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Release: 2021 / EU – Original

Genre: Rock & Indie

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A Moon Shaped Pool Black Vinyl Edition

Radiohead

2LP | 2016 | UK | Original (XL)

36,99 €*

LP | 2024 | EU | Original (Arising Empire)

Release: 2016 / UK – Original

Genre: Rock & Indie

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Away with the mystics, here it is: Radiohead's ninth long player combining art rock and psychedilc folk.

A cursory glance at A Moon Shaped Pool may suggest a certain measure of indifference on the part of Radiohead. Its 11 songs are sequenced in alphabetical order -- a stunt befitting a Pixies concert or perhaps a Frank Black box set, not a proper album -- and many of these tunes are of an older vintage: the group began work on the opening "Burn the Witch" at the turn of the century, while the closing "True Love Waits" first appeared in concerts way back in 1995. These are the elements of a clearinghouse, but with Radiohead appearances are always deceiving. A Moon Shaped Pool doesn't play like an ill-considered collection of leftovers; it unfurls with understated ease, each silvery song shimmering into the next. The pulse rarely quickens and the arrangements seldom agitate, yet the album never quite feels monochromatic. Sly, dissonant strings grace some cuts, acoustic guitars provide a pastoral counterpoint to an electronic pulse, Thom Yorke's voice floats through the music, often functioning as nothing more than an element of a mix; what he's saying matters not as much as how he murmurs. Such subtle, shifting textures emphasize Radiohead's musicianship, a point underscored when this version of "True Love Waits" is compared to its 2001 incarnation. There, Yorke accompanied himself with a simple acoustic guitar and he seemed earnest and yearning, but here, supported by piano and strings, he sounds weary and weathered, a man who has lost his innocence. What he and Radiohead have gained, however, is some measure of maturity, and with this, their music has deepened. Certainly, sections of A Moon Shaped Pool contain an eerie, disconcerting glimmer, usually attained through power kept in reserve -- nothing stabs as hard as the sawing fanfare of "Burn the Witch," while the winding, intersecting guitars that conclude "Identikit" provide the noisiest element -- yet the album as a whole doesn't feel unsettling. Instead, there's a melancholic comfort to its ebb and flow, a gentle rocking motion that feels comforting; it's a tonic to the cloistered, scattered King of Limbs and even the sleek alienation of Kid A. Radiohead are recognizably the same band that made that pioneering piece of electronica-rock but they're older and wiser on A Moon Shaped Pool, deciding not to push at the borders of their sound but rather settle into the territory they've marked as their own. This may not result in a radical shift in sound but rather a welcome change in tone: for the first time Radiohead feel comfortable in their own skin. - allmusic.com

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Awake The Dreamer

Holocene Colored

Release: 2024 / EU – Original

Genre: Rock & Indie

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Floodland Black Ice Galaxy Vinyl Edition

The Sisters Of Mercy

LP | 1987 | UK | Reissue (Warner Music Uk)

Oren Ambarchi / Johan Berthling / Andreas Werliin

Release: 1987 / UK – Reissue

Genre: Rock & Indie

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At the end of their US tour in June 1985 The Sisters of Mercy effectively split up. Returning in November 1987 with ‘Floodland’ (UK #9), and still aided by the trusty Doktor Avalanche, Eldritch hired former Gun Club and Fur Bible bassist Patricia Morrison to complete the new line-up. Featuring the hit singles ‘This Corrosion’ (UK #7), ‘Dominion’ (UK #13) and ‘Lucretia My Reflection’ (UK #20), production duties were shared with none other than famed Meat Loaf writer Jim Steinman. Available for National Album Day on 1LP black ice galaxy vinyl for a limited run. Limited to 3000 copies for National Album Day UK.

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Ghosted II

LP | 2024 | US | Original (Drag City)

28,99 €*

LP | 1980 | EU | Reissue (Universal)

Release: 2024 / US – Original

Genre: Rock & Indie

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Missing out on that super-chill, uber-jittery minimal groove thing? Let"s get real, real Ghosted again.Oren Ambarchi has been collaborating with the Fire! trio (Mats Gustafsson, Johan Berthling and Andreas Werliin) for over a decade - and both Johan and Andreas played on Oren"s Live Hubris as well. Oren and Johan began music-making together back in the early aughts - but it wasn"t until 2021 that the three of them got together to record music. That became the first Ghosted album. When they were done, it was clear they had founded a new group. A music of sustained tension and deep atmosphere marked by subtle, shifting dynamics, Ghosted was released in May of 2022 to psyched response everywhere; the trio embarked upon an ongoing series of concert bookings around Europe, with loads of other people in the world still hoping to have the chance to be in the room at the next show. Two years on, Ghosted has gone through several represses, now it"s time for the "dreaded follow up album"! Rather than go back to the well, the guys decided to tear everything down and start all over again, reimagining themselves from scratch.Just kidding! As we"ve noted, Oren, Johan and Andreas have been playing together for years and years, developing an essential telepathy within their shared space. They get each other and feed each other"s music processes on an elemental level. Why change that? What made the most sense was to go back to Daneil Bengtsson at Studio Rymden in Stockholm for a couple days, then have Oren and Joe Talia mix and Joe master it at Good Mixture in Melbourne again, then get Pål Dybwik to do some well-distinctive cover art, and once more, call it a record.That"s just what they did - and it should be no surprise at all that the new Ambarchi/ Berthling/Werliin album looks and sounds as engrossing as their debut, if not more so! Ghosted II has a definitively fresh quality radiating throughout. The mutual feeling among the three players goes deep, allowing for lots more to say every time they get toge...

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John Lennon & Yoko Ono

Double Fantasy

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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St. Petersburg E.P. Record Store Day 2023 Plum Colored Vinyl Edition

Supergrass

10" | 2023 | Reissue (Echo)

22,99 €*

Crash Course Black Vinyl Edition

Release: 2023 / Reissue

Genre: Rock & Indie

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Record Store Day 2023 exclusive release limited to 920 copies,
This limited edition Record Store Day, 10” plum Colored Vinyl release features four of Supergrass’ key tracks from 2004-2005. Opening with the melancholic "St. Petersburg" the slow paced thinker that features an iconic and haunting piano riff that charted #22 in 2005 and as of 2022 is their most recent UK Top 40 Hit. Next up is a live version of the classic Supergrass stomper ‘Road To Rouen’ recorded at Somerset House in 2005. The B side opens to a notably different arrangement of their classic track ‘Kiss Of Life’ recorded live at the Portsmouth Pyramid in 2005. Things take a turn as the EP signs off with ‘Coffee In The Pot’, a lively little Surf Rock inspired number that reminds the listener of Supergrass’ unique sense of humour. The artwork has been recreated from the original ‘St Petersburg’ single artwork originally released in 2005, and features the famous statue of Peter the Great, from Saint Petersburg in Russia. Matte paper print finish and printed inner bag.

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UK Subs

LP | 1980 | UK | Reissue (Demon / Edsel)

Release: 1980 / UK – Reissue

Genre: Rock & Indie

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Play Me Again Colored Vinyl Edition

Kid Francescoli

LP | 2017 | EU | Original (Yotanka Productions)

19,99 €*

Release: 2017 / EU – Original

Genre: Rock & Indie

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Main Offender Remastered Red Vinyl Edition

Keith Richards

LP | 2019 | EU | Reissue (BMG Rights Management)

Release: 2019 / EU – Reissue

Genre: Rock & Indie

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Summerlong Clear With Teal & Orange Vinyl Edition

Rose City Band

LP | 2020 | US | Reissue (Thrill Jockey)

Tape | 2021 | US | Original (Keeled Scales)

Release: 2020 / US – Reissue

Genre: Rock & Indie

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It is impossible to talk about modern psychedelic music without mentioning Ripley Johnson. As bandleader of Wooden Shjips and half of Moon Duo, Johnson has continually charted new cosmic paths that expand on the language of the genre. With Rose City Band, Johnson's songwriting and beautiful guitar lines take center stage. While his vocal treatment would be recognizable to any Wooden Shjips fan, the sparseness of the instrumentation lays bare the beauty of his writing. Shimmering guitar lines are free to shine, buoyed by driving rhythms. New to the mix are arrangements and instruments drawn directly from classic country, resulting in songs with more than a hint of twang. Buoyant and joyous, Summerlong is a captivating listen that leaves the listener yearning for more. The record is an ode to freedom, born of a musician stepping out of all routines and whose own liberation is communicated so completely in his music. Summerlong is a record that, taken in its entirety, is an emphatic statement on the songwriting power of Ripley Johnson. Johnson's joy in every aspect of this album is delightfully infectious. Rose City Band started purely as a recording project, with Johnson's role mostly obscured for the self-titled debut album. Released with no promotion, in the style of private press records, it was a liberating, a focus on music without any expectations. With a chuckle, Johnson elaborates, "I always would threaten to my friends that I'm gonna start a country rock band so I can retire and just play down at the pub every Thursday night during happy hour. I love being able to tour and travel, but I also like the idea of having a local band ... more of a social music experience." Freedom from expectation and obligation gave Johnson the space to experiment. The introduction of lap steel, mandolin, and jaw harp enhance Johnson's lean guitar work with radiant overtones, placing Summerlong more overtly within the country tradition than its predecessor. Work on the album began at Johnson's home studio in Portland during the summer, but, interrupted by touring, was not be finished until winter. The dark isolation of winter and the pining for summer's easier days can be felt in the album's few quieter moments. Summerlong was mixed by John McEntire (Stereolab, Broken Social Scene, Tortoise) at his newly minted Portland Soma Studios and mastered by Amy Dragon at Telegraph Mastering, also based in Portland. The aptly named Summerlong, born of Johnson's own fondness for the season, delivers an emotional lift-an expression akin to the joy of getting out there on a warm day, be it gathering for a BBQ, hopping onto a bike, leaping into a swimming hole, or simply reading in a park.

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Katy Kirby

Cool Dry Places

13,99 €*

Power Up Red Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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Katy Kirby is a Texas-based songwriter and indie rock practitioner with an affinity for unspoken rules, misunderstanding and boredom. She was born, raised and homeschooled by two ex-cheerleaders in small-town Texas and started singing in church, amidst the pasteurised-pop choruses of evangelical worship. Like many bible belt late-millennials, Katy grew up on a strict diet of this dependably uncool genre and accordingly, Cool Dry Place finds her dismantling it. "I can hear myself fighting that deeply internalized impulse to make things that are super pleasant or approachable," she says. Though Katy hasn't fully overcome the itch to please, it's to a listener's benefit. Instead of eradicating the pop sensibilities of her past, she warps them, lacing sugary hooks with sneaky rage, twisting affectionate tones into matter-of-fact reproach, and planting seemingly serene melodies with sonic jabs. The fun is in the clash. The nine tracks that make up Cool Dry Place are miscellaneous in subject (motherhood, late capitalism, disintegrating relationships) but unified by the angle from which they're told: from a person re-learning to process life with intense attention. Each song is a catalogue of fragments, the number of segments in an orange or the cut of an obsessively-worn shirt, distilled into meditations on the bizarre and microscopic exchanges that make up modern life - a relationship splintering, an uncomfortable pause, an understanding finally found. These emotional dioramas are moderated by the angular storytelling that unites Gillian Welch and Phoebe Bridgers, a favour for the conventions of short fiction over confession.

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AC/DC

LP | 2020 | EU | Original (Columbia)

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2018 | EU | Original (BMG)

Good Charlotte

Generation Rx

20,99 €*

Release: 2018 / EU – Original

Genre: Rock & Indie

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Flood Of Lies Yellow Ochre Vinyl Edition

UK Subs

LP | 2024 | Original (Jungle)

LP | 2024 | US | Original (Thrill Jockey)

Release: 2024 / Original

Genre: Rock & Indie

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The fifth UK Subs studio album, from 1983, remastered - not available on CD for years. With extra tracks from singles; and now with bonus CD "Gross-Out USA" - plus three never-before released demo tracks, including an unheard song. Packaged in an all-card 6-panel sleeve with unseen band photos. Albums "F" and "G" in the UK Subs A-Z series of albums.The album was not available on vinyl for nine years. Now with a new inner bag featuring all the lyrics and unseen band photos. A limited edition, transparent yellow ochre vinyl with improved original sleeve art. Album "F" in the UK Subs A-Z series of albums.The album came at a crossroads for the UK Subs. Punk had become unfashionable, and the early line-ups had split leaving Charlie Harper to form a new band. He enlisted early Subs bassist Steve Slack (who"d left before their first recordings, replaced by his brother), drummer Steve Jones and guitarist Captain Scarlet. Navigating between the UK Subs punk ethos and wider accessible music, with many songs co-written by Slack and Scarlet, Charlie"s lyrics reflected the current political paranoia of an Orwellian future, alongside hedonistic punk tales of life lived and characters met along the road. The album successfully led the band to embark on decades of world tours and continue the now-legendary A-Z series of albums. Although the current band have given up lengthy tours, since Charlie"s 80th birthday they reconvene regularly for festivals and short tours - in the UK from October 4.

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Umberto

Black Bile

LP | 2024 | EU | Original (From Lo-Fi To Disco!)

Release: 2024 / US – Original

Genre: Rock & Indie

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Black Bile compiles some of Umberto"s most resplendent, sanguine music to date. The solo work of LA composer Matt Hill draws heavily from the world of cinema, spinning immersive narratives and rich atmospheres using sound alone. Hill, an active composer for film and television, recently scored the 2022 Jerry Pyle film Loveseat (soundtrack was released in 2023). Other recent scores include the 2020 thriller Archenemy, from the producers of cult classic Mandy.Inspired by the ancient Greek theory of the "four humors," an early medical theory linking the inner workings of the human body to the elements. "Black bile" specifically links the feelings of melancholy with autumn. Hill"s celestial compositions are an autumnal soundtrack conveying beauty, yearning, reflection and comfort.Many of the album"s phrases are constructed from just two notes or sounds, arranged by Hill into complex patterns that undulate with an organic pulse. The spare melodic structure holds a myriad of small and beautiful details. The songs began with Hill improvising on the piano, to find the notes and patterns that created the musical and emotional structure from which he could expand with textural detail. Hill then would often remove the initial structure leaving a sparer and more skeletal one which he could again expand upon to create a full piece. The careful attention to each detail gives his minimal compositions emotional heft. The album masterfully stakes Umberto"s claim among other avant-ambient boundary pushers such as Lawrence English or Laurel Halo.

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Woog Riots

Collectors Of Pop

Release: 2024 / EU – Original

Genre: Rock & Indie

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Mary Lattimore And Walt Mcclements

Rain On The Road Blue Vinyl Edition

LP | 2024 | US | Original (Thrill Jockey)

Release: 2024 / US – Original

Genre: Rock & Indie

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Mary Lattimore and Walt McClements are two of contemporary music"s most renowned innovators. Each has managed to expand the perception of their instrument"s capabilities. Lattimore inventive harp processing and looping has brought the instrument to a new audience. Her prolific run of celestial solo albums and evocative film scores have redefined the instrument in the modern consciousness. Her genre-agnostic collaborations include work with Kurt Vile, Steve Gunn, Jeff Zeigler, Meg Baird, and Thurston Moore. McClements, who tours as a member of Weyes Blood, is an acclaimed composer in his own right, sculpting glacial atmospherics from the accordion. The Los Angeles based duo became quick friends on overlapping tours, sharing both a drive to push the sonic possibilities of their instruments and roots in North Carolina. Mary Lattimore and Walt McClements debut collaboration Rain on the Road blossomed out of that time spent on the road together, capturing the liminal existence of touring life in deeply cinematic compositions. Recorded in the cozy setting of McClements" apartment during a rainy December in LA, Rain on the Road unfurls as a series of sonic vignettes, rolling landscapes hewn from longform improvisations for harp and accordion. Embellished with additional instrumentation such as the shimmering constellations of hand bells on "Stolen Bells" that glisten like lights on wet pavement, or the stately piano figures on "The Top of Thomas Street"; their pastoral pieces manage to paint vivid images.

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Jack White Acoustic Recordings 1998 - 2016

2LP | 2016 | EU | Reissue (Sony Music Catalog)

Release: 2016 / EU – Reissue

Genre: Rock & Indie

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The Hallowed White / Blue Marbled Vinyl Edition

Jag Panzer

2LP | 2023 | EU | Original (Atomic Fire)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP+CD | 2020 | EU | Original (Inside Outmusic)

Jakko M Jakszyk

Secrets & Lies

21,99 €*

For Those About To Rock We Salute You Gold Nugget Vinyl Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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‘Secrets & Lies’ contains 10 songs that explore topics such as obsession, betrayal, the shifting grounds of contemporary politics, and the tangled threads of family history, Secrets And Lies balances sensitive writing, musical technique, and accessible tunes cast in an impressively cinematic sound world. With three of the tracks, Separation, Under Lock & Key and Uncertain Times originating in King Crimson's writing sessions, the result is a mature work brimming with yearning melodies in symphonic or widescreen settings, fluid guitar work, and Jakko’s heartfelt, emotional vocals.

The album features Jakszyk joined by his King Crimson bandmates Robert Fripp, Gavin Harrison, Tony Levin & Mel Collins, as well as appearances from John Giblin (Simple Minds), Mark King (Level 42), Peter Hammill (Van der Graff Generator) and noted British comedian Al Murray.

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AC/DC

LP | 1981 | EU | Reissue (Sony)

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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LP | 2024 | US | Original (Feel It)

Class

A Healthy Alternative

LP | 1994 | US | Reissue (Young God)

Release: 2024 / US – Original

Genre: Rock & Indie

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My mates went on holiday to the Isles for this one. Galactic romantic entropy three sheets to the 'Wind. Saxy glimmers, broken sunbeams, oil dancing in a puddle of water in a parking lot somewhere in St. Louis or Birmingham. And just as first-wave yankee punk was decidedly solipsistic, the Poms folded in a more civic bent to explain the zeitgeist of generational disaffection. Is 'Scared To Care' about spikey punks whose apartments are littered with Amazon boxes? Is 'Biggest Sale of The Year' an indictment of late-stage capitalism? Is 'The Milkman' an effective populist who wants you to sink so that he can swim? Is this record more political than those dystopian hardcore records you sold when a nice girl opened your eyes once? Merely conjecture...

It's an album dripping with clandestine musical intelligence, artisanal song-writing, great voices. The illegitimate son of Dinosaurs' bassist isn't in the mix this time, but I can assure you his spirit is there—I can almost hear the glass of side mirrors cascading to Richmond Ave on a drunken bike ride 15 years before Josh Allen and Conway The Machine made The City That Always Sleeps cool! (not recommended... you truly cannot cheat Carma).

What is soul? Soul is finding your own catalytic converter at the thrift store. Soul is trying out for the Harlem Globetrotters on your 37th birthday and it not going so well. Soul is wearing those attractive bygone eras on your sleeve without hesitation or embarrassment. Pentatonic rock didn't exactly bubble from a serious bog, and when adults who partake become artistically conservative, grow egos in a Petri dish somewhere in the well-adjusted hyper-capitalist cityslicker life they've created because they can seemingly play Vibrators riffs better than the actual kids, everything is lost! Class know this, resisting that spiritual deficit of our collective moment with the voice of honest men trying to have fun in this fuckin' wacky world, unafraid to rhyme words like 'narcissist' and 'anarchist'. I mean, how many songs wouldn't have a pinky toe to pirouette on if 'school' and 'fool' didn't rhyme?! Now get your ass to Class."—Brandon Gaffney

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Swans

Great Annihilator

38,99 €*

Release: 1994 / US – Reissue

Genre: Rock & Indie

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LP | 2024 | Original (Sweet Gee)

Bellrays

Heavy Steady Go

The Kids Will Have Their Say Purple Vinyl Edition

Release: 2024 / Original

Genre: Rock & Indie

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Originating from Riverside, California, the BellRays have been mixing punk, rock and soul with the unique authenticity that has made them who they are in today. "We created a band and music based on what we love." - explain Lisa Kekaula and Robert Vennum, the founding members of The BellRays. The tradition that the band continued over the last thirty years inspired them to infuse their influences. It's in their DNA. The sound can be described by one simple formula: Emotion + energy = excitement. Their latest album, Heavy Steady Go! Strictly follows this rule but also, provides new coloring and shades to the well-beloved formula. "We've heard ourselves described by some variation as 'Tina Turner fronting AC/DC' or 'Motorhead meets Aretha Franklin' which comes with an expectation to be that every time." - explains Robert Vennum. "We are expected to be something that does not exist." This recording is split by two cities, two years and two badass rhythm sections: Mark Cisneros (bass) and Ron Miller (drums) both from Kid Congo & The Pink Monkey Birds in Tucson, AZ and later the return of past drummer Craig Waters (Cody Chestnut, Andre Williams, the Countdowns) and newest arrival, Nico Miles on bass recording in Riverside, CA produced by Lisa and Robert. Heavy Steady Go! #is described by the two as 'a festival in album form'. It's contrasting style mashups and musical collaborations between each quartet is powerfully concentrated rock and roll." Robert and Lisa explain that with these songs "we pay homage to Tom Petty, Bon Scott, Fleetwood Mac, Howlin' Wolf, Cheap Trick, Betty Davis, and dozens of others that inspired this album. We wrote and crafted these songs looking at ourselves through the lens of the iconic sounds we heard growing up. Pressed on 180g vinyl / Gatefold jacket.

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SS Decontrol

LP | 1982 | US | Reissue (Trust)

LP | 2019 | PL | Original (Interscope)

Release: 1982 / US – Reissue

Genre: Rock & Indie

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What is there to say about SS DECONTROL’s long out-of-print 1982 debut, The Kids Will Have Their Say, that hasn’t already been written? Long heralded as the first straightedge album, this collection of songs captures a time and an era in the nascent hardcore scene before formulas and posturing. In other words, it’s an unfiltered, artistic statement that’s singular in scope and vision. The Boston act’s debut was extremely limited, never repressed, and has gone on to have a life of its own despite the fact the only affordable way to listen to it has been low-quality streams on YouTube. Now, after being out of print for 40 years, the album will be available on vinyl by Trust Records with remastered audio and a painstaking recreation of the iconic cover art courtesy of Bryan Ray Turcotte. Over the years, the mythology of the album has only grown—and this reissue of the album is sure to introduce this prescient and powerful collection of songs to a new generation of fans who never had the opportunity to see the original lineup of guitarist Al Barile, vocalist Springa, bassist Jaime Sciarappa, and drummer Chris Foley perform live. In many ways, SSD launched the hardcore scene in Boston as we know it and the band’s kinship with Minor THREAT’s Ian MacKaye arose out of the fact that both acts refused to conform to society’s still shifting standards at the time. From the unbridled aggression of SSD’s “Boiling Point” to the strippeddown groove of “How Much Art,” the album was as reactionary as it was revolutionary and is an artistic statement that remains to be remarkably complex for a group of guys barely into adulthood. Whether you’re buying this because you’re lucky enough to own the original pressing or you’re hearing the album for the very first time, this version of The Kids Will Have Their Say is a striking document of the nascent hardcore scene that sounds just as vital today as it did when it was originally recorded.

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Queens Of The Stone Age

Rated R

Release: 2019 / PL – Original

Genre: Rock & Indie

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Kid Congo & The Pink Monkey Birds

Swing From The Sean Delear

LP | 2021 | US | Original (In The Red)

Pat Garrett & Billy The Kid

Release: 2021 / US – Original

Genre: Rock & Indie

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Swing From The Sean DeLear is the new four song 12-inch by Kid Congo & The Pink Monkey Birds on In The Red Records. It celebrates a dreamlike bridge between life and memory. Recorded and mixed with Jim Waters (Jon Spencer Blues Explosion, Sonic Youth, etc.) at Waterworks Recording in Tucson AZ, the track “Sean DeLear” is a tribute to the late, magical, and ubiquitous Los Angeles underground institution named Sean DeLear. This rocking song uses the metaphor of those passed on as swinging from a chandelier, a festive image everyone hopes is true! Side two of this 12-inch is a fourteen-minute psych, Chicano-groove titled “He Walked In.” The text is based on a visceral fever dream Kid had about his friend and Gun Club bandmate Jeffrey Lee Pierce, who passed away in 1996. Leading the listener back to the theme of feelings sustained between life and memory, the song dreams on as the band spreads their monkey bird wings, featuring Mark Cisneros on flute, and guest tambourine-queen Cesar Padilla—lost in music but found in sound. In such uncertain times, one thing is most certain—Kid Congo & The Pink Monkey Birds will always bring the party...and the other world.

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Bob Dylan

LP | 1973 | US | Reissue (Sony Legacy)

28,99 €*

Release: 1973 / US – Reissue

Genre: Rock & Indie

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12" | 2018 | EU | Original (Big Scary Monsters)

The Get Up Kids

Kicker

18,99 €*

Release: 2018 / EU – Original

Genre: Rock & Indie

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Over And Over And Over / Everything You've Ever Learned

7" | 2018 | US | Original (Third Man)

Release: 2018 / US – Original

Genre: Rock & Indie

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The second single off of Jack White's acclaimed, challenging and diverse third solo recording Boarding House Reach. This 7'' features the anthemic Over and Over and Over on the a-side with buzzy, spoken-word track Everything You've Ever Learned on the b-side.

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That Black Bat Licorice / Blue Light, Red Light

7" | 2015 | US | Original (Third Man)

Release: 2015 / US – Original

Genre: Rock & Indie

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Third single off Jack White's second album Lazaretto with non-album B-Side "Blue Light, Red Light (Someone's There)"

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7" | 2012 | US | Original (Third Man)

I'm Shakin

LP | 2024 | EU | Original (Ako-Lite)

Release: 2012 / US – Original

Genre: Rock & Indie

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Includes exclusive non-album b-side!

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Jim Jones All Stars

Ain't No Peril

33,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Louie Louie Black Gold Splatter Vinyl Edition

Iggy and The Stooges

7" | 2023 | EU | Original (Cleopatra)

15,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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The Wolfmanhattan Project

Smells Like You / You Are My Glue

7" | 2015 | US | Original (In The Red)

9,99 €*

LP | 2024 | US | Original (Slovenly)

Release: 2015 / US – Original

Genre: Rock & Indie

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The Wolfmanhattan Project is a brand new band featuring Mick Collins, Kid Congo and Bob Bert. Their debut single sounds like the sort of trashy, swampy, sleazy, damaged music one would expect from the gentlemen involved. An album will follow soon(ish). Gatefoldjackets with insert.

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The Okmoniks

Afterparty Fever!!

7" | 2024 | UK | Original (Egg)

Release: 2024 / US – Original

Genre: Rock & Indie

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San Francisco’s last and only rock and roll band THE Okmoniks has teamed up with Slovenly Recordings for Afterparty Fever!!! Here are nine new houserockin’ woman led punk rock’n’roll blasts that capture the essence of a party that just don’t stop. This particular all-nighter was recorded live in a small room, and you can tell from the screams, handclaps, and peals of laughter that this 17 minute end result was produced in a gloriously boisterous session. Afterparty Fever!!! captures the girls-to-the-front, make-room-for-dancing, leave-’em-wanting-more live show they’ve been dishing out for freaks world-wide for the past two decades. The OKs are fronted by Helene 33 on vox, simultaneously playing impossible sounding, finger stretching 60s Ace Tone Top 5 organ tones while tossing it around like a toy… It must be seen to be believed, and a believer you shall be!

The Okmoniks recorded and produced every song on this album, and wrote them all with the forgivable exception of one cover by Tucson 60s punk outfit The Grodes. “Afterparty Fever!!!” sounds like a band in 1977 doing their favorite 1966 stompers: devastating dancers like “Don’t Wanna See You No More” and “I’ll Let You In” could fit comfortably in a John Waters teen shimmy montage, giving way to rockers like “He Left the Party with Me” and “Summer Break Up” that could serve as the captions for a comic panel in “Punk” Magazine.

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Lovely Eggs

My Mood Wave

13,99 €*

Release: 2024 / UK – Original

Genre: Rock & Indie

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LP | 2023 | US | Original (In The Red)

Wolfmanhattan Project

Summer Forever And Ever

LP | 2024 | UK | Original (Rocket)

Release: 2023 / US – Original

Genre: Rock & Indie

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Summer Forever And Ever succeeds Blue Gene Stew, 2019’s debut by the Wolfmanhattan Project, a collective unit co-starring three musicians familiar to In The Red listeners: singer-guitarist Mick Collins, front man of the seminal Detroit-bred garage units the Dirtbombs and the Gories, singer-guitarist Kid Congo Powers who played in such legendary bands as the Gun Club, the Cramps, and Nick Cave and the Bad Seeds, and drummer-vocalist Bob Bert, whose skin work has distinguished albums by Sonic Youth, Pussy Galore, Lydia Lunch’s Retrovirus, and Jon Spencer and the HITmakers. The group was founded as a studio project by three musicians who are kept busy by their primary bands. Blue Gene Stew was written and recorded quickly. Powers says, “I think that the new record was much more a group effort. I think there’s more of a group kind of sound, as eclectic as it is. I feel like we all played together, as opposed to playing on each other’s songs.” Bert notes that the band’s music is grounded in spontaneity: “Me and Mick went in and had a couple of rehearsals, and I would come up with a beat, he would come up with a riff. I still have a cassette Walkman, believe it or not, and we’d put it down on that. It wasn’t even a full song. We’d just put down a bunch of ideas. When it came to recording we’d lay down the basic tracks and work out different things, and a lot of it was made up on the spot. It really is a great collaboration.” Recorded and engineered by Mark C. of Live Skull at his studio, Summer Forever And Ever finds Powers playing piano and the Kaoss touch-pad effects unit and Collins playing synthesizer, in addition to their usual instruments. The album reflects the same eclectic mix of musical styles heard on the debut. References and sometimes even direct quotes from sources as diverse as the Andrea True Connection, Captain Beefheart, the Count Five, and Eurythmics leap out of the speakers.

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Goat

Goat Black Vinyl Edition

2LP | 2024 | US | Original (In The Red)

Release: 2024 / UK – Original

Genre: Rock & Indie

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The Ouroborus - that is, the icon of the snake or dragon eating its own tail - appears to some a statement of the brutality of nature. To others of a Gnostic disposition it symbolises the duality of the divine and earthly in mankind. But most commonly, it’s taken simply to mean the endless cycles of death and rebirth that characterise life on this planet. As such, it’s an image that looms large in the world of Goat, the ever-mysterious and endlessly revivifying collective whose latest album marks another adventure above and beyond this particular plane of reality.This may be a band that has named albums both Requiem and Oh Death, yet this eponymous salvo proves yet again that transcendence and metamorphosis are their watchwords. Goat sees this ever-unpredictable outfit summoning rhythmically-driven rituals in unmistakable, uplifting and scintillating style, equally adept at ignitiing dancefloors and expanding minds.

‘One More Death’ and ‘Goatbrain’ are spectacular curtain-raisers, embodying a hedonistic spirit driven by incisive funk and possessed by merciless fuzz/wah-drenched guitar. Yet elsewhere, the band’s love of hip hop is the fuel for the end-credits-epic album closer ‘Ourobourus’ which marries infectious chant to breathless Lalo Schifrin-style breakbeat action. And which also means ultimately, like the titular oldest allegorical symbol in alchemy, we’re right back where we started. As Brad Dourif’s character Hazel Moates intones in the 1979 movie Wiseblood, “Where you come from is gone; where you thought you were going weren’t never there. And where you are ain’t no good unless you can get away from it”; in Goat’s eternal now of renewal and revelation, there’s never been a more potent means of escape.

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Redd Kross

39,99 €*

LP | 2024 | US | Original (12XU)

Release: 2024 / US – Original

Genre: Rock & Indie

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In 1979, two school-kids all hopped-up on punk-rock started their own group in their hometown of Hawthorne, Los Angeles (birthplace of the Beach Boys) and soon found themselves opening shows for notorious scene pioneers Black Flag. Jeff McDonald was fifteen, his brother Steven McDonald only eleven. But that didn’t stop their group from becoming one of the most remarkable, enduring and unique outfits punk-rock ever belched up.

2024, then, marks Redd Kross’s forty-fifth birthday—an important anniversary for any group whose heart pulses at 45RPM—and the brothers are celebrating the event with a veritable multimedia extravaganza. There’s a memoir, Now You’re One Of Us, due in November, author Dan Epstein telling the group’s story in the McDonalds’ unmistakable (and occasionally contrary) voices. A brilliant rockumentary, Born Innocent, directed by Andrew Reich, will premiere later in the year. Most exciting of all, this new album—an eponymous double-album, no less, packed with eighteen of their sharpest, most addictive songs yet. These years of joyful service to rock’n’roll have seen Redd Kross evolve into a killer pop-rock concern, dealing in dayglo power-chords, choruses as tall as skyscrapers and a lyric sheet thick with acid couplets and arch pop-cultural references their loyal following will gobble up like quaaludes.

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Weak Signal

Fine

Several Shapes Of Solar Flares Pink & Purple Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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"The music of New York trio Weak Signal (Mike Bones, guitar and voice; Sasha Vine, electric bass, violin, and voice; Tran, drums and voice) is a masterclass in simplicity and economy but these aspects aren’t present for their own didactic sake. Rather, their art is world-building in the most essential of ways, subtly spinning out in an enveloping, rich haze from a clear, architectural core. There are sections of knife-like collective squall and dialogic drift that glance at improvised music; while not strictly pop, the tunes are incredibly catchy with wry, keenly memorable lyrics that easily stick in one’s craw. With associations including Endless Boogie, Sian Alice Group, and Soldiers of Fortune, Weak Signal formed in 2017. They waxed two full lengths in the period leading up to the pandemic ('lp1'; 'Bianca'), and during that unsettling year-plus without many gigs to speak of, the trio kept busy and unleashed a handful of choice digital EPs and a couple of split 7” singles (cue up 'Rolex' if you haven’t heard it). In 2023 the group released 'War and War', a self-published book / CD (its title taken from a volume by Hungarian writer László Krasznahorkai) that was reissued on LP by 12xu the following year. 'Fine' is their fourth full-length to date, its tight ten-song program fleshed out with sonic icing from keyboardist Alexis Taylor (Hot Chip) and guitarists Doug Shaw (Gang Gang Dance; White Magic) and Cass McCombs."—Clifford Allen

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The Asteroid No. 4

LP | 2024 | EU | Original (Club AC30)

World Music Yellow Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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180g Vinyl

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Goat

LP | 2012 | UK | Reissue (Rocket)

Woodstock 99 Blue Vinyl Edtion

Release: 2012 / UK – Reissue

Genre: Rock & Indie

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(Abbey Road master but in the original sleeve) When the mysterious masked collective calling themselves Goat first emerged in 2012, armed with an incendiary debut album ‘World Music’ – there was, and there still isn’t, anyone else on earth quite like them. With their enticing mythology, music full of sinuous grooves and manic explosions of fuzz, Goat were outliers from the very beginning. ‘World Music’, received an avalanche of acclaim with critics, psych heads, outernational crate diggers etc, all left enraptured by its thunderous intensity, conjured from a singular mix of sounds from across the globe. ‘World Music’ is brimming with tracks now seen as ‘classic’ Goat live favourites. Tracks that have been wowing audiences all over the world; the afrobeat stomp of ‘Disco Fever’, the fuzz abuse of ‘Goathead’, the post-punk groove of ‘Let it Bleed’, the sing-along repetitive pop of ‘Run to your Mama’... From the first note to the last, ‘World Music’ oozes with a sonic confidence rarely seen on a debut album. What Goat have is unique – they’ve managed to create a sound unrestrained by genre or any other boundaries. So if you haven’t done so already, then it is now time you joined the Goat commune. (Abbey Road master but in the original sleeve) When the mysterious masked collective calling themselves Goat first emerged in 2012, armed with an incendiary debut album ‘World Music’ – there was, and there still isn’t, anyone else on earth quite like them. With their enticing mythology, music full of sinuous grooves and manic explosions of fuzz, Goat were outliers from the very beginning. ‘World Music’, received an avalanche of acclaim with critics, psych heads, outernational crate diggers etc, all left enraptured by its thunderous intensity, conjured from a singular mix of sounds from across the globe. ‘World Music’ is brimming with tracks now seen as ‘classic’ Goat live favourites. Tracks that have been wowing audiences all over the world; the afrobeat stomp of ‘Disco Fever’, the fuzz abuse of ‘Goathead’, the post-punk groove of ‘Let it Bleed’, the sing-along repetitive pop of ‘Run to your Mama’... From the first note to the last, ‘World Music’ oozes with a sonic confidence rarely seen on a debut album. What Goat have is unique – they’ve managed to create a sound unrestrained by genre or any other boundaries. So if you haven’t done so already, then it is now time you joined the Goat commune.

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V.A.

LP | 2024 | EU | Original (Woodstock)

2LP | 2018 | UK | Reissue (World Of Echo)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Peace, love and rage. Woodstock '99 took place in Rome, New York, from July 22 to July 25, 1999, and went down as one of the craziest events in recent music history. The festival was marred by difficult environmental conditions, overpriced food and water, poor sanitation, sexual harassment, rioting, looting, vandalism, arson, violence, leading to media attention and controversy that vastly overshadowed coverage of the musical performances. In honor of its 25-year anniversary, let's listen to some of the incendiary tracks of the time, namely those of Korn, The Offspring, Kid Rock, Limp Bizkit, Metallica, Rage Against The Machine, Creed, Sevendust, Godsmack and Megadeth.

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Naoki Zushi

LP | 2023 | US | Original (12XU)

Release: 2018 / UK – Reissue

Genre: Rock & Indie

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Double LP - gatefold, tip-on sleeve, black vinyl - edition of 500 worldwide. RIYL: Hallelujahs, Nagisa Ni
Te, Roy Montgomery, Grouper, Manuel Gottsching. With IV, World Of Echo inaugurates a series of reissues by Japanese guitarist,
Naoki Zushi. Perhaps best known for his stellar guitar contributions to psych folk group, Nagisa Ni Te, Zushi has had a parallel career,
for several decades, slowly releasing solo albums that spotlight his exultant guitar playing. Originally released to CD only by Shinji
Shibayama of Nagisa Ni Te’s Org imprint in 2018, IV has Zushi playing and writing at a peak, its six songs slowly unfurling with a kind
of paradoxical understated grandeur. This is psychedelic guitar music at its most paced and considered, yet given to flights of
inspiration, and in this respect, Zushi sits within a lineage of guitarists who’ve used their instrument both as textural anchor and
improvisatory tool – think of figures like Phil Manzanera and Robert Fripp, but also Roy Montgomery, Liz Harris of Grouper, even Tom
Verlaine on his instrumental solo albums. Like those artists, Zushi locates moments of deep emotional resonance amidst luxuriant
textural and melodic exploration. Zushi’s history stretches back to the mid 1970s. While for many, he first appeared on the scene as a
founding member of noise legends Hijokaidan, alongside Jojo Hiroshige, his musical contributions predate that encounter. He started
out playing progressive rock and improvised music, making home recordings of when he was in high school. He was a member of
Rasenkaidan (Spiral Staircase) alongside Hiroshige and Idiot (Kenichi Takayama), the group that soon mutated into Hijokaidan
(Emergency Staircase). Zushi and Takayama would soon form Idiot O’Clock, in 1982; Zushi also led his own Naoki Zushi Unit, starting
in 1983. But for many, Zushi’s first significant appearance on record was as a member of Shinji Shibayama’s mid-eighties psych-pop
group, Hallelujahs, whose sole album was recently reissued on vinyl. That group mutated into Nagisa Ni Te, and Zushi has played a
significant role as their lead guitarist for several decades. His own solo music has appeared sporadically – Paradise (1987),
Phenomenal Luciferin (1998), III (2005) and IV, with a few recent, meditative offerings, For My Friends’ Sleep (2021) and Nocturnes
(2022). With IV, though, Zushi achieved something remarkable, a kind of extended exploration of the time-altering properties of
echoplexed, hypnotically spiralling guitar interplay. The opening ‘Mirror’, “a song about the mirror inside me,” Zushi explains, starts out
as a lush psych-folk song, slow and gentle, but soon takes to the skies with a cat’s cradle of Fripp-esque guitars, before thick, droning
chords sweep the song to a drowsy coda. ‘Nocturne’ weaves silver skeins of guitar melody around a cyclical chord pattern; it gathers
energy and quiet intensity through insistent repetition. The rest of the album explores the nuance Zushi can draw out of simple
elements, building on what ‘Mirror’ and ‘Nocturne’ offer – the profundity of a chord change; the melancholy of a few quietly sighed
words; the exhilaration of a guitar solo bursting out of the speakers; the subtle shifts in emotional register offered by tone and touch.
Throughout, there’s something quiet, yet ineffable, shading the contours of the songs, such that it makes perfect sense when Zushi
says, “What I want to express through music may be ‘sense of mystery’.” A few of the songs had their basic parts recorded at LM
Studio and Studio Nemu with Shibayama and Masako Takeda joining on bass and drums, respectively; much of the album, however,
was tracked at Zushi’s home studio. That seems appropriate for a collection of songs that are expansive in their intimacy. Asked what
drove the sessions, Zushi answers, “I thought I’d make IV an album that particularly focuses on the guitar play.” And focus it does, as
Zushi’s sky-scraping, soaring, elemental tone is front and centre throughout. But these are no guitar heroics; rather, Zushi uses the
guitar as conduit and diviner, a tool for spirit location, and IV is his most eloquent expression yet of such singular magic.

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Weak Signal

War & War

In Dub Rewind Volume 2 Yellow Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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The first vinyl edition of NYC trio Weak Signal's second album, 2022's War&War, originally issued digitally by Colonel Records. Weak Signal is Sasha Vine, Tran and Mike Bones. Ryan Sawyer plays additional percussion throughout. Sarim Al-Rawi plays additional guitar throughout. Cass McCombs plays guitar on "Spooky Feeling." Produced and Mixed by Jonathan Kreinik at Vitos Fall 2020 and Union Pool Spring 2021. Mastering and lacquers by Carl Saff. War And War is a novel by László Krasznahorkai. "crazily focused & powerful"—Jennifer Kelly, Dusted "a slyly incendiary collection wracked with rippling tension"—Raven Sings The Blues "a mesmerizingly morose journey, yet a scenic one too. Just don't whack it on the turntable when you're feeling at your most fragile."—JR Moores, The Quietus

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Killing Joke

2LP | 2023 | EU | Original (Cadiz Music)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2019 | EU | Reissue (BMG Rights Management)

Keith Richards

Main Offender Remastered

Release: 2019 / EU – Reissue

Genre: Rock & Indie

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LP | 2022 | US | Original (Fat Possum)

Melody's Echo Chamber

Unfold

Tubular Bells II Record Store Day 2022 Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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French pop songwriter Melody Proche delivers an album featuring seven rare, unreleased tracks recorded shortly after her 2013 debut.

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Mike Oldfield

LP | 1992 | UK | Reissue (Warner Music Uk)

LP | 2022 | EU | Original (Half Awake)

Release: 1992 / UK – Reissue

Genre: Rock & Indie

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Limited to 1000 copies.

The fifteenth album from the highly prolific Mike Oldfield was co-produced with Trevor Horn, and a UK Number 1. A worldwide hit, this limited blue vinyl edition of the1992 sequel to 1973’s groundbreaking "Tubular Bells" reached double platinum sales.

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Papooz

None Of This Matters Now

22,99 €*

LP | 2014 | EU | Reissue (Metal Mind Productions)

Release: 2022 / EU – Original

Genre: Rock & Indie

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France’s Papooz is about to release a new single and video, ‘None of This Matters Now’, third release since their debut U.S. tour in early 2020 saw them play to sold-out venues, just ahead of the global C-19 lockdown. And two years after the release of their second album, ‘Night Sketches’, which drew them widespread critics’ tips and airplay at 6Music, alongside a sold-out London headline.

“None of This Matters Now” is the first single from their upcoming and same named album, due in early 2022.

None of This Matters Now (album) was recorded Live in an old farm from South West of France. An album with folk-rock sounds, mainly influenced by the music scene that appeared in Laurel Canyon during the 70s (Crosby, Still & Nash, Neil Young, Gram Parson, Joni Mitchell, Bob Dylan) and which addressed subjects as varied as global warming, love breakup, loss of the feeling of grace, suicide, laziness and death.

« We wanted to have a more acoustic feel on this album, making it sound timeless »

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Kat

Acoustic "8 Filmow"

20,99 €*

With Our Best Suits On: Live In Gothenburg Sweden 1985 Black Vinyl Edition

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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180 gram vinyl

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Echo & The Bunnymen

LP | EU (Dear Boss)

18,99 €*

Release: EU

Genre: Rock & Indie

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LP | 2024 | US | Original (Meritorio)

Sad Eyed Beatniks

Ten Brocades

LP | 2024 | EU | Original (Half Awake)

Release: 2024 / US – Original

Genre: Rock & Indie

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San Francisco’s Sad Eyed Beatniks are back with their new album Ten Brocades. With the help of Mike Ramos (Tony Jay, Flowertown) and Karina Gill (Cindy, Flowertown), Kevin Linn creates a new passage into their incredible sound world. The songs on Ten Brocades explore encounters in short moments in time, fading memories, friendships, and relationships; all from personalities whose stories seem to interweave with one another. The title Ten Brocades is the literal translation of a Cantonese chop suey-like dish, subgum, which means “numerous and varied.” The merging of multiple identities and the image of many silken adorned fabrics helped guide which tracks ended up on the album. The songs on Ten Brocades explore encounters in short moments in time, fading memories, friendships, and relationships; all from personalities whose stories seem to interweave with one another. “When I was a kid, I would spend the summers with my father and stepmother at their apartment in a suburb just north of Stockholm. Most mornings, I would wake up to the smell of burning incense, the sounds of recorded shamisen & koto ensembles, and the sounds of my dad tending to his extensive orchid collection. One summer my dad gifted me a number of graphic novels that were translated and heavily adapted versions of classic Chinese novels for young readers; Journey To The West and Outlaws Of The Marsh were my favorites. The vast casts of characters, mythical adventures, and humorous situations that take place in these historical settings allowed me to connect to a culture of mine I always had a hard time accessing. Ten Brocades is like those comic books—but maybe these characters, adventures, and settings are a little more local.”—Kevin Linn aka Sad Eyed Beatniks.

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Papooz

Resonate

Release: 2024 / EU – Original

Genre: Rock & Indie

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Empty Country II Pink Vinyl Edition

Empty Country

2LP | 2023 | UK | Original (Tough Love)

Straight Outta Caledonia... The Songs Of Jackie Leven

Release: 2023 / UK – Original

Genre: Rock & Indie

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As the front person of celebrated indie band Cymbals Eat Guitars, guitarist and singer Joseph D’Agostino spent over a decade setting autobiographical, emotionally vivid lyrics against a backdrop of soaring and compositionally ambitious rock. After four critically acclaimed LPs that solidified D’Agostino’s reputation as a gifted songwriter, he chose to break from his long-term band and debut a new project: Empty Country. On 2020’s self-titled debut, D’Agostino’s storytelling lens shifted away from personal narrative and toward fiction; psychopaths, apparitions and deplorables populated a bleak and uncanny parallel version of American dystopia. Empty Country’s sprawling and sonically adventurous arrangements—filled out by collaborating musicians including Rachel and Zoë Browne (Field Mouse), Kyle Gillbride (Swearin’), Zena Kay (Angel Olsen), and former CEG drummer Charlotte Anne Dole—ranged from luminous jangle-pop to scorching emo-punk to narcotized Americana. Though the pandemic curtailed planned touring, a seven-piece iteration of the band played one packed Brooklyn show in May 2022, supported by Charles Bissell (The Wrens) and Field Mouse; Empty Country also backed Bissell on several classics from The Meadowlands. “It was a wonderful return to live music for all of us,” says D’Agostino. “So many folks reached out to me and told me how Empty Country offered them comfort during those first several months of being stuck inside. I’m happy that it came out and connected with some people and that I was able to establish this universe I could continue to build on.”

Empty Country II, the project’s second full-length, is a thrilling expansion of that world. D’Agostino pushed himself to new places as a songwriter, crafting a collection of short stories set to music that grapple with the biggest questions now hanging over America—gun violence, the addiction epidemic, and generational hopelessness among them. In 2020, he’d moved from Philadelphia to small-town New England to be closer to family, and his new locale, coupled with the dread of lockdown, inspired him to return to the haunted world from the first LP. “It’s pretty jarring to leave a city—where you can safely assume you’re aligned with your neighbors on many political and social issues—for somewhere more rural and conservative,” says D’Agostino, noting the Trump flags and Blue Lives Matter hood wraps that dot his new dirt road residence. Across the new album’s nine tracks, D’Agostino introduces us to a bevy of characters: three generations of West Virginia clairvoyants, crushed by the weight of their secret knowledge; a group of drag queens and misfits in early ‘80s New York City; a pill mill doctor’s daughter who dabbles in necromancy; a convicted killer; a bullied kid injured and alone in the forest as night falls. Through the stories of these characters, Empty Country II delivers an engaging and deeply moving rumination on time, family, and the disintegration of America.

Despite the stoicism of its storytelling, Empty Country II cuts the darkness with beauty, humor, and an earnest belief in the transcendent power of rock music. It was recorded over two weeks at Fidelitorium, the renowned studio in Kernersville, NC, belonging to R.E.M. producer Mitch Easter. Legendary recording engineer John Agnello, whose previous collaborations with Cymbals Eat Guitars resulted in their 2014 high-water mark, Lose, brought his trademark clarity and nuance to the process, helping Empty Country II crackle with a vital energy that imbues these stories with genuine lifeforce. Dole returned on drums for the record, her virtuosic performances lending raw power and immediacy; her twin brother Patrick joined on bass, his decades of experience uplifting the songs with subtle melodicism and formidable technicality. The group's chemistry and deep personal history are palpable, allowing them to approach the record’s complex story with subtlety and dynamism. “Mitch has collected an astounding array of weird mics, amplifiers, and oddball orchestral instruments: organs, Buddhist temple bells, bar chimes, tubular bells,” enthuses D’Agostino about the studio. “FLA,” a gripping portrait of a queer tour boat pilot in the Florida Keys pining for their absent lover, was arranged from the ground so the group could incorporate Easter’s timpani. D’Agostino considers it a high point of his lengthy discography and lauds that song’s harmonica solo as “my favorite 30 seconds of music that I’ve ever been a part of.”

Empty Country II also features some of D’Agostino’s most danceable songs—like “David,” a tribute to D’Agostino’s late friend David Berman. Featuring a lyrical tapestry of Silver Jews references and surreally beautiful images, head-nodding Philly soul grooves collapse into cosmic freeform jazz-inspired sections, ornamented with inventive hand percussion, marimba flourishes, and toe-tapping piano chords. “Recite a poem as the day vibrates,” D’Agostino sings. “I finally wrote this song for you / But I don’t know who I’d show it to.” It’s a paraphrase of W.S. Merwin’s famed short poem “Elegy”, written after the passing of his own mentor, John Berryman. On “Bootsie,” a runaway girl from West Virginia explores the crumbling, glorious 1980s New York City of Paris is Burning, finding community in a scene of drag queens who offer her a new way of thinking about what makes America—and rock music—great. Based on his own mother’s experiences at the height of the Aids epidemic, the song has deep personal meaning to D’Agostino. “The men you thought were brave / are arrogant and depraved,” he sings against the damaged disco beats of the Dole siblings’ rhythm section. Inverting the chorus of the Talking Heads’ “Heaven,” the lyrics of “Bootsie” celebrate the underdogs and misfits: “Hell is the place where everything happens / The band’s playing all the songs ever written at once / Shape the chaos, make your little story / Baby, this life’s perfect purgatory.”

Though Empty Country II is a record about the forces that drive Americans apart, it’s also imbued with empathic love and an understanding of what binds people to family and country—in spite of the darknesses we encounter. The concept of a Great American Rock Album might scan as outdated in 2023, but with this sprawling and uncompromising epic, D’Agostino and Empty Country shatter ambivalence and confront the horrors with a community-minded sense of cautious optimism. “We may be staring into an abyss,” says D’Agostino. “But we’re all staring together.”

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Jackie Leven

LP | 2023 | Original (Night School)

Release: 2023 / Original

Genre: Rock & Indie

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LP | 2013 | US | Reissue (Secretly Canadian)

Cayucas

Bigfoot

LP | 2011 | US | Reissue (Captured Tracks)

Release: 2013 / US – Reissue

Genre: Rock & Indie

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CAYUCAS: Pronounced "ky-yook-us", is the monikered homage to a sleepy little seaside town in San Luis Obispo County, California. That town, Cayucos, has hardly changed in the las...

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Hanoi Janes

Year Of Panic

Little Green House Peach Swirl Vinyl Edition

Release: 2011 / US – Reissue

Genre: Rock & Indie

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"With the obvious homage the name implies, you'd expect Hanoi Janes to be a group of riot grrrl angnsty types, displaced in time by about 20 odd years. Having taken on the nickname given to Jane Fonda in the 70s because of her anti-war stance on Vietnam, these girls would be all bent up about, well you know, stuff. You'd expect that, but you'd be wrong. It is in fact primarily the work of one guy from Sachen, Germany - Oliver Scharf. But then Hanoi Janes' album, 'Year of Panic', is able to inspire all kinds of misconceptions. Name of the band aside, would you expect a German guy (who's a bit handy with an eight-track) to produce a series of beautifully lo-fi, sub two-minute, surf-pop tracks, full of buzzing guitar and bubblegum spirit. Maybe - maybe not. But that's just what Scharf has done. The sound is distinctly garage, reminiscent of a 70s surf sound, and like The 5. 6. 7. 8's, Hanoi Janes are able to launch into the genre with the luxury of being removed from the scene itself. Tracks like opener, 'The Boys Are Out' and 'Beach Kids' are unashamedly infectious, utilising catchy hooks, hand claps and the odd 'Ooo ooo ooo' to great effect. The production is fuzzy, but that only adds to the overall charm of the album. Because charming is what it is, as Hanoi Janes have packed 'Year of Panic' with some real gems. 'Summer of Panic' offers something tinted with psychedelic sounds; 'Our Lives' could have been an early track by The Strokes had they been influenced by the Californian sun rather than the New York shadows; 'Good Bone' is a track which can only be performed if there are several oversized surf-boards nearby. 'Year of Panic' is lo-fi, scuzzy garage surf-pop at its finest and it deserves to be the sound-track of your summer" -BOWLEGS, UK

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Anxious

LP | 2023 | EU | Original (Run For Cover)

Good Bad Not Evil (Deluxe Edition) Black Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Since the inception of Anxious in 2016, the band has always acted with purpose. This may seem like a simple premise, but for five kids still in high school at the time, it's quite an accomplishment. Early songs were packaged in limited run demo tapes with accompanying zines and hand-dyed t-shirts. Weekends were filled with regional runs of shows outside of their Fairfield, Connecticut homebase. With this amount of effort it's no wonder that within a few years of graduation, Anxious has built a solid foundation for their debut album to flourish upon.On Little Green House, Anxious explores what it feels like to enter adulthood in unflinching detail. The Connecticut band unpacks struggles, joys, and hard-earned realizations in a way that makes them feel wise beyond their years. Anthemic songs like lead single "In April" and guaranteed sing-along "Growing Up Song" thread the often difficult melodic-hardcore needle in a way that feels both nostalgic for the emo renaissance of yesteryear and precisely built for the current moment of genre defiant pioneering.

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Black Lips

2LP | 2022 | UK | Original (Fire)

LP | 2022 | EU | Original (Paradise Of Bachelors)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Classic Double Black vinyl, Gatefold sleeve w/ spot gloss, liner notes + DL card. Bending scuzzy boundaries, ‘Good Bad Not Evil’ is a coming-of-age garage rock classic record. Full of hedonistic delinquent anthems, the fourth studio album from Atlanta punks Black Lips reaches it’s 15 year anniversary. This deluxe edition includes unearthed photos and new liner notes from Jared Swilley and King Khan. The second disc features B-sides and rarities including ‘Cruising’, ‘I Wanna Dance With You’ and ‘Leroy Faster’. ‘Good Bad Not Evil’ perfectly encapsulates the disillusionment of the mid-00s America, slammed between warehouse parties, DIY generator shows and scattered party pics, which was recorded in a little house in Atlanta that had been converted into a studio called the Living Room. Referencing Shangri-Las in the title, this is where their knack for garage gems met Motown; with bass heavy grooves (later remixed by Diplo), a certified country twang and unabashed 2 bravado. Instant hits like ‘Veni Vidi Vici’, ‘Cold Hands’, ‘Bad Kids’ and ‘O Katrina!’ immediately became Black Lips staples. This was a band caught in the eye of the storm, the touring continued, the parties didn’t stop, this was a band bending the scuzzy boundaries of their chosen genre. The record was hailed by the likes of Pitchfork, who proclaimed, “Black Lips are a go-to band for vintage lo-fi freaks, and their raucous live shows have helped them cross over outside of crusty dive bars. ‘Good Bad Not Evil’, however, is the record where naysayers, disinterested friends and acquaintances, people on the street, and anyone else within earshot has to sit up, shut up, and listen.” …and, shut up and listen they did. “A perfect tapestry of sordid pleasure.” NME // “The same rapturous energy as the Sonics and the 13th Floor Elevators.” The Guardian

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Jake Xerxes Fussell

Good And Green Again

Release: 2022 / EU – Original

Genre: Rock & Indie

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Civilian + Cut All The Wires: 2009-2011

Wye Oak

LP | 2021 | US | Original (Merge)

Adrian Younge Presents Jack Waterson

Release: 2021 / US – Original

Genre: Rock & Indie

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2lp Is Green Swirl Vinyl In A Gatefold Jacket.Ten Years After Its Release, Wye Oak's Civilian Remains A Raw, Sinewy Punch Of A Record _ Bleak And Intense And Lonely And Self-Assured All At Once. The Album Unravels With The Sort Of Selfquestioning And Uncertainty That Come With Youth, And Its Specific Confidence In Unflinchingly Probing All Of Those Emotions, Feeling Them To Their Deepest Extent Even When It's Tearing You Apart At The Seams. When Andy Stack And Jenn Wasner Released Civilian, It Marked Both The Ascension And Death Of Wye Oak, Or At Least A Version Of It. Now, A Decade Later, Civilian + Cut All The Wires: 2009-2011 Delves Back Into That Pivotal Record And Adds A Lost Album Of Unreleased Tracks And Demos To Civilian's Universe. Civilian Was Beloved Upon Release, Complete With Late-Night Tv Appearances, Sold-Out Concerts, And Glowing Reviews; It Was The A.V. Club's Favorite Album Of 2011. Cut All The Wires: 2009-2011, A 12-Song Collection Of Rare And Unreleased Tracks And Demos Culled From The Wye Oak Archives, Is An Extension Of The Bruised And Aching Civilian. Sonic Paradoxes Abound: The Mellow "Sinking Ship" Is Preceded By The Wall-Of-Sound Grunginess That Roars Through "Half A Double Man." A Pared-Down Acoustic Daytrotter Live Session Of "Two Small Deaths" Dovetails Into The Jangling "Holy Holy" Demo. The Closing Lyrics Over The Frenetic, Screeching Feedback Of "Electricity" Lend The Anniversary Release Its Title.

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Jack Waterson

LP | 2019 | US | Original (Linear Labs)

LP | 1957 | EU | Reissue (Rumble)

Release: 2019 / US – Original

Genre: Rock & Indie

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Jack Waterson is the acid that Adrian never took as a kid. The result, as you’d expect, is both colorful and dark; full of sonic and musical surprises. The creative relationship they have questions the social order of the United States, yet theirs is a quintessentially American Story: Kindred spirits

Punk rock and hip hop came from the same place, fueled by identical sentiments: people taking the music back, reclaiming it, and finding a new audience. Waterson, primed from the mid-70s Punk scene, began his musical career in ’79 as a founding member of Green on Red. They inspired artists as diverse as My Bloody Valentine, Wilco and Mazzy Star with their records and psychedelic palette. Years later, Waterson continued his influential journey by opening the revered musical instrument store, Future Music, a Los Angeles staple.

In ’99, an 18 year-old Younge realized that he wanted to create music that sounded like the records he was sampling. Unbeknownst to him, he serendipitously wandered into Future Music. It’s there, he realized his dream was possible. Intrigued by the stores focus on pre ’83 equipment, Waterson soon became a mentor in developing Younge’s unique analog sound. They spoke heavily about the importance of vintage equipment and it’s use in creating revolutionary worlds.

During these years, Waterson schooled Younge on psych and art rock; Younge returned the favor by schooling him on Hip Hop, the origins of sampling, and its source music. Together this unlikely duo manifested new revolutionary worlds with Waterson appearing on every Younge album within the last decade.

Adrian Younge presents Jack Waterson is getting lost in the impressionistic and at times jarring world of psychedelia, questioning what is real and challenging to question the role you play in this world. These kindred spirits have created a cinematic psych album with no boundaries. Laced with hip hop breaks and acid rock, their intention is to subvert the designation of what is black vs. white music.

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Jackie Wilson

He’s So Fine

9,68 €* 18,99 € -49%

Bloodied But Unbowed (The Damage To Date: 1978-83)

Release: 1957 / EU – Reissue

Genre: Rock & Indie

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Detroit native Jackie Wilson, AKA “Mr. Excitement”, left jump blues and R&B group The Dominoes in 1957 to pursue a solo career. The following year he released this, his debut LP, a rollicking collection of orchestrated pop R&B of the highest caliber. Including the hit “Reet Petite”, half the songs on this LP were written by Berry Gordy, Jr. nearly 2 years before he founded Motown, which was partially funded by songwriting royalties Gordy earned writing hits for Wilson. A fine debut from one of the great soul and R&B singers of the late 50s/early 60s, a man who counted among his fans and followers no less than James Brown, Michael Jackson, and the king himself, Elvis Presley.

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D.O.A.

LP | 1987 | US | Reissue (CD Presents, Ltd.)

16,99 €*

LP | 2022 | DE | Original (Not On Label)

Release: 1987 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Yellowing and corner wear, but looking good.

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OK KID

DREI

38,99 €*

LP | 2012 | Reissue (Constellation)

Release: 2022 / DE – Original

Genre: Hip Hop, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Original inner sleeve. Close to NM.

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Eric Chenaux

Guitar & Voice

LP | 2004 | US | Reissue (Secretly Canadian)

Release: 2012 / Reissue

Genre: Rock & Indie

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180gLP INCLUDES ART PRINT POSTER + DL CODE.Eric Chenaux is one of Canada's most respected, long-standing experimental guitar players and songwriters. Starting with legendary Toronto punk band PHLEG CAMP in the early 90s, he has tirelessly expanded his musical vocabulary in countless improv, avant-folk, damaged jazz and contemporary music ensembles throughout the 2000s. Since 2006, Constellation has been home to Chenaux's more overtly song-based work, his clear voice and erudite lyricism guided by an utterly unique guitar technique and a deep immersion in folk traditions from medieval to post-modern. With this fourth album for the label, simply and aptly titled "Guitar & Voice", Chenaux has made what in a literal sense can be called his first solo album, in that this recording features only his playing and singing; no guest or supporting mu...

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Jason Molina

Pyramid Electric Co

The Judas Paradox Blasphemous Purity Vinyl Edition

Release: 2004 / US – Reissue

Genre: Rock & Indie

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This is the first soloalbum by SONGS: OHIA frontman JASON MOLINA. He needs nothing more than his guitar, serving as a kind of pulse, and his voice to lull the listener to a place remembered only at the quietest of moments. (O.K., he plays piano on one track...). His vocal performance is gut-wrenching,it seems almost as if he'd be singing to himself only, never to be heard by anyone else. But thanks to producer MIKE MOGIS (BRIGHT EYES, THE FAINT,... ) who superbly caught the sonic ghosts surrounding MOLINA he can be heard now. Although this album is released on vinyl only, there will be a ferr CD copy of the album that comes along with every LP.

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God Dethroned

LP | 2024 | Original (Reigning Phoenix Music)

Release: 2024 / Original

Genre: Rock & Indie

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2LP | 1998 | US | Reissue (Thrill Jockey)

Tortoise

TNT

33,99 €*

Release: 1998 / US – Reissue

Genre: Rock & Indie

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LP | 1975 | Reissue (Knitting Factory)

Fela Kuti

Expensive Shit

28,99 €*

Release: 1975 / Reissue

Genre: Rock & Indie

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LP | 2022 | EU | Reissue (Cadiz Music)

Killing Joke

Turn To Red

Release: 2022 / EU – Reissue

Genre: Rock & Indie

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In Times New Roman Limited Red Vinyl Edition

Queens Of The Stone Age

2LP | 2023 | EU | Original (Matador)

33,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Inagape Dark Turquoise Marble Vinyl Edition

Trha

LP | 2024 | Original (Flowing Downward (Code 7))

Release: 2024 / Original

Genre: Rock & Indie

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Venus Smiles Not In The House Of Tears

Samora Pinderhughes

LP | 2024 | EU | Original (Good)

7" | 2023 | EU | Original (Damaged Goods)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Forgive Yourself. Learn to live with yourself. Don't hurt yourself.This is the mantra of the new album Venus Smiles Not in theHouse of Tears from Samora Pinderhughes. Made over 8 yearswith loving detail by Pinderhughes and his longtime producerJack DeBoe, it is a deeply personal exploration & reflection ofmental health in the modern age. It tells a non-linear story abouta relationship that didn't last, and the lessons learned through it.How can love exist when grief is in the way? Musically it'sintentionally tough to pin down. Although Pinderhughes isJuilliard-trained, Venus is an open-genre exploration of musicmakingwith wide-ranging production and a cinematic landscapeof feeling and spirit. From quiet, contemplative piano pieces tohard-hitting and soulful full band jams, to expansive and fullthroatedchoir celebrations, Venus is a fitting accompaniment toa multitude of daily human experiences. It also features artistsfrom Pinderhughes's tight-knit NYC community, representing awave of new artists who thread the ethics of honesty &vulnerability into their work.Says Pinderhughes of the album, "Mental health isn't solitary; it'sabout how our feelings, fears, traumas, and conceptions of selfmeet the world around us. Like so many, I've struggled withdepression, anxiety, and isolation within a complicated matrix ofidentities. I wanted to make a project that would be brutally andlovingly honest about what it feels like to try to sift through thedebris of time. A project that really engages with what it means tolove, in the midst of a society that teaches us all the wronglessons. Our modern world wants us to get over things quicklyand easily. That's where shame enters the picture, because whenyou struggle with deep cyclical feelings, the process of engagingwith these elements in your life is never linear. It is always twosteps forward, one step back. Kindness and honesty are requiredin equal measure in this life. Hopefully through the prism of thesesongs,...

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Thee Headcoats / Ctmf

Full Time Plagiarist

Tortoise Colored Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Thee Headcoats and Ctmf go head-to-head! Two Billy Childish bands battle it out with versions of the same song! Thee Headcoats version is taken from their forthcoming new studio album "Irregularis: The Great Hiatus". The Ctmf version is exclusive to this release. Q: Two versions of the same song by different bands. Has each band heard the other version? If so, did they pass judgement? A: No, neither group heard the other version. I had forgotten how the Ctmf version went - even though it was only a few weeks past. As with all the LPs there's no rehearsal. I play the track - we do a run through and then press record. I don't remember how either version goes now. Q: There's a famous saying - "Talent borrows; genius steals". Are you a borrower? A stealer? Or something else entirely? A: As I've said before, I follow strict music industry guidelines and only plagiarise 50 percent of my material. Kurt Cobain put it better - he said people thought he was original because he didn't let on what he was ripping off. Though we know he got the riff to his most famous song from The Daggermen, a local group Wolf (our drummer) played in. Q: What was it like recording with Bruce and Johnny after such a long time? A: We met up in the studio in the morning, had a cuppa, a chat, plugged in and recorded the LP (in two days.) It was the first time we'd all been together in about 30 years, and it felt like yesterday - just laughing and joking about how rubbish we were and generally having fun. It was like no time had passed at all. Q: Love the sleeve picture for this 7"! A lot of people miss the humour in your work, does that frustrate you? A: I'm not frustrated but surprised that the British seem to have lost their sense of humour somewhat - they've been pretty po-faced since 1978, I think. I was brought up on Pete and Dud when I was a kid. Interestingly a lot of comedians seem to like what we do. Stewart Lee has always been a fan and he said there are others of his ilk. If something can't be mocked or laughed at, I'm not that interested in it.

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Tortoise

LP | 1994 | US | Reissue (Thrill Jockey)

Pandemonium Black Vinyl Edition

Release: 1994 / US – Reissue

Genre: Rock & Indie

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Tortoise has spent nearly 30 years making music that defies description. While the Chicago-based instrumental quintet has nodded to dub, rock, jazz, electronica, and minimalism throughout its revered and influential discography, the resulting sounds have always been distinctly, even stubbornly, their own. There is a always the pervasive element of group play, or ensemble?mindedness, as opposed to emphasis on a virtuoso soloist or frontman, despite the fact Tortoise is composed of members who could each easily have taken center stage in another group. In their debut, Tortoise is composed of Douglas McCombs, John Herndon, Dan Bitney, John McEntire, and Bundy K. Brown. This self-titled, incorporates many musical styles and influences, but no one style alone is sufficient to fully describe the distinct sound they craft. This unique blending of styles caused them to be recognized as the leaders of a new musical movement. Tortoise utilize the recording studio, not only to put their music to wax, but in a way that their recording process becomes a compostional tool described at times as the "sixth member", thus creating a boundless parameter in which to create and manipulate music. Tortoise's self-titled debut was originally released in 1994. This re-issue is re-mastered by Roger Seibel at SAE Mastering, in jacket with art insert, both designed by Sam Prekop as well as a free download card. 2022 version is available on limited edition white with hi-melt black vinyl

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Killing Joke

2LP | 1994 | EU | Reissue (Spinefarm)

40,99 €*

Release: 1994 / EU – Reissue

Genre: Rock & Indie

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5LP | 2018 | EU | Original (Asthmatic Kitty)

Sufjan Stevens

Songs For Christmas

68,99 €*

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP+CD | 2017 | EU | Original ([PIAS])

Gisbert Zu Knyphausen

Das Licht Dieser Welt

22,99 €*

Release: 2017 / EU – Original

Genre: Rock & Indie

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LP | 2000 | UK | Reissue (Interscope)

Queens Of The Stone Age

Rated R

Release: 2000 / UK – Reissue

Genre: Rock & Indie

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Between The Richness Violet Vinyl Edition

Fiddlehead

LP | 2021 | US | Reissue (Run For Cover)

K.O.S (Kinetic Orbital Strike)

Release: 2021 / US – Reissue

Genre: Rock & Indie

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Fiddlehead wasn't supposed to make a second record. But, if we're being totally honest, they weren't supposed to make their first record either. Formed in what singer Pat Flynn describes as "a deeply, deeply, laughably depressing part of my life," Fiddlehead was born with modest intentions. Flynn and his then-roommate, guitarist Alex Dow, decided to work on some songs, and with Basement having just broken up, guitarist Alex Henery entered the fold. Drummer Shawn Costa and bassist Adam Gonsalves_who has since been replaced by Casey Nealon_linked up with them and, all together, they wrote what would become the Out Of The Bloom EP. Those five songs established what Fiddlehead would be, a band that merged elements of post-hardcore, post-punk, and classic '80s emo into something that felt distinctly theirs. After the release of their debut album Springtime & Blind, the band did some weekend-long tours, and saw that their music was hitting people harder than they ever expected. "Kids were singing along in a very desperate way and we realized it wasn't just resonating with us, it was resonating with these people in a really meaningful way," says Flynn. Springtime & Blind was a hit for many reasons, but chief among them was Flynn's open-hearted exploration of his father's passing, which saw him use his lyrics as a means of relating to and understanding his mother's grief. So when it came time for Fiddlehead to work on a second record, people weren't just curious what the songs would sound like, they were curious what they'd even be about. Between The Richness effectively picks up where Springtime & Blind left off, as Flynn dives headfirst into that same subject. But astute listeners will notice a major difference this time: Flynn is singing about himself. "These massive things happened in my life between the first record and this record. It just so happened that I ended up getting married, I had a child, and it was around the 10-year anniversary of my father's passing. So what if I want to write another record abo...

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The True Disaster

7" | 2024 | Original (Phobia Records (Code 7))

16,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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The Rarest Previously Unreleased 1970s Live And Studio Tracks Green Vinyl Edition

Captain Beefheart

LP | 2013 | UK | Original (Ozit / Dandelion)

Foot Village / Super Khoumeissa

Release: 2013 / UK – Original

Genre: Rock & Indie

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Previously unreleased live and studio recordings mainly from the Spotlight Kid and Clearspot album and tour eras together with a gatefold album sleeve inner double spread of many previously unpublished rare photographs of Don and the Magic Band.

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Split Series #21

12" | 2011 | UK | Original (Fat Cat)

19,99 €*

Release: 2011 / UK – Original

Genre: Rock & Indie

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LP | 2024 | Original (Phobia Records (Code 7))

Entrapped

Pohrebiste Popela

36,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Ultimo Ancestral Spinner Effect Black/White Vinyl Edition

Brii

LP | 2024 | Original (Flowing Downward (Code 7))

Release: 2024 / Original

Genre: Rock & Indie

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The Hunting Party Colored Vinyl Edition

Blind Ego

LP | 2024 | EU | Original (Gentle Art Of Music)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Rookie)

Wick Bambix

When Things Grow Teeth

20,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2023 | US | Original (Smithsonian Folkways)

Jake Blount

The New Faith

Release: 2023 / US – Original

Genre: Rock & Indie

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LP | 2023 | US | Original (Thrill Jockey)

Sally Anne Morgan

Carrying