatever else she could find. Improvisation was natural, and she stuck to the approach. Kinsella-Mulkerin brings this innate sense of songwriting to The Wickies, a duo she formed with Aiden Arel a year ago at age 16, whose chill approach and fluid delivery belie true inventiveness in the underneath mechanics.

Inspired by seventies folk icons like Stevie Nicks, Krautrock bands like Can, and modern indie-rockers like Alex G, The Wickies feel like an amalgamation of these decade-spanning sounds, but uniquely their own. Kinsella-Mulkerin’s voice croons like a seventies folk star, but it possesses a great and controlled tone. Her vocals feel like another instrument within the mix, building and growing each song to its fullest sound, leaving no detail within the mix unheard. Their use of echoing guitar lines recalls sixties psych, a springboard for their unique take.

Kinsella-Mulkerin’s lush, free-flowing lyrics, created on the spot, complement Arel’s fleshed out backing instrumentation and over-dubbing. Quickly, the pair created more material than they ever needed, allowing them to mold their recordings into a self-titled debut album. Like a painter crafting the perfect exhibition of their finest work, Arel and Kinsella-Mulkerin condensed their improvisations to all the best parts. Tracks like “Campfire Song” and “Skipping Pond” exemplify the ethereal and lackadaisical atmosphere of their sound. “I keep finding these weird, obscure bands from the seventies that have one album and nothing else, which is awesome,” Kinsella-Mulkerin says, “I want my music to sound like somebody found it in a record store that no one has ever heard of and uploaded it to YouTube. I want it to sound a little strange.”

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America

LP | 2024 | US | Original (Primary Wave)

35,99 €*

LP | 2024 | US | Original (VHF)

Release: 2024 / US – Original

Genre: Rock & Indie

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Travel back in time to August 3, 1975: America takes the stage at the Hollywood Bowl backed by a symphony conducted by George Martin. The never-before-heard tapes have recently been remastered for the new release Live From The Hollywood Bowl 1975, featuring live renditions of America's hits like "Sister Golden Hair, " "Horse With No Name, " "Ventura Highway, " and more. Travel back in time to August 3, 1975: America takes the stage at the Hollywood Bowl backed by a symphony conducted by George Martin. The never-before-heard tapes have recently been remastered for the new release Live From The Hollywood Bowl 1975, featuring live renditions of America's hits like "Sister Golden Hair, " "Horse With No Name, " "Ventura Highway, " and more.

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Elkhorn

The Red Valley

2LP | 2024 | EU | Original (Butler)

Release: 2024 / US – Original

Genre: Rock & Indie

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Debut standalone VHF album by the Elkhorn duo of Drew Gardner and Jesse Sheppard, a tight set of six studio recordings in a variety of moods and featuring a lot of new sound textures. Elkhorn’s prolific stream of releases since 2016 has highlighted their mastery of sprawling long-form, acoustic-driven hypno-jams, with an emphasis on live performance (including on their collaboration with Pelt’s Mike Gangloff on the Shackamaxon Concert album). The Red Valley is a more layered and composed-sounding set, with the duo overdubbing extensively on top of their own dual guitars. Leading off the LP, “Crystal Hummingbird” features one of their signature minor-modal vamps, with layers of fuzz bass, zither, and frame drum providing weight and psychedelic density. “Gray Salt Trail” continues the vibe, with thick fuzz vibraphone supplementing the cinematic palate, leading into the spare side-closer “Black Wind Of Kayenta,” where Sheppard plays electric 12-string and Gardner solos on acoustic guitar.

Side two starts with “Road to Chaco Canyon,” a brooding duet that builds momentum with Gardner’s insistent frame drum cadence, dropping down into the quiet string pool of “Inside Spider Rock” (featuring Fern Knight’s Jesse Sparhawk on gloriously swirling lever harp) and the graceful finale “Jackrabbit Hops.”

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Dilemma

The Purpose Paradox

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Ba Da Bing!)

Lisel

The Vanishing Point

7" | 2024 | US | Original (Fat Wreck Chords)

Release: 2024 / US – Original

Genre: Rock & Indie

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Fables of the future fuel the present. Lisel (Eliza Bagg) draws from this tradition on The Vanishing Point, a daring musical odyssey of altered singing, experimental pop, broken melodies, and striking electronics. A culmination of her continual dissemblance of genre, Lisel’s new album is an epic composed of allegorical tales, forming a dystopian storybook of life in the shadow of impending catastrophe. It’s a high-concept work of contemporary pop sounds, hyperpop motifs and tropes. Every song reflects the shared psycho-emotional experience of moving towards unsettling futures and looking beyond these outcomes, to the point where the horizons vanish.

Evolving the sonic toolkit she employed on Patterns For Auto-tuned Voices And Delay (2023), Lisel transforms pop into a canvas for operatic storytelling. Along with making her own work, Bagg is a classical singer working in baroque and contemporary experimental opera, and with her project Lisel, she seeks to develop new, expressive qualities out of ancient vocal techniques from the Baroque and Renaissance periods. Her opera experience has infused her with a desire for a big, cinematic sound and holistic world-building, creating a “total artwork,” and she fits that medium into the form of a solo project. From haunting whispers to soaring melodies, she reaches back towards ancient musical traditions while incorporating futuristic sounds in order to imagine how a possible future might look back at contemporary existence.

Dystopic stories melt into pop songs, hammered to ruin. Both through sonics and lyrics, the album recounts urgent narratives as ancient mythological fables, chronicling in operatic density the deepening awareness of the world’s looming, inevitable vanishing point.

Photographer Carla Rossi further builds Lisel’s world through a series of photographs that similarly draw on Renaissance and Medieval painting, while placing them aesthetically in a digital realm. In these dramatic, hyper-stylized photos, Lisel takes up classical poses and yields iconographic symbols, further exploring the dissonance in her work as these manufactured “paintings” recall storytelling of the past while depicting images from an imagined future.

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The Copyrights

New Ghosts

10,99 €*

LP | 2024 | US | Original (Pirates Press)

Release: 2024 / US – Original

Genre: Rock & Indie

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The Copyrights have been a driving force in the pop-punk scene for over two decades. With their infectious melodies and high- energy performances, they've cultivated a dedicated fanbase and become a beloved part of the music community. Their journey began in Carbondale, Illinois, where a group of friends with a shared love for punk rock decided to start a band. They quickly gained a reputation for their dynamic live shows and tight musicianship. By the time Fat Wreck Chords got in the mix, The Copyrights had established themselves as one of the genre's most reliable and beloved acts. Their sound had matured, but they never lost the energy and attitude that made them stand out in the first place. Their Fat Wreck debut full- length Alone in a Dome in 2021 further cemented their status in the pop-punk world, showcasing a band that could evolve without losing its identity. With New Ghosts, they're poised to add another bold chapter to their story. The new material not only reflects their growth as musicians but also their ability to stay relevant in a constantly changing musical landscape. Catch The Copyrights live this October at The Fest in Gainesville, Florida, with more tour dates on the horizon. As they gear up to release New Ghosts, they are proving once again why they're a beloved mainstay in the punk scene, and their journey is far from over.

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Seized Up

Modify The Sacred

LP | 2024 | US | Original (Slovenly)

Release: 2024 / US – Original

Genre: Rock & Indie

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Featuring an impressive pedigree including members of Bl’ast!, Good Riddance, THE Distillers, and Fast Asleep, the band picks up right where they left off on their 2020, debut LP, Brace Yourself, with a ten-song barrage of relentless, uncompromising rage, touching on topics such as religion, self-medication, and survival in a—literally and figuratively—sick society. In between playing shows with legendary acts like Quicksand, Fear, R.K.L., and Propagandhi, the band got back together with Paul Miner at Buzzbomb Studios to lay down the follow-up to their explosive debut. All in all, it is a continuation of the band’s fast and hard approach in every way, and if anything, the band is more dialed-in and focused than ever. The songs on the record come from extremely personal and often dark places for singer and lyricist Clifford Dinsmore, such as the first single, “Hanging In The Balance.” He explains, “In the time period I was fighting cancer, I was shacked up, feeling like a prisoner in my own house. Living in a semi-purgatory state, I felt like I was looking at the world from an outside view.” Of the bleak, punishing “Omen Of Despair,” guitarist Danny B simply says, “Musically and lyrically, this is where we feel Seized UP is right now.” The band also re-recorded “Forum Of Decay,” from their 2021 7”, wishing for it to be featured on the album with the laser tightness the band is now playing with after five years as a unit.

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The Anomalys

Down The Hole

2LP | 2024 | US | Original (ORG Music)

Release: 2024 / US – Original

Genre: Rock & Indie

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The original incarnation of Amsterdam’s THE Anomalys was a concept to behold: uniformly towering and chiseled, and as savage on stage as a band could be. They also produced only one full-length in ten years of existence, with a few EP’s to keep the fans drooling in vain in anticipation of that next album. Their current line-up with long time Conductor-in-Chief Bone, featuring Looch Vibrato (Magnetix) and Remi Lucas (Weird Omen) has graced Slovenly with an EP and an album (2019 and 2022 respectively), and have wasted minimal time putting together this Down the Hole LP, and Motherfucker This IS THE Anomalys Like YOU Have Never Heard Them Before. The rock’n’roll heebie jeebies are in full force this round, with more fuzz, distortion, speed, vitriol, and sheer Volume than we ever thought attainable. Sometimes predictable on past efforts (but always a good fuckin’ time, natch), the troopers are completely unhinged and gloriously messy here, while retaining that peculiar formula that makes and keeps them undeniably Anomalys."

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Jeremy & The Harlequins

Abra Cadabra

35,99 €*

LP | 2024 | Original (Lmlr)

Release: 2024 / US – Original

Genre: Rock & Indie

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Magic materializes in many forms, but it's clearest manifestation in our world would be music. It exists unseen in the ether, yet certainly leaves a physical, emotional, and spiritual imprint. Jeremy & The Harlequins deal in this sort of magic. Finding the crossroads between sun-soaked sixties California harmonies and New York garage rock gutter fuzz, the quintet kickstart a new phase of American rock 'n' roll. Following 2013's American Dreamer, they quietly emerged as a critical and fan favorite with Into The Night [2016] and Remember This [2018]. Along the way, they earned the endorsement of USA Today, Paste, Interview, Wall Street Journal, Nylon, Consequence of Sound, Atwood Magazine, Relix, and Huffington Post who christened them "true originals." Meanwhile, they can be heard loud and clear throughout popular culture with syncs in Edge of Tomorrow: Live. Die. Repeat., Seal Team, Shameless, Vampire Diaries, Royal Pain, Heavy, Life Partners, and a Miller High Life national campaign. On SiriusXM, Little Steven's Underground Garage selected "Starlight" as it's "Coolest Song In The World" and "Trip Into The Light" as the "Coolest Song of the Year." Everything just set the stage for their fourth full-length and 2022 Pasadena Records debut, ABRA CaDaBRA.

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Elders

Looking For The Answer

36,99 €*

Waiting For The Sun Hybrid Multichannel Sacd

Release: 2024 / Original

Genre: Rock & Indie

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This Dayton, Ohio quartet has been one of the top local acts for several years. In 1966, when their name was still Jerry & The Others, they recorded the song "Don't You Lie To Me", which became a collector's item as one of the teen garage rock hits. In 1970, when drummer Ron Skinner joined them, they became known as "The Elders" and recorded this one-off LP on Audio Fidelity, produced by Gordon Neal.

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Doors

CD | US | Reissue (WEA)

38,99 €*

Release: US – Reissue

Genre: Rock & Indie

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2LP | 2012 | UK | Reissue (Food)

Blur

The Great Escape

19,99 €*

3LP+DVD | 2023 | UK | Original (Happy Happy Birthday To Me)

Release: 2012 / UK – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Still shrink wrapped but opened.
Cover with a beginning seam split at the upper edge.
Records with just a few paper scuffs.
Includes original inner sleeves.

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Wedding Present

24 Songs

49,99 €*

2LP | 2020 | US | Reissue (Dark Operative)

Release: 2023 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Grey Vinyl Edition.
Incudes CD & DVD in NM condition.

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Caspian

The Four Trees

2LP | 2023 | US | Original (Merge)

Release: 2020 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Clear Rose Vinyl Edition.
Cover slightly dogeared with faint ring wear.

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The Clientele

I Am Not There Anymore

LP | 2019 | US | Original (T-Boy)

Release: 2023 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Black-in-red Vinyl Edition.
Cover with seam split.

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The Beta Machine

Intruder

14,99 €*

LP | 2014 | EU | Original (Golden Core)

Release: 2019 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Red Marbled Vinyl.
Includes original inner sleeve with small seam split-

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Nazareth

Hair Of The Dog Live

14,99 €*

LP | 2024 | US | Original (Slovenly)

Release: 2014 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Record is close to VG+.

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The Okmoniks

Afterparty Fever!!

23,99 €*

Mowing The Leaves Instead Of Piling 'Em Up

Release: 2024 / US – Original

Genre: Rock & Indie

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San Francisco’s last and only rock and roll band THE Okmoniks has teamed up with Slovenly Recordings for Afterparty Fever!!! Here are nine new houserockin’ woman led punk rock’n’roll blasts that capture the essence of a party that just don’t stop. This particular all-nighter was recorded live in a small room, and you can tell from the screams, handclaps, and peals of laughter that this 17 minute end result was produced in a gloriously boisterous session. Afterparty Fever!!! captures the girls-to-the-front, make-room-for-dancing, leave-’em-wanting-more live show they’ve been dishing out for freaks world-wide for the past two decades. The OKs are fronted by Helene 33 on vox, simultaneously playing impossible sounding, finger stretching 60s Ace Tone Top 5 organ tones while tossing it around like a toy… It must be seen to be believed, and a believer you shall be!

The Okmoniks recorded and produced every song on this album, and wrote them all with the forgivable exception of one cover by Tucson 60s punk outfit The Grodes. “Afterparty Fever!!!” sounds like a band in 1977 doing their favorite 1966 stompers: devastating dancers like “Don’t Wanna See You No More” and “I’ll Let You In” could fit comfortably in a John Waters teen shimmy montage, giving way to rockers like “He Left the Party with Me” and “Summer Break Up” that could serve as the captions for a comic panel in “Punk” Magazine.

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Wednesday

Tape | 2022 | US | Reissue (Orindal)

11,99 €*

LP | 2022 | WW | Original (The Reverberation Appreciation)

Release: 2022 / US – Reissue

Genre: Rock & Indie

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"wednesday owes so much to our musical influences. The music we love is a big part of what brought us together. My bandmates Margo and Xandy both had infamous Asheville house show venues, Jake was in like a billion different bands which often played in their muggy basements and Alan was usually the one who brought the PA. Our immersion in music predated us trying to make songs together ourselves. Our common interests in noisey ‘90s guitars, good lyrics, and country music was quickly what permeated into our voice as a band. Most decisions in our songs are made by an amalgamation of all five of our inputs, which happens pretty naturally because of this thread of influences that ties us together. So when we got an opportunity for some recording time with Alli Rogers at Betty’s studio in Durham, NC we decided to record covers, and hopefully repay in part the huge debt we are in to the artists who contributed so much to the music we write ourselves. When I was thinking if there was anything that these songs have in common, the main thing I found recurring was the combination of sadness and humor. It’s effective as hell to combine the two emotions, making each other more intense by the contrast..."—KARLY Hartzman. Features songs by Gary Stewart, Chris Bell, Roger Miller, Drive By Truckers, Hotline TNT, Greg Sage, Vic Chesnutt, Medicine, and Smashing Pumpkins. Originally released in 2022 as a merch and mailorder item. Pressed on pilsner beer yellow vinyl.

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Psychic Ills

Live At Levitation

Release: 2022 / WW – Original

Genre: Rock & Indie

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LP | 1977 | US | Original (Arista)

The Brecker Brothers

Don't Stop The Music

6,99 €*

Release: 1977 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Sparkle In The Rain (40th Anniversary Boxset)

Simple Minds

4CD | 2024 | WW | Original (UMR)

86,99 €*

Release: 2024 / WW – Original

Genre: Rock & Indie

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The Booze Brothers (Feat. Mark Knopfler. Dave Edmunds) Clear Blue Vinyl Edition

Brewers Droop

LP | 2024 | UK | Original (Red Lightnin')

36,99 €*

Release: 2024 / UK – Original

Genre: Rock & Indie

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LP | 2024 | UK | Original (Spinefarm)

Atreyu

The Pronoia Sessions

Release: 2024 / UK – Original

Genre: Rock & Indie

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CD | 2024 | UK | Original (Spinefarm)

Atreyu

The Pronoia Sessions

16,99 €*

Release: 2024 / UK – Original

Genre: Rock & Indie

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Here Come The Now White Vinyl Edition

Now

LP | 2024 | EU (Radiation Reissues)

20,99 €*

Release: 2024 / EU

Genre: Rock & Indie

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The first punk band from Peterborough, northwest of Cambridge, the Now spun off from the Faderz, with singer Mike McGuire, guitarist Steve Rools, drummer Joe MacColl and bassist Paul Wicks, later replaced by Faz Farrow. Debut 45 ‘Development Corporation’ charted, but the band split after ‘Into The 80s’; in 2002, German label Last Year’s Youth re-released the 45s, which led to Here Come The Now, where vintage songs share space with the re-formed band’s new takes of earlier work, a best-of-both-worlds approach that puts everything together in one place. A must for all fans of the Now and lovers of intelligent British punk!

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The Hawaiian Broadcast: Live At Honolulu International Centre Arena 1970

Janis Joplin

LP | 2024 | EU (Mind Control)

16,99 €*

Release: 2024 / EU

Genre: Rock & Indie

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Janis Joplin's live performance at the Honolulu International Centre Arena on July 6th, 1970, was electrifying, with her raw, soulful voice commanding the stage. This show, one of her last, highlighted her unmatched energy and emotional intensity, leaving a lasting impression on the audience.

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A Crow Left Of The Murder

Incubus

2LP | 2004 | EU | Reissue (Music On Vinyl)

37,99 €*

Release: 2004 / EU – Reissue

Genre: Rock & Indie

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The Heart Of Saturday Night (Ltd. Coloured 50th Anniver

Tom Waits

2LP | 2024 | Original (Anti)

Cyril Cyril & Le Syndicat Du Futur

Release: 2024 / Original

Genre: Rock & Indie

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Expanding beyond the Folk and Pop stylings of his fi rst album, Waits" second studio release The Heart of Saturday Night established his reputation as a versatile and distinctly American songwriter. It"s bluesy jazz arrangements featured bass, drums, sax and Waits on piano. The title track, a melancholy ode to Saturday night rituals, and the tenderly romantic hymn-like "San Diego Serenade" are enduring classics covered by an array of artists from Diana Krall and Nancy Griffi th to folk hero Eric Anderson. The album also features "Diamonds On My Windshield", the fi rst of what would become a signature for Waits", the spoken word-poetry song. Waits" delivers these lyrics as pure beat jazz in the stylings of Kerouac, Langston Hughes and Bob Kaufman.

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La Meteo / Le Monde Embêtant

7" | 2024 | Original (Les Disques Bongo Joe)

15,99 €*

The Smoke Of Hell Loser Edition

Release: 2024 / Original

Genre: Rock & Indie

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In between two European concerts and some recording session, Cyril and Cyril took a break and used a tiny gap in their hectic schedule (both member of Yalla Miku, co-managing Bongo Joe Records for C. Yeterian and touring with La Tune and other projects for C. Bondi) to go the studio to record two atomic tracks with their children. They played a myriad of instruments, including typewriters and ping pong balls. Jeannot, Zoé, Marilou, Marlowe, and Lénaïs sang sharp and joyful manifesto-like texts to express how absurd and boring the adult world seems to them. The result is a brilliant 7"" released next fall on Les Disques Bongo Joe (obviously).

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The Supersuckers

LP | 1992 | US | Reissue (Sub Pop)

La Mano Cornuda Loser Edition

Release: 1992 / US – Reissue

Genre: Rock & Indie

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Opaque Red Vinyl!The Supersuckers have been blazing their own debris-strewn path since forming in 1988 in Tucson, Arizona, winning over legions of fans with their special blend of hard rock, punk, and country. Their 1992 debut, Smoke of Hell, is a rip-roaring blur, equal parts Ramones, Motorhead, and middle-finger throwing Johnny Cash.

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The Supersuckers

LP | 1994 | US | Reissue (Sub Pop)

Glue Silver Vinyl Edition

Release: 1994 / US – Reissue

Genre: Rock & Indie

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Metallic Gold Vinyl!La Mano Cornuda, further (un)refined the band's sound into an absolute blast of an album that Eric Davidson (New Bomb Turks) hailed as the band's "best all-around record" in his garage-punk history We Never Learn: The Gunk Punk Undergut, 1988-2001.

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The Fluid

LP | 1990 | US | Reissue (Sub Pop)