Search "ice cube" 1439 Items

2LP | 2015 | EU | Original (Music On Vinyl)

Release: 2017 / EU – Original

Genre: Rock & Indie

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The Trinity Session by Cowboy Junkies is completely re-mastered and includes 2 tracks that were previously not included on the album; "Blue Moon Revisited" and "Working On A Building". The records are packed in a newly designed gatefold with additional photos and features new liner notes written by author and music editor Jason Schneider.

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Yes

Yes Expanded Edition

Fruit Vinyl Me, Please Edition

Release: 2015 / EU – Original

Genre: Rock & Indie

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Yes (1969) is considered among the first progressive Rock albums. We've included a bonus LP to the original package, with early versions of other songs, previously not included on the album. With remastered audio and augmented by a 4-page booklet, this is an essential Prog collector's item!

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The A's

LP | 2022 | US | Original (Vinyl Me, Please)

Moto Zone Clear With Black Smoke Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Why you'll love it...
Amelia Meath and Alexandra Sauser-Monning have been sharing the stage for upwards of fifteen years; they have now come together for a new band called The A's. Their debut album, Fruit, shares a beautiful ten-song collection that features covers of folk songs, lullabies, ballads and more. The album includes their rendition of “He Needs Me,” the Harry Nilsson and Shelley Duvall classic from 1980’s Popeye along with standouts like the ballads “Swing and Turn Jubilee,” “Copper Kettle,” “Buckeye Jim” and others. Fruit is a glimpse a deep collaboration and friendship between the two artists and bandmates.

Limited to 400 copies, the VMP exclusive edition of The A's Fruit is pressed on 1LP Banana Yellow vinyl at Citizen Vinyl. The album will arrive in gatefold direct-to-board, hand-numbered jacket. It's mastered by Patricia Sullivan of Bernie Grundman Mastering.

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Cong Josie

LP | 2024 | EU | Original (IT)

Tales From Topographic Oceans

Release: 2024 / EU – Original

Genre: Rock & Indie

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The wild greaser with an ever-broken heart, Cong Josie, is back! His eagerly anticipated sophomore album; Moto Zone, pulls up throbbing, revving, sweating and grinding hotter than bitumen on a summer day. It is a non-stop EBM’in’, synth-punkin’, rock ’n’ rollin’ and doo-woppin’ sizzler, in much the same vein as his 2021 debut Cong!. With this release however, Cong pushes his own M.O. even deeper. The throbs get bolder, the NRG goes harder, slow sleaze hip-grinding enters and the dream washes return to envelope all that hear them like a siren’s call.

On Moto Zone, Cong conjures the age of rock ’n’ roll, a world of motorcycle gangs and hot rods, leather, chains, backcombing and hair pomade, with an Aussie twist on greaser ‘cool’. Confessional lyrics tell tales of addiction and mental illness tracing the scars of a troubled past. Cong says the “Moto Zone” reflects his daily life and mindset. A life of ADHD, burning the midnight oil, living on black coffee, obsessively creating and revving through every day. Ultimately Cong is reaching for bliss, feeling connection and a new world in these songs.

Exhilarating? Anxious? Hedonistic? Dangerous? Beautiful? A lust for life? The record is all of the above.

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Yes

2LP | 1973 | JP | Original (Atlantic)

LP | 2024 | US | Original (Is Not Music)

Release: 1973 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl is close to NM. Japanese pressing.

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Pegg

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-01

Gelosia Record Store Day 2024 30th Anniversary Edition

Dirotta Su Cuba

LP | 2024 | EU | Original (Warner)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Scha Dara Parr / Konishi Yas

Oshare Middle / Tokyo No Yane No Shita

7" | 2024 | JP | Original (Nippon Columbia)

Release: 2024 / JP – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Riding Easy)

Gary Del Vecchio

Buzzin'

Agnen: A Journey Through The Dark

Release: 2024 / US – Original

Genre: Rock & Indie

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The incendiary proto hard rock and ambitious epic journeys this album delivers are all the more uncanny and devastating when you realize Gary Del Vecchio was

a mere 16 years old when the title track Buzzin was unleashed! Even more astonishing is how far he travelled over the next five years, documented in this brilliant selection of nine tracks from the classic daze of early 1970s underground rock. Ohio was a hotbed for hard rock at the time with bands like the James Gang, Glass Harp, Poobah, Left End, Damnation Of Adam Blessing… what you get here matches the style any of those bands laid down. Gary's music grabs you immediately and grows over time. Grabber and Grower… best of both worlds style!

It makes sense that Gary later owned a recording studio, right out of the gate he was laser focussed on all the aspects involved in making music that stands the test of time. The guitar action is incredible, shards of sound flying free yet hitting the bullseye continuously, vocals confident with none of the macho posturing that ages poorly in much early hard rock. These tracks are all vividly recorded and meticulously mixed in a way that balances fiery performance and intelligent structure to maximum effect. The bass and drumming here are phenomenally inventive and propulsive, the several players involved across the album nail it in their support of Gary's vision. This is rock music born in the 'anything is possible' life affirming energy of the late '60s right on time with where the most enduring artists of the early '70s took it. Had he scored the major label deal he pursued with labels like Mercury or London at the time I am confident we'd be hearing his music on classic rock radio today! The music on this album is both uncompromising and accessible. In particular, the two long tracks Wasted King and Starman have all the moves needed to grab fans of Pink Floyd, Led Zeppelin and the likes by the throat and brain in the extended progressive epic department!

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Keep Of Kalessin

LP | 1999 | Reissue (Peaceville)

Release: 1999 / Reissue

Genre: Rock & Indie

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All You Need Is Soul Limitedblack Vinyl Edition

Jizzy Pearl Of Love/Hate

LP | 2018 | EU | Original (Frontiers S.R.L.)

Release: 2018 / EU – Original

Genre: Rock & Indie

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Tribulation Worksongs Clear & Red Vinyl Edition

Modern Life Is War

LP | 2024 | Original (Deathwish Inc.)

Release: 2024 / Original

Genre: Rock & Indie

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Motor City Resurrection Black Vinyl Edition

The 69 Eyes

2LP | 1994 | EU | Reissue (Svart)

2LP | 2022 | US | Original (Construction)

Release: 1994 / EU – Reissue

Genre: Rock & Indie

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Svart Records proudly present The 69 Eyes' Motor City Resurrection first time on vinyl!

Motor City Resurrection is a compilation of early material by the Finnish rock band The 69 Eyes. Originally released in 1994 by 1 + 2 Records, the compilation presents the band's glam metal and hard rock phase containing early 7" singles and EPs. Now mastered for vinyl by Mika Jussila at Finnvox Studios with close supervision by the band, Motor City Resurrection has never sounded this good before.

"A patchwork collection of 69 Eyes’ early work stitched together in 1994, Motor City Resurrection has all the flash and trash you could possibly want from a bunch of high-cheekboned motherfuckers with long hair and cranked-up guitars and none of the pandering Hollywood bullshit that drove folks away from this stuff in the 90s. Songs like Discipline, Barbarella, Mrs Sleazy and their fiery take on Kiss’s Deuce deliver full-impact sleaze metal with no remorse and no sense of irony." -Sleazegrinder, Classic Rock

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Kaipa

Children Of The Sounds

Release: 2022 / US – Original

Genre: Rock & Indie

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LP | 2023 | US | Original (Sophomore Lounge)

Gub

Release: 2023 / US – Original

Genre: Rock & Indie

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GUB—debut full-length from the two-headed beast of Beau Wanzer / Champagne MIRRORS—is a low-boiling cauldron aswirl with glurpy synthscapes, hypnotized rhythms and eerily dubbed-out electronic discharge. A timeless collaboration from two of Chicago’s finest exports.

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Stanley & Wiggs Present Incident At A Free Festiva

2LP | 2023 | UK | Original (Ace)

Release: 2023 / UK – Original

Genre: Rock & Indie

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“Incident At a Free Festival” is a tribute to the mid-afternoon slots at Deeply Vale, Bickershaw, Krumlin, Weeley, and Plumpton – early 70s festivals that don’t get the column inches afforded the Isle of Wight or Glastonbury Fayre, but which would have been rites of passage for thousands of kids. Bands lower down the bill would have been charged with waking up the gentle hippies and appealing to both the greasy bikers and the girls in knee-high boots who wanted to wiggle their hips. And the best way to do that was with volume, riffs and percussion.

Compiled by the venerated Bob Stanley and Pete Wiggs of Saint Etienne, this is the heavier side of the early 70s they summarised on the acclaimed “English Weather” collection. There’s an air of menace and illicit thrills among tracks by Andwella, Stack Waddy and Leaf Hound (whose “Growers of Mushroom” album is worth well over £1,000). Bigger names include the rabble-rousing Edgar Broughton Band and kings of the festival freakout, Hawkwind. They are represented by their rare version of ‘Ejection’

For every mystical Tyrannosaurus Rex performance there was something like Atomic Rooster’s Tomorrow Night or Curved Air’s Back Street Luv to capture the spirit of the day and stir the loins of festival goers; the tracks on “Incident At a Free Festival” were inspired by both Chicago’s percussive wig-outs and the Pink Fairies’ anarchic spirit. The sounds were heavy and frequently funky, with a definite scent of danger. Their message was clear and simple: clap your hands, stamp your feet, hold on to your mind.

So, put on your wellies in your living room, drop the needle and enjoy...

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Bobby Gillespie Presents: I Still Can't Believe Yo

2LP | 2023 | UK | Original (Ace)

Release: 2023 / UK – Original

Genre: Rock & Indie

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Following on from the Primal Scream frontman’s brilliantly-received previous release for Ace, ‘Sunday Mornin’ Comin’ Down’ (accolades included being short-listed for Rough Trade’s compilation of the year), Bobby Gillespie brings us another slice of the music that soundtracks his life. And in this case, it’s his touring life. Drawing on the experience of ‘the way that the noise and clamour of the road can tire you out, wear you down and frazzle your nerves to shattered fragments of jangled exhaustion’, these are the records Bobby turns to for solace, for comfort, for empathy and for resourcefulness.

The compilation features an introduction from the man himself, talking us through his personal choices as though he’s sitting cross-legged on the carpet going through records with you in his lounge. Also long-time cohort of the band, Kris Needs has written extensive liner-notes, serving up an intensive track by track insight and analysis.

Titled after and kicking off with the Willie Nelson track of the same name, ‘I Still Can’t Believe You’re Gone’ leads us through a darker and deeper exploration than its predecessor, featuring Nick Cave’s funereal version of ‘By The Time I Get To Phoenix’ and Ry Cooder’s sparse and beautiful reworking of ‘Dark End Of The Street’. And we get there via such greats as Bob Dylan, JJ Cale, Donnie Fritts, Crazy Horse, Lee Hazlewood, Al Green, Thin Lizzy and so many more.

In Bobby’s own words: ‘These songs are soul savers to soothe frayed and battered nerves and to ease and settle the heart. They work on me like medicine every time. I would like to share this wonderful music that has given me strength, joy and inspiration over the years with you the listener, so that you too might get the same feelings of protection and inspiration that I do whenever I listen to these songs. We're all travellers on some kind of road through this life, and we all need respite from time-to-time - the music on this compilation is soul food of the highest order - I hope you enjoy it.’.

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Genre: Rock & Indie

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Genre: Rock & Indie

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Everything Is Possible: Best Of Yellow Vinyl Edition

Os Mutantes

LP | 2023 | EU | Original (Luaka Bop)

33,24 €* 34,99 € -5%

LP | 2024 | UK | Original (Downwards)

Release: 2023 / EU – Original

Genre: Rock & Indie

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"The late 60"s in Brasil produced an explosion of creativity that is still reverberating throughout the workd... and Os Mutantes (The Mutants) were the most outrageous band of that period. Their creative cannibalism produced psychedelic gems unlike anything else, and they sound as relevant today as anything happening anywhere. They were exactly what their name implies- a mutant genetic recombination of John Cage, The Beatles, and bossa nova. A creature that was too strange and beautiful to live for very long, but too strong to ever fade away. It lives again. Be prepared." - David Byrne

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The Wolfgang Press

A 2nd Shape

LP | 2023 | EU | Original (Current Joys)

Release: 2024 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Formed from the ashes of Rema-Rema and Mass in the early ‘80s, The Wolfgang Press were originally a trio of bassist and vocalist Michael Allen, keyboardist Mark Cox and guitarist Andrew Gray. They were one of 4AD’s longest-running acts, and shifted from pitch-black, industrial-tinged post-punk in their early years to funky, hip-hop-inspired avant-dance as they stepped into the ‘90s. But since ‘94’s ‘Funky Little Demons’ they’ve been relatively quiet. There was a compilation of unreleased career-spanning material mostly penned by Allen and Gray released in 2020, but ‘A 2nd Shape’ is the first all-new gear from the duo in almost 30 years, with Gray’s brother Stephen replacing Cox on keys. It’s a fitting move for Downwards too; not only do The Wolfgang Press neatly straddle the label’s musical poles, but the band’s ‘88 high point ‘Bird Wood Cage’ is an enduring favourite of Karl O’Connor.
‘A 2nd Shape’ reflects The Wolfgang Press’s output up to and including that touchstone - the soulful, sampledelic mood of ‘Queer’ (and it’s popular single ‘A Girl Like You’) is nowhere to be found. Allen’s signature dubbed-out basslines are front and centre on ‘The Garden of Eden’, booming over gnarled synths and a blitzed, slo-mo drum machine - the bleakness of ‘The Burden of Mules’ is latent, but sliced into bits by discordant feedback and dissociated FX. The band have always been hyper aware of contemporary musical developments, and it sounds as if they’re offering a corrective here in a landscape pocked by post-punk pretenders. On ‘21st Century’, Allen snarls knowingly over menacing oscillations: “The 21st century can tell you who you are, can tell you what you’re thinking.” The music’s not a remnant of the past, but a way for The Wolfgang Press to acknowledge their tenure while peering into tomorrow.
‘Take It Backwards’ is the album’s most direct post-punk stomper, it’s got all the hallmarks you’d expect to find - reverberating guitars, resonant bass, ice-cold synths - but sounds as if it’s been infected with modern paranoia. If the trio’s early run was marked by inky depression, their new material sounds just as umbral, but far more self-assured. “The future has been set to one side,” Allen deadpans on ‘Rest Your Mind’, slurring over horizontal drums and fuzzy clouds of electronics. They might have lost their appetite for funk, but The Wolfgang Press’s claws have never sounded so razor sharp - ‘A 2nd Shape’ is the rarest of comeback albums, one that captures the OG magic without a shred of pastiche or a trace of repetition.

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Current Joys

Live At Kilby Court

LP | 2022 | US | Original (Riding Easy)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Back in print for the first time since its initial release during lockdown in 2020!The music of Current Joys has captured the imagination ofmillions through headphones and laptop speakers across theworld. Rattigan's deeply emotive and commanding songwritingfeels built for solitary walks or contemplative nights in one'sbedroom, and that is why a Current Joys live performance is awhole different experience altogether. On Live At Kilby Court,the band rips through a stacked setlist of fan-favoritestransforming these bedroom ballads into adrenaline-pumpinganthems, creating an overwhelming feeling of togetherness.

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Hell Fire

Reckoning

LP | 2020 | EU | Original (Vicious Circle)

Release: 2022 / US – Original

Genre: Rock & Indie

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Sometimes a band grows so exponentially from one record to the next, it’s almost jarring. Hell Fire has already established themselves as the preeminent masters of a new hybrid breed of Bay Area thrash and Nwobhm in just a few short years, but their fourth album Reckoning is the type of ascendance that truly sets a band apart. Reckoning is their Master Of Puppets, their Number Of The Beast, their Defenders Of The Faith. From the very first notes of the album opening title track, you can feel a vital new energy and inspiration to their music. To say Hell Fire used the recent global downtime to dig within and fully refine their sound would be an understatement. It truly is a reckoning. With no touring on the horizon in 2020, the band hunkered down and recorded nearly a full album in preproduction home demos. The band’s heightened professionalism also brings in guest bassist Matt Freeman (rancid, Operation Ivy) on the album after original bassist Herman Bandala departed the band amicably during the initial writing process. New bassist KAI SUN joined Hell Fire in Fall 2021.

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Slift

Ummon

Release: 2020 / EU – Original

Genre: Rock & Indie

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Heaviness, Riffs, Psychedelic, Science-Fiction... Slift's Progressive Sound Is A Colorful And Legendary Journey To The Edge Of Kraut And Stoner Rock. From The Many Shows Performed Across Europe - Sharing The Stage With Jon Spencer, Dewolff Or Mars Red Sky - To The Kexp Session (December 2019 During Les Trans Musicales), The French Trio Launched An Outstanding Astral Adventure. Slift Released Their Debut Ep 'Space Is The Key' In June 2017 Via Howlin Banana (France) And Exag' Records (Belgium). Inspired By Alain Damasio's Sci-Fi Novels And Pierre Ferrero's Illustration Work, 'Space Is The Key' Is A Raucous Wall Of Sound And Energy. The Five Nervous Tracks Are Loaded Up With Fuzz Mayhem And Maniac Beats Sharp Enough To Knock Your Head Off Spinning With Their Hypnotic Riffs. In 2018, Toulouse-Based Outer Space Jammers Released Their First Lp 'La Planète Inexplorée', Helped By Garage Rock Producer Lo'spider (The Monsters, Aqua Nebula Oscillator, Magnetix) And Jim Diamond (Fleshtones, Sonics, White Stripes) From The Mighty Ghetto Recorders, Detroit. The Record Is The Result Of Many Overnight Improvised Sessions, Probably Due To Their Obsession With The Krautrock Scene And The 70s Free Jazz Albums. Made Of Sci-Fi Digressions, The Lyrics Are About Creating Space Warps And Waking Up Ice Giants After A Millennia Sleeping On A Distant Planet.

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Blizzard Of Ozz 30th Anniversary Edition

LP | 2011 | US | Original (Epic)

Release: 2011 / US – Original

Genre: Rock & Indie

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Lookout Mountain, Lookout Sea

LP | 2008 | US | Original (Drag City)

Release: 2008 / US – Original

Genre: Rock & Indie

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LP | 1983 | Reissue (Sony Legacy)

Bark At The Moon

Release: 1983 / Reissue

Genre: Rock & Indie

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Trophy Eyes

The American Dream

LP | Original (Hopeless)

Release: Original

Genre: Rock & Indie

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LP | 1993 | US | Reissue (Riding Easy)

Acid King

LP | 2024 | Original (Yeeess)

Release: 1993 / US – Reissue

Genre: Rock & Indie

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“When Acid King pressed up their self-titled debut EP on a tape and started handing them out at shows with business cards, it wasn’t an aesthetic choice. It was 1993. And while the world was still reeling in the aftermath of grunge breaking big on rock radio, this dirty-as-hell trio founded by guitarist / vocalist Lori S. were digging into even heavier vibes. Born out of Lori’s shiftless days of wasted youth hanging around Chicago-area public parks, Acid King laughingly adopted the name from the book Say You Love Satan and its subject Ricky Kasso, a local drug dealer who killed a friend over angel dust, thereby becoming the stuff of Satanic Panic local news broadcasts all over the country. “Founded after a move to San Francisco, Acid King were outliers on punker bills in the tradition of West Coast rifflords like Saint Vitus and Sleep, and this four-song outing captures them at their rawest. Long before the career-defining roll of Busse Woods (1999) and the psychedelic mastery of their latest offering, Beyond Vision, this EP set in motion one of American heavy rock’s most landmark careers. “Presented on reissued vinyl through Riding Easy Records—the original 10-inch was on Sympathy For The Record Industry—Acid King’s Acid King also established one of the most crucial partnerships in underground rock in that between Lori S. and producer / engineer Billy Anderson (Neurosis, Sleep, Om, etc). As Acid King went on to help define stoner rock in the mid and late ’90s with Zoroaster (1995), that creative relationship would flourish no less than the band’s sound, and here it is distilled to its meanest and most elemental self. “Led as ever by Lori, Acid King at the time featured bassist / vocalist Peter Lucas and drummer Joey Osbourne—legend has it both had to read Say You Love Satan before joining—and Melvins drummer Dale Crover had a hand in producing it as well as singing lead on “The Midway” after Lucas took a turn on “Drop.” A preface to the many majesties to come throughout Acid King’s many-storied career, behold the formative incarnation that started it all. A piece of heavy rock history and killer riffs? You can’t possibly go wrong.” —JJ Koczan

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Rinôçérôse

Psychoanalysis

The Year That Never Came Red Vinyl Edition

Release: 2024 / Original

Genre: Rock & Indie

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" rinôçérôse " is still alive, conquering, surprising, bold in its sound. The French band composed of Patou Carrié and Jean-Philippe Freu has teamed up with a new producer - VincentLeibovitz - to record theirseventh album, Psychôanalysis. A formidable French Touch live machine (with additional musicians: two guitarists, a drummer/percussionist and a VJ)," rinôçérôse " has been producing albums that have been heard all over the world since the 1990s, from Europe to South America, from Japan to the USA, where the group has played at the biggest festivals and the finest venues, with over 1000 concerts under their belt. With Psychôanalysis, the band embarks on a new high-energy sonic escapade, a mosaic album that revisits all their sonic hallmarks: singular instrumental creativity (guitars and basses are the band"s trademark) and eclectic electronic programming in a grand mix of rock, house, electro, funk and other influences. The sonic palette deployed by Vincent Leibovitz, member of the beatmakers" collective La Fine Équipe andco-founder of NowadaysRecords, takes Patou Carrié and Jean-Philippe Freu into new horizons, sometimes nostalgic and always innovative. " rinôçérôse " features two singers with whom the group has already worked: Jessie Chaton (Fancy, General Elektriks) and Bnann Watts (Infadels). It also opens up to new collaborations with Izzy Lindqwister and Benjamin Diamond (Stardust).

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Assassins

LP | 2023 | UK | Original (Machines Make Us)

LP | 2022 | EU | Original (Sub Discos)

Release: 2023 / UK – Original

Genre: Rock & Indie

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Assassins did what many bands do: they grabbed a moment out of the air and slammed it onto tape machines and hard drives with relentlessness, cunning, and an attitude.

It was in Chicago, mid 2000’s, and though there was energy in the music scene, it wasn’t coalescing into anything you could use as a heading in the musical encyclopedia. Drag City, Thrill Jockey, Bloodshot, Tortoise, Andrew Bird, 90 Day Men – amazing labels and bands, but discrete and siloed and separated by boundaries that weren’t very real.

In the midst of that complicated morass, Assassins generated a collection of songs that became the album YOU Will Changed US. And it did.

There was confidence built into the fabric of the project: 5 members, 2 singers, massive synced video walls and samples streaming from laptops swirling in three dimensions around the stage. They could go from subtle atmospheric moments to a gargantuan wall of sound instantly. It was hard to do- months in cold practice rooms troubleshooting sections of songs or reworking synthesizer patches put the band through a self-imposed boot camp. And it brought them together as a sort of hive-mind focused on one thing: that these songs could connect. They could cut through the noise and share a state of mind with other human beings.

And it worked. Those early shows were mind bending. It was fun, loud, drunken, and rewarding- that time together, before the record deal, before the tragic let down of being traded and gobbled up by the major label system. The years after that got more difficult, more complicated, more human.

Leading us here: the musical journey of the Assassins has ended. With the up-coming release of their second and final album THE Year That Never Came, we finally get to hear, and feel, the final statements of their inspiring chemistry.

In July of 2021, founding member, songwriter and singer Joe Cassidy unexpectedly passed away. THE Year That Never Came is the culmination and end point of a collaboration that started in the early 2000’s with a chance meeting and excited conversation with Aaron Miller at a gig in Chicago. Quickly joined by David Golitko on keyboards, Merritt Lear on vocals and guitar, and Alex Kemp on bass.

It was Miller who saw Joe Cassidy’s song writing in a new context. Cassidy had been known for his beautiful, post- pop inflected Butterfly Child, a thoughtful, regal project where Joe’s emotions could soar. Miller saw a different context for that voice- not dreamy, but immediate, not just hopeful, but demanding. He took Joe’s open hand and suggested that it could be a fist, raised in the air, with a crowd of other people doing the same.

At the time of his death legendary composer and songwriter Jimmy Webb (who wrote such hits as ‘Wichita Lineman and MacArthur Park) said Joe ‘was a creative and generous producer but, more importantly, he was a creative and generous friend.’

With the release of THE Year That Never Came, this band, this relentless creative force, has to finally relent. No one in the band could see a future Assassins that doesn’t include Cassidy. So in one last act of will, for the love of their friend, they did the rigorous work of finishing the songs that they had started together for the second album.

Assassin’s obsession with the notion of time, from YOU Will Changed US to THE Year That Never Came, flows from the most natural question we all have to ask ourselves: what do I do now? Because: how we react today to life’s unpredictability - that is the tomorrow we build for ourselves.

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Syntoma

No Me Puedo Controlar

LP | 2022 | US | Original (Riding Easy)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Syntoma is one of the first bands in Mexico (and in Latin America) whose mix punk with synths and drum machines.Remaster from the original tapes this reissue come with an extra A2 poster with photos, lyrics and liner notes.The song "No Me Puedo Controlar" was included in the compilation "Back Up: Mexican Tecno Pop 1980-1989" released by Dark Entries in 2021.Syntoma is a DIY synth band formed in Mexico City in the early 80's. "No Me Puedo Controlar", the only Syntoma's LP, released in 1983 by the independent labels Corporación Sintética and Trópico Digital, combined the benefits and atrocities of speculative science fiction with dystopian opera that opened the doors to new formulas for understanding the progress of human degradation. Where some used technology to destroy and conquer, others to create and unify.Alex Ice & Drinks: Synths- Korg (MS20, Monopoly) / Yamaha (PS20) / Drum machine (KR55) / Guitars / VocalsSynthia Napalm: Synths - Korg (MS20, Monopoly) / VocalsBernardo Dix-Fraz: Synths - Korg (MS10), Yamaha (PS20) / Vocals

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Randy Holden

Population Iii

Lifted Or The Story Is The Soil, Keep Your Ear To The Ground

Release: 2022 / US – Original

Genre: Rock & Indie

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How does one follow up one of the most legendary, yet rarest albums said to signal the birth of doom metal? If you’re Randy Holden, you give everyone about fifty years to catch up, then casually drop a tastefully modernized reinterpretation of that sound. Population III picks up where Holden’s 1969 solo debut left off, updated with several decades worth of technological advances and personal hindsight. Following his tenure in proto-metal pioneers Blue Cheer in 1969, the guitarist aimed for more control over his next project. Thus, Randy Holden - Population II was born, the duo naming itself after the astronomical term for a particular star cluster with heavy metals present. Along with drummer / keyboardist Chris Lockheed, Holden created what many say is one of the earliest forms of doom metal. Their six-song debut album Population II delves into leaden sludge, lumbering doom and epic soaring riffs that sound free from all constraints of the era. However, troubles with the album’s original 1970 release bankrupted Holden, who subsequently left music for over two decades. For good reason, it’s widely hailed as a masterpiece, and until finally getting a proper formal release in 2020 on Riding Easy Records, was a longtime Holy Grail for record collectors. Flash forward forty years to 2010, one finds the guitarist / vocalist quietly coaxed into recording a followup album by Holden superfan and Cactus member Randy Pratt. Joined by drummer Bobby Rondinelli (who has played with Black Sabbath, Blue Öyster Cult, Rainbow), the trio cut the six-song collection of leaden future blues, Population III. “Randy Pratt had written the basic song structures, he understood my music and where I come from quite well,” Holden says. “He nailed it.” But the recording was ultimately shelved for over a decade. Throughout Population III, Holden effortlessly dishes out squealing, soaring leads and skull-thwacking riffs with his signature low end grit and penchant for Middle Eastern scales. Coupled with Pratt’s pocket-locked bass, the slight flanging effect on Rondinelli’s drums and his pugilistic beats, the album occasionally brings to mind Presence-era Led Zeppelin. At times, Holden sounds reminiscent of Neil Young leading Crazy Horse’s ruptured grunge as his lilting falsetto vocals push and pull his guitar’s siren’s call. Population III is the real deal —a powerful continuation of a sound forged fifty years ago, that almost didn’t happen. Somehow, Randy Holden’s music always finds a way to stand the tests of time.

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Bright Eyes

2LP | 2002 | EU | Reissue (Dead Oceans)

We Have The Facts And We're Voting Yes

Release: 2002 / EU – Reissue

Genre: Rock & Indie

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Lifted or The Story Is in the Soil, Keep Your Ear to the Ground Originally released 2002. "The first three are innocent in a way, because we didn't have an audience when we were making them," Oberst says. "But from Lifted on, I was definitely aware of an audience. Lifted was well-received right away, and then everything happened with Wide Awake and Digital Ash." Those two albums came out simultaneously. And their lead singles - "Take It Easy (Love Nothing)," from the austere, remote Digital Ash, and "Lua," from the warm, folky Wide Awake - debuted in the top two slots on the Billboard Hot 100. "First Day of My Life," also from Wide Awake, would later be voted the Number One love song of all time by NPR Music's reader's poll. Bright Eyes had officially broken through. It was a heady, exciting time, but also fraughtand tense, both because of the band's careening new fame, and because of the state of the world. When Bright Eyes made their Tonight Show debut in 2006, they chose to perform none of their shiny new hits, instead delivering a searing, harrowing rendition of their caustic anti-Bush anthem, "When The President Talks To God." These days, Oberst is still amusing himself by messing with the extremes Bright Eyes baked into this

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Death Cab For Cutie

LP | 2000 | US | Reissue (Barsuk)

The End Of The Beginning Live

Release: 2000 / US – Reissue

Genre: Rock & Indie

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Newly re-issued vinyl versions of three Death Cab for Cutie classics, with original artwork: Something About Airplanes, We Have The Facts And We’re Voting Yes, and The Photo Album, all on high quality 180-gram QRP vinyl with download codes.

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God Is An Astronaut

2LP | 2022 | EU | Original (Napalm)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Selections From The Early Sessions

Silver Apples

LP | 2008 | EU | Reissue (Chicken Coop)

Heart Ache (Deluxe Remaster)

Release: 2008 / EU – Reissue

Genre: Rock & Indie

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An album that never made it to stores. Basically the first two Silver Apples albums minus a track, but replaced by, 'Anthem', the legendary track by Jimi Hendrix that features Simeon on bass oscillator. The story of this recording is on the back of the sleeve. Jimpress the Jimi Hendrix Magazine even confirmed and authenticated Simeon played bass oscillator on the track.

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Jesu

2LP | 2021 | EU | Original (Avalanche)

Release: 2021 / EU – Original

Genre: Rock & Indie

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2LP | 2020 | EU | Original (Edel)

Yes

Magnification

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2001 | US | Reissue (Drag City)

Bright Flight

Release: 2001 / US – Reissue

Genre: Rock & Indie

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40 Oz. To Fresno Yellow Vinyl W/ Etched B-Side

Joyce Manor

LP | 2024 | WW | Original (Epitaph)

Release: 2024 / WW – Original

Genre: Rock & Indie

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LP | 2024 | Original (COP International)

Beasto Blanco

Kinetica

LP | 2024 | US | Original (Riding Easy)

Release: 2024 / Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-08

Beasto Blanco was founded by Chuck Garric and Chris Latham. They set out to create a raw, powerful rock & roll band with a blistering, theatrical live experience. Then came Calico Cooper, rock vixen and offspring of Garric's boss, legendary shock rocker Alice Cooper, and a renegade German rhythm section, and Beasto Blanco's inimitable sound and image was born.Blood, sweat and gas fuel Beasto Blanco's explosive rock sound. A band and an audience united in an inseparable bond of musical thunder and sensational spectacle: welcome to the world of Beasto Blanco. Whether under the spotlights of huge arenas or headlining packed theatres and clubs, the band's mission is unwavering: to create an immersive experience where everyone is welcome to join an extended family whose support is unconditional and authentic.At the helm of Beasto Blanco is a powerful triumvirate. Band co-founder, frontman, lead singer and guitarist Chuck Garric, distinguished by his considerable legacy as a touring and recording musician, including 22 years playing bass with Alice Cooper, is a creative force of nature. "Beasto Blanco is my inner beast, my Hulk, my wolfman, the thing I turn into when I step onstage", he says.Calico MachineGirl Cooper is the band's high priestess and serves as an inspirational archetype. "I get approached by women who say, 'Thank you for being so strong and so powerful'"'she explains. Her interaction with Chuck - who she's known for chasing around the stage with a spiked baseball bat - captivates the audience with a dynamic that blurs the line between combat and romance. "We're not just a band, we're a lifestyle".The future is a beast and we are here to ride it. – Chuck Garric 1. Run For Your Life2. Nobody Move3. Heavy Is The Head4. Unreal5. Kill Us Off With A Smile6. Slide7. Skull Rider8. Lowlands9. Diamond In The Dirt10. Bad Thoughts11. Fight

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Back Jack

LP | 2011 | EU | Reissue (Proper)

Release: 2024 / US – Original

Genre: Rock & Indie

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Over the course of a couple of years in the mid-1970s, several musicians from the St. Louis, Missouri area gave notice to club and festival crowds that they were there to rock the house down. Their cover and original songs were accentuated by a bedrock rhythm section, heavy guitar riffs and tasty solos, topped off with powerful vocals. Rockers that witnessed them agree—Back Jack created solid songs and high-energy performances.

Beginning in 1971 as Trellis, the band members changed their name to Back Jack when they saw the bumper sticker that Kim McKinney’s dad, Jack McKinney, distributed during his election bid for the Mayor of Pacific, Missouri, home of the core three-piece band: Kim McKinney, Mike Collier, and Hans Myers (rip).

The 1974 version of Back Jack was active from very early 1974 to late-fall of 1974. The core three-piece band, Collier, McKinney, and Myers, recorded several tracks during their tenure and four of those tracks are included on this release. Temporary band members not on the recordings were Gary Reed (piano, Rip), Greg Witt (guitar, keyboards), Paul Cockrum (guitar), and Bill Niehoff (drums).

The four-piece, 1975 version of Back Jack was a merging of members of Back Jack 1974 (Mike Collier and Kim McKinney) and another local band, Osage Lute (Jeff Ballew and Mike Lusher). They were active from late-fall of 1974 to late-summer of 1975. Four of the tracks on the Back Jack LP were recorded by these four musicians.

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Julian Cope

World Shut Your Mouth

Release: 2011 / EU – Reissue

Genre: Rock & Indie

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LP | 2023 | Reissue (Reigning Phoenix Music)

The 69 Eyes

Death Of Darkness

Release: 2023 / Reissue

Genre: Rock & Indie

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Sounds Of The Forgotten Purple Vinyl Edition

Witherfall

2LP | 2024 | EU | Original (Deathwave)

The End Of My Road White Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Los Angeles-based dark melodic metal outfit Witherfall proudly presents their fourth full-length, “Sounds Of The Forgotten”, via DeathWave Records. With predecessor "Curse Of Autumn" garnering high praise in Metal Insider, Deaf Forever, and KNAC.com, as well as admirable positions on Germany’s Top 20 Albums chart and Billboard’s Top New Artist Albums and Billboard 100 chart, “Sounds Of The Forgotten" advances Witherfall to legendary status with its epic, foreboding expanse. The album is supported by an ambitious schedule of seven singles, each with an official video linking the album’s story of heartbreak, anger, and tenacity. This is genuinely Witherfall, always willing to go the extra mile to outclass the past.

Witherfall was formed in Los Angeles in 2013. Joseph Michael (also of Sanctuary fame) and Jake Dreyer (ex-Iced Earth/Demons & Wizards) built their new band around drummer Adam Sagan (rip) and accomplished bassist Anthony Crawford (Allan Holdsworth, Chon). Since then, the group have released three highly regarded albums: "Nocturnes And Requiems" (2017), "A Prelude To Sorrow" (2018), and "Curse Of Autumn" (2021) and an EP "Vintage" (2019). Not one to cut corners, Witherfall enlisted famed drummer Marco Minnemann (The Aristocrats, Steven Wilson, Jordan Rudess) on "Curse Of Autumn", ensuring the foundations of singles 'As I Lie Awake', 'The Other Side Of Fear', and 'The River' were second to none. On "Sounds Of The Forgotten", Minnemann returns to the fold with an album-only appearance, while drummer Chris Tsaganeas (Wax Owls) and multi-instrumentalist Gerry Hirschfeld (Willie Nelson) Witherfall’s newest permanent members.

Every Witherfall album is a defining moment. From the moment "Nocturnes And Requiems" thundered across metaldom to the group’s wine endeavours (Tempest Red Blend) with Charlie & Echo Winery, their video collaboration with Cig Neutron (Devil’s Workshop) on 'The Other Side Of Fear', a beer partnership with Adroit Theory Brewing Company (Shadows Black Ipa), and custom Funko Pop set, Michael and Dreyer have made Witherfall their mission. The journey to this point hasn’t been without toil and upheaval. Determination, however, is the key. Today, Witherfall brings “Sounds Of The Forgotten" to the masses. Experience it all with them.

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Far Beyond

LP | 2024 | EU | Original (Prosthetic)

An Anthology Clear Translucent Black Ice Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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German melodic extreme metal act FAR BEYOND mark their return with their third studio album, The End of My Road, on February 16 via their new label home ProstheticRecords. FAR BEYONDüs latest full-length is an ambitious and fastidiously curated amalgam of melodeath, symphonic and power metal, covering themes of courage and heart in theface of depression and hardship.Formed in the early 2000s, FAR BEYOND is the solo project of Eugen Dodenhoeft. Based in the Franconian Switzerland region of Germany, FAR BEYONDüs history to this pointhas been one of slow and steady artistic progression with 2005's An Angel's Requiem and 2016's A Frozen Flame Of Ice albums showcasing Dodenhoeftüs penchant for seamlessly alternating dynamics of gothic and death metal symphonia.Lusciously complex by design, FAR BEYOND's latest album shines in its songwriting structure. Across the eight tracks, Eugen compiled up to 30 layers of vocals, synthesisers and orchestral textures. Whilst a solo endeavour at its core, The End of MyRoad sees collaborative guitar solos from Nathram's Lukas Grasslin as well as additional synthesiser embellishments from Ari Ahrendt on Tempus Fugit and the title track. The Endof My Road was then placed in the hands of Patrick Staudle of Glaswald Studios in The Black Forest, Germany.Furthering their quest to understand the complexities of the unknown and transcend beyond the unknown, The End of My Roadüs contemplative atmospherics and concentrated sonic extremities merge seamlessly with a deft poetic touch. With Eugen adding: üThe End of My Road is my invitation to get lost in the sonic realms of FAR BEYOND and find a moment of peace and inspiration. I look forward to sharing this album with the world and hope that it touches the hearts of listeners, providing them with an unforgettable soundtrack for their own journey.

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Enterprise Earth

2LP | 2024 | EU | Original (Mnrk Music Group)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Anomaly Deluxe 10th Anniversary Edition

2LP | 2023 | EU | Reissue (Mnrk Music Group)

Release: 2023 / EU – Reissue

Genre: Rock & Indie

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What Can I Trust, If I Can't Trust True Love

Liam Cromby

LP | 2023 | EU | Original (Time Is Tonic)

The Whaler Blue Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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White vinyl, limited to 500 copies.Liam Cromby, known for his work as the lead singer and songwriter of We Are The Ocean until 2017, has today announced his forthcoming debut solo album What Can I Trust, If I Can't Trust True Love, due for release on December 1st 2023, also sharing the title track, available to stream/download worldwide now."Drawing from my own experiences, this song is a testament to those early, fragile moments of a relationship_where every misstep feels like a fall and every kind gesture feels like flying," he explains. "Choosing to name the album after this song was instinctive, given that it was among the final tracks to be crafted. Even though it came later in the creative journey, it perfectly embodies the central theme of the album." Since revealing the first taste of new music in March, with the release of `Here I Am' - accompanied only by a contemplative, artful film featuring an elaborate dance between two performers - followed by `Breakdown', and last month, `At This Table', this new phase of his career is already off to an impressive start. With early airplay from BBC Introducing and Absolute Radio Country among others, an appearance at The Great Escape festival and sold-out headline shows across the country, Cromby was invited to play at the prestigious Black Deer Festival of Americana, and along with a full-band set, joined Brandy Clark, Drake White, Elles Bailey and Bella White for a Songwriter Session.Although recorded in a matter of days, the project was at least five years in the making.

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Home Is Where

LP | 2023 | US | Original (Wax Bodega)

Release: 2023 / US – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Culture Factory USA)

Angel Witch

Release: 2023 / EU – Original

Genre: Rock & Indie

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Turn To Earth Colored Vinyl Edition

Carlton Melton

2LP | 2023 | UK | Original (Agitated)

An Autumn For Crippled Children

Release: 2023 / UK – Original

Genre: Rock & Indie

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First 400 LPs (300 Colour / 100 Black) Come With A Specially Compiled Limited 70+ minute Carlton Melton “Mandatory Melton” CD (7 tracks of magick Melton classics) & full size poster of the outer gatefold sleeve…pretty!!** Northern California psychedelic sorcerers Carlton Melton are brain surfers, mind trippers, … “psychlists,” if you prefer. The band will take your head for a ride, occasionally rushing at superluminal speeds through a wormhole or gliding softly on a gentle breeze in a leafy glade. Sometimes your brain needs to rage, and sometimes it needs to repose. For a decade and a half, the band has yo-yo’ed, almost schizophrenically, between these two modes: walloping space jams with furious guitar solos in one hemisphere of the brain and ethereal, feather-light splashdowns in the other. Not to mention a track here and there that builds from the latter into the former. But with two new releases in 2023, the band has evolved. Whether psych rock or ambient trance, their sound remains driving, organic, and flowing. With the addition of Anthony Taibi (White Manna, Ddt), however, the group’s metal freak-outs are Hawkwindier and their droning kraut trances are Spacemen 3-er. In January, the quartet released the playfully spacey Resemble Ensemble, recorded in Taibi’s home studio 3D Light. October now sees the band Turn To Earth, a work with scents of Autumn, a season of death and transition. The cover art evokes a vine-covered, electric crucifix. The sound is, well, earthy but also gritty and striving towards change. The album was recorded in Fall 2022 and now harvested in Fall 2023. Phil Becker (Terry Gross, Pins Of Light) contributed drums and percussion to a few tracks on Turn To Earth, recording the album at El Studio in San Francisco. With Becker at the helm, the synths have become more prominent (“Cosmicity,” “Roboflow,” “Migration”) and the tone heavier on the doom (“Cloudstorming,” “Unlock The Land,” title track): several moments could even serve as background music for epic dark fantasy films like Conan the Barbarian, Fire and Ice, or Heavy Metal. As exquisite as Turn To Earth is, Melton are best appreciated as a live act: their recordings as well as their gigs are largely improvised – not so much composed as birthed. And yet their most recent tour ended abruptly and perilously. The group had to cancel its final three shows once members were admitted to Arnhem hospital in the Netherlands. Five years later, reinforcements have strengthened the band and restocked its arsenal of great tracks. After the rockus interruptus of that 2018 tour and the tantric tease of the intervening Covid lockdown, Melton have some unfinished business. An October 2023 tour is poised to set the freshly minted quartet back onto the stages of Europe and within the cerebral folds of its fans. Turn To Earth, sure … but keep your head in outer space. Carlton Melton is: andy duvall – drums/gtr; clint golden – bass; rich millman – gtr/synth; and anthony taibi – synth/gtr.

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Closure Black Ice Vinyl Edition

LP | 2023 | EU | Original (Prosthetic)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Black Ice Vinyl, limited to 300 copies.AN AUTUMN FOR CRIPPLED CHILDREN have become a staple act in both black metal and shoegaze circles, delivering hauntingly evocative missives of introspective, yearning andsorrow alike. On Closure, the Dutch band continues to push the sonic template of their disparate influences to its limits, resulting in a sound that nurtures their ethereal sensibilitiesas much as their wall of sound approach to the genre's more extreme inclinations.Closure is the 10th full length album from Dutch blackgaze outfit, An Autumn For CrippledChildren. It's fused with dreamy, melancholic, blackgaze landscapes that lean with far moreconviction into their aesthetic than ever before.

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Spaceman Neon Orange Vinyl Edition

2LP | 2023 | CZ | Reissue (Mnrk Music Group)

Release: 2023 / CZ – Reissue

Genre: Rock & Indie

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Space Invader Clear Cobalt Vinyl Edition

2LP | 2023 | EU | Reissue (Mnrk Music Group)

Release: 2023 / EU – Reissue

Genre: Rock & Indie

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Anomaly Deluxe 10th Anniversary Edition

2LP | 2023 | EU | Reissue (Mnrk Music Group)

Release: 2023 / EU – Reissue

Genre: Rock & Indie

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2LP | 2020 | EU | Reissue (Mnrk Music Group)

Origins Volume 2

Release: 2020 / EU – Reissue

Genre: Rock & Indie

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2LP | 2023 | EU | Original (Svart)

Sixty-Nine Eyes

Blessed Be

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Tonzonen)

Dead Man's Eyes

Iii

32,39 €* 35,99 € -10%

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2019 | EU | Original (Cleopatra)

Josie Cotton

Everything Is Oh Yeah

32,29 €* 33,99 € -5%

Release: 2019 / EU – Original

Genre: Rock & Indie

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Floodland Black Ice Galaxy Vinyl Edition

The Sisters Of Mercy

LP | 1987 | UK | Reissue (Warner Music Uk)

Lemons, Limes And Orchids Tangerine Vinyl Edition

Release: 1987 / UK – Reissue

Genre: Rock & Indie

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At the end of their US tour in June 1985 The Sisters of Mercy effectively split up. Returning in November 1987 with ‘Floodland’ (UK #9), and still aided by the trusty Doktor Avalanche, Eldritch hired former Gun Club and Fur Bible bassist Patricia Morrison to complete the new line-up. Featuring the hit singles ‘This Corrosion’ (UK #7), ‘Dominion’ (UK #13) and ‘Lucretia My Reflection’ (UK #20), production duties were shared with none other than famed Meat Loaf writer Jim Steinman. Available for National Album Day on 1LP black ice galaxy vinyl for a limited run. Limited to 3000 copies for National Album Day UK.

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Joan As Police Woman

LP | 2024 | EU | Original (Play It Again Sam)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Brown Acid: The Eigtheenth Trip Colored Vinyl Edition

LP | 2024 | US | Original (Riding Easy)

LP | 2024 | US | Original (12XU)

Release: 2024 / US – Original

Genre: Rock & Indie

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if you survived trips 1-17 with one tiny speck of psychedelic sunshine intact, Brown Acid The 18th Trip will be your coming of age nightmare. Vintage underground '70s hard rock, coming at you from bizarre angles, local scene wasteland America when everybody was out for themselves and the drugs went bleak. The guitars kill, the attitude is twisted, even the sex is headed down the wrong road. Real people, no compromise, pure and potent. Get stoked, take the 18th Trip and know that the artists will get paid for pulverizing your soul! "People… are you ready?, 'cause the music now is getting so heavy"… Back Jack out of St. Louis, Missouri in 1974 launch our trip with "Bridge Waters Dynamite". It's an invocation to rock flashing on Mark Farner whooping up a Grand Funk crowd, then getting to the point quickly with berserk guitar assaults. Heavy riff with power chord stalks beneath as you take their advice… get loose and blow up the past. Smokin' Buku Band dropped my jaw with the audacious track "Hot Love" coming on like some fractured fever dream burlesque of Led Zep moves out of Hollywood in 1980. Swooping elongated vocals above, a total Zep chord move at the end of each verse. Writer/producer Steve Shauger aka Shag Stevens gets a brilliantly messed up sound quality here, the ideal polar opposite of slick. The extended guitar break is an epitome of serendipitously crude virtuosity, simply outrageous! Coming at you from way outta left field is "Moby Shark" by Atlantis, a hilarious and strange Baltimore pre-punk vibed dose of D.I.Y. meets hard rock. Lon Talbot is the mastermind, the flip side of this impossibly rare Mekon Records label single was featured in an obscure 1978 B-movie titled "The Alien Factor". Follow the lyrics closely, when the ominous jaws jaws jaws start coming after you you you… the song's big hook is so preposterously catchy the shark attack feels like good news. Inquiring minds should know that the band formerly known as Atlantis can now be found by searching for the Lon Talbot Group! Tommy Stuart and the Rubberband's "Peeking Through Your Window" from 1970 opens with a spooky organ riff, slips into a gushy fuzz/organ groove akin to "Mustache In Your Face” by Pretty. The singer creates downright creepy vibes, a stalker peeking through the girl's mind like a peeping Tom at the window up to no good. The lyrics evoke a disturbing scenario. Tommy Stuart also made a strange LP titled Hound Dog Man in 1977 and some terrific rare garage singles under the names Magnificent Seven and The Omen & Their Love in the mid '60s. Nothing better than an angry two chord guitar attack with cowbell to set the stage for this rant about getting "Ripped Off" by love. Taken from their rare 1977 LP on Dynamite Records, Chicago Triangle was Marvey Esparza, Dave Guereca, Jose 'Tarr' Perez and Robert Aguilera. They unleash such strong brain-scrubbing wah wah frenzy in the guitar break here that it seems to perversely mock it's own intensity! Like I said, Brown Acid the 18th Trip comes at you from all kinds of uncanny angles. Damnation of Adam Blessing out of Cleveland, Ohio unleashed a stone killer psychedelic hard rock classic "Cookbook" in the late '60s, this track "Nightmare" from 1973 has them cooking again at full power. A different singer, name change to Damnation and then Glory, unleashing a deadly dose of dark progressive heavy rock drama peaking when spooky 'oooo-wa-oooo' background vocals emerge during a bizarre spoken bit. It unfolds like a mini-epic and includes some remarkably brutal guitar and turbulent organ, too. "Swing your sword, all aboard… bid farewell to the dreamer" Dalquist exclaims. Cynical view of human nature, idealism is over, war is coming, it always does. Opens with a cold menacing riff and atmosphere reminiscent of "Synthezoid Heartbreak" by Maya. Mournful despondent vocals ride an insistent churning groove, gnarly guitar break moves into free noise territory. This rare track is from a local various artists benefit album titled Kangaroo Jam issued for the Waco Family Abuse Center in Texas circa 1980. The Pawnbrokers "Realize" is prime proto heavy rock emerging out of psychedelic garage roots in 1968 Fargo, North Dakota. Unusual arrangement, terrific sustain guitar tones like on the first Blue Cheer LP, even a rip on Hendrix "Manic Depression" with unison voice and guitar ascent near the end. They made three 45s and were active from '65 to '69. Hats off to Blake English, Kent Richey, Paul Rogne and Steve Harrison, you nailed it in just a hair over two minutes! As pure and creative as the original psychedelic garage hard rock gets. Parchment Farm from Union, Missouri gigged with the likes of ZZ Top and Foghat back in the day and unleashed the amazing "Songs Of The Dead" in 1971. Primitive riff/chord pattern dosed with some funky prog moves, sky turning black, 'is this heaven or hell' type disoriented confusion… may as well grab your guitar and sing songs to the dead. Robert 'Ace' Williams on bass, Paul Cockrum on guitar, Gary Reed on keys and Micky Waterman on drums, replacing Mike Dulany (R.I.P.) Cool that they use the Blue Cheer misspelling from Vincebus Eruptum for the band name! Ominous organ, thick minimalist fuzz riff, funky psychedelic wah wah flashes and freaky sex combine in one twisted dance titled "Rockin' Chair" by Brothers Of The Ghetto. Out of Chicago in 1975 with some Santana atmospherics and a delicious fuzz wah screamin' guitar break, the groove is highlighted by an off the wall vocal which sounds eerily detached in a subtly sleazy way. Rene Maxwell is the writer of this hard-rock boogie-down hybrid straight out of the twilight zone. It was issued on Ghetto, a subsidiary of the peculiar Kiderian label that released the Creme Soda LP. Now that your head is totally skewered, go Back Jack and play side one again! (Words by Paul Major)

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Weak Signal

Fine

LP | 2024 | UK | Original (Soul Jazz)

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-01

"The music of New York trio Weak Signal (Mike Bones, guitar and voice; Sasha Vine, electric bass, violin, and voice; Tran, drums and voice) is a masterclass in simplicity and economy but these aspects aren’t present for their own didactic sake. Rather, their art is world-building in the most essential of ways, subtly spinning out in an enveloping, rich haze from a clear, architectural core. There are sections of knife-like collective squall and dialogic drift that glance at improvised music; while not strictly pop, the tunes are incredibly catchy with wry, keenly memorable lyrics that easily stick in one’s craw. With associations including Endless Boogie, Sian Alice Group, and Soldiers of Fortune, Weak Signal formed in 2017. They waxed two full lengths in the period leading up to the pandemic ('lp1'; 'Bianca'), and during that unsettling year-plus without many gigs to speak of, the trio kept busy and unleashed a handful of choice digital EPs and a couple of split 7” singles (cue up 'Rolex' if you haven’t heard it). In 2023 the group released 'War and War', a self-published book / CD (its title taken from a volume by Hungarian writer László Krasznahorkai) that was reissued on LP by 12xu the following year. 'Fine' is their fourth full-length to date, its tight ten-song program fleshed out with sonic icing from keyboardist Alexis Taylor (Hot Chip) and guitarists Doug Shaw (Gang Gang Dance; White Magic) and Cass McCombs."—Clifford Allen

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Trees Speak

Timefold

Shock Troops Black Ice Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-15

Trees Speak are releasing their new album TimeFold worldwide on 15 Nov 24 on Soul Jazz Records.

Trees Speak return with TimeFold, their sixth release on Soul Jazz Records, further expanding their ever-evolving sonic universe. This new album builds on their signature blend of hypnotic krautrock rhythms, post-punk angularity, and experimental soundscapes while venturing into new terrain by blending influences from avant-garde electronics to ceremonial sound forms.

On TimeFold, Trees Speak (comprised of the Tucson-based duo Damian Diaz and Daniel Martin Diaz) push their musical boundaries from expansive, intergalactic landscapes to eerie, imagined 1970s Italian and French sci-fi horror film scores. The album seamlessly weaves John Carpenter-esque synthesizer motifs with ambient sound sculptures, conjuring immersive worlds that are both cinematic and otherworldly.

The album also incorporates the duo’s deep-rooted influences, which span across electronic pioneers like Jean-Michel Jarre (Oxygene), Tangerine Dream, and Karlheinz Stockhausen. Drawing on the revolutionary techniques of Musique Concrète, TimeFold features experimental track splicing, looping, and collage work that harkens back to the golden age of avant-garde music. At times, the album channels the ceremonial tones and hypnotic rhythms reminiscent of early 1970s krautrock, fusing these sounds with organic instrumentation like dulcimers, adding an earthy, drone-like ritual quality to the experimental electronic framework.

A new element in this release is the inclusion of spoken word by Ashley Christine Edwards, which lends the album a haunting, apocalyptic edge. Her contributions evoke a tone reminiscent of the 1970s avant-garde scene, recalling literary and conceptual artists like Ruth White. The spoken words create a sensory experience akin to ceremonial chants, adding to the atmospheric intensity of the album. These vocal elements tie into the overall theme of TimeFold, which continues Trees Speak’s exploration of futuristic technologies and the communication of nature, with the evocative concept of trees and plants acting as organic hard drives storing data and knowledge.

Drawing further influence from Italian and French horror cinema, Trees Speak explore cinematic tension throughout TimeFold, creating a layered listening experience. The record transports the listener from the haunting, desolate beauty of Southwestern desert vast landscapes to an auditory space that melds early electronic experimentation with the contemporary urgency of conceptual art.

Since their debut Ohms in 2020, Trees Speak’s prolific output on Soul Jazz Records has continually redefined genre boundaries. TimeFold solidifies their position as visionaries in experimental music, offering an album that is as much a meditation on future technologies as it is a tribute to the avant-garde traditions that have come before.

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Cock Sparrer

LP | 1983 | US | Reissue (Pirates Press)

Release: 1983 / US – Reissue

Genre: Rock & Indie

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Some records so perfectly capture an artist at a critical point in their creativity, and make such an impact, that they become not just synonymous with the band, but an essential piece of music history. Such is the case with Shock Troops, the album that not only became Cock Sparrer’s most acclaimed record, but a defining moment for Oi!, punk rock, and underground music in general! Originally released by Razor Records in 1983, Shock Troops proved to consist of song after song which would each become anthems of the burgeoning Oi! scene and far beyond. From the opening of “Where Are They Now?” on through “Take ‘Em All,” “We’re Coming Back,” all the way to the closing chords of “Out On An Island,” there isn’t a song in the bunch that any self respecting punk rocker can’t shout along to. These working class anthems are just as vital today, as proven by the crowds of beloved fans worldwide that continue to go wild at Sparrer’s live shows, where Shock Troops tracks still make up the heart of their setlists. For nearly 15 years, Pirates Press Records has made certain this classic stayed in print, in an absolutely stunning assortment of coloured vinyl pressings. In celebration of the band’s 50th year, we were proud to present a remastered version of Shock Troops, from the original 1⁄4” tapes, sounding better than ever! The 50th anniversary gold jacket versions are sadly all sold out but now we have the remastered versions on colored vinyl with the original artwork! Pure class. SIDE A:1. Where Are They Now2. Riot Squad3. Working4. Take 'em All5. We're Coming Back SIDE B:1. Watch Your Back2. I Got Your Number3. Secret Army4. Droogs Don't Run5. Out on an Island

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LP | 1994 | US | Reissue (Drag City)

Starlite Walker

Release: 1994 / US – Reissue

Genre: Rock & Indie

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LP | 2024 | EU | Original (Yunahon Entertainment)

Oso Oso

Life Till Bones

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-12-13

LP | 2023 | UK | Original (Alligator)

Albert Collins

Ice Pickin

Release: 2023 / UK – Original

Genre: Rock & Indie

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Patient Number 9 Translucent Red-Black Vinyl Edition

2LP | 2022 | EU | Original (Sony Music)

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP+7" | 2021 | UK | Original (Soul Jazz)

Trees Speak

Posthuman

LP | 1973 | US | Reissue (Riding Easy)

Release: 2021 / UK – Original

Genre: Rock & Indie

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This is incredibly Trees Speak’s third album on Soul Jazz Records to be released in the space of one year – and it’s amazing! Trees Speak’s new album ‘PostHuman’ once again blends 1970s German electronic and ‘motorik’ Krautrock instrumentals (think Harmonia, Can, Cluster, Popul Vuh, Neu!), haunting and powerful 1960s & 1970s soundtracks (think Italian prog-rock Goblin and John Carpenter horror movies, Morricone and existential John Barry spy movies), together with a New York no wave electronic synth and guitar analogue DIY-ness (think Suicide, anything on Soul Jazz’s New York Noise series or Eno's New York No Wave)! Drawing further upon German krautrock high-concept albums from the likes of Tangerine Dream and Klaus Schulze from the 1970s, Trees Speak create their own powerful new landscapes of sound that manage to be at once contemporary as well as both timeless and with a sense of science-fiction futurism. Trees Speak’ segue together all these elements into ‘PostHuman,’ which follows on from their criticallyacclaimed debut LP ‘Ohms’, and ‘Shadow Forms’ released on Soul Jazz Records less than six months ago. This powerful new album is a high-concept collage of retro-futurist science-fiction music, fantastically illustrated by the artist Eric Lee, a dramatic vision of life after humanity. Trees Speak are Daniel Martin Diaz and Damian Diaz from Tucson, Arizona and their music often draws on the cosmic night-time magic of Arizona’s natural desert landscapes. ‘Trees Speak’ relates to the idea of future technologies storing information and data in trees and plants – using them as hard drives – and the idea that Trees communicate collectively. The album includes an exclusive bonus 45 single ‘Machine Vision’ and ‘Seventh Mirror’ that will only be available with the first order of the vinyl edition of this amazing and ground-breaking new album. With ‘PostHuman,’ Trees Speak once again manages to take the listener deep into their unique musical world of unknown visions of the past and the future.

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ODA

LP | 2024 | UK | Original (Soul Jazz)

Release: 1973 / US – Reissue

Genre: Rock & Indie

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Of the plethora of touted "private press hard rock monsters'' out there, very few live up to the swaggering riff-fury of west coast blasters ODA. Commonly known as the "Black Album," the first clobbering platter by the quartet was released on their own tiny Loud Phonograph Records imprint and now commands large sums—but is actually worth the heavy hype. The band naturally centered around Randy Oda, a multi-talented ax shredder and keyboardist, and the lineup was filled out by his brother Kevin on drum assault, Art Pantoja on lead bellows and rhythm guitar, and galloping bassist Kyle Schneider.

The Oda brothers were born in Alameda County, California, attending Kennedy High School in Richmond, and started the band while still teenagers at the beginning of the '70s. ODA was influenced by hard UK rockers like Deep Purple, Zep, Free, and the Who, and they gigged all over the Bay Area, with Randy garnering comparisons to Jeff Beck's molten six-string mastery. This 1971 self-titled LP (aka the Black Album) fully displays their blistering talents, but despite some local airplay on Ksan radio, the band packed it in by '73.

This would not be the end of the Oda story, as Randy joined CCR's Tom Fogerty in the outfit Ruby afterwards, laying down his licks on two LPs that flirted with the mainstream, while staying true to his highly electric guitar muse. In 1983, ODA actually reformed for one more LP on Loud Phonograph, entitled Power Of Love. The comeback album delves a little deeper into radio friendly power pop, which makes sense, as in '82 Oda co-wrote "Think I'm In Love" with Eddie Money (which, let's face it, is Money's best song by like a mile). Randy would also collaborate with Fogerty as a duo, and the posthumous Sidekicks album (released after Fogerty passed) listed the clearly-integral Randy Oda as "arranger, composer, guitar (acoustic), guitar (electric), keyboards, primary artist, and producer.” In the 2000s, Randy would start another band with his brother called OPO which means "to lay a foundation" in Hawaiian, and ODA would reform to play a benefit in 2015 along with other obscure and heady/heavy Bay Area rockers like Savage Resurrection and Country Weather (some live footage of the event shows the band still rocking hard).

At last, Riding Easy is legitimately reissuing ODA's first smoking, gargantuan LP with bonus tracks, so crank this one up in the '70s Camaro with the windows open, and some dirt weed joints a-blazin'.

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Hawksmoor

Oneironautics

LP | 2023 | EU | Original (Soul Jazz)

Release: 2024 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Hawksmoor"s new album "Oneironautic" on Soul Jazz Records follows critically acclaimed "Telepathic Heights", as well as a re-release of his album "Saturnalia".James McKeown, aka Hawksmoor, continues his fascination with the sounds and sensibilities of 70s/80s German electronic groups, think early Cluster, Harmonia, Can, Neu!, Roedelius and Michael Rother.On this new album he successfully combines these pulsating ripples of Germanic electronica with a number of decidedly English references: the soaring, hypnotic and pastoral qualities of Brian Eno, circa "Another Green World"; the long, sustained lines of Robert Fripp"s "Frippertonics", and the poetic feel of early Durutti Column.

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Hawksmoor

Telepathic Heights

LP | 1981 | US | Reissue (Riding Easy)

Release: 2023 / EU – Original

Genre: Rock & Indie

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This incredible new release follows a path along the electronic skyways first created by the German/Krautrock electronic pioneers of the 1970s such as Cluster, Ash Ra Tempel, Roedelius and Michael Rother.Hawksmoor is James McKeown. He first created "Hawksmoor" five years ago as an imaginary hauntological soundtrack, inspired by the six Hawksmoor churches in London. Further releases have followed on Environmental Studies, the cassette-only label "Spun Out of Control", Castles in Space and The Library of The Occult.For his debut on Soul Jazz Records, Hawksmoor has created a fascinating blend of these two sensibilities - a love of German electronic music of the 1970s alongside the British retrofuturism and cultural memory bank aesthetic of hauntology - Ghost Box, Mount Vernon Arts Lab, Advisory Circle, Focus Group etc. Using strictly modular synths (Moog Sub37), electronic drum rhythms, and guitars, Hawksmoor creates an electronic landscaped music world that is both new and old, immediately identifiable and yet utterly unique.

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Mammoth

Boo! The Early Recording 1971-73

Release: 1981 / US – Reissue

Genre: Rock & Indie

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Mammoth is a grabber right out of the gate, every step they take is unleashed with deadly economical precision. They may flash on Lynyrd Skynyrd and other vintage southern rock traditions but the brilliant way the vocals are recorded and the to-the-point interlocking guitar moves will fire up anybody into any sort of hard rock. They can rip it up with hot leads, probably jammed out on these songs at live shows but lucky us, they laid them down for all times here with the sort of thought out unified force and construction that screams hit radio. Loads of personality, accessible, produced and mixed with the clarity of classic rock that never loses it's perfectly deployed impact. The uncluttered arrangements leave plenty of space, crafted with the kind of balanced mojo in the mix where every detail adds to the whole. Down and dirty but also achieving a universal pop-friendly appeal!

The Mammoth LP was recorded in 1981 at Relayer Studios in DeLand, Florida with the two guitars, bass and drums quartet line-up sounding like it could have been a decade earlier. Buzz Fetters on lead guitar, Bill Abell on rhythm guitar, Joey Costa on bass and Ron Herman on drums… with everybody contributing to the vocals. Rather than having a strong up front emotive singer the lead vocals here are multi-tracked and integrated into the songs with plenty of attitude but also a genre-transcending presence… you can imagine the vocal ambience working in punk, glam, even psychedelic contexts. Mammoth have a sound informed by roots music but it is really in the rear-view mirror the way they roll.

The songwriting here is terrific, they have a way of saying things that comes off as sincere but not too serious. You get plenty of in-your-face hard rock action but also several melodic tracks that have a more reflective charm to round out the trip. And… when you hear their brilliant ode to southern rock titled "Southern Sounds" I challenge you to find any song about the subject more delightful. These guys keep it real, whether they're being bad ass or vulnerable they express themselves with 100% genuine feeling as contagious and life affirming as it gets!

* Heavy Duty Southern Rock from 1981

* OG copy sells for several hundred dollars

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Juliet Lawson

LP | 2024 | UK | Original (Soul Jazz)

LP | 2025 | UK | Original (Soul Jazz)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Singer/Songwriter Juliet Lawson"s album, "Boo", was released on the Sovereign label in the UK in 1972. The album was the confident debut of a young British artist and featured twelve of Lawson"s own compositions.In the same wave of early 1970s English singer-songwriters such as Nick Drake, Vashti Bunyan, Christine McVie and despite being described at the time as "Britain"s answer to Joni Mitchell" "Boo" was to prove her only major label release with limited commercial success.Over the next 50 years the album"s reputation has slowly grown and is today an expensive and collectible item. "Boo" is presented here in its entirety.The first pressing of the vinyl edition of the album also come with a bonus 7-inch single featuring two early demo tracks.

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Brown Spirits

Cosmic Seeds

Shoukichi Kina / Asia Classics 2

Release: 2025 / UK – Original

Genre: Rock & Indie

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Preorder shipping from 2025-01-17

Unbelievably killer and super, super heavy brand-new Psyche/Krautrock album coming out of nowhere from Brown Spirits, new on Soul Jazz Records!Brown Spirits are from Melbourne, Australia. Their stripped down and tight musical unit is a trio (think Cream or Hendrix!) of raw bass, drums and shared guitar/keyboards meets the D-I-Y attitude and punk/post-punk intensity, giving them a unique hi-octane sound. Sounds like Can meets Hawkwind!

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Peppermint Tea House Punk Vinyl Edition

LP | 2023 | US | Original (Luaka Bop)

Release: 2023 / US – Original

Genre: Rock & Indie

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Hellrider Orange / Yellow / Silver Splatter Vinyl Edition

Iced Earth

LP | 2023 | EU | Original (Roar!)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2012 | US | Reissue (Drag City)

Early Times

Hjartastjaki Black Vinyl Edition

Release: 2012 / US – Reissue

Genre: Rock & Indie

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Flow on, silver juice, flow on...into the vein-streams of the nu generation via 90s classics like American Water and Starlite Walker and thence to the new century. They say time has no meaning, but we know otherwise. The pages of history condense eons and epochs into the stuff of mere chapters - sometimes as little as paragraphs - but how many lifetimes have we lived since the salad days and nightz of the original Silver Jews, when they walked the back-alleys of the earth just a scant couple decades ago? Since we"re asking pseudo-rhetorical questions, who knows how many fans of the arena-rock Silver Jews (circa Tanglewood Numbers and Lookout Mountain, Lookout Sea) even know of the humble-yet-powerful origins of the band captured in the hiss-laden boombox mics of 1990-91?Just a few guys in a room, that what makes these recordings: muppet baby versions of the David Berman, Stephen Malkmus and Bobby Nastanovich that we know today. There wasn"t much going on back then, though we"d hardly call it nothing. Still, these young post-collegiates were footloose and fancy-free, to say the least - working dayjobs with all the impermanence that implies - and not just working for the weekend, but trying to live the weekend every day of the week! Tough guys at a party; quick studies, quicker still with the wit. Legends of their own minds...prophets even. If only six-packs worked the way they did back then, then we might get together with them and see the light they saw on those endless nights-into-dawns. The stupid little laws they broke. The archaic little drugs they took. All these things that might not hardly mean anything anymore added up to make these songs, to make these moments in a room, captured so incredibly imperfectly! The air is still locked inside them; the space in the room has depth and definition, defying all laws of audio science. Now these moments feel like they"ll last for centuries, growing stranger all through time.The songs lodged here are the tracks from the original 7" EP "Dime Map of the R...

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Isafjord

2LP | 2022 | EU | Original (Svart)

LP | 2022 | EU | Reissue (Atlantic)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Isafjørd, meaning literally fjord of ice, is a shining new ethereal Post-rock band from Iceland. Named after the town that both of their fathers came from, Ísafjörður, Aðalbjörn Addi Tryggvason (Sólstafir) and Ragnar Zolberg (Sign/x-Pain of Salvation) sculpt beautiful and desolate pop, as bright and dark as the sub-arctic seasons. Isafjørd’s new album “Hjartastjak” is an infectious rush of euphoric melancholy, quiet-loud dynamism, lush instrumentation and unforgettable atmospheric landscapes of song.

Meeting on the road, night creatures of the same renowned Reykjavik music scene, Ragnar playing live session bass for Sólstafir, Addi and Ragnar’s musical paths finally intersect in Isafjørd with a sound that reaches like a stalactite from the past into a gleaming future. Holed up in the middle of winter, in an old house with a broken piano in the freezing cold, “Hjartastjaki” is an album of songs that were written straight from the heart, sometimes in a single day.

Their chemistry as immediate as the climate they survive in, Isafjørd is a real meeting of spirits, with Ragnar’s sleek and cherubim voice a brilliant counterpoint to Addi’s dusty and aching cries, over orchestrated build-ups of soaring piano and sliding guitars. The catchy and haunting music that Addi and Ragnar create in Isafjørd is at once familiar in that lived-in, well-worn way a great song can touch your soul. Having both lived in Norway and speaking Norwegian, Addi and Ragnar speak the same language of the heart, as their Nordic melancholy makes for deep and mountainous music. Isafjørd’s songs are sincere icebergs of tundra-anthems that bring to mind Fields Of The Nephilim and Duran Duran jamming in a frozen valley, where the creative 80s New Wave meets GodSpeed You Black Emperor. With influences that range from Cardigans, Beatles, early Judas Priest and Neil Young, Addi and Ragnar have struck a vein of gold that crystallizes their own heritage of wide-screen Metal gloom into something new.

Now coming of age, matured into a shimmering diamond of Icelandic pop at its finest, Isafjørd is on another plain from Addi’s own Sólstafir, where their cinematic metal roots have been re-traced into sweeping glacial song-craft. A country known for their honest and heart–wrenching emotional take on pop music with Björk and Sigur Rós, Isafjørd gives a new definition of “landscape music”. When an album feels like a place you want to inhabit and experience, “Hjartastjaki” is a journey that you’re going to want to take.

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Death Cab For Cutie

Asphalt Meadows

Release: 2022 / EU – Reissue

Genre: Rock & Indie

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LP | 2022 | US | Original (Riding Easy)

White Lightning

Thunderbolt Of Fuzz

Release: 2022 / US – Original

Genre: Rock & Indie

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Standout favorites of Riding Easy Records’ Brown Acid compilation series, White Lightning’s stellar discography of rare and under-appreciated heavy psych, proto-metal rock gets a vital revival for new generations to learn how swinging, swaggering and often blazingly fast rock’n’roll is done. White Lightning was formed in Minneapolis, MN in 1968 by guitarist Tom “Zippy” Caplan and bassist Woody Woodrich after leaving garage psych band The Litter (themselves popular standouts from the Nuggets and Pebbles series of garage rock rarities.) Originally a power trio, the band later expanded to a five-piece in 1969 while shortening its name to Lightning. The quintet’s brilliant and rare 1970 self-titled album on Pickwick International’s P.I.P. imprint provides six of the ten tracks on Thunderbolts Of Fuzz. The original White Lightning trio only released the one 45-rpm single “Of Paupers And Poets” during their existence (on local Hexagon label in 1968, later reissued by major label Atco Records in 1969.) A long out-of-print posthumous album released in 1995 gathered unreleased recordings, three of which are found here. This rounds out this collection of recorded highlights from the band’s rocky history. Taking their name from a particularly potent type of LSD, White Lightning laid out from the start that it was not cute and cuddly ’70s rock. In fact, the band’s aggressive tempos are like punk rock way before punk. However, their dirty blues groove and musical prowess shows the band was more than unrefined ne’er-do-wells, they had true versatility.

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Patient Number 9 Crystal Clear Vinyl Edition

2LP | 2022 | EU | Original (Sony Music)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Sunir Black Vinyl Edition

Ianai

2LP | 2022 | EU | Original (Svart)

LP | 2021 | US | Original (Half A Million)

Release: 2022 / EU – Original

Genre: Rock & Indie

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To speak to Trevenial, the single-entity, multi-instrumentalist voice from the other side of the veil, is to speak to a spirit that transcends the veil of this world and crosses borders beyond time and place. But you will not speak to Trevenial, but hear the words put forth in Ianai. Ianai is the essence of music that will permeate culture and influence without thought of boundaries or convention. Ianai is mythos in the making.

With not much known of Trevenial’s identity or nature, Ianai’s music is imbued with flavors from indigenous musical cultures around the globe and clothed in darkly hued indie moods. Acting as a messenger between two worlds and Ianai is music carried from within through the ages. Now is the time to let the waking world hear it too.

From the first outset of the debut musical offering Sunir and the first single “Savoj Icoil”, Ianai abandons the typical notions of ice and frost in which it is depicted, and rather than desolation, offers a guiding force through the notes and words. While the physical manifestation of this album has been years in the making, Ianai decided to pierce the veil during a time when the world was imprisoned and suffering unimaginable loss.

As the album progresses, listeners transcend through the instrumentation of Scandinavia, Africa, Asia, Middle East and South America. And while Ianai walks a long path, winding through the earth, Ianai does not walk alone, but seeks to share and learn, collaborate and conceive, music and art. From celestial harmonies to earthly delights, Ianai’s music is a reflection of both the worldly and otherworldly. Channeled through the vessel of the spirit Trevenial, the music voices in tongues long forgotten, singing the songs of the sons of God and the daughters of men. In a language unspoken on this plane, yet unmistakable in its meaning, Ianai embodies the freedom we seek and the ability to achieve that fluidity.

In his music, Ianai is joined by a cohort of musicians from the world music scene and classical orchestras but also people from modern bands such as: Massive Attack (uk), Client (uk), HIM (Finland), Sisters Of Mercy (uk), Theodor Bastard (Russia), Lord Of The Lost (Germany), Swallow the Sun (Finland), Souvenir Season (Germany) and The Rasmus (Finland).

The album Sunir will be released on June 6th on Svart Records. The album is produced by Jaani Peuhu (Swallow The Sun, Iconcrash, Mercury Circle) and mastered by Jaime Gomez Arellano at Orgone Studios (Ghost, Ulver, Paradise Lost).

From a time before time; before the ocean swallowed Atlantis and the named gods sat atop their mountains. When the ancient ones roamed free, unburdened, Ianai whispers through the boundary of legends.

With Sunir on the horizon, the question that remains is: when you hear Ianai, will you heed the call?

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Wes Buckley

The Towering Ground

2LP+7" | 2021 | UK | Original (Soul Jazz)

Release: 2021 / US – Original

Genre: Rock & Indie

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Wes has been working in and around the Berkshires for some time, performing solo, duo, or with full band. His music stretches out quite a bit, sometimes offering a more homespun, traditional mountain bus folky type feel, other times extending outward toward Dead spaces or even Arkestra-esque freakouts. He’s released records with Michael Hurley, self released CDs, and been collected on CD by the wonderful Mystra label. His record with us, The Towering Ground, will be his first LP and we’re very excited about it. The songs collected here maintain a bit of his folky character, but they offer something more in the way of a hazy, If I Could Only Remember My Name / Fred Neil’s 'The Dolphins' languor. The songwriting chops Wes displays are strong, and while he’s a New Englander, there’s a California sunset melancholy running through these tunes, recalling a bit of FJ McMahon’s mournfulness or John Wonderling’s knack for somehow still chilled-out grandiosity..."—Half A Million Records

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Trees Speak

Vertigo Of Flaws

Release: 2021 / UK – Original

Genre: Rock & Indie

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This new release is a vast leap into an ocean of space and sound, a quantum leap into cybernetics, biology, anti-gravity, time travel, dream speech and transfiguration. A seriously next step release! Showing no signs of slowing down their rapid creative pace - incredibly this is their fourth album in the space of just over one year - 'Vertigo of Flaws' is a mighty 29 tracks, one and a half hours of music across one double album that is surely going to be a defining point in their musical career, a giant leap into the sonic unknown, an epic exploration of intensity and sound. Alongside their now trademark German krautrock motoric-beat rhythms, angular New York post-punk attitude, tripped-out 60s spy soundtrack, psyche-rock, and 70s synthesizers and vocoders, here you will also hear a new cosmic spacial awareness (both personal inner space and galactic outer space) and a truly wilful pushing of sonic boundaries - as police sirens, static noise, alarms, radio signals, avant-garde voices, and orchestral string quartets, all collide to add beautiful dissonance to uber-powerful, intense, addictive and propulsive rhythms - in the process creating a truly unique soundscape that Trees Speak have made wholly their own. If you ever wanted to hear Can, Hawkwind, Destroy All Monsters, Pere Ubu, electric eels, John Cage, Liquid Liquid, Tangerine Dream, Suicide, Neu!, Laurie Spiegel, Art Ensemble of Chicago, John Barry, Mother Mallard's Portable Masterpiece Company, Sun Ra, Stockhausen, John Carpenter, Electro-Acoustic and Musique Concrete and Mars in one band - then this is it!

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Bob Stanley & Pete Wiggs Present Occasional Rain

2LP | 2020 | UK | Original (Ace)

Release: 2020 / UK – Original

Genre: Rock & Indie

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It’s the day after the 60s. You turn on the radio and there is news about John leaving the Beatles – or will Paul be the first to jump? There is insecurity and uncertainty. The rain filters into the post-psychedelic, pre-progressive sound; in times of upheaval, you always notice bad weather.

“Occasional Rain” is the sequel to Bob Stanley and Pete Wiggs’ highly successful “English Weather” collection (“Really compelling and immersive: it’s a pleasure to lose yourself in it” - Alexis Petridis, the Guardian). This is the sound of young bands experimenting in a period of flux, feeling for a new direction, exploring jazz and folk – as many songs are led by mellotron, piano and flute as they are by guitar. Lyrically, there are two themes that crop up regularly: the search for a home that isn’t there anymore – the certainties of the optimistic 60s, the physical reality of terraced streets – and the rain. For the former, there’s Cressida’s gentle, keening ‘Home And Where I Long To Be’, while Duncan Browne’s shape-shifting ‘Ragged Rain Life’ feels like a decent summary of Britain in both 1970 and 2020.

“Occasional Rain” puts the era’s bigger names (Traffic, Yes, Moody Blues) and the lesser known (Mandy More, Shape Of The Rain, Tonton Macoute) side by side. Like its predecessor “English Weather”, it evokes the turn of the new decade, a beautiful state of fuzzy confusion, and the feel of a wet Saturday afternoon at the dawn of the 70s spent flicking through the racks, wondering whether to buy the new Tull album or maybe take a chance on that Christine Harwood album in the bargain bin (go on, you won’t regret it).

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Brown Acid: The Fourth Trip Black Vinyl Edition

LP | 2017 | US | Original (Riding Easy)

Release: 2017 / US – Original

Genre: Rock & Indie

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Brown Acid: The Third Trip

LP | 2016 | US | Original (Riding Easy)

2LP | 2024 | EU | Original (Hammerheart Rec.)

Release: 2016 / US – Original

Genre: Rock & Indie

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"We continue down the wormhole of hard rock, heavy psych, and proto-metal here on The Third Trip with a set of tunes so obscure they can't be seen without a third eye. Most of these tracks were recorded in shack-sized studios, privately pressed for promotional purposes, and tossed out like last night's half empties only to later be discovered to be half-full, if not overflowing with greatness. The majority of these tracks are from the good ol' US of A with two exceptions, Ash-labelmate New Zealanders, Chook, and the mighty Limeys, Factory. As they say, first is the worst, second is the best, third is the one with the hairy chest. So take a shot of whiskey, shotgun a beer, and put some fuzz in between your nipples with the hairiest Trip you've taken yet. You won't be sorry you did."

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Aiwaz

Darrkh. It Is!

Release: 2024 / EU – Original

Genre: Rock & Indie

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Where Gods Live And Men Die Beer Colored Vinyl Edition

Capilla Ardiente

LP | 2024 | EU | Original (High Roller)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Soul Jazz Records presents

Delta Swamp Rock - Sounds From The South: At The Crossroads Of Rock, Country and Soul

2LP | 2011 | UK | Reissue (Soul Jazz)