Search "record store day" 17893 Items

Release: 2022 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2022 | EU | Original (Xtra Mile)

Deux Furieuses

Songs From Planet Earth

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Day-Glo (Based On A True Story) Colored Vinyl Edition

Erasure

LP | 2022 | UK | Original (Mute)

Parece Que Tuvimos Demasiados Hijitos

Release: 2022 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

An unexpected album, featuring 10 brand new songs, each track created using elements from The Neon universe. Familiar but unexpected, the songs bear little resemblance to the original album, although echoes of The Neon can be heard from time to time. The album is an alternative look at Vince and Andy’s world, and marks the closure of this chapter of The Neon.

Go to Item

Ignorantes

LP | 2022 | US | Original (Under The Gun)

LP | 1981 | US | Reissue (Slovenly)

Release: 2022 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Chilean scuzzpunks, Ignorantes, have spent nearly 8 years delivering some of the strongest street punk in contemporary DIY. Parece Que Tuvimos Demasiados Hijitos, is their debut LP pressing and features a collection of re-recorded hardcore staples that have previously only existed on different tapes and singles. This is a limited release and a boiling hot ticket item that we have until we don’t, so buy it today to avoid feeling like a dunce."—Chuck Trash

Go to Item

Eddie And The Subtitles

Skeletons In The Closet

Like A Plane Colored Vinyl Edition

Release: 1981 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

It’s 1980 in Orange County, California, and Punk Rock has been scorching the ‘burbs for a few years. Eddie Joseph has been on the Southern California scene the entire time, plotting his poisonous rock’n’roll maneuvers since the mid 1960s when he began playing in garage bands. Eddie had been honing his skills on roots music and swinging teenbeat well in advance of his foray into a new, seedy, violent punk blitzkrieg. There’s a master plan at work here, and it involves select players depending on which direction Eddie needs to bleed out of his system. The recruitment of Mike Patton and Matt Simon of OC legends THE Middle Class get Eddie AND THE Subtitles rolling for a slew of shows with comrades Black Flag, Adolescents, Circle Jerks and every other degenerate crew in the radius. A DIY imprint called No Label Records is formed (with literally NO Labels on the vinyl!) and the first single “Fuck You Eddie!” is unleashed. Recorded in Fullerton by JON ST. James at his legendary Casbah studio (The Vandals, Social Distortion, Berlin), these sessions also yielded a handful of tracks that would appear on the exceedingly rare Skeletons In The Closet LP (No Label Records, 1981). “Zombie Drug Killers,” “No Virgins In Hollywood,” and “American Society” (the short fast loud version covered by L7) appear here as the opening trio on this newly re-sequenced reissue. Geza X is also on board to produce a handful of tracks with peripheral Subtitles including Nicky Beat (germs, Weirdos) among the sessions’ players. The results here are another manifestation of Eddie’s one true love. Even as a punk allegiant, songwriting, sound and style are the priority. The dusted and dark goth-pop of “Magic” and “Stream of Consciousness” are crucial to the plot, setting a unique tone that works in a sea of one-dimensional scene releases, taking full advantage of Geza’s synth-mimicking microtonal guitar techniques. A tribute to Dave Dacron, chief miscreant of Dangerhouse Records’ Rhino 39 is also set to tape as consolation to X, as Dacron’s 16 year old life was tragically cut short in an automobile accident in 1980. But the party rocks on with covers of “Louie Louie” (also appearing on the elusive Fuck You Eddie! single) and “We Gotta Get Out of This Place,” as a testament to Eddie’s obsession with the timeless now-sounds of his delinquent adolescence. Friends and fellow freaks JON Blair (of surf cats JON AND THE Nightriders) and Bobby Paine (later of rockabilly hepsters THE Paine Brothers) lend their own song-smithery for four more originals: “Boppin’ Little Bobcat, ”“Treat me Right,” “Gina” (covered in 1984 by Josie Cotton and again in ‘89 by Stray Cats) and “Your Head’s In The Right Place,” respectively. Skeletons In The Closet remains an unusual and rare artifact in the ashtray world of punk, DIY and outsider music, and Slovenly Recordings is blasted to present it to the world one more time.

Go to Item

Markus Acher

10" | 2022 | US | Original (Moone)

Pick Of The Pops Volume 1 Pale Blue Vinyl Edition

Release: 2022 / US – Original

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Markus Acher (best known as singer of The Notwist) typically produces his own music under the name Rayon – this time, however, is a different story. Using his real name, he sends a signal re: the circumstances he recorded the music in - at home in his old apartment in Munich, in a private setting, in a time when there was hardly anything else available. Accordingly, and rather fittingly, the four songs represent a bridge to the outside world: Acher tore the doors to his balcony wide open, inviting the outside in , capturing its sound on tape: rain falling, engine noise of passing cars. And at the same time the songs pushed outward, into that sphere that remained off-limits to us for some time (“Like a plane they can go everywhere”).

The four tracks - arranged for harmonium, acoustic guitar, banjo, glockenspiel, percussion, a children's harp and vocals - were released digitally in 2021 via the Japanese independent platform Minna Kikeru, run by Saya (member of the duo Tenniscoats and Markus Acher's bandmate in Spirit Fest), among others. For two songs of «Like A Plane», Saya contributed vocal tracks as well.

Go to Item

The Hit Parade

LP | 2022 | EU | Original (Optic Nerve)

20,99 €*

Spark Transparent Yellow Vinyl Artprint Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-10-25

14 track vinyl version of the 2012 CD compilation. Pressed on pale blue vinyl, with printed lyric inner sleeve. First time on vinyl. Includes poster and postcard. A swish compilation LP featuring fourteen of the most memorable songs in the career of the top notch indie band THE HIT Parade. Entitled ‘pick OF THE Pops (vol1)’ the LP collects together the most poignant moments in the career of THE HIT Parade, and includes their thoughtful recording for Sarah Records “In Gunnersbury Park”, their tubthumping single for Minty Fresh USA “Hitomi” as well as other cuts, both cheerful and desolate in style, that feature Cath Carroll (Factory Records), Amelia Fletcher (Heavenly and Talulah Gosh) and Harvey Williams (Another Sunny Day and The Field Mice). THE HIT Parade was formed by Julian Henry with his school friends Matt Moffatt and Raymond Watts in 1984 when they released their first single ‘Forever’ on JSH Records. Since then they’ve clung to the sensibilities of pure pop and have become a curiosity item with their retro attitudes and songs about dead writers, disused swimming pools and failed love affairs. Their early vinyl singles were lauded by John Peel, the NME and Melody Maker, the now defunct weekly paper that published Julian Henry’S writing. In the 1990s the band toured alongside Edwyn Collins, The Milkshakes and Sarah Records notables, and signed to Japanese and US labels, releasing a sequence of albums that have since become collectible.

Go to Item

Whitney

16,24 €* 24,99 € -35%

Spark Black Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Julien Ehrlich and Max Kakacek could hear the staggering differences in the songs they were writing for their third album as Whitney, Spark - the buoyant drum loops, the effortless falsetto hooks, the coruscate keyboard lines. They suddenly sounded like a band reimagined, their once-ramshackle folk-pop now brimming with unprecedented gusto and sheen. But could they see it, too? So in the ad hoc studio the Chicago duo built in the living room of their rented Portland bungalow, a shared 2020 escape hatch amid breakups and lockdowns, Julien and Max decided to find out. Somewhere between midnight and dawn every night, their brains refracted by the late hour and light psychedelics, they'd play their latest creations while a hardware store disco ball spun overhead and slowed-down music videos from megastars spooled silently on YouTube. Did their own pop songs _ so much more immediate and modern than their hazy origins _ fit such big-budget reels? "We'd come to the conclusion we weren't going to be filming Super 8 videos to this stuff anymore," Julien remembers with a grin. "How about something more hi-fi, cinematic?" When the footage and the tunes linked, Julien and Max knew they had done it, that they'd finally found Whitney's sound. Spark reintroduces Whitney as a contemporary syndicate of classic pop, its dozen imaginative and endearing tracks wrapping fetching melodies around paisley-print Dilla beats and luxuriant electronics. What's more, Whitney reduces three years of extreme emotional highs and lows into 38 brisk but deep minutes, each of these 12 tracks a singable lesson in what it is they (and, really, we) have all survived. The recalcitrant ennui of opener "nothing REMAINS," the devastating loss of "TERMINAL," the sun-streaked renewal of "real Love": However surprising it may sound, Spark is less a radical reinvention for Whitney than an honest accounting of how it feels when you move out of your past and into your present, when you take the next steps of your lives and careers at once and without apology. Spark maintains the warmth and ease of Whitney's early work; these songs glow with the newness of now. Listen closely, and you'll notice frequent references to smoke and fire throughout Spark, itself a double entendre for inspiring something new or burning down the old. Max and Julien were indeed in Portland for the Fall of 2020, when smoke from nearby fires choked the city at record levels. It was terrifying and tragic, but they pressed on. "We found a way to live while the world was burning/Real life was caving in," Julien sings almost merrily during "back THEN," an anthem for finding out what's on the other side of hardship. In these dire days, scientists speak increasingly of scrutiny, an evolutionary miracle that causes some trees to release seeds only amid a season of fire. That is how Spark often feels _ Whitney's circumstances were so fraught on so many levels that they hung "the past_out to dry" and began again, finding a fresh version of themselves, their relationship, and their band after the blaze. Max and Julien are back in Chicago now, sharing a cozy walk up with a little studio, where they're already building songs for the next Whitney album. They're both in happy romances, too. Now that they let the past burn, everything is new for Max and Julien. Spark is not only Whitney's best album; it is an inspiring testament to perseverance and renewal, to best friends trusting each another enough to carry one another to the other side of this season of woe.

Go to Item

Whitney

24,99 €*

Transmission From Mothership Earth 3 Color Striped Blue-Red-Black Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Julien Ehrlich and Max Kakacek could hear the staggering differences in the songs they were writing for their third album as Whitney, Spark _ the buoyant drum loops, the effortless falsetto hooks, the coruscant keyboard lines. They suddenly sounded like a band reimagined, their once-ramshackle folk-pop now brimming with unprecedented gusto and sheen. But could they see it, too? So in the ad hoc studio the Chicago duo built in the living room of their rented Portland bungalow, a shared 2020 escape hatch amid breakups and lockdowns, Julien and Max decided to find out. Somewhere between midnight and dawn every night, their brains refracted by the late hour and light psychedelics, they'd play their latest creations while a hardware store disco ball spun overhead and slowed-down music videos from megastars spooled silently on YouTube. Did their own pop songs _ so much more immediate and modern than their hazy origins _ fit such big-budget reels? "We'd come to the conclusion we weren't going to be filming Super 8 videos to this stuff anymore," Julien remembers with a grin. "How about something more hi-fi, cinematic?" When the footage and the tunes linked, Julien and Max knew they had done it, that they'd finally found Whitney's sound. Spark reintroduces Whitney as a contemporary syndicate of classic pop, its dozen imaginative and endearing tracks wrapping fetching melodies around paisley-print Dilla beats and luxuriant electronics. What's more, Whitney reduces three years of extreme emotional highs and lows into 38 brisk but deep minutes, each of these 12 tracks a singable lesson in what it is they (and, really, we) have all survived. The recalcitrant ennui of opener "nothing REMAINS," the devastating loss of "TERMINAL," the sun-streaked renewal of "real Love": However surprising it may sound, Spark is less a radical reinvention for Whitney than an honest accounting of how it feels when you move out of your past and into your present, when you take the next steps of your lives and careers at once and without apology. Spark maintains the warmth and ease of Whitney's early work; these songs glow with the newness of now. Listen closely, and you'll notice frequent references to smoke and fire throughout Spark, itself a double entendre for inspiring something new or burning down the old. Max and Julien were indeed in Portland for the Fall of 2020, when smoke from nearby fires choked the city at record levels. It was terrifying and tragic, but they pressed on. "We found a way to live while the world was burning/Real life was caving in," Julien sings almost merrily during "back THEN," an anthem for finding out what's on the other side of hardship. In these dire days, scientists speak increasingly of serotiny, an evolutionary miracle that causes some trees to release seeds only amid a season of fire. That is how Spark often feels _ Whitney's circumstances were so fraught on so many levels that they hung "the past_out to dry" and began again, finding a fresh version of themselves, their relationship, and their band after the blaze. Max and Julien are back in Chicago now, sharing a cozy walkup with a little studio, where they're already building songs for the next Whitney album. They're both in happy romances, too. Now that they let the past burn, everything is new for Max and Julien. Spark is not only Whitney's best album; it is an inspiring testament to perseverance and renewal, to best friends trusting each another enough to carry one another to the other side of this season of woe.

Go to Item

Nebula

39,99 €*

Cosmic Awakening Gold-Transparent Red-Splattered Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Desert Psychedelic Fuzzsters Nebula are back with an incredible new album!! 8 tracks of pure Fuzzness recorded by bass player Tom Davies and produced together with the mastermind Eddie Glass in the Mojave desert ! It's the classic Nebula sound: walls of guitars, riffs that come from outer space, melodic vocals matched with desert grooves...you couldn’t ask for more. The band spent the last 6 months in the studio alone recording and mixing this new Psychedelic Stoner Rock gem! The amazing artwork was made by the one and only Robin Gnista. Transmission From Mothership Earth is coming out on Heavy Psych Sounds Records July 22nd as the official soundtrack of your summer!

Go to Item

Lord Elephant

LP | 2022 | UK | Original (Ice Machine)

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Cosmic Awakening” is the first offering ever released by Lord Elephant in its lifetime. Rather than concentrate ourselves on other outputs, we wanted to celebrate the long road made together as musician and human beings, that made as background in the progressive construction of this album, with a proper debut album, long in its creation as the band itself. Through the episodes of this journey, the trio experiences different moods and sounds on the path, sealing through the dreamy waves of space and acid rock towards the perilous reef of heavy blues, stoner and sludge metal, finding strength and inspiration in the solid cohesion that bound the three of us. Steady rooted in the metal, rock and blues tradition, “Cosmic Awakening” tries to find a personal manner to melt heavy music and psychedelia, shadows and lights, with a focused starting point, but going to nowhere defined… All Music written and performed by Lord Elephant Recorded, mixed and mastered at Audiovolt Studio in August/September 2021. Artwork and Layout by Coito Negato.

Go to Item

Kübler-Ross

26,99 €* 29,99 € -10%

Future Nuggets Volume 4 Colored Vinyl Edition

Release: 2022 / UK – Original

Genre: Rock & Indie, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Kübler-Ross is a minimal synth/wave/industrial three-piece from Glasgow, Scotland, featuring Craig Clark, Katie Shannon, and veteran electronic producer and remixer producer Dave Clark, best-known for his Sparky moniker, and as one-half of the production/remix team Optimo (Espacio). First emerging in 2015 with a couple of compilation appearances, Kübler-Ross released their debut, self-titled album in 2020. Originally released as a limited-edition cassette on the Glasgow label Akashic Records, the album — now resequenced and released on vinyl via Suction Records’ minimal synth sublabel Ice Machine — is a collection of tracks recorded over a three year period in a variety of studios, rehearsal rooms, and gigs, documenting the musical variety and ferocity of their incendiary live performances. The Akashic tape, despite being low-key, under-the-radar, and released in limited quantity, managed to earn them a Long List nomination for SAY (Scottish Album of the Year) for 2020. Standout cut “Bridges”, first released in 2015, is synthpop perfection — sitting comfortably alongside classics from the first wave of UK electronic classics by Thomas Leer and Robert Rental, John Foxx, and even early Depeche Mode. It’s not the only synthpop track on the record, but the album is dominated by a more tough, raw, and punk spirit, featuring aggressive female vocals, live drums + bass guitar, and judicious use of crude analog synthesizers and tape delay fx. Think Liaisons Dangereuses meets Suicide, and you’re beginning to get close… Available digitally, and on limited vinyl LP in a reverse-board jacket, and includes a Bandcamp download card inside.

Go to Item

V.A.

2LP | 2022 | EU | Original (Fun In The Church)

23,39 €* 25,99 € -10%

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2LP | 2016 | EU | Reissue (Round Hill)

Judah & The Lion

Folk Hop N' Roll

31,19 €* 38,99 € -20%

Release: 2016 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2022 | EU | Original (Where Its At Is Where You)

Beneather

LP | 2022 | EU | Original (Swim)

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

RIYL: Cocteau Twins, Jefre Cantu-Ledesma, Julia Holter, DIIV, Washed Out, Broadcast, Insides, Beach House, Drug Store Romeos. Introducing Beneather, a BAFTA-nominated composer from North London obsessively crafting sad, lo-fi, cinematic, ambient scandi-dreampop submerged in gently fuzzy tape loops. Much like the paintings of Gerhard Richter or a heavy mist rolling through a familiar landscape, the debut long player from Beneather obscures and blurs ten beautiful tracks beneath washes of cinematic, ambient scandi-dreampop - details emerge and fade, voices ooze and flow, tunes soothe and unnerve, metronomic beats click and swing. It would not be out of place on a David Lynch or Jim Jarmusch soundtrack. Inspired by the likes of Jefre Cantu-Ledesma, Hammock, Grouper, Low, GAS, Huerco S., Emeralds, Jenny Holzer, William Basinski & ABBA!! Beneather is the solo project of Lewis Young - composer and collaborator in The Leaf Library, drone pop from north London. As a composer, Lewis recently scored the British short 'Lucky Break' which found its way into the BAFTAs short list only to narrowly miss out on the gong. Lewis is a multi-instrumentalist, producer, designer and filmmaker currently living in Walthamstow, London. He started as a guitarist in noughties math-rockers Tea with the Queen, shifting to bass for multi-harmonied Naomi Hates Humans before returning to thumping roots as drummer for The Leaf Library. Objects Forever - the imprint label created by The Leaf Library - has provided Lewis with the vehicle to jump back into experimental song craft, inspiring the genesis of Beneather. "I just needed to make a project which spoke to all the aspects of music I've loved creating as a multi-instrumentalist. Plugging things into things to make satisfying little electronic loops, then layering extremely minimal bass and guitar lines with a lo-fi aesthetic. Melinda and I spent a few days in the studio - picking out objects, patterns_ items that could inspire a thread of instinctive wordless melody. I took that e...

Go to Item

Malka Spigel

Gliding & Hiding

Gimme One More Chance / So Obscene

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Gliding & Hiding' presents one of post-punk's maverick spirits at her finest: Malka Spigel sprang to prominence as bassist and vocalist with the legendary Minimal Compact. She's also an internationally acclaimed photographer and video artist. Alongside her partner and long term collaborator Colin Newman, she's also one half of the electro-kosmiche duo Immersion. The pair are also members of the unique art-pop quartet Githead. Yet often, Spigel's most personal work is to be found on her solo albums.1993 debut 'Rosh Balata' is a contemporary rock album sung in Hebrew, with 1998's 'My Pet Fish' showcasing an idiosyncratic amalgam of rock and electronics, whilst 2012's 'Every Day Is Like The First Day' is a full blown psychedelic pop record, with guests including Johnny Marr, Alexander Balanescu and Julie Campbell (aka Lonelady).Now, 'Gliding & Hiding' gathers together Spigel's gorgeous 2014 'Gliding' EP, with reworked tracks from the 1994 mini-album 'Hide'. The result is a collection that ranges from sunshine pop, to minimal breakbeat techno, all the way to blissed out rock.For the 'Gliding' material, Spigel is joined by Newman, on guitar and keyboards, Ronald Lippok of Tarwater/To Rococo Rot on drums, and Gil Luz and Uri Frost of Mambas, on keyboards and guitar respectively, with additional guitars from Julie Campbell, and Matthew Simms of Wire. These songs began life as live recordings from a gig at London's Lexington, but were then refined in the studio. Yet they retain the sound of a real band, bouncing off each other's considerable talents'Gliding & Hiding' serves as a career overview, whilst the reworked compositions prove how utterly contemporary her sound is. If you are new to the delights of Malka Spigel, this is the perfect place to dive in...

Go to Item

The Slow Death

7" | 2022 | US | Original (Rad Girlfriend)

9,59 €* 11,99 € -20%

King Wasiu Ayinde Marshal I

Release: 2022 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Slow Death have a new 7" to get you ready for their brand new upcoming LP. Still a never-ending whose who of midwestern punk rock royalty , The Slow Death includes members of Dillinger Four, The Ergs, The Raging Nathans, The Soviettes, and the list goes on and on. At the helm of this punk rock pirate ship is the Captain, Jesse Thorson. 2 songs in 5 1/2 minutes drawing on influences of working class Oi anthems, and No Coast pop punk fury. Sometimes rollicking and fun, often dark and somber, The Slow Death carved out their own niche of melodic punk over a decade ago and have not eased up for a moment since. Infectious punk anthems like this only come along every so often. Imagine Cock Sparrer meets The Lemonheads. Yeah, it is that good.

Go to Item

Talazo Fuji Music Party!

LP | 2022 | EU | Original (Decca)

18,39 €* 22,99 € -20%

Gentrification V: Whitewashed

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Back in Nigeria in 1995 everybody knew King Wasiu Ayinde Marshal I. Just
about every house party and club floor, every shop front and car window,
pulsed to such megahits as ‘Talazo’ and ‘Consolidation’; to the percussion-rich
polyrhythms and Yoruba chants typical of Fuji music, a genre this one-time
roadie (for Fuji music icon Ayinde Barrister) had customised by adding more
percussion – congas, the sakara frame drum – and an attitude straight off the
street.
Wasiu Ayinde had nearly twenty years’ worth of national fame under his floor
length robes (and occasional zebra-striped jumpsuits) when he played his first
ever WOMAD Festival that same year. Booked in for a session at Real World
Recording Week shortly afterwards, the artist and his 16-piece band were
inadvertently delayed and pulled in to Real World Studios in Box, Wiltshire eight
hours late. The recording went ahead regardless. Against the clock. On-thefly. With a small live audience in party mode and microphones placed about
the floor, Wasiu Ayinde and his crew rode the adrenalin, summoning a set that
moved from trance-like call-and-response and vibrant Afropop ballads to those
aforementioned megahits, all of it soaked in groove and feeling. A kingly feat,
that seems even more majestic now.

Go to Item

Street Sects

7" | 2022 | US | Original (The Flenser)

14,99 €*

A Foul Form Black Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Bleeding edge Texas industrialists, Street Sects have completed their long running Gentrification single project with Gentrification V: White Washed. Gentrification, is a five part serial album that began eight years ago as a series of self-released seven inches. Now that your streets have been drained of all color and character, now that the last of the generational holdouts have been forced beneath the wheels, now that history has been torn up, rewritten, injected with fillers, plied with White Claw, passed around and shared by members of the board...are you sleeping more soundly?

Go to Item

Osees (Thee Oh Sees)

LP | 2022 | US | Original (Castle Face)

Kalapana II Blue Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

“Brain stem cracking scum-punk recorded tersely in the basement of my home. After a notoriously frustrating eon, the knee-jerk song path was aggressive and hooky. This is an homage to the punk bands we grew up on—the weirdos and art freaks that piqued our interests and pointed us on the trail head to here / now. Bad times make for strong music is something I agree with. I would say that is evident by the past few years of output from the underground. Transmissions have been all over the map: scanning…searching...sweeping out in the darkness looking for a foot hold.“[OSEES] A Foul From represents some of our most savage and primal instincts. Fight or flight. And the importance of a sense of humor in the darkest hour. Nothing wrong with keeping it snappy in the meantime. For fans of Rudimentary Peni, Crass, Bad Brains, Black Flag, Screamers, Abwarts, Stooges and all things aggressively tilted towards your face. You can lean back but don’t flinch…it’s a brief foray into the exhausting pogo pit, so stiffen your back and jerk with your knees. Enjoy.” —John Dwyer

Go to Item

Kalapana

LP | 1976 | US | Reissue (Aloha Got Soul)

17,99 €*

Bright And Guilty Pale Blue Color Vinyl Edition

Release: 1976 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Following the massive success of their debut album in 1975, Kalapana returned to the studio in 1976, this time at Audiotronics in West Covina, California, this time taking the lead in producing the record. Barry Fasman, the Los Angeles-based producer whom the band credited with making their first record shine, joined them in the studio for string arrangements and to conduct certain tracks. However, on Kalapana II, the band felt fully prepared to produce the album themselves. And they did so, marvelously.

Little did they know, this would be the last time all four original band members would record an album together.

Second in a trio of eponymous albums from 1975 to 1977, Kalapana II expanded upon Kalapana I’s now-classic sound while leaning into styles not previously heard on their debut: lead vocalist Malani Bilyeu weaved a love-lorn country ballad into the new LP with “Wandering Stranger”, and keyboardist Kirk Thompson forever left his mark on the group’s legacy with the latin jazz-funk instrumental, “Black Sand”. (The tune became a staple for the band’s live performances: they’ve opened practically every concert ever since with the composition).

Considering the mastery and timelessness of Kalapana I, a sophomore LP could have easily fallen short of the high standard they had set. Yet they did it, cutting a second LP with back-to-back, timeless hits that continue to resonate today. As a quartet — supported by the propulsion of drummer Alvin Fejarang and saxophonist Michael Paulo’s prowess — Mackey Feary, Malani Bilyeu, D.J. Pratt, and Kirk Thompson solidified their legacy as one of Hawaii’s greatest groups of all-time with this recording.

Go to Item

The Wolfhounds

2LP | 1989 | EU | Reissue (Optic Nerve)

40,99 €*

Pink Room Pink Glass Transculent Vinyl Edition

Release: 1989 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Deluxe reissue of their 1989 sophomore album pressed on pale blue Color Vinyl. Presented in a gloss laminated gatefold sleeve, which features the original LP plus a bonus disc with all the A and B sides, some compilation tracks and an outtake, plus a 12-page booklet containing previously unpublished lyrics and tons of contemporary reviews and photos.

Go to Item

Wet

The Biggest Tour In Sport

Release: 2022 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Pink Room is Wet's EP as part of Secretly Canadian's Friends Of campaign, guided by the New York three-piece's magnetic singer-songwriter Kelly Zutrau. Pink Room follows Zutrau's third LP, Letter Blue, which was Wet's most collaborative release, with co-writing and co-production from Toro y Moi's Chaz Bear, as well as Frank Ocean's go-to keyboardist Buddy Ross. Notably, founding guitarist Marty Sulkow has rejoined the group, alongside their nimble producer Joe Valle. Altogether, they've helped to create Wet's most natural-feeling and playful songs to date. Wet released their self-titled debut EP in 2014, for the taste-making pop label Neon Gold, before moving to Columbia Records for two understated, celebrated albums, Don't You (2016) and Still Run (2018). "Wet has what it takes to make everyone care about an indie band," Fader announced in a glowing magazine profile before the band went on to play Late Night with Jimmy Fallon and sell out Webster Hall. They've toured with The 1975, Florence + the Machine, and Toro y Moi, who also featured Wet on 2019's Outer Peace. "I'm always interested in multiple feelings at once," Zutrau says. "Not just a happy song, but happy and sad and guilty _ those can all be true." This is as much a sonic statement as it is one about life: "We see these messages in music and media that are very black and white, but our lives don't really live up to those expectations. Instead, we're somewhere in the middle of all these states that are much easier to explain."

Go to Item

999

12" | 2022 | EU | Original (Spittle)

14,99 €*

Toyah! Toyah! Toyah! Neon Yellow Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Formed in London in 1976, at the dawn of punk explosion, and still going strong to this day, 999 are one of UK's finest punk-rock bands of all-time, and certainly one of the longest-lived ones on the scene. Intended to capture the band on their extensive 1980 US tour, producer Vic Maile was flown to NYC to record a show in Long Island. Unfortunately the tapes supplied didn't fit the recording unit and so in order to save the already scheduled release, recordings from an earlier London gig were used instead! First released in the US in November 1980 "The Biggest Tour in Sport" consists of six songs capturing the band's live excitement in performing several of their hits such as "Homicide", `"Emergency" and "Feeling Alright with Crew".

Go to Item

Toyah

LP | 1980 | EU | Reissue (Cherry Red)

LP | 2022 | UK | Original (Hand Mirror)

Release: 1980 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The live album originally peaked at #22 in the UK Top 40 Album Chart in 1980 and also spent an entire year in the Independent Album Chart, earning a Silver sales certification.

The recorded gig took place on 17 June 1980 at the legendary Club Lafayette, Wolverhampton where Sex Pistols, Led Zeppelin and Stevie Wonder all performed. The gig was recorded on the Rolling Stones’ Mobile Recording Unit and has been remastered from the original master tapes by Nick Watson.

This neon yellow vinyl edition comes with a new inner bag with rare and unseen imagery.

Go to Item

Harkin

Honeymoon Suite

22,39 €* 27,99 € -20%

(Vol. 2) Locked Down And Stripped Back

Release: 2022 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

UK multi-instrumentalist and songwriter Harkin will release her second solo album ‘Honeymoon Suite’ on June 17th. “Body Clock”, the first single from the record, will be streaming on Monday the 21st of March alongside an animated video created by Pastel Castle.

Recorded in a one bedroom flat in the depths of UK lockdowns, the songs on ‘Honeymoon Suite’ are a blend of love, grief, anxiety, resilience, danger, heartbreak and hope. Part pop record, part electronic soundscape, part interior still life, ‘Honeymoon Suite’ will be released on Hand Mirror, the label Harkin founded in 2019 with her wife, the poet Kate Leah Hewett.

Speaking about the video, Harkin said "I was a big fan of Pastel Castle's work and felt like this song would be a perfect fit. I wrote and recorded it during lockdown in a flat with no outdoor space. My brother loaned me a Nintendo Switch and I found solace in games with large maps to explore. Songwriting and gameplay can both have the power to transport and the video Pastel Castle has created takes me on a beautiful and perilous quest."

Adding to this, Pastel Castle commented "The video for 'Body Clock' is a piece of frame-by-frame pixel art animation, which I had the best time making here at my little home studio in Leeds. Many days were focused entirely on tailoring the movement of Katie's Sprite / Avatar to align with the mood of the track. I'm very happy with our collaboration and feel inspired now to go on a bit of an adventure of my own."

The album marks a significant shift for an artist who had previously built a career around collaboration. In addition to her own bands, Harkin has been a touring member of Sleater-Kinney, Wild Beasts, Flock of Dimes, and Kurt Vileand Courtney Barnett’s Sea Lice. She performed backing vocals for Dua Lipa on Saturday Night Live. She dueted with comedian Sarah Silverman on 'Tiny Changes: A Celebration of Frightened Rabbit's The Midnight Organ Fight'. Her studio work includes contributions to Waxahatchee’s 'Out In The Storm'. Outside of the music world, Harkin has composed for Turner Prize-winning artist Helen Marten and British comedian Josie Long. She even has a Saturday Night Live sketch named after her (Fred Armisen’s 2016 ‘Harkin Brothers Band’).

Where her self-titled first record is infused with the expansiveness which birthed it - written and recorded while touring the globe - ‘Honeymoon Suite’ is an entirely different affair. The album was written in the same room in which Harkin and her wife ate all their meals, held their virtual wedding reception and attended a funeral over zoom. As Harkin describes it, ‘Honeymoon Suite’ is “a ship in a bottle of that time”.

The album takes its title from the couple’s affectionate nickname for the flat they found themselves living in after relocating from their then-home in Hudson, New York, where Harkin’s wife was working as a live music promoter until the pandemic was declared. When it became obvious that they would both be out of work indefinitely, they joined many others heeding the call of their home nations to repatriate. In addition to that frenzied move back to the UK, the couple’s planned wedding also took a hard left turn. They had intended to hold a wedding for 150 in September 2020. Instead, they got married in a small, outside ceremony in front of their bubbled parents and siblings. They were married in the Derbyshire village of Eyam, coincidentally famous for quarantining itself during The Bubonic Plague. The flowers in the image on the album’s back cover are their wedding bouquets. “I followed a YouTube tutorial and made our bouquets out of the wedding flowers our friends sent us. We didn’t take a honeymoon and still haven’t. Instead, the flat in Sheffield became our honeymoon suite.”

The album’s DIY ethos continued through its artwork. “Kate took the cover photo and designed the layout. She also designed our original wedding invitations so it felt apt.”

Go to Item

The Wedding Present

LP | 2022 | US | Original (Happy Happy Borthday To Me)

LP | 2022 | US | Original (Black Water)

Release: 2022 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Locked Down And Stripped Back Volume Two features home recordings of Wedding Present and Cinerama classics, along with a previously unreleased song: ‘That Would Only Happen In A Movie.’ There is a bevy of guest stars on the album. Jon Stewart (of Platinum-album-selling Sleeper fame) reprises his new role as Wedding Present guitarist but is joined here by some Wedding Present members of old. Peter Solowka, from the band’s first line-up appears on ‘Nobody’s Twisting Your Arm’ playing his second instrument, the accordion, while Hit Parade guitarist Paul Dorrington contributes to a re-working of the Top 30 single ‘Blue Eyes.’ Long-time Wedding Present and Cinerama bass player Terry de Castro returns to infuse the album with her own unique style, while current Wedding Present bass player Melanie Howard takes over the lead vocal duties on a beautiful version of ‘At The Edge Of The Sea.’ Last, but certainly not least, Amelia Fletcher—backing vocalist on George Best and Bizarro—also returns to the party! As on the first volume, each musician recorded and filmed their parts at home and, as before, it is fascinating to see how stripped-back arrangements bring out different aspects of these brilliant songs.

Go to Item

Decomp

Condemned To Earth

19,99 €*

LP | 2022 | US | Original (Mod Platters)

Release: 2022 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Debut full length from the long standing PDX unit, Decomp. Bitter, Angry and Aggressive in every sense. Following a couple EP’s and a few line up changes, this LP gives you a vulgar display of tightness and brutality performed by a band in their prime. Condemned to Earth finds them crossing that line into metal even further than before (complete with sick guitar leads) but still a chalk load of stench here to keep the crusties drunkenly bobbing their heads. There are plenty of nods to the usual suspects (i.e., Sacrilege, Bolt Thrower, et al.) with hardcore punk hooks bringing to mind Framtid, Ent and the like. The result is an uncomfortable soundscape of chugging riffs, breakdowns, plenty of tempo changes, with a thick layer of guttural, spiteful vocals. There are only so many times you can get away with using the word “brutal” to describe certain records, but this one is Brutal in every sense of the word. End of times crust for the filthy black waxed jacket punks and flowing locked heshers alike.

Go to Item

Chronics

Do You Like The Sun

Whitey Ford Sings The Blues Record Store Day 2022 Edition

Release: 2022 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Must have Power Pop, this is the latest album from Italian Power Pop/Punk band, known for playing power pop with a garage rock attitude. They released their debut 7” on SF based Punk label Rip Off Records in 1999. Since then, they’ve released two LPs and numerous EPs and splits.

Go to Item

Everlast

2LP | 1998 | US | Reissue (Tommy Boy)

50,99 €*

LP | 2022 | US | Original (Sub Pop)

Release: 1998 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Record Store Day 2022 Drop 1 Release. Late arrival.

Go to Item

Bret McKenzie

Songs Without Jokes

Forget The Lessons Of The Past

Release: 2022 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Initial vinyl pressing on Blue Curacao Transparent Vinyl! As you can probably glean from the title, Bret McKenzie-whom you know from such modern musical treasures as comedy duo Flight of the Conchords, the Muppets movie reboots and other ace kid-film soundtracks, Lord of the Rings fan blogs, guest songs for The Simpsons, cycling around the streets in his native New Zealand, and more- has a new solo record coming out filled with songs that ARE NOT Comedy Songs! There. Doesn't that feel better? Sometimes it helps just to get it out in the open. So, yeah, Bret's a ridiculously funny dude, and you might even call him one of the best comedy songwriters in the biz. (In Bret's own words, there are fewer than a dozen people in the world writing comedy songs today, but who's counting?) He's had smash hits, he's won major awards, he's the better-dressed part of his duo...he's got a good thing going! So, what gives with this whole "songs without jokes" solo stuff, man? The Conchords landed McKenzie and Jemaine Clement a hit HBO TV show, a BBC Radio series, chart-topping records, world tours, a Best Comedy Album Grammy, and a 2018 "reunion" special. McKenzie transitioned to Hollywood, writing songs for 2011's The Muppets (winning a Best Original Song Oscar for "Man or Muppet"), 2014's Muppets Most Wanted, and films in the Pirates! and Dora canons. While he enjoyed and excelled at the work, he wondered where his songs might go if set free of all that plot-bound specificity. And so, while in Los Angeles a few years back, recording movie music with a crack assemblage of legendary session musicians, McKenzie started playing around with a tune or two he had written simply as songs-songs without any external direction, songs without plot-pushing concerns, songs without jokes. The results reveal McKenzie's talents on multiple instruments (he's a veteran of several non-comedy bands in New Zealand back in the day, most notably the reggae-based fusion group The Black Seeds), and his affinity for wry, literate artists like Harry Nilsson, Steely Dan, Randy Newman and Dire Straits. Written mostly during the quieter moments of 2019, with his life split between work in Los Angeles and his family in Wellington, the songs of Songs focus on themes of escape, the perpetual search for peace, and navigating a life being pulled in multiple directions at once. There are also simple meditations on driving through a city, and the weather. McKenzie was inspired by the path icons like Newman and Nilsson had paved, where a silly or playful number could be sandwiched directly between a song about heartbreak or an earnest redemption and a scathing satire or character commentary. He threw a bit of everything into the mix, recording ideas on his phone at home in New Zealand after the kids had gone to sleep. Back in LA, he fine-tuned the songs with his longtime producer and collaborator, Mickey Petralia, and longtime film collaborator Chris Caswell created charts for that same ensemble of session players with whom they'd recorded so many pieces for film. The majority of songs were then recorded at United Studio in Los Angeles in just a few takes. While the album may be free of traditional punch lines, it doesn't lack a sense of humor. It showcases a new stage of McKenzie's career, to be sure, but one that isn't so far removed from his past work and true artistic self. Like Jim Henson before him, who made a career of blending the silly with the sincere and the playful with the profound, McKenzie also aims to connect rainbows to the ridiculous.

Go to Item

Land Of YRX

LP | 2022 | UK | Original (Polytechnic Youth)

15,99 €*

New Sun Black-White-Neon Pink Vinyl Edition

Release: 2022 / UK – Original

Genre: Rock & Indie, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The first of two fabulous new Polytechnic Youth full lengths released this May, is a wonderful -and long overdue- vinyl compilation of key UK electronic pioneers Land OF YRX’s work between 1982 and 1984. Released almost exclusively across a series of DIY produced cassette only releases, the bands’ output is now revered in that golden period of groundbreaking, home recorded 4 track experimental / minimal electronics releases, all of which are highly sought after and hugely influential on the swell of electronic musicians that followed at that point in the UK. The duo consists of Shrewsbury based Rob Andrews and Dave Gate (extended for live shows) and with their core discography being so utterly wonderful, honing in on a fair representation of their work with 20 minute-a-side time caps here, was no mean feat. So much of their greatest work featured across epic 15 minute plus jams- ideal for the cassette format, but trickier for wax. But we’ve got there; 7 beauties which highlight the bands’ love for experimental electronica, kosmische / krautrock and prog perfectly- all underpinned with Rob’s superb often Gottsching-esque guitar work. A superb band, totally worthy of further investigation- massively recommended to anyone into any of the above, or that core of early UK electronic underground / cassette scene of Colin Potter, Paul Nagle, Neural Circus as well as heavyweights like Conrad Schnitzler etc… The duo are still very much busy and working today, as “Why stop just because you’re having fun?” A wonderful and long overdue vinyl collection, available as a pressing of 300 this May.

Go to Item

Stiu Nu Stiu

New Sun Neon Green Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

New Sun was born right after the release of third album Sick Sad Love in november 2019. Soon the postmodern plague hit the world and Stiu couldn’t play anymore shows than the one sold out release show in Stockholm. When we started making the music our guitarist Nicklas Bargell & i took turns playing drums & we made some stuff as a trio. A new drummer came in & lots of music was made. New Sun was recorded by the band in our own studio Shadow Kingdom & mixed by our drummer Christian Augustin together with the rest of us. It was mastered by long time collaborator & friend Magnus Lindberg. Artwork was as always made by our bassplayer Kalle Mattsson. This time we kept it all in the family. Musically we dig deeper into the ground on which we are standing & things go in a few different directions as on all our albums. Some words from Jessica Mengarelli on her lyrics: ”The lyrics spring from a sense of desperation and acuteness, they are an expression of how it feels to be driven by restlessness, to be flung between euphoria and resignation, to crave presence, to give up to indifference, to feel trapped in the grip of old experiences. They try to process the different ways I've been dealing with those emotions.”

Go to Item

Stiu Nu Stiu

29,99 €*

New Sun Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Go to Item

Stiu Nu Stiu

22,99 €*

Midwinter Frost - Complete Demo Tapes 1990-1997

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Go to Item

Thromdarr

2LP | 2022 | EU | Original (Svart)

35,99 €*

The John Peel Sessions Bureau B x HHV Exclusive Orange Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

he final decade of the last millennium was a significant period for the birth of Finnish extreme metal. In the late 1980s, speed metal found its way into the country, and was immediately followed by thrash metal. Afterwards, death and black metal bands started to pop up in every nook and cranny. Some of those rose to an international fame, while others stayed in the shadows waiting for their turn. Through the years, Svart Records has already brought to light many lost treasures of the Finnish metal scene. This June it will be the turn of Thromdarr from Riihimäki and their old tapes excavated from the band’s archives.

The story of Thromdarr reaches back to 1989, when the band’s guitarist Mika Kyöstilä formed Nymphomaniac, a precursor to Thromdarr, together with Ari “Ave“ Auvinen. When the band went through a lineup change, they changed their name to Necrobiosis and eventually to Thromdarr in 1991. According to the band, they entered the scene with the punk attitude of learning by doing. They followed the steps of their idols and started to make fast and heavy metal in the vein of Sodom, Destruction, Kreator, Slayer, Possessed, Bathory, Celtic Frost, Sepultura, Obituary, Pestilence and Death.

When the demos and recordings started to pile up, the musical taste of the band members started to evolve into a more brutal direction.

-“We played the demo to our friends with great excitement and were often told we sound more like black metal than death metal. We didn’t mind this since we had already embarked on that direction and had face paint on the first band photos. We developed the name Thromdarr ourselves and it was supposed to sound phonetically like thunder”, the band’s frontman Kyöstilä recounts.

Early on in their career, Thromdarr had already played with many renowned metal acts, such as Barathrum, Sentenced, Archgoat and Demigod. The band took a couple of cassette pressings of their first studio demo As a Wind Cries and ended up selling 500 copies.

On their later demos, Thromdarr made more experimental material from the black metal canvas. On the other hand, going through a lineup change led to the band losing its driving force, the recording pace slowing down and the little live activity falling behind partying. In the end of the millennium, the band became active again and signed a contract with Solistitium Records, releasing their debut album NorthStorm Arrives in 1998

Svart Records has now compiled Thromdarr’s early demos into a single package. Kyöstilä and Svart’s producer Olli Hänninen have barely touched the original soundscape, instead remastering the demos the way they were originally made with all their faults and successes.

-“The tapes haven’t been remixed afterwards. Instead, they sound as primitive as when they were originally released. The material has also been copied from original recordings. Pick up a beer and listen to old school metal!”, Kyöstilä urges.

Svart Records will release Thromdarr’s Midwinter Frost – Complete demo tapes 1990-1997 double LP compilation and CD on the 17th of June 2022.

Go to Item

To Rococo Rot

LP | 2022 | EU | Original (Bureau B)

21,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

7" | 2022 | US | Original (Alternative Tentacles)

DFMK

Dame Peligro

9,99 €*

LP | 2022 | EU | Original (Piranha)

Release: 2022 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Dame Peligro, the new 7-inch record by Tijuana’s own Dfmk is the definition of punk rock and roll. With driving tempos and raw leads. the high octane vocals will coerce any fan of hardcore punk to seek out more! Walking the line between melodic riffs, and soaring melodies, this is the band at their harnessed best—three songs to two-step to!

Go to Item

Hazeen

Sovereign Murders

Flood Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Hazeen is an anti-racist Muslim death metal band formed by Sydney-based artists, musicians and academics Safdar Ahmed on vocals and guitar, and Can Yalcinkaya on the drums and darbouka. Safdar Ahmed, has been invited to take part in dokumentafifteen with a video installation and a collateral album, to be released on Piranha Records.

Go to Item

Stella Donnelly

22,94 €* 26,99 € -15%

Sunir Yellow Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Like the many Banded Stilts that spread across the cover of her newest album Flood, Stella Donnelly is wading into uncharted territory. Here, she finds herself discovering who she is as an artist among the flock, and how abundant one individual can be. Flood is Donnelly's record of this rediscovery: the product of months of risky experimentation, hard moments of introspection, and a lot of moving around. Donnelly's early reflections on the relationship between the individual and the many can be traced back to her time in the rainforests of Bellingen, where she took to birdwatching as both a hobby and an escape in a borderrestricted world. By paying closer attention to the natural world around her, Donnelly recalls "I was able to lose that feeling of anyone's reaction to me. I forgot who I was as a musician, which was a humbling experience of just being; being my small self." Reconnecting with this `small self' allowed Donnelly to tap into creative wells she didn't know existed. Soon songs were coming to her in a way she could not control and over the coming months, Donnelly accumulated 43 tracks as she moved out of Bellingen and around the country, often finding herself displaced due to border restrictions and a tough rental market. Though the writing of Flood was an intensely personal undertaking, Donnelly still saw the recording process as one of her most collaborative projects yet. Along with her band members, co-producing the record beside Anna Laverty and Methyl Ethyl's Jake Webb helped to foster an important spontaneity in the studio. With Webb, Donnelly could "dig in" and discover a "forward-leaning sound" she'd been searching for, while Laverty's ability to "capture the piano" and discern the "perfect take" allowed the songwriter to take risks, many of which have clearly paid off. Looking back at the Banded Stilt, Donnelly ultimately appreciates how when "seen in a crowd they create an optical illusion, but on its own it's this singular piece of art." While each song in Flood is a singular artwork unto itself, the collective shares all of Stella Donnelly in abundance: her inner child, her nurturing self, her nightmare self; all of herself has gone into the making of this record, and although it would take an ocean to fathom everything she feels, it's well worth diving in.

Go to Item

Ianai

2LP | 2022 | EU | Original (Svart)

33,99 €*

Nathan Gray of Boysetsfire

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

To speak to Trevenial, the single-entity, multi-instrumentalist voice from the other side of the veil, is to speak to a spirit that transcends the veil of this world and crosses borders beyond time and place. But you will not speak to Trevenial, but hear the words put forth in Ianai. Ianai is the essence of music that will permeate culture and influence without thought of boundaries or convention. Ianai is mythos in the making.

With not much known of Trevenial’s identity or nature, Ianai’s music is imbued with flavors from indigenous musical cultures around the globe and clothed in darkly hued indie moods. Acting as a messenger between two worlds and Ianai is music carried from within through the ages. Now is the time to let the waking world hear it too.

From the first outset of the debut musical offering Sunir and the first single “Savoj Icoil”, Ianai abandons the typical notions of ice and frost in which it is depicted, and rather than desolation, offers a guiding force through the notes and words. While the physical manifestation of this album has been years in the making, Ianai decided to pierce the veil during a time when the world was imprisoned and suffering unimaginable loss.

As the album progresses, listeners transcend through the instrumentation of Scandinavia, Africa, Asia, Middle East and South America. And while Ianai walks a long path, winding through the earth, Ianai does not walk alone, but seeks to share and learn, collaborate and conceive, music and art. From celestial harmonies to earthly delights, Ianai’s music is a reflection of both the worldly and otherworldly. Channeled through the vessel of the spirit Trevenial, the music voices in tongues long forgotten, singing the songs of the sons of God and the daughters of men. In a language unspoken on this plane, yet unmistakable in its meaning, Ianai embodies the freedom we seek and the ability to achieve that fluidity.

In his music, Ianai is joined by a cohort of musicians from the world music scene and classical orchestras but also people from modern bands such as: Massive Attack (uk), Client (uk), HIM (Finland), Sisters Of Mercy (uk), Theodor Bastard (Russia), Lord Of The Lost (Germany), Swallow the Sun (Finland), Souvenir Season (Germany) and The Rasmus (Finland).

The album Sunir will be released on June 6th on Svart Records. The album is produced by Jaani Peuhu (Swallow The Sun, Iconcrash, Mercury Circle) and mastered by Jaime Gomez Arellano at Orgone Studios (Ghost, Ulver, Paradise Lost).

From a time before time; before the ocean swallowed Atlantis and the named gods sat atop their mountains. When the ancient ones roamed free, unburdened, Ianai whispers through the boundary of legends.

With Sunir on the horizon, the question that remains is: when you hear Ianai, will you heed the call?

Go to Item

Rebel Songs Canary Yellow Vinyl Edition

LP | 2022 | EU | Original (End Hits)

LP | 2022 | EU | Original (Earth Libraries)

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Repress on canary yellow vinyl. It's no longer enough to just fight with yourself. On his third solo album, Boysetsfire singer Nathan Gray sounds more political than he ever has since his band's very first records while at the same time recognizing that no protest can bring change without the people behind it. "Rebel Songs" transforms this realization into twelve tracks full of changeability that not only spread a spirit of optimism through their lyrical character, but also convey a sense of "we" stronger than ever through the involvement of numerous guests - most notably in the title track, which features TIM Mcilrath from Rise Against. Nathan Gray also weaves in other exciting collaborators on a record that repeatedly brings up what are for the singer unusually snappy influences from archetypal punk heroes like The Clash or heartland rock in the style of The Hold Steady while at the same time daring to conduct many new experiments quite apart from any cherished structures.

Go to Item

TWÏNS

The Human Jazz

20,99 €*

Calling The Unknown White Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Berlin based artist Twïns debut album of home produced, world infused Lo-FI Soul / Psychedelic Pop / Devotional tape recordings. The wide array of sounds pulsing through The Human Jazz reflect the diversity of Neukölln as well as Denck's extensive library. Tracks like "Some Kind of Space" wobble and groove, vintage '60s Philicorda organ vamping over the top a la Zamrock and other East African styles. The sleigh bells and droning keys of "Anatman", meanwhile, are pulled from the vibes of another African music explorer: "Alice Coltrane is a goddess to me," Denck says. "I spend so much of my time listening to spiritual, modal, and free jazz." And as the track ends on a bit of warped tape, a smoky purple portal rips open, pulling a new world into focus.

Go to Item

Delia Meshlir

LP | 2022 | EU | Original (Ba Da Bing)

25,99 €*

Tape | 2022 | Original (Warp)

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Swiss musician Delia Meshlir didn’t realize what her voice could do when she started out playing music. Through such groups as the drudge-rock Cheyenne and experimental Primitive Trails, Meshlir let the music lead her singing along. It wasn’t until she began writing the songs for Calling The Unknown that she started allowing her vocals to preside. Unbounded by structure, Delia Meshlir’s first full-length under her name brings layers of beauty, intensity and strength, all coming to a head with her striking vocal delivery.

Having acquired a stocking job at Irascible, a label based in Lausanne, Switzerland, dedicated to promoting local talent, Meshlir had the ideal launching point for her music. Now, in coordination with Irascible, Ba Da Bing will be releasing Calling The Unknown in North America.

Meshlir lost her grandmother while preparing the album, and many of the tracks reflect seeking a path through grief with love. On “A River”, she explores where feelings can exist when they are for someone who has passed. She sings: “I’m calling the unknown / but no one remains.” As the first song on the album, it serves as a perfect introduction, with refined drumming, reverb-wrapped guitars and tasteful saxophone lines. At command of a full band, Meshlir never abuses the opportunity, often having members hold back in restraint and add mere touches of color to her songs. However, when more urgency is required, she adapts beautifully, as on the raw and driven track “Dirty Colors”. Ultimately, the album is an invitation to peace after suffering.

Delia Meshlir is a trained visual artist who is creating her own videos and doing her own artwork for Calling The Unknown. It is a singular artistic work with stunning breadth.

Go to Item

Wu-Lu

Loggerhead

13,49 €* 17,99 € -25%

LP | 2022 | EU | Original (Proto)

Release: 2022 / Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Leader of the punk-rap awakening, Wu-Lu pulls inspiration from personal hardship and the underrepresented on his latest for Warp entitled 'loggerhead'. Miles Romans-Hopcraft based his artistic moniker on the Amharic word for water, “wu-ha”. True to his fluid sound and nature, he decided to change it to something that felt more liquid. He ended up with Wu-Lu, a name he has been using since 2015. His first record Ginga opened the floodgates to a career that would take him to various places, people, and genres. From breaking bones at skateparks as a teenager, to DJing as one of the original members of Touching Bass, and eventually getting signed to Warp in 2021.

As an artist, Wu-Lu seems concerned with feeling and communicating the full spectrum of human emotion. Throughout his varied discography, he touches on disparate themes and sounds, straddling a divide between blissed-out beats and grungy guitar dirges, and often mixing both into one amorphous, unclassifiable sound of his own.

On ‘'loggerhead'’, Wu-Lu hones his unique sound. On ‘Take Stage’, a despondent spoken word intro opens with sombre strings and underlying bows dragged delicately across them. Then the lights flicker to life on ‘Night Pill’, and the mosh pit with them - the bassline approaches like a hungry shark and the guitars snarl with a homemade 90s grunge energy. This grunge drawl and punk spirit is peppered with dry old-school drum sounds of classic hip-hop, with laid-back beat-oriented tracks are spread amongst those with intermittent growls, scratches, and shrieks. Sonic elements are constantly rearranged and juxtaposed throughout the album, like on ‘South’ where the fluctuating pitch of squealing guitars and screaming vocals is contrasted with the steady flow of Lex Amor.

Listening through the album you are constantly greeted with about-turns, and through the element of surprise and deft use of contrast 'loggerhead' sits at an exciting point in Wu-Lu’s genre-defying artistry.

Go to Item

Big Mountain County

Klaus

15,99 €*

LP | 1978 | JP | Reissue (P-Vine)

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Two years after the release of their last album Somewhere Else, BIG Mountain County releases a new EP. That's Klaus, the result of an evolution in sound and style that the band has carried out during the long months of forced absence from the scene. Unlike the past, the artistic production was in fact entirely in the hands of BIG Mountain County, which, never as this time, feel perfectly represented their soundscape in the tracks engraved on vinyl, available here from April 22. To open the dances there is (literally) What?, already released digitally last July. It is a song that, despite its attitude rooted in punk, is about artifice, about pushing the sounds to reach new landscapes. The super groovy bass lines, the crunchy drums, the connection between the synths and the vocals, raw, edgy but also refined and elaborate, push the band's style beyond the garage-psych overtones to which they have been associated. The lyrics are about a personal relationship, centered around someone very close who can turn into an unbearable person, leading us to a definitive reaction. But the song is also a vehicle for emotional release, so yell "What?" it becomes an indomitable will to move forward, to go through these absurd times that we are all living, a cry of anger against any kind of impediment. For What? was shot a video, released last July, signed by Paolo Sfirri. It follows the title-track THE Klaus Crossing, the unique track not yet unveiled. It is the track closest to the old production of BIG Mountain County, who speak of it as follows: “In such a "chaotic and fragile" period we need to dream even more strongly. On a heartbeat marked by the arpeggiator, a weave of guitars is being created to send the present to an other side, where we are stripped of material consistency and imagination takes the power. These days are too grey, some relationships are too worn out, there are no expectations, only the prospect of sinking. So we hurry: energies fade, time runs fast, but spring is just around the corner. And to be born it is necessary to die.” Side A is closed by Where ARE YOU?, released as a single in January. Here the contamination of psych sounds, exquisitely analog, with rhythmic and melodic lines with a more synthetic flavor is evident. Over a skeleton of a reiterated rhythm that is not afraid to refer explicitly to the krautrock of Can, we hear guitars and synthetic riffs that remain around Berlin, but look towards California, remembering The Brian Jonestown Massacre. In the middle of this combination, a synthetic arpeggio breaks in, to soon gets stuck in the pressing rhythm, and finally get confused in the closing explosion, BIG Mountain County's trademark. The band's "flirt" with Berlin and California doesn't end with the A-side. Side B, in fact, features the two remixes of Where ARE YOU?, both already released digitally last March. The first one is signed by AL Lover, , cult name of the international psych scene, known for his unique approach to psychedelic and experimental electronic music. Already author of remixes for bands such as Thee Oh Sees and Night Beats, he has collaborated with several labels (Stolen Body Records, The Reverberation Appreciation Society, Fuzz Club Records, Hoga Nord Rekords, Pnkslm Records and Crash Symbols) and artists such as The Brian Jonestown Massacre, White Fence, Goat and Cairo Liberation Front. He has also been the official DJ for festivals such as Levitation and Desert Daze. When Big Mountain County approached the California-based producer about remixing Where ARE YOU?, these were his words: "I really love this track! Been jamming it loud! I love the vibe of the original track and the production value. I tried to preserve some of those elements but with a different twist. I was able to sit down with this over the last few days. Really digging the results, I went with a mix of krautrock / shoegaze / chopped and screwed trip hop vibes." The result doesn't betray his words, but according to the band it goes even further: “The Californian producer Al Lover puts the music of Big Mountain County on film. He projects it on the big screen, cleverly uses photography and rewrites the plot with a very personal editing. Colors of the East, no longer intended as a lysergic space, but as a chaotic traffic of men, vehicles and animals on any given day in the Indian subcontinent (in Mumbai). In this marasmus the echo of what has been, or what could be, is there to re-propose the question that led to writing the screenplay: "Where are you?”. With the second remix, which closes out the EP, Big Mountain County are infected with a tropical disease in this remix masterfully produced by Tropicantesimo, aka UGO Sanchez, metropolitan prophet of slow rhythms and star of nights with no end, if not in hallucinated dawns front of the sea. Big Mountain County talks about it like this: “Here, more than hangover, that's "saudade" . So, the sense of lack becomes a curse - How does it feel to live so far away for me? - to be shouted, shared and cried. But outside, in some crowded city in the South of the world, it's Carnival and Summer is still there to be lived and danced, perhaps at a slower and more rhythmic pace.” An experiment, that of the remix of their songs, long in the band's wish book, finally fulfilled by Hugo Sanchez, cult Rome-based DJ and producer, recently protagonist of the recording declination of Tropicantesimo, a musical ritual dilated in time, through the celebration of sound and dance. This is a party, which over the years has become a real experience of listening, sharing and discovery out of time and space, finding home among the records and recordings of Pescheria, space-studio, but also record project, which sees Hugo Sanchez at the center of a collective of artists of various forms, musical, visual and sound installation. After having premiered two tracks by Klaus at the last Esns in Groningen (nl), Big Mountain County will return to play from April 23rd, in a tour with more than twenty gigs in Italy, Switzerland, Germany, France, Belgium and UK. In July they will be back in Berlin for the Fusion Festival 2022.

Go to Item

Matthew Cassell

Matt The Cat

31,44 €* 36,99 € -15%

LP | 2022 | UK | Original (Birdman / Blue Arrow)

Release: 1978 / JP – Reissue

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The follow up to “Pieces”, “Matt the Cat” (1978) and Cassell’s last released single, “Love to Love / When I go Down” (1980) are being compiled on vinyl for the first time ever! With Cassell at the height of his powers as both a performer and songwriter, this record sees him expand on the iconic sound that defined his previous work with each song packing a soulful punch. Don’t miss this LP on limited edition vinyl available only from P-vine Records.

Go to Item

Seedsmen To The World

22,39 €* 31,99 € -30%

LP | 2022 | UK | Original (Pl Records)

Release: 2022 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

A collaboration between the cascading soundscapes of Detroit’s Infinite River (Joey Mazzola, Gretchen Gonzales, and Warren Defever) and folk troubadour Ethan Daniel Davidson, Seedsmen To The World enter with a slow-burning, hypnotic drone. Davidson’s haunting vocals evoke bygone memories; as the songs gradually unfold, each track lingers on the edge of the familiar. Through heavy waves of feedback and fuzz, the album opens to epic expanses of sound that crackle like half-remembered dreams. Seedsmen seamlessly blend the dark currents of drone with the mournful confessionals of American folk for an otherworldly ode to songwriters past, as intimate as it is remote.

Go to Item

Portron Portron Lopez

Ice Cream Soufi

LP | 2022 | UK | Original (Agitated)

Release: 2022 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Coming on like a mutation of all the wild and tempered instrumentation of the Dirty Three in full flow, the ambling and meandering yet intense desert rock of Scenic via a long and delightful trawl around the mountain tops of the Mediterranean coastline… evocative and exhilarating music that pulls you along for the ride!! Although an instrumental record, this album is as joyous as some of the most rambunctious and rowdy pop albums you’re ever likely to hear.

Brand new album from this incredible French trio…

Go to Item

Oldboy

Bloody

24,99 €*

I Go To The Railroad Tracks And Follow Them To The Station Of My Enemies

Release: 2022 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The debut album from pre-grunge crunch merchants oldboy:

oldboy formed as a past-time - like golf or knitting - between old friends with a love of having a loud good time. created by Max and Chris in an industrial estate rehearsal room back in 2019, get togethers were few and far between but something was popping - it felt like fun.

Since then, practises were again few and far between but after recruiting an old friend - Ryan - on bass (they didn't want to be a two piece - lightning bolt have that covered) they decided to try a little bit harder and as the world went into reverse they somehow wrote what you have here - their debut album 'bloody'.

Recorded at the Total Refreshment Centre in three days with Jonah Falco (fucked up, chubby and the gang, the chisel) and then mixed in three hours in the basement of rough trade west you get exactly where oldboy are at. it's fast and relentless. it swings in places. It's super raw and the sound of three people having a high ol' time.

Mucho influenced by the prime / premiere cuts of the late 80s / early 90s Chicago / US noise, as once released by Touch and Go, Amphetamine Reptile and Sub Pop.. pummelled home with a British post punk thWACK... it’s pop music, it’s just nasty pop music.

For fans of: Tar, Shellac, Precious Wax Droppings, Helmet, Scratch Acid, Tad.... Play loud… …and often

Go to Item

Tongo Eisen-Martin

LP | 2022 | US | Original (Rocks In Your Head)

22,49 €* 29,99 € -25%

2LP | 2022 | US | Original (In The Red)

Release: 2022 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

"I came across Tongo saying something in passing in an interview with Mayor London Breed. It was so insightful, poetic and deeply felt I wanted to know who he was. I devoured the poetry books that were available and then set out to invite him to make a recording. I had no idea what the session would be like. We were strangers. He showed up, there was no small talk, and he went to the microphone. He then created a 22 minute poem, no notes in his hands, and I looked at the engineer, and our minds were blown. It was flawless, and it was meaningful, and it was channeled from some other place. I said, do you have anything else to say? And he began another piece that lasted another 22 minutes or so. And it was also flawless,and incredible. And so I looked at the engineer and I said, 'I think we have a record.' Now I’ve never seen a record cut in one sitting, I figured it was reserved for geniuses like Thelonious Monk or Robert Johnson or something. And so I realized Tongo is a genius too. The poetry is so loud and crisp and clear and fueled with energy. It has a connection back to Gil Scott Heron, The Last Poets, Langston Hughes but it is also not derivative in the least, but new and of it’s own time."—Sonny Smith, Rocks in your head records “Tongo’s words are bricks-with which he builds houses, breaks windows, and - strangely- enticesyou to take a bath in. I first heard his poetry and got scared of dying. Like- I better figure shit out because this is the new shit and he’s on somethingI’m not. He’s noticing shit that I better notice if I want to experience life in color. He knows that to live- you gotta make shit aroundyou move. You can’t just watch. I’m thrilledthat this album is coming out so y’all can be scared of not living too.”—Boots Riley "Words are a kind of architecture – where the bricks exist on page or spoken into the either. A form is built and becomes a body that will not soon wilt… the spoken word is timeless and immortal. Here in this collection Tongo kicks the new jazz – a classic sense of form ad stylethat is dare I say it smolderingly masculine, drumming, with someone who clearly has an old ear for dialogue. This coolection read icadest and with a heavy hand in the past not withstanding, still boasts verbage that is very very fresh. Bravo."—Brontez Purnell

Go to Item

Chip Kinman

The Great Confrontation

LP | 2022 | EU | Original (Because Music)

Release: 2022 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

“Ancient Greek philosopher Heraclitus is attributed with the quote ‘The only constant in life is change' and nothing sums up Chip Kinman’s latest creation—or his entire career—quite as well. Like each of Chip’s musical incarnations, The Great Confrontation seemingly has no connection whatsoever to the work that preceded it...unless the listener is savvy enough to spot the deeply buried but always present through lines. “The tracks on this album are wildly alien in every applicable sense of the word. The opener, ‘Let’s Go, Dark Shark’ sets the scene with drippy, space age chirping that slowly degenerates into slo-mo sludge like an astronaut running out of oxygen. ‘Ciao Raggazzi’—not to be confused with Jay And The Americans’ ‘Good Bye Boys, Good Bye (Ciao Raggazzi, Ciao)’ is a derailing train of a song. The vocals are spoken in Italian and presumably, snatches of conversation sampled from a Mafia crime film. ‘Speaking of crimes, Chip murders a couple of standards in cold blood purely for his own amusement. Both are traditional and absolutely unrecognizable. ‘Round About Danny’ is his take on the Irish ballad ‘Danny Boy’, written in 1913 and recorded relentlessly through the years by everyone from Judy Garland to Conway Twitty. The other’s a gospel hymn, ‘Will The Circle Be Unbroken’, originally performed by The Carter Family in the 1920s. “Imagine both songs sans vocals, filtered through a particle accelerator beam shot by a rogue robot from a 1950’s sci-fi B movie. Then pretend they got reinterpreted by a hippie in a ratty flea market cape who borrowed a Moog synthesizer so he could emulate Rick Wakeman from the prog rock band Yes. The hippie not only had no working knowledge of playing a synthesizer, he was tripping his brains out on Owsley’s premium LSD. “This album is all a huge departure from anything he’s ever done—but for Chip, that’s normal. I’m sure of this because I’ve known him since 1977, witnessing all his musical mutations and in many cases, the sources that inspired him to prolifically create original, cohesive and boundary-pushing sounds. As the old saying goes, what he’s done consistently is often imitated but never replicated.” —Pleasant Gehman

Go to Item

Aime Simone

Say Yes Say No

Vom Bosphorus Bis Zum Rhein Colored Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Aime Simone is a deeply creative soul, an alt-pop star you need to know. The newly released album, "Say Yes, Say No" is a bright and soulful record from the singer and is entirely self-written, produced and mixed. It is an open journal and a
journey that weaves from reflective nostalgia of melancholic lows, to a breath of new energy and hopeful sentimentality.
His music reflects his life and influences, pulling from his love of indie, his involvement in the Berlin techno scene, resulting in an exciting amalgamation of genres to curate his unique sound, qualified by Aime Simone as “Post Pop »

Go to Item

Ozan Ata Canani & Karaba

7" | 2022 | EU | Original (Fun In The Church)

14,39 €* 15,99 € -10%

The Brian Jonestown Massacre

Release: 2022 / EU – Original

Genre: Rock & Indie, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Limited to 100 copies-

Go to Item

The Real White Vinyl Edition

10" | 2022 | EU | Original (A)

19,99 €*

Enemy Of The World Yellow Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Numbered and limited to 1000 copies worldwide. Recorded in Berlin & remotely between 2020 & 2021, the opening track "The Real" is from the forthcoming album "Fire Doesn't Grow On Trees" the second track "Where Do We Go From Here?" is exclusive to this release. With Anton Newcombe (Vocals/ Guitars), Ryan Carlson Van Kriedt (keyboards), Hakon Adalsteinsson (guitar), Hallberg Dadi Hallbergsson (bass), & Uri Rennert (drums) playing on this offering. It is 30 years since the release of their first single She Made Me / Evergreen. Released in 1992, the band continue to deliver the sound of the Brian Jonestown Massacre. Cover artwork by Anthony Ausgang.

Go to Item

Four Year Strong

LP | 2022 | EU | Original (Hassle Hindsight)

Tape | 2022 | EU | Original (The Liquid Label)

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Yellow vinyl. 'Enemy Of The World' is the fourth album from US pop-punk / melodic hardcore heavyweights 'Four Year Strong'. This album has now been pressed onto vinyl since its original release in 2010, as the band's first major-label released studio album. All units come with a fold out poster / lyric insert, and each comes in a hand-numbered sleeve. This new re-issue comes via Hassle Hindsight, a recently-launched sub label of Hassle Records, created to facilitate the occasional one off re-issues of releases and records from the past that the people at the label have loved and still love.

Go to Item

Life

North East Coastal Town

11,99 €* 14,99 € -20%

Equations For The Useles Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LIFE are anchored by their hometown; the geography, history and community has always been the inspiration behind their creativity and on their third LP, North East Coastal Town, the band pay homage to Hull and its folk. North East Coastal Town is mature; it finds the band at the height of their powers as they carve-up a wide-screen, brooding body of work that is drenched in a sense of belonging and reflection but still impressively maintains their trademark swagger and ear for pop sensibilities and guitar hooks."Hull and the surrounding area runs through our DNA and has shaped us, weathered us, empowered us, embraced us and made us feel accepted. North East Coastal Town is our love letter to the city. The album is an ode to kinship and relationship with its musical and lyrical spine picking out themes of love, desire, beauty, horror, chaos, pride and most importantly the sense of belonging. Upon writing and recording this album it was important to us that this sense of belonging was also reflected in the album's craft and therefore we used locally based studios, equipment, gear, and the community around us to establish what it means to belong in a North East Coastal Town."When the pandemic gripped the world in March 2020, LIFE were in the midst of promoting their acclaimed second album - A Picture Of Good Health (Sept 2019); they had just completed an arena support tour with Kaiser Chiefs in the UK, a triumphant main stage appearance at Rockaway Beach and flown to New York for New Colossus Festival ahead of a packed SXSW and a US tour with IDLES. They scrambled home on the last plane back from New York on 17th March.The album was BBC 6 Music's Album Of The Day, BBC Radio 1's Album Of The Weekend and was one of BBC 6Music's Albums of The Year; all four singles from the album were play-listed at 6Music, and the band were nominated for two AIM Awards 2020 - Best Live Act and Best (Difficult) Second Album and they played major UK festivals including Glastonbury, Latitude, Reading Festiva...

Go to Item

Oreyeon

16,99 €*

LP | 2022 | US | Original (Slovenly)

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

"Equations for the useless" is Oreyeon third album. The recordings took place in Bologna in late summer 2020 after several months of inactivity during the pandemic. It was recorded live, it shows the band's psychedelic/progressive side yet it has the classic kick ass doom stoner tracks .The lyrics are about depression and it's relation with life. The band will be touring Italy and Europe during Summer/Fall 2022 to promote this new release.

Go to Item

The Anomalys

Glitch

Do You Remember How It Was? (Best Of 1996-1999) Black Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

As the delicate strings wistfully arpeggiate throughout the blissful introduc… get the fuck outta here, man. This is Slovenly territory, and this is THE Anomalys… NOW AND Forever! Crushing boldly into this total wreck of a future and not giving a rat’s ass for politeness, Glitch marks the first full-length from our Dutch decapitators with the current and deadly lineup of skinsman Rémi Lucas, Looch Vibrato (from Magnetix) on guitar number two lending his legendary fuzz and distortion, and our towering disaster of a leader, Bone on guitar and throat. It's no secret that this trio is one of the most ferocious live bands on planet Earth, and Glitch, with its remarkable new superphonic recording technique, captures the chaotic rockabilly-cum-garage punk pummel and twang like never before. Picking up right where they left off with 2019’s Trooper EP, The Anomalys resurrect and regurgitate that 7-inch’s title cut on this new LP, obliterating the OG and rendering it obsolete (nah, you need ‘em both). “One of these days and it won’t be long, you’re gonna dance to a different song!” A sincere threat from Bone right there on “Bleed for Me,” but “different songs” ain’t necessarily what these beasts be about. We come to The Anomalys for one thing and one thing only: Relentless, ass shaking rock’n’roll. 'Cause that's the way we digs it, beer breath and all.

Go to Item

Symposium

2LP | 2022 | UK | Original (Cooking Vinyl)

Michael Rault Black Vinyl Edition

Release: 2022 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Symposium, the band heralded as 'the best live band in Britain' by Melody Maker in the 90's, release a Best Of compilation. The five-piece group, consisting of Ross Cummins, Hagop Tchaparian, Joe Birch, William McGonagle, and Wojtek Godzisz, were formed in London in 1994 when the group were in their teens. They soon garnered a reputation as a stalwart band of the era at a young age, supporting the likes of the Metallica, Foo Fighters, No Doubt, Deftones, and the Red Hot Chili Peppers; the last of which, they supported at Wembley Arena. Their first show after being signed, they performed to the sold out arena crowd two days after they had played at 70-person capacity Dublin Castle. Symposium's achievements in just six years of being a band read like a 90's rock'n'roll-call; supported by the likes of John Peel, Jo Whiley, and Steve Lamacq on BBC Radio 1, heralded by music mags such as Melody Maker, Kerrang! and NME, and performing on TV shows such as TFI Friday and Top of the Pops. During their appearance on Top of the Pops in 1997 performing 'Fairweather Friend' completely live, frontman Ross became the only singer in the show's history to stage dive, and the band received only the third ever stage invasion from the audience after Nirvana and Oasis. The physical formats will feature never before seen photos of the band, taken by iconic music photographer Scarlet Page.

Go to Item

Michael Rault

LP | 2022 | US | Original (Wick)

25,99 €*

Gabi Garbutt & The Illuminations

Release: 2022 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Wick Records is proud to present Michael Rault, the eponymous new album from one of the most talented songwriters in the game. A remarkable re-imagination of '70s pop perfection, the album began to take shape during a time of endings. Michael, on the cusp of turning 30 and freshly off the road promoting 2018's A New Day Tonight, had just ended a romantic relationship, and cut ties with his management and touring band. Returning home to Montreal where his van was already buried in six feet of snow, he hunkered down in his bedroom studio and began writing. Over the span of five months he penned most of the album. From the drug-fueled, dance floor slow-stepper, "Neither Love Nor Money", to the introspective "Inside Your Heart", to the tongue-in-cheek playfulness of "Champagne", the body of work he created in this epoch of uncertainty is proof of just how crucial that time of endings really was. Bruised but certainly not beaten, Michael delivers a lush, timeless collection of songs - continuing his increasingly profound exploration into the worlds of progressive pop, psych folk, yacht rock and beyond. Trust us...you're gonna love it!

Go to Item

Cockerel Blue Vinyl Edition

LP | 2022 | EU | Original (Trapped Animal)

29,99 €*

LP | 2022 | US | Original (Real Chamber)

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Following Gabi Garbutt's brilliant 2019 debut album, `The Discredited Language of Angels,' which saw Gabi and her band performing live sessions for BBC 6Music's Cerys Matthews and Radio X's John Kennedy, and scoring plays on Steve Lamacq and Chris Hawkins, Gabi Garbutt and Trapped Animal are proud to announce `Cockerel' out on very limited 12" Blue Sky 180gsm vinyl and limited Trad Black, CD DigiPak and Digitals on May 20th 2022. Gabi and her band toured with The Libertines and Edwyn Collins in 2019, and were all set for a year of touring when the pandemic hit in 2020. Retreating into her songwriting, Gabi started sketching out songs about escape and exploring vulnerability. Demoing the arrangements at home then honing the songs with her band The Illuminations as soon as rehearsal studios opened up, they created an explosive album of indie pop bangers that have lyrical and musical depth. As the opening song 'Bad Boy Bird' announces "I am no human, I am the promise of dynamite", Gabi and her band summon up a volcanic concoction of sounds, from the poetic punk sensibilities of Ezra Furman and Patti Smith, the soaring alt pop of The Voidz and The Flaming Lips, to Motown inspired soul stompers, the record conjures up a range of atmospheres to occupy the listeners mind over many, many replays, as they fall deeper into the universe that is Cockerel. Connecting again with multiinstrumentalist and producer Sean Read (Beth Orton, Edwyn Collins, The Pretenders) at his Famous Times Studio Gabi set to work bringing their songs to life on record. Upcoming single 'Subterranean Stars', one of the most representative songs on the album, catchy guitar licks flutter around trippy lyrical musings, brass refrains and a soaring string arrangement played by Basia Bartz. Following this slice of shimmering pop is 'Genet's Journey.' We meet for the first time the baritone sax of Sean Read that provides a gorgeous guttural intro that wouldn't feel out of place on a Bowie track. Next we find the first single from this album, 'Never Never' Gabi draws inspiration from Van Gogh and guitarist for Lou Reed and Richard Hell, Robert Quine. Gabi says, "Van Gogh & Robert Quine are both people that I admire artistically and who sadly took their own life.Side A of the 12" ends on a more intimate note with 'Your Blues', a song about looking out for one another and set in a dive bar suspended somewhere between heaven and hell. Opening Side B we get the sure fire single, "I Can't Win." In this darkly intense yet euphoric track, Gabi broaches the topic of mental health. The song draws on her own experiences, 'that if you lean into the mania and try to draw creativity from the manic energy, it can be a destructive path.' In Habit of Sadness, Gabi explores the merciless nature of depression and calls it 'a song of solidarity, an awareness that a lot of people are going through a hard time and that we need to remember this and be gentle with each other.' Sea Organ is inspired by a trip to Zadar in Croatia where there's an organ carved into the rocks, so as the waves come in and crash around in the organ, an ethereal melancholy melody rings out. Angel of Third Avenue is a Springsteen-esque rock n roll odyssey. Our Dying World closes the album. A song that started out as being about the discrete suffering of animals and birds in the city, Gabi soon realised she was writing a song about climate change // 'This will be amongst the best new tunes you hear all day, all week, maybe even ever.' Chris Hawkins, Bbc6 Music // "Lyrically, it's at a level you rarely hear [_] consistently brilliant and unpredictable lyrics" Cerys Matthews, Bbc6 music // "A damn fine pop record" Steve Lamacq, Bbc6 Music

Go to Item

Greg Ashley

Radio Mdma

Between Here & Everywhere Clear Orange Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Radio Mdma, Greg ASHLEY's 9th solo album, and his first since 2018’s Fiction Is Non-Fiction, and his first for Real Charmer Records, is perhaps his best album yet. The 12 originals (two of which are co-written by Hugo Lamy, and one with ex-THIRTEENTH Floor ELEVATOR's Powell ST. John), are among the final recordings he produced at the Creamery studio in Oakland before his return to his native Texas. And, in many ways, this song cycle documents a protracted farewell to Oakland, whose thriving indie-underground music culture Ashley witnessed being decimated by gentrification. It’s certainly his darkest lyrically, but the bitter medicine of this confessional “dark night of the soul” is washed down with an eclectic mixture of balls-out hilariously cynical Saturday night rockers and Sunday morning despairing country ballads, while exploring yet new sonic territory for an artist

Go to Item

Death Bells

LP | 2022 | US | Original (Dais)

Hifiklub / Iggor Cavalera / Alain Johannes / Scorpion

Release: 2022 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Adopting a collaborative approach for the recording of their third album, Death Bells have returned Between Here & Everywhere, an effort that captures the cross-section of Southern California's shadowy hidden interzones, outside of the lights and luxury. The record features nine new songs that represent Will Canning and Remy Veselis' continual growth, as well as accompaniment by an experienced cast of contributors on keys, strings, piano, and operatic backup vocals. Recorded with Colin Knight at Paradise Studios, and mixed by Mike Kriebel at Golden Beat, Between Here & Everywhere bristles with immediacy and emotion, with every element tactile, balanced, and elevated. Between Here & Everywhere sets out to map the potent mess of Los Angeles. Canning cites the "vastness" of the band's adopted home as a constant muse, and much like the city itself, the album ebbs gradually from harrowing to hopeful over its 35-minute runtime. The lyrics are categorized as "narrative, but not autobiographical," born of intrigue, intimacy, and a sense of "looking outward." From the highly-strung blast of "Hysteria", to the hypnotic rhythms of "Lifespring", and the staunchly resonant hope displayed in "Last Days", "Space Without A Name" and "Eternity Street", Between Here & Everywhere encompasses Death Bells' most captivating work to date.

Go to Item

Scorpklub I & Ii Pink Vinyl Edition

LP | 2022 | EU | Original (Electric Valley)

18,99 €*

Chameleon Tongue Blue Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The inspiration for the ScorpKlub project was to create unique works, using the remarkable collection of Toulon Art Museum's as a palette, through a multidisciplinary exchange of sound and moving image. Hifiklub responded in music to the digital collages created by James Kerr, who mischievously altered twenty artworks ranging from the 15th to the beginning of the 20th century, from the museum's permanent collection. The work of assembling the visuals took place in James Kerr's studio in Montreal, whereas the musical component to the project was created in two stages: - The first recording session took place at the end of January 2021 at Coxinhell studio in Saint-Aygulf, with Iggor Cavalera (MixHell, Cavalera Conspiracy, Pet Brick, co-founder of Sepultura) recording remotely. This session resulted in ten original compositions, to which Kerr animated his videos to. - The second stage of Hifiklub took place in Toulon on July 2 and 3, 2021 during the Murex Festival, with the remote participation of Alain Johannes (Queens of the Stone Age, Them Crooked Vultures, Eleven). This session of sound research and recording was done in front of a live audience, to which the music was created in response to ten premade animations created by Kerr. ScorpKlub I & II will be broadcasted in 2022 on the internet in the form of two seasons: one with Iggor Cavalera + one with Alain Johannes.

Go to Item

Mano De Mono

LP | 2022 | EU | Original (Electric Valley)

18,99 €*

Nemesis Lately Color In Color Splattered Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

“Chameleon Tongue” is the first LP of Sardinian band Mano De Mono, recorded during the hottest week of July 2021, mixed and mastered in the followin’ fall at Officina13 Studio. Eight tracks, four on each side respectively called “Inside” / “Outside”, are experiences through the new shapes of social constructs. The contradiction of a double life divided in anxiety to achieve social approval while being frustrated of its cold mechanisms. The cover artworks reflects the sides dichotomy in/out of the cage as a relatives points of view of who thinks itself free by the blind acceptance his own condition. Totally refusing to face with the contemporary codes of aesthetics ,careerism and latest trends that made the worst individualism became a strength, this record is a pure moan directly distilled from a misfit mental loop that hate the human behavior of submission and surrender but somehow have to deal with. Mano De Mono refers to their style as “punk of the dunes” mostly because his social thematic , the sandy influenced sound and of course the place where they live. They won’t offer you any solution except leaving in you a stoned feeling of wanderlust.

Go to Item

Somnus Throne

LP | 2022 | UK | Original (Wild Kingdom)

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Nemesis Lately is the second full-length album released by Somnus Throne. This LP is very much a continuation of their first album(Burning World Records 2020), but with much more attention to detail, a further exploration of the depths of each niche within 'doom,' and a greater variety of sounds. Think just as much heaviness as the first album with less drone and more action. Nemesis Lately goes everywhere across the landscape of doom, stoner, heavy psych, and grunge from a welcoming kick in the teeth by a Motorhead-esque first track, through shades of Acid King, Iggy Pop and the Stooges, Black Angels, The Melvins, Dead Meadow, High on Fire, The Sword, Electric Wizard, Dopelord, Black Pyramid all the way to a concluding track that strives at echoes of Led Zeppelin's acoustic prowess. It goes without saying that the entire album, and the entire Somnus Throne catalogue in total, is never more than one decapitated bat away from Black Sabbath worship. In sum-total, this album is truly a smorgasbord of all things fuzzy, doomy, smokey, sleepy, and trippy while also managing to grasp the essence of each sound -- perfect for anyone ready to doom, space, fuzz, head bang, tune in, turn up, and trip out for the next 40+ minutes.

Go to Item

The Boppers

White Lightning

Jerry Jeff Clear Vinyl Edition

Release: 2022 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2022 The Boppers celebrate 45 years as a band with a brand-new album. On “White Lightning” they kind of find themselves back at the start again even if it also means opening new doors. They’ve collaborated closely with Sulo (singer and front man of Diamond Dogs), musical friend Eva Eastwood (Swedish rockabilly/country star) on the songwriting and let legendary producer Tomas Skogsberg (The Hellacopters, Backyard Babies etc) set the sound. It kicks off with a riotous cover of Chris Speddings 1975 gem “Motorbikin’” and that sets the bar high for the rest. But no one will get disappointed. “White Lightning” is an album that shows a band spreading their 45 years of duty and musical knowledge. Chris Spedding returns the favour by joining them on a Gene Vincent twangy guitar on “Teddyboy’s Are Back”. The Boppers pay their tribute to punk by turning the Generation-x cover “King Rocker” into a jungle hop and Nicke Andersson from The Hellacopters put his mark on the 60’s coloured “Callous Rain” and “Motorbikin” with fiery solos.

Go to Item

Steve Earle & The Dukes

LP | 2022 | US | Original (New West)

LP | 2016 | US | Reissue (20 Buck Spin)

Release: 2022 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Steve Earle has been creating intimate and personal music for well over four decades now. His songwriting has wound itself along a path from Texas to Tennessee and his education came in the form of learning from the best. 2009's Grammy-nominated record, Townes was a tribute to his dear friend and mentor, Townes Van Zandt. Ten years later Earle released, GUY. An album concentrated on paying homage to the late Guy Clark and the indelible friendship that they had formed in stories told through song. 2022 welcomes the release of Jerry Jeff. A 10-song collection of songs written by the gypsy songman, Jerry Jeff Walker. Featuring hits like, "Mr Bojangles" and "Gettin' By", Earle & The Dukes honor the late Texan by amplifying the concept and sound of each song with a full-band recording.

Go to Item

Wode

Wode Black Vinyl Edition

LP | 1970 | CA | Reissue (Return To Analog)

Release: 2016 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

"Six tracks of apocalyptic black metal, Wode's newest record unleashes five years of outstanding potential, finding the band on deadly form, wielding enough surprises to suggest that its work in service to the counter-cosmos is far from done."

Go to Item

Souls Of Inspyration

Release: 1970 / CA – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Primal Fury Red With Black Splatter Vinyl Edition

Cold Shoulder

LP | 2022 | US | Original (New Age)

We've Been Going About This All Wrong Smoke Marbled Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Cold Shoulder is a hardcore band from Toronto, Canada, formed in 2016. Within that time, they have presented three outstanding releases: the T.O.H.C. EP in 2016 and Self War LP in 2017, which were recorded, mixed, and mastered by Nick Jett of Terror, as well as the Backlash EP, which was mastered by Joel Grind of Toxic Holocaust. In addition to their recorded output, Cold Shoulder has completed multiple tours from coast to coast of the United States. They’ve been a part of large festivals such as the Vans Warped Tour in Toronto, Tulsa, OK’s Flyover Fest, and Snow & Flurry in Fargo, ND. Cold Shoulder has had the privilege of sharing the stage with a variety of bands such as Power Trip, Harley Flanagan, Kublai Kahn, Bracewar, TOO Pure TO DIE and Counterparts. Cold Shoulder’s sound is best described as blistering metallic hardcore influenced by the explosion of early to mid-2000s Canadian hardcore bands such as NO Warning and Comeback KID, as well as east coast hardcore heavyweights Advent, Incendiary, and Converge. In 2019, Cold Shoulder released a two-song tape including the tracks “Primitive” and “Absent Mind” on Safe Inside Records. Fast forward through 2020, landing at the tail end of 2021, Cold Shoulder finds itself a new home at New Age Records, dropping their second full-length album Primal Fury. Ten jaw-dropping tracks laced with rage and yes,, “fury” wrapped inside a tornado ready to make landfall. The band has already set their sights on expanding upon their

Go to Item

Sharon Van Etten

LP | 2022 | US | Original (Jagjaguwar)

24,99 €*

The Exaltation Of Tom Rapp

Release: 2022 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Sharon Van Etten has always been the kind of artist who helps people make sense of the world around them, and her sixth album, We've Been Going About This All Wrong, concerns itself with how we feel, mourn, and reclaim our agency when we think the world - or at least, our world - might be falling apart. How do we protect the things most precious to us from destructive forces beyond our control? How do we salvage something worthwhile when it seems all is lost? And if we can't, or we don't, have we loved as well as we could in the meantime? Did we try hard enough? In considering these questions and her own vulnerability in the face of them, Van Etten creates a stunning meditation on how life's changes can be both terrifying and transformative. We've Been Going About This All Wrong articulates the beauty and power that can be rescued from our wreckages. We've Been Going About This All Wrong is as much a reflection on how we manage the ending of metaphorical worlds as we do the ending of actual ones: the twin flames of terror and unrelenting love that light up with motherhood; navigating the demands of partnership when your responsibilities have changed; the loss of center and safety that can come with leaving home; how the ghosts of our past can appear without warning in our present; feeling helpless with the violence and racism in the world; and yes, what it means when a global viral outbreak forces us to relinquish control of the things that have always made us feel so human, and seek new forms of connection to replace them. We've Been Going About This All Wrong is intensely personal, exploring themes like motherhood, love, fear, what we can and can't control, and what it means to be human in a world that is wracked by so much trauma. The track "Home To Me," written about Van Etten's son, uses the trademark "dark drums" of her previous work to invoke the sonic impression of a heartbeat. Synths grow in intensity, evoking the passing of time and the terror of what it means to have your child move inevitably toward independence, wanting to hold on to them tightly enough to protect them forever. In contrast, "Come Back" reflects on the desire to reconnect with a partner. Recalling all the optimism of love felt in its infancy, Van Etten begins with the plain beauty of just her voice and a guitar, building the arrangement alongside the call to "come back" to anyone who has lost their way, be it from another person or from themselves. Hovering between darkness and light, "Born" is an exploration of the self that exists when all other labels - mother, partner, friend - are stripped back. Unlike Van Etten's previous albums, there will be no songs off the album released prior to the record coming out. The ten tracks on We've Been Going About This All Wrong are designed to be listened to in order, all at once, so that a much larger story of hope, loss, longing and resilience can be told. This is, in itself, a subtle act of control, but in sharing these songs it remains an optimistic and generous one. There is darkness here but there is light too, and all of it is held together by Van Etten's uncanny ability to both pierce the hearts of her listeners and make them whole again. Things are not dark, she reminds us, only darkish.

Go to Item

Pearls Before Swine

LP | 2022 | US | Original (Fire)

37,99 €*

LP | 1986 | UK | Reissue (Public Opinion Music)

Release: 2022 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The grand masters of acid folk, Pearls Before Swine outline the genius of leader Tom Rapp on an album created from a dusty box of tapes left behind by the incisive tunesmith. Never before heard recordings remastered to create the perfect route into the essential ‘Balaklava’ and ‘One Nation Underground’ albums that kick started a whole genre. This new double vinyl compilation was made in collaboration with, and fully endorsed, by the Tom Rapp estate.

Go to Item

Painters & Dockers

Bucket

20,79 €* 25,99 € -20%

LP | 2022 | US | Original (Half A Million)

Release: 1986 / UK – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Painters AND Dockers are a Melbourne institution – one of those extraordinary live acts that never lets up.

Following their debut album, the band unleashed this legendary live album which fans are still clamouring to get hold of today. Bucket presents the band in all of intense over-the-top live glory. This reissue of the CD contains a bonus live recording of “Bad”.

On vinyl, Bucket has not been available since the original 80’s pressing, and this new edition comes on ultra-rare Colored Vinyl.

Go to Item

The Basement Tapes

LP | 1994 | UK | Reissue (VIC)

Release: 2022 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

"'Free punk' that's by turns playful, absurd, weirdly funny, oblique, and catchy as hell. Always on the verge of falling apart, or actually doing so, though these recordings are imbued with a certain warped vision and propulsion that holds up the Shaggs-ish disorder. We're mega psyched to be releasing one of our favorite current bands."

Go to Item

Skeletal Earth

De.ev O.lu'shun'

Alive Gold/Purple/Black Swirl Vinyl Edition

Release: 1994 / UK – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Skeletal Earth was one of those bands that stuck out. Being influenced by both death and thrash metal as well as the more crossover style where hardcore punk meets metal they came up with an original sounding couple of demos and albums. ‘De.ev o.lu’shun’ is their second full length. The album was recorded at Tampa, Florida based Morrisound Studios (Death, Cynic, Agent Steel) and produced by Scott Burns (Cannibal Corpse, Atheist, Deicide). Due to the end of the label around the same time as the release of ‘De.ev o.lu’shun’ is the album never had any serious promotion nor distribution. Drummer Doug Sylvia also played with Fear of God (featuring Detenete ‘s Dawn Crosby R.I.P.)

Go to Item

Dead Register

LP | 2022 | UK | Original (Seeing Red)

Emerald Sea Sea Foam Vinyl Edition

Release: 2022 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Dead Register, hailing from Atlanta, have expertly weaved elements of Post Punk, Goth, Doom, and Shoegaze into a Post Rock wet dream of melancholy and soaring melodies since their demo Trvns Blvk in 2014. The band have been genre bending for the last 8 years and improving with each and every release from their debut album Fiber to their latest single, Don't Fail Me Now, released last year and recently remixed by Death Beat/Darkwave guru Snakes of Russia just a month ago now. Dead Register's sophomore full length, Alive, is the band's magnum opus, and one I cannot personally get enough of. In a universe where singles reign supreme, Dead Register have crafted a perfectly balanced album that works best when experienced from beginning to end. The cover art for Alive is noteworthy as it may be the very last album to ever feature the late great Stephen Kasner's (Sunn0))), Isis, Justin Broadrick, etc) work. Upon first hearing Dead Register over 6 years ago now, it was surprising to discover there is not one traditional guitar present on any recording. Everything you hear is coming from either a Fender Bass VI (made popular between 1961-1975) or a 4 string bass and synthesizers. While we can come to assume 95% of bands in the metal and rock world operate within the ordinary box of the "guitar, bass, and drum" paradigm, this trio approach writing a bit differently which is evident in every bit of music they create. I cannot stress the sheer brilliance of this masterpiece enough, and I dare say, Dead Register may be the only band that can fill the void left by the infamous Brooklyn 4, Type O Negative, albeit in their own way for the next generation.

Go to Item

Sound Of Ceres

LP | 2022 | US | Original (Joyful Noise)

Dilettante Red Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Emerald Sea, the third album from New York-based audiovisual project Sound of Ceres, tells the story of how the universe comes to know itself. Rendered in dynamic, ambitious orchestral passages, it forms the basis of future stage performances intended to draw its half-submerged narrative into the visual sphere. In its dreamlike impressions, it could also be the soundtrack to a long-forgotten early musical film - an experience that delighted and transported audiences and then vanished from record, surviving only in the imprint of memory. Written in three acts, Emerald Sea follows two deities who trail each other through the furthest reaches of experience. There is the Universe, all that exists, voiced by performance artist Marina Abramovic. And there is Venus, transformer of matter and avatar of love, sung by the group's lead vocalist Karen Hover (who goes by k). Through a dazzling suite of songs inspired by Les Baxter's midcentury exotica, Maurice Ravel's ballet Daphnis et Chloé, and Gustav Holst's The Planets, Emerald Sea studies intimacy on both an interpersonal scale and a cosmological one. Connection and severance, joy and grief, wonder and bewilderment all tumble through its scope. In the widest frame, the universe begins, meets itself, and ends. In the closest frame, two people encounter each other, grow close, and then separate. These stories are two views of the same fractal. In every intimacy human beings cultivate,every rush of connection, no matter how fleeting, we reenact the universe for ourselves. In its current cycle, Sound of Ceres is Derrick Bozich, songwriter, harpist, and flautist; Jacob Graham, synthesist, costumer, and light designer; K Hover, vocalist, lyricist, costumer, and choreographer; and Ryan Hover, songwriter and producer. They recorded Emerald Sea in collaboration with Jon Sonneberg at Ka-Boom studio in Ohio. It was mixed by Nicholas Principe and mastered by Kramer.

Go to Item

Mo Troper

LP | 2022 | EU | Original (Bobo Integral)

Miyake Shinji & The Red Rocks

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

HIGHLIGHTS:April 2022 will see the release of the fourth album, first on Bobo Integral Records, of the Portland power pop genius Mo Troper.RIYL: Ovens, Elliott Smith, Teenage Fanclub, Shakespeare"I just want to release as much stuff as I can before I'm dead" says Mo about doing a 28-track record and we celebrate the statement. Also do the media:"Mo Troper is a power pop genius on Dilettante" - The Fader"Portland-based Mo Troper is a prolific purveyor of fuzzed-out power-pop" - Stereogum"As an album-length experience, Dilettante fits somewhere between the trifecta of Ween, Daniel Johnston, and Guided By Voices for a creative, catchy, and invigorating collection of power pop tunes" - Swim Into The Sound"Featuring 28 tracks in under 50 minutes, the fourth album from Portland, Oregon power-pop artist Mo Troper is a creative explosion" - PitchforkMore Details:Dilettante (n.): a person with an amateur interest in the arts; an album of postcard-length power pop songs. See also: Mo Troper IV.Dilettante -also known as Mo Troper IV-combines decades of power-pop worship, scholarship, and penmanship into a 28-track collection of sprints. The playlist-as-album pundits might call it a data dump, but Mo brands it as a relaxed way to finish song sketches in unprecedented times. IV is a work that some of his friends call a musical, but this claim remains unverified. If there's anybody aching to spin up a limiter-drenched production centered around scrolling a cluttered inbox for serotonin, prototype theme songs for public access shows plugged into the scene, and gasp-long dips into math rock, 1990s video game cheese, and medieval revelry, get in touch.For those less dramatically inclined, there's plenty here to pick up the slack. Mo gushes about "The Perfect Song" with syrupy, undeniably guitar pop that's a remarkable stand-in for the gold he describes. False showtune "Sugar and Cream" goes medium about the wizardry found in a cup of coffee. Clipped moments like the sub-minu...

Go to Item

Red Thanks

LP | 2022 | JP | Original (P-Vine)

Frank Black And The Catholics

Release: 2022 / JP – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Shinji Miyake’s 2021 album The Red Rocks arrives on vinyl for the first time with this limited edition pressing from P-vine. Having reached his 60th birthday milestone, this album sees Miyake full of celebration as he strived to keep spirits high during a tough pandemic year. Across these eleven tracks, his energy and passion for blues and soul hasn’t dwindled for a moment since emerging in the 80s with his band Mojo Club. Expect triumphant melodies from his trusty brass band, as Miyake toasts to old times and new.

Go to Item

The Complete Studio Albums Clear Vinyl Edition

7LP | 2022 | UK | Original (Demon)

171,99 €*

Release: 2022 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2022 | US | Original (Static Blooms)

Taulard

Dans La Plain

These Actions Cannot Be Undone Colored Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Taulard is a band from Grenoble, France that is exceptionally unique for where they come from and the sound they create. Their fourth release, Dans La Plaine encapsulates the band's powerfully energetic post-punk sound on an 11-track album. Dans La Plaine ignites feelings and energy that harken back to days bygone, before cheesy shitty mall punk soiled the word, image and music. Mastered at 45 rpm

Go to Item

Gentle Sinners

LP | 2022 | UK | Original (Rock Action)

20,99 €*

These Actions Cannot Be Undone

Release: 2022 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Rock Action Records are pleased to present Gentle Sinners, a project by James Graham of The Twilight Sad and....ta dah! Aidan Moffat of Arab Strap! "These Actions Cannot Be Undone" is the brilliant album from two pals who wanted to try something different musically. The outcome being an epic explorative set of songs that stands quite apart from their esteemed work with Arab Strap and The Twilight Sad.

Go to Item

Gentle Sinners

Box Set | 2022 | UK | Original (Rock Action)

LP | 2005 | EU | Reissue (Vagrant)

Release: 2022 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Go to Item

From Autumn To Ashes

Abandon Your Friends

33,99 €*

Feel The Void Bone Vinyl Edition

Release: 2005 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Abandon Your Friends' is From Autumn To Ashes' third album, originally released in 2005. The album - featuring the singles 'Sugar Wolf' an 'Where Do You Draw The Line' - was lauded by Kerrang Magazine, scoring the album 5/5 in their review at the time of it's original release. As part of Hassle Record's ongoing collaboration with Vagrant Records - in celebration of their 25th anniversary - this record is getting pressed to vinyl for the very first time. Record is pressed onto black vinyl, includes lyric sheet insert, and is packaged in a hand-numbered outer sleeve.

Go to Item

Hot Water Music

LP | 2022 | EU | Original (Hot Water Music)

Doom Sessions Voume 4 Striped Neon Magenta Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

bone colored vinyl, limited to 500 copies.End Hits Records and acclaimed American punk band Hot Water Music are excited to announce the Friday, March 18, 2022 release of the band's brand new studio album, "Feel The Void." Featuring the return of producer Brian McTernan (Turnstile, Converge, Thrice, Texas is the Reason), "Feel The Void" offers up a torrent of resilience that strives for light in the context of personal and global darkness across its 12 energetic and impassioned songs.

Go to Item

Bongzilla & Tons

LP | 2021 | EU | Reissue (Heavy Psych Sounds)

Stoned Blues Machine Yellow Transparent Splattered Color Vinyl Edition

Release: 2021 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Re-issue limited to 100 copies ! We are going to release a bunch of compilations with doom bands from Heavy Psych Sounds roster featuring some of the heaviest bands of the world doom scene. Each volume will host two bands. This record you are holding is VOL. 4 – a split album between the Wisconsin legendary Cannabeasts Bongzilla and the Italian heavy sludge weedriffers Tons. All the tracks are new and never released before. An impressive heavy doom and sludge, high trip !!! Awesome artwork by the mighty Branca Studio.

Go to Item

Geezer

29,59 €* 36,99 € -20%

Elusive Mojo Gold Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Geezer it’s a rare band that finds its sound so engagingly, and with Stoned Blues Machine, the sixth Geezer LP, they once again build on their accomplishments, working with producer Chris Bittner at Applehead Recording in Woodstock, NY, to harness the band’s most expansive production to date. A vivid and bombastic album, Stoned Blues Machine is Geezer’s response to the last few tumultuous years. Much of the subject matter deals with the fear, the literal and metaphorical isolation revolving around the pandemic, the resulting political turmoil, the disintegration of truth and decline of a shared, common good. The album that will see them return to Europe for the first time since 2017 and serve as their second release for Heavy Psych Sounds is yet another example of what can be done with classic songwriting in imaginative hands. Stoned Blues Machine puts the emphasis on the band’s dynamic and the joy of playing and writing songs together – more as a unit than ever – and shows that even amid some of the darkest hours, you can always say screw it, go get high and cruise the cosmos.

Go to Item

Ecstatic Vision

29,99 €*

Time-Lapse Nature Green & White Marbled Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Elusive Mojo finds the band firing on all cylinders with this unhinged, raw and dangerous new album. The band continues down their unique warpath mixing heavy psych rock, detroit-rock, proto-punk, and world music. The album contains caveman grooves that would rattle the remaining teeth out of the Asheton brother’s skulls, scorching saxophones that would make Nik Turner feel high on a potent mix of speed and Viagra, and basslines hot enough to melt down the Lemmy statue. Elusive Mojo was recorded live to 2” tape in their beloved hometown of Philadelphia by Joe Boldizar (Sonic Praise) with Bob Pantella (Monster Magnet), and mastered by their old drinking buddy Tim Green (Melvins). What emerged was a burly, timeless and unique sounding record that is hard to tell if it was recorded in 1971 or 2022.

Go to Item

Diatom Deli

LP | 2022 | US | Original (Rvng Intl.)

Time-Lapse Nature Black Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Diatom Deli's Time~Lapse Nature is a channel between cerebral ascension and somatic memory, tethered to the micro-present though humbled by a beyond. Dilated by celestial fluctuations and dynamic flutters, the reverberations from the Taos-based artist's new album culminate through airy tests of vocal layering, longing guitar laments, and discreetly sourced sound, compelling Deli's commitment to esoteric precision and impulse. Delisa Paloma-Sisk was born and raised in Clarksville, Tennessee, an hour north of Nashville and many more from Lares, Puerto Rico, where she spent extended time with her mother's side of the family while growing up. Deli recalls hearing her grandmother's neighbor playing classical guitar every night during one visit to Lares, the melodies lingering and resurfacing while she self-taught herself the instrument in her early teens and then formally studied it in college. Deli would gradually bring together the guitar, synthesizer, and her own voice, recording and releasing two albums, Feelsounds and TQM (Te Quiero Mucho), as Diatom Deli in 2015 and 2017. Written between 2016 and 2019, Time~Lapse Nature embodies Deli's generous, ongoing excavation of her inner emotive spectrum and offers listeners a lush, loving overgrowth; a hiding place for heart-centric radiation. After several synchronistic and collaborative encounters, the album was channeled with the help of Michael Hix (synthesizers, connective magic) and Bryan Talbot (engineering, soundscapes), Deli steadfast at the center, a transparent catalyst for the album's omniscient landscapes and fleeting tenor. Deli's affecting process is palpable throughout the eight songs of Time~Lapse Nature; moods move like planets in thick orbit, spinning forward like an anti-apology, embracing new feeling frequencies where vulnerability radiates tenderly in tonal embers, conveying an exalted melancholy that sticks the moment it lands. A clairsentient offering from Deli, where sound imparts knowing, and is felt more than heard, Time~Lapse Nature is a space to which listeners are invited to commune in a hymnal harmony, prismic beams stretching over sweet, nourishing water. Like a mist dissipating over open fields, Time~Lapse Nature incants a process of succulent renewal towards the mythic, eternal_summoning each listener to delight in the resounding stillness.

Go to Item

Diatom Deli

LP | 2022 | US | Original (Rvng Intl.)

24,29 €* 26,99 € -10%

LP | 2022 | US | Original (Carpark)

Release: 2022 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Go to Item

Chelsea Jade

Soft Spot

22,99 €*

WE Indie Exclusive Marbled Brown Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The L.A.-based New Zealand artist’s second album, dwells somewhere between feeling and expression, certainty and doubt.The record transports the listener from speaker-side at a club, to wandering a party, to sitting at an open window with a pianist nearby. It shifts effortlessly from expansive sold-out-show sound to ethereal, twinkling detail. The writing on Soft Spot outwits even its clever, resourceful production, the lyrics a testament to the multi award-winning songwriter’s belief in the pop format as a venue for prose.

Go to Item

Arcade Fire

LP | 2022 | EU | Original (Columbia)

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Innovations Of Grave Perversity

Eric Terino

LP | 2022 | US | Original (Perpetual Doom)

Great American Painting Pink Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Innovations of Grave Perversity is Eric Terino's third long player, and by any measure is his most expansive and layered work. Taking charge from where his sophomore record left off, the album is a parallel journey through the passage of seasons (winter into spring) and the transition from despondency to the birth of new hope and healing. It is a record about attempting to find light in the wake of trauma and working to reframe one's life in a way that allows for the possibility of joy.

Written and recorded throughout 2020/2021 amidst the height of a global pandemic, the eight tracks that comprise Terino's third LP started life in his home studio in a New England forest and came to fruition with contributions from musicians based all throughout the world. Cello tracks flown in from Russia, French horns from Italy, harps from the UK, and even a musical saw from Greece. Notably featured on a number of tracks is the distinctive voice and hauntingly beautiful violin of legendary Americana singer/songwriter Jolie Holland. It was as a result of the lockdowns that many new connections were able to be forged remotely and Terino's experience of making this record became a tool to feel connected to other musicians and artists in a time when such camaraderie was greatly needed.

Go to Item

The Districts

LP | 2022 | US | Original (Fat Possum)

38,99 €*