Search "wood wood champion" 2874 Items

LP | 2018 | EU | Original (Sub Pop)

Release: 2021 / CA – Original

Genre: Rock & Indie

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Winnipeg-Based Hardcore Noise-Rock Trio Tunic Will Release Exhaling, A Slab Of Visceral Tracks Pressed On Yellow Vinyl.Winnipeg-Based Hardcore Noise-Rock Trio Tunic Will Release Exhaling, A Slab Of 23 Visceral Tracks That Take A Page Out Of Con...

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Hot Snakes

Jericho Sirens

Release: 2018 / EU – Original

Genre: Rock & Indie

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Danny & The Champions Of The World

You Are Not A Stranger Here Clearvinyl Edition

LP | 2024 | EU | Original (Loose Music)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Summerlong Clear With Teal & Orange Vinyl Edition

Rose City Band

LP | 2020 | US | Reissue (Thrill Jockey)

LP | 2022 | UK | Original (Magnetic Eye)

Release: 2020 / US – Reissue

Genre: Rock & Indie

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It is impossible to talk about modern psychedelic music without mentioning Ripley Johnson. As bandleader of Wooden Shjips and half of Moon Duo, Johnson has continually charted new cosmic paths that expand on the language of the genre. With Rose City Band, Johnson's songwriting and beautiful guitar lines take center stage. While his vocal treatment would be recognizable to any Wooden Shjips fan, the sparseness of the instrumentation lays bare the beauty of his writing. Shimmering guitar lines are free to shine, buoyed by driving rhythms. New to the mix are arrangements and instruments drawn directly from classic country, resulting in songs with more than a hint of twang. Buoyant and joyous, Summerlong is a captivating listen that leaves the listener yearning for more. The record is an ode to freedom, born of a musician stepping out of all routines and whose own liberation is communicated so completely in his music. Summerlong is a record that, taken in its entirety, is an emphatic statement on the songwriting power of Ripley Johnson. Johnson's joy in every aspect of this album is delightfully infectious. Rose City Band started purely as a recording project, with Johnson's role mostly obscured for the self-titled debut album. Released with no promotion, in the style of private press records, it was a liberating, a focus on music without any expectations. With a chuckle, Johnson elaborates, "I always would threaten to my friends that I'm gonna start a country rock band so I can retire and just play down at the pub every Thursday night during happy hour. I love being able to tour and travel, but I also like the idea of having a local band ... more of a social music experience." Freedom from expectation and obligation gave Johnson the space to experiment. The introduction of lap steel, mandolin, and jaw harp enhance Johnson's lean guitar work with radiant overtones, placing Summerlong more overtly within the country tradition than its predecessor. Work on the album began at Johnson's home studio in Portland during the summer, but, interrupted by touring, was not be finished until winter. The dark isolation of winter and the pining for summer's easier days can be felt in the album's few quieter moments. Summerlong was mixed by John McEntire (Stereolab, Broken Social Scene, Tortoise) at his newly minted Portland Soma Studios and mastered by Amy Dragon at Telegraph Mastering, also based in Portland. The aptly named Summerlong, born of Johnson's own fondness for the season, delivers an emotional lift-an expression akin to the joy of getting out there on a warm day, be it gathering for a BBQ, hopping onto a bike, leaping into a swimming hole, or simply reading in a park.

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Besvärjelsen

Atlas

49,99 €*

Temple Of The Dog 25th Anniversary Edition

Release: 2022 / UK – Original

Genre: Rock & Indie

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What to do when you like rock and doom born from the desert but your surroundings offer anything but arid lands? Besvarjelsen found an impressive answer in the grim forests of their homeland in Dalarna, Sweden. Having grown up in the far north at the meeting grounds of ancient Norse and Finnish cultures amongst echoes of runes and gods, shamans and spirits, the spellbinding five-piece crafted their name from the Swedish word for "conjuring" while drawing heavy inspiration from local lore, mysticism, and the dark, old musical traditions. Yet Besvarjelsen are anything but another "pagan" outfit longing for a time that never was. With its wistful melodies and towering riff-power their sophomore full-length "Atlas" represents a logical step along the course that Besvarjelsen charted from the start. The band was co-founded by guitarists and vocalists Andreas Baier and Staffan Stensland Vinrot in 2014 with a clear vision to channel the spirit and traditions of the vast Dalarna forests, a region otherwise famous for its painted wooden horses, into contemporary heavy music. Once vocalist Lea Amling Alazam arrived with a fiery passion for punk and stoner rock that had begun at the local skate park when she was just counting 13 years, Andreas and Staffan happily relegated their shared vocal duties to a supporting role – an easy choice as Lea's distinctive voice summoned the intimacy and charisma of singers like Nina Simone or AMY Winehouse. Besvärjelsen released their debut EP "Villfarelser" in 2015, which was followed quickly by the "Exil" EP in 2016. The Swedes' debut full-length "Vallmo" hit the streets of Stockholm and elsewhere in 2018. The album merged crushing riffs and storming drums with increasingly sophisticated melodies and thoughtful themes. With the mini-album "Frost", Besvärjelsen intended to crush stages all over Europe in 2019, before being forced into involuntary live performance hibernation for two years. Although compelled to write separately, the band used the spare time to compile a wealth of ideas, amassed remotely and shared across the miles and months of relative solitude, which would finally result in the recording of "Atlas" with producer Karl Daniel Lidén in 2021. Re-purposing melancholic harmonies that could have been derived from the playbook of Alice IN Chains, adding gravity that would make Windhand proud, and topping their upgraded sound with exciting yet intimate vocal lines, Besvarjelsen have carved a towering monolith from solid rock and planted it firmly into the magical woods of their homeland to send its heavy lay-lines around the globe that is burdening the shoulders of the titan "Atlas".

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Temple Of The Dog

2LP | 2016 | EU | Original (A&M)

38,99 €*

End Is Where We Begin Reignited

Release: 2016 / EU – Original

Genre: Rock & Indie

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This is the 25th anniversary edition. Temple Of The Dog was a collaboration between members of Soundgarden (Cornell & Cameron) and Mother Love Bone (Gossard & Ament), initiated as a tribute to Mother Love Bone's vocalist Andrew Wood who died of a heroin overdose in March, 1990 - two weeks before the release of Mother Love Bone's debut album, "Apple". The group's one and only album also featured the first recorded appearance of Eddie Vedder, who contributes backing vocals on several tracks. Vedder had recently moved from San Diego to Seattle, and became friends with the band members during the recording of the record. Soon after the Temple Of The Dog sessions, Gossard, Ament, McCready & Vedder went on to form Pearl Jam. The self-titled Temple Of The Dog album was originally released in April, 1991 to very little acclaim and low sales. It was reissued later that year following the success of Soundgarden's "Badmotorfinger" and Pearl Jam's "Ten", and was marketed at that time as a sort of "grunge supergroup" project. The album got fully re-mastered and expanded to 2 180 gram LPs for a premium sound experience. The D-side is completely etched with a special artwork. The cover contains a 12-inch lenticular cover.

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Thousand Foot Krutch

2LP | 2024 | US | Original (Endurance Music)

42,99 €*

Rhythms, Resolutions & Clusters Yellow Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Global rock sensation Thousand Foot Krutch, in honor of their groundbreaking and critically acclaimed album The End is Where We Begin (2012), is proud to release a truly special project for 2024, entitled The End Is Where We Begin: REIGNITED. The End is Where We Begin: REIGNITED is a celebration of the original album and includes all-new versions of each track with guest artists, including Ronnie Wood of the Rolling Stones, Citizen Soldier, Adelitas Way, RED, The Funeral Portrait, New Medicine, Saint Asonia and Adam Gontier, and SIXX: A.M. This two-disc set features both the original album and REIGNITED album, with the vinyl edition pressed on black vinyl and white vinyl, respectively. TFK is more popular than ever, with sales approaching 1 million units on the original album plus over 4 billion streams, and key songs which have been recently certified platinum (Courtesy Call) and certified gold (War of Change) by the RIAA! The End is Where We Begin: REIGNITED is produced by Aaron Sprinkle and TFK members Trevor McNevan and Joel Bruyere, and released by Endurance Music Group, with marketing, sales, and distribution through The Fuel Music.

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Tortoise

LP | 1995 | US | Reissue (Thrill Jockey)

2LP | 2024 | EU | Original (Stickman)

Release: 1995 / US – Reissue

Genre: Rock & Indie

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Tortoise has spent nearly 30 years making music that defies description. While the Chicago-based instrumental quintet has nodded to dub, rock, jazz, electronica and minimalism throughout its revered and influential discography, the resulting sounds have always been distinctly, even stubbornly, their own. One of the throughlines that create that distinctive sound is what might be called a pervasive element of group play, or ensemble-mindedness, as opposed to emphasis on a virtuoso soloist or frontman. Rhythms, Resolutions and Clusters follows in this line as Tortoise turned their iconic early songs over to their friends to play with. The remixes by other legends including Bundy K. Brown, Steve Albini, Jim O'Rourke, Brad Wood (Liz Phair), Casey Rice, Mike Watt (Minute Men), and Rick Brown (75 Dollar Bill) create a sense of community, and unlimited creativity. It's been out of print since 1995. Tortoise...have spent the past 25 years and seven albums fusing dub, jazz, prog, and indie into an instantly recognizable and much-loved trademark sound. - Pitchfork As with the best of Tortoise, these tracks can be enjoyed on many levels, but when listened to carefully, they reveal seemingly infinite sonic treasures. - Pitchfork

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Weite

Oase

LP | 2021 | EU | Original (Power It Up)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Oase is the sophomore album from Berlin-based progressive rock collective Weite, and the follow-up to the band’s 2023 debut LP Assemblage. Clocking in at almost an hour, Oase—German for "Oasis"— takes listeners on an intricate and textured journey that draws inspiration from the pioneering spirit of 70s psychedelic rock, blending influences from “Canterbury scene” prog, Krautrock, early electronica, post rock, and Americana.

The new album show cases Weite's ability to merge the old with the new, creating an immersive, exploratory sound that moves from contemplative and pastoral to riffy and doomy without ever sacrificing melody.

Oase is characterized by longer expansive, atmospheric compositions yet is undoubtedly more composed than the band’s debut, with more of a focus on songs, albeit in the broader sense of the word.

With the focus on melody, texture and mood—although not necessarily always in that order—Weite create a sound that’s intricate and meditative, inviting the listener to embark on a journey through shifting soundscapes and evolving musical narratives.

Weite was formed in Berlin in winter 2022 by bassist Ingwer Boysen (delving) recruiting drummer Nick DiSalvo (Elder, delving) and guitarists Michael Risberg (Elder, delving) and Ben Lubin (Lawns). Initially intended as a one-of recording session, the four recognized an obvious musical chemistry and common ground and decided to turn the project into a proper band. Keyboardist Fabien de Menou (Perilymph) joined in 2024.

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Wut

Kapitalismus

20,99 €*

LP | 2023 | EU | Original (Stickman)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Wut Cruise With An Hc Style That Is Either Slow Or Moderate But Emits Incredibily Quick Thrash Breaks To Increase Power And Interest. Politically Lyrics Combine In These Moments Of Instrumental Anger. A Very Nicely 3-Panel Digipac With The Lyrics, Old And Previously Unpublished Picture Complete This Publication.

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Weite

Assemblage

Release: 2023 / EU – Original

Genre: Rock & Indie

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Green Roses Volume 1 Green Vinyl Edition

Weeed

LP | 2022 | US | Original (Halfshell)

Pink Room Pink Glass Transculent Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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This session is the first of two recorded during the early summer of 2021 in the pristine and remote town of Hansville, WA. Under mutual spells of sunlight and grief, these songs were often written, rehearsed, and recorded in the same day, using both new and familiar instruments, tunings, and feelings. In this way they like everything else, transitory.

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Wet

LP | 2022 | US | Original (Secretly Canadian)

LP | 2016 | US | Reissue (20 Buck Spin)

Release: 2022 / US – Original

Genre: Rock & Indie

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Pink Room is Wet's EP as part of Secretly Canadian's Friends Of campaign, guided by the New York three-piece's magnetic singer-songwriter Kelly Zutrau. Pink Room follows Zutrau's third LP, Letter Blue, which was Wet's most collaborative release, with co-writing and co-production from Toro y Moi's Chaz Bear, as well as Frank Ocean's go-to keyboardist Buddy Ross. Notably, founding guitarist Marty Sulkow has rejoined the group, alongside their nimble producer Joe Valle. Altogether, they've helped to create Wet's most natural-feeling and playful songs to date. Wet released their self-titled debut EP in 2014, for the taste-making pop label Neon Gold, before moving to Columbia Records for two understated, celebrated albums, Don't You (2016) and Still Run (2018). "Wet has what it takes to make everyone care about an indie band," Fader announced in a glowing magazine profile before the band went on to play Late Night with Jimmy Fallon and sell out Webster Hall. They've toured with The 1975, Florence + the Machine, and Toro y Moi, who also featured Wet on 2019's Outer Peace. "I'm always interested in multiple feelings at once," Zutrau says. "Not just a happy song, but happy and sad and guilty _ those can all be true." This is as much a sonic statement as it is one about life: "We see these messages in music and media that are very black and white, but our lives don't really live up to those expectations. Instead, we're somewhere in the middle of all these states that are much easier to explain."

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Wode

Wode Black Vinyl Edition

Wode Kelly Green Vinyl Edition

Release: 2016 / US – Reissue

Genre: Rock & Indie

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"Six tracks of apocalyptic black metal, Wode's newest record unleashes five years of outstanding potential, finding the band on deadly form, wielding enough surprises to suggest that its work in service to the counter-cosmos is far from done."

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Wode

LP | 2016 | US | Reissue (20 Buck Spin)

Burn In Many Mirrors Colored Vinyl Edition

Release: 2016 / US – Reissue

Genre: Rock & Indie

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Wode

LP | 2021 | US | Original (20 Buck Spin)

Release: 2021 / US – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Happy Happy Birtday To Me)

Wut

Mingling With The Thorns

28,99 €*

Recorded In Miami 1989-1991

Release: 2024 / US – Original

Genre: Rock & Indie

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Since 2018, Vancouver BC’s jangle-pop meets riot-twee trio WUT have been making a local name for themselves with their joyfully heartfelt live performances. In 2020, the trio released NOW, an energetic cassette accompanied by 10 DIY music videos. These earnest and often humorous videos reflect WUT’s playful yet sincere songwriting. Recently, WUT recorded Mingling With The Thorns, their sophomore full-length album. Mingling With The Thorns was created during two years of intermittent quarantines which caused guitarist Kaity McWhinney (Knife Pleats / Love Cuts), bassist Tracey Vath (Knife Pleats / Love Cuts), and drummer Lauren Smith (Tough Age / Jock Tears), to write songs independently, and share their ideas through countless emails, dropbox folders, and google drives. Long periods of isolation were consumed by experimentation with different arrangements, and often an idea would be re-worked over and over (and over) again. This resulted in a collection of carefully crafted pop songs that reflect the bands mutual love for c86 jangle pop and early Flying Nun Records bands. McWhinney’s longtime friend and musical collaborator, Christina Riley (Artsick, / Burnt Palms) joins WUT on the track “Your Feelings”, which pushes the band into the realms of garage rock with her raw and frenetic lead guitar. On a surface level, Mingling With The Thorns may seem fun and carefree. However, a dig deeper into the album’s lyrical content draws up themes that grapple with patriarchy and late stage capitalism; specifically the struggle to find personal autonomy within these social systems.

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Watt

LP | 2023 | US | Original (Palilalia)

37,99 €*

LP | 2023 | EU | Original (La Agonia De Vivir)

Release: 2023 / US – Original

Genre: Rock & Indie

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I was hanging out with Bill Orcutt at the 930 Club nearly 30 years ago, watching a famous post-rock band (who shall remain nameless, but whose moniker contained two-and-a-half times more articles and conjunctions than nouns) when he said: 'This band is like my band in college—all major 7th and 9th chords.' I relate this to emphasize that in the case of Bill Orcutt and Harry Pussy, the seemingly untutored ooze of 'Please Don't Come Back From the Moon' and 'Girl With Frog' had its genesis in something far more Apollonian than is usually understood. It's debatable whether or not Watt, the duo of Orcutt and drummer Tim Koffley featured on Recorded in Miami, is the above referenced grad-school band. Watt is not resplendent with jazz chords, but it's certainly more tutored, offering a mannered link between the contemporaneous Thunders-esque punk of Orcutt's Trash Monkeys and Harry Pussy's mayhem. The continuity with Harry Pussy is more than temporal. Recorded in Miami is Orcutt's first use of the four-string guitar, and Harry Pussy claimed the same amp and drum kit. The resemblance more or less ends there. To further put Recorded in Miami—made on Orcutt's Walkman, Rat Bastard's North Miami studio, and South Miami's Natural Sound (total bill $289)—into context, consider the fecundity of the underground music world as the '80s rolled into the '90s. It's hard to relate to those who missed it, but it was a time when post-hardcore hadn't quite given way to the bloat of grunge, when the Minutemen held sway (for the moment) over Led Zeppelin. The indie world was ruled by an ever-propagating compost heap of jagged guitar bands like Tful282, Truman's Water, and (to crank it back a couple years) Phantom Tollbooth. And in some ways (although Orcutt swears Watt's prime influences were James Blood Ulmer and Fred Frith's Massacre ), this record seems very much cut from that decade-ending cloth, seemingly only one vocal overdub away from a Homestead catalog number. Track after track (mostly titled after episodes of Art Clokey's slyly Buddhist TV masterwork, Gumby), Recorded in Miami 's tracks spill over with right angles, rockist tropes, and verse / chorus structures, from the Minutemen oid funk of 'Band Contest' to the stroked Moore-Ranaldo-isms of 'The Young and the Decoding.' Yet Orcutt's fretboard-spanning angular melodic runs are right up front in the latter, and the final two tracks introduce a bit of the explosive chaos that would follow when Adris finally claimed the drum kit. Consider 'Wattstock,' where Koffley forms the bedrock for an extended Orcutt hotbox of instantly-composed harmolodics. Or 'God Are You There, It's Me, Watt,' where we can hear the spontaneous vocal bursts (the only vocals on the album) that would re-emerge on Orcutt's early solo records. Watt began to crumble when Koffley, as drummers will do, yearned for rhythmic grids of increasing complexity, while Orcutt instead wanted to 'smoke more pot and improvise.' For a few records with Harry Pussy, Orcutt would get his wish (though some of the structuralism of Watt would creep into later records). But we shouldn't regard Recorded in Miami as mere transitional scraps of juvenalia, or stunt-rock delivered for the mere thrill of pulling it off. Rather, it's an early, major piece of the unfolding and complex puzzle of Orcutt's music. A foundation. And without the earth beneath our feet, how can we ever reach the sky?"—Tom Carter

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Wud

Meant To Collide

LP | 2011 | EU | Reissue (A)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Limited to 300 black copies. A few weeks ago, the first planetary defense test was successfully carried out: the Dart probe diverted the orbit of the asteroid Dimorphos. With this Nasa operation we know, once again, that when we humans play god we are unstoppable, that we are not going to become extinct like the dinosaurs as long as progress makes us move. However, while this space shock was brewing 11 million kilometers away, here, more specifically in Torelló (Barcelona), a disc was being created that is like the Trojan horse of asteroids. Sin has made a crater or is going to do so; we are talking about Meant to collide of Wud. The second album of the band arrives three years after the debut Okeanos (2019), three are also the nuclear components that currently form it (and not the five before) and, again, three are the letters with which the name of the band remains (wud), previously they were called Wood. It seems that many things have changed in three years and that's right, the group has grown while it has been reduced and this new album testifies to that. The eight songs concisely concentrate the soul of the project. Although what they continue to love is the structured edginess of math-rock, they want the work to have punk-rock and pop constantly on the horizon, which makes the computation more digestible for all kinds of ears that like sharp-guitars music. Behind the songs we find Marc Fernández, Aleix 'Jimmy' Vilarrasa and Rai Costa, three friends of Torelló who for the last, almost, two years have been carrying out the recording. A long and arduous process that has gone through different studios, such as Fontderola by Jordi Casadesús and Jordi Torrents, or Lluerna by Èric Fuentes, but above all it has been hatched in their rehearsal room where they themselves have persevered in the attack to record a good part of the instrumental. The trio's bizarre ideas have been grounded with millimeter precision, faithfully capturing the centennial hyperactivism that accompanies them wherever they go. On the one hand, the songs trot lively and directed with a hardcore soul and rounded pop, on the other, if we look a little, we notice how the details of each cut are infinite, that the structures could be applied to the Sagrada Familia, that, in definitely, there is a lot of hard work. That the process has been laborious is also noticeable in the guitarist's lyrics, words spat out with the impatience of someone who doesn't want to waste another minute in the loop of self-destructive thought. Meant to collide is a fight between the two opposite and complementary parts of oneself, and I say two to simplify. Between the adrenaline side that wants to end everything through romantic escape and the other, the one that wants to reconstruct the fragments of memory to heal from serenity. From this very personal dispute comes a more than possible collision which, deep down, is what makes the group's creative drive advance and, above all, what makes the feeling that the songs are alive because they are lived intensely. Are we talking about emotions? Yes, thank God, because there such of this on the album, all the time, even in the instrumental interludes. The dreamy piano of “Barnum’s Circus”, the spectral autotune of “Lost Stars” or the Queens-of-Stoneagian guitar solo of “Cul-de-Sac” are at the service of the emotional magma of the musicians. The influence of highly emotional groups such as Delta Sleep (the English band performed one of the most memorable concerts for the wud crew at Torelló’s Arundo Fest in 2018), Algernon Cadwallader or Faraquet is noticeable. Over the years we are discovering where exacerbated technological progress is leading us: that's right, to collapse. Meanwhile, but, this band warns us that they have already arrived there and that humanity can be taken in abundance from there, in fact, there is nothing more human than collapsing.

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The KVB

Minus One

Release: 2011 / EU – Reissue

Genre: Rock & Indie

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Drift White Vinyl Edition

Pianos Bcome The Teeth

LP | 2022 | EU | Original (Eptaph Europe)

Drift Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Drift, their fifth studio album sees Pianos Become THE Teeth taking another sonic step forward to craft a musical statement that truly transcends genres. For the recording of Drift, the band took it back to basics, starting at a family-owned cabin in the woods of Virginia, that they transformed into an analog recording studio. The band lived together, recorded together and ate dinners together where they would listen to the day's recordings, talk about them and pull them apart and reworking them, creating what may be their finest album to date. Per front man Kyle Durfey, "Something that we really took away from this experience was just the connection we had together. We produced the record ourselves with our longtime friend/collaborator/engineer Kevin Bernsten who recorded our first two records." The recordings that the band created using innovative recording techniques, recording 100% analog are sonically transportive and certain to mystify and inspire generations of recording artists. All the echoes were made with old echoplexes and tape delay, which made for a really organic record. With Bersten's help the band was able to take some of the weirder and more ambitious ideas they had and turned them into reality making this a fantastic album for immersive headphone listening.

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Pianos Become The Teeth

LP | 2022 | EU | Original (Epitaph Europe)

21,99 €*

LP | 2022 | EU | Original (Mapache)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Drift, their fifth studio album sees PIANOS BECOME THE TEETH taking another sonic step forward to craft a musical statement that truly transcends genres. For the recording of Drift, the band took it back to basics, starting at a family-owned cabin in the woods of Virginia, that they transformed into an analog recording studio. The band lived together, recorded together and ate dinners together where they would listen to the day's recordings, talk about them and pull them apart and reworking them, creating what may be their finest album to date. Per front man Kyle Durfey, "Something that we really took away from this experience was just the connection we had together. We produced the record ourselves with our longtime friend/collaborator/engineer Kevin Bernsten who recorded our first two records." The recordings that the band created using innovative recording techniques, recording 100% analog are sonically transportive and certain to mystify and inspire generations of recording artists. All the echoes were made with old echoplexes and tape delay, which made for a really organic record. With Bersten's help the band was able to take some of the weirder and more ambitious ideas they had and turned them into reality making this a fantastic album for immersive headphone listening.

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Chico Bernardes

LP | 2019 | US | Original (Woodsist)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Chico Bernardes is a singer, songwriter and multi instrumentalist from São Paulo, Brazil. In his first and self-titled record, 'Chico Bernardes' has arranged and recorded all the instruments, with the support of Gui Jesus Toledo from Selo Risco and owner of Estúdio Canoa, where the recordings took place. Surrounded by lots of coffee and low lights, Chico recorded part of the songs as if he was singing for nobody, in real time. The other half of the record was filled with drums, bass, electric guitar, percussions and a bunch of keys, from old casio keyboards to an indian harmonium. The songs structured above nylon strings guitar were recorded with a 1968 Di Giorgio Romeo 3, frequently used on the classical brazilian records from the 70’s and beyond, that carries a very popular Bossa Nova tone, but Chico reworked it’s approach with the use of alternate tunings, on a closer proximity to artists such as Duncan Browne, Sibylle Baier and Joni Mitchell. For the steel strings, he used a 60’s Martin 000, in order to reach the old and warm wooden sound of the record. The Lyrics mostly talk about his wandering dreams about different affections with people, the transitional moments of a lifetime and self discoveries, from his essential core to the external world.

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Hurt Valley

Glacial Pace

4LP | 2024 | UK | Original (Southern Lord)

Release: 2019 / US – Original

Genre: Rock & Indie

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During a trip to Death Valley, California in 2010, two friends decided to drive an old Saturn station wagon down a four wheel drive road into the wilderness. After a few hours of driving through the canyons, ever so slowly so not to bottom out the car, they came upon a clearing. It was filled with burned out vehicle carcasses and double wide trailers that had all been shot at, set on fire, vandalized, and finally left to become relics of the desert. It was surreal in the sunset of painted rocks and dead silence.
Upon returning home to an A-frame house in Sugarloaf California, Brian Collins started Hurt Valley as a recording project. Many ideas and songs were fleshed out next to a wood burning stove and firelight. Fast forward a few more years, and with a relocation to Los Angeles in 2014, Hurt Valley became a routinely worked on project. What happened next, along with the comings and goings of many different friends and neighbors, was the recording of a series of songs over the course of a few years. Days, nights and weekends, and anytime in between, songs were crafted and recorded in a living room, in an apartment, in Los Angeles. This is what would become Glacial Pace, an album that is part memoir, part dream, part feeling—good, bad, and in between.

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Black Breath

Box Set

164,04 €* 192,99 € -15%

LP | 2023 | US | Original (Halfshell)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Behold! Every single raw, filthy, ripping old school punk/(death)metal note from Seattles' legendary lords of destruction ever recorded is within this box!

contains: †Black Breaths' 1st demo on cassette! (available for the first time ever!) †Razor To Oblivion EP (with 2 previously unreleased tracks!) †Heavy Breathing vinyl LP †Sentenced to Life vinyl LP †Slaves Beyond Death 2xLP

This essential box also contains a killer 8 page booklet with tons of photos, liner notes from Todd Jones (nails) and a tribute to bass player: Elijah Nelson.

Malfunkshun is an American punk/Love-rock/proto-grunge band formed in 1980 by brothers Andrew (aka Landrew) and Kevin Wood with drummer Regan Hagar.

Combining glam influences with distortion, they were one of the earliest grunge bands from Seattle. Andrew would become the frontman for Mother Love Bone.

"Olympus Awaits" is a definitive compilation of all Malfunkshun recordings. It includes their Return to Olympus album (here on vinyl for the first time ever), compilation appearances and very rare demo recordings with a dark-punk hardcore aesthetic.

This is thee ultimate Love Rock archival release of Mfunk!

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Reverse Death

Stretching To Infinity

Musikalische Früherziehung

Release: 2023 / US – Original

Genre: Rock & Indie

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Exploring the cosmic countryside between american-primitive and impressionism, Reverse Death slows down time on their moss laden debut, Stretching to Infinity. The group brings together garden hymnal oddments, and nocturnal lofi textures, to create a moonlit world of echoes bubbling up through a mineral rich past. Reverse Death was birthed in Seattle, WA by the songwriters of Swamp Meat, Baywitch, & Killer Ghost. Utilizing cello tonics, gentle feedback, crawling piano ascents, and orbiting melodies, this amalgam of earthy ingredients plucked for the infinite night.

Stretching to Infinity’s dulcet palette was developed during a tour in Guadalajara while discovering new improvisational techniques and diving deep into the music of Tengger, Jessica Pratt, Emahoy Tsegue-Maryam Guebrou and John Fahey. Channeling the afterglow of these explorations, the album was recorded after sundown, with closed eyes, and aims set on stretching the body and mind through all the spiritual hangups of life. Days were spent pouring over the collection of raw recordings during an extended stay in the Snoqualmie woods. A field tested cycle of songs was selected and sequenced for the album. With the help of mix master Dylan White, and mastering wizard Mikey Young, the music was fully actualized into its widest and most shimmering potential self.

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Knochenfabrik

EP | 2022 | EU | Original (Trillerfisch)

16,99 €*

LP | 2024 | EU | Original (Wita)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Due to being too slow for highspeed punkrock champions league Knochenfabrik gives advice from the sideline. They sensibly used the inspiring corona-break (getting drunk in front of the laptop, homeschooling, quarantine). Don't worry - there is nothing heard about that because most of the songs were written in the wild 10s years. The eye listens too - children's book illustrator Bernd created a hidden object etching on the B side of the 10 Inch.

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The Starphonics

Wild Wild Lover

Release: 2024 / EU – Original

Genre: Organic Grooves, Rock & Indie

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LP | 2024 | EU | Original (Wita)

Head West

Release: 2024 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Under 1 House White Vinyl Editoin

Blue Hawaii

LP | 2020 | EU | Reissue (Arbutus)

LP | 2022 | US | Original (Nudie)

Release: 2020 / EU – Reissue

Genre: Rock & Indie

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Under 1 House is the blazing new mixtape from Blue Hawaii - a six track tour-de-force showcasing the duo's trademark blend of liquid beats, dance-floor euphoria, and soaring diva-vocals.Under 1 House was written during Blue Hawaii's 2019 North American and European tours, and recorded at a wood cabin in rural Québec. Finding each other trapped on different sides of the Atlantic, the record was then finished over long-distance between Montreal and Berlin due to COVID-19 travel restrictions. This music is dedicated to the spirit of togetherness. Unity achieved through confidence, in the seductive redemption of one's own sexuality, finding power in feelin' one's self. Under 1 House honours the magnetism of impulse and first takes. This flow can be found in the brooding, early Warp Records reminiscent "Where are the Keys???", the sub-heavy, lustful organ groove of "Feelin'", the lo-fi high energy "I Felt Love" or the chanting of "I'm my own damn woman" during the screeched ending of "Not my Boss!". Blue Hawaii have been around for a decade, having released 3 full length albums and two EPs to date. Consisting of Ra and Ag, the duo met throwing parties and shows in Montreal and continue to create together despite living in separate cities - split between Montreal and Berlin.

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Non Travellin' Band

Rest In Peace, Hippie

32,99 €*

LP | 2022 | EU | Original (Hospital Productions)

Release: 2022 / US – Original

Genre: Rock & Indie

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The NON Travellin' Band were a psychedelic band from Madison, WI active from 2012 - 2017. Held together by the minds of LUE Lueck, Brother Joseph Tucci, Dead Luke and a rotating cast of others, the band ultimately lived up to their name by never playing a single note outside the city limits. In any given month, you could catch them a couple times at Mickey’s Tavern, their unofficial home base, where they were working out their material in a live setting. Rest in Peace, Hippie was recorded as a coda to their creative run as a band in the winter of 2017, all tracks were laid down in a fever dream over 4 days in a local living room and a basement. The only documentation that now remains of the Non Travellin’ Band are a spattering of demos on a Soundcloud account with long forgotten login credentials, an out of print live cassette on Moon Glyph Records, and the posthumous Rest in Peace, Hippie. Presented here for the very first time, the Non Travellin’ Band ask you to join them on A Midnight Ride. “Feeling like early aughts Wooden Wand bandying back and forth between an unlikely stew of Brian Jonestown, Lupine Howl, and Dandy’s covers, the record pushes between overdriven psych float and dry dock acoustic smoke halos” —Raven Sings The Blues

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Old Tower

The Old King Of Witches

35,99 €*

Radical Neon Violet Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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The masterful new album from Old Tower. Traditional and yet alien, the deconstruction of regression as transformation from man to beast, which conceptually was felt throughout the project's wanderings but steps forth fully from the shadows on 'The Old King of Witches.' Shaving down to the bone and trimming the fat of the carcass to incant without rest and without resolution, Old Tower resurrects the dying breed of dark ambient with '90s deep electronics to conceive of a new breed of DARK MUSIC.

The most pure form of Old Tower always reaches for fictional reality and time stasis.

Conceptually on 'The Old King of Witches' we follow ‘a stranger’ who enters a derelict domain, full of old and rotten pine trees, scattered rocks overgrown with dark green moss and strange reclusive inhabitants. Some of these inhabitants are witches who worship the ancient evil that roams this place. Through the use of forbidden magic, they slowly pull the ‘stranger’ deeper into their forest world and we follow him on this journey through the woods, caverns, fields, and groves of this mysterious land. The Old King is the ruler of this land. Not a physical manifestation, but a symbol for the attraction of the mysterious and the dark.

A place where the new comes to die, and the old tends to thrive.

If you are lost, fall back on what is old and familiar, to find that new energy in places you have not visited in a while or never visited at all.

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Everytime I Die

2LP | 2021 | EU | Original (Epitaph)

The Necromancers Castle Ornage W Balck Splatter

Release: 2021 / EU – Original

Genre: Rock & Indie

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Every Time I DIE is a loud rock institution committed to leaving an outpouring of chaotic passion and blissful malcontent all over their records and on the stage. With boiling charisma and unrelenting energy to spare, the Buffalo, NY band manages not one but two near-impossible tasks. They've survived two decades as an underground entity cherished for coloring outside the lines, and contrary to most career arcs, continually improving with each successive album as they charge ahead. Every Time I DIE makes a glorious hardcore-punk noise. Alchemized by a swampy summoning of Southern rock and coarse poetry, the music swirls beneath sardonic and clever wordplay, cementing them as leaders, not followers. The band's ninth studio album, Radical, is 16 tracks of peak-Every Time I DIE, including raucous new anthems. They deliver what you have come to know and love and then diverge into new paths. To say that "All This And War" featuring guest vocals by Josh Scogins from The '68 is absolute brutal heaviness is an understatement. It's an addictive punch in the face, you'll want on repeat. The boys then run off to explore the dark haunted woods of a more somber and melodic side in the track "Thing With Feathers" featuring Andy Hull from Manchester Orchestra. Radical proves with every track that it is a distillation of the strengths of their past, injected with their unyielding revelry and signature sarcasm while cognizant - and fiercely combative - of the present state of world affairs.

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Shadowland

LP | 2024 | EU | Original (No Remorse)

Totally Useless/Horror Stories No.5

Release: 2024 / EU – Original

Genre: Rock & Indie

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Traditional Heavy Metal from New York City, in the vein of early Iron Maiden, Riot, Saxon, Judas Priest and the New Wave of British Heavy Metal. Forged in New York City, 2018 Anno Satanas, Shadowland journeys beyond the chaos portal, sailing through the seas of time to conjure the spirits of the New Wave of British Heavy Metal ancients. Shadowland's debut full-length entitled “The Necromancer’s Castle”, contains eight weird and fantastical tales set to sounds of old school heavy metal thunder and cover art by Tanya Finder."Tanya’s vocals echo both the gothic wails of Coven or Wooden Stake and the snarl of Di’Anno-era Maiden, while the moments of chugging riffage and thundering drums show off the band’s appreciation for gritty punk and hardcore. That, coupled with Tanya’s Stygian album art, makes Shadowland more than your average vest-metal act." - Kerrang! Magazine Labelled by one astute chronicler as possessing the looks of Sacrilege and the sounds of Judas Priest, Shadowland are: Tanya Finder - Vox, Jeff Filmer - Guitar, Al Bulmer - Guitar, Cedric Obando - Bass, Dave Hawk – Drums. 1. Ligeia2. The Necromancer's Castle3. Walking In Shadows4. Rising Tide5. Warhound6. Remains7. Easy Livin'8. Pretty Faces

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Psykik Volts

7" | 2007 | Reissue (Damaged Goods)

9,99 €*

LP | 2023 | US | Original (New West)

Release: 2007 / Reissue

Genre: Rock & Indie

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PSYKIK VOLTS were an original New Wave band formed in 1978, inspired/influenced by bands like THE CLASH, SEX PISTOLS etc. They were all aged around 18 at the time of releasing their self-financed single and it was their first time in the studio, hence some of the rough & ready bits (feedback, bum notes etc.). They considered themselves more 'New Wave' than 'Punk' at the time as the initial wave of punk bands had died down by then. A very DIY band, they designed the picture sleeve, had it printed and stuck them all together their selves! John Peel played the single quite a lot on Radio 1, and it was subsequently repressed on the MHG label after the initial 1000 copies had sold. They released another 500 copies (in plain white sleeves). The band got signed shortly afterwards to Graduate Records (UB40 etc.), who recorded 3 songs but never released them. They split at the end of 1979. Vik & drummer Mick Reed then got signed to Rockburgh Records in 1980/81 & released a single called "Wooden Heart", calling themselves POPTONES (after the Public Image song). "Totally Useless/Horror Stories No. 5" was featured in Record Collector magazine in 2006 in their 'top 100 rare punk singles' list & valued at £50.This single will be followed by a CD compilation of all the bands tracks as well as full sleevenotes and rare photos etc.

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Pernice Brothers

Overcome By Happiness

30,99 €*

Everything Picture Deluxe Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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"“You don’t want your stuff to vanish,” says Joe Pernice about the twenty-fifth anniversary reissue of Overcome By Happiness. “Not that I’m looking to get famous, but you need to connect with the world. There’s something that reaffirms your own life in that echo that comes back to you—even if it’s your own voice coming back.”

The story of Overcome By Happiness is one of great risk and greater payoff. It’s the story of a disgruntled country singer struggling to define himself against prevailing musical trends. It’s the story of a songwriter just finding his voice, an artist so desperate to express himself that he scrapped one band to form another, risking his record contract and arguably his career to put the sounds he heard in his head onto tape. It’s the story of a musician embracing the sounds of his childhood: AM easy listening, sophisticated chamber pop, baroque lounge music, Bread, the Carpenters, Bacharach, Manilow. It’s the story of a poet driving through Massachusetts in a rusted-out Bonneville with a wooden bumper.

This time has come for this story to be told on vinyl. Released 25 years later to the day, New West Records is proud to present the remastered 25th anniversary edition of Overcome By Happiness on vinyl for the first time in its existence."

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Ultrasound

LP | 2021 | EU | Original (One Little Independent)

64,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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Shimmer Marigold Yellow Vinyl Edition

Phet Phet Phet

LP | 2023 | UK | Original (Unheard Of Hope)

30,99 €*

The Ruins Of Fading Light Colored Vinyl Edition

Release: 2023 / UK – Original

Genre: Rock & Indie

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Shimmer’s tones are unexpected, the combinations of instruments far off the beaten trails of familiar genres. It’s not quite jazz, not quite neoclassical, not quite soul, but something all its own. Saxophone, clarinet, glockenspiel, cello, pedal steel, synths, guitar & human voice merge in ethereal counterpoints that nod to chamber music, while the rhythm section drives the whole thing forward with an uncanny propulsion that feels cool, self-possessed & hyper contemporary. & all the while Shimmer makes sure to keep one foot outside time—stepping alone toward the ageless inward horizon. Its A-side contains four tightly orchestrated tracks recorded in Mexico City in 2023; the B-side is a single long experiment in texture, which Gilgore began writing at the beginning of the pandemic in 2020 and finished remotely in 2023. Think Jacques Brel’s “Je suis un soir d’été”. Think Chicago fusion à la Tortoise. Think the wall-of-sound production of David Axelrod. Think Steve Reich’s organs in polyrhythm. Think Arthur Russell’s neo-classical “Tower of Meaning”. Think them all at once, then forget all that & open yourself to something new. What I mean is: when Jarrett Gilgore plays what we call the instruments, he’s not playing instruments. When he plays what we call notes, he’s not playing notes. When he composes what we call songs, he’s not composing songs. Instruments, under his care, don’t do what they do in the hands of others. Music, in his hands, doesn’t assert particular messages or portray scenes.

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Crypt Sermon

2LP | 2019 | Reissue (Dark Descent)

30,99 €*

Release: 2019 / Reissue

Genre: Rock & Indie

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LP | 1982 | US | Reissue (Dischord)

Faith / Void

Split

19,99 €*

2LP | 2024 | US | Original (Sme Nashville)

Release: 1982 / US – Reissue

Genre: Rock & Indie

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The classic split album of legendary DC hardcore, plus the side by THE Faith.

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Morgan Wade

Obsessed

41,99 €*

LP | 2023 | UK | Original (Fuzz Club)

Release: 2024 / US – Original

Genre: Rock & Indie

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Morgan Wade - Obsessed - Country Vinyl LPMorgan Wade was feeling the urge to simplify after a period of relentless touring and intense media scrutiny during the last couple of years. Every time she sat down with her guitar, new songs just started pouring out. “They were just coming to me left and right,” Wade says. The Virginia-born singer-songwriter made a choice to return to the basics for her new album Obsessed, a solo-written, stripped-down 14-track collection produced by her touring guitarist Clint Wells that showcases Wade at her rawest and most vulnerable. “I really wanted to get back to doing what I used to do,” she says. “Just make this whatever I wanted it to be.”Wade’s third album and follow-up to 2023’s Psychopath, Obsessed puts the focus on Wade’s storytelling abilities and singular voice. She writes with incredible force about the ache for home and the emotion of being reunited with loved ones, of feeling dangerously preoccupied with someone, and of being in situations that society might consider outside the norm. On Obsessed, Wade also does a thorough examination and inventory of her journey as a person, not sparing any ugly details when she’s been the one at fault. It’s a fearless look into the life of one of country music’s most exciting talents, arriving right as she’s hitting her stride.

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Wet Satin

20,99 €*

Release: 2023 / UK – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Siluh)

Bad Weed

22,99 €*

Hiddeen Path Transculent Orange Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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BAD WEED crafts infectious power pop with a heavy dose of early UK sound in their veins, a must listen for all fans whose hearts beat beat out faster at the mention of the Buzzcocks, Exploding Hearts, or the Nerves - but all in a modern and fresh suit."Sweetie Bernhard (Siluh Records) asked me to phrase a hype text about the new BAD WEED record, and I was flattered firstly, but I had second thoughts about this later_ How can I explain and bring this powerpop gem closer to you in just a few words? It's not just the usual jangle pop thing or even worse, not something they call "garage punk" these days, nope sir! It is true 70s flavoured powerpop, but just like my boss always likes to utter: You cannot tell people about the greatness of a powerpop record - you have to listen to it, preferably with a drink of choice in your hand and soon it will unravel its specialty (or not). What do I love about BAD WEED besides the fact that they are the most handsome guys around who -- after performing in many different bands for 20 years now - finally learned how to play their instruments? It's the songs! It's all about the songs! The first single from 2015 was something else, you can even call this garage pop, their debut album a couple of years ago and about 100 shows later was just the beginning, here is their second full length simply entitled "II" with the talent, songwriting ability and pop craftsmanship on display! Some of these 12 original songs remind me of albums / bands that seem to be long forgotten on the long run, like "If you ever pt1" could be an early THE FRESHIES single, "Breaking Lines" could be from a RUDI setlist or "Who's gonna love me" sounds just like one of those THE COLD earworms. Most of the songs have this 80ties UK indie punk vibe that goes straight to my brain and heart! They even have the atrocity to cover TOWNES VAN ZANDT - and manage to make it sound not as depressing as the original, only a bit sad maybe.To maintain that this is a feel good album is not quite right, it's not...

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Plankton Wat

LP | 2022 | US | Original (Thrill Jockey)

Wet Leg Black Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Deluxe orange LP edition is limited to 500, jacket artwork features drawing by Dewey Mahood. The music of Dewey Mahood is steadfast in its pursuit of transcendence. For the past two decades as Plankton Wat, Mahood has contoured his melodic guitar playing into wholly transfiguring pieces. His fluid compositions apply ethereal, elastic textures to grounded rhythmic grooves that recall the cosmic and the earthly in equal measure. Hidden Path is an album built on reflection and discovery, turning the thrill of exploring obscured passages into inward revelations. Originally presented as a limited cassette in 2017, and now presented on vinyl for the first time, remastered by Amy Dragon, Hidden Path is a distillation of Mahood's musical practice as a way of life, a patient celebration of the unexpected, unhurried and exhilarating.

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Wet Leg

LP | 2022 | UK | Original (Domino)

Release: 2022 / UK – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Nuclear Blast)

White Void

Anti Black Vinyl Edition

17,99 €* 23,99 € -25%

LP | 1987 | US | Original (EMI America)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Eclectic hard rockers White Void are a curious bunch. Forged in the space between the occult rock of the seventies, the no-excuses-hard rock of the eighties and the British New Wave movement, they balance on the event horizon that separates old from new. Aggression from melody. Dream from drive.

Add to that the fact that the bandmembers of White Void have their backgrounds in Norwegian black metal, chiptune electronica, pop music and blues, and you’ll see why “Anti” is an album that’s hard to pin down. It’s darkly melodic, it’s driven, and it’s infused with earworms, hooks and licks. Boasting a shameless attitude, though, it comes forth as deeply true to the core of our shared hard rock heritage.

Still, “Anti” probably doesn't sound like you think. It’s an album riddled with contrasts and references, musically as well as philosophically. The concept is based on Albert Camus’ Absurdism and deals with how you cope with an existence that is in its core absurd. Musically it draws on the past while forging towards the future. And the result? Well, enter the Void to find out!

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John Waite

Rover's Return

5,99 €*

Release: 1987 / US – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM. Original inner sleeve

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His Greatest Misses Black Vinyl Edition

2LP | 2020 | UK | Original (Domino)

Crater Maker Pruple Vinyl Edition

Release: 2020 / UK – Original

Genre: Rock & Indie

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Greatest hits collection feat. Brian Eno and Paul Weller.

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Weed Demon

LP | 2020 | EU | Original (Electric Valley)

12" | 2020 | EU | Original (Wotnot)

Release: 2020 / EU – Original

Genre: Rock & Indie

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A bands third release is a challenging one - it's frequently here where they make or break their career. Having launched on a musical journey five years ago with the desire to reflect their sludgy musical ancestors, Weed Demon live up to their early promise on Crater Maker. This is far and away their most fully realized work to date. Not for the faint of heart, Crater Maker launches with eleven minutes of instrumental stoner rock to set the mood. By the time you get to the devastating vocals of "Serpent Merchant" you know you're in for a rare treat. Infused with bluesy roots and defined by a search for the perfect tone, Crater Maker is a sonic quest like few others. Their worship of bands like Sleep and Electric Wizard is apparent throughout, but these Columbus, Ohio doomsters are clearly in touch with another side of themselves on this record. An album that rewards multiple listens, it promises to be a worthwhile listen for doom freaks across the globe. Electric Valley Records has once more signed a winner - are you ready to join them on the journey to this riff filled land?

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Isayahh Wuddha

Urban Brew

10,49 €* 13,99 € -25%

Neon Cross Black Vinyl Edition

Release: 2020 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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For Fans Of: Arthur Russell, Cody Chesnutt, Music From Memory, Can, Damo Suzuki
Cody Chesnutt’s Headphone Masterpiece is a core work in the WotNot inspiration book. Put that release through Google Deep Dream and Isayahh Wuddha’s Urban Brew is what you end up with. Recorded in Kyoto to multitrack tape recorder with vintage drum machines, guitars and Casio keyboard, the result is an eddying blend of lo-fi soulful indie, funk, rock and psychedelia.
The release is led by Wuddha’s strange but alluring vocal delivery, moving between tender-to-the-point-of-breaking any-second, almost-apathetic-semi-rapping and friendly conversational with the occasional James Brown scream dotted around.
While the music ranges from lively to ballad-esque, there is a sense of fun and playfulness throughout, enhanced by the raw, slapped-together production style.
With roots in Taiwan and Japan, Kyoto’s Isayahh Wuddha counts avant garde saxophonists Albert Ayler and Kaoru Abe among his early influences, but attributes his decision to make and release music to reading Michael Jackson’s biography!

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Jaime Wyatt

LP | 2020 | US | Original (New West)

Release: 2020 / US – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Heavy Rhythm & Roll)

The Weight

In Control

Release: 2020 / EU – Original

Genre: Rock & Indie

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2LP | 2016 | EU | Original (Vinyl Passion)

Woody Guthrie

American Folk Legend

Release: 2016 / EU – Original

Genre: Rock & Indie

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LP | 1982 | UK | Reissue (Domino)

Nothing Can Stop Us

Release: 1982 / UK – Reissue

Genre: Rock & Indie

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Signing to Rough Trade in the early 80s, on the understanding from his former label Virgin that he wouldn’t release any LPs for a while, Wyatt released a series of singles of cover versions. The set was recorded with a straight, simple, beauty informed by the experience of geopolitics just as the term was being invented. "Arauco" drew on the street 'mass songs' of a Chile protesting at the imminent arrival of Pinochet. "Stalin Wasn’t Stallin'" was a playful resurrection of a barbershop quartet that sincerely, and unbelievably, aligned the USA with the Soviet Union. Most startling of all was Wyatt’s version of Chic's "At Last I Am Free." Breathless and hymnal it gave pause for thought for anyone who liked to use the words personal and political in the same sentence.

Ensuring the UK was represented in his survey of the New World Order, Wyatt paired a version of his old friend Ivor Cutler’s "Grass" alongside a collaboration with the Bengali group Dishari that encouraged Bengali workers to join a trade union. Whilst his beard and directly to the left stance suggested agitprop and protest, these tracks highlighted his incredible gift as an interpreter of popular modes.

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2LP | 1997 | UK | Reissue (Domino)

Shleep

Release: 1997 / UK – Reissue

Genre: Rock & Indie

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Different Every Time Volume 1

2LP | 2014 | EU | Original (Domino)

33,99 €*

Release: 2014 / EU – Original

Genre: Rock & Indie

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Feel Good Vinyl Me, Please Edition

Jamie Wyatt

LP | 2024 | US | Reissue (Vinyl Me, Please)

35,99 €*

2LP | 2024 | EU | Original (EMI)

Release: 2024 / US – Reissue

Genre: Rock & Indie

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Jaime Wyatt's third studio album Feel Good, recorded with Black Pumas' blurs the lines between classic roots, southern soul, and vintage R&B. "A lot of us grow up feeling like we have to hide who we are just to be accepted, but that comes from a place of fear and judgment,” Wyatt explains. “I wrote these songs as a way of letting go of all that, as permission to feel good."

Limited to 500 copies, the VMP exclusive version of Jaime Wyatt's Feel Good is pressed on White vinyl at The Vinyl Lab. The 1LP will arrive in a gatefold, direct-to-board, foil-stamped and numbered jacket. It was mastered by Pete Lyman at Infrasonic Mastering.

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Wyatt Flores

53,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-08

Food Fight

Zeitgeist Impressions

LP | EU (Poch)

Release: EU

Genre: Rock & Indie

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For those who don’t know them yet, Food Fight are a four-piece combo from Rennes, France, made up of vets from the local scene (with ex- or current members of Headliners, Abuse, Ready-Mades, Cheap Riot…). They released their debut 7" three years ago on Snap Records from Spain and have played all over the country since then, polishing their own special blend of late 70s style Punk Rock and Power Pop that'll please all fans of the Good Vibrations sound - think Undertones, Protex, Moondogs… This new album was recorded and mixed by Jacky from Syndrome 81, Night Stalkers, Coupe Gorge and mastered by Eddy Current’s Mikey Young. You’ll find a new version of their hit « Shenanigans » along with 11 new bangers.

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Release: 2024 / Original

Genre: Rock & Indie

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LP | 2022 | US | Original (Domino)

Wet Leg

Release: 2022 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2024 | Original (Island)

Wyatt Flores

Half Life

35,99 €*

Signal Clear Vinyl Edition

Release: 2024 / Original

Genre: Rock & Indie

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Vinyl LP pressing. 2024 EP release from the country singer-songwriter.

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Ok Wait

LP | 2023 | EU | Reissue (Moment of Collapse)

Release: 2023 / EU – Reissue

Genre: Rock & Indie

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2LP | 2015 | EU | Reissue (Domino)

Shleep

21,99 €*

Flyin Black Vinyl Edition

Release: 2015 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Side B has some stains that are hard to remove on the first tracks, the other sides are clean and closer to VG+. Cover with light wear on the edges.

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Wade Bowen

LP | 2024 | EU | Original (Bowen Sounds)

2LP | 2024 | US | Original (Rvng Intl.)

Release: 2024 / EU – Original

Genre: Rock & Indie

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“More than ever, people need to hear songwriters talk about their lives. We don’t always have to search for monster hits. We can just write about our lives and maybe that might actually work. That’s what this record is a lot of. A lot of massive songs, but also a lot of me just writing authentically and honestly about my life. Flyin symbolizes the next phase of my career. I feel like I'm flying into this chapter where I’m the best version of myself that I've ever been. Y’all better catch-up or you’re getting left behind. I’m on fire!”

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Tashi Wada

What Is Not Strange?

32,29 €* 33,99 € -5%

LP | 1977 | US | Original (Epic)

Release: 2024 / US – Original

Genre: Rock & Indie

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What Is Not Strange? is the first full-length album by Los Angeles-based composer Tashi Wada in over five years, comprising his most far-reaching and impassioned music to date. Written and recorded over a period that encompassed the death of his father and the birth of his daughter, the album sees Wada reflecting inward to explore broad narratives_being alive, mortality, finding one's place in the world_through new modes of ecstatic, song-based expression. While the denser forms, stark contrasts, and overt surreality may carry a different weight than Wada's earlier work, which elicited perceptual effects with minimal means, the heart of What Is Not Strange? is still in experimentation and unforeseen outcomes.

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Wet Willie

Manorisms

6,99 €*

LP | 2022 | UK | Original (Must Have Music)

Release: 1977 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Record and cover are close to VG+.

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Weight Band

World Gone Mad

Release: 2022 / UK – Original

Genre: Rock & Indie

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These Times Are Hard For Lovers

John Waite

7" | 1987 | EU | Original (EMI America)

3,99 €*

Release: 1987 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Magma Tres Marbled Vinyl Edition

Wet Cactus

LP | 2024 | EU | Original (Electric Valley)

Magma Tres Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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“Wet Cactus” is an heavy rock band with psychedelic hints created in Cantabria (Spain) during the summer of 2013. The band is formed by Daniel Pascual (Voice & Bass), Ernesto Díez (Guitar), Óscar Sánchez (Guitar) and Jaime Pérez (Drums). They have two studio albums: "Wet Cactus" (2015) and "Dust, Hunger & Gloom" (2018). During their career, they carved out a place in the Nothern Spanish rock scene playing with bands like Yawning Man as well as in festivals like Resurrection Fest. "Magma Tres" is the band's third project. This conceptual album delves into the consequences of Earth's depletion as a life-sustaining planet due to human inaction in reversing their actions. Eight tracks recorded live in February 2022, showcasing a gritty and explosive atmosphere. It is set to be released in November 2023 through Electric Valley Records.

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Wet Cactus

LP | 2024 | EU | Original (Electric Valley)

LP | 2023 | US | Original (Feel It)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Wet Dip

Smell Of Money

Release: 2023 / US – Original

Genre: Rock & Indie

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Singularity. A quality that rarely reveals itself in the overloaded data and screen glow of the twenty-twenties. From deep in the heart of Texas—the trio known as WET DIP are that jarring, lightning strike of sound like nothing before them. Sisters Sylvia and Erica Rodriguez grew up in the arid, isolated Panhandle region of Texas before making their way to Austin and forming Wet Dip with Daniel Doyle After meeting Caufield Schnug and Lira Mondal of Sweeping Promises during their time in Austin, Wet Dip made plans to venture up to the Sweeps' new home studio in Lawrence, Kansas to record Smell Of Money, their debut album. These nine tracks scream something new. The stark honesty of Sylvia's lyrics and vocal delivery, alternating between English and Spanish, is something to behold. Underneath that, Wet Dip treat us to a no-wave ride into the future. No one else sounds like this. You'd even be hard pressed to notice the renditions of the Pixies "Silver" and Gloria Trevi's "Pelo Suelto" in the context of how Wet Dip operates. They reimagine the bland canvas of contemporary Austin into something new, exciting, and jarring. And that's the beauty of Wet Dip, because they do it seamlessly and with a belief in themselves that's not only something to be celebrated, but all their own.

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2LP | 2020 | EU | Reissue (Domino)

His Greatest Misses

Release: 2020 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2023 | US | Original (Youth Riot)

Wet Fruit

Dandelions At The Gate

14,99 €* 24,99 € -40%

My Dusty Road Woody, Cisco And Sonny

Release: 2023 / US – Original

Genre: Rock & Indie

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Limited Edition of 200 140g Black Vinyl For fans of Pacific Northwest Indie Rock "The weird and wonderful Wet Fruit of Portland, Oregon, return with a full-length of mathy psychedelia that always feels intricate rather than fussy, like a lucid dream of indie rock, the band always ready to push their songs into more abstracted territory while keeping everything to a snappy three minutes or less. Dandelions At The Gate is a record that deserves repeated listenings, not because it is difficult to understand or objectively weird but because it really is so interesting, and there is much enjoyment to be had growing familiar with the many eccentric blips and bloops the band employs to adorn the spaces between their spiraling guitars and looping vocals." - Bandcamp Essential Releases Sept. '23

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Woody Guthrie

LP | 2009 | US | Original (Rounder)

17,99 €*

Neon Cross Cream Swirl Vinyl Edition

Release: 2009 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl with a couple of light scuffs. Still in shrink, but opened, with hype sticker

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Jaime Wyatt

LP | 2023 | US | Original (New West)

2LP | Original (Wharf Cat)

Release: 2023 / US – Original

Genre: Rock & Indie

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If there's one lesson to be gleaned from Jamie Wyatts latest album, Neon Cross, it's that life goes on. And through it all—good times and bad, dreaming and desperation, there is truth. When it came to capturing that truth on tape, Wyatt had some assistance from Shooter Jennings, who produced Neon Cross. Together, she and Jennings boldly color outside the country lines, taking a wide-lens sonic and stylistic approach to the songs on Neon Cross.

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Wet Hair

The Floating World

22,99 €*

Release: Original

Genre: Rock & Indie

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Feel Good Black Vinyl Edition

Jaime Wyatt

LP | 2023 | US | Original (New West)

LP | 2015 | Original (Agitated)

Release: 2023 / US – Original

Genre: Rock & Indie

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“I’m still learning how to experience joy, how to be free, how to be comfortable in my own skin,” says Jaime Wyatt. “A lot of us grow up feeling like we have to hide who we are just to be accepted, but that comes from a place of fear and judgment. I wrote these songs as a way of letting go of all that, as permission to feel good.” Feel Good, Wyatt’s extraordinary new album, is more than just a permission slip, though: it’s an invitation. Recorded with Black Pumas’ Adrian Quesada, the record is bold and ecstatic, built on tight, intoxicating grooves that belie the songs’ substantial emotional stakes. Wyatt’s writing is raw and intuitive here, tapping into the deep recesses of her subconscious as she reckons with grief and growth, and her delivery is visceral to match, cutting straight to the bone with equal parts sensitivity and swagger. Taken as a whole, the collection stands as a radical act of creative liberation from an artist already known for pushing limits, a genre-defying work of healing and self-love that tips its cap to everything from Al Green and Otis Redding to Waylon Jennings and Bobbie Gentry in its relentless pursuit of peace and pleasure.

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Wet Blankets

Rise Of Wet Blankets

17,99 €*

Release: 2015 / Original

Genre: Rock & Indie

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The Deepening Black Vinyl Edition

Vemod

LP | 2024 | UK | Original (Prophecy Productions)

38,99 €*

Release: 2024 / UK – Original

Genre: Rock & Indie

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Hyacinth Amber Vinyl Edition

David Eugene Edwards

LP | 2023 | EU | Original (Sargent House)

31,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2011 | US | Reissue (Delmore Recording Society)

Karen Dalton

1966

LP | 2020 | US | Original (Castleface)

Release: 2011 / US – Reissue

Genre: Rock & Indie

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Karen Dalton was a remote, elusive creature. A hybrid of tough and tender with an unearthly voice that seemed to embody a time long past. As is often the case with such fragile beings, she instinctively understood that the only way to survive the harshness of the world around her, was to keep herself hidden. So it comes as no great surprise that she rarely sang in public or ventured into the unnatural setting of a recording studio. Only twice, for 1969’s It’s So Hard To Tell Who’s Going To Love You The Best and then again for 1971’s In My Own Time, was she coaxed from her habitat into the studio. Other times she made music in casual settings, sitting around a kitchen table or wood burning stove with her friends, singing and playing until daybreak.

In 1966, Carl Baron brought his reel to reel over to her remote cabin in Summerville, Colorado and recorded one of those exquisite musical evenings. Karen and Richard Tucker were rehearsing for a gig when Carl hit the “Record” button. The result is a 45-year-old tape, carefully exhumed, documenting Karen at her most raw and unfiltered. On it are Fred Neil and Tim Hardin songs we’ve never heard Karen give voice to before, as well as traditional songs she uncannily makes her own, including a devastating version of ‘Katie Cruel’, that is so powerful, it is as if the ghost of Katie Cruel seeped into her blood. This recording is a window to her Summerville cabin opened, allowing us to eavesdrop on Karen Dalton at her most pure and unaffected.

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Once & Future Band

Deleted Scenes

LP | 2022 | EU | Original (Playground)

Release: 2020 / US – Original

Genre: Rock & Indie

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"We are very proud to announce a new full length LP from Oakland’s Once & Future Band—Deleted Scenes. The space-age songsmiths of Once & Future Band have been ting-tinging away on the truly heavy anvil of hominid perspective and emotion again to bring you this singing scape of songs. Annealing for over a year now, until it was cool enough to hold in your ears, nested in the pinnae, the time has finally come. Dew drops pop and hiss as they settle on the gliding guitarmonies.

Once & Future Band have outdone themselves this time around, in my opinion. If songs could stop heated exchanges by mere presence, these are the ones, and more needed than ever. As I tuned in to each new transmission, each step closer to this perfect platter, I had to stop and do nothing else, and merely absorb how wonderful this album is. Each tune exists in the company it was born to live with. There are haunting chorale escorts here... long trains of room warmth... the belting of the machine heart... lofty guitar and bass melange... and just beautifully laid to magnetic tape with a sure hand by the throbbing brains that are Once & Future Band. For fans of

Roy Wood, Idle Race, ELO, Roxy Music, Head Hunters, Stevie Wonder, Paul McCartney, The Lord Bowie, The Band, and the soundtrack from every movie that ever pierced your cold, cold heart” —John Dwyer

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Dina Ögon

28,99 €*

Yössä Sky Blue Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Yellow vinyl. Let us introduce you to Dina Ögon and their self-titled debut album. A collection of musical fantasies, permeated by an irresistible feel. Ahnlund is an instrument of vocals, and together with the band they reach new levels of groove. Dina Ögon take you with them in a Cadillac going 40 mph straight toward the summer night sun. You will not have heard anything like it in a very long time. The band are experts at what they do. They do their thing, no messing around. They glue it together. One of them thinks nice shoes are important, another one thinks of gasoline and leather. Not as in black, studded leather, but rather soft, bright leather with a flowery, wood-like scent, and gasoline in a nice-looking bottle. No scent.They put a piece of themselves in good company into it. Reflections and thoughts. Ambition and curiosity. The lyrics and the music are for all people of every era. For your eyes, for all of us, we who are one with each other. For those who never take responsibility and for those who take too much.A lovechild of Fleetwood Mac, Khruangbin, obscure Motown singles and hip-hop duo Eric B & Rakim, seasoned with a bit of Stevie Wonder, Elis Regina and Ted Gärdestad. The mixture of influences - from psychedelic rock to glittery pop, and onwards to funky soul - says something about the band's base. Check out the album's closing track "Ficktjuven" for a clear example. Psychedelic and playful with choirs you could never have imagined.

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Hebosagil

LP | 2022 | EU | Original (Svart)

LP | 2021 | EU | Original (Husky Pants)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Limited sky blue vinyl, printed innerbag

Hebosagil, based in Oulu, northern Finland, has been a part of the lives of its thirtysomething musicians for 15 years. The band has survived an early thrash metal period and then transitioned into a more refined, but no less complicated entity, in whose output the grand tradition of domestic Finnish rock, punishing sludge and other forms of extreme metal and noise rock are woven together. The band have signed with Svart, and the first fruit of the new collaboration, the album Yössä, will hit the shops in February.

The album Yössä, the band’s fifth, sees Hebosagil move from style to another with the finesse of a seasoned professional, and the album’s moods range from fragile moments of clarity to the gloomiest chords heard from the band to date. Finnish rock, punk and extreme metal walk hand in hand only to throw themselves into a shredder, resulting in energetic, constantly interesting works of sound, in which a surprisingly varied set of elements have been mutilated into atoms and built back together with care and a sense of balance.

The band’s Finnish lyrics deal largely with the transitive nature of mundane glory. Yössä can be seen as a symbolic farewell to childhood, with the cover art depicting an old derelict ship in the woods. In reality this ship was used as a prop in a shopping mall which the band members frequented as kids, and the ship had a candy store inside it. As the years passed, the shop folded and the ship was taken out to rot.

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Luggage

Happiness

LP | 2019 | EU | Original (New West)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Chicago Trio Luggage Serve As Model Representatives Of Their City, Wielding The Standard Components Of Their Trade-Guitar, Bass, Drums-While Stripping Away Any Hint Of Excess Until They Arrive At The Most Austere Manifestation Of Rock N' Roll: Magnets Picking Up The Vibrations Of Nickel-Wound Strings, Wooden Sticks Striking Polymer Skins, Laconic Sung-Spoken Vocals. On Their Fourth Album Happiness, Luggage Offer Up Their Starkest Work Yet. Across Their First Three Albums-Sun (2016), Three (2017), And Shift (2019)-Luggage Took Post-Punk's Tonal Palette And Frequency Assignments And Put It Under A Microscope. On Happiness, Luggage Pushes Even Further Into Their Asmr-Level Hyper-Lucid Fixations, Making Every Note And Percussive Strike Feel Like A Definitive Statement While Simultaneously Expanding Their Stylistic Range. Their Music Has Always Had A Feeling Of Existing In A Kind Of Vacuum, And There's Ample Reason For Their New Album To Feel Even More Like A Hermetic Experience. Happiness Was Tracked In Just One Day At Electrical Audio In Chicago By Jeremy Lemos (Jim O'rourke, Stereolab, Bill Callahan) And Mixed The Following Day. Bob Weston Mastered It At Cms. Together, The Six Tracks On Happiness Create An Immersive Experience-An Aural Representation Of Cabin Fever, Of Being An Organic Body In A Rigidly Geometric Environment And A Dynamic Entity In A Static World.Riyl: Unwound, Seam, Bedhead, Sonic Youth, Polvo, Codeine, Thisheat, Rodan, Bastro

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Kacy & Clayton

Carrying On

LP | 2018 | US | Original (Woodsist / Mare)

Release: 2019 / EU – Original

Genre: Rock & Indie

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The music Kacy and Clayton make is inextricable from where they grew up. They sing about the kind of people you’d find in Wood Mountain, Saskatchewan (population very few.) The hills, barns and remoteness of the area are in these songs, with a bittersweet acknowledgment that this music has taken them far from home.

Carrying On follows the international acclaim for their previous records Strange Country (which Q magazine called, “A beautiful album that nudges a classic past into a brave future.”) and 2017’s The Siren’s Song (described by Uncut as “Ageless and beguiling. A classic record for this or any other time.”)

Their sound is equal parts homespun, coming from a family and community where playing music is an ever-present part of social gatherings, and the rare country, blues and English folk rock these second cousins obsess over and collect. For Carrying On, Clayton cites as influences: Bobbie Gentry’s Delta Sweete, Hoyt Axton’s My Griffin Is Gone, Cajun fiddle music, and the steel guitar of Ralph Mooney who played on many of the records that defined the Bakersfield country music scene of the 1950s. Sixties psych has also woven its way into these new songs.

Having toured almost nonstop for the last two years, Carrying On was conceived and honed on the road and recorded immediately after a jaunt across Western Canada – the songs having been tried and tested before audiences each night. The album was produced once again by Jeff Tweedy of Wilco and Uncle Tupelo fame, at his Loft studio in Chicago.

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Night Shop

In The Break

21,99 €*

Moonpedro & The Sinking Ship

Release: 2018 / US – Original

Genre: Rock & Indie

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Night Shop is the songwriting project of Justin Sullivan. Sullivan has worked as a touring drummer for the past twenty years with a half dozen DIY punk bands, including Ringers and an early incarnation of Worriers. In 2009, he joined The Babies alongside Kevin Morby and Cassie Ramone. When the band went on hiatus in 2013, Sullivan moved to Los Angeles with Morby and continued working with him as a staple of the live band and playing on all of Morby’s studio albums. In the meantime, Sullivan also formed the fuzz punk outfit Flat Worms, with Tim Hellman of Oh Sees and Will Ivy. But in the middle of a tour in August of 2016, Sullivan realized the rigors of the road had grown to be too much. He made the decision to take a full calendar year away from touring and focus, for the first time, on writing his own music.
Like most of Sullivan’s projects, the album is a family affair. His former touring and recording partner in the Kevin Morby band, Meg Duffy (Hand Habits) plays bass on several of the songs and sings backup vocals on a few as well. Flat Worms cohort Will Ivy plays lead guitar on some, while Mare labelmate and soon-to-be touring partner Anna St. Louis sings backup on two songs. The album was engineered by Jarvis Taveniere of Woods and mixed by Drew Fischer who previously worked with Sullivan on Morby’s first two records and The Babies second album Our House On The Hill.

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Housekeeping

LP | 2024 | EU | Original (Apollon)

39,99 €*

Marc Riley Sessions Volume 4

Release: 2024 / EU – Original

Genre: Rock & Indie

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Housekeeping is the new solo album from multi-instrumentalist, poet, novelist and translator Pedro Carmona-Alvarez, who releases his music under the name Moonpedro and The Sinking Ship. Since 2007 he has released five records, Ed Wood (2007), Homegrown (2013), Let´s, Pig (2018) The Beatles Revisited (2018), and KIN (2023). The album title refers to the fact that Pedro Carmona-Alvarez has written and recorded ridiculously many songs that are scattered across his computer - unfinished, half-finished, and almost finished. After turning 50 in 2022, he decided to start letting go of things, releasing them, making them exist in the world, and not just inside his own head. “I’ve always been productive, loving to work a lot and make a lot of crap. Not so good at finishing things, though. But now is the time”, he says. Pedro Carmona-Alvarez was also the singer of Sister Sonny, who released several albums between 1995 and 2007. As a writer, his books are translated to several languages, such as English, German, Danish, Turkish and Czech. He is also translator from Spanish and English, and in 2015 he was handpicked by PJ Harvey to translate her book of book of poems The Hollow of The Hand to both Norwegian and Spanish. 1. Birthday #32. Quirky3. Dark Days4. The Life Of Ernesto Salinas5. The Knowing Wink6. After Frances Left7. The House Of Spirits 8. Girl Reading

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The Wedding Present

CD | 2022 | EU | Original (Clue)

12,74 €* 16,99 € -25%

With insertSoma / Mehr Wut

Release: 2022 / EU – Original

Genre: Rock & Indie

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Fourth instalment in The Wedding Present's popular 'Marc Riley Sessions' series. The Wedding Present are a band with a history that's inextricably intertwined with the BBC and, in particular, the late DJ John Peel, an early champion of the band. Having received critical acclaim for releases 1 - 3, Marc Riley Sessions Volume 4 goes on to feature nine songs recorded for the award-winning BBC 6 Music show in 2017 and 2018. The first four tracks on the album were recorded with a string quartet and trumpeter and include a remarkable reimagining of 'Bewitched', originally from the band's 1989 album Bizarro.

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Punkplatte

7" | 1997 | DE | Original (Industriefeind Rec.)

4,99 €*

Release: 1997 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2013 | EU | Original (Weed Hunter)

Wound

Inhale The Void

17,99 €*

Jack Oblivian & The Dream Killers

Release: 2013 / EU – Original

Genre: Rock & Indie

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Limited to 500 hand numbered copies on 180g vinyl.

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Lost Weekend Black Cover Red Vinyl Edition

LP | 2019 | US (Black & Wyatt)

27,89 €* 30,99 € -10%

Release: 2019 / US

Genre: Rock & Indie

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12" | 2020 | UK | Original (White White)

The Venetians

Son Sur Son

10,99 €*

Release: 2020 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

LP | 2023 | CZ | Original (Black & Wyatt)

Turnstyles

38,99 €*

Release: 2023 / CZ – Original

Genre: Rock & Indie

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Wolves In The Throne Room

Primordial Arcana Gold Vinyl Edition

LP | 2021 | US | Original (Relapse)