Search "re:st" 2897 Items

LP | 2023 | EU | Original (Where Its At Is Where You)

Release: 1982 / US – Reissue

Genre: Rock & Indie

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Youth Brigade is an American hardcore punk band formed in Hollywood, Los Angeles, California, in 1980 by the brothers Mark, Adam, and Shawn Stern. The band subsequently founded BYO (Better Youth Organization) as well. The band’s first year of existence was as a six-piece, but they played their first gig as a three-piece on New Year’s Eve 1981 at Godzilla’s nightclub. They were also part of the big BYO extravaganza “Youth Movement ’82” at the Hollywood Palladium, where 3,500 people showed up for an all-Los Angeles bill. In the summer of 1982, after recording three tracks for the first BYO record release, Someone Got Their Head Kicked In compilation, Youth Brigade set out in a big yellow school bus on an ambitious 30-city North American tour with fellow punk band Social Distortion. The now classic 1984 film Another State Of Mind chronicled the event. A premature version of Sound & Fury had been rushed together before the Another State Of Mind tour, but pressing was stopped at 800 copies as the band was not satisfied with the quality of the material and production. After about 30 shows and several breakdowns, they returned home to re-record their debut LP, Sound & Fury, with the legendary record producer Thom Wilson, keeping only four tracks from the original. Sound & Fury, the follow-up version, is now considered one of the greatest punk records of all time not just because of the songs and cultural context, but because it features the hit songs “Sink With California,” “Blown Away,” “Men In Blue (Part 1),” and “What Will The Revolution Change.” Sound & Fury has been remastered from the original analog tapes by Dave Gardner.

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Spearmint

This Candle Is For You

19,99 €*

LP | 2023 | US | Original (Earth)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Limited to 500 copies ww. Independent heavyweights Spearmint return this year to follow-up 2021's highly acclaimed 'Holland Park', with the superb new album 'This Candle Is For You'. Spearmint have been making great records for a couple of decades now: this will be their tenth album proper. Still the same line-up: Shirley Lee (singing, guitar), Simon Calnan (singing, keyboards), James Parsons (guitar, bass) and Ronan Larvor (drums). This album will be the 60th release on their own hitBACK label. Missed out so far? The new album provides the perfect place to start! The dizzying multiverse of an album covers a wide array of themes, including the search for a missing sister, the ways we remember lost loved ones, Prince's encounters with Joni Mitchell, the story of John Gavin, the James Bond star who never got to make a film, late-night drinking in Soho, the joys of B-movies & video nasties, changing attitudes to mental health, the plight and wonder of older cats, the reaction to the death of Sarah Everard, and the afterlife. Re-united with producer Rhodri Marsden (Scritti Politti), the band feel that this record is their best yet. Singer Shirley explains "We started off just wanting to make an album that would stand alongside our last one 'Holland Park', but it ended up surprising us - we love it!"

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Dave Evans

Elephantasia

Blasphemy Made Flesh Clear Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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'Elephantasia' is a glorious folk opus from 1972, long lost and attaining a legendary reputation for its candour and creativity, from the late Bangor-born singer/songwriter Dave Evans. Finally, the LP sees the light of day again via Earth Recordings, it is a true gem from the vaults of British folk history. For fans of Nick Drake, Bill Fay and Davy Graham - with a touch of Michael Chapman, Bert Jansch and Fahey for good measure.Dave Evans' story is like a Pinter play; he sailed the seas in the merchant navy, was taught guitar in a brief interlude by the "mythical" Morocco John, wound up sharing a room with Steve Tilston in 1963 when they attended Loughborough Art College and ran the local folk club, while learning to make stringed instruments, the art of wine making and ceramics. Over the next year, Dave got a domestic 2-track reel-to-reel tape recorder and experimented with its two speeds to produce the tracks 'Elephantasia' and 'Lady Portia'. He pulled in members of local prog band Squidd, including latter day Hawkwind member Steve Swindells on keyboards, John Merritt on bass and Rodney Matthews on drums, who also designed the 'Elephantasia' album cover, and went on to become a renowned fantasy artist.'Elephantasia' the album was originally released in 1972, fully exposing Dave's finger picking style, lilting vocal and his dalliance with the tape manipulation. It sold around 2000 copies and over the years became a talked about rarity, deemed too progressive for folk, too folk for the new prog heads. In best plot-thickening style, Dave tried two more releases and then disappeared. The scant sleeve notes recounted the songs' creation, featuring tales of experimentation in sound inspired by elephants, old memories recounted with all of the unpleasant bits edited out, storylines for escapists, the residents of St Agnes Park, broken beauty queens and a fat feline. It's an eclectic but beautifully fluent narrative from a finger picking maestro with a warm and engaging vocal style that wowed Peel a...

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Crytopsy

LP | 1994 | UK | Reissue (Back O Black)

Car Therapy Session Black Vinyl Edition

Release: 1994 / UK – Reissue

Genre: Rock & Indie

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New edition of the legendary debut album from Canadian technical death metal masters Cryptopsy on stunning clear vinyl presented in a gatefold sleeve!

Cryptopsy’s path to Death Metal domination started nearly 30 years ago with the release of the bona fide classic "Blasphemy Made Flesh" in 1994. Now Back On Black re-issues this essential album on limited edition clear vinyl in deluxe gatefold packaging.

A timeless masterpiece that changed Death Metal forever!

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Faye Webster

LP | 2022 | US | Reissue (Secretly Canadian)

LP | 2023 | UK | Original (Stolen Body)

Release: 2022 / US – Reissue

Genre: Rock & Indie

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Car Therapy Sessions is an EP of new and re-imagined songs by Faye Webster recorded at Spacebomb Studios with a 24 piece orchestra. The orchestra was headed by Trey Pollard who was responsible for both conducting and arranging, and Drew Vandenburg produced and mixed the EP. Car Therapy Sessions willbe available on vinyl in the fall and is available to pre-order on April 13th. "I have a vivid memory of walking around London in 2018 listening to a mix of Jonny, which I had just written. I remember thinking "I want to perform this song with an orchestra". I truly have had my heart set on it since then, always talking about it and figuring out how or when to make it happen," says Webster. On the EP, Webster reimagines three songs from her critically acclaimed 2021 release I Know I'm Funny haha and 2019's Atlanta Millionaires Club. The songs "Kind Of", "Sometimes" and "Cheers" take on a cinematic and glimmering new sheen. In addition to the title track -"Car Therapy" - she also shares a sprawling and emotional work - "Suite: Jonny" - which combines fan-favorites "Jonny" and "Jonny (Reprise)." The two songs originally appeared on the Atlanta Millionaire's Club tracklist, two different views on the same narrative. Here they're presented together.It's remarkable how beautifully Webster's work can take on thisorchestral treatment. Like Cole Porter, or Judy Garland - herdelicate and emotional delivery packs a gut punch when dramatized by the EP's robust arrangements.

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Rostro Del Sol

34,99 €*

2LP | 2023 | EU | Original (Karisma)

Release: 2023 / UK – Original

Genre: Rock & Indie

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Limited edition of 300 yellow and red marble vinyl with download code.The debut Album from Mexico City's Rostro del Sol is finally being re released with a bonus track on Stolen Body Records! A musical collage of Blues, Jazz, Funk, Progressive and Psychedelic rock from the golden eras of the 60s and 70s, which offers unexpected moments developed through different sonic intensities inside the songs, each one composed to tell a story on its own. Just listen and let the music take you on the first journey by this young band. This debut Album was recorded between 2019 and 2020 at Rec On studios in Mexico City by Jorge Trejo and mixed by Juan Puget. Saxophone by Daniel Samhain. The insane artwork comes from the Spanish illustrator Elena Ibañez.

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White Willow

Ingis Fatuus

53,99 €*

This Is Not An Exit Blue Curacao Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Ignis Fatuus is the classic debut album from Norwegian prog legends White Willow. Originally released in the Spring of 1995, the album took the global progressive rock scene by storm. Fan letters started coming in from all over the world, and wonderful reviews from American and European music magazines kept flowing out of their fax machine. 5000 copies were quickly sold and soon the band was on a plane to California to perform at the 1995 Los Angeles Progfest, along with acts like Spock’s Beard, Ars Nova and Landberk. The songs on the album range from almost pure pastoral folk-rock, as on Snowfall and Till He Arrives, via out-and-out prog rock, as on John Dee’s Lament and Cryptomenysis (which featured a guest appearance from Ved Buens Ende’s Carl Michael Eide) to unusual experiments like the renaissance-inspired hymn Song, based on Christina Rossetti’s poem. The band didn’t at the time consider themselves a prog-rock band, more a folk-rock band that dabbled in symphonic arrangements. Nevertheless, the album has become a classic for prog connoisseurs. This re-release was meticulously remastered by the band’s own Jacob Holm-Lupo, and is presented with the classic original cover art, for the first time on vinyl. This is the first in a series of six White Willow re-releases on Karisma Records.

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Ill Peach

LP | 2023 | US | Original (Hardly Art)

Fever Transparent Blue Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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Here's the thing about ill peach: this band exists because they are too weird to not exist. The seed of ill peach was first planted in the recording studios of New York City where Pat Morrissey and Jess Corazza were working together as professional songwriters, collaborating with artists like Icona Pop, SZA, Weezer, Pharrell, Big Freedia, and others. Then came the day they were offered their own publishing deal. Cool, right? Well, about that: "Everyone kept saying, 'The stuff that you're writing is slightly too left-of-center-weirdo stuff," remembers Morrissey. "Why don't you start your own project?" Thus ill peach, a pop band with a punk streak and a taste for both the rotten and the sweet, with an approach to making music that goes something like: "Do you want to pick up a guitar and do you want to be on this water jug and we'll record it on the iPhone and create some weird drum pattern?" Following a series of well-received EPs on their own Pop Can Records (a record label and artist collective Morrissey and close collaborator Jesse Schuster run with friends), a digital single for Hardly Art's 15th anniversary series, and some colorful music videos that crystallized the band's visual aesthetic along with their sound, ill peach's "weirdo stuff" comes to fruition on first full-length This IS NOT AN Exit: a collection of anthemic songs built out of bright pop and gritty experimental elements (Morrissey names the sculptural use of distortion on the final albums by Low as an inspiration), punctuated with hooky choruses ready to be screamed along to in the safety of your own bedroom or with a bunch of friends at one of ill peach's intense live shows. If ill peach first blossomed in New York, it took quarantine in Los Angeles for the project to ripen. The end of the world turned out to be what ill peach needed to get real with themselves. "It helped us creatively to zone in and removed us from the [industry] side of things to where we could just be like: this is our new identity, let's jump with both feet." This IS NOT AN Exit's title is a reflection of something Corazza realized during a period of personal and familial crises "I kept walking into buildings and I'd try to exit somewhere and the sign would be like, 'This is not an exit,'" she says. "It just felt like a metaphor for a hopeful thing-don't give up yet." This combination of hope and anxiety is all over This IS NOT AN Exit, reflected in a sonic palette (Alternative! Electronica! Indie! Radio pop! Coldplay!) as eclectic as it is unpretentious. Ultimately, This IS NOT AN Exit is a record about healing, a process often spoken about in New Age-y terms but one that in reality can be really confusing and, yes, weird. But it is the beautiful strangeness of being alive that ill peach capture so well on This IS NOT AN Exit.

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Balthazar

LP | 2018 | EU | Reissue (Play It Again Sam)

Release: 2018 / EU – Reissue

Genre: Rock & Indie

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LP | 2023 | EU | Original (Croatia)

YU Grupa

Yu Grupa (1st)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Goodbye Repentance Re-Issue 2023

Dead Lord

LP | 2023 | EU | Original (Century Media Catalog)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2011 | EU | Reissue (Guerssen)

Sabattis

Warning In The Sky

I Hope You're Sitting Down

Release: 2011 / EU – Reissue

Genre: Rock & Indie

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Sabattis were an underground hard-rock band from New York formed in 1968 by Jim Marvin (guitar & lead vocals), Gary Culotta (keyboard and vocals), Larry Wegman (drums) and Rocky Kaler (bass).

Influenced by bands like Deep Purple, Mountain and Grand Funk, they gigged around town playing lot of psychedelic clubs and venues. In 1970, they recorded a demo with the intention of securing a record deal which never came. The demo tape was in fact a fully finished album recorded and engineered by a friend from the band, Mick Gauzaski, who despite using a homemade studio, managed to obtain a real pro sound. No wonder Mick is now a multiple winner Grammy award!

The Sabattis demo remained unreleased until 2011 when Jargon Records discovered the tapes and put out a CD edition with the band involvement.
So we're proud to present a new reissue of "Warning In The Sky", remastered from the original tapes and including an insert with rare photos and liner notes by Klemen Breznikar (It's Psychedelic Baby)

Sabbatis sound is powerful heavy-psych sound with swirling Hammond organ and hard guitar which brings to mind other obscure acts like Jungle.

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Lambchop

2LP | 1994 | DE | Original (City Slang)

69,99 €*

Release: 1994 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

The Bible Black Vinyl Edition

Lambchop

2LP | 2022 | EU | Original (City Slang)

I Hope You're Sitting Down / Jack's Tulips Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

I had this idea that—I’m not a religious person, but I do believe that there’s a spirituality to a lot of people and they’re not religious. You don’t have to be religious to be a spiritual person, right? You just don’t have to. There should be an acceptance, or a way of recognizing spirituality without it being overtly religious.

The only prophets worth a shit are the reluctant ones, and so it was that right before he started working on what would become his new album, The Bible, Lambchop’s Kurt Wagner found himself at the proverbial crossroads. Nearing the end of Lambchop’s third decade as a recording artist, Wagner felt musically isolated. He questioned whether continuing to make music even made sense. “I feel weird because I’m going to be 64, dude,” he says on the phone in between drags of a cigarette. “What the fuck am I doing?”

The Bible is the sound of Kurt Wagner asking big questions, like that one, and all the other ones.

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Lambchop

2LP | 2021 | EU | Original (City Slang)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

7" | 2019 | EU | Original (Agitated)

Straight Arrows

21st Century

8,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2008 | EU | Reissue (Cherry Red)

The Fall

Imperial Wax Solvent

37,99 €*

7" | 2023 | US | Original (Red Scare Industries)

Release: 2008 / EU – Reissue

Genre: Rock & Indie

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The Fall’s 26th album, originally released in 2008. This classic is now re-issued on black 12" vinyl.

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Sam Russo

Mistletoe Pier

11,99 €*

Live From Austin, Tx Crystal Pink Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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Sam Russo goes holiday beach pop! Our favorite Brit-Folk balladeer has a sack fulla surprises with these new songs. It’s as if Shane MacGowan went into Phil Spector’s workshop and crafted some surf-y crooners. It’s smoky like chestnuts a-roastin’ and silky like Mrs. Claus. To add to all the cheer, we’re doing a limited pressing of a 7” that will fit nicely under the tree and on the turntable. Eat your heart out, Bing Crosby.

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Sir Douglas Quintet

2LP | 2023 | US | Original (New West)

30,99 €*

Connie Cunningham & The Creeps

Release: 2023 / US – Original

Genre: Rock & Indie

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The first color pressing of this title. We’re talkin’ Tex-mex Rock ‘N’ Roll! In this show from January 21, 1981, Doug Sahm (aka Sir Doug) reunites with original band members Augie Meyers and Johnny Perez, along with the legendary Alvin Crow on guitar and Speedy Sparks on bass for a no-holds-barred, rip-snortin’ Texas rock ‘n’ roll revival. Back in the day, the SIR Douglas Quintet was Texas’s answer to the British Invasion. With the arrival of the Beatles, Sir Doug & Co. saw their chance to break out the rough, Chicano-influenced rock they had been playing in the joints around San Antonio. They donned English-looking suits and hit the charts with “She’s About A Mover” in 1965. Nobody was quite sure where they came from, but they rode the English-pop wave to fame. There’s something contagious about Augie’s cheesy, pumping Vox organ chords and Sir Doug’s chang-a-chang rhythm guitar over Johnny’s Mexican drumming style, drenched in psychedelia, that stood out from everything else at the time. And it still does today. You may not be able to sit down through “She’s About A Mover” or “Mendocino,” but that’s OK. Doug is no longer with us, but you can be sure that somewhere he’s still kickin’ out the jams. - Terry Lickona (Producer Austin City Limits®)

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Going, Going, Going, Gone: The Rare Recordings Of Connie Cunningham & The Creeps

LP | 2023 | EU | Original (Earth Libraries)

The Serpent, The Prophet And The Whore

Release: 2023 / EU – Original

Genre: Rock & Indie

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When Nick Kinsey moved into his farmhouse in New York’s Hudson Valley, he dreamed that he would stumble upon a trove of unreleased music from some eccentric artist who’d previously lived there. If anyone would be inclined to expect that kind of treasure, it would be the prolific Kinsey, who in addition to his own music has produced and played on Waxhatchee’s St. Cloud, toured with Kevin Morby, and drummed for AC Newman, Hand Habits, and Cold War Kids, among many others. And with all those various styles and ideas swirling around his head, that imaginary stash of songs appealed more and more. “I needed to create a fictional character to get into the headspace necessary to finish this group of songs,” Kinsey says. “I was able to escape my usual writing blocks and get away from any need to sound ‘cool’ by pretending I was this fictional weirdo and failed session musician.” And after rounding out his compositions with some key collaborators, the first volume of Connie Cunningham and the Creeps fulfilled Kinsey’s dream in the form of six brilliant, retro oddball pop planets circling one oddball songwriting star.

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Abraham

CD | 2012 | EU | Original (Pelagic)

13,99 €*

King Gizzard & The Lizard Wizard

Release: 2012 / EU – Original

Genre: Rock & Indie

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Born in 1866 BC, Abraham lived a peaceful life near the town of Sodome, NC. He married his half-sister who gave birth to some 14 kids while already aged far over a hundred years. those golden days are gone, but the virile power of Abraham's beard survived and he was reborn in 2007 as a rock band near Lausanne, Switzerland. Committed rehearsals and songwriting eventually led the band to record their first full-length, 'An Eye on the Universe', which was released in early 2011 on Pelagic Records. The critically acclaimed album was presented live all over Europe, with the likes of bands like Red Fang, Intronaut, Khoma, EF, Celan, Birds In Row, Mumakil or Kruger. Abraham's second album "The Prophet, The Serpent and The Whore" was inspired by a novel by J.G. Rawls. In case you're not familiar with this writer, well, shame on you! A bit of Wikipedia research will tell you that Rawls lived at the beginning of the 20th century and died in an motel room somewhere on the East Coast. It is not exactly clear whether his works are authentic or not; they might have been written by college students trying to pull a prank. The title of his most well-known book is The Chronoception. Abraham found this book on a flee market and used it as an inspiration for their second album. The lyrics were freely adaptated from the story, not wanting the record to become a literary illustration of the book. The story of an unnamed man falling from the sky to crawl through this world's lowest spheres; and the prevalent themes of falling from grace, primal fear, physical pain, loneliness and mystical visions resonated perfectly within Abraham's continuous state of mind. The music to this exploration of the human soul and consciousness was composed with these themes in mind and thus emerged darker and more tortured than what the band had done before. Magnus Lindberg from Cult Of Luna mixed the album and drove the contemplative aspects of their sound to even bleaker aural landscapes, while pushing its violent side further towards armageddon... Expect to see the band live on stage in France, Germany, Belgium, the Netherlands, Denmark, Slovenia, Croatia, Czech Republic, Italy soon.

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Head On / Pill Picture Disc Vinyl Edition

LP | 2023 | US | Original (Needlejuice)

Fight Transparent Curacao Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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Every time we do a Gizz boot that has Head On/Pill, we wind up splitting it across two sides in order to preserve sound quality. Naturally, some people wish that we didn’t have to cut these epic performances in twain. And you know what? They’re right. If you’ve ever wanted 30 minutes of Head On/Pill stuffed on one side, well, today is your lucky day because we’ve stuck TWO of them on one LP. And not only that, but we’ve made it a picture disc with new artwork by Gabriel Allensworth to boot! Because nothing says amazing high-fidelity sound quality like a picture disc!

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Doro

2LP | 2002 | UK | Reissue (Rare Diamonds Productions)

36,99 €*

Release: 2002 / UK – Reissue

Genre: Rock & Indie

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Era Transparent Yellow Vinyl Edtion

Bleed From Within

2LP | 2018 | EU | Reissue (Svart)

Rats Transparent Orange Vinyl Ediiton

Release: 2018 / EU – Reissue

Genre: Rock & Indie

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Svart Records proudly presents the reissue of Bleed From Within's 2018 album Era!

Bleed From Within is a heavy metal band formed in 2005 at Glasgow, Scotland. Era, originally released in 2018 by Century Media, is the band's fourth studio album. This is the first reissue of it on vinyl and features the two bonus tracks that were originally only available on the first CD pressing.

"Bleed From Within have breathed life into a kind of metal that has long become stagnant and they have done this on their own terms. No backing down and no comprising can be found within Era, they have shown here just what can be done if you really believe in the music you’re writing. One of the standout releases of the year." -Ghost Cult Magazine

"If you are a fan of riffs then Era is definitely going to be an album for you. Every song is packed several great riffs. The influence of bands like Lamb OF GOD and Pantera can certainly be heard but things never sound completely derivative." -Distorted Sound Magazine

Era is available on Svart exclusive pitch black vinyl, natural clear vinyl and transparent yellow vinyl.

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Balthazar

LP | 2012 | EU | Reissue (Pias)

Release: 2012 / EU – Reissue

Genre: Rock & Indie

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LP | 2023 | US | Original (Dischord / Mud Memory)

Light Beams

Wild Life

Freschard & Stanley Brinks

Release: 2023 / US – Original

Genre: Rock & Indie

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On their new album Wild Life, DC dance punks Light Beams paint a surreal portrait of a world filtered through front person Justin MOYER’s recent experiences as a protest reporter (and a member of a Pulitzer Prize-winning team that covered the Jan. 6 attack on the United States Capitol). The shadow of the attack looms large over the record as the quintet acutely distills nine songs into a twenty-five-minute package that voyages through insurrection deep into the bittersweet heart of 21st-century America. From their self-titled debut album through 2020’s Self Help, Light Beams have eschewed traditional melody instruments in favor of Moyer’s minimalist samplers and vocals, SAM LEVINE’s drumming and Arthur NOLL’s basslines. On Wild Life, they expand this palette with the addition of Leah Gage (vocals, rototoms) and Erin Mccarley (vocals, timbales, samples). The result: bigger sounds, bigger themes, and a bigger canvas.

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Iron Eye

LP | 2023 | UK | Original (Fika)

LP | 2023 | EU | Original (Pronounced Kroog)

Release: 2023 / UK – Original

Genre: Rock & Indie

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Vinyl 12"-LP transparent red - limited to 500 copies. File under: Indie, Folk, Antifolk, GER/FR. In West Africa, where the only water you can find is in the Ocean, Stanley Brinks & Freschard put on their best carnival costumes to get to the bottom of every bottle of rum they could find. They found a lot. Iron Eye is an irresistibly charming collection of late night tales, woozy ballads and uptempo sing-alongs. Clemence Freschard's beautiful vocal tones lend this a rich, French indiepop/chanteuse vibe, complemented by Stan's wistful timbre and characteristic warm instrumentation. Stanley Brinks is renowned for his unique anti-folk style: both playful and suggestive, insightful and entertaining. Brinks was born in Paris, France, in 1973. He studied a bit of biology and worked as a nurse for a while. Half Swedish, half Moroccan, strongly inclined to travel the world, he soon began spending most of his life on the road and developed a strong relationship with New York. By the late 90s he'd become a full time singer-songwriter - André Herman Düne - as part of three piece indie-rock band, Herman Düne alongside his brother, David-Ivar. Several albums and Peel sessions later and after a decade of touring Europe, mostly with American songwriters such as Jeffrey Lewis, Calvin Johnson and early Arcade Fire he settled in Berlin. The early carnival music of Trinidad became a passion, and in the early 21st century he became the unquestioned master of European calypso, changing his name to Stanley Brinks. Under this moniker he has recorded well in excess of 100 albums, collaborated with the New York Antifolk scene on numerous occasions, recorded and toured with traditional Norwegian musicians, and played a lot with The Wave Pictures.

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Spencer Krug

I Just Drew This Knife

LP | 1996 | EU | Reissue (Flight 13)

Release: 2023 / EU – Original

Genre: Rock & Indie

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One night, at some unrelated recording session, years ago already, handsome young Browning whips out his phone to show old Koop and even older Krug the instrumental recordings he's made over the pandemic, saying that now that they're finished, he doesn't know what to do with them. The music coming from the phone is dark and sparse, but also slick; tight enough to feel like some kind of twisted pop. The two old ghouls' mouths start to water and their eyes bulge. Krug rubs his greedy claws together and says, I might have an idea.At home, in his studio (lair), old Krug chops up one of young Browning's works, rearranges the parts to suit his own freakish needs, then squawks out an ill-conceived incantation overtop. He sends the whole mess to creaky Koop, who, in turn, from within his own dank cave of gadgets and oddities, skronks onto the franken-song his eccentric idea of what a guitar melody might be. They deliver the concoction back to young Browning, its progenitor, and cringe in wait for his gen z insults that they won't understand, but he is unexpectedly pleased. Still, they make tweaks. They tweak until the annoyingly subjective and idiosyncratic desires of all three are barely satisfied. Hoor-rah! they cheer, Krug coughing through the "rah," having not lifted his arms that high in years. The three unlikely collaborators then decide they will make an album this way, repurposing Brownings perfectly fine and lovely instrumental tracks into "better" "songs" by unnaturally forcing them into pop structure-shaped holes, then adding lyrical phrases of vague meaning and forgivingly distorted guitar. They work remotely, and slowly, posting a single demo onto Krug's dubious Patreon page monthly, until finally a whole record's worth of songs exist. Our three near-unemployed musicians then convene eagerly, desperately, in the woods, at a studio ridiculously called "The Studio," and re-record the entire batch of deformities into one surprisingly cohesive collection, each song like a button-eyed bear sewn fro...

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Boxhamsters

Tupperparty

18,99 €*

Release: 1996 / EU – Reissue

Genre: Rock & Indie

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Salvage Enterprise Lemon Vinyl Edition

The Polyphonic Spree

LP | 2023 | UK | Original (Good)

LP | 2023 | EU | Original (GOOD)

Release: 2023 / UK – Original

Genre: Rock & Indie

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The phoenix symbolizes a new beginning. The fire burns off the last vestiges of the past as the bird spreads its wings and takes flight into the future. The Polyphonic Spree harness the flames of rebirth on their 2023 full-length offering, Salvage Enterprise. Led by frontman, founder, producer, multi-instrumentalist, and visionary Tim DeLaughter, the group embark on their next season. They're reverent of their history, yet they're also ready for an even brighter tomorrow. "Across all of the music I've done, lyrically there's a sense of desperation and a moment of convincing myself I'm going to make it through regardless of how the music dresses up," notes Tim. "On this one, I struggled with the amount of vulnerability I was experiencing and was willing to share both musically and lyrically, but ultimately decided to let it play out. Now that it's done, I'm happy with the dance between the two. It's a `rising-from-theashes' record." Salvage Enterprise beckons complete immersion. Opener "Galloping Seas (Section 44)" affixes softly strummed acoustic guitar to an orchestral hum as Tim urges, "Hold on through the galloping seas." "We're all galloping through rough waters," he says. "I tried to describe the process as well as I could and encourage people to keep their heads above the storm and the waves. Ride it out. It's going to be okay. It starts off very calm and introspective, and you can envision where it's going." Flute echoes over nimbly plucked guitar during "Shadows On The Hillside (Section 48)" as keys twinkle. A glorious harmony amplifies the nostalgia of "Hop Off The Fence (Section 49)." It concludes with "Morning Sun, I Built The Stairs (Section 52)." Optimism strains through his hopeful intonation, "I learned to fly, the more that I become a new reason, I want to try," uplifted by boisterous horns and cinematic strings. It crashes into an Ennio Morricone-style crescendo bolstered even higher by operatic vocals. "There is an arc of leaving the world behind, stripping your old self away, and becoming new again," he offers. "You're shedding off this old world, and you're heading into the future. It's an epic ending. You've made it. You're going to be alright." In the end, The Polyphonic Spree are the soundtrack to that light at the end of the tunne

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The Polyphonic Spree

Salvage Enterprise

LP | 2023 | EU | Original (Soulbeats)

Release: 2023 / EU – Original

Genre: Rock & Indie

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The phoenix symbolizes a new beginning. The fire burns off the lastvestiges of the past as the bird spreads its wings and takes flightinto the future. The Polyphonic Spree harness the flames of rebirthon their 2023 full-length offering, Salvage Enterprise. Led byfrontman, founder, producer, multi-instrumentalist, and visionaryTim DeLaughter, the group embark on their next season. They'rereverent of their history, yet they're also ready for an even brightertomorrow."Across all of the music I've done, lyrically there's a sense ofdesperation and a moment of convincing myself I'm going to makeit through regardless of how the music dresses up," notes Tim. "Onthis one, I struggled with the amount of vulnerability I wasexperiencing and was willing to share both musically and lyrically,but ultimately decided to let it play out. Now that it's done, I'mhappy with the dance between the two. It's a `rising-from-theashes'record."Salvage Enterprise beckons complete immersion. Opener "GallopingSeas (Section 44)" affixes softly strummed acoustic guitar to anorchestral hum as Tim urges, "Hold on through the galloping seas.""We're all galloping through rough waters," he says. "I tried todescribe the process as well as I could and encourage people tokeep their heads above the storm and the waves. Ride it out. It'sgoing to be okay. It starts off very calm and introspective, and youcan envision where it's going."Flute echoes over nimbly plucked guitar during "Shadows On TheHillside (Section 48)" as keys twinkle. A glorious harmony amplifiesthe nostalgia of "Hop Off The Fence (Section 49)." It concludes with"Morning Sun, I Built The Stairs (Section 52)." Optimism strainsthrough his hopeful intonation, "I learned to fly, the more that Ibecome a new reason, I want to try," uplifted by boisterous hornsand cinematic strings. It crashes into an Ennio Morricone-stylecrescendo bolstered even higher by operatic vocals."There is an arc of leaving the world behind, stripping you...

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Franck & Damien

Juniper Road

R.I.B. Red / White / Black Splatter Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Family is important. Feeling good, relaxed, loved, listened to, within a community of close friends who share the same vibe, the same interests, the same sensations. Franck & Damien love and share the amber sound of the lapsteel, the intoxicating slide, the roundness of the six-string and the freshness of the banjo. Blues, country music and folk-rock born in the barns of Laurel Canyon... Harmonies, warm voices, fortunate encounters… Simplicity, humility, sharing... Surfing, deserted beaches, California, wild Australia.

You would know the members of this merry band: Xavier Rudd, Ben Harper, Jack Johnson, Donavon Frankenreiter, John Butler Trio, Tash Sultana, John Mayer, Mason Jennings... Yes: family is essential. Between cousins or adopted children, we understand each other so well! What's more, we speak the same language: in this case, English, carried by melodious, laid-back, never-pressed voices on songs that are often gentle, often punchy, always powerful, always hard-hitting. Franck and Damien don't see their tribe that often: they're in Bordeaux, in their beloved Médoc, a land of vineyards, sandy strips, pristine waves and good vibes; the others are in Hawaii, Los Angeles or the Australian bush. But that's all right. The signs, the codes, the vibes are the same. So we decide to get together when we have to, when we feel like it. Why not in Los Angeles, where the duo love to recharge their batteries, between strolls down Sunset Boulevard and ballads recorded at sunset?

Here, for their second album after the warm You Can Find Your Way, it's Donavon Frankenreiter, surf prodigy and international icon of American folk, who has come along to enchant the nervous and captivating California, of which he himself is the embodiment. Feel alright with the high tide! Earlier, it was on the subtle, nonchalant acoustic live version of Home that Donavon’s bassist Matt Grundy slipped in with his sweet harmonica. And with good reason: the Piñon Hills local from San Bernardino is also the producer of this album! Not forgetting, on Spread Love, a visit from Joaco Terán, their freesurfer brother and Argentinian musician. For Juniper Road, the album of maturity, is also one of plenitude and serenity. Franck's voice is full and vibrant, the harmonies chiseled, the atmosphere warm and inviting.

Family is fundamental. So is luck. When they hear the story of Damien picking-up Franck hitchhiking on the side of the road, a meeting so fortuitous it seemed fated, their buddies are still laughing.

The duo complement each other so well, the osmosis and connivance so blatant, Franck's voice and guitar, Damien's string picking and percussion, that this anecdote, so real, sounds fabricated. Okay, it didn't take place on the Pacific Coast Highway in a Cadillac, but more likely in a Renault Clio on the road to Lacanau (a beach town in the South-West of France).

Just like the video for Home, which, like some of their other clips, was not shot in the USA, but in the Spanish desert of the Bardenas Reales.

Franck & Damien have never needed to prove their identity and legitimacy, especially through clichés. From now on, with this second twelve-track album polished in Matt's Super Bloom studio, Franck & Damien know exactly where they're going: back to their Anglo-Saxon and South American cousins who have long since adopted them, to continue touring and performing, distilling their road songs with messages as simple as they are rich and direct, like a true philosophy of life: love, friendship, sharing, fulfillment, such as on the energetic, raging Fire And Soul (much juicier than the Cranberries'), but also hope and melancholy, as on Another Way: an emotional tale of a sailor in perdition, supported by a round bass sound, acoustic drums and an electronic organ.

Not forgetting, of course, their sense of humor. Because behind their music, practiced with the seriousness and meticulousness that characterize them, Franck and Damien like (love) to have a laugh and make those around them and their audience laugh with (and at) them. In the video for California, the third in their mini-series of music videos developed in reverse chronology around four singles and following on from Home and Another Way, they appear as two-bit metalheads. Then, in Blind, dressed-up as priests. Never afraid of the right joke, the right disguise, the witty comeback that sticks out like a sore thumb, on and off stage.

Love, balance, fulfillment, good humor and family, of course. Family is fundamental. Franck and Damien's family continues to grow: Matt and Donavon, other artists with whom were shared songs and experiences on tour… Their audience too, getting bigger by the minute, drawn in by their groove but also by their personalities. Raise Your Voice for Franck and Damien!

Alain Gardinier

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Tankard

2LP | 2014 | EU | Reissue (Roar!)

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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Let's Promise To Be Happy Ceam & Ble Vinyl Edition

Jyocho

LP | 2023 | US | Original (Topshelf)

20,79 €* 25,99 € -20%

Tape | 2023 | US | Original (Innovative Leisure / Calico Discos)

Release: 2023 / US – Original

Genre: Rock & Indie

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JYOCHO’s music exudes pure emotion. It’s chaotic, non-linear, poetic, and gorgeous. When the opportunity to work together arose, it was an easy choice. Their peerless musicianship and body of work share many threads with the history of our label, so we’re simply thrilled to partner with them and help share their music with a wider audience.

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Allah-Las

Zuma 85

14,99 €*

LP | 2015 | EU | Reissue (Morr Music)

Release: 2023 / US – Original

Genre: Rock & Indie

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For the last 15 years, Allah-Las have alchemically melded surf rock washes with folk rock jangle and rock, building up their lauded music podcast, Reverberation Radio, and record label, Calico Discos, in the process. But a lot has changed since Matthew Correia (drums/vocals), Spencer Dunham (bass, guitar, vocals), Miles Michaud (guitar, organ, vocals), and Pedrum Siadatian (guitar, synth, vocals) first bonded over psych rock vinyl in the back room at Amoeba Records in the late aughts. Zuma 85 signals the start of a new era for Allah-Las, and finds the band reinventing itself in defiance of the algorithmic categorization and robotic sterility. Recorded in the midst of the shift from the Old World to whatever branch of reality we’re on now, it’s a return, too: The album will be released October 13th on their own label, Calico Discos, in partnership with Innovative Leisure, which released early defining statements like Allah-Las (2012) and Worship The Sun (2014).

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Ms. John Soda

Loom

13,99 €*

LP | 2023 | EU | Original (Treibender Teppich)

Release: 2015 / EU – Reissue

Genre: Rock & Indie

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Something is looming on the horizon, a flickering presence, a sparkle in the twilight, hardly visible at first, then slowly taking shape and finally coming into view: "I will depart/I see, I will, I won't go far," Stefanie Boehm (Couch) sings on "Sirens", one of 10 tracks Ms. John Soda have recorded for "Loom", their first album in eight years – and it's true: It's a return that often feels like yet another departure, like it's time to say farewell once again, one last hug and off it goes into the valley, where life is already waiting.

A lot has changed since Ms. John Soda released the first 7" back in 1998, since Micha Acher (The Notwist, Tied & Tickled Trio, Alien Ensemble) joined Stefanie Boehm and completed the creative nucleus of this band around the turn of the millennium; day-to-day life indeed feels different some 16 years later (and half as many since the release of their sophomore album, "Notes and the Like"), but the basic chemistry, the intricate balance of electronic and analog molecules that orbit this nucleus – and thus, the resulting mood and vibe -, they're still recognizable, still undeniably Ms. John Soda: Whether it's the dense, intensely rushing soundscapes of "Hero Whales", numerous layers pushing and taking off into the same direction, the propelled clatter of "Sirens", a track like "Millions" that blows off more and more steam, a glistening, wheezing sort of madness even (though there is a tender side to it as well), the perpetual, magic lantern-like motions of "Name It" (think Trish Keenan and Broadcast) or the gradually descending melodies of opening track "In My Arms" – they're all lined with a certain tension, underpinned by a certain atmosphere, a unique brand of melancholy that never quite gives in, keeps searching for new outlets and answers.

The album title Ms. John Soda have chosen for their third full-length, "Loom", obviously hints at this feeling of re-emergence, gathering and looming, but according to the singer, it also refers to a weaving loom: It's about "weaving and combining a vast number of influences, ideas, instruments, melodies, rhythms, and layers to create a whole," says Boehm, whose vocals span these new tracks like thick, reliable ropes that glow with marine luminescence. "It's about weaving individuals into a group ('Millions'), weaving and merging former ideals and hopes with reality ('The Light'), combining 'hi' and 'bye', beginning and end ('Hi Fool'), interweaving opposite or contradicting concepts, such as pushing forward vs. being pushed ('In My Arms')." And while the weaving, just like life itself, can easily get out of hands, "because you lose track, and yet life goes on ('Name It')," a lot of these songs – e.g. "Hero Whales", the billowing "Sodawaltz", "Fall Away" – revolve around a shimmering sense of something we can't quite grasp or put a finger on just yet: "Intuitions, hopes, dreams, wishes, affinities, distances, temptations…"

Whereas Cico Beck aka Joasihno (drums, electronics), also part of Aloa Input and the latest addition to Ms. John Soda's live band, and drummer Thomas Geltinger helped out on various tracks they recorded with Oliver Zülch in Weilheim, Boehm and Acher were also joined by Karl-Ivar Refseth (percussions) and Matthias Götz (trombone). Together, they keep feeding the loom with countless spools of yarn, until epic piano closer "Fall Away" seems to offer a temporary respite: "find your way/take the dry suit off/for a night". Time to rest, to take a deep breath. Or is it already the first rays of dawn looming on the horizon?

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Jfr Moon

In A Bubble

22,99 €*

The Darkest Night Of The Year

Release: 2023 / EU – Original

Genre: Rock & Indie

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A synthesiser sighs up and down the scale, a cool electro beat is wrapped in cotton wool and Fabian Drung aka JFR MOON sings about life in a bubble. "In a Bubble" is the name of this beautifully sentimental synth pop number, to which JFR Moon's new album owes its name.Although JFR MOON produces his music more professionally from album to album, the indie pop characterised by synthesizers and electro beats never seems too pleasing, remains unruly. Sometimes the pieces wander through curious psychedelic harmonies ("Silver"), sometimes they remind us of the Smiths ("Turn Around"), sometimes they stumble onto the dance floor ("Experience"). Blurred chords flit through "Stereo Tap", a yearning guitar melody wanders through "Re...

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Over The Rhine

LP | 2023 | US | Original (Great Speckled Dog)

LP | 2023 | US | Original (Mt. St. Mtn)

Release: 2023 / US – Original

Genre: Rock & Indie

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Available FOR THE First Time ON Vinyl!

25-plus years and thousands of fan requests later, Over the Rhine’s Christmas classic, The Darkest Night of the Year, finally gets the vinyl treatment it has long deserved.

The Darkest Night of the Year is Over the Rhine’s first holiday release and quietly helped re-define the genre for many listeners. It should be filed squarely in the “Now-for-something-a-little-different” file. It includes dark ambient arrangements of classic carols as well as strange and wonderful originals.

We are told that in-store holiday airplay always generates keen interest for this after-midnight, deeply-layered record.

The very first national review the album received contained the opening salvo: Take a deep breath. Relax. Over the Rhine’s The Darkest Night of the Year is the Christmas disc of the year and destined to become a classic. Curl up with someone you love, or enjoy some quiet time alone, The Darkest Night of the Year is the perfect soundtrack…”

Reviews for Over the Rhine’s visionary Christmas Music have continued to pour in over the years with coverage in the New York Times, NPR’s Morning Edition, USA Today, Paste, No Depression and many others.

Touring: Over the Rhine will be supporting the vinyl release of The Darkest Night of the Year with 2023 Christmas concerts currently booked in Chicago, Boston, DC, Philadelphia, Cincinnati (three shows), Ann Arbor, Pittsburgh, Grand Rapids and Kent, Ohio.

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The Wind-Ups

Happy Like This

OST The Drive-In Will Never Die: Music From The Last Drive-In Seasons 4 & 5 Black & White Marbled Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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Are you happy like this?” Purveyors of raw power pop and punk, THE Wind-ups may or may not be curious to know. Since the release of their 2021 debut, Try Not To Think, the Northern California bedroom-project-turned-touring outfit has gained the reputation of a lights-out live band, emulating the same breakneck pace of the record. And you are damn sure to find that same frenetic combustion on their second LP, Happy Like This. Produced in identical fashion to the first album, Happy Like This finds frontman Jake Sprecher once again in his comfort zone–writing, performing, recording and mixing the entire record himself from the backyard confines of his home in the college town of Chico. Still slamming ” tape into the red, you’ll hear many-a blistering hook in the form of tracks like “Oh I Know” and “Tell Me Again (How Pretty I Am)” and odd-measure pushers like “Nothing But Time” and “Starting To Lose

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John Brennan

LP | 2023 | US | Original (Ship To Shore)

34,99 €*

Next Wave Acid Punx Deux - Chapter 2

Release: 2023 / US – Original

Genre: Rock & Indie

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* Soundtrack to hit Shudder series * Second installment in The Last Drive-In with Joe Bob Briggs LP Series * Limited Black & White Marble Vinyl / Ship to Shore PhonoCo. is proud to present The Drive-In Will Never Die: Music from The Last Drive-In Seasons 4 & 5, the original soundtrack to the hit Shudder series The Last Drive-In with Joe Bob Briggs! Featuring all of your favorite musical moments from seasons four & five, John Brennan & Co. combine their talents to produce a fine medley of melodic mutation, inspired by the numerous proceedings which occurred at the titular Drive-In! With special guests Fabio Frizzi, H6llb6nd6r, Tim Capello, Chris Jericho, Piggy D and more, pressed onto limited edition STS store exclusive “1921 black & white ball” variant vinyl and featuring new artwork from Slasher Design artist Justin Osbourn, this is must-own soundtrack LP for any self-respecting mutant!

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Curses

2LP | 2023 | EU | Original (Eskimo)

Cpa I-Iii Pink Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Next Wave Acid Punx Deux is the second compilation for Eskimo Recordings compiled and curated by Berlin-based Musician and DJ Luca Venezia, aka Curses, to explore the darker side of club music. Spread across 3CDs and three 2LPs Next Wave Acid Punx Deux features a mammoth 49 tracks that join the dots between early industrial pioneers Throbbing Gristle, EBM legends like Nitzer Ebb and the post-punk experiments of people like Malcolm McLaren and Big Audio Dynamite with some of the most exciting artists around today, such as Boy Harsher, Nuovo Testamento and Years of Denial.

Where the first Next Wave Acid Punx compilation was a personal journey for Luca, a lockdown inspired exploration of his record collection to find the thread that ran through the music that had soundtracked much of his life, Deux is a celebration of that music let loose on the world, the thrill of music performed live, the smoke and strobe filled clubs you'll hear it in and the artists you'll find on those stages.

"After our enforced break, getting back out there and playing live again really brought home to me so much of what I love about the scene I'm in but also just how important live music has been and is to club culture over the years," Luca explains. "Too often we think of club nights and live gigs as these separate things, but throughout the years it's where the two meet, the friction that can cause, that you'll find the most vibrant scenes."

"There's an energy, an atmosphere that you get with live music, an unpredictability where at any moment something can go wrong or even better right in a way you never expect. I think about a live set we played at a Lebanese festival where our MPC drum machine froze up because of all the dust and sand trapped in the pads. We had to improvise half our set, jamming bass and guitar and pedal FX and vocals, embracing this surreal environment and experience, something that could only happen in the moment."

"With Next Wave Acid Punx Deux I wanted to celebrate those bands and artists, past and present who, to me, represent that spirit. Both full live bands and makeshift electronic duos alike, the kind of acts that you might have found wedged between DJs back in the day at The Hacienda in the 80s, Trash in the 00s or today at nights like Berlin's Milk ME, Exbtn in Paris, Night Terrors + Sc&p in London, New York City's Synthicide or Ukraine's Worn Pop.

So I've put this compilation together much like my favourite kind of night, going out to see some bands play, hitting up a club where live music and DJs blur together, before the serious business of the after party. On Chapter 1 you'll find bands like Vicious Pink, DAF and Cabaret Voltaire, some of these acts are more obscure than others, some flirted with pop and even the charts but they were all embracing new ways of working in the late 70s and 80s that both set them apart and set the scene for much of what we think of as club music.

Chapter 2 moves the night on, and this is the sound of the clubs I love to both play and just hang out in these days, clubs where the people involved put a lot more time into digging through the crates than working on their Instagram Reels. These are places where you're as likely to find a band on stage as you are a DJ, where 80's German electro pop by a band like Boytronic seamlessly flows into tracks like Silent Servant's Non Fiction. Timeless music that can be romantic, dreamlike and ethereal one moment, then veer into dark, industrial sounds the next.

Then finally we get to that part of the night where you probably should go home but if it's too late for good decisions there's still time for good music. Things are a bit wilder here, the drums a bit harder, the synths are more aggressive, tracks like The Hacker's Monopoly, Zanias' Tryptamine Palace or EVA's Industrial Hope that don't let up, don't let you go, just subjugate you to the beat and keep you there till you stumble out blinking into a new day."

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Mildred Maude

LP | 2018 | UK | Reissue (Sonic Cathedral)

22,99 €*

Terry Allen & The Panhandle Mystery Band

Release: 2018 / UK – Reissue

Genre: Rock & Indie

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The Cornish improv noise / post-rock / shoegaze band’s cult classic debut, remastered and re-edited by Slowdive’s Simon Scott and available on vinyl for the first time since its release back in 2017, with original copies (released via The Weird Beard) now changing hands for triple figures. The three tracks that make up the album were recorded live, in one take. They are presented as captured snippets of the one song the band used to play, the continually existing and evolving ‘cpa’ (Cosmic Pink Alignment). It formed the blueprint for their unique mix of Sonic Youth squall and Slowdive-style beauty, which was later heard on 2021’s acclaimed debut for Sonic Cathedral, Sleepover. “People have told us they aren’t able to get a copy of the album, so a reissue was a good opportunity for us to re-look at it having learnt a bit more about the mastering process when we did Sleepover,” says guitarist Matt Ashdown. “Simon also mastered that, so we really trusted him and didn’t give him a brief – he knows we like to squeeze out as much low end as possible, which is why there is also a new cut; more low end means less space on the vinyl.” Simon’s magic touch has really elevated this stunning record, making it sound bigger, bolder and better than ever. “His mastering has made it feel more live and even more raw,” agrees Matt. “That is really important to us – it’s our essence.”

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Bloodlines

LP | 1983 | US | Reissue (Paradise Of Bachelors)

Terry Allen & The Panhandle Mystery Band

Release: 1983 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

On his manifold fourth album, acclaimed songwriter and visual artist Terry Allen contemplates kinship_the ways sex and violence stitch and sever the ties of family, faith, and society_with skewering satire and affection alike. Bloodlines compiles thematically related but disparate recordings from miscellaneous sources both theatrical and historical: two songs written for plays; two full-band reprises of selections from Juarez; the irreverent hellfire-hitchhiker-on-highway ballad "Gimme a Ride to Heaven Boy" (featuring Joe Ely); and the poignant eponymous ode to the arteries of ancestry and landscape (the debut recording of eight-year-old Natalie Maines, later covered by Lucinda Williams). This first-ever vinyl reissue, remastered from the original analog tapes, includes a gatefold jacket and inner sleeve with restored, new, and alternate artwork and photos by Allen and friends; an insert with lyrics and original notes; and a high-res download code. "No veteran country songwriter sounds more attuned to the national mood. His songs still feel like little guidebooks for staring down a harsh universe." - The Washington Post "A reigning deity of a certain kind of country music since the mid-70s." - The New York Times

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Smokin The Dummy

LP | 1980 | US | Reissue (Paradise Of Bachelors)

Release: 1980 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

Recorded exactly two years after acclaimed visual artist and songwriter Terry Allen's masterpiece Lubbock (on everything), the feral follow-up Smokin the Dummy is less conceptually focused but more sonically and stylistically unified than its predecessor_it's also rougher and rowdier, wilder and more wired, and altogether more menacingly rock and roll. The first album by Allen to share top billing with the Panhandle Mystery Band, here featuring Jesse Taylor on blistering lead guitar alongside the Maines brothers and Richard Bowden, Dummy documents a ferocious new band in fully telepathic, tornado-fueled flight, refining its caliber, increasing its range, and never looking down. This first-ever vinyl reissue, remastered from the original analog tapes, includes a gatefold jacket and inner sleeve with restored, new, and alternate art and photos by Terry and Jo Harvey Allen; an insert with lyrics, original notes, and Terry's letter to H.C. Westermann about the songs; and a high-res download code. The kind of singular American artist who expresses the fundamental weirdness of his country. - The Wire It has always been a fool's errand to frame Allen in terms of other artists_there was nobody like him before he showed up, and the subsequent forty years have been equally light on plausible peers. - Uncut

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That's Why We're Marching: World War II And The American Folk Song Movement

CD | 1996 | US | Original (Smithsonian Folkways)

6,99 €*

Beleza Tropical 2 Orange / Blue Vinyl Edition

Release: 1996 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Generic

CD comes in a soft case, instead of the original crystal case. All booklets included.

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David Byrne presents

2LP | 1998 | US | Reissue (Luaka Bop)

38,99 €*

An Anthology Of Dead Ends Black Vinyl Edition

Release: 1998 / US – Reissue

Genre: Organic Grooves, Rock & Indie

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25th anniversary of this criminally under-appreciated compilation of Brazilian pop music (New! More! Better!), so we're putting it on vinyl for the first time. It's been 10 years since we at Luaka Bop released our first compilation of Brazilian music. Beleza Tropical. It sold extremely well, 350,000 and still going strong, but alot has happened since then. This collection reflects the impact and energy of a new generation who rather than seeking to overturn or discredit the work of ist predecessors, wants to build on it, add to it, and continue absorbing greater and more contemporary influences.

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Botch

LP | 2002 | UK | Reissue (Sargent House)

Release: 2002 / UK – Reissue

Genre: Rock & Indie

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Legendary Tacoma, Washington mathcore/hardcore/metal band Botch’s final EP An Anthology of Dead Ends was originally recorded in 2002, serving as a swan song sending off one of heavy music’s most inventive groups. Now, the band’s final EP is set to be re-issued on Sargent House over 20 years after its original release. Their monstrous concoction of metal, noise, indie rock guitar trickery, and depth is on full display. This is a last will and testament to the group's drive and intent, cementing their legacy as one of the untouchable greats, already having influenced many a group.

Bassist Brian Cook, guitarist David Knudson, drummer Tim Latona, and vocalist Dave Verellen formed Botch in 1993, eventually becoming one of the most significant bands of their time. Their final show was June 15, 2002, the same day as the original release of An Anthology of Dead Ends. The members would go on to play in These Arms Are Snakes, Minus the Bear, and Russian Circles, among others, with acclaim for the band coming mostly post-breakup. Over 20 years since they played their final show, Botch are reuniting for select dates across the US throughout the end of 2023.

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12" | 2023 | EU | Original (Rocky Hill)

Armenian White Label

14,44 €* 16,99 € -15%

9 Songs Translucent Black Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Next up on Rocky Hill is a limited edition, vinyl only white label, featuring 2 edits licensed from Terrestrial Funk and Darone Sassounian's compilation from 2021, and two original tracks from LA - based DJ and producer, Lara Sarkissian. The A side (Silk Road Side), features two previous exclusives from Darone's compilation on Terrestrial Funk titled, 'Silk Road: Journey of the Armenian Diaspora (1971 - 1982)'. The two edits on the A side were only available digitally, on CD, and Cassette formats. A1 features an edit of Marten Yorgantz's "Ammenain Serdov [De Tout Coeur]" from NY-based DJ duo, Fundido. A2 features an edit of Jozeph Sefian's "Karoun E Yegel" from Darone Sassounian. The B Side (Lara Sarkissian Side), features two original tracks sampling duduk (Armenian woodwind), songs - named as Lezginka Dance Scene and Ojakhum Nightmare. The tracks are reworks of the originals from 2016 - 2017, when Sarkissian began the creation of her own unique process of synthesizing duduk as percussion, bass and voice. Both tracks have been used in her early live sets from 2017 - 2018. They're finally available now only on vinyl. This is Rocky Hill.

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Dub Thompson

LP | 2014 | US | Reissue (Dead Oceans)

Machine 15th Anniversary Edition

Release: 2014 / US – Reissue

Genre: Rock & Indie

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Take the 101 north out of Los Angeles, and you'll pass by Agoura Hills, where the core duo of the band Dub Thompson grew up. Whatever you see in that town won't readily prepare you for the music they wrote while there, but you're free to look."Most everyone who's in a group who's our age lives on the Internet," says guitarist Matt Pulos. "The kinds of things that have shaped our band aren't anchored to any one time or place."Pulos and his bandmate, drummer Evan Laffer, are currently both 19 years old, and are putting that line of thought to the test; their musical influences travel from the Midwestern malaise of Big Black and Pere Ubu, to Kraut pioneers Can and Kraftwerk, while bowing to the British belligerence of The Fall and This Heat.Recording the album while living with Foxygen's Jonathan Rado at his rented house in Bloomington, the band had its first taste of a heavy Indiana summer, and all the humidity and insect life that buzzes along with it. "We woke up every day, ate hard-boiled eggs and stood on a porch," says Pulos of the experience.Their first collection of songs slyly unties the shoes of genre and convention, shapeshifts mischievously, and tramples on the promises delivered on the name itself.There are only eight songs on this rangy debut.Intense blasts of hook-filled noise rock ("Hayward!"), rocksteady marionette stomp ("No Time"), hypnotic bouts of doomy poetics ("Epicondyles"), outlandishly sexy groove rock ("Dograces"), and a number of other bite-sized forays into parts unknown are made manifest across 9 Songs. The vibes are strong here. Pulos sings and plays like he's working out long-standing grudges, pulling the most sinewy tones from an acoustic guitar and ripping huge chunks of demon flesh out of his electric. Laffer matches him step for step on the drums, an exacting presence behind the kit who pushes even the band's more placid moments into bouts of tension. Together they succeed in animating their musical ideas to startling, almost unnatural life. Reverb units, keyboard...

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Millencolin

LP | 2008 | EU | Reissue (Epitaph Europe)

2LP | 2018 | EU | Reissue (Svart)

Release: 2008 / EU – Reissue

Genre: Rock & Indie

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Originally released in 2008, Machine 15, celebrates it"s 15th anniversary with a long awaited vinyl repress, remastered for vinyl by Dan Swanö. With an impressive string of releases behind them, nearly two million records sold worldwide and having shared stages with the likes of Blink 182, the Foo Fighters and Queens of the Stone Age, the Orebro based quartet of vocalist/bassist Nikola Sarcevic, guitarists Erik Ohlsson and Mathias Farm and drummer Fredrik Larzon show that they are on top of their game. While upholding the classic Millencolin sound, they chose to diversify, evolve and progress on the new album The explosive result is pop infused punk at its all-time best with driving beats, anthemic choruses and irresistible melodies that prove the band is back to kick ass and take names. For Machine 15, Millencolin re-teamed with producer Lou Giordano (Sugar, Taking Back Sunday, Plain White T"s), who previously worked with the band on 2003"s Home From Home. "We wanted the kind of crisp sound that Lou is notorious for. Plus we have a great chemistry with him," guitarist Erik Ohlsson adds.

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Bleed From Within

Era Clear Vinyl Edtion

35,99 €*

More Photographs (A Continuum) Coke Bottle Clear Vinyl Edition

Release: 2018 / EU – Reissue

Genre: Rock & Indie

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Kevin Morby

LP | 2023 | US | Original (Dead Oceans)

More Photographs (A Continuum) Black Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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Kevin Morby writes (and records, and imagines) at an almost incomparable clip, and his most recent album, This Is A Photograph, studies life, time and mortality through myriad lenses. It's a dynamic, buoyant record on big, heavy themes, so it only makes sense that Morby found he wasn't quite done with it on its completion. More Photographs (A Continuum) finds new nooks, corners and vantage points. "If This Is A Photograph is a house that you have been living inside of," says Morby, "then More Photographs is, perhaps, the same home just experienced differently. As if you, its inhabitant, have taken a tab of something psychedelic and now, suddenly, you've replaced your eyeglasses with kaleidoscopes." Here, Morby returns to his landmark album's bottomless themes with new wisdom, new imagination, and the winking, looping call backs that tie his full body of work together in uniquely special ways." Everything you once thought was familiar," he continues, "suddenly appears differently, shifting shapes, color and sonic landscapes." "Five Easy Pieces Revisited" captures the same moment from Bobby's point of view; "This Is A Photograph II" takes a similar tact, revisiting its predecessor from a different angle. "Triumph" explores more of the myths and deaths that surround Memphis, TN, this time inspired by Big Star's Chris Bell. And "Kingdom Of Hearts" arrives as an origin story to both This Is A Photograph and its new companion." With every collection of songs," says Morby, "I feel I must cast them out of me before moving onto the next project, and here I knew that what I had begun with This Is A Photograph was not finished. Releasing this collection is my tying a bow on that time and place in my creative life." With a luxurious nine tracks - three re-imaginings and six brand new songs - More Photographs (A Continuum) is prequel, sequel and primer to an already rich and generous record from one of our most luminous modern songwriters.

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Kevin Morby

LP | 2023 | US | Original (Dead Oceans)

Desert Wind Red Vinyl Edtion

Release: 2023 / US – Original

Genre: Rock & Indie

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Yasar Akpençe

7" | 2023 | EU | Original (Hot Casa)

16,99 €*

Desire I Want To Turn Into You Copper Colored Vinyl Edition

Release: 2023 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Yaşar Akpençe was born in 1966 in Istanbul (Türquiye) and can be consider as one of the best world darbouka player. He began his career in music at the age of 9 by playing Congo and carried on with the darbuka at 13 and made his musical dream come true by working with famous musicians. Akpençe has performed as a guest musician on numerous albums as well as being the founder of the percussion collective known as « Harem Group ». Yasar has performed with almost every major artist in Turkey, spanning many genres including pop, traditional. gypsy, jazz, arabesque and contemporary. The track « Desert Wind » was released in 2004 on his cd album « Passion Percussion » and we ‘re very proud to reissue it for the first time on vinyl. This track is a dance floor classic ! A perfect tool for DJ’s all over the world.

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Caroline Polachek

LP | 2023 | US | Original (Perpetual Novice)

Release: 2023 / US – Original

Genre: Rock & Indie

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It's A Cool, Cool Christmas Clear Red Vinyl Edition

2LP | 2021 | UK | Reissue (Jeepster)

19,99 €*

Release: 2021 / UK – Reissue

Genre: Rock & Indie

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Crank It, We're Doomed Orange Vinyl Edition

Todd Snider

2LP | 2023 | EU | Original (Aimless)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Crank It, We're Doomed Yellow Vinyl Edition

Todd Snider

2LP | 2023 | EU | Original (Aimless)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 1998 | US | Reissue (Templecombe)

Templars

Omne Datum Optimum

...And You Will Know Us By The Trail Of Dead

Release: 1998 / US – Reissue

Genre: Rock & Indie

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From their self-released 1993 demo tape through to the present day, the Templars have repeatedly established and re-established the high water mark for American OI! for three decades running, and 1998’s Omne Datum Optimum is a landmark record in the band’s genre-defining discography. Originally released in 1998 on Anti-Heros frontman Mark NOAH’s GMM Records, the Templars somewhat controversially eschewed their signature home recording set up in favor of a professional studio on Omne Datum Optimum. Co-produced by Noah and Jeff Bakos at Bakos Amp Works in Atlanta, GA, the album’s cleaner sound proved divisive among fans at the time of its release. Luckily, time has proven the band’s intuition correct, with the record gaining a well-deserved cult status over the years. Despite the higher audio fidelity, there are no dulled edges and no pulled punches here—the Templars’ signature Street Rock n' Roll sound is fully intact and as potent as ever. As tuneful as it is hard, Omne Datum Optimum is bursting with the intricate bass melodies, soaring leads, Working Class swagger, and thoughtful songwriting that set the Templars apart from their peers. The current renewed interest in Oi! music makes a proper reissue of this 25-year-old classic a no-brainer, and the unexpected but welcome cultural cachet of the form means that it’s more likely than ever to get its proper due. With the benefit of hindsight, it’s apparent that Omne Datum Optimum is not only a great record, but arguably both one of the Templars’ best, and a defining work of the genre. Sporting reworked cover art and our tried and true attention to detail, TKO is proud to bring Omne Datum Optimum to vinyl for the first time since its initial 1998 release.

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Worlds Apart Orange Vinyl Edition

2LP | 2005 | Reissue (Silverdoor Music)

37,99 €*

LP | 2023 | US | Original (Roachleg)

Release: 2005 / Reissue

Genre: Rock & Indie

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Limited. Re-issued from the original master tapes, exquisite gatefold sleeve plus 20 page booklet on orange translucent vinyl with new liner notes. When originally released by Interscope in January of 2005, the reviews poured in: Filter gave the album a score of 92% and called it ''the best album Trail of Dead has ever made.'' Billboard gave it a very favorable review and stated that ''Trail of Dead has made the album of its career.''

2 x Vinyl, LP, 45 RPM, Album, Limited Edition, Reissue, Orange Translucent
Includes 20-page booklet with new liner notes.

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Institute

Ragdoll Dance

21,59 €* 35,99 € -40%

LP | 2023 | US | Original (Feel It)

Release: 2023 / US – Original

Genre: Rock & Indie

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Ragdoll Dance is the 4th album by New York-via Texas punks Institute. Most underground punk bands don’t make four albums, but it makes sense for Institute. Even on their earliest releases, Institute’s sound teemed with possibility, drawing from a long history of anarcho-punk, post-punk, and hardcore, and fusing those aesthetics with great, classic-sounding songwriting. Ragdoll Dance finds Institute back with their original lineup (including Albert from Nosferatu and Altar of Eden on drums) and returning to a DIY approach to recording, working both at home (using the same setup as singer Moses Brown’s solo project, Peace de Résistance) and with Joe and Owen of D4mt Labs, whose gritty yet vital recordings have documented some of DIY punk’s best contemporary bands. Institute also chose to work within the international hardcore community to release the record; Brown plays drums in Secretors alongside Joe from Roach Leg Records, whose label is known for releasing some of the noisiest, most fringe recordings in the punk sub-underground (across the pond they’ve gone with the iconic La Vida Es Un Mus). While Ragdoll Dance is culturally embedded in the world of DIY hardcore punk, musically it tends to move back toward the more eclectic sound of Salt and Catharsis. The album’s title is a nod to Siouxsie and the Banshees, and Brown also cites arty post-punks Magazine as an influence on the record, which shows on tracks like “City” and “Where’s It Go,” energetic, left-of-center pop songs that challenge but also gratify. If you’re looking for the savage young Institute, though, “Uncle Sam’s Hate” and “Plateau of Self” crackle with raw rock and roll energy that few groups can summon, particularly groups with Institute’s inimitable style, musical chops, and lyrical weight. While so many punk bands peak early, Institute has continued to refine these qualities, and Ragdoll Dance’s assured tone makes it as vital as anything they’ve recorded so far.

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Sugar Tradition

More Sugar

LP+7" | 2023 | US | Original (Pirates Press)

Release: 2023 / US – Original

Genre: Rock & Indie

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Oh boy, now we're cooking. Now we're in the court of Sugar Tradition. Only a city like their hometown of Detroit could foster such a refined appreciation of rock'n'roll, R&B, and garage punk—and Sugar Tradition clearly have IT. The trio, consisting of Antonio Keka (guitar/vocals), Kevin Irwin (drums), and Arlo Betley (bass) are a complete force of nature live—contemporaries of the Stools, Toeheads, and 208. They're also fresh off a tour supporting none other than the Detroit Cobras. Sugar Tradition have managed to capture that raw, driving Motor City sound in damn near perfect form on More Sugar, their vinyl debut on Feel It Records. "Rockin' Baby" kicks things into gear, anchored by a driving piano line that plays off a pounding rhythm section, allowing Keka's guitar and vocals to rule the high end of the mix. There's some tasteful harmonica and tambourine peppered throughout, but it's the raw, fuzzed-out sonics heard best on "Don't Leave Me" that may just steal the show. Oh yeah, did we mention the roaring rendition of Chuck Berry's "Come On"? It's all recorded live, too. A stupendous fourteen minutes at 45 RPM. Sugar Tradition are one of the brightest sets of young heads on the face of planet rock'n'roll right now, and More Sugar proves that to a tee.

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The Slackers

Self Medication

44,99 €*

Infinite Possible Futures

Release: 2023 / US – Original

Genre: Rock & Indie

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For over 30 years, THE Slackers have remained one of the most prolific musical combos in the game. In the course of drawing from a seemingly endless well of songwriting creativity, the band has released music on some of the biggest labels in independent music, as well as on much smaller boutique ska & reggae labels across the entire world, including NYC’s Special Potato, which has served as home to many of the band’s home-brew releases over the decades. 2008’s Self Medication LP was one of the latter releases, initially released on CD through Indication Records, and a single pressing on black vinyl from Special Potato/ Indication. The record has been out of print for the ensuing 15 years and a tragically overlooked chapter in the band’s history. In the spirit of the title, Self Medication reflects the band’s DIY roots. Recorded by a longtime friend of the band, King Django (skinnerbox, Stubborn All-stars), at New Brunswick, New Jersey’s Version City Studios, this record is primarily an in-house affair, with overdubs overseen by singer/multi-instrumentalist Vic Ruggiero & guitarist Agent Jay Nugent at their own Studio Slack & Crazy Baldhead Studios, respectively. The sound of this record is that of a band who have the talent and the confidence to chart their course. Experimenting with a diverse sonic palette including elements of ska, reggae, swing, rock, and a lot of psychedelia, that nevertheless feels distinctly and unmistakably like them. And, of course, the band’s combination of earnest humanity and wry humor shines through in the lyrics, right from the opening line, “Every day is Sunday when you’re unemployed…” Indeed, this is the sound of THE Slackers as dictated by THE Slackers.

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Mayya

LP | 2023 | US | Original (Calar Music)

38,99 €*

Pioneer Woks Swing (Live)

Release: 2023 / US – Original

Genre: Rock & Indie

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On Infinite Possible Futures, Bay Area psych-pop savant Mayya has gifted contemporary reality a deeply engrossing, mind-bending fantastical journey of a record. Deftly balancing jangly sparkle and fuzz-blast hooks, the record trundles along magically on licorice-whip dream-pop rails. Lacing together the freeform Jazzbo excursions and magical mystery psychedelia is Mayya’s heavy-lidded, pastel warble of a voice. Embracing Lo-Fi as a tonal palette (with levels balanced by the masterful Greg Saunier of Deerhoof), Infinite Possible Futures is one of the rare records that leaves the listener blissed out and grinning; wrapped in a warm glow, full-hearted, and just a touch disoriented. Mayya was born in St. Petersburg, Russia and grew up in the Tenderloin district of San Francisco. Inspired by anyone who is unapologetically themselves, she aspires to create a positive environment through her melodic, energetic music. Once she’d written the bones of the songs for Infinite Possible Future, she turned as always to her close- knit crew of compatriots to record; guitarist Spencer Owings (Juicebumps), bassist Jason Cirimele (Dust Collector, Indianna Hale) drummer Sam Jones (Mae Powell, Mild Universe), saxophonist Edan Mor, and violinist Sivan Lioncub (Everyone Is Dirty). The record was tracked and co-produced by Chris Daddio at Donut Time Audio in Oakland, CA, and mixed and mastered by Greg Saunier (Deerhoof). Fittingly, Infinite Possible Futures is a record that explores the eternal, internal struggle of being a good friend; both to oneself and to others. “There are infinite possible futures, as well as infinite possible presents” explains Mayya. “It is our choice - how we embrace and what we make of each moment - or don't.” So come, brave psychonaut, and follow our left-coast Alice down her melodic rabbit hole. Infinite delights await!

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Hailu Mergia

Tape | 2023 | US | Original (Awesome Tapes From Africa)

13,99 €*

II: Sojourn Clear With Purple Splatter Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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It's been a little over ten years since Hailu Mergia reemerged on the international music scene. Following the first in a series of his classic recordings reissued in collaboration with Awesome Tapes From Africa, Mergia assembled a band and began performing live again after many years driving a cab in Washington, DC. His first show back appeared on the front page of the New York Times along with a stellar review and he took off from there performing his flavor of Ethiopian jazz all over the world in the years since, including Radio City Music Hall and Montreal Jazz Festival. Finally, we have a recorded document of the keyboard player's powerful DC-based trio _ which practices each weekend in his basement _ featuring Kenneth Joseph on drums and Alemseged Kebede on bass. Beautifully captured at one of their fiery live shows at the venerable Brooklyn non-profit cultural center Pioneer Works on July 1, 2016, the concert was recorded by PW staff and mixed by Ted Young with mastering by ATFA's expert audio extraction collaborator Jessica Thompson. The performance clarifies what many people across the globe already know: in his fifth decade of music-making Hailu Mergia continues to push the boundaries of his remarkable abilities. Mergia and his veteran band energetically and playfully unpeel layer after layer of harmonic and rhythmic interest out of a spectrum of Ethiopian repertoire. Modern jazz demands constant reinvention and improvisation, night after night creating new works out of known modes and classic standards. This band is unstoppable when it comes to turning age-old melodies (like "Tizita" or "Anchihoye Lene") upside down and inside out until they emerge as molten new works, often spontaneously. Mergia's original compositions (like "Yegle Nesh") shine brighter than ever here as well. Moving from keyboard to organ to accordion to melodica, he deftly switches instruments _ often during the same song. Mergia at 77 years old seems to be working harder than musicians half his age. "Pioneer Works Swing (Live)" brings into focus the kind of onstage group improvisation and deadly solo passages that reach for places Mergia and the band have never gone, on festival and club stages across four continents. Now that Mergia has released two new recordings along with four classic reissues, he is eager to let everyone hear what he's been doing on the road since he re-took the global stage for his victory laps. So much more than an old act from yesteryear, Mergia balances his legendary Ethiopian recordings with good old fashioned sweat-soaked live concert triumphs such as the one we have here.

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Wytch Hazel

LP | 2018 | UK | Reissue (Bad Omen)

The Lion For Real, Re-Born Clear Vinyl Edition

Release: 2018 / UK – Reissue

Genre: Rock & Indie

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Wytch Hazel’s stellar 2016 debut Prelude confirmed these Lancastrian apprentice wizards to be Britain’s most promising new hard rock band. Two years on, that promise comes to abundant fruition on II: Sojourn, an album that moves Wytch Hazel on from the innocence and exuberance of the debut to a darker, more profound and complex place, carefully wrought into optimum shape by the band’s singer, guitarist, songwriter and mastermind Colin Hendra. “I’m really into the idea of an album,” notes Colin. “I don’t do mix-tapes, I don’t listen to singles, I’m interested in albums. I want to make a good, listenable, cohesive work, that is the whole thing.” Asked what inspirations were brought to bear this time, Colin has good news, and even better taste: “I was listening to plenty of Judas Priest, Thin Lizzy and Wishbone Ash last year,” remarks the frontman. “This seems to be more of a hard rock album, where the last one was more rock-folk. It’s definitely more rock than folk!” The most crucial influence fully expresses itself via Les Paul guitars in sweet twin harmony through cranked Super Lead Marshalls - “Exactly the same type of amp that Thin Lizzy would have used,” beams Colin - a benefit of working in James Atkinson’s Hand Of Law Studio, a converted gaolhouse in Leeds. “We knew there would be a lot more great gear, more amps, more options,” enthuses Colin of this productive new work environment. “We were more prepared, we planned better. I had a lot more vocals to record on this album, pretty much every song has at least three harmonies, but James is a really chilled out guy, he made it easy for us. I had a very clear idea of how I wanted each song to sound, I thought about every single aspect. I probably over-prepared for this album, and it paid off!” Wytch Hazel’s proud, avowed Protestant Christianity continues to set them apart from the occult hocus-pocus of their peers, and the very title Sojourn has a Biblical inspiration: “It’s used a lot in the Old Testament, people would travel somewhere to stay for a short period of time,” explains Colin, comparing the idea to Wytch Hazel’s development since Prelude. “We’re going to reside here with this sound for a while, and the next album might not sound the same. Come and have a listen to this aspect of Wytch Hazel - it’s a temporary stay. We’ll be here for a while, then there will be something else. I’m always writing, it’s a constant stream, but I’m always trying to raise the bar, because I don’t want the next album to be not as good as the other ones!”

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Allen Ginsberg

LP | 2023 | EU | Original (Shimmy Disc)

Pioneer Works Swing (Live)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Allen Ginsberg, the voice of a generation, fierce, gentle, profoundand profane, paired with music created especially for his work, bysome of the guiding lights of Jazz in the modern era - MarkBingham, Bill Frisell, Arto Lindsay, Marc Ribot, and others. Allmasterfully coordinated and produced by the mad scientist ofcollaborations, Hal Willner.First released in 1989, this time capsule surges forth into the nowwith 8 additional tracks never included on the original release.These are timeless works, a garden of eden on vinyl to wanderthrough repeatedly, guided by the founding father of Beat Poetry.Graced by an irresistible coda co-written with Shimmy-Discfounder Kramer, his lyrical mantra of "Don't Grow Old".

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Hailu Mergia

LP | 2023 | CZ | Original (Awesome Tapes From Africa)

LP | 2023 | UK | Original (Upset The Rhythm)

Release: 2023 / CZ – Original

Genre: Rock & Indie

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Screensaver

Decent Shapes

20,99 €*

LP | 2023 | US | Original (Fat Wreck Chords)

Release: 2023 / UK – Original

Genre: Rock & Indie

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This October Melbourne/Naarm synth-punk five-piece screensaver return with ‘Decent Shapes’, their second album. ‘Decent Shapes’ is loaded with bubbling tension, a low grade but growing fever, a rising rage. The frustration is so tangible you can taste it. Detachment and dissociation become survivalist coping mechanisms. Thematically, screensaver's latest offering finds them exploring existence on an ever-growing trash heap where we’re desperate for the new, the nice and the shiny. A world where materialism reigns supreme and corporate niceties litter the public dialogue but behind closed doors the sentiment is warlike, total domination is the only answer to the bottom line. All of which is underpinned by the band's sonic sense of urgency and a commitment to creating a sound that taps into the mood and spirit of post-punk whilst also allowing space for new wave elements and electronic experiments to shine through.

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Fat Mike

Gets Strung Out

Release: 2023 / US – Original

Genre: Rock & Indie

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It's probably an understatement to say FAT Mike is a bit of a contentious figure. Whether through Nofx—the punk band he formed in 1983—or outside of it, he likes to provoke and prod people. Because of that, people often dismiss Nofx as little more than an amusing pop-punk band. They're wrong. That's one of the reasons Fat Mike decided to sit down with his good friend and frequent musical collaborator BAZ THE Frenchman and make Gets Strung Out, a record of (mostly) Nofx songs recast and reimagined as classical compositions. It's a way of setting the record straight for those who think Nofx are just another punk band. Suffice it to say, Gets Strung Out is quite an addition to his resume, one that most people would likely not expect, and designed to dispel dumb punk musician stereotype. It does so comprehensively—and this record only solidifies that fact. "The thing is," says Fat Mike, "I really want people to understand my songwriting.” "I'm A Rat," is a perfect example. "The punk version of that song," Mike says, "is 54 chords in a row without any repeat. And when you listen to the classical version, you can hear that. Finally, people can hear every part of my songs without my vocals and drums annoying them. And what you hear on these songs is what the songs are. It's the melody, it's the harmony, it's the guitar chords and octave chords, and it's the bass. Those are the parts." It's true. Needless to say, though, the songs also sound completely different from their original incarnations. They were all transposed and translated by Baz The Frenchman using midi, then recorded by professional classical musicians playing violas, violins, cello, bass, and piano. The result is that these songs transformed into something you could and would never imagine they could become—truly beautiful pieces of classical music.

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LP | 1982 | US | Reissue (Dischord)

Flex Your Head

LP | 2019 | US | Reissue (Silrbreeze)

Release: 1982 / US – Reissue

Genre: Rock & Indie

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Flex Your Head was first released in January 1982 and was the first full-length album released by Dischord Records. The compilation features thirty-two songs by 11 DC area bands and went a long way towards “putting DC on the map” as one of the era’s great punk scenes. This new edition, which has been re-cut features a cover image of the DC Flag stars and bars (on a red field), an image so associated with DC punk that many mistake it for a made-up symbol for straight edge. This cover image was also used (on a black field) for an edition of the album briefly pressed in conjunction with Alternative Tentacles in the ‘80s. Tracks from Minor Threat, Teen Idles, SOA, G.I., Youth Brigade, Void, Iron Cross, Artificial Peace, and more. Includes a free MP3 download coupon,

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Yuzo Iwata

Daylight Moon

If I Am Misery Then Give Me Affection

Release: 2019 / US – Reissue

Genre: Rock & Indie

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Daylight Moon is Yuzo Iwata’s first outing since his debut, Drowning In The Sky, got the green light in 1999 on the legendary Org label. While Yuzo’s been living stateside for a couple of decades, his roots, style and fluidity harken back to the Kichijoji Minor days of the late seventies Tokyo underground scene. He also put in some time as a member of Tori Kudo’s Maher Shalal Hash Baz early on and there’s no one else in Philadelphia who can make that claim. His pedigree is legit. As is his playing. For fans of Kousokuya and Hallelujahs especially and PSF and Org label output overall. Limited re-pressing of 300.

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Emily Robb

LP | 2023 | US | Original (Petty Bunco)

A Girl Called Cerveza White / Black / Red Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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The fantastic new album from tireless seeker Emily Robb. It’s a no-frills, high-minded celebration of guitar and sound and tone and string and amp and adventure committed to tape at Emily’s own Suddenly Studio in Philadelphia in fits and spurts stretching over 2022/23. These are economical tunes of utter trance and tightrope pulsations, with a fearless spirit and a devotion to energy and personality that digs into previously untapped mines. With zero fuss and pomp, If I Am Misery Then Give Me Affection builds a wholly new palette of expression, and Emily follows her Les Paul like it’s a divining rod. It’s anyone’s guess where it points next, but we’re all fortunate enough to be invited along for the ride.

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Tankard

2LP | 2012 | EU | Reissue (Roar!)

45,99 €*

Release: 2012 / EU – Reissue

Genre: Rock & Indie

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7" | 2023 | EU | Original (Damaged Goods)

Cyanide Pills

Hope You're Having Fun

10,99 €*

Supreme La Rock & Skeme Richards

Release: 2023 / EU – Original

Genre: Rock & Indie

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LIMITED EDITION 7" BY LEEDS PUNK BAND CYANIDE PILLS!A-side from recent album Soundtrack To The New Cold War! B-side exclusive to this release!Tell us about your influences Phil_"Influences hmm well, we don't just listen to punk rock, neither did the early bands because there wasn't any. We like the usual suspects obviously, our favourites are the Belgian band The Kids, X-Ray Spex and Buzzcocks. We like Satan's Rats, The Tours, Knots, The Fingers, Panic, Kleenex, Crime, The Terrorways, Victims, Wipers, The Briefs, The Spits, The Plugz, Bad Nerves, Nasty Rumours, stuff like that, loads of stuff, Syd Barrett, The Kinks, MC5, Stooges, Bowie, Ruben and the Jets, Kim Fowley, John Lee Hooker, Howlin' Wolf. The list goes on and on and on."We love that you still release singles. Are they fun to do? Why do you keep doing them?"Ian and Duncan Damaged love singles. We love singles. Where else would you put a B side?"(As told to Bruce Turnbull from Vive Le Rock Magazine)

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Masters Series: Four Red Vinyl Edition

7" | 2022 | US | Original (Preservation Project)

18,04 €* 18,99 € -5%

Psychedelic Anxiety Blue In Yellow Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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For this limited edition Masters Series release, we enlisted the help of two of the world's heaviest collectors and djs, and champions of the Preservation Project from day one, Supreme la Rock on Side-A, and Skeme Richards on the B-Side.

Both gentlemen tackled reworking and re-editing funky previously unreleased psych songs. Both songs, "Sad Country Boy" on Side A and "Your Mind" on Side B, are by unknown groups and both feature drum breaks intros - perfect for you to cut up, so you're gonna need two copies. We won't be mad at you if you feed the breaks and chop them up either. This one is for the heads.

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Frances Chang

LP | 2024 | US | Original (Ramp Local)

LP | 1974 | EU | Reissue (Guerssen)

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-15

Psychedelic Anxiety, as a mood, goes something like this: overwhelming, existential, vertigoic, arising when we stare into the void. This metaphysical unease also serves as the title for Brooklyn-based musician Frances Chang’s second album, and as a feeling it’s present throughout, charged by all things occultish. Recorded by Chang and engineer Andrea Schiavelli, featuring a cast of revered NYC DIY players, including Schiavelli (Eyes of Love) and Liza Winter (Birthing Hips), Psychedelic Anxiety relishes in the refining of aesthetic, in the electricity of improvisation, in balancing bleakness with humor. It embodies an idiosyncratic genre Chang calls slacker prog — offbeat, but brimming with spiritual and emotional resonance. The record infuses artifacts of the mundane with otherworldliness— even the love songs live more in the realm of fantasy (or horror) than the romantic. The psychic twin and mirror image of Chang’s 2022 debut full-length Support Your Local Nihilist, Psychedelic Anxiety by comparison is less urgent, leaving space for more nuance and storytelling. Together, these albums represent a new cycle of creativity for Chang, a reset to zero. “Eye Land,” captures Chang on a tour around the Irish and English countryside, in a moment of major life change. “Lying around your spare room,” she sings, “Sky is cloudy here in June.” Around her, guitar sputters and stops. Vocals branch off like vines on the side of an old house. It is a profoundly lovely song, a freaky miniature in the way that a Broadcast song is a freaky miniature. “Darkside” opens up with a particularly memorable narrative moment. “Last night I saw Parasite,” sings Chang, describing how she saw it alone, how regular life that week was acute, weird, intense. How she found comfort in resignation. After all: Psychedelic Anxiety is a serene, bizarre record full of alien sounds and big introspection.

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Spriguns Of Tolgus

Rowdy, Dowdy Day

LP | 2022 | US | Original (Bible & Tire)

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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Originally released as a private cassette only release in 1974, this is the debut album of progressive folk-rock band Spriguns.

Homemade, charming folk-rock with the lovely voice of Mandy Morton, 12-string guitars, dulcimer, mandolin, fiddle… Fabulous covers of “Let No Man Steal Your Thyme”, “Matty Groves” and more!

Formed in the early 70s, Spriguns of Tolgus evolved from the folk duo of Mandy & Mike Morton and the scene centered around their Anchor Folk Club in Cambridge. In 1974, the band (Mike and Mandy plus Rick Thomas and Chris Russon) decided to produce a recording to raise funds for new equipment. Using a small tape recorder and mixing desk, “Rowdy Dowdy Day” was recorded live in the dining room at the band’s rented house. A small number of cassettes were produced and subsequently sold at the Anchor Folk Club.

With the original cassette impossible to find now, we’re glad to present a new vinyl edition.

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Dedicated Men Of Zion

The Devil Don't Like It

15,59 €* 23,99 € -35%

12" | 2023 | EU | Original (Phantom)

Release: 2022 / US – Original

Genre: Rock & Indie

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"Dedicated Men of Zion (dmz) -- the sacred soul quartet from eastern North Carolina who are all related to one another by blood or marriage -- has come a long way since the release of 2020's Can't Turn Me Around on producer Bruce Watson's Bible & Tire Recording Co. label. They have performed at globalFEST, Telluride Blues & Brews Festival, and Fresh Grass festivals. They have earned the acclaim of Brooklyn Vegan, NPR Music, and The New York Times. They scored placements on best of 2020 lists from NPR Music and the Philadelphia Inquirer. With Bruce Watson of Fat Possum at the helm, they have surpassed their debut with The Devil Don't Like It, out on Bible & Tire Recording Co. The Memphis-based Sacred Soul Sound Section provided the supple but sinewy grooves, featuring Grammy winner Matt Ross-Spang on guitar (Jason Isbell, Margo Price, John Prine), drummer George Sluppick (Rufus Thomas, Albert King, J.J. Grey & Mofro, Chris Robinson Brotherhood), guitarist Will Sexton (Alejandro Escovedo, Roky Erickson), bassist Mark Edgar Stuart (Elizabeth King, Alvin Youngblood Hart), and organist Al Gamble (St. Paul & The Broken Bones)."

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Meat Shirt

Army Of Dolphins

16,99 €*

Eleven Songs Polar Bear Summer White Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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It won't take long before you get affected by the contagious enthusiasm provoked by Meat Shirt. Some electrifying waves are coming and no one can take control of the untamable energy. Meat Shirt tumbles without warning and throws everything on the ground. Is it punk ? hardcore ? garage ? Who cares, this is just the right dose of spontaneity you need. Meat Shirt confesses being influenced by the Californian and Texan 80's hardcore scenes as well as the psyche movement but you better judge from yourself. Meat Shirt comes from St Brieuc, Brittany.

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I Hate Myself

LP | 1997 | US | Reissue (No Idea)

LP | 2023 | US | Original (Mt. St. Mtn.)

Release: 1997 / US – Reissue

Genre: Rock & Indie

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No Idea is pleased to announce the newly remasterd, re-cut and one-song-longer version of the (perhaps) classic I Hate Myself album from 1997!

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Seablite

Lemon Lights

Guds Spelemän Remastered 2023 Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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Seablite is a four-piece pop band from San Francisco inspired by 80s/90s indie and shoegaze. Seablite was formed in 2016 when Lauren Matsui (vocals / guitar) and Galine Tumasyan (vocals / bass) bonded over a mutual appreciation of early 90s Britpop and UK underground music. The pair began writing songs and soon after Jen Mundy (ex-Wax Idols) joined on second guitar and Andy Pastalaniec (Chime School) would eventually join on drums. They have released an LP (2019’s Grass Stains and Novocaine) and 7" single (“Breadcrumbs” c/w “Ink Bleeds”) via Emotional Response Records and a 10" EP (High-Rise Mannequins —recorded and produced by Alicia Vanden Heuvel of the Aislers Set) in conjunction with Spain’s Meritorio Records. The band is among San Francisco’s current indie pop renaissance and have opened for the likes of Brian Jonestown Massacre, The Charlatans and Ladytron upon their recent Bay Area visits. Seablite has finished their sophomore album, Lemon Lights. Recorded over the summer of 2022, Lemon Lights contains 12 dreamy pop tracks showcasing the group’s continued growth and maturity and marks a strong progression from their debut album. After recording basic bed tracks with Robby Joseph, the band finished overdubs in their practice space and Lauren's apartment. The freedom of home recording allowed them to experiment, resulting in an organic and intuitive manifestation of the band's emotions and creativity - a sonic inkblot of unfiltered pop appreciation. One may hear Manchester undertones on "Hit the Wall" and “Melancholy Molly”, or the feminine noise-pop of Lush on "Pot of Boiling Water" but Seablite are not to be mistaken for anglophile copycats. Seablite incorporates the jangle of their San Francisco “Fog Pop” contemporaries on tracks like “Hold My Kite” and a relentless and driving guitar on “Blink Each Day”, while the wonderfully dark elements on “Monochrome Rainbow” and the wistful closer, “Orbiting My Sleep” give them a wide range of sounds and vibes.

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Garmarna

LP | 2023 | EU | Original (Massproduktion)

LP | 2023 | EU | Original (Fika)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Red vinyl.Massproduktion and Garmarnas most successful album -Guds Spelemän from 1996 - finally remastered and re-designed and on vinyl for the first time.Guds Spelemän was really a challenge to record and finalize. Recorded on several occasions and on five different locations, in between the bands constant touring, it was a really a feat to finalize. But the chemistry between the band and producer Sank made magic in the studio and the will to do something completely new was at maximum. Guds Spelemäns seamless mix of machines and electronic sounds with the bloodiest of medieval ballads and Emma Härdelins exceptional voice is really something else.Garmarna had just made international fame by being frontpage news on Billboard and touring all over the world and just before the recording they played for a crowd of 10 000 in Stockholm. So they were really a band on the way yp. And bringing an exceptional album - Guds Spelemän - resulted in both a Swedish and international success. Besides earning a Swedish Grammy and gold record it also became a large export success. The album was licenced to some 14 countries and released all over the world in different versions. In a few years Garmarna would sell close to 90 000 records all over the world.It been remasted from the original analog 12 inch master to real brilliance by the legendary Björn Engelmann at Cutting Room. The original artwork has been reworked by Lia Jacobi and its now released on vinyl for the first time in a beautiful gatefold sleeve.

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Stanley Brinks

Good Moon

7" | 2023 | US | Original (Iron Lung)

Release: 2023 / EU – Original

Genre: Rock & Indie

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12" moon Colored Vinyl - limited to 300. File under: Indie, Folk, Antifolk. The good moon comes after the full moon, when everything comes down and you can finally get some work done - be it building a house, or a boat, or recording an album). It's the most achieved album Stanley Brinks ever made. Stanley Brinks is renowned for his unique anti-folk style: both playful and suggestive, insightful and entertaining. Brinks was born in Paris, France, in 1973. He studied a bit of biology and worked as a nurse for a while. Half Swedish, half Moroccan, strongly inclined to travel the world, he soon began spending most of his life on the road and developed a strong relationship with New York. By the late 90s he'd become a full time singer-songwriter - André Herman Düne - as part of three piece indie-rock band, Herman Düne alongside his brother, David-Ivar. Several albums and Peel sessions later and after a decade of touring Europe, mostly with American songwriters such as Jeffrey Lewis, Calvin Johnson and early Arcade Fire he settled in Berlin. The early carnival music of Trinidad became a passion, and in the early 21st century he became the unquestioned master of European calypso, changing his name to Stanley Brinks. Under this moniker he has recorded well in excess of 100 albums, collaborated with the New York Antifolk scene on numerous occasions, recorded and toured with traditional Norwegian musicians, and played a lot with The Wave Pictures. "an absolute joy." Q // "...a set that's as wistful and charming as it is playful and self-concious." Uncut // "quietly charming" Pitchfork //

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Consensus Madness

15,99 €*

The Fatalist Silver Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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Seven scratchy punk gems channeling a thing in which disaffected youth and energetic misfits alike can rally against the snow-soaked blandness of the Illinoian city they inhabit. Running the gamut from the proto-punk mayhem of DV8 to the early hardcore toughness of The Effigies and from the sinister outsider art of The Tyrades to the comparatively sophisticated Plasmatics. A thrilling statement of middle-finger intensity and rule smashing iconoclasm. Consensus Madness skirts the edges of chaos and good taste, holding a mirror up to society’s ugly underbelly. “They’re good, bratty fun.”—Paul R.

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Buffalo Nichols

LP | 2023 | US | Original (Fat Possum)

39,99 €*

LP | 2023 | US | Original (God)

Release: 2023 / US – Original

Genre: Rock & Indie

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On his second album, The Fatalist, Carl “Buffalo” Nichols does things with the blues that might catch you off guard. There’s 808 programming, chopped up Charley Patton samples, washes of synth. There’s a consideration of the fullness of the sonic stage and the atmospherics of the music that can only come with a long engagement with electronic music. But this is no gimmicky hybrid or attempt to turn the blues into 21st century music by simply dressing it with skittering hi-hats. Nichols’ vision for the blues is of a form of music that’s intimately tied to everyday life in 2023, something that’s reflected not only in the choice of instrumentation, but in the complexities of the songwriting and the gray areas his lyrics explore. This is music that comes straight from the present, and as such, it’s a reminder that the same shit that drove the first blues singers to pick up a guitar is still present behind the throbs of deep bass hits today. The Fatalist sounds unlike any blues record you’re likely to hear in 2023. Pressed on silver vinyl.

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Flat Worms

Witness Marks

2LP | 2023 | US | Original (Drag City)

Release: 2023 / US – Original

Genre: Rock & Indie

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Four years after they went all the way to Antarctica, Flat Worms are back in gen pop with the rest of us - but, as intoned on the album opener "Sigalert," "back again like I never was." Is this a nod to the way time passes over our sorely vexed synapses? Or are we to believe that there"s hope to be found in this broken world? Kick back with Witness Marks and see what other traces Flat Worms have left us in the dust. The album title alone leaves a foreboding impression. But look closer - "witness marks" aren"t something out of a forensic analysis - they"re actually practical; scratches placed in old clocks designed to aid continued maintenance further in time. Sure, there"s big questions and more on the board; primarily if we"re at all distinct from the absurdity coming down around us, or just another character in the mirror? Flat Worms are looking inward this time, outlining personal space in relation to themselves and others - sometimes even people they barely know. Among the slabs of slategrey outrage, the flowers of compassion are blooming, and the simmering power of their trio grows exponentially. Working once again with Ty Segall, Flat Worms continue to find new answers by digging into themselves and playing their kind of rock: hard and flat, bass and drums thrusting stalwartly forward with conviction, guitar twisting and spinning in outrage, deadpan vocals decrying a dire set of circumstances. The democracy of working together, so often messy and frustrating, was found to be a powerful release for Justin, Tim and Will. Acting as one, Flat Worms navigated challenging times by coming together, finding release in the clockwork repetitions of practice and the shared creative space they occupied together against the encroaching world. In the short century of their existence, Flat Worms have agitated against the status quo with a disquieting lyric bent, to emphasize the psychosis of the times. These are positions taken within songs, sung out to individuals in the world. As evidenced by the lyrics, "But I know I can always see you at the show Even though it"s only temporary and it"s time to go." . . .Witness Marks surveys an evolving sense of community. Flat Worms are dedicated to persevering and using the power of their collective. Come witness!

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Prison

Upstate

46,99 €*

7" | 2023 | US | Original (Eccentric Pop)

Release: 2023 / US – Original

Genre: Rock & Indie

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Straight outta Rockaway Beach, Queens, New York City, USA, THE World, Prison is a state of mind, an experience, a loose collective, a band, a jam band and a bunch of psychedelic dudes who aren"t your average bunch of jambanders. All that, all at once, ALL THE Time. You get what you"re dealing with here? No...you don"t. The only way to Really get it is to go to Prison -- and if you"re not from greater NYC and haven"t showed at any of the shows, here"s your best bet: their breakout album, Upstate. And whatta breakout! So high, you can"t get under it; so wide, you can"t get over it! How wide? Every song has two titles, that"s how wide. And almost everybody sings, like, all the time. That wide. Sure, you can break down the numbers -- five guys, five songs and four sides of vinyl in one gatefold sleeve -- but that won"t get you Upstate, either. Prison is the sound of everybody in the room figuring out where to go, individually and collectively. As they go through it, the meaning changes, the destination changes, the words mean something different. It"s meaning and no meaning, rising and falling, sinking and flying on the back of something massive cacophonized by three guitars, four vocals, a bass and drums. A lot of information bouncing around and enough time to really get you out of yourself! Take a look at the titles: each one a dichotomous inquest that the assembled Prison-ers march upon with fervor, glee, vengeance -- a whole spectrum of feels and perspectives woven into the jam for you to see. The Prison population changes with the seasons, and during the season this album was recorded, Sarim Al-Rawi, Mike Fellows, Sam Jayne, Matt Lilly and Paul Major were in Prison. Sarim you might know from Liquor Store, Mike"s made a bunch of scenes and records as Mighty Flashlight, Sam, who passed away in 2020 (R.I.P., brother) was in Love as Laughter -- and Paul Major you know from Endless Boogie, who Matt had roadied for -- and despite being "just a skateboarder who loves music" with no previous experience on the drums, he and Sarim inaugurated the Prison experience, like, seven years ago. Since then, it just fell together and it keeps doing so. A free thing called Prison.

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Horror Section

Until The End Of Time

11,99 €*

7" | 2023 | US | Original (Eccentric Pop)

Release: 2023 / US – Original

Genre: Rock & Indie

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Eccentric Pop is startng Halloween early with a pair of 7's from our most popular band! "Until The End of Time" is a brand new EP from St. Louis’ horror punk luminaries, while "The Prowler" is a long-awaited reissue of their 2013 debut EP!

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Horror Section

The Prowler

9,99 €*

Release: 2023 / US – Original

Genre: Rock & Indie

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Bobby Gillespie Presents: I Still Can't Believe Yo

2LP | 2023 | UK | Original (Ace)

2LP | 1996 | UK | Reissue (Warner)

Release: 2023 / UK – Original

Genre: Rock & Indie

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Following on from the Primal Scream frontman’s brilliantly-received previous release for Ace, ‘Sunday Mornin’ Comin’ Down’ (accolades included being short-listed for Rough Trade’s compilation of the year), Bobby Gillespie brings us another slice of the music that soundtracks his life. And in this case, it’s his touring life. Drawing on the experience of ‘the way that the noise and clamour of the road can tire you out, wear you down and frazzle your nerves to shattered fragments of jangled exhaustion’, these are the records Bobby turns to for solace, for comfort, for empathy and for resourcefulness.

The compilation features an introduction from the man himself, talking us through his personal choices as though he’s sitting cross-legged on the carpet going through records with you in his lounge. Also long-time cohort of the band, Kris Needs has written extensive liner-notes, serving up an intensive track by track insight and analysis.

Titled after and kicking off with the Willie Nelson track of the same name, ‘I Still Can’t Believe You’re Gone’ leads us through a darker and deeper exploration than its predecessor, featuring Nick Cave’s funereal version of ‘By The Time I Get To Phoenix’ and Ry Cooder’s sparse and beautiful reworking of ‘Dark End Of The Street’. And we get there via such greats as Bob Dylan, JJ Cale, Donnie Fritts, Crazy Horse, Lee Hazlewood, Al Green, Thin Lizzy and so many more.

In Bobby’s own words: ‘These songs are soul savers to soothe frayed and battered nerves and to ease and settle the heart. They work on me like medicine every time. I would like to share this wonderful music that has given me strength, joy and inspiration over the years with you the listener, so that you too might get the same feelings of protection and inspiration that I do whenever I listen to these songs. We're all travellers on some kind of road through this life, and we all need respite from time-to-time - the music on this compilation is soul food of the highest order - I hope you enjoy it.’.

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Babybird

Ugly Beautiful

28,79 €* 31,99 € -10%

Land Of My Other Sea Blue Vinyl Edition

Release: 1996 / UK – Reissue

Genre: Rock & Indie

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The classic (anti) Britpop album issued on vinyl for the first time since its original 1996 release. Contains 4 UK top 40 singles: Candy Girl, Goodnight, Cornershop and the massive top 3 hit and radio favourite, You’re Gorgeous. The LP will be included in National Album Day in October which this year is 90s themed and the album will be featured across NAD promo including the BBC.

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The Breath

LP | 2023 | EU | Original (Real World)

Release: 2023 / EU – Original

Genre: Rock & Indie

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7" | 2023 | EU | Original (Born Bad)

Jean Claudric

OST Jeu De Dames

12,99 €*