Search "Stone" 1177 Items

Boys & Girls - 10th Anniversary Edition

Release: 2015 / EU – Reissue

Genre: Rock & Indie

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Motörhead, die Ikonen, die “Godfathers of Heavy Metal“, veröffentlichen ihr 23. (und allerletztes Studioalbum) Bad Magic von 2015 noch einmal.

“Bad Magic: Seriously BAD Magic“ beinhaltet frisches Bonusmaterial und zwei bisher unveröffentlichte Tracks: “Bullet in Your Brain” und “Greedy Bastards”, sowie eine glanzvolle Live Performance von der Bad Magic Tour beim gigantischen Mt Fuji Festival in Japan 2015.

Dazu bekommen die Fans bekommen ein Audio Interview “War, Love, Death and Injustice” natürlich mit Lemmy, geführt vom Motörhead -Experten, Robert Kiewik, auf der Tour 2015 und wer vielleicht mit Lemmy in Verbindung treten will, kann dies mit dem Murder ONE Ouija Board, komplettiert mit einer Ace of Spades Planchette um die Richtung der ‚Konversation‘ anzuzeigen. Dies wird in einem exklusiven Boxset angeboten.

Ein neues Video für “Bullet In Your Brain” und unveröffentlichtes Footage aus dem Studio während der Bad Magic Aufnahmen. Eine Offenbarung für alle Fans, die sich nach neuen Motörhead Material gesehnt haben.

Als Bad Magic 2015 veröffentlicht wurde, tat es einen gewaltigen Schlag und alle, die meinten Motörhead wären zahmer geworden, wurden eines Besseren belehrt. Das Album erreichte in Deutschland auf Anhieb die Top 1 Chart Position mit Songs, wie dem Brechkegel “Thunder & Lightning” oder “Teach Them How To Bleed”. Das Album war tough, clean, mean und eines der kompromisslosesten Werke von Motörhead ever! Cameron Webb hatte seinen Anteil daran; er überzeugte die Band, das Album in den NRG North Hollywood, Maple Studios und Grandmaster in Kalifornien live aufzunehmen– zum allerersten Mal in der Ära Kilmister/Campbell/Dee. Von der gewaltigen Punk Energie bei “Electricity” bis hin zu Queens Brian May, der einen sprühenden Gastauftritt bei “The Devil” hat, dazu gewaltige Aggression, Attitüde und exzellentes Songwriting. Phil Campbell hat nicht nur seine besten Gitarrenstücke aufgenommen, er hat die besten Solos in einer Dekade abgeliefert und Mikkey Dees Schlagzeugspiel gab dem Motörhead Sound eine neue Resonanz. Dazu Lemmys raue lyrische Lebensreflektion wie bei “Till The End” und natürlich das unglaubliche Rolling Stones Cover “Sympathy For The Devil”. Eine der versteckten Juwelen des Albums auf „Bad Magic: Seriously BAD Magic“, ist Motörheads berühmteste, international gefeierte Version des David Bowies Klassiker, “Heroes”. Ursprünglich sollte der Song auf Bad Magic (2015) erscheinen, wurde jedoch in der letzte Minute wieder heruntergenommen. Jetzt aber fand „Heroes“ seinen Platz auf „Seriously Bad Magic“.

„Bad Magic: Seriously BAD Magic“ wird in den folgenden Formaten veröffentlicht : 2-fach 12” Vinyl, CD Digipak mit Bonus Disc, Limited Edition Boxset, Digital Download und Streaming. Das Limited Edition Boxset enthält das CD Digipak mit Bonus Disc, Doppel- 12” Vinyl, das exklusive Lemmy War, Love, Death and Injustice Audio Interview auf 12” Vinyl und die Edition Motörhead – Murder ONE Ouija Board mit Planchette.

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Alabama Shakes

LP | 2012 | UK | Reissue (Rough Trade)

The Rolling Stones In Mono Limited Colored Vinyl Box

Release: 2012 / UK – Reissue

Genre: Rock & Indie

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Rough Trade Records will commemorate the 10th anniversary of Alabama Shakes" internationally acclaimed debut album, Boys & Girls, with a two-disc deluxe edition, set for December 9th release. Hailed as one of the best albums of 2012 by Rolling Stone and numerous other publications, Boys & Girls entered Billboard"s Independent Albums chart at No. 1. It went on to attain Platinum certification and earn the band multiple GRAMMY nominations. Lead single "Hold On" was voted the #1 Best Song of 2012 by Rolling Stone..Repackaged in a foil-board gatefold jacket with new, unreleased photos, Boys & Girls 10 Year Anniversary Deluxe Edition contains the album"s original 11 songs plus an additional 11 tracks from the band"s explosive live performance on KCRW"s "Morning Becomes Eclectic," which aired in the months leading up to the album"s release. Listen to Alabama Shakes" ferocious live version of "Always Alright" - a non-album track that appeared on the soundtrack for the Oscar-nominated film Silver Linings Playbook and earned a GRAMMY nomination.

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The Rolling Stones

Box | 2023 | EU | Original (Universal)

375,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Villains Opaque White Vinyl Edition

2LP | 2017 | EU | Reissue (Matador)

Countdown To Ecstasy 200g Clarity Vinyl Uhqr 45rpm Vinyl Deluxe Limited Edition Box Set

Release: 2017 / EU – Reissue

Genre: Rock & Indie

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Queens of the Stone Age’s redefining, 2017 album Villains produced by Mark Ronson and co-produced by Mark Rankin is reissued in a special, 5 Year Anniversary package with etching, obi-strip, and a limited-edition poster by Boneface.

Featuring: Josh Homme, Troy Van Leeuwen, Michael Shuman, Dean Fertita, Jon Theodore

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Steely Dan

Box | 2022 | US | Reissue (Analogue Productions)

201,99 €*

Jiro Inagaki & Soul Media

Release: 2022 / US – Reissue

Genre: Rock & Indie

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Analogue Productions are giving us the Ultimate Steely Dan experience. Their first seven classic albums are being released on Uhqr vinyl. You will never have had heard these recordings sounding so good, period! They are super deluxe packages with booklets, pressed on clarity vinyl using the best techniques to extract the maximum analogue information. They will be strictly Limited to 20,000/15,000 respectively worldwide. Expect huge demand. Pre-order now! The first two titles are due to ship in November/December with the rest to follow next year. Countdown To Ecstasy — Steely Dan's gold-selling second studio album now on Uhqr! Definitive reissue Ultra High Quality Record, the pinnacle of high-quality vinyl! 45 RPM LP release limited to 15,000 numbered copies Mastered directly from the original master tape by Bernie Grundman Pressed at Quality Record Pressings using 200-gram Clarity Vinyl® Purest possible pressing and most visually stunning presentation and packaging! Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing

Steely Dan's second studio album, originally released in 1973 by ABC Records, was certified gold-selling by the Recording Industry Association of America (riaa) for selling 500,000 copies in the U.S.

Founded by core members Walter Becker (bass) and Donald Fagen (vocals, keyboards), Steely Dan's popularity rose throughout the late 1970s on, and their seven albums throughout that period of time blended elements of jazz, rock, funk, R&B, and pop. Steely Dan created a sophisticated, distinctive sound with accessible melodic hooks, complex harmonies and time signatures, and a devotion to the recording studio. Becker and Fagen, with producer Gary Katz, gradually changed Steely Dan from a performing band to a studio project, hiring session musicians to record their compositions. The duo didn't perform live between 1974 and 1993. But their popularity nevertheless grew throughout the '70s as their albums became critical favorites and their singles became staples of Adult Oriented Radio and pop radio stations.

Like Steely Dan's 1972 debut album Can't Buy A Thrill, Countdown to Ecstasy has a rock sound that exhibits a strong influence from jazz. It comprises uptempo, four-to-five-minute rock songs, which, apart from the bluesy vamps of "Bodhisattva" and "Show Biz Kids," are subtly textured and feature jazz-inspired interludes. Countdown to Ecstasy was the only album written by Steely Dan for a live band. "My Old School" features reverent horns and aggressive piano riffs and guitar solos. "The Boston Rag" develops from a jazzy song to unrefined playing by the band, including a distorted guitar solo by Jeff "Skunk" Baxter. Jim Hodder's drumming eschews rock music for pop and jazz grooves. Bop-style jazz soloing is set in the context of a pop song on "Bodhisattva." Commenting on the album's style and production, Tom Hull says it is "clean, almost slick," with "no dissonance, no clutter," reminiscent of 1940s bop and "the overproduced early 60s pop rock."

Countdown to Ecstasy has lyrical themes similar to Can't Buy A Thrill. It explores topics such as drug abuse, class envy, and West Coast excess. "My Old School" is inspired by a drug bust involving Walter Becker and Donald Fagen at Bard College, "King of the World" explores a post-Nuclear holocaust United States, and "Show Biz Kids" satirizes contemporary Los Angeles lifestyles.

Rolling Stone described Countdown To Ecstasy as "another dose of mainstream rock and roll, restating the basic themes of Can't Buy A Thrill, but this time concentrating a bit more on the rocking side of their style."

The original cover painting was by Fagen's then-girlfriend Dorothy White. At the insistence of ABC Records president Jay Lasker, however, several figures had to be added when he found the discrepancy between five band members and three figures on the cover unacceptable. The proofs for the album cover were later stolen during a dispute over the final layout. The back cover features an orchid surrounded by the band and their recording equipment.

After a brief battle with esophageal cancer, Walter Becker died on September 3, 2017 at the age of 67. Steely Dan has sold more than 40 million albums worldwide and were inducted into the Rock and Roll Hall of Fame in March 2001. VH1 ranked Steely Dan at No. 82 on their list of the 100 Greatest Musical Artists of All Time. Rolling Stone ranked them No. 15 on its list of the 20 Greatest Duos of All Time.

This stereo Uhqr reissue will be limited to 15,000 copies, with gold foil individually numbered jackets, housed in a premium slipcase with a wooden dowel spine.

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Woodstock Generation Colored Vinyl Edition

LP | 1970 | EU | Reissue (Cinedelic)

Hardcore 81 Limited White Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Finally this Ghost Gem left by Jiro Inagaki's Soul Media has been repressed on vinyl for the first time thanks to Cinedelic Records. ‘Woodstock Generation’ is a masterpiece of Japanese jazz/rock funk/soul that for some it even considered better then the acclaimed "Head Rock" in terms of perfection; surely there are many points in common between the two albums having been made a few months later, in 1970. Behind "The Soul Medium" name hides saxophonist Jiro Inagaki, an iconic figure of the japanese Jazz Rock scene during the late sixties to the early seventies. Jiro is supported by his legendary quintet "Soul Media" under its first incarnation featuring Ryo Kawasaki (g) Yasuo Arakawa (b) Masaru Imada (org) Sadakazu Tabata (ds) with Tetsuo Fushimi & Shunzo Ohno on trumpet in addition. "Woodstock Generation" is a tribute album to the Woodstock Festival including cover of songs performed on the stage by Sly & Family Stone (I Want To Take You Higher) The Who (Summertime Blues) or Ten Years After (Spoonful) but also Woodstock (written by Joni Mitchell in honor of the Festival) and Mamma Told Me (Not To Come) written by Randy Newman for Eric Burdon and The Animals. Titles include also variations on the "Head Rock" theme "The Ground For Peace” and original composition of Masahiko Sato "Knick Knack". All tracks arranged by Jiro Inagaki.

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D.O.A.

LP | 1981 | US | Reissue (Sudden Death)

32,99 €*

Release: 1981 / US – Reissue

Genre: Rock & Indie

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(A) Senile Animal Colored Vinyl Edition

Melvins

2LP | 2006 | EU | Reissue (Ipecac)

Release: 2006 / EU – Reissue

Genre: Rock & Indie

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LP | 2022 | EU | Original (Munster)

Empire

Expensive Sound

17,99 €*

LP | 2022 | EU | Original (Argonauta)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Empire was an offshoot of Generation X, and their only LP "Expensive Sound" remains an obscure (yet highly rewarding) listen.Originally released in 1981, the same year Gary Numan and Soft Cell were raking in big bucks with their noir-flecked brand of retrofuturism, "Expensive Sound" was out-of-step with the climate of commercial music. Their music was raw, bare, warm - distinct from the glacial, antiseptic pop that would dominate the decade. The album was neither totally forward-looking nor nostalgia embracing. Instead, "Expensive Sound" does what great albums tend to: preserves a specific moment in time.There's an arid, unvarnished quality to the recordings - typified by frontman Derwood Andrews's voice and words. He sang with uncommon fragility and in a soft, almost diffident voice. There's little reverb, almost no double tracking, and absolutely no attempt to Americanize his delivery.The subject matter is rendered in a similar, disarmingly plain way. Boredom, depression, unrequited love, and existential dread are treated in equal parts -sans one song about playing the electric guitar (the aptly titled 'Electric Guitar'). While Derwood's lyrics exhibit some of the doom-and-gloom sentiment of post-punk progenitors Joy Division, they are almost Holden Caulfield-esque in their simplicity. Empire's response to adversity is delivered with a shrug and a sigh.If Andrew's bashful vocals are part of the charm, his expressive guitar playing is the main attraction of "Expensive Sound". As the sole guitarist on the record, he demonstrates a versatility unusual for the band's punk roots - deftly maneuvering between chunky, minimalist riffing (like on 'Hot Seat'), vast swathes of dark noise ('Empire'), and lacerating, tightly coiled leads ('Safety'). While "Expensive Sound" may be better known for the bands it inspired - the neo-psychedelia of The Stone Roses and the athletic fretwork of Fugazi - they deserve appreciation on its own merits: one of the finest guitar pop records of the era.

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As Hope Valley Burns

When The Deadbolt Breaks

7,64 €* 16,99 € -55%

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | US | Original (Captured Tracks)

Thus Love

Memorial

LP | 2022 | EU | Original (Repertoire)

Release: 2022 / US – Original

Genre: Rock & Indie

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The Brattleboro, Vermont trioThus Lovestand together, a bond ce-mented by their experience as outsiders looking in. For Thus Love,DIY is an ethos that reflects not only their musical vision but their veryexistence as three self-identifying trans artists. From the band's incep-tion,Echo Mars (she/her),Lu Racine (he/him)andNathaniel van Osdol(they/them)have lived together under the same roof, designed andproduced their own merch, and created their own recording studiofrom scratch. "I realize that most artists don't live this way," says Mars."But for us, it was never really a choice. The art we make is so tied towho we are and the community we're a part of, that this is the onlyway we can possibly do it."The band was just starting to regularly headline renowned localvenue The Stone Church when everything came to a screeching halt.Rather than idly wait, the band decided to take their future in theirown hands. Armed with nothing but YouTube videos and her innatecuriosity, Mars constructed a makeshift studio in their apartment, re-cording during odd hours when their next-door neighbors were outand about.Looking back now, Mars is glad the band decided to forge ahead. "Iobviously would never want to go through a pandemic again, but I'mpretty confident in saying that this album would not be coming outin 2022 if we hadn't had the forced downtime." Their resulting debut,Memorial, is a stunningly accomplished album. The hallmarks will beunmistakable to anyone who has ever obsessed over classic LPs fromindie and post-punk's progenitors-everything from the chiming,Marr-esque guitars on opener "Repitioner" to the pugnacious rhyth-mic punch on lead single "In Tandem". But even more impressive andexciting is how Thus Love manage to tap into this celebrated lineageto find their own unique voice and tell their own story.Ultimately, despite the many difficulties and setbacks, the story ofThus Love andMemorialis one of triumph. Of seeking meaning instruggle. Of embracing community and love. Of finding joy in The Brattleboro, Vermont trioThus Lovestand together, a bond ce-mented by their experience as outsiders looking in. For Thus Love,DIY is an ethos that reflects not only their musical vision but their veryexistence as three self-identifying trans artists. From the band's incep-tion,Echo Mars (she/her),Lu Racine (he/him)andNathaniel van Osdol(they/them)have lived together under the same roof, designed andproduced their own merch, and created their own recording studiofrom scratch. "I realize that most artists don't live this way," says Mars."But for us, it was never really a choice. The art we make is so tied towho we are and the community we're a part of, that this is the onlyway we can possibly do it."The band was just starting to regularly headline renowned localvenue The Stone Church when everything came to a screeching halt.Rather than idly wait, the band decided to take their future in theirown hands. Armed with nothing but YouTube videos and her innatecuriosity, Mars constructed a makeshift studio in their apartment, re-cording during odd hours when their next-door neighbors were outand about.Looking back now, Mars is glad the band decided to forge ahead. "Iobviously would never want to go through a pandemic again, but I'mpretty confident in saying that this album would not be coming outin 2022 if we hadn't had the forced downtime." Their resulting debut,Memorial, is a stunningly accomplished album. The hallmarks will beunmistakable to anyone who has ever obsessed over classic LPs fromindie and post-punk's progenitors-everything from the chiming,Marr-esque guitars on opener "Repitioner" to the pugnacious rhyth-mic punch on lead single "In Tandem". But even more impressive andexciting is how Thus Love manage to tap into this celebrated lineageto find their own unique voice and tell their own story.Ultimately, despite the many difficulties and setbacks, the story ofThus Love andMemorialis one of triumph. Of seeking meaning instruggle. Of embracing community and love. Of finding joy in rebirth.rebirth.

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Stone The Crows

Teenage Licks

Release: 2022 / EU – Original

Genre: Rock & Indie

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Under Sided Deluxe Edition

The Heads

Box Set | 2022 | UK | Reissue (Rooster)

124,99 €*

The Jimi Hendrix Experience

Release: 2022 / UK – Reissue

Genre: Rock & Indie

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Originally released in 2002 on the Sweet Nothing label (snlp/cd 11), Under Sided was recorded in 2001 at WhiteHouse Studios in Weston Super Mare, with Martin Nichols engineering. The band had previously recorded tracks for Mans Ruin 10” at these studios (also famous for Ripcord, Heresy, Slowdive, Hardskin, Decadence Within, Icehouse.. amongst many others!). For the reissue, the original recordings were remastered for vinyl and CD by long time Heads Masterer (!) Shawn Joseph. The resultant 8 tracks, spread over 4 sides of vinyl are some of the best music the Heads have recorded, after a bit of a hiatus following their 2000 US tour / Peel session (included in the boxset / on the 2CD version here), the band regrouped and worked out the tracks for the album, relentless rehearsing for the recording. Very few shows happened in that 2001-2002 timeframe.. band members were busy, earning a living, getting on with life, but they still had some riffs/songs there. Upon release in 2002 the album got great reviews in the press, from Kerrang and Mojo to the Sunday Times, all helping the Bristol fourpiece confirm their cult status, which has continued to current times.. The remastered album is being reissued as a 4LP + 2CD boxset. The extra 2LP features their Peel session from 2000, as well as a couple of compilation tracks (For Mad Men Only / Born To Go), and some unreleased demo versions, as well as 2 exclusive to this set CDS that feature nearly 150 minutes of Live recordings (mastered, but RAW!) from their gigs on the Thekla in Bristol and rehearsal room tapes in 2001 and 2002. The boxset will also have a special slip-mat, stickers, and a 24 page booklet of photos /writings, including recollections by each band member, and others including Stewart Lee. Under Sided is a pounding sike-nightmare that shows the Heads at the peak of their powers, there’s a flow throughout the album of melding psychedelic noise rock to unrelentin rhythms and creating a bad trip for all listening.. open battering-ram “Dissonaut” is a staple in their live shows to this day… even the gentle sooth of “Energy” is enveloped by a white noise fury.. the intensity of some of the tracks: the terror inducing “Bedminster” or “False Heavy” (a tour worn riffmonger from 2000) or the Magnet-esque “Heavy Sea”, showed the band as ferocious as any of the insurgent “stoner” genre of that time. They were never going to make their living out of touring, record sales… as Hugo mentions in his notes for the booklet, “.. we had less boundaries and felt we could experiment more and not worry about commerciality…” but they were able to make this album.

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Are You Experienced Larity Vinyl Edition

Box Set | 1967 | US | Reissue (Ananlogue Productions)

168,99 €*

What Do You See In Here /Remeber The Summer

Release: 1967 / US – Reissue

Genre: Rock & Indie

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Analogue Productions präsentiert eine weitere Uhqr - den Jimi-Hendrix-Klassiker "Are You Experienced". In Zusammenarbeit mit Quality Record Pressings ist diese Wiederveröffentlichung ein echtes Sammlerstück - eine Ultra High Quality Record (Uhqr) Veröffentlichung!

Diese Uhqr-Stereo-Wiederveröffentlichung ist auf 20.000 Exemplare limitiert und hat einen mit Goldfolie einzeln nummerierten Umschlag.

Bei seiner Erstveröffentlichung im Jahr 1967 stellte "Are You Experienced" die Musikwelt auf den Kopf, denn Hendrix zeigte allen, was es bedeutet, "erfahren" zu sein. Hendrix synthetisierte verschiedene Elemente der modernsten Rockmusik von 1967 zu einer Musik, die sowohl futuristisch klang als auch in den besten Traditionen von Rock, Blues, Pop und Soul verwurzelt war. Die meiste Aufmerksamkeit erhielt natürlich seine atemberaubende Gitarrenarbeit, mit der er neue klangliche Territorien in Bezug auf Rückkopplung, Verzerrung und schiere Lautstärke erschloss. Das hätte jedoch nicht viel bedeutet ohne sein hervorragendes Material, ob psychedelische Raserei ("Foxey Lady", "Manic Depression", "Purple Haze"), instrumentale Freak-Out-Jams ("Third Stone from the Sun"), Blues ("Hey Joe") oder zarte, poetische Kompositionen ("The Wind Cries Mary"), die die Bandbreite seines Songwriting-Talents demonstrierten. Nicht zu unterschätzen waren die Beiträge von Schlagzeuger Mitch Mitchell und Bassist Noel Redding, die der Musik einen rhythmischen Puls gaben, der Teile des Rock und des improvisierten Jazz verschmolz.

Was Jimi über die Neuauflage seines Debütalbums in den USA durch Reprise Records dachte, die "The Wind Cries Mary", "Purple Haze" und "Hey Joe" in die ursprüngliche 11-Track-Liste aufnahmen, ist nicht ganz bekannt. Aber Jimi äußerte bei späteren Bühnenauftritten seine Enttäuschung darüber, dass "Red House", seine großartige Original-Blueskomposition, aus dem US-Album gestrichen worden war.

Die US-Version des Titels wurde im August 1967 veröffentlicht. Enthalten sind auch die ersten drei britischen Singles der Gruppe: "Purple Haze", "Hey Joe" und "The Wind Cries Mary".

Diese Uhqr wurde von dem legendären Bernie Grundman von den originalen analogen Masterbändern remastert. Jede Uhqr wird im Presswerk von Acoustic Sounds, Quality Record Pressings (qrp), auf handselektiertem Clarity Vinyl® gepresst, wobei auf jedes einzelne Detail geachtet wird. Diese Platten weisen das gleiche flache Profil auf, das die ursprüngliche Uhqr so begehrenswert gemacht hat. Von der Einlaufrille bis zur Auslaufrille weist das Profil keine Neigung auf, so dass die Abtastnadel des Kunden wirklich senkrecht zu den Rillen von der Kante bis zur Mitte spielen kann. Clarity Vinyl ermöglicht die reinstmögliche Pressung und die visuell beeindruckendste Präsentation. Jede Uhqr wird nach Abschluss der Pressung von Hand geprüft, und nur die wirklich makellosen Exemplare werden auf den Markt gebracht. Jede Uhqr wird in einer Deluxe-Box verpackt und enthält ein Booklet, in dem der gesamte Herstellungsprozess einer Uhqr beschrieben wird, sowie ein handsigniertes Prüfzertifikat. Dies wird ein wahrhaft luxuriöses Sammlerprodukt sein.

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Inell Young

7" | 2022 | UK | Original (Soul Jazz)

18,99 €*

Earl's Closet The Lost Archive Of Earl Mcgrath 1970-1980 Black Vinyl Edition

Release: 2022 / UK – Original

Genre: Rock & Indie

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One of three Monster New Orleans Funk 45s released by Soul Jazz Records only ever exclusively available on their site and Long out of print, these new 45s are limited edition pristine, loud dancefloor fillers housed in Soul Jazz recycled card house bag! A stone-cold Classic tune! Simply one of the most soulful New Orleans tunes Ever to come out on record from Eddie Bo vocalist Inell Young.

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V.A.

2LP | 2022 | US | Original (Light In The Attic)

19,99 €*

LP | 2019 | US | Reissue (Fat Possum)

Release: 2022 / US – Original

Genre: Rock & Indie

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All tracks previously unreleased including unheard recordings from Daryl Hall and John Oates, David Johansen (New York Dolls), Terry Allen, Delbert McClinton, Andy Warhol’s Superstar Ultra Violet, Norma Jean Bell, and The Jim Carroll Band Restored and remastered audio by GRAMMY®-nominated engineer, John Baldwin Extensive booklet featuring unseen archive photos, ephemera and label history (LP: 20-pgs, CD: 40-pgs) Liner notes by journalist Joe Hagan with exclusive interviews Double LP pressed on 180-gram vinyl and housed in a gatefold jacket ‘Cocktail Party’ Vinyl Color Edition pressed on Clear Wax “Earl was a wonderful man with a great eye for new and innovative art. And such an amusing companion, too.” – Mick Jagger

Earl McGrath was the ultimate ’70s jet setter, an art collector and comic bon vivant who stumbled into the record business between legendary parties in New York and LA and discovered Daryl Hall and John Oates and then Jim Carroll. Atlantic founder Ahmet Ertegun gave Earl his own label, Clean Records, in 1970; Mick Jagger hired him to run Rolling Stones Records in 1977.

Friend to Joan Didion, Andy Warhol, and a galaxy of luminaries, Earl was an inveterate tastemaker. Actor Harrison Ford, who before Star Wars fame was Earl’s handyman and pot dealer, called him “the last of a breed, one of the last great gentlemen and bohemians.”

After Earl died in 2016, journalist Joe Hagan, author of the critically-acclaimed Sticky Fingers, the biography of Rolling Stone founder Jann Wenner, discovered a trove of rare and unheard tapes in Earl’s apartment in New York—literally inside his closet. “I asked for a step ladder and the first box I pulled off the shelf was a master tape of Some Girls, the Stones album,” says Hagan.

Now Light in the Attic Records proudly presents Earl’s Closet, a double album of the treasures discovered inside, including unheard music by Daryl Hall and John Oates, David Johansen, Terry Allen, Delbert McClinton, Warhol “Superstar” Ultra Violet, Detroit sax legend Norma Jean Bell, Jim Carroll and an eclectic cast of undiscovered artists who once vied for fame and glory—folk, rock, country, funk and R&B gems that virtually no one has heard in decades. Whether it’s the almost-famous power pop of Shadow from Detroit, or the Delfonics-style soul of the Blood Brothers Six, Earl’s Closet retraces the dreams of artists who once sent demos to Earl McGrath. Longtime Light in the Attic-affiliated reissue producer Pat Thomas assisted Hagan in tracking down the artists and finalizing the paperwork.

At once an archival mixtape, a secret history and a journey into the heart of an era, Earl’s Closet features a deep booklet of documents, images and ephemera from Earl’s archive, expansive liner notes by Joe Hagan, who tracked down and interviewed the artists, and astonishing photographs by Earl’s late wife, the Italian countess Camilla Pecci-Blunt McGrath.

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Jim Carroll Band

Catholic Boy

36,99 €*

Nancy Sinatra & Lee Hazlewood

Release: 2019 / US – Reissue

Genre: Rock & Indie

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"The 1980 release of Catholic Boy, along with the re-publication of his cult-classic book The Basketball Diaries, shot JIM Carroll and his band into the international spotlight. Catholic Boy, named the second-most-popular album of 1980 by BAM, is now considered one of the last great punk albums. Jim appeared with his band on the variety program Fridays, he was interviewed by Tom Snyder, and he was featured on the MTV series The Roots of Rock, hosted by Lou Reed. Cover stories appeared in Newsweek, New York, Creem, Interview, Melody Maker, Stereo Review, Rolling Stone, Variety, and Penthouse. Playboy even printed a cartoon in which the punchline was, "Ever since the advent of Jim Carroll, 'I'm a Catholic junkie poet' seems hipper than 'What's your sign.'"

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Nancy & Lee 8Track Edition

8Track | 1968 | US | Reissue (Light In The Attic)

Nancy Sinatra & Lee Hazlewood

Release: 1968 / US – Reissue

Genre: Rock & Indie

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This is an 8track-cartridge, not a music cassette

First ever official reissue of Nancy & Lee’s classic 1968 duet album
Definitive reissue with Nancy’s involvement
Includes the bonus tracks, “Tired Of Waiting for You” and “Love Is Strange,” from the album sessions
Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
Vinyl pressed at RTI
Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
Never-before-seen photos from Nancy Sinatra’s personal archive

Light in the Attic is thrilled to announce the first official reissue of Nancy & Lee: the highly-influential 1968 duet album from Nancy Sinatra and Lee Hazlewood. This definitive edition of Nancy & Lee features newly-remastered audio by the GRAMMY®-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an uptempo version of “Love Is Strange” (first made famous by Mickey & Sylvia in 1956). This release marks the official debut on vinyl for both tracks.

Nancy & Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q&A with Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). In addition to the classic black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

In celebration of the release, Nancy Sinatra and fellow musician and longtime friend Don Randi (The Wrecking Crew) visited Record Technology, Inc. (RTI) in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and RTI plant manager, Rick Hashimoto is available here.

MORE ABOUT NANCY & LEE

When Nancy – the eldest daughter of Frank Sinatra – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.

Initially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.

Recalling her duets with Hazlewood, Sinatra laughs, “we used to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”

Before long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.

Throughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”

That je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy & Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the RIAA. Over the decades, however, the appeal of Nancy & Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus & Mary Chain, have cited Nancy & Lee as an influence.

In recent years, Nancy & Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy & Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy & Lee to be “a masterpiece that still ripples in the sonic waves today.” NPR, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy & Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”

Today, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy & Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”

Sinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic Records for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021, LITA reissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.

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Nancy & Lee

Tape | 1968 | US | Reissue (Light In The Attic)

10,99 €*

Nancy Sinatra & Lee Hazlewood

Release: 1968 / US – Reissue

Genre: Rock & Indie

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First ever official reissue of Nancy & Lee’s classic 1968 duet album
Definitive reissue with Nancy’s involvement
Includes the bonus tracks, “Tired Of Waiting for You” and “Love Is Strange,” from the album sessions
Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
Vinyl pressed at RTI
Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
Never-before-seen photos from Nancy Sinatra’s personal archive

Light in the Attic is thrilled to announce the first official reissue of Nancy & Lee: the highly-influential 1968 duet album from Nancy Sinatra and Lee Hazlewood. This definitive edition of Nancy & Lee features newly-remastered audio by the GRAMMY®-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an uptempo version of “Love Is Strange” (first made famous by Mickey & Sylvia in 1956). This release marks the official debut on vinyl for both tracks.

Nancy & Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q&A with Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). In addition to the classic black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

In celebration of the release, Nancy Sinatra and fellow musician and longtime friend Don Randi (The Wrecking Crew) visited Record Technology, Inc. (RTI) in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and RTI plant manager, Rick Hashimoto is available here.

MORE ABOUT NANCY & LEE

When Nancy – the eldest daughter of Frank Sinatra – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.

Initially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.

Recalling her duets with Hazlewood, Sinatra laughs, “we used to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”

Before long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.

Throughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”

That je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy & Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the RIAA. Over the decades, however, the appeal of Nancy & Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus & Mary Chain, have cited Nancy & Lee as an influence.

In recent years, Nancy & Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy & Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy & Lee to be “a masterpiece that still ripples in the sonic waves today.” NPR, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy & Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”

Today, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy & Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”

Sinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic Records for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021, LITA reissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.

Go to Item

Nancy & Lee Black Vinyl Edition

LP | 1968 | US | Reissue (Light In The Attic)

Nemesis Lately Black Vinyl Edition

Release: 1968 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

First ever official reissue of Nancy & Lee’s classic 1968 duet album
Definitive reissue with Nancy’s involvement
Includes the bonus tracks, “Tired Of Waiting for You” and “Love Is Strange,” from the album sessions
Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
Vinyl pressed at RTI
Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
Never-before-seen photos from Nancy Sinatra’s personal archive
Beautifully packaged and expanded gatefold LP featuring a 20-page booklet

Light in the Attic is thrilled to announce the first official reissue of Nancy & Lee: the highly-influential 1968 duet album from Nancy Sinatra and Lee Hazlewood. This definitive edition of Nancy & Lee features newly-remastered audio by the GRAMMY®-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an uptempo version of “Love Is Strange” (first made famous by Mickey & Sylvia in 1956). This release marks the official debut on vinyl for both tracks.

Nancy & Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q&A with Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). In addition to the classic black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

In celebration of the release, Nancy Sinatra and fellow musician and longtime friend Don Randi (The Wrecking Crew) visited Record Technology, Inc. (RTI) in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and RTI plant manager, Rick Hashimoto is available here.

MORE ABOUT NANCY & LEE

When Nancy – the eldest daughter of Frank Sinatra – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.

Initially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.

Recalling her duets with Hazlewood, Sinatra laughs, “we used to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”

Before long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.

Throughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”

That je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy & Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the RIAA. Over the decades, however, the appeal of Nancy & Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus & Mary Chain, have cited Nancy & Lee as an influence.

In recent years, Nancy & Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy & Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy & Lee to be “a masterpiece that still ripples in the sonic waves today.” NPR, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy & Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”

Today, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy & Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”

Sinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic Records for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021, LITA reissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.

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Somnus Throne

LP | 2022 | EU | Original (Heavy Psych Sounds)

16,99 €*

Fight Amongst Yourselves Record Store Day 2022 Green Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Nemesis Lately is the second full-length album released by Somnus Throne. This LP is very much a continuation of their first album(Burning World Records 2020), but with much more attention to detail, a further exploration of the depths of each niche within 'doom,' and a greater variety of sounds. Think just as much heaviness as the first album with less drone and more action. Nemesis Lately goes everywhere across the landscape of doom, stoner, heavy psych, and grunge from a welcoming kick in the teeth by a Motorhead-esque first track, through shades of Acid King, Iggy Pop and the Stooges, Black Angels, The Melvins, Dead Meadow, High on Fire, The Sword, Electric Wizard, Dopelord, Black Pyramid all the way to a concluding track that strives at echoes of Led Zeppelin's acoustic prowess. It goes without saying that the entire album, and the entire Somnus Throne catalogue in total, is never more than one decapitated bat away from Black Sabbath worship. In sum-total, this album is truly a smorgasbord of all things fuzzy, doomy, smokey, sleepy, and trippy while also managing to grasp the essence of each sound -- perfect for anyone ready to doom, space, fuzz, head bang, tune in, turn up, and trip out for the next 40+ minutes.

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Carpettes

LP | 2022 | EU | Original (Radiation Reissues)

22,99 €*

Cosmic Bullshit Purple Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Neo-Mod act the Carpettes began as a Stones-influenced school band, formed in the small northeast Norman town of Houghton-le-Spring in the mid-l97Os, the trio of frontman Neil Thompson, bassist George Maddison, and drummer Kevin Heard shifting to punk before signing to Small Wonder as a Mod revival act. By the time they joined the Beggar’s Banquet roster in 1978, Heard was replaced by Tim Wilder (with Simon Smith of the Merton Parkas briefly in the fold). Sophomore album Fight Amongst Yourselves is arguably their best, the appealing material ranging from the socially-relevant power-pop of the title track and the pop-punk of ‘The Reason I’m Lonely’ to the reggae cadences of ‘The Last Lone Ranger’.

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Volcanova

LP | 2022 | UK | Original (The Sign)

LP | 2022 | EU | Original (Lewsberg)

Release: 2022 / UK – Original

Genre: Rock & Indie

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”Cosmic Bullshit” revisits the vibes of Volcanova’s debut album, while showing a new dimension of the band’s sound. A fine collection of fuzz, straight from the glacier-covered snow desert of Iceland. Heavy, melodic riffs, thundering bass-lines, and tight, punchy drums lay the foundation for huge, thick soundscapes. The band’s three vocalists all contribute to massive sounding harmonies and interesting vocal arrangements, rarely found in the stoner rock- genre. All performed with a palpable live-rock energy. Icelandic desert rockers Volcanova new mini-album ”Cosmic Bullshit” follows their acclaimed debut album ”Radical Waves” from 2020. The power-trio returns with 6 brand new cuts of cosmic grooves and volcanic jams.

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Lewsberg

In Your Hands

LP | 2022 | UK | Original (Mr Bongo)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Sometimes change comes with big shocks, sometimes it comes with small steps. On 'In Your Hands' Lewsberg's new album a bit of both seems to be happening. Take the second song, 'The Corner'. A remarkably discreet song; a violin plays a simple melody, a gentle drum loop keeps its finger on the pulse. "This brick is a brick to build", it sounds, though a little later: "This brick is a brick to throw". A brick offers many possibilities, for those who want to see it. One time as a part of something bigger to come, the next time just as a simple stone, left on the ground. After all, most things are relative. Sometimes one can achieve more by breaking something than by building something. If you think you can determine which of these two is needed, you'd be fooling yourself. 'In Your Hands' embodies the moment when all the bricks are there, but the wall has yet to be built. It's a moment with perspective, a moment where everything still seems possible, but caution is advised. The album sounds both smaller and more spacious than the previous albums. Guitar chords are plucked instead of fiercely struck, the bass guitar is given more room for melodic explorations, the drum kit is dismantled to just a tom and a tambourine. There is doubt in the lyrics, but it's a strong kind of doubt. A doubt that can stand in the way of a wrong decision, but can also invite for a good conversation. The old Lewsberg has been professionally demolished and the building blocks are on display. Ready for future applications and already finished at the same time. 'In Your Hands' is therefore an ode to the potential and a call to carefully give way to it. "Skewed, defiantly left-field indie rock" - Clash // "Van Vliet's idiosyncratic lyrics and buttoned-up delivery complement the bracing, no-frills performances." - Uncut // "Stripped down.. clever rock and roll of the highest quality" - Louder Than War // "You should get on board with Rotterdam's answer to Velvet Underground" - NME // "Rotterdam Talking Heads/Television enthusiasts ju...

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Project Gemini

The Children Of Scorpio

22,99 €*

Wild Wonderful Purgatory Red Vinyl Edition

Release: 2022 / UK – Original

Genre: Rock & Indie

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Good things come to those who wait. The album 'The Children of Scorpio' by Project Gemini aka Paul Osborne is a result of his steeped 30-year musical journey that’s seen him dig deep, study his record collection and re-emerge to fine-tune his craft.

A cinematic musical journey that plays out like a long-lost soundtrack (think cult B-movies of the 60s and 70s); 'The Children of Scorpio’ was formed from Paul's love of a myriad of genres; from European library music, acid folk, psych-funk, vintage soundtracks and the contemporary breaks scene. The album draws on iconic classics such as the masterful cinematic funk of Lalo Schifrin's 'Dirty Harry', Ennio Morricone's 'Vergogna Schifosi’ and Luis Bacalov’s 'The Summertime Killer’, to name but a few. You can also hear the folk sounds of Mark Fry's iconic 'Dreaming With Alice', the Britsh folk-jazz of The Pentangle and the David Axelrod-produced 'Release Of An Oath' by The Electric Prunes, woven into the cultural tapestry of this gem. The influence of these vintage productions of the 60s and 70s is evident; however, it could be argued that there’s also echoes of the funkier psychedelic moments of bands such as The Stones Roses and The Charlatans, alongside contemporaries such as The Heliocentrics and Little Barrie, thus giving the album a broader crossover potential beyond the world of crate digging and vintage soundtracks.

A bass player and musician since the age of 16, the arrival of his first child in 2010 saw Paul move away from live performance and retreat to his home studio, recording a wealth of music that was destined to never be heard. One of the first tunes to be made was a demo entitled ‘The Children Of Scorpio’, inspired by his long-time obsession with Lalo Schifrin’s soundtrack to violent Clint Eastwood cop classic 'Dirty Harry'. Recorded for fun, the track was fated to sit in the archives untouched. However, like a phoenix rising from the ashes, connections to a wealth of inspirational musicians and labels would re-ignite Paul's musical fire and give him the impetus to develop his slept-on ideas into something more concrete. Firstly resulting in releasing two limited 7'' records on Delights Records and now the long-player for Mr Bongo.

Assisting in the recording of the record were several close friends that have helped spark Paul's musical creativity along the way, including well-renowned guitarist and Little Barrie frontman Barrie Cadogan (who contributes killer six-string guitar to four tracks), Delights Records head-honcho Markey Funk (who adds spooked out keyboards to ‘Path Through The Forest’), Kid Victrola, the chief songwriter and guitarist with French psych girl group Gloria who added wild 12-string to ‘Scorpio’s Garden’, Haifa-based multi-instrumentalist and producer Shuzin who brings the heat behind the drum kit, and Paul Isherwood, co-founder of Nottingham’s The Soundcarriers, who mixed the album on his wealth of vintage gear.

We are delighted to be releasing this slowly-brewed timeless classic that manages to achieve that rare feat of keeping one foot firmly in the past whilst still sounding totally contemporary.

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Karma To Burn

2LP | 1999 | EU | Reissue (Heavy Psych Sounds)

Close Black Vinyl Edition

Release: 1999 / EU – Reissue

Genre: Rock & Indie

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Wild Wonderful Purgatory is Karma To Burn second album. Is their first fully instrumental album after the departure of former vocalist Jay Jarosz and it was released in 1999 by Roadrunner Records. After more then 20 years this piece of stoner rock history will have a new repress in coloured vinyls via Heavy Psych Sounds. Heavy metal has, too often, been a case of great music, shame about the singer. It’s been true since the cod-poetic warblings of erstwhile-hippy cock rockers, right up to the present-day offerings of sad white boy pseudo-rappers. So hats off to Yank rockers Karma To Burn, who had the sense, the taste and the balls (don’t forget the balls) to part with their tiresome vocalist, minutes before an important London gig... Wild Wonderful Purgatory is their first album in this new incarnation. And it rocks, hard. Tracks are numbered rather than titled, in the order in which they were recorded. So ’32’ is the slaughterhouse groove characterised by the wildfire barbed wire guitar breaks; ’25’ is the slothful Sabbath grind; ’30’ the colossal, feral beast with all the ferocity of a Rottweiler which has been chained up and fed nothing but raw, red meat for weeks. If there’s an overall stoner-rock vibe to the proceedings, then it is tempered by Karma To Burn’s discipline: not a single note is wasted, and there’s no big-haired egomaniac chundering artlessly along to distract you from the hypnotic beauty of the riffs. Sniff out the testosterone, strike that match, and stand well back. - NME

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Messa

2LP | 2022 | EU | Original (Svart)

LP | 2021 | EU | Original (Karisma)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Svart Records to release new album by rising stars of eclectic heavy rock, Messa on the 11th of March 2022.

Messa’s rising trajectory hits the stratosphere on their immense new album “Close”. Soaring up out of the Italian Doom Rock underground in 2014, Messa have been rapidly garnering a frenzied throng of devotees, in thrall to their monumental and broad-ranging sound craft. Releasing two widely celebrated cult records, the latest of which “Feast For Water” in 2018 was a critical breakthrough success, with Rolling Stone calling the whole album “captivating, wringing maximum drama out of its savvy stylistic clash,” Messa have had everyone on tenterhooks, waiting for what was next.

New album “Close” draws us further into Messa’s spellbinding textures and immersive dynamics. Described as “Stevie Nicks fronting Black Sabbath,” singer Sara’s colossal voice omnipotently carries the listener on an emotional rollercoaster ride where the sonic cauldron of Iommi guitars gives way to Arabian oudh and progressive solos in a masterful style-clash that well befits Messa’s incendiary reputation.

The hushed Fender Rhodes piano intro on opener “Suspended,” picks up where Messa left off on their previous album “Feast For Water” but then collapses gloriously into Jazz guitar and widescreen impassioned crushing riffs, lighting our way for the odyssey ahead. The scene is set magnificently for the journey that “Close” expertly takes the listener on, with Messa’s obvious care and passion for the album as a pilgrimage of sonic experience. Heavyweight tracks like “If You Want Her To Be Taken” or “0=2” are modern Doom Rock classics that expertly upgrade and leave the genre reeling in their wake. “Pilgrim” and “Orphalese” are woven with tapestries of Mediterranean sounds where oudh and eastern chord phrasings expand Messa’s cinematic palette with a panache that is all their own. Atmospheric and grandiose belters like “Rubedo” and “Dark Horse” build into an almost limitless climax of discord and harmony where blast beats and saxophones descend into a thrilling cacophony that’s a masterclass in artful cutting edge Doom.

Referencing bands like Dead Can Dance, Swans and Om, Messa have created an album where song, experience and atmosphere are focused into a crystalline modus where high art flawlessly embraces good old fashioned riff-worship. Transcending the occult and noir-tinted atmospheres of their past works, “Close” confidently weaves Messa’s multifarious influences into a singular breath-taking sound that leaves the listener enthralled. Perfection or something extremely close, Messa’s “Close” is not just a Metal record, but it’s definitely one of the best things to break out of the confines of Metal in a long time.

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Kosmodome

Atomic Ritual Neon Pink Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Debut album from Bergen based band, Kosmodome! Kosmodome, a rising star in the firmament of Norway's flourishing prog music scene, will blow minds with their psychedelic sounding, 60s atmosphere-coloured rock. The brainchild of the two Sandvik brothers, Sturle on guitars and vocals, and Severin on drums, Kosmodome’s music is riff-based rock with stoner elements all of which are placed within a progressive universe to great effect. Together, the duo bridges the gap between the explosive drive of bands such as Mastodon with melodic magic and retrospective, clever songwriting. The band has this to say about the album: "We aim to draw listeners into the Kosmodome, in all its diversity. Throughout the album, we dwell in the melodic and the groovy; a baseline for deep dives into massive, heavy soundscapes and spacy atmospheres. Instrumental sections are central to our musical storytelling, further supported by our lyrical themes; introspection and wonder, ruminations on the human condition, and frustrations toward contemporary society." We welcome you to enter the Kosmodome!

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Nebula

LP | 2003 | EU | Reissue (Heavy Psych Sounds)

One Year 50th Anniversary Edition

Release: 2003 / EU – Reissue

Genre: Rock & Indie

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Atomic Ritual is the Nebula 3rd full lenght released in 2003. Heavy Psych Sounds is proud to reissue this gem in brand new Colored Vinyl versions. “Stoner rock? Bonghit metal? Old school hard rock? Call it what ya want, but it is clear from the first 3 seconds of Nebula’s Atomic Ritual that these guys have been listening to a lot of Hawkwind! Droning, heavy, fuzzy and flat-out rockin’ as fuck, Nebula’s latest slab is more conceptual than their previous effort, but no less pulverizing. Produced by Master of Reality (and Queens of the Stone Age/Kyuss mentor) Chris Goss, Atomic Ritual is the bands most layered, bold work to date and finds them veering closer to the headfuck ethos of early Monster Magnet than the indie classic rock they ventured into on their Sub Pop effort. The title track and “Out Of Your Head” are just pure space rock, while “Carpe Diem,” “So It Goes” and “More” balance out the cosmic slop with some hooks and melody. None of this is gonna get the on the radio, but one gets the feeling they could care less. So be it. All in all, a pleasing way to melt your brain.” - Frank Meyer

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Colin Blunstone

2LP | 1971 | US | Reissue (Sundaze)

42,99 €*

LP | 2011 | US | Reissue (Dead Oceans)

Release: 1971 / US – Reissue

Genre: Rock & Indie

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Colin Blunstone and Sundazed Music celebrate the 50th anniversary of Colin's post Oracle opus One Year with a double LP expanded edition! The second LP, itself titled, That Same Year, gives you a deeper introspective look into that time in his life. The album largely features Colin singing accompanied solely by his acoustic guitar. That Same Year includes beautifully sparse demo versions of three songs from One Year including 'Caroline Goodbye' and 'Let Me Come Closer To You' where Colin is joined by fellow Zombie Rod Agent on piano. Three songs have Colin joined by Zombie bassist Chris White on classical guitar. Beyond the three familiar songs you will find Colin's familiar voice and wit come through on eleven completely unheard compositions all penned for the One Year album; including 'Sing Your Own Song' where sings of reading about his own death in Rolling Stone. One Year is an album that somehow manages to be both lush and sparse at the same time and always deeply intimate. That Same Year finds a way to bring your listening experience to a deeper level of intimacy. In addition to penning most of the album, Colin also penned the liner notes that fill the gatefold jacket along with unseen photos from that year. The notes go track by track through One Year along with some background on That Same Year.

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Destroyer

Kaputt

Release: 2011 / US – Reissue

Genre: Rock & Indie

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Repress.Kaputt Is His Latest Vision: An Opulent, Lyrical, Game-Changing Masterpiece To Rank With The Choicest Works Of Sade, Scritti Politti, Simply Red And Steely Dan. For A More Contemporary Touchstone, Feel Free To Consider It The Sad-Eyed Psychic Cousin Of Gayngs' Smooth Opus Relayted. These Elaborate Songs Were Lovingly Crafted By A Large Studio Ensemble Of Dedicated Players.Kaputt Was Released By The Good People Of Merge In North America, Entering The Billboard Chart At Number 62 And Receiving Exultant Hosannas From Such August Publications As The New York Times, Rolling Stone, Spin And The Washington Post.

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Knebworth 1996 Digipak DVD Edition

3DVD | 2021 | EU | Original (Big Brother)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Knebworth 1996 Digipak Edition

2CD | 2021 | EU | Original (Big Brother)

14,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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Knebworth 1996 Blu-Ray Disc Edition

Blu-Ray Disc | 2021 | EU | Original (Big Brother)

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2019 | PL | Original (Interscope)

Rated R

Release: 2019 / PL – Original

Genre: Rock & Indie

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LP | 1968 | EU | Reissue (Bonfire)

Siren

21,99 €*

Child Of The Sea Black Vinyl Edition

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Siren was the debut album by Kevin Coyne with Siren, the band he founded with former Bonzo Dog Band bassist Dave Clague and pianist/guitarist Nick Cudworth. The album was originally issued on John Peel’s Dandelion label in 1969. An artist who would later inspire John Lydon, Sting, Ben Watt and Will Oldham and would collaborate with Robert Wyatt, Andy Summers, Dagmar Krause, Brendan Croker, Gary Lucas and The Mekons’ Jon Langford, Kevin Coyne deserves a royal place between the likes of Syd Barrett, Peter Hammill and Daevid Allen. Standing on the verge of british blues, folk and rawk’n’roll Siren could have been easily labeled as the british answer to Canned Heat, but there’s even more. ‘And I Wonder’ is clearly an anticipation of what would happen next, with the solo career of Coyne, more focused on acid folk songwriting. “Most of the album is good time rock-on-out-music a la the Flamin’ Groovies… one of those (albums) you keep coming back to when the night gets cold and the wine is almost out. I play it a lot, and that’s the nicest thing I can say about an album.” Ed Ward – Rolling Stone “Siren just came as a breath of fresh air really, in the same way that like a generation later The Ramones did. When you just thought ‘Thank God for that!’ You hadn’t realised how bored you’d become…” John Peel.

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Sid Bradley

LP | 2021 | EU | Original (Guerssen)

21,99 €*

It Won't Always Be Like This Black Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Lost & found studio recordings (1971-79) by US singer-songwriter SID Bradley including some of the sought-after 45 sides released with his band Erik in the early ‘70s plus fabulous previously unreleased tracks. This is serious stuff, folks!! Pro-sounding sound, ranging from fuzzed-out psychedelic hard-rock to psych-pop and proto-power pop. Master tape sound and insert with liner notes by Sid Bradley and Paul Osborne (Shindig!). A phenomenal and versatile songwriter (he has written hundreds of songs) Sid Bradley started to play in garage bands like The Cavaliers in the 60s and by the early 70s he was part of Erik, a group responsible for a couple of self-produced 45s, “Child Of The Sea” / “Nothing Is Easy” and “Sometime In Your Life” / “Rebel Woman”. These 45s were usually used for promo purposes and it was typical of Sid to load a few record boxes into his car and travel hundreds of miles, visiting all the radio stations, trying to pitch his music to the DJs. This one-man marketing operation actually worked fine, as Sid’s music was played in radio stations across the eastern US, Canada, England, and even Germany. And some of his songs were reviewed in Billboard, Record World or Rolling Stone. You may be familiar with the hard-psych sounding “Child Of The Sea” as it has been included on several psych comps and it was also part of the “Lodge 49” soundtrack. The flip, “Nothing Is Easy” wouldn’t sound out of place on any Rubbles volume. “Rebel Woman” is now considered a proto-metal cult classic and it was recently included on the “Brown Acid” series. After the demise of Erik, Sid continued recording his songs using different musicians. Most of these tracks remained unreleased until a few years ago, when Sid, encouraged by the interest on his old Erik 45s, decided to remaster them and put them available on several Digital only albums that caught the attention of mags like Shindig! We’re now very glad to present a selection of those tracks, collected for the first time on a vinyl LP. Includes insert with liner notes and photos and download card.

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Inhaler

LP | 2021 | EU | Original (Polydor)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Beast Must Regret Nothing

Devils

LP | 2021 | EU | Original (Goodfellas)

Music Black Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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This is Gianni and Erika third album, after two works released by Voodoo Rhythm Records and produced by Jim Diamond, musician and producer for two iconic bands from Detroit, The Dirtbombs and The White Stripes. The record features former Screaming Trees vocalist - and acclaimed solo artist - Mark Lanegan and Chilean multi-instrumentalist Alain Johannes (Queens Of The Stone Age, Spinnerette, Ten Commandos, The Desert Sessions). “The title track of the new album was born during our last day of re-cordings” - says Gianni Blacula and Switchblade Erika.. “Alain is an enthusiast of strings instruments, and on the last day he arrived at the studio with a Neapolitan mandola he bought in the historical centre of Naples. We were astonished about how a traditional instrument as the mandola can get a rock sound, so we followed up went to the recording room. Alain at the mandola and vocals and us on guitar and drums. There was suddenly the right atmosphere that to Alain reminded “ the Desert Sessions” , so much that the song came out at the first take. Then Alain wrote the lyrics and the last line “Beast Must Regret Nothing” affected us , we have chosen it as the title of the album because it totally reflects his mood, and it does taste of Devils!” Gianni and Erika got in touch with Alain for the first time in September 2019, during a Spanish tour, while they were looking for inspirations for their new record. In the same moment Alain was on a European tour which ended in Italy. The collaboration was born in a spontaneous way, for a mutual esteem between the Devils and the famous producer and musician. The album have been recorded in Naples, Italy, with a two weeks session in a historic studio equipped with a large tracking room with truly unique acoustics. Alain actively collaborated in the production of the album taking part to creative process and helping them with the arrangements. The Devils formed in Naples in 2015 and their first two albums “Sin,You Sinners!” in 2016 and “Iron Butt” in 2017 were produced by Jim Diamond (The White Stripes, The Sonics and the Dirtbombs), pub-lished by Voodoo Rhythm Records. From 2016 the duo constantly tour, and has played everywhere doing over 400 shows between Europe and Canada. The Devils are the sound of desolation and chaos; their style is primitive, filled with sex, sin and rock’n’roll. They are wild, loud and sexy. The name of the band was chosen has tribute to the movie “The Devils” by Ken Russell and they have been on tour with Jon Spencer, The Sonics, Boss Hog and The Monsters, and has open act around Europe for Mudhoney, Nashville Pussy, Guitar Wolf, Kid Congo and many more.

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Benny Sings

LP | 2021 | US | Original (Stones Throw)

Live In The Mojave Desert Volume 3

Release: 2021 / US – Original

Genre: Rock & Indie

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In an industry always pinning its hopes on the next big trend, Benny Sings is in it for the long haul. The Dutch artist has honed a signature sound while creating a colorful catalog of essential pop gems that have led to loyal global following.

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Spirit Mother

LP | 2021 | EU | Original (Heavy Psych Sounds)

LP | 1991 | EU | Reissue (Materiali Sonori / Spittle)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Live In The Mojave Desert Is A Livestream Concert Film Series Created Deep In The Deep Sand And Huge Boulders Of Some Insanely Beautiful California Wilderness, With Performances From Earthless, Nebula, Spirit Mother, Mountain Tamer, And Stoner (A New Band By Brant Bjork And Nick Oliveri). Each Concert Film Is Presented In A World-Premiere, 1080p Hd Livestream Event And Will Become A Live Album. Rad Music, Good Times, Psychedelic Positive Vibez In The Desert.Live In The Mojave Desert Was Inspired By Pink Floyd's Live At Pompeii. A Few Of Our Favorite Bands - New And Legendary Artists - With The Mad Alchemy Liquid Light Show To Light Up A Huge Double Pyramid Of Boulders. Recorded In 24 Track Protools.

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Durutti Column

Dry

14,99 €*

Live In The Mojave Desert Volume 2 Orange Vinyl Edition

Release: 1991 / EU – Reissue

Genre: Rock & Indie

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Durutti Column are still one of the most sought after band of the English post-punk. Since their first album 'The Return Of Durutti Column' (released on Factory in 1980), the guitarist, pianist and composer Vini Reilly has published a series of remarkable albums that filled the gap between new wave and ambient music. Reilly and Bruce Mitchell (who’s been working with such major artists like Simply Red and Rod Stewart) represented the future of the Manchester scene moving forward from the forerunners (Joy Division, A Certain Ratio, etc.) to the new musical heroes (Happy Monday, Stone Roses and the likes). Materiali Sonori invited The Durutti Colurnnat for the first edition of the Greetings Festival in San Giovanni Valdarno in 1985, and build since then a steady relationship with the band. It was precisely Vini Reilly that started the record series 'Greetings' (dedicating to the Belpaese tracks like 'Florence Sunset", "San Giovanni Dawn", 'For Friends In Italy"). Subsequently Materiali Sonori dedicated the first cover of the magazine Sonora to Reilly and Mitchell (including a previously unreleased track on the magazine's compact disc) "Dry' is conceived as a new journey among Vini inventions, through rarefied moods and subterranean streams of sound. The fifteen songs (lasting fifty-five minutes) have been recorded in Manchester in 1990, Vini sits in on guitar and piano, while Mitchell is on electronic and acoustic percussion, other instruments such as the clarinet (played by Zinnia Mitchell-Williams, Bruce's daughter), harmonica, viola and keyboards are also featured on the session. Here, once again, Durutti Column 's music could be defined as half-way between melancholy rock and 'progressive' New Age.

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Nebula

LP | 2021 | EU | Original (Heavy Psych Sounds)

Pearl Deluxe Edition UltraDisc One-Step Limited Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Inspired by Pink Floyd’s ‘Live At Pompeii’ the live in the Mojave desert series will showcase some of desert rock’s best in the middle of the California wilderness. Live IN THE Mojave Desert is a livestream concert film series created deep in the deep sand and huge boulders of some insanely beautiful California wilderness, with performances from Earthless, Nebula, Spirit Mother, Mountain Tamer, and Stoner (a new band by Brant Bjork and Nick Oliveri). Each concert film is presented in a world-premiere, 1080p HD livestream event and will become a Live Album. Rad music, good times, psychedelic positive vibez in the desert. Live in the Mojave Desert was inspired by Pink Floyd’s Live at Pompeii. A few of our favorite bands - new and legendary artists – with the Mad Alchemy Liquid Light Show to light up a huge double pyramid of boulders. Recorded in 24 track ProTools.

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Janis Joplin

Box Set | 2021 | US | Original (Mobile Fidelity)

158,99 €*

LP | 2021 | EU | Original (Obsolete)

Release: 2021 / US – Original

Genre: Rock & Indie

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Mastered From THE Original Master Tapes With Mobile Fidelity's One-step Process: Pressed ON Mofi Supervinyl, Limited TO 7,500 Copies. Janis Joplin wouldn't be denied on Pearl. The powerhouse vocalist had kicked her addictions, teamed with a stupendous band, and partnered with a producer who knew how to best showcase her voice on record. She came to the sessions with an armload of astonishing songs, and a burst of creative energy that mirrored her rejuvenated emotional state and undeniable spirit. You can hear it on every note of the 1971 record. Ranked #135 on Rolling Stone's 500 Greatest Albums of All Time list, Pearl sold more than four million copies and stands as the first female rock superstar's definitive studio work. Mobile Fidelity's Ud1s 180g 45rpm 2LP box set presents the landmark effort like never before.

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Jilala

LP | 2020 | EU | Original (Vicious Circle)

Release: 2021 / EU – Original

Genre: Organic Grooves, Rock & Indie

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First time these tracks appear on vinyl – Pressed on 180 Gram Black Vinyl
Recorded by Brion Gysin & Paul Bowles in Morocco 1965
Limited Edition of 300 Copies

Until Now, Jilala has been a much sought-after phantom in relation to their better-known musical and spiritual contemporaries, The Master Musicians of Jajouka. Culled from three and a half hours of 1965 recordings by writers/artists/poets Brion Gysin and Paul Bowles, the first batch of Jilala recordings were released on a 1965 LP that was scarce even upon its initial release. The second batch of recordings, which this LP has drawn from, came in the form of a CD by Baraka Foundation in 1998, which is also now long out of print.

The Jilala brotherhood -- like the better-known Jajouka culture -- has pre-Islamic roots in Sufi mysticism that span across northern Africa from Morocco to India. Jilala shares the kinds of small, portable instruments historically favored by nomadic cultures. Even among the more ardent aficionados of “world music” these recordings have seldom been heard.

In the original liner notes Ira Cohen provides a breakdown of the Jilala ensemble: 'The instruments used are the shebaba, a long transversal cane flute, which leads the way; the bendir, a handheld drum resembling a tambourine without cymbals; and the karkabat which is a double castanet made of metal. On this record, there are usually three flutes, six drums and one pair of castanets.' In conjunction with the qraqaba - an iron analog to the wooden castanets featured heavily in the Flamenco music of the Roma people that also flourished over the centuries mere miles to the north in southern Spain.

These bendir drums provide a range very similar to that covered in contemporary popular music by the bass drum, snare, and cymbals that make up a standard drum kit. The Trance-inducing grooves were major influences on such bands as Led Zeppelin, Agitation Free, Can and the Rolling Stones. The collective rhythms are often reminiscent of early hip-hop.

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Slift

Ummon

32,99 €*

Beyond Colossal Green Vinyl Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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Heaviness, Riffs, Psychedelic, Science-Fiction... Slift's Progressive Sound Is A Colorful And Legendary Journey To The Edge Of Kraut And Stoner Rock. From The Many Shows Performed Across Europe - Sharing The Stage With Jon Spencer, Dewolff Or Mars Red Sky - To The Kexp Session (December 2019 During Les Trans Musicales), The French Trio Launched An Outstanding Astral Adventure. Slift Released Their Debut Ep 'Space Is The Key' In June 2017 Via Howlin Banana (France) And Exag' Records (Belgium). Inspired By Alain Damasio's Sci-Fi Novels And Pierre Ferrero's Illustration Work, 'Space Is The Key' Is A Raucous Wall Of Sound And Energy. The Five Nervous Tracks Are Loaded Up With Fuzz Mayhem And Maniac Beats Sharp Enough To Knock Your Head Off Spinning With Their Hypnotic Riffs. In 2018, Toulouse-Based Outer Space Jammers Released Their First Lp 'La Planète Inexplorée', Helped By Garage Rock Producer Lo'spider (The Monsters, Aqua Nebula Oscillator, Magnetix) And Jim Diamond (Fleshtones, Sonics, White Stripes) From The Mighty Ghetto Recorders, Detroit. The Record Is The Result Of Many Overnight Improvised Sessions, Probably Due To Their Obsession With The Krautrock Scene And The 70s Free Jazz Albums. Made Of Sci-Fi Digressions, The Lyrics Are About Creating Space Warps And Waking Up Ice Giants After A Millennia Sleeping On A Distant Planet.

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Dozer

LP | 2008 | EU | Reissue (Heavy Psych Sounds)

LP | 2020 | US | Original (Caroline)

Release: 2008 / EU – Reissue

Genre: Rock & Indie

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Beyond Colossal is the fulfillment of the promise 2005’s excellent Through the Eyes of Heathens began to see through. The sound is that of the band pushing itself harder, writing stronger songs and compromising none of their edge or aural passion. You can hear it on “Exoskeleton (Part II),” truncated here from its appearance with “Part I” on a 2007 split with Iceland‘s Brain Police, at the 1:39-mark launching of “The Ventriloquist,” on the more traditionally stoner “Grand Inquisitor” and even the quiet “Bound for Greatness” which closes out the album. Dozer are not only on top of their game, they’re well beyond it.

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Matt Berninger

Serpentine Prison

18,99 €*

Release: 2020 / US – Original

Genre: Rock & Indie

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Between The Devil & The Deep Blue Sea

Black Stone Cherry

LP | 2007 | EU | Reissue (Music On Vinyl)

Psychosis Ritual Black Vinyl Edition

Release: 2007 / EU – Reissue

Genre: Rock & Indie

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Black Stone Cherry’s third album Between the Devil and the Deep Blue Sea offers another amount of the fully loaded southern rock from the group that was awarded the Best New Band at the Classic Rock Awards in 2007. The opening statement “White Trash Millionaire” refers to the celebrity culture and all the things that will come with being famous. The stomping riffs and country turn of their music is mixed all over the album. They’re bringing something a little bit dirty, but it never get’s too much of the good thing on this record. The melodic compositions, great vocal work and outstanding rhythms makes this another worthy release by the band. Between the Devil and the Deep Blue Sea on black vinyl includes a 6-page booklet.

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Mountain Tamer

LP | 2020 | EU | Original (Heavy Psych Sounds)

16,99 €*

LP | 1995 | EU | Reissue (Music On Vinyl)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Psychosis Ritual is the sum of Mountain Tamer's first decade of exploration into the psychedelic arts. The album takes the band on a journey through the occult rhythms and tones of worlds forgotten. Each track is a new chapter of Mountain Tamer riffing their way into uncharted territory. For this ritual, you are the sacrifice...Mountain Tamer is Andru Hall (Guitar/Vocals), Casey Garcia (Drums), and David Teget (Bass). Psychosis Ritual was recorded and mixed by Salem’s Bend guitarist Robert Parker, with mastering by Mike Tarsia at Sigma Sounds Studios. This recording is the most cohesive and lucid experience Mountain Tamer has yet to offer. The album artwork by photographer Dillon Vaughn and tattoo artist Derek Pratt only adds to the singular vision of Psychosis Ritual by providing beautifully lysergic visuals that are inseparable from the music itself. Biography

Mountain Tamer takes the expansive vision of pure psychedelia and pares it down through the brooding and focused lens of doom and stoner rock. Guitarist/vocalist Andrew Hall, drummer Casey Garcia and bassist Dave Teget, formed their signature fusion of heavy psych rock in 2011 just outside of San Francisco. Now based in Los Angeles, Mountain Tamer's cult following is built on their DIY ethics, inimitable songwriting, and in your face live performances. After self-releasing several demos, the band released their s/t debut album in 2016 on Argonauta Records. Mountain Tamer toured heavily following the release, playing with notable acts along the way such as Fatso Jetson, Weedeater and Dead Meadow. In 2018, Mountain Tamer teamed with Magnetic Eye and Nasoni Records to release their sophomore album, Godfortune// Dark Matters to critical acclaim for its unique approach and genre bending aesthetics. The band rode this success to a full US tour and appearances at Sxsw in 2019. The band quickly followed up with a taste of their upcoming album, Psychosis Ritual, with their single, Death in the Woods. Although only a teaser of their next work, it has quickly become a fan favorite.

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Son Volt

Trace

Wenn Die Nacht Am Tiefsten ...

Release: 1995 / EU – Reissue

Genre: Rock & Indie

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Trace is the debut album by the alternative rock band Son Volt, released in 1995. The album reached #166 on the Billboard 200 chart and was in the top 10 of Rolling Stone’s 1995 critics’ list. The band, which was formed by Jay Farrar after the split of Uncle Tupelo, recorded an album that is nearly impossible to separate from the time in which it emerged. “Drown” was a hit, charting at #10 on the Billboard Mainstream Rock Tracks chart and #25 on the Billboard Modern Rock Tracks chart. Trace retraces Tupelo’s trademark style with fiddles and banjos, fast rhythms and power chords. A must have for every alternative music fan

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Ton Steine Scherben

2LP | 1975 | DE | Reissue (David Volksmund)

25,99 €*

Release: 1975 / DE – Reissue

Genre: Rock & Indie

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2LP | 2020 | EU | Original (Sony)

Bob Dylan

Rough & Rowdy Ways

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2020 | UK | Original (4AD)

Purity Ring

Womb Red Vinyl Edition

Release: 2020 / UK – Original

Genre: Rock & Indie

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LP | 2019 | PL | Original (Interscope)

Era Vulgaris

Release: 2019 / PL – Original

Genre: Rock & Indie

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LP | 2019 | EU | Original (Matador)

Desert Sessions

Volume 11 & 12

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2019 | EU | Original (Because)

L'Epee

Diabolique

Folklore And Superstition Colored Vinyl Edition

Release: 2019 / EU – Original

Genre: Rock & Indie

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L’Épée is a four-piece band comprised of Emmanuelle Seigner (Ultra Orange & Emmanuelle), Anton Newcombe (The Brian Jonestown Massacre) and Lionel + Marie Limiñana (The Limiñanas). The collaboration came about last year, when husband and wife duo The Limiñanas recorded an album (’Shadow People’) with Anton Newcombe. A track featured French musician, actress, model and muse Emmanuelle Seigner on guest vocals. When she came into the studio to record the group dynamic clicked and a natural collaboration ensued. Inspired by melancholic movie scores and the mythology of Rock’n'Roll music, from Lou Reed to the Rollin Stones, ‘Diabolique’ is infused with light, shadows and layers of psychedelic fuzzy guitars. It was recorded between Lionel and Marie’s home place Cabestany (FR) and Anton’s Cobra Studio in Berlin. The collective have named themselves L’Épée, meaning “the sword” in English, after it came to Anton in a dream. They will be touring Europe later this year.

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Black Stone Cherry

2LP | 2019 | EU | Reissue (Music On Vinyl)

Release: 2019 / EU – Reissue

Genre: Rock & Indie

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LP | 2019 | US | Original (Saddle Creek)

Hand Habits

Placeholder

LP | 1994 | EU | Reissue (Music On Vinyl)

Release: 2019 / US – Original

Genre: Rock & Indie

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Meg Duffy grew up in a small town in Upstate New York and they cut their teeth as a session guitarist and touring member of Kevin Morby’s band. The Hand Habits project emerged after Meg moved to Los Angeles; it started as a private songwriting outlet but soon evolved into a fully-fledged band with Meg at the helm. Hand Habits’ debut album, Wildly Idle (Humble Before The Void), was released by Woodsist Records in 2017. The LP was entirely self-produced and recorded in Meg’s home during spare moments when they weren’t touring. Wildly Idle (Humble Before The Void) is a lush, homespun collection of folk songs that found Meg in an exploratory state as an artist moving out on their own for the first time.

Two years later, Hand Habits has returned with their sophomore album, placeholder. To make this album, Meg chose to work in a studio and bring in collaborators, entrusting them with what had previously been a very personal creative process. Over the course of 12 tracks, Meg emerges with new confidence as both a bandleader and singer. This album is as tender and immediate as anything Meg’s ever written, but it’s also intensely focused and refined, the work of a meticulous musician ready to share their singular vision with the world.

The name placeholder stems from Meg’s fascination with the undefinable. Their songs serve as openings -- carved-out spaces waiting to be endowed with meaning. As a lyricist, Meg is drawn to the in-between, and the songs on this new album primarily confront the ways in which certain experiences can serve as a stepping stone on the road to self-discovery. “A big aspect of my songwriting and the way I move through the world depends on my relationships with people. The songs on placeholder are about accountability and forgiveness,” Meg says. “These are all real stories. I don’t fictionalize much.”

Meg describes these songs as their most direct to date, crafted with clear intention, and unlike Wildly Idle (Humble Before The Void), placeholder doesn’t meander. “It’s less of a submerged landscape and more a concise series of thoughts,” Meg explains. Instrumentally, placeholder can be situated alongside some of Meg’s folk-adjacent contemporaries like Angel Olsen or Big Thief, and the guitar work on this album proves that Meg continues to be one of the finest young musicians working today. placeholder is another entry in the Hand Habits songbook, but it’s also a valuable testament of our time. While placeholder inspires a sense of ease, simple questions rarely beget easy answers and Meg honors the indescribable joy and profound sorrow that comes with figuring things out, one step at a time.

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Melvins

Stoner Witch

LP | 1968 | EU | Reissue (Wah Wah)

Release: 1994 / EU – Reissue

Genre: Rock & Indie

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The true gods of the stoner underground music, The Melvins, released their album Stoner Witch in 1994. The album is one of their most successful efforts and an album where their musical capacities can be heard in the depth, powerful and experimental sound.

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Wynder K. Frog

Out Of The Frying Pan

Hunter Black Vinyl Edition

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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The Wynder K. Frog story evolves around Mick Weaver. After he switched from piano to organ he joined a band named The Chapters that would soon be renamed Wynder K. Frog and perform material from James Brown's Flames, Booker T. and The MGs or even songs learned through Georgie Fame's recordings and Graham Bond's repertoire. Wynder K. Frog moved to London and became regulars in the city's R&B scene playing at Swingin' London's clubs like the Tiles or The Marquee. A contract with Island Records was secured and -under the wings of producers like Chris Blackwell, Guy Stevens, Jimmy Miller or Gus Dudgeon- Wynder K Frog, a name that would eventually be used as a pseudonym for Weaver more than a proper band name, did some some amazing Hammond organ-ized recordings and issued in three LPs and a bunch of cool 45s.

At the end of the 1960s, Weaver would quit the "band scene" to become one of the most in demand session musicians and throughout his career he'd be heard backing names such as Eric Burdon, Roger Chapman, Dave Gilmour, Keef Hartley, Alexis Korner, Ralph McTell, Taj Mahal or Otis Rush a.o, but his LPs as Wynder K Frog are classic Hammond sound from the 1960s UK and will appeal to those into Brian Auger, Graham Bond, The Artwoods, Zoot Money, Jimmy McGriff, Booker T. & The MGs and the likes.

OUT OF THE FRYING PAN
Released at the end of the summer of 1968, and with a host of session musicians that included the brass section of John Mayall's Bluesbreakers, producer Gus Dudgeon helped Weaver / Wynder K Frog to improve the results obtained on the debut LP and get one step closer to the live action. The formula was more or less the same, instrumental hammond a go go covers of hits from the era, including The Rolling Stones' "Jumping Jack Flash", a funked up version of the classic Tommy Tucker blues number "Hi Heel Sneakers", an exploding cover of "Tequila" or the standard "Green Door", but it also included the sensational Weaver-penned "Harpsichord Shuffle".

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Anna Calvi

LP | 2018 | UK | Original (Domino)

24,99 €*

Release: 2018 / UK – Original

Genre: Rock & Indie

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Mindfucker Black Vinyl Edition

Monster Magnet

2LP | 2018 | EU | Original (Napalm)

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 1971 | EU | Reissue (Universal)

Rory Gallagher

Deuce (Remastered 2011)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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King Gizzard & The Lizard Wizard x Mild High Club

Rolling Stoned

7" | 2018 | US | Original (Stones Throw)

12,99 €*

LP | 1983 | UK | Reissue (Chiswick)

Release: 2018 / US – Original

Genre: Rock & Indie

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Limited edition 7inch vinyl single release including “Rolling Stoned” as featured on their collabo album “Sketches Of Brunswick East”!

Split 7” of “Rolling Stoned,” a composition written by Alexander Britton. Recording on side 1 by Mild High Club and side 2 by King Gizzard and the Lizard Wizard. Artwork by Kyle Field (Little Wing).
King Gizzard & the Lizard Wizard is an insanely good, prolific, psych rock band from Melbourne, Australia. Mild High Club is Alexander Brettin, insanely good, freakishly mellow dude on Stones Throw. They got together and made an album called “Sketches Of Brunswick East”.
The two bands formed a friendship touring together across Norther America, Europe, and Australia the last couple of years. King Gizzard’s Stu Mackenzie says, "I think we hit it off because our approaches are very different … Alex has studied music, whereas my approach is to fling shit at the wall and see what sticks. I can’t read sheet music at all. But we’re like the two ends of a horseshoe coming to meet in the middle."

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Motörhead

What's Words Worth

13,99 €*

Tom Petty & The Heartbreakers

Release: 1983 / UK – Reissue

Genre: Rock & Indie

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Continuing our reissue programme of Motorhead’s Chiswick albums on vinyl, September sees the release of “What’s Words Worth?” on lobster red vinyl.

A live album, it was recorded on 18th February 1978 at a benefit organised by Wilko Johnson to raise money to preserve some William Wordsworth manuscripts. The Rolling Stones mobile had been hired to record Chiswick labe-lmates the Count Bishops, but they also recorded Motorhead’s set. For contractual reasons they were billed as Iron Fist & the Hordes From Hell.

Includes an illustrated inner sleeve with a full note by Chiswick boss Ted Carroll.

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Damn The Torpedos

LP | 1979 | EU | Reissue (Geffen)

LP | 1980 | EU | Reissue (Music On Vinyl)

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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“Damn the Torpedoes” is the RIAA Triple Platinum-certified third album by Tom Petty and the Heartbreakers, released in late 1979. This was the first of three Petty albums originally released by the Backstreet Records label, distributed by MCA Records. It built on the commercial success and critical acclaim of his two previous albums and reached #2 on the Billboard album chart.

In 2003, the album was ranked number 313 on Rolling Stone magazine's list of the 500 greatest albums of all time.

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Los Angeles

2LP | 2014 | US | Original (American)

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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Los Angeles is the debut album of the American Punk rock band X, released on April 26, 1980. In 2003, the album was ranked number 286 on the Rolling Stone's list of the 500 greatest albums of all time. Los Angeles is considered by many to be one of Punk's all-time finest recordings, and with good reason.

180g vinyl.

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Angus & Julia Stone

44,99 €*

Release: 2014 / US – Original

Genre: Rock & Indie

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LP | 1989 | UK | Reissue (Silverstone)

The Stone Roses

Release: 1989 / UK – Reissue

Genre: Rock & Indie

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Heavyweight 180 gram vinyl!

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LP | 2013 | US | Original (Matador)

...Like Clockwork

Release: 2013 / US – Original

Genre: Rock & Indie

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LP | 2000 | UK | Reissue (Interscope)

Rated R

Release: 2000 / UK – Reissue

Genre: Rock & Indie

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Afterlife Clear Vinyl Edition

Planet Of Zeus

LP | 2024 | EU | Original (Ihaveadrum)

35,99 €*

Shangri-La Dee Daneon Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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“Afterlife”… Planet of Zeus’s sixth album finds them reinventing themselves rather than the wheel. After their prophetic, pre-Covid release “Faith in Physics” and the consecutive postponements of their European and North American tours, the band took a deep dive into its own vulnerability and managed to come back stronger and more dangerous than ever before. No matter how far humanity and technology has reached, people always seem to be puzzled by the same old questions. From the ancient Greek philosophers, to Dostoevsky, Hesse and the average bloke on the corner. A blend of failed relationships, parenthood, sobriety, the constant search for a higher purpose and the thin line between “beneficence and rascality” with a unique and adventurous modern heavy rock sound, “Afterlife” is a perfect musical representation of the beauty and the curse of the human condition. A heavy rock must-have for fans of Queens of the stone age, Foo fighters, Mastodon, Clutch, Monster Magnet, Hellacopters and Royal Blood. Available in a limited edition, clear transparent 180g gatefold Vinyl by ihaveadrum records.

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Stone Temple Pilots

LP | 2024 | Original (Rhino)

Release: 2024 / Original

Genre: Rock & Indie

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Token For My Mind 1967-68

The Fringe

LP | 2024 | US | Original (Le Backstore)

41,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Born in early 1966 as a garage band playing heavy covers by the Rolling Stones, the Byrds, the Who, and the Animals, the Fringe conquered Toronto’s coolest hippie clubs in 1967 with their underground psych vibe. In 1968 they scored a national hit and blasted across Western Canada with their psychedelic light show and transcendent songs like “Token for My Mind,” “Plastic People,” and “Executive Dream,” culminating in a spotlight appearance on CBC TV’s Let’s Go! teen show and at a Love-In festival. Now for the first time on vinyl – all 11 of their 1967-68 trippy songs in glorious mono, including everything on their mega-rare promo EP. Sourced from the original analog tapes. 500 copies, in deluxe gatefold jacket. Includes 12-page booklet insert with interviews, lyrics, unseen photos, charts, clippings and more.

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Knebworth 1996 Limited Edition Box Set

Box | 2021 | UK | Original (Big Brother)

139,99 €*

2LP | 2009 | US | Reissue (Illegal Art)

Release: 2021 / UK – Original

Genre: Rock & Indie

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This year marks 25 years since Oasis’ two iconic record breaking live concerts at Knebworth Park in Hertfordshire on the 10th and 11th August 1996. The shows were both the pinnacle of the band’s success and a landmark gathering for a generation of young people. Released alongside the cinema debut of the feature length documentary film of the event, ‘Oasis Knebworth 1996’ is the definitive live recording featuring a setlist packed with stone cold classics album taken from across both nights of the concert, from the opening salvoes of ‘Columbia’ and ‘Acquiesce’, to ‘Champagne Supernova’, ‘Don’t Look Back In Anger’, ‘Live Forever’, an orchestra backed ‘I Am The Walrus’, and ‘Wonderwall’ the first song from the 1990’s to reach over one billion streams on Spotify and universally loved anthem. The DVD and Blu-ray formats feature ‘Oasis Knebworth 1996’ - the eagerly anticipated feature length documentary telling the story of the special relationship between Oasis and their fans that made the largest concert of the ‘90’s possible, directed by Grammy Awardwinner Jake Scott. It is told entirely in the moment through the eyes of the fans who were there, built around extensive and never before seen archive concert and backstage footage from the event, with additional interviews with the band and concert organisers. Both formats also include the full concerts from both nights edited by Dick Carruthers with audio mixed by Will Shapland in Dolby 5.1 surround sound.

This set contains: 3LP, 2CD, 2xMC / Cassette Tapes, 3DVD

Super Deluxe Box Set including Triple LP on Heavyweight Vinyl (Cat. No. RKIDLP98), Double CD (Cat. No. RKIDCD98), Yellow Cassette (Cat. No. RKIDMC98-1), Red Cassette (Cat. No. RKIDMC98-2), Triple DVD (Cat. No. RKIDDVD98) containing documentary plus Saturday and Sunday night concerts in full, replica of numbered concert ticket for Saturday 10th August at Knebworth, replica of AAA pass for Loch Lomond, Knebworth & Cork plus lanyard holder, replica of Knebworth concert info booklet, Knebworth Park site map art print and event binoculars gifted to VIP guests at the show. All housed in a black case with silver logos.

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Girl Talk

Night Ripper

LP | 2024 | Original (Sunset Blvd)

Release: 2009 / US – Reissue

Genre: Rock & Indie

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Girl TALK’s (aka Gregg Gillis) third album on Illegal Art! Night Ripper is focused less on beat-fuckery and more on bringing heat to the party than previous outings. Hip hop hits, soft rock radio standards, party classics, grunge masterpieces, R&B singles, glossy club-shakers and rock anthems are all layered and placed together into one nonstop celebration of pop and excess. Night Ripper was awarded “Best New Music” by Pitchfork, and has made many proclaim Girl Talk the next Danger Mouse. “One endlessly entertaining mega mash-up”—Rolling Stone.

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Bob Neuwirth

LP | 1974 | EU | Reissue (Sony BMG)

Release: 2024 / Original

Genre: Rock & Indie

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First Time Available On Vinyl In 50 Years! "“We ran together for a while in a time of guts and glory and dreams coming true or not,” Kris Kristofferson. “Neuwirth was at the epicenter of cultural moments from Woodstock, to Paris, Don’t Look Back to Monterey Pop, Rolling Thunder to Nashville and Havana.” David Browne, Rolling Stone. First Vinyl Reissue of Bob’s Debut Album Featuring Guest Appearances Kris Kristofferson, Rita Coolidge, Don Everly, Booker T Jones, Richie Furay, Cass Elliott, Chris Hillman, Dusty Springfield and Jeff “Skunk” Baxter. Remixed By John Hanlan (Neil Young) and Remastered by Chris Bellman At Bernie Grundman Mastering.
As a collaborator and confidante, Neuwirth was associated with artists as gifted and diverse as Bob Dylan John Cale, Patti Smith, T-Bone Burnett, Janis Joplin, Kris Kristofferson, and Peter Case. In 1974, Neuwirth made his belated debut as a recording artist with an album simply titled Bob Neuwirth. A collection of wry, laid-back songs which featured guest appearances from Kris Kristofferson, Booker T. Jones, Rita Coolidge, Chris Hillman, Cass Elliot, Dusty Springfield, and Don Everly.

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Bob Dylan

Blood On The Tracks

Songs In Crimson Black Vinyl Edition

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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180 gram vinyl of Rolling Stones number 9 ranked best album ever.

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Satan

LP | 2024 | EU | Original (Sony Music/Metal Blade)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | UK | Original (Rooster)

Kandodo

Theendisinpsych

Keb Darge Presents The Best Of Ace Sixties Garage Punk

Release: 2024 / UK – Original

Genre: Rock & Indie

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The Heads’ Simon Price returns to his kandodo project with 'theendisinpsych'; "primitive pieces of psychedelic tuneage+years of wasted time=43 minutes of headphone bliss."

It's the follow up to the 2019 collaboration with Wayne Maskell and Hugo Morgan, Kandodo 3 – K3, but this time back in solo-mode. He is now relocated in Northumbria, and has recorded the album himself in his home studio, drawing on his wide collection of music/instruments and the rural environment for inspiration.

The new album fizzes and crackles with a verve that will activate the “turn on, tune in, drop out” sense in all listeners…

Simon explained the album in a focused/out of focus track by track way… is this Price’s paean to his obsession with Bowie? chamba7 - octave mandolin through fuzz, tambo beat, in praise of Bowie compilations. chamba is malawian weed

theendisinpsych - bought a reel to reel tape off ebay in 2005, ('Bowie radio interview tape, USA, 1970, 3 minutes?') then bought a machine to play it on in 2015. Heard the words and laid them onto a fuzzy break bed. Thought it all too relevant to today, prophetic David from his 'hippy' days (not a prophet or a stone age man)

fuzzy oceans - played on 1 string spamjo, bouncing echo over 70's drum machine, 'we've fucked the oceans'

freefalling - rolling cello and hissing cymbals with vocoder dreams comes with african/stationtostation artwork stylings for the sleeve..pre-apocalypse blues (and pinks), the world isn't going a good way a sumptuous 4 course sonic supper, tuck in.

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V.A.

LP | 2024 | UK | Original (Ace)

21,99 €*

LP | 2022 | US | Original (ABKCO)

Release: 2024 / UK – Original

Genre: Rock & Indie

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After the success of Keb Darge’s 2023 Ace Rockabilly compilation (chd 1637) the legend returns with another collection of music close to his heart.

On “Keb Darge Presents The Best Of Ace Sixties Garage Punk” the smooth-headed maestro pulls open his curtains to reveal a selection of US garage stompers from the 60s. “Though there are a couple of “never before on vinyl” tunes here for serious collectors, this compilation is aimed at those folk who are just getting into it,” states Keb “I have picked a selection of my favourites from the nice cheap and easy to find stuff up to the four figure and bloody hard to find stuff.” Artists like the Hooterville Trolley, the Litter, the Music Machine, the Venturie 5, the Lyrics and the Nightcrawers reflect back light towards British invasion bands like the Who, the Kinks and the Rolling Stones, home-grown garage flowers and the dark end of the psychedelic street. Laced with fuzzed guitar, enthusiasm, a driving beat and an attitude that was proto-punk this music remains fresh and is already being embraced by a new generation.

With liner notes from Keb and housed in a sleeve by Robin Banks −who also did the artwork for Keb’s Rockabilly compilation − this is an essential purchase.

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Animals

36,99 €*

Blush Clear Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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The Animals - "The Animals" The Animals' self-titled debut album features a mixture of blues, R&B, traditional folk covers, and an Eric Burdon original, "I'm In Love." The #1 US and UK charting "House of the Rising Sun" is included, which Rolling Stone included on the list of 500 Greatest Songs of All Time. The Animals is available on 180-gram vinyl and has been remastered utilizing high-resolution sources from first generation mono master tapes. Features liner notes by Rolling Stone Senior Editor David Fricke.

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Girl Ultra

LP | 2024 | UK | Original (Big Dada)

Release: 2024 / UK – Original

Genre: Rock & Indie

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LP | 2022 | Original (ABKCO)

Animals

Animal Tracks

36,99 €*

Warped Vision Green And Black Marble Vinyl Edition

Release: 2022 / Original

Genre: Rock & Indie

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The Animals - "Animal Tracks" - Overview: The Animals' third U.S. album, Animal Tracks, is a combination of Eric Burdon and Alan Price originals, in addition to blues and R&B covers. The hit singles "Don't Let Me Be Misunderstood," "Bring It On Home To Me," and "We Gotta Get Out Of This Place" are highlights of this album. Animal Tracks is available on 180-gram vinyl and has been remastered utilizing high-resolution sources from first generation mono master tapes. Features liner notes by Rolling Stone Senior Editor David Fricke.

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Psychlona

LP | 2024 | EU | Original (Magnetic Eye)

40,99 €*

Bubblegum XX Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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PSYCHLONA's fourth album "Warped Vision" is an exemplary exercise of practiced veterans creating a masterpiece. The album's foundations are laid down by riff-focused heaviness and breakouts combined with a multitude of chilled vibes. What makes "Warped Vision" stick out from a host of similar recordings is the precision with which each hook hits home and sticks, a dynamic balance of rough edges and catchy melodies. The city of Bradford in West Yorkshire is neither particularly arid nor situated in a hot climate. But although hailing from the former industrial heartlands of rainy Northern England, PSYCHLONA have developed a particularly British brand of desert rock. Some hot summer days in 2016 inspired local musicians to fry up some sonic ideas from sunny California of decades past and to blend in the raw energy of UK punk, a dash of the New Wave of British Heavy Metal, and spoonfuls of classic English 60s and 70s psychedelia. When the experiment exceeded their own expectations, PSYCHLONA were born. In November 2018, when English towns turn bleak and cold, their sun-drenched debut album "Mojo Rising" made ears prick up and set them firmly on the path for the prolific following years. The hardworking Englishmen released their sophomore full-length "Venus Skytrip" in August 2020, an album received rave reviews across the heavy rock underground, and which landed PSYCHLONA their first number one on the Doom Charts. It also reserved them spots high up on several important end-of-year lists. Gathering momentum, the British stoner rockers unveiled their third album "Palo Verde" two years later in August 2022 and immediately scored a second 10/10 review in Powerplay Magazine UK. Now, PSYCHLONA are ready to take the next big step. Welcoming two new members aboard the band has added a new dynamic both in writing and recording. The gentle alterations brought about by their fresh input have turned "Warped Vision" into what is clearly the most complete and thrilling album of the psychedelic desert rockers so far. With "Warped Vision", PSYCHLONA have hit the jackpot, and they are generously offering up rounds for everyone. Cheers! 1. Jasmine2. Let's Go3. Smoke4. Cut Loose5. Topanga6. Kaleidoscope7. Split8. Magic Carpet

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Mark Lanegan

2LP | 2024 | UK | Original (Beggars Banquet)

Performance Black Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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Bubblegum XX features features members of Queens of the Stone Age, PJ Harvey, Greg Dulli, Izzy and Duff from Guns & Roses/Velvet Revolver, among other assorted rock luminaries. When Bubblegum was released, Mark chose to let it speak for itself and didn"t have much to say aside from within the small handful of interviews he did at the time. In 2017, he released a book of lyrics and writings called I Am The Wolf and wrote about the album then. Shared here are some of his words about the record. Song favorites include "When Your Number Isn"t Up," and "Strange Religion," a love song I wrote in a Tokyo hotel room. While many of the songs came from a place of dejection and ennui at the end of a tempestuous relationship, "Bombed" in particular came about when, after I had written and recorded it in just a few minutes, I put a microphone in front of Wendy Rae Fowler, my soon-to-be-ex-wife, and had her sing along while simultaneously hearing it for the first time. I loved the result as it reminded me of Royal Trux, a band I liked. When I insisted on using the first and only take of the song, it made her slightly unhappy, but to be fair, that was just one of many things I did that had that effect.

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Tr/St

LP | 2024 | US | Original (Dais)

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (This Charming Man)

Hebi Katana

III

The Brian Jonestown Massacre

Release: 2024 / EU – Original

Genre: Rock & Indie

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Crystal clear vinyl, limited to 200 copies.HEBI KATANA's 3rd full album, known as "Tokyo Samurai Doom"!The classic doom riff and mellow and dark melody reminiscent of THE OBSESSED and TROUBLE have become a hot topic mainly overseas. Both works have been released on CD/LP/cassette by domestic and international labels. Their dark yet melodious doom sound attracted attention, especially among doom/stoner enthusiasts around the world.This work, which is the third album, maintains the classic doom/hard rock sound that has been created up to now, but it also has a strong jam feeling honed through expeditions including overseas tours, and the band ensemble is truly impressive. It is a work of art. Coupled with member changes, the content gives a sense of significant growth and progress. In addition, the songs created through collaboration with seasoned live acts have a more vivid finish. Through songwriting that involves everyone's participation, each band's colors and characters are strongly reflected, and it can be said that the band is exploring a unique sound based on the doom/stoner sound."Hallelujah Anyway" is a straightforward attack with a classic heavy riff and mellow chorus, "Depressed Blues" is a combination of a mid-tempo heavy riff and dark vocals In the second half, "Darkest Priest" develops into a more doomy shuffle boogie, and "Lost" drifts from a dark arpeggio-driven melody to a heavy and sinking development, and the songs included are rich and fulfilling. The yellowtail is something to behold. The rapid advance of "Tokyo Samurai Doom" begins now!

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Spacegirl & Other Favorites

LP | 2008 | Reissue (A)

LP | 2024 | Original (Brutal Planet)

Release: 2008 / Reissue

Genre: Rock & Indie

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Originally released in 1996 now reissued on "a records" Anton Newcombe's own record label Released on 180 g Green vinyl limited to 1,000 copies Taken from the original vinyl release with the original tracks & re cut at Abbey Road The Brian Jonestown Massacre is a psychedelic rock band originally from San Francisco, California, led by guitarist/singer Anton Newcombe. Since 1995 The Brian Jonestown Massacre has released numerous albums, first for Bomp! Records, the label which gave them their start, and later for TVT and Tee Pee. BJM has been essential in the development of the modern U.S. garage scene, and many LA and SF musicians got their start playing with Newcombe, including Peter Hayes of The Black Rebel Motorcycle Club. Originally Newcombe was heavily influenced by The Rolling Stones' psychedelic phase - the name comes from Stones guitarist Brian Jones combined with a reference to cult leader Jim Jones, but his work in the 2000s has expanded into aesthetic dimensions approximating the UK Shoegazing genre of the 1990s and incorporating influences from world music, especially Middle Eastern and Brazilian music. With The Dandy Warhols, The Brian Jonestow...

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Awful Truth

39,99 €*

Art Of The Unseen Machine Doublemint Green Vinyl Edition

Release: 2024 / Original

Genre: Rock & Indie

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In the late 80s, King's X had just launched their now-iconic Sam Taylor-produced debut album Out of the Silent Planet (1988), ushering in what would soon become known as the "Houston sound." This sound was a unique blend of progressive metal, groove, rock, and rich harmonies. Around the same time, another band began making waves: The Awful Truth. They had recorded their debut album for mainstream Metal Blade Records but sadly broke up before it even came out. By the time the album was released in 1989, two-thirds of The Awful Truth had formed a new band with two other members, the now-legendary Galactic Cowboys, further defining that groovy-metallic Houston Sound. Although signed to the infamous Metal Blade Records (known for releasing albums by Slayer, Fates Warning, Voivod, etc.), The Awful Truth's eponymous album featured poetic lyrics expressing a sincere faith. A key example is "Ghost of Heaven": High above the highest star Songs of You the angels sing Only You could fill my heart Only You could bring me where You are Ghost of Heaven, hear my plea Holy voice, won't you speak to me? Most of the material was written by David von Ohlerking and is adventurous, though more in a traditional progressive context, not foreshadowing the unpredictable style of the Galactic Cowboys. The one track with shared writing credits is Drowning Man, where you can definitely hear the chugging riffs and rhythms that would characterize Monty Colvin and Alan Doss' next project. The distinctive guitar sound, overdriven/mid-rangey bass tones, and oblique Christian imagery in the lyrics are reminiscent of the first four King's X records, but The Awful Truth ventures into heavier and more progressive territory. The epic Should Have Known All Along might even be mistaken for a lost King's X song, especially with the way Ohlerking's vocals break at the end, sounding very Dug Pinnick-like. The end result is a stone-cold classic in every way. The 2024 Brutal Planet Records reissue has been completely remastered by Rob Colwell (Nevermore, Flotsam & Jetsam, King's X, Poundhound, Voivod, etc.) and it sounds better than ever! Collector's are treated to Orange Crush Heavy-weight Vinyl and a 12x12 full color lyrics insert featuring band photos. This limited edition of just 300 Vinyl units is a must-have. Grab this slab of progressive hard rock brilliance while you can!

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Allegra Krieger

LP | 2024 | US | Original (Double Double Whammy)

Schwerkraft Für Anfänger Neon Orange Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Allegra Krieger’s "Art of the Unseen Infinity Machine", her second full-length album with Double Double Whammy, is a collection of 12 songs that pick at the fragile membrane between life and death.

Krieger’s previous album, "I Keep My Feet on the Fragile Plane", hewed more closely to the domestic spaces of city and mind. Rolling Stone regarded the album as “ten songs of heady philosophical meanderings packed with emotional dynamite,” and likened her “finely phrased lyrics” to those of “Joni Mitchell, Leonard Cohen, [and] David Berman.” Krieger’s existential meditations remain on "Art of the Unseen Infinity Machine", however her meandering melodies have taken on a stronger sense of direction. She narrates candidly and assertively; the full-band arrangements never overpower, only offer a robust platform on which Krieger’s voice reaches new heights.

The full band brings a heightened sense of drama to the album’s arrangements, which contrasts the quieter approach of Krieger’s previous LP. There are noisy interludes, jazz-inflected discursions, impactful stops and starts, and occasional spaces for Krieger to stretch out her impressive vocal range (most prominently at the dazzling climax of album stand out “Came”). In "Art of the Unseen Infinity Machine", Krieger invites us to a place where transfiguration is not only possible but actively happening. From this place, the beautiful and the banal and the terrible are all laid out before us. And Krieger asks us not to look away. Instead, she invites us to stare down the beautiful and terrible in the world, and to realize that sometimes the only way out is through.

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Der Neue Planet

LP | 2024 | UK | Original (Tonzonen)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Every Time I Think About You Bronze Vinyl Edition

The Cactus Blossoms

LP | 2024 | EU | Original (Walkie Talkie)

Every Time I Think About You Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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At its best, harmony duo singing can transform simple math into a magic trick. One plus one, instead of equaling two, suddenly yields an unexpected third thing. An upper-case ONE. A universal hum. A deep vibration that encompasses two different points of view. On their latest release, Every Time I Think About You, brothers Page Burkum and Jack Torrey, aka The Cactus Blossoms, once again prove themselves to be among the most adept - and instinctive – modern practitioners of the classic tradition.

All sorts of emotional colors shine through on their new album. “Something's Got A Hold On Me” is pure Saturday night two-steppin' joy, “Keep Walkin'” has a Stones-y swagger and “There She Goes” casts its romantic regret against a danceable bop beat. “Statues” is a gorgeous meditation on the weight of permanent honor, “Is It Any Wonder” weaves its pledge of enduring love through nature images, and the title track is a heart-wrencher about loss and letting go. In all, the ten beautifully open-ended songs here invite listeners in to find their own stories as they revel in the old-school melodies and harmonies.

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The Cactus Blossoms

LP | 2024 | EU | Original (Walkie Talkie)

Ryan & The Roadhouse Band Davis

Release: 2024 / EU – Original

Genre: Rock & Indie

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Dancing On The Edge

LP | 2024 | UK | Original (Tough Love)

35,99 €*