Search "record store day" 17913 Items

LP | 1970 | EU (Trading Places)

Release: 1970 / EU

Genre: Rock & Indie

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Desertshore is Nico's third solo album, recorded and released in 1970. It was co-produced by John Cale and Joe Boyd. Like its predecessor The Marble Index, it is an avant-garde album with chamber music elements. The back and front covers feature stills from the film La cicatrice interieure by Philippe Garrel, which starred Nico, Garrel and her son Ari Boulogne. A few of the songs from the album were included on the soundtrack of the film.

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Jawbone

Beverly Copeland Yellow Vinyl Edition

Release: 1970 / EU

Genre: Rock & Indie

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Psychedelic pop act Jawbone had ample talent and keen industry connections yet remained unjustly obscure. Core members had been active in The Mirage, who signed with CBS and later recorded for Phillips; drummer David Hynes and bassist/future Elton John Band mainstay Dee Murray briefly joined the Spencer Davis Group, but regrouped as Portobello Explosion, which became Jawbone. Their rare self-titled debut, released by Carnaby in 1970, had an undercurrent of Americana, and there’s a one-off cover of The Beatles’ ‘Across The Universe’; this edition features bonus track ‘Way, Way Down,’ a non-LP Carnaby 45.

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Beverly Copeland

LP | 1970 | US | Reissue (Return To Analog)

Release: 1970 / US – Reissue

Genre: Rock & Indie

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LP | 1970 | JP | Original (Vanguard)

The Greenbriar Boys

Ragged But Right!

18,39 €* 22,99 € -20%

Quatermass White Vinyl Edition

Release: 1970 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

OBI not included.
Includes original insert,

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Quatermass

LP | 1970 | EU | Reissue (Klimt)

7" | 1970 | EU | Reissue (Madmua)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Quatermass is the only studio album by English progressive rock band Quatermass, released in May 1970 and produced by the Swedish wizard Anders "Henkan" Henriksson. The record started to attract considerable attention in 1975, when guitarist Ritchie Blackmore covered the second track, "Black Sheep of the Family", for Rainbow debut album. As a consequence of the revived interest, Quatermass was re-released and sold further 20,000 copies. Since then, it has gained a cult status and has received favorable retrospective reviews.

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Manolo Y Ramon

Lágrimas, Sonrisas

LP | 1970 | EU | Reissue (Sommor)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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In 1970, famous Spanish duo Manolo y Ramón, known as El Dúo Dinámico since the early 60s, changed musical direction and name and recorded a full album in London in a cool pop-psych style. Using a dream team of session musicians (Jimmy Page, Ian Anderson, Billy Preston…) and arrangers connected to George Martin, the duo laid down 13 tracks of which “Lágrimas Sonrisas” backed with “Adiós, Adiós, Goodbye” were selected for a 45 release. It went unnoticed at the time but now “Lágrimas, Sonrisas” is mod psych anthem, full of powerful vocals, Hammond splashes, female chorus…highly sought after by DJs and collectors, here’s a deluxe legit reissue limited to 500 copies (not to be repressed). Includes postcard and insert with liner notes in Spanish by Vicente Fabuel.

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Sam Apple Pie

Second Helping

Women And Children First Black Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Monster rarity here! An incredible find for anyone into late 60s /early 70s underground hard-psych and blues-rock. A full unreleased album by British hard-blues band SAM Apple PIE, recorded in 1970 possibly as a follow up album to their Decca debut. Taken from the only surviving copy of a recently found acetate (without song titles or credits), all leads to believe this was recorded by the line-up of Sam Sampson, Bob Renny, Andy Johnson, Mick Smith and Mick Stuart. A great mix of heavy blues, hard-rock and psych, with some tracks sounding not unlike Elias Hulk or Fleetwood Mac.

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Ancient Grease

LP | 1970 | EU | Reissue (Sommor)

Loaded Clear Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Heavy-rock / bluesy sound with West Coast overtones and some devastating fuzz-wah guitar. Originally named Strawberry Dust, Ancient Grease was a hard psychedelic band from Wales, connected to Eyes Of Blue and Racing Cars. They were supported by John Weathers (Eyes Of Blue) who also acted as producer and songwriter for their sole album, recorded in London. When eventually released in 1970, “Women and Children First” was credited to Ancient Grease instead of Strawberry Dust (one of those “great” ideas by major labels). The album was first issued in the US and later in the UK, both on the Mercury label but with different sleeves (being the UK one the most desirable and collectable).

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The Velvet Underground

LP | 1970 | EU | Reissue (Warner)

Dedicated To Markos III (A.K.A. Black Flower)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Reissue as a part of the Start Your Year Off Right Kampagne von Warner. Lou Reed's last album with the Velvet Underground has remained a reliable fixture on Rolling Stone's 500 best albums of all time, and others. Earning a 10/10 from Pitchfork and top accolades from Q, Spin, Uncut, AllMusic, Christgau's Record Guide, and others, this album is a fan favorite featuring hit singles "Sweet Jane" and "Rock & Roll." (Original RD: November 1970)

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Nirvana

LP+7" | 1970 | EU | Reissue (Wah Wah)

LP | 1970 | US | Reissue (Don Giovanni)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Nirvana's third LP is a masterpiece of late UK sixties popsike turning into symphonic pop, but not having received proper promotion despite being equally good as, if not better than their previous releases, it also marked the end of the collaborations between Patrick Campbel-Lyons and Alex Spyropoulos back in 1969.

Nirvana presented it to Island boss Chris Blackwell under the title of Black Flower. Blackwell, however, decided to turn it down for release, but gave the masters to Campbell-Lyons and Spyropoulos so they could find a new label to release the album. That was to happen in the USA through Metromedia Records in 1969. At that time, the label's owner went through a scandal due to the payola days, which left Nirvana's third offering without any promotion - as a result of that, very few copies were pressed. There was also a UK release on PYE and it was even released by Metromedia in Japan. However, for years it remained as "the lost" Nirvana release, with the added fact that none of the released editions launched the album under its original title of Black Flower but under the rather cryptic Dedicated To Markos II (read why in the liner notes!).

Musically, this is Nirvana at their best. The tune that should have been the title track, Black Flower, is an incredible piece of symphonic psychedelia and probably the best produced Nirvana track ever. Campbell-Lyons and Spyropoulos were backed for the occasion by Spooky Tooth, who played on many tracks of the album, and big orchestral arrangements mesmerize the listener in one of the duo's darkest offerings. This song aside, the rest of the album was deemed as sounding too much like a French soundtrack by Island, which may do at some points –without that being a bad thing,– but there is a lot more to it, since Nirvana have not lost that popsike edge that characterised their sound in their two previous outings.

This is also a record that was widely acclaimed in the hip hop scene. And samplers of it have been used by several artists, most notably DJ Shadow used Love Suite in his 1996 debut album Endtroducing.

The Wah Wah edition has been remastered from the original tapes by Roger Prades @ Prades Mastering and comes with a bonus 7" EP and a four page colour insert with liner notes by Malcom Dome, plus a sheet with the lyrics of the songs. First ever official vinyl reissue since 1970 in a limited edition of 500 copies only!

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The Maglory Dengluch

30,99 €*

Release: 1970 / US – Reissue

Genre: Rock & Indie

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An Evening With Dando Shaft

Dando Shaft

LP | 1970 | EU (Trading Places)

LP | 1970 | EU | Reissue (Cosmic Rock)

Release: 1970 / EU

Genre: Rock & Indie

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Formed in the West Midlands manufacturing town of Coventry in 1968, esteemed psychedelic folk group Dando Shaft are revered as key influencers of the progressive strand of the 1960s folk revival, and the interplay of melodies on guitar, mandolin and violin made their sound distinctive, thanks to frontman Martin Jenkins, whose expressive vocals compliment his intricate lines, while Roger Bullen’s melodious bass helps to lubricate the proceedings. Recorded before Polly Bolton’s harmonic presence shifted the emphasis of their output, this masterwork is required listening for all progressive folk devotees.

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Richard Twice

23,74 €* 24,99 € -5%

LP | 1970 | EU | Reissue (Bonfire)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Fuzz guitars, organ, celestial vocal harmonies, a single effort and then…eternity (or obscurity if you look at the other side of the coin). In 1968 leader Richard Atkins - Richard Manning his artistic partner & co-writer, hence the name - was building toward success, his musical adventures and philosophy not that far from the likes of The Byrds or the more eccentric Simon & Garfunkel. He’d won a contract with Mercury Records, and recorded with the Wrecking Crew members, a group of Los Angeles session musicians famous for their work with the Beach Boys, Elvis, Frank Sinatra, and hundreds more. But stage fright triggered a disastrous make-or-break performance in a small Hollywood nightclub, and everything abruptly fell apart. Atkins gave up music in the prime, and for 50 years he refused even to listen to a radio, so painful were his memories of a career he was convinced could have been. Featuring top-notch backing from musicians such as Drake Levin (Paul Revere & the Raiders), Larry Knechtel (Bread), Mark Tulin (the Electric Prunes) and Rusty Young (Poco), the album - nonetheless - it's bound to appeal to all fans of high-quality early '70s US pop-rock. In 2017 the short history of this unlucky but brilliant combo was featured in a short animated movie of 10 minutes !

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Julian's Treatment

A Time Before This

Jiro Inagaki & Soul Media

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Fully licensed, ltd to 500 copies, 180 gr. 1970 the year prog rock broke ! A time Before This was the sole album of british cultish band Julian's Treatment. Fronted by sci-fi author/keyboards player Julian Jay Savarin the band became an extra-cult because of their lyrics and arrangements extravaganza. Savarin – who later embraced a solo career - was born in Dominica and moved to Britian in the early Sixties. He started rehearsing with John Dover (bass), Del Watkins (guitar), Jack Drummond (drums) and Australian born Cathy Pruden (vocals). In june '70 the label Youngblood released their first album "A Time Before This". Based after a survivalist concept the album still stands as an original artefact of the time, still maintaining a sort of baroque feel. Leader Savarin keyboards maybe all over the place (with that sort of proto-hard church organ feel), but a virtuoso rhythm section and the vocal performance of Cathy Pruden (imagine a crossing line between Julie Driscoll and Grace Slick) give the record an embraceable feeling overall.

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Woodstock Generation Black Vinyl Edition

LP | 1970 | EU | Reissue (Cinedelic)

LP | 1970 | US | Reissue (Superior Viaduct)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Finally this Ghost Gem left by Jiro Inagaki's Soul Media has been repressed on vinyl for the first time thanks to Cinedelic Records. ‘Woodstock Generation’ is a masterpiece of Japanese jazz/rock funk/soul that for some it even considered better then the acclaimed "Head Rock" in terms of perfection; surely there are many points in common between the two albums having been made a few months later, in 1970. Behind "The Soul Medium" name hides saxophonist Jiro Inagaki, an iconic figure of the japanese Jazz Rock scene during the late sixties to the early seventies. Jiro is supported by his legendary quintet "Soul Media" under its first incarnation featuring Ryo Kawasaki (g) Yasuo Arakawa (b) Masaru Imada (org) Sadakazu Tabata (ds) with Tetsuo Fushimi & Shunzo Ohno on trumpet in addition. "Woodstock Generation" is a tribute album to the Woodstock Festival including cover of songs performed on the stage by Sly & Family Stone (I Want To Take You Higher) The Who (Summertime Blues) or Ten Years After (Spoonful) but also Woodstock (written by Joni Mitchell in honor of the Festival) and Mamma Told Me (Not To Come) written by Randy Newman for Eric Burdon and The Animals. Titles include also variations on the "Head Rock" theme "The Ground For Peace” and original composition of Masahiko Sato "Knick Knack". All tracks arranged by Jiro Inagaki.

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Crime

San Francisco's Doomed

Creedence Clearwater Revival

Release: 1970 / US – Reissue

Genre: Rock & Indie

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The legend of Crime looms large among punk aficionados the world over. Formed in the mid-1970s, the band's dual-guitar sound, confrontational image and sleazed methodology still serve as inspiration decades later. With only a handful of singles released during their active lifespan, Crime's legacy grew significantly as archival recordings began to trickle out in the early 1990s. Of all these excavations, San Francisco's Doomed was one of the first and certainly one of the most powerful. Culled from 1978-79 studio demos and rehearsal tapes, San Francisco's Doomed captures the frenzy of Crime's sound in a fittingly loose, devil-may-care framework. Side one is a gloriously unpolished assault of classic, gutter-level punk with vicious live set staples like "Feel The Beat" and "Piss On Your Dog" taking marquee placement over the more well-known singles tracks. Side two finds Crime taking aim at the so-called New Wave, augmenting their attack with ripped odes that bear the direct influence of science fiction and rockabilly on the group. Few recordings from US punk's first wave match the raw intensity heard on San Francisco's Doomed. As Michael Stewart Foley writes in the liner notes, "Unimpressed with the once idealistic counter-culture and all the bands associated with it, Crime declared itself San Francisco's First And Only Rock 'N' Roll Band. Dressed in police uniforms and driving sonic ice picks through listeners' eardrums with the volume cranked past 10, they looked more like a street gang that might take your wallet and slash your face with a switchblade just to watch you bleed. But despite the band's best efforts to stand apart, Crime could have come from nowhere else, at no other time."

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Travelin' Band Live At Royal Albert Hall Record Store Day 2022 Vinyl Edition

7" | 1970 | EU | Reissue (Universal)

15,99 €*

Nice To Meet Miss Christine Record Store Day 2022 Edition

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Mirroring the original double-sided “Travelin’ Band”/“Who’ll Stop the Rain” 45, which dropped in January 1970, this release showcases what were the band’s newest songs in a live setting. Side A features the Royal Albert Hall performance of the song from April 14, 1970, and marks the very first release of this rare recording. Side B, meanwhile, offers a live version of “Who’ll Stop the Rain,” recorded at the Oakland Coliseum, and previously released on the platinum-selling live album, The Concert.

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Chris Harwood

12" | 1970 | EU | Reissue (Bonfire)

32,99 €*

LP | 1970 | CA | Reissue (Return To Analog)

Release: 1970 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Such an elusive British artist, Christine Harwood was sailing the sea of lone folk singers with a sole album of rare beauty. Released in 1970 on small british label Birth, Nice To Meet Miss Christine is still an exercise in pure beauty, a dramatic/magic affair that materialized into thin air and suddenly was gone. Featuring a who’s who of the british prog and psych-folk scene – the late King Crimson alumni Ian McDonald on sax and flute, drummer extraordinaire Pete York, Nucleus and Jody Grind bass player Roger Sutton, Strawbs guitar player Dave Lambert – the album is more than a miraculous rendition of the (acid) folk revival venturing on more audacious territories, as shown in the rare groove of standout track Wooden Ships. Blue eyed soul and yacht rock fanatics take note !

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Souls Of Inspyration

Release: 1970 / CA – Reissue

Genre: Rock & Indie

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Royal York Crescent Record Store Day 2022 Vinyl Edition

Ian A. Anderson

LP | 1970 | EU | Reissue (Bonfire)

LP | 1970 | EU | Reissue (Repertoire Entertainment Gmbh)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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When we talk about british folk revival we should not forget a key figure as Ian A. Anderson, a songwriter on its own and a truly prime mover in the local scene. Currently editor of the ‘world music magazine’ fRoots, Ian A. Anderson first performed in his home town of Weston-super-Mare as a member of the Backwater Jook Band and came to prominence as a member of the Bristol based country blues scene of the mid to late 1960s, performing live and on record, both solo, with Al Jones and Elliott Jackson as the trio Anderson Jones Jackson, and as a duo with ‘globetrotter’ and long time friend Mike Cooper. After two EPs, he recorded his first album, Stereo Death Breakdown, as Ian Anderson’s Country Blues Band, which was released by Liberty/United Artists in 1969. In December 1969, with John Turner, he conceived the record label The Village Thing, for which he was also a producer. The label released two dozen albums by mostly between 1970 and 1974 including influential albums by Wizz Jones, Sun Also Rises, Pigsty Hill Light Orchestra, Steve Tilston, Dave Evans, Lackey & Sweeney, Chris Thompson, Dave Peabody and more, as well as three by Anderson himself. ‘Royal York Crescent’ is proper solo debut was licensed the 13th of Novemebr 1970 and is still considered as a forerunner of the acid folk movement . His lightly fingerpicking was backed by bongos – Ian Turner – and bass/piano – John Turner – providing a dynamic effort for his spectacular lyricism. This long lost classic is finally backing in print for your necessary uplifting entertainment.

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Stone The Crows

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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LP | 1970 | EU | Reissue (Repertoire Entertainment Gmbh)

Stone The Crows

Ode To John Law

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Let It Be 50th Anniversary Deluxe Edition

2CD | 1970 | UK | Reissue (Apple)

Release: 1970 / UK – Reissue

Genre: Rock & Indie

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Following on from the global success of ‘Abbey Road’, Apple Corps and USM are proud to present the next multi-format Beatles album reissue of ‘Let It Be’.

January 1969 – The Beatles planned to return to live performance, setting up in Twickenham Film Studios, London, for 21 days of rehearsals. They then decamped to their new studio in their Apple office building in Saville Row and on January 30th performed their last ever live group performance on the rooftop. All of this was filmed for a proposed documentary (eventually released in 1970). During the rehearsal process, they asked Glyn Johns, who had been hired to help with the live sound, to attempt a mix to create an album. This was never released, becoming known as one of the great ‘lost’ albums in rock history and is now included in this Super Deluxe Set. The album was delayed further and in fact became their 12th and final official album release on 8th May 1970 following additional production by American producer Phil Spector.

The Beatles iconic final studio album being released to coincide with the worldwide release of Peter Jackson’s 3 part documentary ‘The Beatles: Get Back’
New stereo mix of the original album by Giles Martin

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Let It Be 50th Anniversary Edition

CD | 1970 | UK | Reissue (Apple)

Storyteller Black Vinyl Edition

Release: 1970 / UK – Reissue

Genre: Rock & Indie

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Storyteller

LP | 1970 | EU | Reissue (Svart)

LP | 1970 | EU | Reissue (Dialogo)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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A Svart Mondo release. Black vinyl, gatefold jacket.

First released by Britain’s then foremost folk label, Transatlantic Records in 1970, Storyteller’s first album is a forgotten gem of Psychedelic Folk Prog Rock. Warm and silky production courtesy of Andrew Bown and Peter Frampton, fabulous dual vocals and a wistful arrangement of top-drawer UK Folk Prog, make Storyteller a diamond worth digging into.

Around 1969, after being a part of the band The Other Two on Decca Records, working with people like Chuck Berry, Duane Eddy and Jerry Lee Lewis, and touring with Chuck Berry and The Animals, Caroline Attard joined a new band that was being formed; Storyteller. A quintet who followed their own inclination, ignoring current fashions and just doing what seemed to come naturally, Storyteller is a crate-digger’s delight. Up there with Fairport Convention, Jefferson Airplane and Steeleye Span, Storyteller were steeped in folklore tales such as on ‘Ballad Of The Three Laps’, bringing the true spirit of folk alive in their own unique way. With songs written primarily by Roger Moon, and Terry Durham as muse of inspiration with his paintings and wonderful Yorkshire stories, Storyteller’s debut has the authentic and honest vibe of the real McCoy.

No longer confined to being coveted by collectors and those in the know, this lush remastered reissue via Svart Records comes on gatefold vinyl with updated liner notes and interview. If you treasure Folk, Prog and Psychedelic Rock, make sure this is a tale you don’t miss out on!

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Piero Umiliani

Africa

21,84 €* 22,99 € -5%

LP | 1970 | US | Reissue (BYM)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Piero Umiliani’s Africa was released in January 1972, a years-ahead record that includes the prog-tingedblack rhythm of “Africa To-Day”, the ‘fourth world’ inspiration coming from Jon Hassell’s “Green Dawn”, the‘exotic’ references in Martin Denny’s style (“Lonely Village”, “Echos”), the electronic new wave (hearing is believing!) of “Sortilège”, the folk music (“Rite”, “Folk-Tune”). An incredible album summarizes sounds and styles that will make the fortune of much more celebrated and popular musicians and artists.

Africa (1972) In 1972 Piero Umiliani was above all the man of a thousand soundtracks and the first Italian jazz experiments; from his later career we’ll soon learn that wasn’t enough for him, showing just a tiny part of a more complex picture. Closed within the walls of his Sound Work Shop Studio, the Maestro was weaving much more complicated and satisfying plots, incorporating dozens of influences from a life spent experimenting and discovering new sounds. Among the most fascinating ones, those who came from a continent like Africa, as much fabled as actually little known, but enchanting to the point that Umiliani dedicated to it the entire Africa - which is paired with its twin-record Continente Nero - and released it as M. Zalla, pseudonym used when it came to tidying up uncompromising and avant-garde music textures, as will later happen with masterpieces such as Suspense, Problemi D’Oggi or Mondo Inquieto. Always keep in mind when this album had been released, in January 1972, before approaching its content: here the prog-tinged black rhythm of Africa To-Day, the ‘fourth world’ inspiration coming from Jon Hassell’s Green Dawn, the ‘exotic’ references in Martin Denny’s style (Lonely Village, Echos), the electronic new wave (hearing is believing!) of Sortilège, the folk music (Rite, Folk-Tune). Many years in advance, in Africa Piero Umiliani summarizes sounds and styles that will make the fortune of much more celebrated and popular musicians and artists.

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Los Blops

43,99 €*

Release: 1970 / US – Reissue

Genre: Rock & Indie

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The debut from the experimental folk / rock band recorded during the revolutionary days of the late 1960s in Chile—the first of three the band recorded between 1970 and 1973. Remastered from the original pressing and authorized by the founding musicians. Features the original artwork and unreleased material updated by designer Antonio Larrea.

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Let It Be Limited 50th Anniversary Box Edition

Box | 1970 | UK | Reissue (Apple)

151,99 €*

Release: 1970 / UK – Reissue

Genre: Rock & Indie

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Let It Be Limited 50th Anniversary Deluxe Edition

Box | 1970 | UK | Reissue (Apple)

215,99 €*

Release: 1970 / UK – Reissue

Genre: Rock & Indie

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Let It Be 50th Anniversary Edition

LP | 1970 | UK | Reissue (Apple)

33,99 €*

LP | 1970 | EU | Reissue (Munster)

Release: 1970 / UK – Reissue

Genre: Rock & Indie

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Eve

Take It And Smile

17,99 €*

A Divina Comedia White Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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The Ethereal Harmonies Of Eve Were Ever Present, But The Psychedelic Girl Group Feel Of Their Previous Band,Honey Ltd, Was Replaced With Funky Grooves And A Stoned Country Rock Vibe That Permeated Los Angeles In The Early 1970s.In The Late 1960s, Four Teenage Girls From Detroit Hitch-Hiked To Los Angeles To Follow Their Dream. Known As The Mama Cats, Their Combined Voices, Created A Magical Instrument, A Holy Harmonic Vehicle Built Upon The Inspiration And Improvisation Of Four Close Friends. Their Ethereal Voices And Heavenly Harmonies Sounded Like No One.Upon Meeting Lee Hazlewood In Los Angeles, He Was Bowled Over, Offering Them A Recording Contract On His Label, Lee Hazlewood Industries (Lhi), Renaming Them, Honey Ltd. Their Sole 1968 Lp Never Saw The Light Of Day. Out Of The Ashes Of The Group, The Three Remaining Members Continued On Under The Name Eve.In The Spring Of 1970, Eve And Producer Tom Thacker Went Into The Studio To Record "Take It And Smile". The Ethereal Harmonies Were Ever Present, But The Psychedelic Girl Group Feel Of The Honey Ltd Album Were Replaced With Funky Grooves And A Stoned Country Rock Vibe That Permeated Los Angeles In The Early 1970s (Think John Philips "Wolfking Of L.A.). Backed By Another Amazing Group Of Musicians, The Recording Sessions Included Members Of The Wrecking Crew, Elvis' Tcb Band, Ry Cooder, Sneaky Pete And Glenn Frey From The Eagles. Featuring Songs By James Taylor, Fred Neil, The Gibb Brothers, Burt Bacharach, Bob Dylan, Mac Davis And A Handful Of Amazing Originals Including The Beautiful "Dusty Roads" And The Title Track "Take It And Smile," Co-Written With Glenn Frey. Upon Its Release, The Album Failed To Find An Audience. After Recording One Last Song, "So Tired" For The Vanishing Point Soundtrack, The Girls Went Their Separate Ways, Each Continuing To Sing Professionally With Artists That Include Bob Seger, Neil Young, Tina Turner, Loretta Lynn And Countless Others.Remastered From The Original Analog Tapes By Grammyr-Nominated En...

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Mutantes

LP | 1970 | EU | Reissue (Vinyl Lovers)

Beverly Copeland Clear Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Originally released in 1970 this was the third album from Os Mutantes, the geniuses of wacked out Brazilian psychedelic rock. They may have been trying to pay homage to their better known icons back in the States, but in doing so they created something that went beyond all that until, 30 years later, they became the ones that everyone was trying to imitate. This album, further testimony to their limitless creativity and considered by many to be their best, was recorded during the height of the Brazilian military regimes crack down on artists, and fellow members of the Tropicalia movement, Caetano Veloso and Gilberto Gil had already been sent into exile in the UK.

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Beverly Copeland

LP | 1970 | US | Reissue (Return To Analog)

Release: 1970 / US – Reissue

Genre: Rock & Indie

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Layla And Other Assorted Love Songs

Derek & The Dominos

2LP | 1970 | UK | Reissue (Universal)

38,99 €*

Release: 1970 / UK – Reissue

Genre: Rock & Indie

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Plastic Ono Band Deluxe Edition

John Lennon

2LP | 1970 | EU | Reissue (Universal)

42,99 €*

LP | 1970 | EU | Reissue (Discos Monterey)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Plastic Ono Band was the debut solo album by John Lennon. Released on December 11th 1970, John and Yoko had started writing and demoing at Abbey Road (emi Studios) in the summer, with recording sessions during September/October

After the break-up of The Beatles that year, John and Yoko embarked on a period of self-reflection and experimentation, with the results that the songs and sessions for Plastic Ono Band were heavily influenced by his immersion in Arthur Janov’s primal therapy. John was able to find emotional depth and honesty within himself that few artists had ever done before, with John saying to Rolling Stone “now I write all about me and that’s why I like it. It’s me.” . The result is perhaps the most honest and emotionally raw album that anyone has ever released, let alone someone who was one of the four most famous musicians on the planet. With a small core band comprised of just Ringo Starr on drums and old friend Klaus Voorman on bass, co-produced by Phil Spector, the album peaked at 8 in the UK charts and 6 in the USA. It has come to be regarded by many as John’s finest solo work and has continued to grow in stature and reverence and has often featured in various Best Of lists through the years since. Not only does this album feature some of John’s best-loved and most impactful songs – Mother, Working Class Hero, Isolation, God – but this new set also includes the singles Give Peace A Chance, Cold Turkey and the classic Instant Karma! (We All Shine On).

Released on the same day was Yoko Ono’s Plastic Ono Band album, the couple regarding the release as a pair of albums rather than two entirely separate projects, albeit of course it not achieving the same sort of coverage or chart success as John’s.

Coming as this does hot on the heels of last year’s much loved and well-reviewed “Gimme Some Truth” set and “Imagine” before that, the audio has been completely remixed from the original studio tapes as part of the ongoing John Lennon Ultimate Mix series. The aim for this mix process is to achieve three things: to remain faithful and respectful to the original recordings; to ensure that the sound is sonically clearer overall and to increase the clarity of John’s vocals. As Yoko says, “it’s about John” and this new mix shows that it is his voice that brings the biggest emotional impact of the album.

This multi-format release included a Cd/bd Super Deluxe Box with 130 page book featuring many exclusive and new photos, track-by-track notes in the words of John and Yoko, lots of tape boxes and full breakdown and descriptions of the audio content. As well as the new Ultimate Mix, we have 5 further CD discs, each focusing on different and new aspects ,including: original outtakes, demos, Elements Mixes (focusing on individual aspects of the songs to reveal unheard elements), Evolution Mixes (the story of each song from demo to complete recording), Raw Mixes (unadorned studio takes that place you inside the room almost sitting alongside the band) and a further disc of studio Jams. There are two Blu-ray Audio discs that feature hi-res stereo (192/24) versions of all the above as well as surround mixes in 5.1 and Dolby Atmos. Further material only available on BD includes the Yoko Ono Band/Plastic Ono Band Live Sessions from the original recording sessions and featuring Ringo Starr and Klaus Voorman.

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Gerardo Manuel & Humo

Apocallypsis

Stage Fright 50th Anniversary Limited Deluxe Boxset

Release: 1970 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Gerardo Manuel left behind his deepest beat days with The Dolton’s and the Shain’s, plus his garage psych stage with St Thomas Pepper Smelter. At the beginning of the seventies he was joined by a new band formed by other illustrious Peruvian musicians, called El Humo because, according to Ernesto Samamé (We All Together) they met to play unpretentiously, to test the new sound equipment of the Virrey label. The first of the albums was "Apocallipsis" (1970). It was followed in 1971 by the conceptual "Machu Picchu 2000" in which he used all his imagination to tell us about the resurgence of the Inca empire after the third world war that broke out at half past five on December 31, 1999. Songs of lysergic melodies, with Latin touches, give life to this album that looks for peace in the world. Unique and memorable albums, essential for any discography with the best of South American music from the sixties.

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The Band

5LP | 1970 | EU | Reissue (Capitol)

148,99 €*

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Stage Fright 50th Anniversary Edition

The Band

LP | 1970 | EU | Reissue (Capitol)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Claire Lepage & Compagnie

LP | 1970 | EU | Reissue (Return To Analog)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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LP | 1970 | CA | Reissue (Return To Analog)

Dionysos

Le Grand Jeu

On The Way To Eden White Vinyl Edition

Release: 1970 / CA – Reissue

Genre: Rock & Indie

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Dionysos's first album '' Le Grand Jeu '' (1971) is one of the must-hear classics of Quebec rock. Sung in colloquial French, drifting somewhere between swampy blues-rock and the emerging prog aesthetic, with some flute passages and a liberal dose of Hammond organ, it is likely the heaviest record made until then in the entire French-speaking world.

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Eden Rose

LP | 1970 | EU | Reissue (Guerssen)

Dogfeet Blue Vinyl Editon

Release: 1970 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Limited to 200 copies on white vinyl!

Proto-progressive, groovy instrumental psychedelia, recorded in France in 1969 by this pre-Sandrose band and released on the tiny Katema label. Swirling Hammond grooves by keyboard virtuoso Henri Garella, top guitar playing by Jean-Pierre Alacen and a tight, funky rhythm section create one of the best early prog/psych French albums ever. First reissued on Guerssen back in 2016 and out of print for many years, here's a repress in hard cardboard sleeve + OBI - resealable outer sleeve.

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Dogfeet

LP | 1970 | EU | Reissue (Klimt)

But I Might Die Tonight Light Blue Record Store Day 2020 Edition

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Bassist Dave Nichols, singer Alan Pearse, drummer Derek Perry and guitarist Trevor Povey first came together as Chicago Max, followed by brief stints as Sopwith Camel (not to be confused with the San Francisco-based outfit), Malibou and Armageddon. Working in a blues-rock vein (wasn't every early-1970s band dipping their creative toes in the genre), they were signed by the small Reflection Records, though the label immediately demanded a new name. Musically 'On the Road' harkened back to the bands' blues-rock roots, but extended tracks such as 'Now I Know', the attractive atmospheric ballad 'Reprise' and the Western-inspired 'Since I Went Away' set them apart from most of their contemporaries. Not that it mattered. The album vanished without a trace, followed in short order by the band.

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Cat Stevens

7" | 1970 | US | Reissue (Island)

13,99 €*

Out Of Uranus Record Store Day 2020 Edition

Release: 1970 / US – Reissue

Genre: Rock & Indie

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Record Store Day 2020 Release.
Limitation: 5000 copies.

7″ single of Cat Stevens songBut I Might Die Tonightfrom the album Tea For The Tillerman. Side A will feature the alternative version of the song from the film Deep End. The A-side was reworked specifically for the film (which starred Jane Asher and somewhat a UK cult classic) and is a previously unreleased in any form! Colour of the 7″ Single is Light Blue.

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Killing Floor

LP | 1970 | EU (Radiation)

Underdogs, The (Pig, Mann & Edwards)

Release: 1970 / EU

Genre: Rock & Indie

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South London blues-rock band Killing Floor was formed in the late 1960s with lead singer and harmonica player Bill Thorndycraft, guitarist Mike Clarke, bassist Stuart McDonald, pianist Lou Martin and percussionist Bas Smith, with Muddy Waters their foremost inspiration. After an eponymous debut album produced by former music writer John Edward, issued by the independent Spark label (and licensed to Sire in the US), Killing Floor was signed by Larry Page, who placed follow-up LP Out Of Uranus on Penny Farthing, again with Edward in the producer’s chair. In contrast to the debut LP, Out Of Uranus had heavy acid rock and psychedelic leanings, as heard on the anti-religion title track and songs like “Acid Bean,” though “Where Nobody Ever Goes” was more in standard blues-rock mode. As was the case with several other Page projects from the period, poor album sales made the release a true rarity, its scarcity keeping it in high demand today. Limited RSD press with original artwork in gatefold sleeve, licensed by original rights owner Larry Page Productions.

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Wasting Our Time

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Wah Wah is proud to release the first ever legit vinyl reissue of New Zealand's legendary Underdogs' second LP. By the time of this album, originally released in late 1970, The Underdogs line-up had changed. The original Underdogs had disbanded in 1969, and original guitarist Harvey Mann and bass player Neil Edwards decided to rebirth it with the help of Glen 'Pig' Absolum on drums - hence the band's nickname Pig, Mann & Edwards. This power trio line-up also saw the initial Underdogs UK flavoured R&B sound get heavier and evolve towards a more Cream-ier - Hendrix influenced territory. It was recorded under the production of former Brew man Bob Gillett in their native Auckland and saw its original release on the PYE label.

This is a 500 copies only reissue, housed in its original artwork in a vintage styled backflaps sleeve and featuring gatefold poster insert.

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Farmyard

2LP | 1970 | EU | Reissue (Guerssen)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Hailing from Wellington, the windy city and capital of New Zealand, Farmyard's initial line up consisted of Rick White on bass and vocals, Tom Swainson on drums, Milton Parker on lead guitar, Andy Stevens on sax and Paul Curtis on rhythm guitar and lead vocals. Rick White who formed the band, and Milton Parker were originally in fledgling beat combo The Relics. After being kicked out of the Relics, Rick went on to form Tom Thumb. Tom Thumb moved from R&B, to pop, to progressive rock, and their 1970 Ludgate Hill EP is considered one of the first prog recordings in the country.

After a successful single, Polydor issued Farmyard’s first LP in 1971 which came housed in a silk screened plastic bag, and is an amazing prog-rock killer, with superb musicianship, great tunes and a splendid production by Peter Dawkins.

This is a 500 copies only reissue, housed in its original ‘gimmick’ artwork in a silk screened plastic bag, printed inner sleeve and insert.

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Julian's Treatment

A Time Before This

The Gospel According To Zeus

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Debut, double album by musician/sci-fi writer Julian Jay Savarin. Originally released on Miki Dallon's Youngblood label in 1970, this is a classic since the early days of record collecting.
Hammond dominated, spacey, psychedelic prog-rock with long tracks, cool female vocals and a cosmic, sci-fi concept vibe.
This reissue features the original gatefold sleeve, master tape sound in 180g vinyl, and detailed liner notes by Andy Morten (Shindig!). Essential to anyone into early UK prog-rock!

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Power Of Zeus

LP | 1970 | EU | Reissue (Mr Bongo)

Friend's Friend's Friend Green Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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* Record Store Day Europe / UK 2019 Exclusive Release!
* Transferred from 2 x 1/4"" analog reels at 192kHz/24-bit.
* Half-speed cut at Abbey Road Studios.
* One of the most sampled breaks in hip hop history - including KRS-One, Kanye West, Jay-Z, Cyprus Hill, Tribe Called Quest and Eminem to name a few.
* 180gm vinyl

Seminal funk-rock album originally released on Rare Earth in 1970. Featuring the monster breakbeat on 'The Sorcerer Of Isis’.

Formed in Detroit in 1968, Power of Zeus became the first rock band to be signed by Motown subsidiary label, Rare Earth. The group drew inspiration from British hard rock and heavy metal giants like Cream, Black Sabbath, and Led Zeppelin when they created this well-produced, seminal post-hard rock album. After ‘The Gospel According to Zeus’, the group never made another album and the band slipped into obscurity, until it was discovered by the hip hop diggers. The drum beat from "Sorcerer of Isis" has been one of the most sampled in hip-hop music, including KRS-One, Kanye West, Jay-Z, Cyprus Hill, Tribe Called Quest and Eminem to name a few.

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Audience

LP | 1970 | EU (Klimt)

LP | 1970 | EU | Reissue (Bear Family)

Release: 1970 / EU

Genre: Rock & Indie

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Friend's Friend's Friend was Audience’s second album and the first published by the famous Charisma Records in May 1970. More than on their first album, here the band's original Art Rock formula finally takes full shape. A peculiar combination of pop, folk and jazz elements and a distinctive sound palette based on acoustic guitar, banjo, saxophone, piano and vocals on top of a rock solid bass and drums rhythm section. Pressed on color vinyl LP.

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The Petards

Hitshock

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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With their first, self-titled album for Liberty, The Petards from the state of Hessen in Germany had produced a real hit. The year 1969 meant for Klaus and Horst Ebert, Roger Waldmann and Arno Dittrich above all a wealth of appearances; at that time there was
probably no band harder working in Germany than The Petards. In September 1969 producer Sigi Loch called the band back to Munich's Trixi Ton Studio to record the next album. And as one would expect from the band, the musicians came to the studio well prepared. Within five days, enough new songs were recorded to create four singles in addition to the new album. All the titles were written by the two Ebert brothers, who apparently never ran out of ideas. The musicians used whatever kind of tools the studio gave them: synthesizers, Mellotron and piano were skillfully integrated into the Petards sound. As with the previous albums, the band captivated with an enormous amount of variety and talent. Progressive rock, Krautrock - everything was in the Petards songs - and yet with less than four minutes of running time they remained deeply suitable for airplay.
In early 1970 the new album 'Hitshock' was released on Liberty and continued the track of success of the four Hessians. For many people 'Hitshock' is the most mature and best produced album of the four from Schrecksbach. Fans and critics agreed. In April 1970, The Petards made it into the arts pages! Director Charles Lang had selected the band from 70 applicants and invited them to the Bremen Theatre. There they took part in the play 'Was ihr wollt', freely adapted from Shakespeare (’Twelfth Night’, or ’What You Will’). All arrangements were made by the musicians, some titles were rewritten. Unfortunately no recordings have been preserved. The play was not a great success, but The Petards got off well with the critics, and of course this also meant a good promotion for their new album. At least the four musicians had a lot of fun participating, but still they found time to carry the songs from 'Hitshock’ live through the republic. Bear Family releases this album for the first time again in the original artwork on 180 gram vinyl and adds a reproduction of the original poster to 'Hitshock'. This record is the third of four scheduled vinyl re-releases of the great Petards on Bear Family.

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Wynder K. Frog

Into The Fire

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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The Wynder K. Frog story evolves around Mick Weaver. After he switched from piano to organ he joined a band named The Chapters that would soon be renamed Wynder K. Frog and perform material from James Brown's Flames, Booker T. and The MGs or even songs learned through Georgie Fame's recordings and Graham Bond's repertoire. Wynder K. Frog moved to London and became regulars in the city's R&B scene playing at Swingin' London's clubs like the Tiles or The Marquee. A contract with Island Records was secured and -under the wings of producers like Chris Blackwell, Guy Stevens, Jimmy Miller or Gus Dudgeon- Wynder K Frog, a name that would eventually be used as a pseudonym for Weaver more than a proper band name, did some some amazing Hammond organ-ized recordings and issued in three LPs and a bunch of cool 45s.

At the end of the 1960s, Weaver would quit the "band scene" to become one of the most in demand session musicians and throughout his career he'd be heard backing names such as Eric Burdon, Roger Chapman, Dave Gilmour, Keef Hartley, Alexis Korner, Ralph McTell, Taj Mahal or Otis Rush a.o, but his LPs as Wynder K Frog are classic Hammond sound from the 1960s UK and will appeal to those into Brian Auger, Graham Bond, The Artwoods, Zoot Money, Jimmy McGriff, Booker T. & The MGs and the likes.

INTO THE FIRE
The third Wynder K Frog album was released only in the USA in 1970, once Weaver had already abandoned the project and started his session musician career. Out Of The Frying Pan was doing well in the States, copies still selling steadily since it had appeared, and United Artists thought it'd be a good idea to release it under the Into The Fire title in order to present it as kind of a sequel to Frying Pan. The material, mostly written by Weaver and his side men for the sessions, takes the sound one step further adding heavier sounds and funkier rhythms, not far from what was being done in USA studios like Muscle Shoals at that time.

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Siloah

LP | 1970 | EU | Reissue (Supraphon)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Coming out of the boiling Munich scene of the sixties that also gave us the original Amon Düül (Thom Argauer had played in a dixieland band with Chris Karrer in the late 60s, actually), Siloah are one of the best kept secrets of the krautrock production. Siloah had a hard core including Thom Argauer, Manuela von Perfall, Heinrich 'Tiny' Stricker and Wolfgang Görner, plus a host of guests coming and going, everybody was free to join and play at any time, guest members often joining from the Baumstassen commune around which the band was living before they eventually moved to an abandoned farm on the outskirts of town.

Their first LP is a trippy acid psychmasterpiece recorded in 1970 and privately issued on German Blues and Undergrund. It showed a strong influence from US West Coast psychedelic music and has a lovely acoustic approach. It's sound is free, full of improvisation and with a charming amateurish feel all through it. It will appeal to lovers of free spirits like Amon Düül themselves, Kalacakra or even Música Dispersa.

The Wah Wah reissue is made in cooperation with Thom Argauer family, it has been cut from the original master tapes, has original artwork (improved by printing it over a mirror finish silver cardboard), has two bonus track not on the original LP added, features an insert with photos and liner notes and comes in a strictly limited edition of 500 copies only.

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Blue Effect

Meditace

27,99 €*

LP | 1970 | UK | Reissue (Warner)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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A reissue of one of the top titles from Eastern Europe's rock history. Blue Effect's 1970 debut-album consists of progressive rock with a touch of blues and some serious underground atmospheres. Recorded in 1969, the line-up comprised Vladimír Misk (vocals), Radim Hladík (guitar), Jirí Kozel (bass) and Vlado Cech (drums). This LP comes on 180-gram vinyl and is presented in a gatefold cover.

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The Velvet Underground

Loaded

The Aynsley Dunbar Retaliation

Release: 1970 / UK – Reissue

Genre: Rock & Indie

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UK reissue of this classic Velvet Underground album (their fourth), originally released on Cotillion in 1970. Edition on 180-gram vinyl.

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Remains To Be Heard

LP | 1970 | UK | Reissue (Not Bad)

37,99 €*

Release: 1970 / UK – Reissue

Genre: Rock & Indie

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LP | 1970 | EU | Reissue (Rhino)

The Doors

Morrison Hotel

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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LP | 1970 | US | Reissue (DiCristina)

Vashti Bunyan

Just Another Diamond Day

2LP | 1970 | EU | Reissue (Elektra)

Release: 1970 / US – Reissue

Genre: Rock & Indie

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... voted one of the top 100 British albums of all time!

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The Stooges

Fun House

42,99 €*

LP | 1969 | EU | Reissue (Embassy)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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14 tracks

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Johnny Winter

The First Album

6,99 €*

Plaster Caster Blues Band

Release: 1969 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

EU reissue. Scotch tape for protection around open spine. Record is close to NM.

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LP | 1969 | EU (Endless Happiness)

Kaleidoscope Black Vinyl Edition

Release: 1969 / EU

Genre: Rock & Indie

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This almost entirely instrumental album with “groovy” sounds by the legendary Plaster Casters, the Chicago groupies who started in the late 60s with Jimi Hendrix and later the likes of Jello Biafra and Ariel Pink, was produced by music business veteran Bob Thiele and released on his newly launched New York-based Flying Dutchman record label, which mostly released jazz and blues, including important albums by Gil Scott-Heron, Gato Barbieri, Oliver Nelson, Lonnie Liston Smith and Thiele’s wife, pop singer Teresa Brewer.

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Kaleidoscope

LP | 1969 | EU | Reissue (Guerssen)

Blues Obituary Golden Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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One of the rarest psychedelic garage albums ever, the Kaleidoscope album was recorded in the Dominican Republic by this Boricuan/Dominican band but released only in Mexico in 1969 as a tiny pressing, housed in a fantastic psychedelic sleeve designed by Bodo Molitor.

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The Groundhogs

LP | 1969 | UK | Reissue (Fire)

Release: 1969 / UK – Reissue

Genre: Rock & Indie

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Gandalf Clear Vinyl Edtion

Gandalf

LP | 1969 | US | Reissue (Jackpot)

35,99 €*

Stand By Your Man Vinyl Me, Please Edition

Release: 1969 / US – Reissue

Genre: Rock & Indie

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If you’re as obsessed with unfairly unheralded bands as we are, bringing out a proper, well-deserved official re-release to change that course is always an honor. Case in point, Jackpot Records proudly announce GANDALF’s 1969 self-titled release as one of our proudest moments. Working alongside band member Peter Sando from the original master tapes, it is time for the rest of the uninitiated to catch up with this beautifully crafted haunting psych-pop record (fans of THE Left Banke, Kaleidoscope, THE Millennium, and THE Zombies, take note!). Recorded at Century Sound in Manhattan with Grammy-winning producer Brooks Arthur (who engineered Neil Diamond’s “Sweet Caroline” and Van Morrison’s “Brown Eyed Girl”), the production of the album was created on the spot in the studio with arrangements being thrown about and the incredibly haunted vocals being recorded directly from the band’s PA using a Binson Echorec to make this innovative sound (Pink Floyd later used the same echo unit to great effect). Add to that sitars, vibes, B3 organs, harpsichord, minor tragic guitar chords, and bass drones aplenty, and you’ve got the recipe for an album that bears listening to with eyes closed, music cranked, mind open. So get in on the beauty of this record, and as Sando says on the liner notes: “Put the needle in the groove, sit back, and take the trip with GANDALF.” Enough said.

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Tammy Wynette

LP | 1969 | US | Reissue (Vinyl Me, Please)

33,99 €*

Lonely Weekends Vinyl Me, Please Edition

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
“Knowing Tammy Wynette’s troubled history, and with 50-plus years of social change since the recording and release of Stand By Your Man, it’s difficult to hear the album and not want to scream: Tammy, get out of there; you’re so much better than him! But that’s not to say that the album, which ascended to No. 2 on Billboard’s Country Albums chart and earned a Country Music Association Album of the Year nomination in 1969, isn’t worth listening to. Wynette’s mournful voice, described by her longtime producer Billy Sherrill as ‘husky and soulful and tearful and dynamic,’ was made for songs like these; frankly, so were her real-life experiences. ‘She lived it, you know. She lived every tear every-body ever heard her sing,’ Sherrill once said of Wynette, and he assembled talented musicians to match her delivery in lush, Nashville Sound-era style.”

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Charlie Rich

LP | 1969 | US | Reissue (Vinyl Me, Please)

33,99 €*

LP | 1969 | US | Reissue (Music On Vinyl)

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
After recording demos with Sam Phillips that he considered "too jazzy" Charlie Rich was given a stack of Jerry Lee Lewis records to study and "come back when [he got] that bad". The single "Lonely Weekends" hit Top 30 and earned a gold record for selling one million copies. The album features classics such as "C.C. Rider," "You're Gonna Be Waiting" and "Apple Blossom Time."

Limited to 1000 copies, the VMP exclusive edition of Charlie Rich's Lonely Weekends is pressed on Sky Blue vinyl at Softwax Record Pressing. The AAA 1LP will arrive in a single, direct-to-board jacket.

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The Deviants

19,99 €*

Schnuckenack Reinhardt Quintett

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Limited to 1000 individually numbered copies on transparent blue vinyl. Pressed on 180g.

Cover as new with slightly dented corners.
Includes booklet.

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Musik Deutscher Zigeuner

LP | 1969 | DE | Original (Da Camera Song)

8,99 €*

2LP | 1969 | US | Reissue (Immediate)

Release: 1969 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM. Writing on cover.

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Small Faces

The Autumn Stone

The Brothers Four = The Brothers Four

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Cover corners slightly dented.
Records with just a few paper scuffs.
Small sticker on back cover.

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Ever Green = エバーグリーン

LP | 1969 | JP | Original (CBS/Sony)

4,99 €*

Release: 1969 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

LP | 1969 | EU | Reissue (Rhino)

The Stooges

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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The Best Of The Country Gentlemen

The Country Gentlemen

LP | 1969 | JP | Original (London)

5,99 €*

Release: 1969 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1969 | EU | Reissue (Apple)

Yellow Submarine

LP | 1969 | EU (Endless Happiness)

Release: 1969 / EU – Reissue

Genre: Rock & Indie, Pop, Classical Music, Soundtracks

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Used Vinyl

Medium: Sealed, Cover: Sealed

2012 reissue. Still sealed with hype sticker.

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The Cyrkle

Neon

On The Threshold Of A Dream

Release: 1969 / EU

Genre: Rock & Indie

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Cykle produced one album's worth of solid garage rock, and it certainly proves that the band was an enthusiastic bunch of musicians. Much closer to late 60’s garage (proto) punk than psychedelia, the album was released in 1969.

They were best known for their 1966 song "Red Rubber Ball" (written by Paul Simon) which went to #2 on the Billboard Hot 100 chart. The band was discovered and managed by Brian Epstein and given the unique spelling of their name by John Lennon. The group was formed by guitarists and lead singers Don Dannemann and Tom Dawes (bass guitar), who met while studying at Lafayette College in Easton, Pennsylvania. The other members were Earl Pickens on keyboards and Marty Fried on drums.

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The Moody Blues

LP | 1969 | US | Original (Deram)

6,99 €*

LP | 1969 | GDR | Original (AMIGA)

Release: 1969 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Cover has ring-wear.

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Theo Schumann Combo

16,99 €*

Release: 1969 / GDR – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG

2LP | 1969 | US | Original (Decca)

The Who

Tommy

19,99 €*

Idiosyncratics And Swallows Wings Black Vinyl Edition

Release: 1969 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Indianapolis Pressing.
Cover with ring wear.

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Jeremy Harmer

LP | 1969 | EU | Reissue (Sommor)

Idiosyncratics And Swallows Wings Orange Vinyl Edtion

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Mega rare UK private album (99 copies originally pressed in 1969) by singer/songwriter Jeremy Harmer, featuring David Costa of psych-folk band Trees on guitar.

Melancholic, introspective psych-folk with chamber/ baroque feel. Guitar, flute, viola, bass, drums…

Jeremy Harmer started singing and playing at school and university, where his circle of friends included aspiring folk musicians like Nick Drake and pre-Trees David Costa. Jeremy has a long history as a singer/songwriter and performer, along with his work in the field of English language teaching.

“Idiosyncratics and Swallows’ Wings” was recorded one night in 1968 at the studios of Anglia Television, Norwich, while Jeremy was at the University of East Anglia. Along with Jeremy singing and playing guitar, the album features a mini-chamber ensemble of flute, viola, bass and drums with orchestral arrangements written by John Trevitt from the School of Fine Arts. Jeremy’s friend David Costa (prior to forming the psych-folk band Trees) played guitar on several tracks and co-wrote “Tuesday P.M.”

Only 99 copies were pressed at the time and all were sold to people at the University, making it impossible to find now.

*Original artwork in hard cardboard sleeve *First ever vinyl reissue *Insert with liner notes and photos *Download card

Riyl: Nick Drake, John Cale, Bert Jansch, Incredible String Band, Will Malone…

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Jeremy Harmer

LP | 1969 | EU | Reissue (Sommor)

24,79 €* 30,99 € -20%

LP | 1969 | US | Original (MGM)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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The Cowsills

The Best Of The Cowsills

4,99 €*

Release: 1969 / US – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Bull Of The Woods Half Speed Master

The 13th Floor Elevators

LP | 1969 | UK | Reissue (International Artists)

44,99 €*

Release: 1969 / UK – Reissue

Genre: Rock & Indie

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Electronic Sound Record Store Day 2024 Vinyl Edition

George Harrison

12" | 1969 | Reissue (Dark Horse)

28,79 €* 35,99 € -20%

7" | 1969 | JP | Original (Polydor)

Release: 1969 / Reissue

Genre: Rock & Indie

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Dark Horse Records and Record Store Day are excited to announce a multi-year partnership to release limited Zoetrope picture disc pressings of George Harrison’s entire studio album catalog. The first two titles in the RSD exclusive series — Wonderwall Music and Electronic Sound — will be available on Record Store Day in April 2024. Limited to 8,000 units globally and exclusive to Record Store Day, each unit is individually numbered in silver foil and includes an insert reproducing theoriginal artwork. As a direct result of The Beatles’ keen curiosity about experimental music and other avant-garde artistic expression, Apple Records launched its short-lived Zapple subsidiary in February 1969 as a forum for unfettered sonic exploration, or, as announced at the time, “more freaky sounds.” George’s Electronic Sound and John Lennon and Yoko Ono’s Unfinished Music No. 2: Life with the Lions, both released in May 1969, were Zapple’s only releases before it was closed down. Electronic Sound’s cover art, painted by George, depicts his Moog IIIp synthesizer (which was later used on four tracks by The Beatles on their album Abbey Road) with the four modules from which the sound was synthesized. Each side of the Electronic Sound LP featured one exploratory long-form work.

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Pinky & The Fellas

Let The Music Start

3,99 €*

The Mamas & The Papas, P.F. Sloan, Barry McGuire

Release: 1969 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing.

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I Saw Her Again

7" | 1969 | JP | Original (Victor)

12,99 €*

Release: 1969 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG+

Gira Gira / Parabéns Meu Bem Red Vinyl Edition

Marcos Vermelho

7" | 1969 | EU | Reissue (Groovie)

11,99 €*

LP | 1969 | EU | Reissue (Cosmic Rock)

Release: 1969 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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The Polydor label released a few singles in the late 1960s that became very obscure and unknown, even to researchers. Most of these 7 inches are super psychedelic and very creative, but totally anti commercial. Own compositions, recordings and good productions, always with a top team. These works were not promoted or publicized by the label and very few copies circulated at the time. The impression is that the intention was to freeze or disappear with the artist in question. Vermelho is one of them, a work that is little talked about or known but that always attracts the attention of those who have access to these two tracks. Arrangement by Rogério Duprat, who was proud to have participated in these recordings, with Rafael Moreno on bass, Alberto Niccoli Junior on drums, Bolão on Sax and Marcos Ficarelli, the “Vermelho” on guitar and vocals.

Marcos already knew well the ways of recording and producing an album, having participated in historical groups of Brazilian rock in the 60's such as Top Sounds, Código 90 and Loupha, to name a few. At this stage, he had already acquired good knowledge of recording and studio management. Excerpts such as “And in the hole of the corners, to look for, is what I try in vain” presents the listener with the mood of the dark times of that time, and today seems a premonition about the difficulty of finding this single, even in private collections.

“Parabéns Meu Bem” and “Gira-Gira” are tracks with an advanced rhythm for the time. Drums very well marked, with an original take and very close to North American funk. The bass is consistent and strong and the guitar full of effects and very reminiscent of the sound and energy of Jimi Hendrix, Santana and Blood Sweat & Tears. There is yet another musical layer created by Duprat, who managed to insert a mini orchestra along with the sound mass created by “Banda do Vermelho”.

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The Aggregation

Mind Odyssey

The Orient Express Seaglass Bue Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Prompt reissue of the only album released by The Aggregation, a Los Angeles psych rock combo, who licensed the album on LHI - Lee Hazlewood company - back in 1969. The story goes like that: the band used to perform cover songs at Disneyland attraction park but also produced a bunch of originals to get along with Disney rides and exhibits. Hence their concept album in which "funhouse" is a metaphor for exploring the brain frontiers. A must have!

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The Orient Express

LP | 1969 | US | Reissue (Sundazed)

LP | 1969 | US | Original (Epic)

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Sitar-laden raga rock-xotica! Light the incense, turn on and tune out to this acid folk blend of electric oud, minitar and melodica - its genuine organic blend of both Eastern and Western sounds make this band truly sound like no other. Pressed on seaglass blue vinyl!

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Sly & The Family Stone

Stand!

It's So Hard To Tell Who's Going To Love You The Best

Release: 1969 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: G+, Cover: VG

Vinyl is Close to VG. Original US Pitman pressing. Unipak has a seam wear.

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Karen Dalton

LP | 1969 | EU | Reissue (Light In The Attic)

41,99 €*

LP | 1969 | EU (Life Goes On)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Features new all-analog mastering by Kevin Gray at Cohearent Audio, direct from the original analog tapes - Pressed at RTI - Includes liner notes by Brian Barr - Featuring unseen photos by legendary photographer Joel Brodsky - LP housed in an expanded gatefold jacket

Description: “My favorite singer in the place was Karen Dalton. She had a voice like Billie Holiday’s and played the guitar like Jimmy Reed.” – Bob Dylan

Karen Dalton's 1969 Capitol debut is finally back in print! Light in the Attic is thrilled to present a brand new edition of this heart-wrenching & bluesy introduction to the intoxicating world of Dalton and her deep well of musical secrets.

World-weary and filled with the blues, Dalton’s unsurpassed interpretive depth and emotional range were like no other. Recorded for Capitol in 1969, It’s So Hard To Tell Who's Going To Love You The Best spans generations of classic American songwriting–covering classics by Lead Belly, Fred Neil, and Tim Hardin. While no longer with us in the physical, Karen’s growing musical presence is stronger than ever and worthy of re-examination by both the converted and the uninitiated alike. This new re-release serves as the definitive, all-analog version of Dalton’s stunning debut, featuring remastered audio from the original Capitol masters, the original 1969 artwork in an expanded gatefold jacket, unseen photos by album photographer Joel Brodsky, and an essay interviewing Karen’s friends and music collaborators, from album producer and bassist Harvey Brooks to musician Peter Stampfel of the Holy Modal Rounders.

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Harvester

Hemat

Gary Puckett & The Union Gap

Release: 1969 / EU

Genre: Rock & Indie

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More than a single cult, the sole album by Swedish combo Harvester was released as a sort of private press on the small Decibel Records. A magical blend of folk and psychedelic rock, Hemåt was published in 1969. With some extra-rock elements like cello, fiddle and even spare horns, the record is a beautiful and magical ritual. The band eventually morphed into Träd, Gräs Och Stenar.

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The New Gary Puckett And The Union Gap Album

LP | 1969 | US | Original (Columbia)

16,99 €*

The Robert Patterson Singers

Release: 1969 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Cut corner. Original US Santa Maria pressing.

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Gospel On Tour

LP | 1969 | DE | Original (United Artists)

5,99 €*

Release: 1969 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP+DVD | 1969 | US | Reissue (Lion)

Krokodil

The First Recordings

49,99 €*

It's So Hard To Tell Who's Going To Love You...

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Near Mint

Still shrink wrapped, shrink is slightly split but records are UNPLAYED.
Cover corners slighty dented.

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Karen Dalton

LP | 1969 | EU | Reissue (Elemental)

Ark 2 White Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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My favorite singer in the place was Karen Dalton. She had a voice like Billie Holiday's and played the guitar like Jimmy Reed"- Bob Dylan This essential folk/blues classic, originally released in 1969, was the debut album by Karen Dalton. Dalton was discovered by singer/songwriter Fred Neil, who introduced her to producer Nick Venet (the man who signed The Beach Boys and took The Beatles to America). She cut most of the tracks with one take, and all in one night. A perfectionist, Dalton was hard to convince to record, and producers Venet and Neil were only successful by tricking her into thinking the tape wasn't rolling. "Some find Karen Dalton's voice difficult to listen to", wrote Al/Music critic Richie Unterberger. "But Dalton's vocals aren't that hard to take, and they are expressive; like Buffy Sainte-Marie, it just does take some getting used to because of their unconventional timbre." On this album, Dalton covers a wide range of styles, from lim Hardin, Jelly Roll Morton, and Leadbelly to the traditional folk song "Ribbon Bow" and the Eddie Floyd/Booker T. Jones penned soul tune "I Love You More Than Words Can Say." She also sings a couple of Neil tunes. After years of drug abuse, Dalton died in 1993, aged 55. Although she didn't enjoy commercial success during her lifetime, her work has gained significant recognition since her death, and artists like Nick Cave, Devendra Banhart, and Joanna Newsom have noted her as an influence.

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Flaming Youth

LP | 1969 | EU | Reissue (Klimt)