Search "phew" 1887 Items

3LP | 2024 | UK | Original (Now)

Now - Yearbook 1981

Release: 2024 / UK – Original

Genre: Rock & Indie

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3LP | 2024 | UK | Original (Now)

Now - Yearbook 1982

Release: 2024 / UK – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Sell The Heart)

The Fest 22 Comp

39,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Let's Go Dancing: Split A Mountain In Two With A Flake Of Snow Opaque Bone Vinyl Edition

LP | 2024 | EU | Original (Tasty Goody)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Let's Go Dancing: Split A Mountain In Two With A Flake Of Snow Sky Blue Vinyl Edition

LP | 2024 | Original (Tasty Goody)

Release: 2024 / Original

Genre: Rock & Indie

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On The Scene With Chris Farlowe

LP | 2024 | Original (Immediate)

33,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Smiling C)

The Voice Of Love

31,99 €*

Release: 2024 / EU – Original

Genre: Organic Grooves, Rock & Indie

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The Voice of Love is a collection of British sophisti-pop and jazz-funk from the 1980s - ten songs ranging from unreleased demos to scarcely pressed 12”s attempt to define the scope of the British underground scene during that era.

The music presented on this release juxtaposes polished aesthetics with a punk ethos; while some bands sported sophisticated looks reminiscent of travel destinations and designer fashion, they also embraced gritty influences from iconic British acts like The Clash, Sex Pistols, and early Factory Records acts. This dynamic interplay between refinement and rebellion lies at the heart of the compilation. Artists like Jakatti, Berlin-Randazzo Band, and Xpertz offer a raw energy akin to Colourbox, Maximum Joy, and A Certain Ratio. Meanwhile, Inheritance, World Series, and Ocean evoke the sound of 52nd Street (Inheritance members went on to form that group) and Freeez (including After Eight’s notable "Southern Freeez" cover). The Goodbye Look and Sonjah & Ian introduce a smoother jazz-pop vibe, drawing inspiration from Sade and the sun-kissed allure of Ibiza.

Curated in collaboration with Michael Patricola, a pioneer in uncovering rare private pressings and obscure recordings, this project is a labor of love. This selection of long-elusive discoveries is a tender ode to the rainy melancholy of English adolescence.

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American Football Covers Frosted Glass Vinyl Edition

LP | 2024 | US | Original (Polyvinyl)

36,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Zeitgeist Black Vinyl Edition

4 Promille

LP | 2024 | EU | Original (Vier Promille)

24,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Salamirecorder & The Hi-Fi Phonos

Night Song / Fight 'Em

7" | 2024 | EU | Original (Siluh)

15,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Independent lo-fi garage punk from Vienna!After the great debut album `Goods for Conversation' (Bachelor Records) released in 2023, here is the first new 7' single from the Viennese trio. 60s garage flavoured with a pinch of surf feeling. On top of that, there are the absolutely charismatic vocals of the bustling Felix Schnabl aka Salamirecorder. Minimalist, straightforward, to the point. Nothing reheated. Everything freshly prepared. A top double a-side that makes you want more!If you have to describe SALAMIRECORDER's music, its probably like a weird slightly annoyed outsider but with a melting heart for love songs. A perfect shake between 60s Back from the Grave Garage punk and a little breeze of early trash mixtape Powerpop. or something_ _weird, loud, rocknroll noise!!!

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LP | 2024 | US | Original (Spectrum Audio)

Rock: The 70s Collection

39,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Im Nächsten Leben Yellow-Black Marbled Vinyl Edition

4 Promille

LP | 2024 | Original (Vier Promille)

Release: 2024 / Original

Genre: Rock & Indie

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Zeitgeist Black Red Vinyl Edition

4 Promille

LP | 2024 | EU | Original (Vier Promille)

Release: 2024 / EU – Original

Genre: Rock & Indie

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7" | 2024 | US | Original (Spinout Nuggets)

Voo-Dooms

Doom With A Voo

Release: 2024 / US – Original

Genre: Rock & Indie

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CD | 2024 | Original (V2)

Razorlight

Planet Nowhere

Release: 2024 / Original

Genre: Rock & Indie

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Rock'n'roll Kittens Vol. 6 - Hot Licks

CD | 2024 | Original (Atomicat)

Release: 2024 / Original

Genre: Rock & Indie

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Sadie's Gentlemen's Club Vol. 6 - Weird

CD | 2024 | Original (Atomicat)

Release: 2024 / Original

Genre: Rock & Indie

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The Rockin' Spot Vol. 6 - Belinda

CD | 2024 | Original (Atomicat)

Release: 2024 / Original

Genre: Rock & Indie

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Can't Steal My Fire: The Songs Of David Olney

CD | 2024 | US | Original (New West)

Release: 2024 / US – Original

Genre: Rock & Indie

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CD | 2024 | Original (Via - Thirty Tigers)

Dwight Yoakam

Brighter Days

15,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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The Bristol Post Punk Explosion Vol 2

LP | 2024 | Original (Bristol Archive)

30,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Monster A Go-Go (Teen Trash From Psychedelic Tokyio '66-'69)

LP | 2024 | EU (Cosmic Rock)

19,99 €*

Release: 2024 / EU

Genre: Rock & Indie

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Sought-after compilation exploring the Group Sound movement that swept Japan in the mid 1960s. Under the influence of the Beatles dozens of Japanese bands devoted themselves to exporting a wide genre that ranged from surf-rock, garage fuzz, psych and wild R&B. Featuring the influential The Mops, the Filipino band (relocated to Hong Kong) D’Swooners and The Golden Cups.

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4CD | 2024 | WW | Original (Now)

Now Yearbook 1977

19,99 €*

Release: 2024 / WW – Original

Genre: Rock & Indie

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Choices Made In Anger Jade Green Vinyl Edition

V8 Wankers

LP | 2024 | UK | Original (Remedy)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Now That's What I Call Christmas 2024

4CD | 2024 | WW | Original (Now)

Release: 2024 / WW – Original

Genre: Rock & Indie, Christmas

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4CD | 2024 | WW | Original (Now)

Now Yearbook 1977

Release: 2024 / WW – Original

Genre: Rock & Indie

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America: Live At The Hollywood Bowl 1975

America

LP | 2024 | US | Original (Primary Wave)

LP | 2024 | US | Original (VHF)

Release: 2024 / US – Original

Genre: Rock & Indie

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Travel back in time to August 3, 1975: America takes the stage at the Hollywood Bowl backed by a symphony conducted by George Martin. The never-before-heard tapes have recently been remastered for the new release Live From The Hollywood Bowl 1975, featuring live renditions of America's hits like "Sister Golden Hair, " "Horse With No Name, " "Ventura Highway, " and more. Travel back in time to August 3, 1975: America takes the stage at the Hollywood Bowl backed by a symphony conducted by George Martin. The never-before-heard tapes have recently been remastered for the new release Live From The Hollywood Bowl 1975, featuring live renditions of America's hits like "Sister Golden Hair, " "Horse With No Name, " "Ventura Highway, " and more.

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Elkhorn

The Red Valley

Release: 2024 / US – Original

Genre: Rock & Indie

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Debut standalone VHF album by the Elkhorn duo of Drew Gardner and Jesse Sheppard, a tight set of six studio recordings in a variety of moods and featuring a lot of new sound textures. Elkhorn’s prolific stream of releases since 2016 has highlighted their mastery of sprawling long-form, acoustic-driven hypno-jams, with an emphasis on live performance (including on their collaboration with Pelt’s Mike Gangloff on the Shackamaxon Concert album). The Red Valley is a more layered and composed-sounding set, with the duo overdubbing extensively on top of their own dual guitars. Leading off the LP, “Crystal Hummingbird” features one of their signature minor-modal vamps, with layers of fuzz bass, zither, and frame drum providing weight and psychedelic density. “Gray Salt Trail” continues the vibe, with thick fuzz vibraphone supplementing the cinematic palate, leading into the spare side-closer “Black Wind Of Kayenta,” where Sheppard plays electric 12-string and Gardner solos on acoustic guitar.

Side two starts with “Road to Chaco Canyon,” a brooding duet that builds momentum with Gardner’s insistent frame drum cadence, dropping down into the quiet string pool of “Inside Spider Rock” (featuring Fern Knight’s Jesse Sparhawk on gloriously swirling lever harp) and the graceful finale “Jackrabbit Hops.”

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Christmas Hits Black Vinyl Edition

21,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie, Christmas

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180 Gram VinylGet ready to spin some holiday magic with the Christmas Hits record! This festive collection is packed with timeless music from legendary artists like Brenda Lee, Connie Francis, Elvis Presley, The Beverly Sisters, and many more. Perfect for setting the holiday mood, this LP will keep every Christmas lover's spirits bright. Whether you're trimming the tree or sipping cocoa by the fire, let these iconic voices bring the joy of the season to your home.

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All Time Christmas Favourites Black Vinyl Edition

21,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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180 Gram VinylMake the holiday season unforgettable with All Time Christmas Favourites! This festive collection is the perfect soundtrack, featuring the beloved voices of Johnny Cash, Paul Anka, Bobby Darin, Harry Belafonte, and many more. Whether for hosting a holiday gathering or enjoying a quiet evening by the fire, these timeless classics will fill your home with warmth and joy.

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All Time Christmas Favourites Red Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie, Christmas

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180 Gram, Red VinylMake the holiday season unforgettable with All Time Christmas Favourites! This festive collection is the perfect soundtrack, featuring the beloved voices of Johnny Cash, Paul Anka, Bobby Darin, Harry Belafonte, and many more. Whether for hosting a holiday gathering or enjoying a quiet evening by the fire, these timeless classics will fill your home with warmth and joy.

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Christmas Hits Gold Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie, Christmas

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180 Gram, Gold VinylGet ready to spin some holiday magic with the Christmas Hits record! This festive collection is packed with timeless music from legendary artists like Brenda Lee, Connie Francis, Elvis Presley, The Beverly Sisters, and many more. Perfect for setting the holiday mood, this LP will keep every Christmas lover's spirits bright. Whether you're trimming the tree or sipping cocoa by the fire, let these iconic voices bring the joy of the season to your home.

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Merry Christmas White Vinyl Edition

LP | 2024 | EU | Original (L.M.L.R.)

Release: 2024 / EU – Original

Genre: Rock & Indie, Christmas

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Even The Forest Hums: Ukrainian Sonic Archives 1971-1996

55,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”

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No-Ones Listening Anyway - UK DIY Post Punk & Dubs 1980-1984 (Volume 1) Compiled By Jason Boardman

LP | 2024 | UK | Original (Caroline True)

Brown Acid - The Nineteenth Trip Colored Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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Lots of crazy 80s UK stuff on here.

An album of early 1980s Post-Punk era musical bedroom & small studio innovations & DIY Inspirations - Featuring rarely / never heard cuts from that period. Including tracks sampled by DJ Shadow & a singular Post-Punk era back-handed tribute JCC track :-) From Coventry's 2-Tone associated Skeet to Surface Mutants Cabaret Voltaire facilitated Dub & the out-there pastoral Post-Punk spaciness of The Dealers ..A rich vein .

"This is a snapshot of a fertile time in UK music, a time of independent artists, studios, labels & distributors collaborating to do it themselves, sidestepping the majors to take their shot at the big time. It didn't always work out but they made a record and that's what counts. It is a collection of the lost and overlooked - not intended to be a definitive guide to the period but an opportunity to shine a light on the creative output of these artists and share them once again so they can get the recognition they deserve."

(Jason Boardman May 2024 - Jason Boardman ( Before I Die Records) Celebrated Manchester club-night curator & record Label Owner , DJ & digger - supreme.

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V.A

LP | 2024 | US | Original (Riding Easy)

34,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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There is NO Light at the end of this tunnel! Brown Acid: The Nineteenth Trip fires ten more savage nails deep into the coffin of ‘60s psychedelic idealism. This series is THE premier top dog journey into the rarest and most wasted early local eruptions of heavy rock, unleashed at a time when harsh reality, human nature and disillusionment drove prevailing underground rock glimpses of a ‘better’ world into ever darker selfabsorbed comedowns. Mind expanding ’60s love energies transform into toxic aggression right before your ears! The great thing is that these moves are totally justified, ‘we are all one’ is cosmically good in theory but ‘get it while you can’ ends up perhaps better advice in the light of human history. Both of those angles of awareness can coexist, some of these bands deliver unrelenting sideways positive energy but they aren’t over-thinking it, they are youthfully driven by hunger for life and satisfying the undeniable urges their DNA thrusts upon them. Sonically, the results in the Brown Acid series never fail to breathe hot and heavy, the guitars kill it every time, the variety of approaches these tracks take keep the scenery shifting into new places. The key element that makes this stuff so potent is that They (the bands) are in control. Captured genuinely with no compromise, right out of the gate. No doubt they had ambition with high hopes for the future when they laid down these primal efforts, the fact that they captured their energy so vividly at a moment in time when the only direction imaginable was UP creates a hard hitting life affirming subtext to the proceedings. That is the core energy of blues and rock and roll, dealing with the struggles of existence by flipping a gigantic ‘what the fuck’ high energy bird right in the face of the moronic defective reality these bands were born into. If you take this stuff too ‘seriously’ you are utterly missing the point, it is beyond analysis, it is life itself! No amount of thinking will get you there quicker! Brown Acid: The Nineteenth Trip is scary... the bottomless pit of deranged vintage heavy rock the series presents continually expands over time... one deadly dose too many and you might be trapped in the bad trip loop forever... enjoy it or lose your mind!

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Brown Acid - The Nineteenth Trip Black Vinyl Edition

LP | 2024 | US | Original (Riding Easy)

29,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Tonight I'll Go Down Swingin': A Tribute To Don Heffington

LP | 2024 | US | Original (Nine Mile)

Release: 2024 / US – Original

Genre: Rock & Indie

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Don Heffington was a musician's musician. Starting his professional career in the late 70s and early 80s as a part of Emmylou Harris' Hot Band and seminal alt-country pioneers Lone Justice, Heffington went on to a session career that included work with Bob Dylan, Dwight Yoakam, The Jayhawks, Dave Alvin, The Wallflowers, and many, many more.

Heffington was also a prolific songwriter, and here, his colleagues and friends pay loving tribute to those songs in a benefit for the Sweet Relief Musicians Fund (Heffington passed away in 2021 from Leukemia). Artists such as Jackson Browne, Fiona Apple, Buddy Miller, Dave Alvin, Watkins Family Hour, Peter Case, and others interpret Don's quirky songs. In the words of Jackson Browne: "I think of (Don) as inhabiting the same Los Angeles as Warren Zevon, Lowell George and Tom Waits.”

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2LP | 2024 | Original (Not Now)

The Best Of Country

36,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2024 | EU | Reissue (Spittle Dependance)

Milano 84 - Ultradisco

Release: 2024 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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After the surprising debut with ‘Monochromatic’, Milano 84 - the musical project of Fabio Di Ranno and Fabio Fraschini - returns with a new album that brings the formula into even sharper focus. Synth pop, new wave, Italo disco acquire a contemporary dimension and an international flavour. ‘Ultradisco’ brings together eleven tracks, some in English, others in Italian. They are velvet dancefloor songs, emotional and romantic, elegantly distant from the obvious. Milan 84's fellow travellers include, among others: Johnson Righeira, here in the futurist reinterpretation of a Franco Battiato classic (Summer on a solitary beach); Anita Dadà – a well-known avant-garde artist - is with Fabrizio Massara (Baustelle) in the languid and intense ‘Darling’; Andy (Bluvertigo) and Alice Silvestrini (Laison) illuminate the prismatic ‘Crystal’; Anna Soares - a revolutionary performer - and Eugene - electro songwriter - colour ‘Italopop’, a manifesto made up of décollage quotations; Fred Ventura ignites the engines of the new wave to come with ‘The right words’. And he is also artistic supervisor of this unmissable album for all lovers of the 80s, the decade that never ended.

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Best Of Jethro Tull Redux Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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100 Minuten In Der Echokammer

LP | 2024 | Original (Echokammer)

29,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Bliss Out: For Days Black Vinyl Edition

LP | 2024 | US | Original (Numero Group)

33,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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The Numero Group guide to private issue new age. Featuring Laraaji, Iasos, Joanna Brouk, Don Slepian, Peter Davison, Master Wilburn Burchette, Jordan De La Sierra, David Casper, Robert Slap and 9 other pioneers of the Perrier underground. Adorned with Marcus Uzilevsky's Linear Landscapes, this 2xLP compilation is housed in a sturdy tip-on jacket and is accompanied by a 32-page booklet. The fourth world awaits.

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Bliss Out: For Days Crystal Clear Vinyl Edition

LP | 2024 | US | Original (Numero Group)

Release: 2024 / US – Original

Genre: Rock & Indie

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Jethro Tull - Aqualung Redux Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Jethro Tull - Aqualung Redux Oxblood Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Best Of Jethro Tull Redux Redgold Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Planet Nowhere Clear Smoke Vinyl Edition

Razorlight

LP | 2024 | Original (V2)

Release: 2024 / Original

Genre: Rock & Indie

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Can't Steal My Fire: The Songs Of David Olney

2LP | 2024 | US | Original (New West)

37,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Heated Garage: Toasty Treasures From Minnesota's Kay Bank Studio

LP | 2024 | US | Original (Beatrocket)

30,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | Original (We Are Busy Bodies)

Annarella And DJango

Jouer

24,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition

58,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Why Don't You Smile Now: Lou Reed At Pickwick Records 1964 -1965 Red & Gold Vinyl Edition

57,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Light in the Attic, in cooperation with Laurie Anderson and the Lou Reed Archive, is thrilled to announce the forthcoming release of Why Don’t You Smile Now: Lou Reed at Pickwick Records 1964-65. Due out September 27th, the latest installment in LITA’s critically acclaimed Lou Reed Archive Series is a compilation of pop songs penned by Reed during his mid-60s stint as a staff songwriter for the long-defunct label Pickwick Records. The compilation follows on the heels of Lou Reed’s Hudson River Wind Meditations (2023) and Words & Music, May 1965 (2022).

One of the most original and innovative figures in music history, Reed (1942-2013) first gained recognition as co-founder and frontman of the massively influential Velvet Underground. Over the course of his five-decade career, the two-time Rock & Roll Hall of Famer brought his singular vision to an eclectic expanse of musical endeavors, including era-defining albums like 1972’s Transformer and wildly experimental works like the 1975 avant-garde noise classic Metal Machine Music. But before establishing himself as an enduringly iconic singer, songwriter, musician, and poet, Reed got his start as an in-house songwriter (and occasional session guitarist/vocalist) for Pickwick Records—a label specializing in sound-alike recordings that emulated the major pop hits of the day. Encompassing everything from garage-rock and girl-group pop to blue-eyed soul and teen-idol balladry, Reed’s output for Pickwick ultimately offers a fascinating early glimpse at his ever-evolving and truly limitless artistry.

The album has been restored and remastered by GRAMMY®-nominated mastering engineer John Baldwin. Both the 2xLP & CD editions feature in-depth booklets with unseen photos, liner notes by Richie Unterberger (renowned music journalist and author of such acclaimed titles as White Light/White Heat: The Velvet Underground day-by-day), and an essay by Lenny Kaye (the legendary guitarist, Patti Smith Group co-founder, writer, producer, and curator of seminal garage-rock anthology Nuggets). The double-LP package is designed by multi-GRAMMY®-winning artist Masaki Koike and pressed at world-renowned plant Optimal (Germany). A special color vinyl edition is pressed on “Oxblood” wax (a/b side) and “Gold” wax (c/d side). This release marks the first official anthology of Lou Reed’s work for Pickwick Records and features rarities, cult classics (The Primitives’ “The Ostrich”), & previously unreleased material (The Beachnuts’ “Sad, Lonely Orphan Boy”).

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Why Don't You Smile Now: Lou Reed At Pickwick Records 1964 -1965 Black Vinyl Edition

53,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Holy Beat! (A Collection Of 60s Italian Christian Beat)

LP | 2024 | EU | Original (Aberrant)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Holy Beat! - A collection of 60's Italian Christian beat from the vaults of Ariel Records. Nine tracks from three amazing Italian bands, Angel and the Brains, I Barritas & The Bumpers. Originally released as La Messa dei Giovanni in 1966 and recorded live the same year, this record has been the stuff of legend for deep cut Pop connoisseurs and 60's Beat archeologists, a beautiful and mesmerizing gem that goes way beyond the Christian novelty. Presenting here three amazing Italian bands (Angel and the Brains, I Barritas & The Bumpers), this is not just a Christian pop record, this is a collection of beautifully crafted Italian 60's Beat that will blow the mind of anyone remotely interested in 60's music, a must!

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Hixtape: Vol. 3: Difftape

LP | 2024 | US | Original (Big Loud)

Never Back Down Limited Colored Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-08

HIXTAPE & Joe Diffie - "HIXTAPE: Vol. 3: DIFFTAPE" [2 LP] HIXTAPE is back as HIXTAPE: Vol. 3: DIFFTAPE, a celebration of the legacy and beloved catalog of GRAMMY and CMA Award-winning country icon Joe Diffie. 2 LP set on black vinyl.

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Never Back Down

LP | 2024 | EU | Original (Circular Wave)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Asylum Splatter Vinyl Edition

Chaosbay

LP | 2024 | EU | Original (Circular Wave)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Indecision Records 30th Anniversary

2LP | 2024 | US | Original (Indecision)

51,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-15

One-time pressing on neon orange vinyl, Includes 70+ page booklet, Housed in gatefold jacket

Last summer, to commemorate 30 years of Indecision Records, a weekend of shows were held in the label’s adoptive hometown of Garden Grove, California. With quite a few reunions on hand as well as a line-up of bands that spanned across the label’s entire existence, the show was recorded for posterity, and now a small sampling of that is being released on this double LP collection. One track from every band that played as well as a 70+ page booklet with hundreds of photos from the weekend. This will not be pressed again.

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LP | 2025 | Original (V2)

Vices

Before It Might Be Gone

Release: 2025 / Original

Genre: Rock & Indie

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Preorder shipping from 2025-02-07

Bloom Black / White Splattered Vinyl Edition

Larkin Poe

LP | 2025 | EU | Original (Tricki-Woo)