Search "john mayer" 5685 Items

LP | 2024 | US | Original (Ba Da Bing!)

Release: 2024 / US – Original

Genre: Rock & Indie

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“Do you still believe it?” John Ross asks that question after journeying through the wreckage. The genesis of Dulling The Horns goes back to late 2022, when Ross began workshopping new material during soundcheck on the ILYSM tour. Last summer, Wild Pink decamped to western Massachusetts to reunite with engineer Justin Pizzoferrato. Ross decided to record Dulling The Horns live in the room, in an effort to capture Wild Pink’s onstage style — rawer, grainier. Gone are the glimmering atmospherics and studio affectations of recent Wild Pink outings. Instead, Ross’ voice is haggard against the humid distortion coating every song. “I wanted to make economical songs,” Ross explains. “Music that is very much at its core three or four people rocking.” If before, Wild Pink took notes from Springsteen and Petty, they’ve now entered their Crazy Horse era. On Dulling The Horns, you can hear him rediscovering the fire in real time. Tropes discarded along the roadside, songs pulled from the formative DNA of rock music, all filtered through years of messy fog. “There is no answer to these problems,” Ross says, having eventually yielded. But as far Dulling The Horns is concerned, there’s at least one path forward: Burn it all away, and keep moving. The album was mixed by Alex Farrar in Asheville NC, mastered by Greg Obis in Chicago, IL and is out in October on Fire Talk.

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The Wickies

24,99 €*

LP | 1981 | US | Reissue (Riding Easy)

Release: 2024 / US – Original

Genre: Rock & Indie

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Quinnisa Kinsella-Mulkerin recorded her first song at five years old with her parents, who comprise the adventurous Maine band, Big Blood. Ever since the age of five, she was writing songs, banging on chimes, strumming guitars, and clanging together whatever else she could find. Improvisation was natural, and she stuck to the approach. Kinsella-Mulkerin brings this innate sense of songwriting to The Wickies, a duo she formed with Aiden Arel a year ago at age 16, whose chill approach and fluid delivery belie true inventiveness in the underneath mechanics.

Inspired by seventies folk icons like Stevie Nicks, Krautrock bands like Can, and modern indie-rockers like Alex G, The Wickies feel like an amalgamation of these decade-spanning sounds, but uniquely their own. Kinsella-Mulkerin’s voice croons like a seventies folk star, but it possesses a great and controlled tone. Her vocals feel like another instrument within the mix, building and growing each song to its fullest sound, leaving no detail within the mix unheard. Their use of echoing guitar lines recalls sixties psych, a springboard for their unique take.

Kinsella-Mulkerin’s lush, free-flowing lyrics, created on the spot, complement Arel’s fleshed out backing instrumentation and over-dubbing. Quickly, the pair created more material than they ever needed, allowing them to mold their recordings into a self-titled debut album. Like a painter crafting the perfect exhibition of their finest work, Arel and Kinsella-Mulkerin condensed their improvisations to all the best parts. Tracks like “Campfire Song” and “Skipping Pond” exemplify the ethereal and lackadaisical atmosphere of their sound. “I keep finding these weird, obscure bands from the seventies that have one album and nothing else, which is awesome,” Kinsella-Mulkerin says, “I want my music to sound like somebody found it in a record store that no one has ever heard of and uploaded it to YouTube. I want it to sound a little strange.”

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Mammoth

31,99 €*

LP | 2022 | EU | Original (Music On Vinyl)

Release: 1981 / US – Reissue

Genre: Rock & Indie

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Mammoth is a grabber right out of the gate, every step they take is unleashed with deadly economical precision. They may flash on Lynyrd Skynyrd and other vintage southern rock traditions but the brilliant way the vocals are recorded and the to-the-point interlocking guitar moves will fire up anybody into any sort of hard rock. They can rip it up with hot leads, probably jammed out on these songs at live shows but lucky us, they laid them down for all times here with the sort of thought out unified force and construction that screams hit radio. Loads of personality, accessible, produced and mixed with the clarity of classic rock that never loses it's perfectly deployed impact. The uncluttered arrangements leave plenty of space, crafted with the kind of balanced mojo in the mix where every detail adds to the whole. Down and dirty but also achieving a universal pop-friendly appeal!

The Mammoth LP was recorded in 1981 at Relayer Studios in DeLand, Florida with the two guitars, bass and drums quartet line-up sounding like it could have been a decade earlier. Buzz Fetters on lead guitar, Bill Abell on rhythm guitar, Joey Costa on bass and Ron Herman on drums… with everybody contributing to the vocals. Rather than having a strong up front emotive singer the lead vocals here are multi-tracked and integrated into the songs with plenty of attitude but also a genre-transcending presence… you can imagine the vocal ambience working in punk, glam, even psychedelic contexts. Mammoth have a sound informed by roots music but it is really in the rear-view mirror the way they roll.

The songwriting here is terrific, they have a way of saying things that comes off as sincere but not too serious. You get plenty of in-your-face hard rock action but also several melodic tracks that have a more reflective charm to round out the trip. And… when you hear their brilliant ode to southern rock titled "Southern Sounds" I challenge you to find any song about the subject more delightful. These guys keep it real, whether they're being bad ass or vulnerable they express themselves with 100% genuine feeling as contagious and life affirming as it gets!

* Heavy Duty Southern Rock from 1981

* OG copy sells for several hundred dollars

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Kooymans & Carillo

Mirage

LP | 2015 | EU | Reissue (Music On Vinyl)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

White Vinyl Edition.
Dogeared cover.
Includes original insert.

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Amber Run

5am

LP | 2024 | US | Original (Slovenly)

Release: 2015 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Cover with a beginning seam split at spine.
Includes original insert.

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The Okmoniks

Afterparty Fever!!

23,99 €*

Mowing The Leaves Instead Of Piling 'Em Up

Release: 2024 / US – Original

Genre: Rock & Indie

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San Francisco’s last and only rock and roll band THE Okmoniks has teamed up with Slovenly Recordings for Afterparty Fever!!! Here are nine new houserockin’ woman led punk rock’n’roll blasts that capture the essence of a party that just don’t stop. This particular all-nighter was recorded live in a small room, and you can tell from the screams, handclaps, and peals of laughter that this 17 minute end result was produced in a gloriously boisterous session. Afterparty Fever!!! captures the girls-to-the-front, make-room-for-dancing, leave-’em-wanting-more live show they’ve been dishing out for freaks world-wide for the past two decades. The OKs are fronted by Helene 33 on vox, simultaneously playing impossible sounding, finger stretching 60s Ace Tone Top 5 organ tones while tossing it around like a toy… It must be seen to be believed, and a believer you shall be!

The Okmoniks recorded and produced every song on this album, and wrote them all with the forgivable exception of one cover by Tucson 60s punk outfit The Grodes. “Afterparty Fever!!!” sounds like a band in 1977 doing their favorite 1966 stompers: devastating dancers like “Don’t Wanna See You No More” and “I’ll Let You In” could fit comfortably in a John Waters teen shimmy montage, giving way to rockers like “He Left the Party with Me” and “Summer Break Up” that could serve as the captions for a comic panel in “Punk” Magazine.

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Wednesday

Tape | 2022 | US | Reissue (Orindal)

LP | 1965 | EU | Reissue (Sommor)

Release: 2022 / US – Reissue

Genre: Rock & Indie

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"wednesday owes so much to our musical influences. The music we love is a big part of what brought us together. My bandmates Margo and Xandy both had infamous Asheville house show venues, Jake was in like a billion different bands which often played in their muggy basements and Alan was usually the one who brought the PA. Our immersion in music predated us trying to make songs together ourselves. Our common interests in noisey ‘90s guitars, good lyrics, and country music was quickly what permeated into our voice as a band. Most decisions in our songs are made by an amalgamation of all five of our inputs, which happens pretty naturally because of this thread of influences that ties us together. So when we got an opportunity for some recording time with Alli Rogers at Betty’s studio in Durham, NC we decided to record covers, and hopefully repay in part the huge debt we are in to the artists who contributed so much to the music we write ourselves. When I was thinking if there was anything that these songs have in common, the main thing I found recurring was the combination of sadness and humor. It’s effective as hell to combine the two emotions, making each other more intense by the contrast..."—KARLY Hartzman. Features songs by Gary Stewart, Chris Bell, Roger Miller, Drive By Truckers, Hotline TNT, Greg Sage, Vic Chesnutt, Medicine, and Smashing Pumpkins. Originally released in 2022 as a merch and mailorder item. Pressed on pilsner beer yellow vinyl.

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Las Mosquitas

24,99 €*

Release: 1965 / EU – Reissue

Genre: Rock & Indie

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Infectious rock&roll, surf, beat, girl group and ye-yé sounds by LAS Mosquitas, the first female beat band from Argentina.

Including their rare album from 1965 for the Music Hall label plus bonus tracks from singles and their impossible to find split EP with Los Gatos Salvajes.

Las Mosquitas (“The Little Flies”) consisted of Stella Maris Conde (Pupé) on vocals and guitar, María Cristina Medina (Nita) on bass, Ana María Millán (Nené) on vocals and guitar and Beatriz Cabrera (Dina) on drums. They performed their original compositions as well as Spanish sung covers of hits from the era. Producer Ricardo Romero of pioneering rock&roll Argentinean band Los Cinco Latinos took them under his wing and secured a deal with the Music Hall label.

They toured nationally and internationally, sometimes supporting Los Cinco Latinos, other times as the main act. Not only that, but they conquered every city they performed in, they were received by fans, ambassadors, presidents and their daughters, all eager to see Las Mosquitas on stage. Tours through Panamá, the Dominican Republic, Peru, Puerto Rico, Chile, Uruguay, Brasil, Curazao and Argentina were completed with fantastic public response and TV appearances.

The “Mosquitamania” was born and a string of singles and a full album on the Music Hall label followed. All of them are compiled here for the first time.

“Their music was a mix of ye-yé and beat and they dressed how you would expect the Beatles to dress if they had been women” - Gareth Wynne (Ugly Things)

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A Crow Left Of The Murder

Incubus

2LP | 2004 | EU | Reissue (Music On Vinyl)

37,99 €*

Release: 2004 / EU – Reissue

Genre: Rock & Indie

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Sol Y Sombra Coke Bottle Clear Vinyl Edition

Rose City Band

LP | 2025 | US | Original (Thrill Jockey)

Kabutomushi / Tsukino Bubblegum Vinyl Edition

Release: 2025 / US – Original

Genre: Rock & Indie

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Rose City Band"s music is sun-kissed timeless country rock whose seemingly effortless momentum carries the joy of its creation without ignoring the darkness pervading our consciousness. Led by guitarist/vocalist Ripley Johnson, the music of Rose City Band is rooted in his love of private press records of the mid to late 70"s. The band, in addition to Johnson, features pedal steel guitarist Barry Walker, keyboardist Paul Hasenberg and drummer John Jeffrey who enmesh a keen sense of rhythmic drive and melody with gentler, sumptuous atmospheres. Nuanced performances and interplay between players unfurl like desert flowers splashing color onto an arid landscape. The ensemble"s buoyant moments still glide with ease, but there is room to revel in respite of the shade of a dark cloud. Across the album, Johnson"s tasteful guitar interjections and soothing voice are met in kind with the versatile playing of Walker, Hasenberg, and Jeffery, with special guest performances by synthesist/vocalist, Sanae Yamada. Album closer "The Walls" perfectly captures the band"s explorative and expansive songs, Hasenberg"s soulful organ driving the album to an emotionally cathartic conclusion. Throughout his prolific career with Wooden Shjips, Moon Duo and now Rose City Band, Johnson"s music has consistently centered around exploration and discovery. Sol Y Sombra imbues his penchant for space and resplendent tonality with a denser amalgam of his influences through a delicate balance of the somber and the serene, of subtle evolutions and familiar sounds, Sol Y Sombra makes for a holistically joyous experience, finding solace in both sun and shade.

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Mei Semones

LP | 2024 | US | Original (Bayonet)

Release: 2024 / US – Original

Genre: Rock & Indie

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'Mei Semones' sweetly evocative blend of jazz, bossa nova and math-y indie rock is not only a way for her to find solace in her favorite genres, but is an intuitive means of catharsis. "Blending everything that I like together and trying to make something new - that's what feels most natural to me," says the 23-year-old Brooklyn-based singer-songwriter and guitarist. "It's what feels most true to who I am as an artist." Plinking guitar tones and asymmetrical time shnatures exemplify her forays into angular indie rock more now than ever before, especially on her debut Bayonet Records single "Wakare no Kotoba"-its wide-interval arpeggios in odd meters being some of the most technically difficult guitar work Mei has ever implemented in her songwriting. Translated to "parting words" in English, the self-described "anti-love song" serves as a farewell to a toxic friendship, complete with orchestral swells and crashing guitars. Originally from Ann Arbor, Michigan, Semones began playing music at a young age, starting out on piano at age four before moving to electric guitar at age eleven. After playing jazz guitar in high school, she went on to study guitar performance with a jazz focus at Berklee College of Music. College is where she met her current bandmates, including string players Noah Leong and Claudius Agrippa, whose respective viola and violin add softness and multidimensionality to Mei's intricate guitar work. After releasing a slew of singles and an EP in 2022, coinciding with her move to New York City, Mei and her band have since gone on to collaborate with post-bossa balladeer John Roseboro and embark on their first-ever tour with the melodic rock outfit Ravi, Semones chronicles infatuation, devotion, and vulnerability in her songs, complete with sweeping strings, virtuosic guitar-playing and heartfelt lyrics sung in both English and Japanese, that have all become part of her sonic trademark: ornately catchy, genre-fusing compositions serving as the backdrop to tender lyrics touching on the universalitie...

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LP | 2006 | EU | Reissue (Music On Vinyl)

Black Stone Cherry

Release: 2006 / EU – Reissue

Genre: Rock & Indie

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Sol Y Sombra Black Vinyl Edition

Rose City Band

LP | 2025 | US | Original (Thrill Jockey)

31,99 €*

Tape | 2024 | US | Original (Bayonet)

Release: 2025 / US – Original

Genre: Rock & Indie

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Mei Semones

Tsukino

Release: 2024 / US – Original

Genre: Rock & Indie

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'Mei Semones' sweetly evocative blend of jazz, bossa nova and math-y indie rock is notonly a way for her to find solace in her favorite genres, but is an intuitive means ofcatharsis. "Blending everything that I like together and trying to make something new -that's what feels most natural to me," says the 23-year-old Brooklyn-based singersongwriter and guitarist. "It's what feels most true to who I am as an artist."`Tsukino', Mei's debut, self-released EP, is being released physically for the first timeever on Bayonet Records! The EP will be released by itself on CD & Tape formats, andwill be included in a vinyl pressing on the B-side of Semones' landmark EP,`Kebutomushi'!Plinking guitar tones and asymmetrical time signatures exemplify Semones' forays intoangular indie rock more now than ever before. Originally from Ann Arbor, Michigan,Semones began playing music at a young age, starting out on piano at age four beforemoving to electric guitar at age eleven. After playing jazz guitar in high school, she wenton to study guitar performance with a jazz focus at Berklee College of Music. College iswhere she met her current bandmates, including string players Noah Leong andClaudius Agrippa, whose respective viola and violin add softness andmultidimensionality to Mei's intricate guitar work. After releasing a slew of singles andan EP in 2022, coinciding with her move to New York City, Mei and her band have sincegone on to collaborate with post-bossa balladeer John Roseboro and embark on theirfirst-ever tour with the melodic rock outfit Raavi.Semones chronicles infatuation, devotion, and vulnerability in her songs, complete withsweeping strings, virtuosic guitar-playing and heartfelt lyrics sung in both English andJapanese, that have all become part of her sonic trademark: ornately catchy, genrefusing compositions serving as the backdrop to tender lyrics touching on theuniversalities of human emotion.

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Glue Silver Vinyl Edition

LP | 1990 | US | Reissue (Sub Pop)

Release: 1990 / US – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-12-06

The Fluid are arguably the great unsung band from the fertile underground rock scene of the late '80s and early '90s. The Denver five-piece - John Robinson (vocals), James Clower (guitar), Matt Bischoff (bass), Garrett Shavlik (drums), and the dear departed Ricky Kulwicki (guitar) - fused the fire of '80s hardcore with crunching Detroit protopunk, '60s garage rock, and '70s rock swagger. Think MC5, Faces, '70s Stones, all cranked up and really high on Sex Pistols and Black Flag singles. Rising from the ashes of early-'80s Denver bands Frantix (whose "My Dad's a Fuckin' Alcoholic" is a true gem of American punk) and White Trash, The Fluid were the first non-Seattle band to sign to Sub Pop, and Clear Black Paper was the second full-length album the label ever released. The label honchos were fans of Frantix, and happily got involved with The Fluid when the opportunity arose via the label's European licensing partner, Glitterhouse. Witnessing The Fluid's dominant live presence helped - a particularly fiery early show at Seattle's Central Tavern featured The Fluid, Mudhoney, Mother Love Bone, and Soundgarden all trying to outdo one another on stage. The band fit right in on Sub Pop's nascent roster of acts who, wherever they stood on the spectrum of punk/rock/metal, shared a commitment to thunderous riffs and explosive live shows. Legendary for their ferocious stage presence, The Fluid toured all over the US and Europe, holding their own and then some on bills with Mudhoney, Nirvana, Soundgarden, Dinosaur Jr., and other powerhouses of the era. From 1986 to 1993, The Fluid put out four albums and a number of EPs and singles, including a split 7" with Nirvana in 1991, before doing one album for a major label and promptly disbanding.Yet, while their partners-in-crime bulldozed into the mainstream, The Fluid remained something of a cult band, their audience confined to those who got hip during the band's existence, and crate diggers who nabbed original vinyl or CDs, which had quickly become rarities after sellin...

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Roadmouth Lime Vinyl Edition

LP | 1989 | US | Reissue (Sub Pop)

Release: 1989 / US – Reissue

Genre: Rock & Indie

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Clear Black Paper Yellow Vinyl Edition

LP | 1988 | US | Reissue (Sub Pop)

Release: 1988 / US – Reissue

Genre: Rock & Indie

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Punch N Judy Blue Vinyl Edition

LP | 1986 | US | Reissue (Sub Pop)

Release: 1986 / US – Reissue

Genre: Rock & Indie

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Between The Devil & The Deep Blue Sea

Black Stone Cherry

LP | 2007 | EU | Reissue (Music On Vinyl)

Release: 2007 / EU – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-11-22

Folklore And Superstition

Black Stone Cherry

2LP | 2008 | EU | Reissue (Music On Vinyl)

Release: 2008 / EU – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-11-22

LP | 2024 | UK | Original (Rocket)

Goat

Goat Swirl Vinyl Edition

LP | 2024 | UK | Original (Rocket)

Release: 2024 / UK – Original

Genre: Rock & Indie

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The Ouroborus - that is, the icon of the snake or dragon eating its own tail - appears to some a statement of the brutality of nature. To others of a Gnostic disposition it symbolises the duality of the divine and earthly in mankind. But most commonly, it’s taken simply to mean the endless cycles of death and rebirth that characterise life on this planet. As such, it’s an image that looms large in the world of Goat, the ever-mysterious and endlessly revivifying collective whose latest album marks another adventure above and beyond this particular plane of reality.This may be a band that has named albums both Requiem and Oh Death, yet this eponymous salvo proves yet again that transcendence and metamorphosis are their watchwords. Goat sees this ever-unpredictable outfit summoning rhythmically-driven rituals in unmistakable, uplifting and scintillating style, equally adept at ignitiing dancefloors and expanding minds.

‘One More Death’ and ‘Goatbrain’ are spectacular curtain-raisers, embodying a hedonistic spirit driven by incisive funk and possessed by merciless fuzz/wah-drenched guitar. Yet elsewhere, the band’s love of hip hop is the fuel for the end-credits-epic album closer ‘Ourobourus’ which marries infectious chant to breathless Lalo Schifrin-style breakbeat action. And which also means ultimately, like the titular oldest allegorical symbol in alchemy, we’re right back where we started. As Brad Dourif’s character Hazel Moates intones in the 1979 movie Wiseblood, “Where you come from is gone; where you thought you were going weren’t never there. And where you are ain’t no good unless you can get away from it”; in Goat’s eternal now of renewal and revelation, there’s never been a more potent means of escape.

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Goat

Goat Black Vinyl Edition

Robert Sotelo & Mary Currie

Release: 2024 / UK – Original

Genre: Rock & Indie

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Dream Songs

7" | 2024 | UK | Original (Upset The Rhythm)

Split Golden Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Robert Sotelo is a bedroom pop songsmith who lives in Glasgow. Sotelo has released six albums since 2017, three of which came out on Upset The Rhythm. He also performs in Order of the Toad, Dancer and Nightshift. Mary Currie is best known as half of touchstone DIY experimentalists Flaming Tunes, alongside Gareth Williams (of This Heat). Currie also performed in Officer! with Mick Hobbs amongst others.

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The Groundhogs

LP | 1971 | US | Reissue (Fire)

Daryl Hall & John Oates = Daryl Hall & John Oates

Release: 1971 / US – Reissue

Genre: Rock & Indie

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Limited to 500 copies on gold vinyl, contains download also. The second of three groundbreaking albums by the ultimate power trio
who morphed blues into hard rock and spawned punk. A much-loved opus with a side-long concept piece. A bona fide inspirational
rock classic. “Tony McPhee has turned to anarchic paranoid battlegrounds of the mind for inspiration,” Melody Maker. And a second
side that delivers the mighty ‘Cherry Red’, McPhee’s take on The Beatles’ ‘A Day In the Life’, a sideswipe at junk food and a glorious
interpretation of John Lee Hooker’s ‘Groundhogs Blues’. “Both musically and lyrically, ’Split’ speaks for a lost time, a nomad time when
ideals took to the hoof and musicians stayed on the road rather than confront the fact that the '60s 'war' had been lost.” Julian Cope //
“Murky, fuzzy, and wisely esoteric.” AllMusic. // “Supercharged, fractured and raging.” MOJO // Remastered and packaged with bonus
tracks on the download (out-takes from the original sessions that spawned this spontaneous monster).

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Private Eyes = プライベート・アイズ

LP | 1981 | JP | Original (RCA)

2LP | 2018 | UK | Reissue (World Of Echo)

Release: 1981 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI!

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Naoki Zushi

LP | 1978 | Reissue (Bmg Right Management)

Release: 2018 / UK – Reissue

Genre: Rock & Indie

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Double LP - gatefold, tip-on sleeve, black vinyl - edition of 500 worldwide. RIYL: Hallelujahs, Nagisa Ni
Te, Roy Montgomery, Grouper, Manuel Gottsching. With IV, World Of Echo inaugurates a series of reissues by Japanese guitarist,
Naoki Zushi. Perhaps best known for his stellar guitar contributions to psych folk group, Nagisa Ni Te, Zushi has had a parallel career,
for several decades, slowly releasing solo albums that spotlight his exultant guitar playing. Originally released to CD only by Shinji
Shibayama of Nagisa Ni Te’s Org imprint in 2018, IV has Zushi playing and writing at a peak, its six songs slowly unfurling with a kind
of paradoxical understated grandeur. This is psychedelic guitar music at its most paced and considered, yet given to flights of
inspiration, and in this respect, Zushi sits within a lineage of guitarists who’ve used their instrument both as textural anchor and
improvisatory tool – think of figures like Phil Manzanera and Robert Fripp, but also Roy Montgomery, Liz Harris of Grouper, even Tom
Verlaine on his instrumental solo albums. Like those artists, Zushi locates moments of deep emotional resonance amidst luxuriant
textural and melodic exploration. Zushi’s history stretches back to the mid 1970s. While for many, he first appeared on the scene as a
founding member of noise legends Hijokaidan, alongside Jojo Hiroshige, his musical contributions predate that encounter. He started
out playing progressive rock and improvised music, making home recordings of when he was in high school. He was a member of
Rasenkaidan (Spiral Staircase) alongside Hiroshige and Idiot (Kenichi Takayama), the group that soon mutated into Hijokaidan
(Emergency Staircase). Zushi and Takayama would soon form Idiot O’Clock, in 1982; Zushi also led his own Naoki Zushi Unit, starting
in 1983. But for many, Zushi’s first significant appearance on record was as a member of Shinji Shibayama’s mid-eighties psych-pop
group, Hallelujahs, whose sole album was recently reissued on vinyl. That group mutated into Nagisa Ni Te, and Zushi has played a
significant role as their lead guitarist for several decades. His own solo music has appeared sporadically – Paradise (1987),
Phenomenal Luciferin (1998), III (2005) and IV, with a few recent, meditative offerings, For My Friends’ Sleep (2021) and Nocturnes
(2022). With IV, though, Zushi achieved something remarkable, a kind of extended exploration of the time-altering properties of
echoplexed, hypnotically spiralling guitar interplay. The opening ‘Mirror’, “a song about the mirror inside me,” Zushi explains, starts out
as a lush psych-folk song, slow and gentle, but soon takes to the skies with a cat’s cradle of Fripp-esque guitars, before thick, droning
chords sweep the song to a drowsy coda. ‘Nocturne’ weaves silver skeins of guitar melody around a cyclical chord pattern; it gathers
energy and quiet intensity through insistent repetition. The rest of the album explores the nuance Zushi can draw out of simple
elements, building on what ‘Mirror’ and ‘Nocturne’ offer – the profundity of a chord change; the melancholy of a few quietly sighed
words; the exhilaration of a guitar solo bursting out of the speakers; the subtle shifts in emotional register offered by tone and touch.
Throughout, there’s something quiet, yet ineffable, shading the contours of the songs, such that it makes perfect sense when Zushi
says, “What I want to express through music may be ‘sense of mystery’.” A few of the songs had their basic parts recorded at LM
Studio and Studio Nemu with Shibayama and Masako Takeda joining on bass and drums, respectively; much of the album, however,
was tracked at Zushi’s home studio. That seems appropriate for a collection of songs that are expansive in their intimacy. Asked what
drove the sessions, Zushi answers, “I thought I’d make IV an album that particularly focuses on the guitar play.” And focus it does, as
Zushi’s sky-scraping, soaring, elemental tone is front and centre throughout. But these are no guitar heroics; rather, Zushi uses the
guitar as conduit and diviner, a tool for spirit location, and IV is his most eloquent expression yet of such singular magic.

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The Kinks

Misfts 2024 Remaster

Release: 1978 / Reissue

Genre: Rock & Indie

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Review Your Choices Neon Green Vinyl Edition

Pentagram

LP | 1999 | EU | Reissue (Heavy Psych Sounds)

LP | 1969 | EU (Endless Happiness)

Release: 1999 / EU – Reissue

Genre: Rock & Indie

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Brand new remastered version of PENTAGRAM legendary album Review Your Choices in new Colored Vinyl and with a brand new cover desgined by Mirkow Gastow.PENTAGRAM's fourth studio album "Review Your Choices" marked the band's sixth comeback after several changes of line-up and label. These acclaimed protagonists of Doom Metal proved once more indestructible by drug addiction, break ups, bad deals, jail terms, chronic illness, satanic blood sacrifices and various acts of self destruction. Main-man and singer Bobby Liebling has kept his band alive for over 35 years now and might easily be awarded the title of "longest serving cult band" - highly acclaimed by fans, press and fellow musicians alike. "Review Your Choices" marked the return of multi-instrumentalist Joe Hasselvander to join Bobby Liebling in his eternal quest of creating the heaviest sound possible. The album features a mix of re-recorded lost Liebling tracks from the 70's and stellar new numbers penned by Hasselvander, which gave "Review Your Choices" an extra heavy feeling. PENTAGRAM once again set a standard to be followed by such illustrious followers as Cathedral, Spirit Caravan, Goatsnake, St. Vitus, Trouble or High On Fire among many others. Dive down deep into gloom and despair with this classic Doom recording.

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John Mayall

Looking Back

22,99 €*

LP | 1977 | JP | Reissue (Apple)

Release: 1969 / EU

Genre: Rock & Indie

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Looking Back is the seventh album released by John Mayall in August 1969.The album features songs by both John Mayall's Bluesbreakers and John Mayall solo work. It contains songs written between 1964 and 1968 with almost all the most well-known musicians who played with the Bluesbreakers during this period.

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John Lennon

Imagine

9,99 €*

LP | 2022 | DE | Original (Not On Label)

Release: 1977 / JP – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: G+, Cover: VG

Japanese pressing without OBI!

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OK KID

DREI

38,99 €*

Ariel Pink & R. Stevie Moore

Release: 2022 / DE – Original

Genre: Hip Hop, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Original inner sleeve. Close to NM.

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Ku Klux Glam

LP | 2016 | UK | Reissue (Stroll On)

24,99 €*

12" | 1984 | JP | Original (RCA)

Release: 2016 / UK – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Cover with slightly bumped corner

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Daryl Hall & John Oates

Out Of Touch

Don't Shoot Me I'm Only The Piano Player

Release: 1984 / JP – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG+

Japanese pressing with OBI!

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Elton John

LP | 1973 | JP | Original (DJM)

Lost & Found Black Vinyl Edition

Release: 1973 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

No Obi, with insert. Record is close to NM.

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Angelic Upstarts

LP | 1991 | EU (Radiation Reissue)

Illusion Brown Vinyl Edition

Release: 1991 / EU

Genre: Rock & Indie

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Formed in the northeast town of South Shields in 1977, punk/Oi! band Angelic Upstarts recorded two studio albums for Warner Brothers and two for EMI’s Zonophone subsidiary before being dropped by the latter. Work was begun on an abortive fifth studio album that forms the bulk of the brilliant Lost And Found, with superior versions of Last Tango In Moscow material featuring the classic Upstarts line up of Mensi/Mond/Glyn/Decca. Live tracks from the Main Event gig at the London Astoria have Mensi/Hayes/Ronnie Rocker/Max Splodge. This is required listening for all Upstarts fans. Thoroughly excellent!

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Renaissance

LP | 1970 | EU (Klimt)

22,99 €*

Lost & Found White Vinyl Edition

Release: 1970 / EU

Genre: Rock & Indie

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Illusion is the second studio album by the English progressive rock band Renaissance, released in 1971. It was originally released only in Germany and did not receive a wider release until 1973. Following an American tour to support their first album, the band returned to the studio in the spring of 1970 to begin work on their second. The band recorded "Love Goes On", "Golden Thread", "Love Is All", and "Face of Yesterday" before they began to fall apart. Keith Relf and Jim McCarty were the first to leave, deciding to cease as performing members but remain involved with production and composition for the band. John Hawken recruited singer Terry Crowe and guitarist Michael Dunford (both from Hawken's previous band The Nashville Teens), as well as session drummer Terry Slade to replace Relf and McCarty. Louis Cennamo left shortly afterwards to join Colosseum. Bassist Neil Korner, another former member of The Nashville Teens, replaced him.

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Angelic Upstarts

LP | 1991 | EU (Radiation Reissue)

LP | 1989 | UK | Original (China)

Release: 1991 / EU

Genre: Rock & Indie

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Green On Red

Live

13,99 €*

LP | 1978 | EU | Original (A&M)

Release: 1989 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Record is close to NM!

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Joan Armatrading

To The Limit

7,99 €*

Joan Jett & The Blackhearts

Release: 1978 / EU – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Cover has corner and ring wear, with price tag on front and on back cover. Original inner sleeve. Original EU pressing.

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I Love Rock'n Roll

LP | 1982 | DE | Original (The Boardwalk Entertainment Co)

13,99 €*

Release: 1982 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Explosions In The Sky, David Wingo

Prince Avalanche: An Original Motion Picture Soundtrack

LP | 2013 | US | Original (Temporary Residence)

17,99 €*

Release: 2013 / US – Original

Genre: Rock & Indie, Soundtracks

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

After Bathing At Baxter's

Jefferson Airplane

LP | 2015 | EU | Reissue (Music On Vinyl)

Book+CD | 2020 | EU | Original (Afar)

Release: 2015 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Top left corner slightly bent. Record looks unplayed.

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Maria McKee

La Vita Nuova

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 1977 | UK | Original (A&M)

Joan Armatrading

Show Some Emotion

4,99 €*

Release: 1977 / UK – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

LP | 1980 | UK | Original (A&M)

Joan Armatrading

Me Myself I

3,99 €*

Release: 1980 / UK – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Night Flight | Exit The Loop

Mirrorism

7" | 2013 | US | Reissue (Trouble In Mind)

10,99 €*

You're Wrong | You Can't Hide

Release: 2013 / US – Reissue

Genre: Rock & Indie

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Sometimes the best bands are just out in the world - waiting for you to discover them. Mirrorism formed nary a year ago in Ferrara, Italy & posted up some songs from their self-released cassette onto a message board late last year. The band's TiM debut snags two tunes from that blast of hot air & slaps 'em onto wax - where they belong! In their own words, Mirrorism are: "a philosophical, artistic and political movement based on chaos, disunity, multiple personality disorder and the refusal to make sense of any kind of artistic output." One gets a very real sense of the chaos lurking beneath these jagged stabs of post-punk fury - "Night Flight" kicks of the A-side with a rhythmic ticking of the drums, perhaps a warning of the musical time bomb about to explode thru your speakers! Short & sweet - it's over before it even began. "Exit The Loop" closes out the single with a ragged cacophany of garage scree & trebly guitar sirens! An exciting debut from this promising new band! The first edition of this single is pressed on randomly mixedvinyl & includes a download code!

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Proto Idiot

7" | 2013 | US | Reissue (Trouble In Mind)

10,99 €*

LP | 2013 | US | Reissue (Felte)

Release: 2013 / US – Reissue

Genre: Rock & Indie

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Andrew Anderson is a prolific guy, having recorded two albums of dumb-punk ferocity with his band, Hipshakes & released three albums & a number of singles under his solo project moniker, "Proto Idiot". Proto Idiot's previous output has had one foot firmly planted in the Hipshakes school of frenzied, nervousgaragepunk intensity, & the other in a rickety, Kinks-ian,English-countryside gallop. His debut for TiM however is a step in a new direction, delivering smart & urgent pop tunes having more in common with the DIY smarts of bands like Television Personalities, Wire & The Soft Boys than The Oblivians or The Gories. "You're Wrong" yearns with the strummy confections of a lost classic & it's earworm melody will have a hard timegetting unstuck from your brain! "You Can't Hide" burns with the loping maudlin of guitars & careens into a head-bopper of sugary pop-perfection. The first edition of this single is pressed on randomly-mixed vinyl & includes a download code!RIYL: Wire, The Soft Boys, TVP, Tyvek, Hipshakes

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Standish/Carlyon

Deleted Scenes

LP | 2013 | Reissue (Western Vinyl)

Release: 2013 / US – Reissue

Genre: Rock & Indie

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Deleted Scenes is the debut album by futurist dub pop duo Standish/Carlyon, comprising bassist/vocalist ConradStandish and guitarist Tom Carlyon, both formerly of noir rock group Devastations. Deleted Scenes continues the process begun on the final Devastations album Yes, U, moving away from full-band arrangements towards submerged electronic rhythms and late-night altered states. The atmosphere throughout is oneof surreal chic. In rich baritone or impressive falsetto, Standish intones dark, absurdist lyrics over the band'sshimmering take on dub, a sensual, ultramodern gloss disturbed by deep vibrations. There's the pulse-quickening progression of Moves, Moves, the spectral faux-soul of "Feb Love" (featuring vocals from Standish's wife Jonnine, one-half of HTRK), the icy grind of "Gucci Mountain", the synthetic fractured funk of "Nono/Yoyo" or the deviant denouement that is 2 5 1 1, a collaboration with Benjamin John Power of Blanck Mass and FuckButtons. The album was recorded in London with Aaron Cupples and mastered by the iconic Denis Blackham, who has workedwith everyone from Brian Eno to Pan Sonic. Standish/Carlyon have played Belgium's Sonic City Festival (curated by Liars) alongside Chris & Cosey and Rhythm & Sound, as well as All Tomorrow's Parties' new Australian incarnation I'll Be Your Mirror, alongside the likes of My Bloody Valentine, Pere Ubu and Einsturzende Neubauten.FIYL: Twin Shadow, Coil, White Car, HTRK

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Luxury Liners

They're Flowers

Arrington De Dionyso's Malakait Dan Singa

Release: 2013 / Reissue

Genre: Rock & Indie

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After releasing "Freeclouds" in 2011 under his own name, CARTER TANTON toured the US with The War on Drugs and then joined Lower Dens. While on tour with Lower Dens, Carter had plenty of time to experiment with new ways of crafting songs using samples and other electronics. The resulting album, "They're Flowers", is his first release und...

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Open The Crown

LP | 2013 | US | Reissue (K)

23,99 €*

LP | 2012 | Reissue (Cloud)

Release: 2013 / US – Reissue

Genre: Rock & Indie

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You may have experienced ARRINGTON DE DIONYSO'S MALAIKAT DAN SINGA as an unexpected live force, pushing up through the earth like daffodils in late winter; or maybe you're familiar with their previous exploits in the studio, "Malaikat dan Singa" [KLP215] and "Suara Naga" [KLP226], which burn clean with fragrant traumas. "Open the Crown" is similarly passion-filled, with new vistas (channeled hallucinations) exploring English (previously only the Indonesian language was employed) as their stomping ground to expand parallel themes anew. Open the Crown conveys tendrils of raw energy emanating from the head - dream visions translated directly to audio outrage. Heavy. And sexy. To be expected from ARRINGTON DE DIONYSO and his molten collection of MALAIKAT DAN SINGA who manipulate the "form'd and the formless" to create from within this broken system.

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Jacob Morris

Moths

LP | 2012 | Reissue (Cloud)

Release: 2012 / Reissue

Genre: Rock & Indie

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Jacob Morris is from Athens, Georgia. He started playing cello in Austin, TX at the age of four, and played with his musical family until he left home. The unique music community that is Athens attracted him years back. and since then he has supported some of its finest musicians and songwriters playing cello, guitar, bass, and keys with artists such as Ham 1, Vic Chesnutt, Liz Durrett, Madeline, and currently Patterson Hood of the Drive-By Truckers. Taking cues from the psychedelic pop and folk of this robust scene, Jacob has crafted a stellar debut wit...

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Dream Boat

Eclipsing

LP | 2011 | US | Reissue (Trouble In Mind)

Release: 2012 / Reissue

Genre: Rock & Indie

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DREAM BOAT is the music of Page Campbell and Dan Donahue. "Eclipsing" features beautiful harmonies and waves of electronic texture. With the help of engineer Suny Lyons, they bring together an ensemble featuring John Fernandes of THE OLIVIA TREMOR CONTROL and CIRCULATORY SYSTEM, and Scott Spillane of NEUTRAL MILK HOTEL and THE GERBILS. It's a really unique music that could be called "cosmic folk". Page has contributed to multiple bands such as HOPE FOR A GOLDEN SUMMER, CREEPY, and DARK MEAT. Dan has contributed lyrics to ELF POWER, GREAT LAKES, OF MONTREAL, and most recently BEAR IN HEAVEN. Fans of Cat Power, Fennesz, Neil Young, Sandy Denny, and Brian Eno will definitely enjoy this record. DREAM BOAT exists where the earthly meets the ethereal. It's hypnotic, haunting, and sometimes serene.

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Wax Museums

Eye Times

Release: 2011 / US – Reissue

Genre: Rock & Indie

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LP | 2007 | Reissue (Constellation)

Sandro Perri

Tiny Mirrors

LP | 1976 | JP | Original (EMI)

Release: 2007 / Reissue

Genre: Rock & Indie

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Following an EP on Constellation in 2006, this is the first full-length recording by Sandro Perri under his own name. Working with some of Toronto's finest avant and improv players, Sandro fully re-invented himself as a singer, lyricist and guitar player, and Tiny Mirrors was the culmination of this transformation - a highly personal collection of songs, shaped by an utterly original approach to composition, performance, and melodic and vocal phrasing. It incorporates elements and sensibilities - albeit in subtle hues - as diverse as Vanguard-era Skip James (and his weary falsetto), post-tropicalia Caetano Veloso (the compositional twists), and the 60s-era axis of hybrid songwriters like Tim Buckley, Tim Hardin, Harry Nilsson and Fred Neil (whose "Everybody's Talkin'" is covered here, re-cast as a rumination on the 'epidemic' of second-hand experience). Perri's simultaneous guitar and kick drum playing is complemented by the cracked wah guitar of labelmate Eric Chenaux on several tracks, with brass, reeds, woodwinds, keys and percussion filling out the arrangements, courtesy of regular bandmates Ryan Driver, Marcus Quin and John Jowett. A handful of other Toronto players contribute on drums, trombone and cello.

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Olivia Newton-John

Don't Stop Believin'

8,99 €*

John Denver's Greatest Hits

Release: 1976 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing without OBI!

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John Denver

LP | 1976 | JP | Original (RCA)

5,99 €*

Olivia Newton-John = Olivia Newton-John

Release: 1976 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI!

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Totally Hot = さよならは一度だけ

LP | 1978 | JP | Original (EMI)

4,99 €*

LP | 2024 | JP | Original (P-Vine)

Release: 1978 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Japanese pressing without OBI!

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Dane Donohue

L.A. Rainbow

Release: 2024 / JP – Original

Genre: Organic Grooves, Rock & Indie

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The biggest event in the AOR scene in recent years! Singer-Songwriter Dane Donohue, who released his only album in 1978, has released a miraculous new album after 46 years! John Nixon from Page 99, the producer of the album, said "I wanted to make an album that was a direct link to his debut album 46 years ago.". As he said, Dane's voice is as elongated as it was then, as if he had just woken up from a 46-year cold sleep. This is an album that will go down in history as one that all AOR fans should listen to.

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Blue Öyster Cult

Extraterrestial Live

Release: 2024 / EU – Original

Genre: Rock & Indie

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Dandelion Albums & Bbc Recordings Collection

Bridget St.John

CD | 2024 | Original (Cherry Red)

31,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Concentus: The Live Collection Vol.1 10 Box

John Wetton

CD | 2024 | Original (Cherry Red)

80,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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CD | 2024 | US | Original (High Moon)

Gene Clark

Two Sides To Every Story

Release: 2024 / US – Original

Genre: Rock & Indie

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CD | 2024 | Original (Chrysalis)

Ian Hunter

Short Back N Sides

17,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Randy Meisner

Release: 2024 / EU – Original

Genre: Rock & Indie

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Wishbone Ash

Pilgrimage

Release: 2024 / EU – Original

Genre: Rock & Indie

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Dio

Strange Highways

Release: 2024 / EU – Original

Genre: Rock & Indie

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CD | 2024 | EU | Original (Arising Empire)

One Morning Left

Neon Inferno Digisleeve

Release: 2024 / EU – Original

Genre: Rock & Indie

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In April Came The Dawning Of The Red Suns

Ramatam

Release: 2024 / EU – Original

Genre: Rock & Indie

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Kashmir

Zitilites

Release: 2024 / EU – Original

Genre: Rock & Indie

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CD | 2024 | EU | Original (Floating World)

Jan Group Hammer

Oh Yeah?

Release: 2024 / EU – Original

Genre: Rock & Indie

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CD | 2024 | EU | Original (Beat Goes On)

Leo Kottke

The Best

Release: 2024 / EU – Original

Genre: Rock & Indie

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CD | 2024 | Original (Normaltown)

Johnny Delaware

Para Llevar

Release: 2024 / Original

Genre: Rock & Indie

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CD | 2024 | EU | Original (Nuclear Blast)

Fit For An Autopsy

The Nothing That Is

Release: 2024 / EU – Original

Genre: Rock & Indie

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CD | 2024 | EU | Original (Family Recipe)

Kids In Glass Houses

Pink Flamingo

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Wylam)

Janice Burns & Jon Doran

Great Joy To The New

42,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Ever / Never)

Patois Counselors

Limited Sphere

37,99 €*

LP | 2025 | US | Original (Stones Throw)

Release: 2024 / US – Original

Genre: Rock & Indie

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As Patois Counselors close in on a decade of existence, they are back to confirm their standing as one of America’s most consistently forward-thinking rock units. Although it’s been an entire presidential term since the Counselors acclaimed sophomore album The Optimal Seat came out, Bo White’s group hasn’t been lying fallow. Over the last few years, the seven-person line-up has been busy writing, recording and gigging, resulting in Enough: One Night at the Daisy Chain, a live-in-the-studio document captured in Brooklyn while on tour. Released at the beginning of 2024, Daisy Chain works splendidly as both a greatest hits primer and a forthcoming album teaser. Alas, the teasing is over with the arrival of Limited Sphere, the third album from Charlotte, NC’s Patois Counselors. Once again, Ever/Never steps up to the plate to demonstrate their confidence in this hard-working crew. In most contexts, a septet band configuration signals either a jazz ensemble or a mishmash of madcap noise. Beholden to no rules, Patois Counselors pluck from a selection of tactics as needed. Even augmented by extra players, each member reinforces their specific role, performing exactly what is needed for the track at hand. White’s post-modern muse needs plenty of room to stretch out and breathe and the big band spreads out the tent as far as it will go. White’s songs are rife with earned skepticism, sly asides and deft twists of tongues and licks. The manner in which the little details accumulate into the structure of the whole keeps the listener engaged. In other words, this is pop music for benevolent, discerning brainiacs, but regular people can dig it too. For Limited Sphere, Patois Counselors relax their grip on the tense post-punk that they mastered long ago. Songs like “Fountain Of UHF,” “Serious Rider” and “Ranking Set” still touch on this style, but now White’s voice shares the air with woodwind instruments that add even more depth and texture to his songs. The effortlessly groovy, vaguely loungey “Marge Attack” conjures fond memories of early Stereolab, while “Return To Sensitivity” evokes the magic hour of twilight, insects buzzing and zipping through dusky sky. Foregrounding the haze and mist in these songs, you can detect traces of Eno’s Another Green World in Limited’s atmoSphere, particularly on the closing “Cathy Music.” For their third proper album, Patois Counselors have crafted another seamless set of songs for practical fantasists and head-in-the-clouds cynics. The sphere outlined here may be limited, but the boundaries have been expanded significantly. —Erick Bradshaw

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Eddie Chacon

Lay Low Blue Smoke

Release: 2025 / US – Original

Genre: Rock & Indie

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LP | 2025 | US | Original (Stones Throw)

Eddie Chacon

Lay Low

Release: 2025 / US – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Last Night Glasgow)

Goodbye Mr Mackenzie

Five

38,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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American Football Covers Frosted Glass Vinyl Edition

V.A.

LP | 2024 | US | Original (Polyvinyl)

36,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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The Guy Hamper Trio Feat. James Taylor

Dog Jaw Woman

LP | 2024 | Original (Damaged Goods)

LP | 2024 | EU | Original (Dial Back Sound)

Release: 2024 / Original

Genre: Rock & Indie

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Here we have the third LP by the excellent Guy Hamper Trio, featuring James Taylor on Hamond organ, and Guy Hamper on guitar (sometimes called Childish) and what a first-class LP this is! 'Instrument of Evil' in particular has a very eerie vibe. We asked the man himself what was the inspiration for it? G.H. The track is the sequel to '7% Solution', which featured on the last Guy Hamper Trio LP (with Thee Headcoats standing in as rhythm section). A 7% Solution being the amount of morphine Dr Watson administered to Sherlock Holmes. For 'Instrument of Evil' I took Sherlock Holmes' later designation of his syringe as "an Instrument of Evil". This is originally a quote from the bible- "Wicked men do at times reject God's purpose for the state, transforming the good of civil government into an instrument of evil." Point of interest: Morphine addiction happens to tie in with another aspect of the song. In the section that nods to Elmer Bernstein's main title theme to the film of the book The Man With the Golden Arm, in which the main character is also a morphine addict. Another ingredient - we added six-string bass to that section in tribute to Jet Harris - he formerly of top group The Shadows, who recorded a great version of Bernstein's classic. To top it all off the record sleeve references the fine graphics of the great Saul Bass. The track also features contributions from Tom Morley (trumpet) and Anna Jordanous (sax) . Both Were a pleasure to work with. My job at the wheel is to basically make a playground and let Jamie, Anna and Tom loose in it with very little direction, apart from pointing out the swings and location of the roundabout. I told Tom "you're a Spanish trumpeter stood on a hill in Spain." For Anna, I think we said "go low and nasty." Other titles are taken from early poetry chapbooks I made in my youth. 'The First Creature is Jealousy' and 'Dog Jaw Woman' being examples. The title 'Incense Rising From a Censer' comes fromDostoevsky's The Brothers Karamazov, a book I really recommend....

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Laura Jane Grace

Give An Inch

Records & Tea: The Best Of The Chefs & Lost 2nd Album

Release: 2024 / EU – Original

Genre: Rock & Indie

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The debut EP from Laura Jane Grace & The Mississippi Medicals entitled 'Give An Inch' releases on a Dial Back Sound exclusive variant of "Fun Dip" colored vinyl. This six song EP was recorded at Dial Back Sound in Water Valley, MS and lacquered for 140g vinyl at historic Sam Phillips Recording Service in Memphis, TN by Jeff Powell. Disc plays at 45rpm for maximum deep grooves. The Mississippi Medicals are Laura Jane Grace (Against Me!), Paris Campbell Grace, Matt Patton (Drive By Truckers) and Mikey Erg!

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The Chefs

2LP | 2024 | Original (Damaged Goods)

29,99 €*

2LP | 1978 | JP | Original (Warner)

Release: 2024 / Original

Genre: Rock & Indie

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From the ashes of the thriving underground punk scene in Brighton in 1979, a band of songwriters called The Smartees emerged. They never made any records but after their demise one of the guitarists, Carl Evans, approached bass player Helen McCookerybook to ask her if she'd like to write some songs with him. He'd already set one of her poems, Food, to music, and they played their first gig with just three songs, each of which lasted just over two minutes: you can hear Food, Sweetie and Boasting on this compilation. The Chefs original drummer, Rod Bloor, contributed the seeds of the song Records and Tea before returning to his native Manchester. Soon, augmented by James McCallum on additional guitar and Russell Greenwood on drums, the songwriting duo started recording for local label Attrix records, firstly two tracks on their Vaultage 79 album, followed by the Sweetie EP and then 24Hours which was championed by BBC Radio 1's John Peel, who invited them to do a session. A residency at The Moonlight Club in West Hampstead, London, tempted them all to relocate to the big city, and a move to Graduate Records saw the re-release of 24 Hours. Graduate also commissioned the album tracks included here, which were languishing in the band attic and have not been released until now. The band split up in 1982, heading in different musical directions: Helen switched to guitar and formed Helen and the Horns, Carl formed Yip Yip Coyote, Russell joined John Hegley's Popticians, and James left the music industry. In our short three years we'd spent hundreds of hours writing and rehearsing our songs, recorded three sessions for the BBC, appeared on two compilations, piqued the interest of top pop producer Pete Waterman, and played countless gigs around the UK. We thought we'd been together for thousands of years! We hope you enjoy our music.

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Peter, Paul & Mary

Time Machine Digipak Edition

Release: 1978 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing, no Obi.

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Cats In Space

CD | 2024 | Original (Cherry Red)

20,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Sarah Neufeld & Richard Reed Parry & Rebecca Foon

First Sounds

CD | 2024 | EU | Original (One Little Independent)

17,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2023 | Original (La Vida Es Un Mus)

Home Front

Games Of Power

LP | 2022 | EU | Original (La Vida Es Un Mus)

Release: 2023 / Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Cover with a seam split at the upper edge.
Record with just a few paper scuffs.
Includes original inner sleeve.

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Home Front

Think Of The Lie

LP | 2004 | FR | Reissue (Record Collection)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Cover with a beginning seam split at the upper edge.

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John Frusciante

Curtains

Chuck Berry / RC Succession / Sam Moore & His Sam & Dave Revue

Release: 2004 / FR – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Still shrink wrapped but opened.
Cover with a beginning seam split at the upper edge.
Includes original insert.

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The Day Of R&B

LP | 1982 | JP | Original (Barca)

8,99 €*

LP | 1966 | JP | Original (Warner)

Release: 1982 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Includes booklet!

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Peter, Paul & Mary

See What Tomorrow Brings

9,99 €*

Dave Stewart And The Spiritual Cowboys

Release: 1966 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: G+, Cover: VG

Japanese pressing, no Obi.

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Honest

LP | 2024 | EU | Original (Music On Vinyl)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Dave Stewart And The Spiritual Cowboys

LP | 2024 | EU | Original (Music On Vinyl)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | Original (Post Present Medium)

The Intima

Peril & Panic

LP | 1975 | JP | Original (Apple)

Release: 2024 / Original

Genre: Rock & Indie

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The Intima led a chameleon-like existence from 1999 to 2004, confounding critics who struggled to describe their distinctive sound while sharing stages with everyone from The Rapture to The Mekons. Hailing from Olympia and Portland, the postpunk quartet utilized sharp rhythms, prescient lyrics, and a collaborative compositional approach to conjure forth a sound that manages to be explosive yet detailed, experimental yet propulsive and melodic. Featuring a classically-trained violinist, custom-tuned guitars that careen at odd angles, and an imaginative and powerful rhythm section, the band explored the intersection of art-punk and agitpop with a spirit and tenor uniquely their own. In 2017, the Polish website More Noise summed up their sound by saying that "the first association that comes to mind is The Ex and the Dutch avant punk scene of the 1980s, but fans of the bands Dirty Three, Godspeed You Black Emperor and Unwound may also be intrigued."The group toured the States extensively during the 4+ years that they were active, including one grueling six-week tour undertaken just after 9/11 and another one in 2003 during which the US began bombing Iraq. The group's live sets are remembered for their combination of unbridled intensity and tightly-coiled musicianship, as well as their chaos potential, whether that chaos was performing in the middle of an illegal street party or causing a PA to burst into flames immediately preceding a headlining set by Deerhoof. A memorable show in DC with Q And Not U was mentioned by Dischord group Black Eyes in their Speaking In Tongues booklet last year, with Hugh McElroy describing the Intima as "a really aggressively-beautiful and poetic punk band with a violin where a guitar normally would be...pushing genre barriers in a way that helped me see a vision of how we might want to do that ourselves."Peril and Panic was recorded in Olympia over eight months in 2002 and was released in 2003 on LP (Zum/Collective Jyrk) and CD (Slowdance). In 2022, in the midst of the pandemic,...

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John Lennon

Rock 'N' Roll

Ewan Maccoll And Peggy Seeger

Release: 1975 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

No obi.

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The Angry Muse

LP | UK | Reissue (Argo)

12,99 €*

Release: UK – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | 1975 | JP | Original (EMI)

Olivia Newton-John

Clearly Love

4,99 €*

The Thief & The Heartbreaker (Reimagined)

Release: 1975 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing, no OBI.

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Alberta Cross

LP | 2007 | UK | Reissue (Dark Matter / Austral Media)

LP | 2024 | UK | Original (Trapped Animal)

Release: 2007 / UK – Reissue

Genre: Rock & Indie

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A new take on Alberta Cross’s debut album ‘The Thief & The Heartbreaker’, which set the foundation for their Americana-tinged indie and alternative sound. The album includes new versions of all the original album tracks & features a veritable wealth of musical collaborations with close friends including Band Of Skulls, Katie Melua, Jack Savoretti, Ed Harcourt, Starsailor’s James Walsh, Joseph Arthur, Dan Mangan, Dylan Leblanc, Tomas Andersson Wij & Arum Rae.

Originally released in 2007 as a collection of self-produced demos, Alberta Cross’s debut ‘The Thief and The Heartbreaker’ set the blueprint of their sound. What followed was success on both sides of the Atlantic & this new version of the album - recorded in Frome, Somerset, at Ethan John and Dom Monks (Big Thief) Bert Jansch studio and mastered at the hallowed Abbey Road Studios - honours the original whilst breathing new life into each track and making clear that Alberta Cross’s debut remains a timeless classic.

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Cormorant Tree Oh

Moonish

LP | 2024 | US | Original (New West)

Release: 2024 / UK – Original

Genre: Rock & Indie

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We're proud to announce that Trapped Animal will be releasing the new album by Cormorant Tree Oh, Moonish! On 180 GSM Clear Vinyl with artwork illustrated by CTO. Since CTO's 2022 sophomore album, Swoontide, Mary has found herself supporting Lankum at Vicar Street, gracing a cover CD of Uncut, picking up new fans from all over the world. She will be performing songs from Moonish at this year's Quiet Lights Festival (w/e Nov 21) in Ireland and on December 7th in London at The Lexington.

Cormorant Tree Oh often gets labelled as folk horror and whilst there are still spooky elements, this album veers into new territory. With heavy use of drones and new instrumentation. Music tends to come out of CTO weirdly regardless of her intentions, so her innate oddness still shines through.. and this album embodies that oddness and beauty.

First single, Terror Of The Countryside, opens with a frivolous sounding catchy riff, until the dark drones of Terror drop in on the listener like a roar from a John Carpenter movie. The song moves with a dark, ominous groove that has become CTO’s trademark. Something about this new recording shows a maturity and confidence that has always been present in her previous work… but owns the tape it is pressed to in a new way. Terror is the opening track from Moonish, and like all great set ups, it embodies the tracks to follow.

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The Wild Feathers

Sirens