Search "lil+wayne" 5938 Items

Release: 2024 / US – Original

Genre: Rock & Indie

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Night Palace appears as a culmination of eras, arrived at after tumbling through decades of a tumultuous life and building from scratch in the settled dust. The 26 track album is a palace of many rooms, all welcoming, all varied. The songs stand vivid in their diamond sharp eloquence and distorted feedback, but only after traveling the album as a whole do we find the door. The palace is dilapidated with moss dripping through, airy, bright and open.

This is a return to the beloved deep analog fuzz world of the Microphones' the Glow pt. 2 (2001) and the many thickly embroidered Mount Eerie universes that have followed. Smashed tape, breathing air organs, crackling tube amps and a welcome living reality just outside the open window all entwine to push the definition of what's "home" and what's "studio", of what's a "song" and what's at the heart of the unmediated idea itself.

Phil Elverum has slowly acquired an underground cult status since the late 1990's for exactly this kind of work; building recorded atmospheric worlds that are distinctly bottomless with a fuzzed out mystery, while the songs themselves speak with a raw intimacy that can be shocking to hear. These are recordings of an individual mind and heart going deeper within while turning over each stone along the way.

Mount Eerie released another ambitious world of an album called Sauna in 2014. Immediately after, Elverum became a father and then his partner fell ill with a fatal cancer and died a year later. These and other brutal waves of change kept pounding for years and it was all documented in the white knuckle songwriting on the albums A Crow Looked At Me (2017), Now Only (2018) and Lost Wisdom pt. 2 (2019).

After a natural disaster, things do grow back. A person catching their breath after a traumatic experience has a kind of reoriented clarity. Art that is made without urgency or expectation has a chance to reach beyond the usual. It was in this patient clarity that Night Palace came to be written and recorded from 2022 to 2024. Elverum's life settled back down and he reassembled the old analog reel to reel studio at his quiet deep woods home and began experimenting again.

"I saw lighting last night, but heard nothing", the first song's first words announce. Mystery is back! Over the next 80 minutes the songs weave our concrete reality together with the charged and rippling world beyond. Birds squawk and we speak back. These are songs of re-surrendering to a state of wonder and abandoning the wrung-dry skepticism that this hard world can impose. And here is the hard world too, in songs of decolonization and backwoods protest. "Some zen, some Zinn" Elverum has joked. With two feet on the ground, he writes with a sharp eye trained toward the quiet flashes in the blue distance. The ground shifts.

The vinyl release of Night Palace will come as two LPs wrapped in a gigantic poster (62"x43") packed with imagery and fully annotated lyrics. Note: It's not a record jacket, it's a huge piece of paper. It won't be immaculately crisp-cornered. As always, this physical version is considered the official "full" embodiment of this work.

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LP | 2024 | US | Original (Mom's Basement)

Young Hasselhoffs

Win A Date With

Release: 2024 / US – Original

Genre: Rock & Indie

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The debut album from the Young Hasselhoffs is finally available for the first time on vinyl. The album was originally released way back in 1998 on CD by the legendary Melted Records. The album got the full remaster treatment from Jason Livermore at the well known Blasting Room and the album sounds better than ever. This is the genesis of this long running pop punk band and serves as proof of the Young Hasselhoffs being timeless decades ago. For fans of Green Day, Mr. T Experience and that classic Lookout Records sound.

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LP | 2024 | US | Original (Kitten Robot)

Tombstones In Their Eyes

Asylum Harbour

23,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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For their fifth long player, Tite return with a sound that is familiar in its use of distortion, drive, echo and swirling melodies, but refreshed with an embracing of vocal hooks and harmonies, often absent in the world of psyche and shoegaze. It’s Psychedelic Baby Magazine: ‘Asylum Harbour,’ named for a maritime safe-haven, symbolizes resurfacing from the darkness of 2022-2023 and the pandemic. (Band leader) John Treanor says the album reflects a journey out of a dark place, focusing on voices and harmonies over layers of fuzz. ‘The record marks, to my mind, a further evolution of the band with the voice(s) becoming a main feature rather than being used as another instrument.’” Jammerzine: “The term ‘shoegaze’ gets thrown around more and more, to the point that it’s beginning to become an assembly line genre, with Tite, and ‘I’m Not Like That’ we get a solid progression of original music with a true purpose. That purpose is to inspire.”

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LP | 2018 | EU | Reissue (Music On Vinyl)

Stabbing Westward

Wither Blister Burn Peel

28,99 €*

Release: 2018 / EU – Reissue

Genre: Rock & Indie

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Samtvogel Transparent Yellow Vinyl edition

Günter Schickert

LP | 1974 | Reissue (Wah Wah - Supersonic Sounds)

You & I Are Earth Black Vinyl Edition

Release: 1974 / Reissue

Genre: Rock & Indie

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’Samtvogel’ has been out of stock for a while but it is still one of more requested releases, so here is an updated pressing with availability in ultra limited 100 only runs of 3 different colored vinyl options. And because we do love old black vinyl, also a limited run in black. Chose your colour or collect the whole set! ;-)

By far one of the most important Krautrock experimental albums made during the ’70s. There are records that come from the soul. No matter how primitive may be the recording techniques the musician has access to, the soul gets its way to the heart and mind of the listener. “Samtvogel” is one of those records. Günter Schickert recorded that amazing piece of human greatness in 1974, using the media he had at the time, putting his brain at work to find the best way of taping everything he had to say. “When I was recording “Samtvogel” in 1974 I had only 2 Taperecorders. I played one track and while listening I added the second one. And so on. Four times. When I mixed all together I borrowed a 3rd taperecorder. And still added the last track to the master. I had a small mixer with 2 stereo and 1 mono but it was possible to pan tracks. No equalization. It all came out of my still living G2000 Dynacord guitar amplifier, of course valve, with no master, even the voice recorded through it. If I made a mistake in 1 track I had to repeat it from the beginning. And if while mixing I was not fast enough in changing the tape I had to start again. So it took me more than 3 months to get ready.”

Thanks to these three months of work, between June and September of 1974, ‘Samtvogel’ was privately issued that same year. It would later be issued on the Brain label, with a small change in the artwork –titles added to the front cover, which weren’t on the original private pressing. Brain also reissued it on the label’s “Rock On Brain” LP series, this time with a completely different sleeve. The album contained two tracks on side one and just one on side two, and its sound has often been compared to the most explorative works of Syd Barret – however it must be pointed that Schickert did not need any mind spreading substances to allow his sounds float out of his mind & soul, they just came out in the most natural way. It will also appeal fans of the echoed athmosferic guitar work of other kraut innovators such as Ash Ra Tempel, Manuel Götsching or A.R. & The Machines, and some may find on the vocal passages certain resemblances to Damo Suzuki on Can's 'Tago-Mago’ era.

The Wah Wah reissue is housed in a quality sleeve that reproduces that of the original 1974 private pressing and features a 4 page insert with liners and photos - sound remastered at Eastside mastering Berlin. Get this bird now, before it flies away again!

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Anna B Savage

LP | 2025 | EU | Original (City Slang)

Release: 2025 / EU – Original

Genre: Rock & Indie

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You & I Are Earth Transparent Clear Vinyl Edition

Anna B Savage

LP | 2025 | EU | Original (City Slang)

Release: 2025 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (ADA)

Von Hertzen Brothers

In Murmuration

Release: 2024 / EU – Original

Genre: Rock & Indie

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Ivan The Tolerable & Bhajan Bhoy

Infinite Space

LP | 2024 | UK | Original (Stolen Body)

Tape | 2024 | US | Original (Topshelf)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Ivan The Tolerable Trio are back with an alternate version to the amazing Infinite Peace. 2 epic tracks to take you away into infinite space! "When we went in to ATA studios in Leeds to record the Infinite Peace LP - it was always the plan to have two versions of the album - a straight mix that documented what we actually recorded there in its pure form and another version that would rearrange everything into a new shape. Once the LP was out, I passed all the stems to my old pal/former bandmate and frequent collaborator Ajay Saggar (Bhajan Bhoy/King Champion Sounds/University Challenged) and asked him to remix it in a way that sounded nothing like the original record. Its a much more ambient and floaty affair - more Popol Vuh than Sun Ra a full drift spread across two 22 minute suites. This is what he did - infinite space - we hope you like it." Oli Heffernan, September 2024

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Knifeplay

Pearlty

Release: 2024 / US – Original

Genre: Rock & Indie

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Over atmospheric instrumentation expanded by cinematic structure and pacing, Pearlty presents Knifeplay somewhere between dream-pop influenced shoegaze and lofty slowcore, never fully committing to one or the other in its insistence on creating an immersive, organic world.

Originally released in 2019, Knifeplay’s vivid debut Pearlty documents songwriter Tj Strohmer’s expressions of early adulthood in what he describes as “the journey from innocence to experience.”

Written during a time of immense inspiration, Strohmer was able to peel himself away from detached nihilism, uncovering the physicality and therapeutic powers of songwriting. Newly emboldened by this discovery and the talented community surrounding him, Strohmer channeled this revelation into his work, taking Knifeplay from a bedroom experiment that merely wrote songs to a more substantial project with a purpose.

Pearlty’s various climactic passages, like those heard on the impressionist album opener “Tears”, envelop listeners in textured walls of distorted guitar and noisy breakdowns, a distinct hallmark of shoegaze – but Knifeplay’s compositions go far beyond such conventions.

Also featured are downtempo compositions – such as the tribute track “Angel” – that call on a range of influences, from grunge to lofi pop, all the way back to slowcore. Layers of Strohmer’s falsetto lilt adorn the songs with another dimension of sentimentality, while rounding out the sonic vastness of the group’s emotionally enrapturing style, lending impressive depth to the band’s debut full-length.

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The Academy In Peril (Remastered)

John Cale

CD | 2024 | UK | Original (Domino)

14,99 €*

Release: 2024 / UK – Original

Genre: Rock & Indie

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CD | 2024 | UK | Original (Domino)

John Cale

Paris 1919 (Remastered)

14,99 €*

Release: 2024 / UK – Original

Genre: Rock & Indie

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Sharon Van Etten & The Attachment Theory Amber Galaxy Vinyl Edition + Laptop Sticker

Sharon Van Etten

LP | 2025 | US | Original (Jagjaguwar)

Sharon Van Etten & The Attachment Theory Amber Galaxy Vinyl Edition

Release: 2025 / US – Original

Genre: Rock & Indie

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Awareness Edition: Amber Galaxy Vinyl + Laptop Sticker.From the off, Sharon Van Etten & The Attachment Theory issonically different from Van Etten's previous work. Writing andrecording in total collaboration with her band for the first time,Van Etten finds the freedom that comes by letting go. The resultof that liberation is an exhilarating new dimension of sound andsongwriting. The themes are timeless, classic Sharon - life andliving, love and being loved - but the sounds are new, whollyrealized and sharp as glass.Reflecting on this new artistic frame of mind, Van Etten muses,"Sometimes it's exciting, sometimes it's scary, sometimes you feelstuck. It's like every day feels a little different - just being at peacewith whatever you're feeling and whoever you are and how yourelate to people in that moment. If I can just keep a sense ofopenness while knowing that my feelings change every day, thatis all I can do right now. That and try to be the best person I can bewhile letting other people be who they are and not taking itpersonally and just being. I'm not there, but I'm trying to be thereevery day."Sharon Van Etten & The Attachment Theory is a quantum leap inthat direction.- Lol Tolhurst

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Sharon Van Etten

LP | 2025 | US | Original (Jagjaguwar)

Sharon Van Etten & The Attachment Theory Black Vinyl Edition

Release: 2025 / US – Original

Genre: Rock & Indie

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Awareness Edition: Amber Galaxy Vinyl.From the off, Sharon Van Etten & The Attachment Theory issonically different from Van Etten's previous work. Writing andrecording in total collaboration with her band for the first time,Van Etten finds the freedom that comes by letting go. The resultof that liberation is an exhilarating new dimension of sound andsongwriting. The themes are timeless, classic Sharon - life andliving, love and being loved - but the sounds are new, whollyrealized and sharp as glass.Reflecting on this new artistic frame of mind, Van Etten muses,"Sometimes it's exciting, sometimes it's scary, sometimes you feelstuck. It's like every day feels a little different - just being at peacewith whatever you're feeling and whoever you are and how yourelate to people in that moment. If I can just keep a sense ofopenness while knowing that my feelings change every day, thatis all I can do right now. That and try to be the best person I can bewhile letting other people be who they are and not taking itpersonally and just being. I'm not there, but I'm trying to be thereevery day."Sharon Van Etten & The Attachment Theory is a quantum leap inthat direction.- Lol Tolhurst

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Sharon Van Etten

LP | 2025 | US | Original (Jagjaguwar)

Release: 2025 / US – Original

Genre: Rock & Indie

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From the off, Sharon Van Etten & The Attachment Theory issonically different from Van Etten's previous work. Writing andrecording in total collaboration with her band for the first time,Van Etten finds the freedom that comes by letting go. The resultof that liberation is an exhilarating new dimension of sound andsongwriting. The themes are timeless, classic Sharon - life andliving, love and being loved - but the sounds are new, whollyrealized and sharp as glass.Reflecting on this new artistic frame of mind, Van Etten muses,"Sometimes it's exciting, sometimes it's scary, sometimes you feelstuck. It's like every day feels a little different - just being at peacewith whatever you're feeling and whoever you are and how yourelate to people in that moment. If I can just keep a sense ofopenness while knowing that my feelings change every day, thatis all I can do right now. That and try to be the best person I can bewhile letting other people be who they are and not taking itpersonally and just being. I'm not there, but I'm trying to be thereevery day."Sharon Van Etten & The Attachment Theory is a quantum leap inthat direction.- Lol Tolhurst

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Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition

58,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”

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Why Don't You Smile Now: Lou Reed At Pickwick Records 1964 -1965 Red & Gold Vinyl Edition

57,99 €*

Too Tough To Die Vinyl Me, Please Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Light in the Attic, in cooperation with Laurie Anderson and the Lou Reed Archive, is thrilled to announce the forthcoming release of Why Don’t You Smile Now: Lou Reed at Pickwick Records 1964-65. Due out September 27th, the latest installment in LITA’s critically acclaimed Lou Reed Archive Series is a compilation of pop songs penned by Reed during his mid-60s stint as a staff songwriter for the long-defunct label Pickwick Records. The compilation follows on the heels of Lou Reed’s Hudson River Wind Meditations (2023) and Words & Music, May 1965 (2022).

One of the most original and innovative figures in music history, Reed (1942-2013) first gained recognition as co-founder and frontman of the massively influential Velvet Underground. Over the course of his five-decade career, the two-time Rock & Roll Hall of Famer brought his singular vision to an eclectic expanse of musical endeavors, including era-defining albums like 1972’s Transformer and wildly experimental works like the 1975 avant-garde noise classic Metal Machine Music. But before establishing himself as an enduringly iconic singer, songwriter, musician, and poet, Reed got his start as an in-house songwriter (and occasional session guitarist/vocalist) for Pickwick Records—a label specializing in sound-alike recordings that emulated the major pop hits of the day. Encompassing everything from garage-rock and girl-group pop to blue-eyed soul and teen-idol balladry, Reed’s output for Pickwick ultimately offers a fascinating early glimpse at his ever-evolving and truly limitless artistry.

The album has been restored and remastered by GRAMMY®-nominated mastering engineer John Baldwin. Both the 2xLP & CD editions feature in-depth booklets with unseen photos, liner notes by Richie Unterberger (renowned music journalist and author of such acclaimed titles as White Light/White Heat: The Velvet Underground day-by-day), and an essay by Lenny Kaye (the legendary guitarist, Patti Smith Group co-founder, writer, producer, and curator of seminal garage-rock anthology Nuggets). The double-LP package is designed by multi-GRAMMY®-winning artist Masaki Koike and pressed at world-renowned plant Optimal (Germany). A special color vinyl edition is pressed on “Oxblood” wax (a/b side) and “Gold” wax (c/d side). This release marks the first official anthology of Lou Reed’s work for Pickwick Records and features rarities, cult classics (The Primitives’ “The Ostrich”), & previously unreleased material (The Beachnuts’ “Sad, Lonely Orphan Boy”).

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Ramones

LP | 1984 | US | Reissue (Vinyl Me, Please)

35,99 €*

Release: 1984 / US – Reissue

Genre: Rock & Indie

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The Ramones’ Too Tough To Die is often positioned as a return to form for the band, but today, forty years since its release, their eighth studio album seems worthy of a far more radical categorization. In the musical landscape of the mid-1980s, the album was incoherent — not in a pejorative sense, but in how it reflected the paradoxes of its time. Made without a steady compass, the album’s incongruity became its center, and it holds. As Joey Ramone said in a 1988 interview: “Around ’84, the world was changing drastically with Iran and Gadaffi and all this stuff. Things were getting scary. So, our songs started changing.”

Echoing the surrounding instability, the Ramones created an album so layered, complex, and challenging that it can still be hard to pin down, even after four decades to ponder its songs. Too Tough To Die’s legacy lives in its chameleon-like textures, moods, and vocal styles — from the lofty to the sneering, from the cynical to the sentimental. Too Tough to Die was a reminder that it was the Ramones who initially inspired and influenced the Sex Pistols, not the other way around. If the word could be claimed by anyone, punk belonged to them.

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Why Don't You Smile Now: Lou Reed At Pickwick Records 1964 -1965 Black Vinyl Edition

53,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Holy Beat! (A Collection Of 60s Italian Christian Beat)

LP | 2024 | EU | Original (Aberrant)

27,99 €*

An Autumn For Crippled Children

Release: 2024 / EU – Original

Genre: Rock & Indie

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Holy Beat! - A collection of 60's Italian Christian beat from the vaults of Ariel Records. Nine tracks from three amazing Italian bands, Angel and the Brains, I Barritas & The Bumpers. Originally released as La Messa dei Giovanni in 1966 and recorded live the same year, this record has been the stuff of legend for deep cut Pop connoisseurs and 60's Beat archeologists, a beautiful and mesmerizing gem that goes way beyond the Christian novelty. Presenting here three amazing Italian bands (Angel and the Brains, I Barritas & The Bumpers), this is not just a Christian pop record, this is a collection of beautifully crafted Italian 60's Beat that will blow the mind of anyone remotely interested in 60's music, a must!

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Try Not To Destroy Everything You Love

LP | 2019 | EU | Original (Prosthetic)

2LP | 2017 | EU | Original (Rocket Entertainment)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Limited White Vinyl Edition.
Still shrink wrapped but opened.
Includes original insert.
Record is slightly warped but still enjoyable.

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Elton John

Diamonds

LP | 2018 | EU | Original (Bella Union)

Release: 2017 / EU – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Still shrink wrapped but opened.
Includes original inner sleeves.
Small light scuff on side B.

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Father John Misty

God's Favorite Customer

22,99 €*

Release: 2018 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Feel Good Vinyl Me, Please Edition

Jamie Wyatt

LP | 2024 | US | Reissue (Vinyl Me, Please)

35,99 €*

LP | 2021 | EU | Original (Kat Von D)

Release: 2024 / US – Reissue

Genre: Rock & Indie

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Jaime Wyatt's third studio album Feel Good, recorded with Black Pumas' blurs the lines between classic roots, southern soul, and vintage R&B. "A lot of us grow up feeling like we have to hide who we are just to be accepted, but that comes from a place of fear and judgment,” Wyatt explains. “I wrote these songs as a way of letting go of all that, as permission to feel good."

Limited to 500 copies, the VMP exclusive version of Jaime Wyatt's Feel Good is pressed on White vinyl at The Vinyl Lab. The 1LP will arrive in a gatefold, direct-to-board, foil-stamped and numbered jacket. It was mastered by Pete Lyman at Infrasonic Mastering.

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Kat Von D

Love Made Me Do It

Release: 2021 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

LP | 2018 | EU | Original (Proper)

Joan Baez

Whistle Down The Wind

17,99 €*

LP | 2022 | UK | Original (Back On Black)

Release: 2018 / EU – Original

Genre: Rock & Indie

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Medium: Sealed, Cover: Sealed

Sealed copy!

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Jungle Rot

War Zone

Original Sun Sound Of Johnny Cash

Release: 2022 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Red Vinyl Edition.
Still shrink wrapped but opened.
Cover with a beginning seam split at the upper edge.
Record is close to VG+.

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Johnny Cash

LP | 2024 | US | Original (Sun)

32,99 €*

Captain Fantastic And The Brown Dirt Cowboy

Release: 2024 / US – Original

Genre: Rock & Indie

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Limited transparent violet colored vinyl LP pressing. Unreleased until 1964, six years after Johnny Cash's 1958 departure from Sun Records for Columbia Records, Original Sun Sound of Johnny Cash spans both his first and final recordings for the label. The early "Wide Open Road" shows the singer still under the influence of Hank Williams, but the sardonic, Charlie Rich-penned "Thanks a Lot," from one of his final Sun sessions, finds Cash beholden to no one but himself.

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Elton John

LP | 2018 | EU | Reissue (Mercury)

32,99 €*

Release: 2018 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

LP | 2024 | US | Original (In The Red)

Des Demonas

Apocalyptic Boom! Boom!

23,99 €*

The Nothing That Is Bone W Blue Pink Purple Splatter Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Washington, DC’s DES DEMONAS have been hailed as a favorite of Henry Rollins (KCRW FM/Black Flag), Marc Riley (BBC6 Music/The Fall), and Iggy Pop (BBC6 Music/The Stooges) since the release of their debut LP on In The Red Records and their subsequent singles and EP.

DES DEMONAS’ much anticipated follow-up LP “APOCALYPTIC BOOM! BOOM!” is out this fall on In The Red Records.

The group is made up of some familiar names from the DC punk, garage, and indie scenes. A Kenyan punk-poet-politique Jacky “Cougar” Abok (Foul Swoops, Thee Lolitas) is on vocals & percussion, Mark Cisneros (Hammered Hulls, Kid Congo and the Pink Monkey Birds, The Make-Up) is on guitar, Paul Vivari (Benjy Ferree, DJ Soul Call Paul) is on Farfisa organ and bass machine, and Matt Gatwood (Two Inch Astronaut) is on drums.

Des Demonas’ music is a melding of disparate sounds and influences, hitting with a driving pulse and fiery intent.

“The sonic fuel of the band is a blend of post punk, punk, funk, blues, psych rock, Afro beat, even bubble gum but the noise you hear is pure Des Demonas.” - Kim Salmon / The Scientists

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Fit For An Autopsy

LP | 2024 | EU | Original (Nuclear Blast)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | Original (Domino)

One True Pairing

Endless Rain

Release: 2024 / Original

Genre: Rock & Indie

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LP | 1988 | PL | Reissue (Tonpress)

Jan Akkerman

It Could Happen To You

8,99 €*

Release: 1988 / PL – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1982 | EU | Original (Island)

John Cale

Music For A New Society

14,99 €*

2LP | 2003 | DE | Original (Grand Hotel Van Cleef)

Release: 1982 / EU – Original

Genre: Rock & Indie

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Medium: VG+, Cover: VG

Record is close to NM.

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Death Cab For Cutie

Transatlanticism

Release: 2003 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

Dreams From Tenement Land

Ian Donaldson

LP | 2024 | US | Original (Last Night Glasgow)

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Interior Castle Musc)

Lions In The Street

Moving Along

LP | 2013 | US | Original (Not On Label (Children Of God Self-released))

Release: 2024 / US – Original

Genre: Rock & Indie

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"Anyone who's ever worn out a copy of the Stones' It's Only Rock & Roll or The Black Crowes' Shake Your Moneymaker is going to find LOTS to love" - Jambase. Comprising the Brothers Kinnon (Chris on vocals and guitar; Jeff on drums), riff-master Sean Casey (guitar), and classically educated bass player Enzo Figliuzzi, the Canadian/California-based band has played with everybody from the Dirtbombs to the Kings of Leon, making SXSW best-of lists numerous times, and hanging out with Andrew Loog Oldham. After years in the wilderness-working as a garbageman, surviving cancer and serious workplace injuries-they are back rocking with next album produced by Dave Cobb (Chris Stapleton, Greta Van Fleet, Brandi Carlile, Rival Sons). Despite experiencing the best and worst of the of old music business, the band somehow kept going, releasing music piecemeal. Now the streaming platforms revolution has given Lions in the Street a new life an audience, allowing them to release largely-unheard music-finally finished and remixed/remastered. "This is rock with a direct line back to the nasty blues, jump tunes, and country boogie that birthed the whole damn genre. Untamed, direct, and bristling with hairy masculinity, Lions in the Street play rock like the cause it is... that is when you do it right. " - Jambase - LITS' upcoming album Moving Along captures their trademark swing and swagger. The title track, mixed by Rick Parker (Beck, BRMC, Scott Weiland), is a menacing, harmonica-driven vamp "worthy of Mick and Keith at their sticky-fingered best" (Jambase. Com). "Moving Along" is also the lead track in the upcoming Paramount film "Cassino In Ischia", starring Prison Break's Dominic Purcell. Never to rest on their laurels, Lions in the Street are also putting the finishing touches on a live album and a record they made with multi-Grammy-Award winning producer Dave Cobb (Chris Stapleton, Greta Van Fleet, Brandi Carlile, Rival Sons).

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Children Of God

We Set Fire To The Sky

8,99 €*

LP | 1984 | EU | Original (Warner)

Release: 2013 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl with a couple of light scuffs

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Van Halen

1984

Release: 1984 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

LP | 2021 | CA | Original (Constellation)

Jerusalem In My Heart

Qalaq

Kama Aina + Hochzeitskapelle

Release: 2021 / CA – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Like new. Comes with original inner sleeve and inserts. Record looks unplayed.

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Wayfaring Suite

LP | 2018 | DE | Original (Alien Transistor)

Neon Inferno Neon Transparent Vinyl Edition

Release: 2018 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Like new. Comes with original inner sleeve. Record looks unplayed.

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One Morning Left

LP | 2024 | EU | Original (Arising Empire)

Release: 2024 / EU – Original

Genre: Rock & Indie

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12"+12" | 2013 | DE | Reissue (Lala Schallplatten)

Mahlstrom

Nach Dem Stillstand

7,99 €*

Release: 2013 / DE – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1971 | JP | Original (Apple)

John Lennon

Imagine = イマジン

Release: 1971 / JP – Original

Genre: Rock & Indie

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Medium: VG, Cover: VG

LP | 2025 | UK | Original (Anova Music)

Alligator Ladies

Cotton Crown Daffodil Yellow Vinyl Edition

Release: 2025 / UK – Original

Genre: Rock & Indie

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Before they were Alligators, They were Ladies.
Ben Avgay (Silvi Jan) and Eden Atiya (Rasco) met in 2020, both working on their own musical projects and bands. In 2021 love has sprung and it was inevitable that the two would start their own musical project. Thus came Alligator Ladies to the world, a love-child of two people who share excitement for the same genres and aesthetics. Influenced from garage, freak folk and mystical creatures such as Ramases & Selket, Thee oh Sees, Ty Segall, Mgmt and more, Ben and Eden begun writing songs and recording Demos in their home studio. Eden's song writing qualities and Ben's production, sound engineering and orchestrations mesh together to form the two-headed monster we call - Alligator Ladies.
"It was only natural for us to make this album the way that it is - short, funny and emotional"

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The Tubs

LP | 2025 | US | Original (Trouble In Mind)

Cotton Crown Black Vinyl Edition

Release: 2025 / US – Original

Genre: Rock & Indie

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The Tubs' second album, Cotton Crown, sees the Celtic Jangle boyband venture into darker, more personalterritor y while continuing to hone their highly addictive brand of songcraft. It 's a true level up album whichsees the band expand their sonic palette to take in a kaleidoscopic range of influences: everything fromsoulful pub rock (Chain Reaction) to Husker Du aggression (One More Day) to melancholy sophisto-pop(Narcissist) gets a look in. As Pitchfork noted, The Tubs see jangle as a `vast world of moods and muses' andCotton Crown sees them continuing to explore this world and creating a distinctly Tub-ular sound in theprocess.This is in no small part down to Owen `O' Williams' vocal performance- often compared to a youngRichard Thomson- and his frank, bleakly funny lyric writing. Cotton Crown sees him delve further into hisfavourite themes of love-psychosis, unsympathetic mentally ill behaviour, and the humiliations of being amusician in London. This time around, however, there's a palpable sense of risk in his self assessments/confessions.No more so in the track's closing track Strange- an accounting of the clumsy, intrusive, well-meaningsocial interactions that took place in the period following the suicide of his mother (the folk singer CharlotteGreig.) As Williams says: "I'd tried a few times to write a song about it. The result had always seemed eithermawkish, simplifying or like I was hawking my trauma. But then this one came out, and it felt right because itlooked at something smaller: the weird, unsatisfying, strangely funny ways everyone, including myself, actedafter the dust settled." The album artwork features an image of Williams as an infant being breastfed by Greigin a graveyard- a promotional shot taken around the release of her debut album (the re-issue of which wasfeatured in The Guardian in 2023.)The essential trick Cotton Crown plays is to offset Williams' lyrical bleakness with joyous, hook-laden blastsof pop perfection. This is largely down to th...

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The Tubs

LP | 2025 | US | Original (Trouble In Mind)

23,99 €*

Purple Teeth The Bravery Doll House - Live

Release: 2025 / US – Original

Genre: Rock & Indie

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Del Water Gap

LP | 2024 | US | Original (Mom+Pop)

17,99 €*

Tape | 2025 | US | Original (Trouble In Mind)

Release: 2024 / US – Original

Genre: Rock & Indie

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“Purple Teeth, The Bravery” is pacing and nocturnal, before surrendering to lightness in a spirit-lifting chorus. The brass section in the coda lends the song a timeless quality which is unmistakably Del Water Gap. This bonus addition unlocks new dimensions to the page-turning, intimate storytelling of his most recent album, "I Miss You Already + I Haven't Left Yet." His sound scales indie-rock’s golden heights, while remaining tender and internal in the way of a deep purple bruise.

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The Tubs

Cotton Crown

Pass The Loofah Black Vinyl Edition

Release: 2025 / US – Original

Genre: Rock & Indie

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Naked Roommate

LP | 2024 | US | Original (Trouble In Mind)

21,99 €*

LP | 1993 | UK | Reissue (Charly)

Release: 2024 / US – Original

Genre: Rock & Indie

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Oakland's Naked Roommate have been slinking around the Bay Area lighting up stages, shaking asses & confounding listeners since 2018, when the group - originally just the duo of real-life partners Andy Jordan & Amber Sermeno (both formerly of The World) - self-released a cassette of demos (2018's "Naked Roommate"). Members Michael "Mig" Zamora & Alejandra Alcala (Blues Lawyer) joined soon after to augment the sound & live band with their proper full-length album "Do The Duvet", co-released in September of 2020 via UK label Upset! The Rhythm & Trouble In Mind. 2024 finds the lineup expanded even further to incorporate the horn section of Geoff Saba & Jeanne Oss on tenor & alto saxophones as well as percussion & marimba as the band readies their sophomore effort, the dizzyingly ecstatic "Pass The Loofah" Recorded by members Andy Jordan & Mig Zamora from 2021-2023 as time & restrictions allowed, "Pass The Loofah" retains the wild energy of their debut, but leans into the rhythmic throbs perpetuated by forbears like Kid Creole & The Coconuts, Lizzy Mercier Descloux & ESG; the signature sound of UK's On-U Sound & NYC's 99 Records, but with a decidedly West Coast irreverence & a knack for absurdist exposition. Make no mistake, this is music designed to make your body Move & Naked Roommate won't stop until they 've made sure every ass is shook. The band freely incorporates elements of the dancier side of post-punk (think A Certain Ratio or Liquid Liquid) as well as disco, funk, & house music. However, the group's uplifting melodicism belies a deeper subtext, understanding the importance of the sense of community of dance music & the culture surrounding it and leaning into a Neo-socialist lyrical context. Shit is fucked, & we get thru it by helping one another & acknowledging & addressing the failures of disaster Capitalism & tech-bro hegemony (a state the band is all-too familiar with, living in The Bay Area) Take the first single "Bus"; a four-on-the-floor banger & salutary paeon to the ups & downs of the people's transport that throbs & pulses with a late-night sashay (and a bridge that launches the tune into the stratosphere). Elsewhere, "Fight Flight "s funky horn stabs and Sermeno's slinky vocals swoon over Numan-esque synth squiggles that are fortified & funkified toward the dance floor. "Broken Whisper " edges into new territor y for the group, adding a Caribbean flavor a'la Kid Creole or The Specials that punctuates the persistent & synthetic beats underneath. Meanwhile instrumental interludes like "Ducky & Viv", "g-y pt. 1" & "g-y pt. 2" oscillate into zones of sci-fi meets soap opera soundtracks, sounding not unlike the electronic experiments of UK industrial pioneers Chris & Cosey. Album closer "I Can't Be Found" might be the album's secret weapon; It 's swooning synth melody & processed vocals recall early Daft Punk or Mgmt by way of Derrick Carter & The Au Pairs. It 's a beautiful song; perfect for the late night (or early morning) car ride home from the club. "Pass The Loofah" is released worldwide on October 25th, 2024 via Trouble In Mind Records digitally via most DSPs & on black vinyl & limited "disco ball " silver vinyl.

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Townes Van Zandt

The Nashville Sessions

Release: 1993 / UK – Reissue

Genre: Rock & Indie

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Electric Bouquet (Lamplight Bouquet)

Anna McClellan

LP | 2024 | Original (Father / Daughter)

Release: 2024 / Original

Genre: Rock & Indie

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Quiet Music For Young People -Red Vinyl-

Dana And Alden

LP | 2024 | EU | Original (Winspear)

Coyote, You're My Star Chocobanano Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Red Vinyl.Brothers Dana and Alden McWayne, along with a troupe of multi-instrumental artists, come together to create jazzy melodies with indie sounds inspired by their unconventional upbringing in Eugene, Oregon. Dana (saxophone) is an organic farm inspector while Alden (drums) is a recent grad of Berklee College of Music.Their debut full-length album, Quiet Music for Young People, is a lush album that melds vintage sounds with the aesthetic and experience of existing in Gen Z and the digital age. Quiet Music For Young People also reminisces of the brother's childhood, summer days spent working at an apple orchard and jamming at jazz clubs on rainy Oregon nights.The experimental smooth jazz-infused album closer "Dragonfly" has been gaining traction on streaming due to trends across Instagram and TikTok. The band has recently toured across the US supporting Benny Sings and will be making their headline debut at NYC's Baby's All Right this winter.

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Dana And Alden

LP | 2024 | EU | Original (Winspear)

Taking Tiger Mountain (By Strategy) Half-Speed Master Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Chocobanano Vinyl.Brothers Dana and Alden McWayne, alongwith a troupe of multi-instrumental artists,come together to create jazzy melodies withindie sounds inspired by their unconventionalupbringing in Eugene, Oregon.Following the success of their debutfull-length album and it's lead track "Dragonfly"(which tracked 300,000 TikTok creations,and over 10 million streams) thebrothers recruited Jared Solomon (Sza,Remi Wolf, Teezo Touchdown) to producetheir sophomore LP, Coyote, You're MyStar.Melding vintage sounds with the aestheticand experience of existing in Gen Z and thedigital age, the new LP has already been metwith rousing approval, with airtime on theZane Lowe show on Apple as well as playlistcovers like Spotify's State of Jazz. The bandis also set to tour North America and Europeacross festivals and headline shows.

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Brian Eno

2LP | 2017 | EU | Original (Island)

66,99 €*

Tape | 2024 | US | Original (Dear Life)

Release: 2017 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

Sealed copy!

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Anne Malin

Strange Power!

2LP | 2017 | EU | Original (Oh, Sister)

Release: 2024 / US – Original

Genre: Rock & Indie

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Strange Power!, the fifth record from Durham, NC-based songwriter and poet Anne Malin Ringwalt, emerges from the darkest waters of the self into a world remade. Releasing inconjunction with her second book of poetry, What Floods (Inside the Castle, Oct. 2024), Strange Power! overflows with Ringwalt's teeming and sensuous personal symbolry: glowing lilacs andgentle queens, dolphins wild and girls who grew up brave _ T.S. Eliot sung by Cat Power, backedby Mount Eerie. She sings: "I rose up from water."Ringwalt writes and performs with the authority of a lifetime spent harnessing the alchemy of storytelling; her belief in the power of words to heal and transform is palpable in each achingly- delivered lyric. Made amidst profound inner and outer change, Strange Power! also sees Ringwalttaking up the role of self-producer for the first time, mirroring and supporting the record's Orphic quest by gathering contributions from a coterie of friends wielding an electric range ofAmerican instruments. Violins, vibraphones, drum machines, electric guitars dappled with springreverb, wind-blown shells, and a host of other numinous sounds form an unfurling and shadowy world which was then carefully honed during the mixing process (shepherded by MichaelCormier-O'Leary and Lucas Knapp) _ settling the final record in an eerie meridian betweenspareness and verdancy.The result is a beguiling and darkly blooming realm: the sound of a personal cosmos beingremade, piece by piece. Ringwalt is at the height of her spirit as both songwriter-poet and singer, her willowy voice by turns conjuring and keening as she reckons with her deep past and thestories told since. Opening track "The Pines" sets the stage for a record of truly life-long scope: "I was a child, now Ihold her / I was asleep for many years." Some songs, like the gorgeous "North Carolina" and "TheSaint," were written as early as 2013 but, Ringwalt says, "insisted upon being remembered" as therecord took shape; in its final form, they serve as inc...

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One Sentence. Supervisor

Temporär Musik 1-13

Release: 2017 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

LP | 2021 | UK | Original (Fire)

Jane Weaver

Flock

LP+CD | 2021 | UK | Original (Fire)

Release: 2021 / UK – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Sealed, Cover: Sealed

Cream vinyl version!

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Jane Weaver

Flock

The Jon Spencer Blues Explosion

Release: 2021 / UK – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Olive green vinyl. Limited edition.

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Orange

LP | 2011 | US | Reissue (Shove)

39,99 €*

LP | 2024 | EU | Original (Exile On Mainstream)

Release: 2011 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Limited Yellow Marbled Edition.
Includes original inner sleeve.

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Conny Ochs

Troubadour

LP | 2024 | EU | Original (Winspear)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Exile On Mainstream Records presents Troubadour, the intimate new album from nomadic German singer/songwriter CONNY OCHS.Since 2010, CONNY OCHS has been capturing the hearts and minds of curious music fans around the globe through his expressive and emotive songcraft. Through eight full-length releases - including two collaborative albums with Scott "Wino" Weinrich of Saint Vitus, The Obsessed, and more, and not to mention his work in Trialogos and other projects - OCHS has expanded his sound from stripped-down singer/songwriter anthems based almost entir...

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Dana And Alden

Coyote, You're My Star

Tape | 2024 | Original (Bayonet)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Brothers Dana and Alden McWayne, alongwith a troupe of multi-instrumental artists,come together to create jazzy melodies withindie sounds inspired by their unconventionalupbringing in Eugene, Oregon.Following the success of their debutfull-length album and it's lead track "Dragonfly"(which tracked 300,000 TikTok creations,and over 10 million streams) thebrothers recruited Jared Solomon (Sza,Remi Wolf, Teezo Touchdown) to producetheir sophomore LP, Coyote, You're MyStar.Melding vintage sounds with the aestheticand experience of existing in Gen Z and thedigital age, the new LP has already been metwith rousing approval, with airtime on theZane Lowe show on Apple as well as playlistcovers like Spotify's State of Jazz. The bandis also set to tour North America and Europeacross festivals and headline shows.

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Grumpy

Wolfed

Pass The Loofah Metallic Silver Vinyl Edition

Release: 2024 / Original

Genre: Rock & Indie

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The new Wolfed EP sits in the Grumpy discography as their most confident and self-flourished work to date. Delivered in the serene clarity of a vulnerable voice inviting you to share in their world, the record glitters in its yearning for another, in its most jubilant highs and successes, and its most intimate internal monologues. We fall and hit the wrong notes, say the wrong thing. But we do it for love. For Grumpy, those missteps are not avoidable speed bumps in a relationship, but the highlights of the journey itself. For in those painful moments of a relationship, we find Truth about ourselves. There is simple serenity found in realizing your imperfections the hard way. But we can't get too comfortable_ as Wolfed fades out, the jittering, chopped-up melodies leave you on edge in a delicate balance of mistrust and unease. Can we hold on to this love forever? Grumpy has the answer.

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Naked Roommate

LP | 2024 | US | Original (Trouble In Mind)

21,99 €*

12" | 2011 | US | Reissue (Captured Tracks)

Release: 2024 / US – Original

Genre: Rock & Indie

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German Measles

Wild EP

Enemmän Kuin Mitään Muuta Purple Vinyl Edtion

Release: 2011 / US – Reissue

Genre: Rock & Indie

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Out of control, drugged up, fucked up madness from Brooklyn's premiere party freaks. Almost the polar opposite of this spring's cassette release - these songs are confident, insane and beautifully recorded by Gary Olson. Some sort of funky mix of The Soup Dragons, Black Randy, Protex and The Fall had they recorded for Bhudda. All the subtlety of Sonny Bono trying to barge his way into a restaurant while wearing a fur vest. Features 2/4ths of the legendary Cause Co-Motion!

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Aino & Hajonneet

LP | 2024 | EU | Original (Svart)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Post Orgasmic Chill Yellow & Blue Vinyl Edition

Skunk Anansie

2LP | 1999 | Reissue (Virgin)

Release: 1999 / Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-12-06

25th anniversary deluxe expanded edition of Skunk Anansie's iconic third album. Boasting hit singles Charlie Big Potato, Secretly, You'll Follow Me Down and Lately, this expanded edition includes 10 contemporary b-sides, many of which were only available in a limited way (most have never been on vinyl). An album so important in alternative rock that it elevated Skunk Anansie to the status of Glastonbury Pyramid Stage headliners in 1999 - celebrate its birthday in style with this lavish edition!

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Thunder Express Yellow Vinyl Edition

LP | 2024 | EU | Original (Jungle)

25,99 €*

Tape | 2024 | EU | Original (Time To Kill)

Release: 2024 / EU – Original

Genre: Rock & Indie

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MC5 (Motor City Five), the legendary Detroit band. Their first single (included here) was released in 1967. In 1968 they played the infamous Democratic Convention that turned into a police riot, and they went on to be the "Official White Panther Party Band". Their manager John Sinclair became a hippie martyr, after being jailed for 10 years for 2 joints, inspiring John Lennon"s "10 For 2" song. Thrown off their first label Electra, they signed to Atlantic for 2 more albums but only achieved underground success. Now greatly revered as one of the seminal rock"n"roll bands and a huge inspiration for punk. Thunder Express documents their last and first studio works: - six tracks recorded in France at Studio Castle Herouville for a TV show in 1972; plus four tracks from their debut singles from "67 & "68. The title track is not available elsewhere. In 2024 MC5"s guitarist Wayne Kramer, drummer Dennis Thompson and manager John Sinclair all passed away, marking the end of the MC5 era.

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Sacred Reich

The American Way

17,99 €*

City Of The Sun Solar Flare Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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The American Way is the second studio album by American thrash metal band Sacred Reich, released on May15, 1990 via Metal Blade Records. The video for "The American Way" was used in the 1992 film EncinoMan.The album debuted at No. 153 on September 1, 1990 on the Billboard 200 charts, lasting for nine weeks. Anenhanced remastered version released in 2009 contains pre-production demo recordings.

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Seven Impale

LP | 2024 | EU | Original (Karisma)

39,99 €*

LP | 2024 | EU | Original (Gusstaff)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Ten years after it’s initial release, the classic Seven Impale debut album City of the Sun is finally available on vinyl again! This 10th anniversary edition also an insert sheet with lyrics and comments from both the band and Enslaved’s Ivar Bjørnson. The album has a firm basis in classic progressive rock, but is highly diversified The band is never afraid to explore much harder soundscapes than usually is expected in progressive rock, utilizing elements normally only found in the metal genre. And did we mention saxophone? There’s saxophone, bringing loads of jazzy elements into the mix as well. The band says: “The recording and assembling of City of the Sun was a valuable learning experience,and we are forever thankful for the friendship we’ve built with our producer Iver Sandøy.The process of making this record put all seven of us into a rather confined space,recording it the good old way. Not a click track or grid in sight! It was a sweaty, intimate experience that seems to have been the recipe for.. sweaty, intimate and jazzy prog rock..! Iver will always be that “missing” seventh impala, and we will without hesitation return to Solslottet for the golden touches of the Sun King Himself. Formed in Bergen, Norway in 2010, Seven Impale consists of Stian Økland on vocals and guitars, Fredrik Mekki Widerøe on drums, Benjamin Mekki Widerøe on sax, Tormod Fosso on bass, Erlend Vottvik Olsen on guitar and Håkon Vinje on keyboards 01. Oh, My Gravity02. Windshears03. Eschaton Horo04. Extraction05. God Left Us for a Black-Dressed Woman

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Gmm

Wesele

Release: 2024 / EU – Original

Genre: Rock & Indie

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The work of GMM carries the echo of folk wedding melodies inspired by Oskar Kolberg"s collections, interpreted in modern arrangements with electrifying sound.The trio, consisting of Michal Górczynski, Michal Marecki and Patryk "TikTak" Matela, explores the roots of the Mazovian tradition, translating them into the language of contemporary music. Oskar Kolberg"s descriptions and a collection of melodies specific to the Polish region of Mazovia give the GMM band a foundation for creative existence in this old world and transferring it to the modern world.The freshly recorded album opens the traditional wedding gates in an unexpected way, where folk nostalgia meets contemporary avant-garde. The contrabass clarinet weaves deep, warm sounds into the compositions, adding them mystery, while the spinet boldly carries a note of baroque sophistication, creating a pleasantly contrasting texture. The modernity of synthesizers and dynamic beatbox balancing between stillness and dense, dirty tones, gives the whole mix a modern touch.In this characteristic journey full of rhythmic complexity and harmonic discoveries, you will find depth, a cynical smile and plenty of room for your own reflections.

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Heavy Lifting Live Tracks

2LP | 2024 | EU | Original (Earmusic)

36,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Spending Time With Morgan

Ane Brun

LP | 2003 | EU | Reissue (Balloon Ranger)

20,99 €*

Release: 2003 / EU – Reissue

Genre: Rock & Indie

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2LP | 2021 | EU | Reissue (Music On Vinyl)

Corrosion Of Conformity

Deliverance

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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LP | 1996 | EU | Reissue (Music On Vinyl)

Cranes

Population Four

Release: 1996 / EU – Reissue

Genre: Rock & Indie

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You're Never Alone With A Schizophrenic

Ian Hunter

2LP | 2024 | Original (Chrysalis)

Release: 2024 / Original

Genre: Rock & Indie

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2LP | 2024 | Original (Chrysalis)

Ian Hunter

Short Back N Sides

Release: 2024 / Original

Genre: Rock & Indie

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Sugar Black Vinyl Edition

Tonic

LP | 2024 | EU | Original (Music On Vinyl)

Release: 2024 / EU – Original

Genre: Rock & Indie

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We Are All Animals Colored Vinyl Edition

Animaux Formidables

LP | 2024 | EU | Original (Go Down)

27,99 €*

LP | 2025 | US | Original (Wharf Cat)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Here's the debut album of Animaux Formidables, a sensual and explosive masked power duo formed in early 2022. We are talking about two characters with animal-like features, fed so far on glam, blues, and rock ‘n roll. They express themselves with a garage-fuzz-noise sound at an extremely fiery level, both on record and on stage, the band’s natural habitat.

Say the artists on the genesis of the album: “Our producer Marco Fasolo, who first listened to some of our stuff recorded with a smartphone in the rehearsal room, encouraged us to reproduce the live sound on the record. So we did a single live take for each song, recording in two rooms divided by glass to avoid feedback. No overdubbing or post-production processing was done. In this way what you hear is the essence of who we are, how we compose and perform our music, with all our deep passion and expressive urgency”.

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Drop Nineteens

1991 Grey Vinyl Edition

Forever Black Vinyl Edition

Release: 2025 / US – Original

Genre: Rock & Indie

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Following the release of Drop Nineteens' first al bum in 30 years, Hard Light and the re issue of their 1992 shoegaze masterwork Delaware, we are excited to announce the official release of Drop Nineteens' 1991. This LP comprises the band's first two demo sessions which were mailed out via cassette to labels in 1991 finding their way to the UK music press and generating instant buzz and an ensuing feeding frenzy to sign the band. After signing with Caroline Records Drop Nineteens decided to write an entirely new record, Delaware, for their first official release, leaving the songs on 1991 behind, frozen in time.Swells of layered guitars and buried vocal harmonies adom these tracks, displaying Drop Nine-teens when the comparison to their UK contemporaries like Slowdive and Ride were apt. 1991'S songs, recorded with a low fi charm, show an ambitious young band capable of writing songs filled with texture and hooks, on the eve of their breakthrough with Delaware.

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Lilly Hiatt

LP | 2025 | US | Original (New West)

28,99 €*

Forever Indie Exclusive Clear Green Vinyl Edition

Release: 2025 / US – Original

Genre: Rock & Indie

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Forever was a record that was written and recorded one track at a time with my husband Coley. After scrapping about 20 songs or so I had written the last few years, I wanted to get to the heart of things. I had a great talk with a friend on the phone and she mentioned she just wasn’t sure where I’d been. I realized I wasn’t really certain of that either. It’d been a foggy few years after 2020, and the pieces seemed to just be starting to be picked up. I had fallen in love, gotten married, had a dog, a house…things I had always dreamed of. But it took my quite some time to accept them as my life. For a bit, I felt like an outsider watching myself stumble though everything, and was constantly critiquing myself, to the point where I could hardly leave the house for a bit. But then I realized my life was passing me by, and the love I was living in required presence to accept. I started to do the little things you have to do to just show up for people: listen, grow, change, write….get outside of my own problems. Time is flying, and I want to be here for it all rather than lost in my thoughts all the time. My love is forever. When I was a kid I used to say to my mom and dad “I love you forever and always” then neurotically changed it to “I love you forever and always and it’s true and I mean it”…because I wanted to make sure they knew how much I wasn’t messing around! I still feel that way when I say “I love you” to anyone and hope it comes across on this record. Love y’all forever!

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Lilly Hiatt

LP | 2025 | US | Original (New West)

28,99 €*

Release: 2025 / US – Original

Genre: Rock & Indie

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3LP | 1974 | EU | Reissue (Music On Vinyl)

Santana

Lotus

47,99 €*

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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Even The Forest Hums: Ukrainian Sonic Archives 1971-1996

55,99 €*

LP | 2024 | EU | Original (Voodoo Rhythm)

Release: 2024 / US – Original

Genre: Rock & Indie

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Oh Telephone

Kill Kill Kill

21,99 €*

LP | 2024 | JP | Original (P-Vine)

Release: 2024 / EU – Original

Genre: Rock & Indie

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OH TELEPHONE have their origins in the deep valleys of the Glarnerland (mountain region in switzerland) where thanks to the Veka Club they were well socialized and made resistant to any mainstream influences. Booking agencies and Labels are just shooting around with bands with Psych in the name who would like to be the next Oh-Sees and at the same time model their sound in a way that is horrible radio-friendly. OH TELEPHONE, on the other hand, is the real shit, garage-psych like no other band currently plays. Their screams never seem calculated but rather like a spontaneous outburst of passion, their guitars pierce every eard...

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Downt

Underlight & Aftertime

34,99 €*

Release: 2024 / JP – Original

Genre: Rock & Indie

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In 2023, downt showed further expansion of their activities by collaborating with many overseas artists such as Gestalt Girl (Taiwan), Grrrl Gang (Indonesia), Pswingset (us), and deathcrash (uk), and releasing the epic single "Undecember", which showed a new direction as a band. The long-awaited full-length album will finally be released in March 2024 from P-vine! The new album also features re-recorded versions of their iconic songs such as '111511', 'mizu ni naru' and 'AM4:50', which were included in previous eps and beloved by fans.

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Tonight I'll Go Down Swingin': A Tribute To Don Heffington

LP | 2024 | US | Original (Nine Mile)

27,99 €*

Always Look Up Silver Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Don Heffington was a musician's musician. Starting his professional career in the late 70s and early 80s as a part of Emmylou Harris' Hot Band and seminal alt-country pioneers Lone Justice, Heffington went on to a session career that included work with Bob Dylan, Dwight Yoakam, The Jayhawks, Dave Alvin, The Wallflowers, and many, many more.

Heffington was also a prolific songwriter, and here, his colleagues and friends pay loving tribute to those songs in a benefit for the Sweet Relief Musicians Fund (Heffington passed away in 2021 from Leukemia). Artists such as Jackson Browne, Fiona Apple, Buddy Miller, Dave Alvin, Watkins Family Hour, Peter Case, and others interpret Don's quirky songs. In the words of Jackson Browne: "I think of (Don) as inhabiting the same Los Angeles as Warren Zevon, Lowell George and Tom Waits.”

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Van Zant

LP | 2024 | EU | Original (Frontiers New Recordings)

61,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Heavy Lifting Limited Colored Vinyl Edition

LP | 2024 | EU | Original (Earmusic)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Siltbreeze)

Ostraaly

Misery Guests

Release: 2024 / US – Original

Genre: Rock & Indie

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To say that the vinyl release of Ostraaly's Misery Guests has overcome monumental challenges isn't hyperbole, but fact. The label had been in cahoots with principal band members Katharine Daly & Leonie Brialey as far back as the Luggs Cd-r in 2016. Initially this release was to see vinyl action, but a series of setbacks prevented that from happening & when we next caught up w/each other it was 2019. Ostraaly was now a full on unit & a new set of tracks entitled Misery Guests was slated for a cassette issue by the estimable Tenth Court label. Katharine was quite keen for Siltbreeze to release it on vinyl & both sides set about to make it happen. Tenth Court released the cassette in Jan of 2020, vinyl to follow. However, a series of mechanical issues-a new track was added, artwork needed to be revamped-reared up & by the time it was off to press, Covid slammed shut the world. Diligence was the key here, as was hope. And as the world began to come out of its pandemic cocoon sometime in 2021, the project was on once more. But in the midst of retrieving new masters & artwork, Katharine Daly passed away unexpectedly, & that shock naturally put everything into what seemed to be a perpetual limbo. The years passed, but never the desire to see this album fulfilled. It was through the tenacity of the surviving band members, relocating & getting Siltbreeze the new masters & jacket art, that this LP finally sees the light of day as it was meant to some 5 years prior.

What you'll find within the grooves of Misery Guests is a band assuredly zoned into what they're laying down. It woozily rollicks in a way that's fetchingly out of step & swings in a rural-like, rough hewn manner that's unimpeachable. To say nothing of the out-of-time folk ruggedness stitched in, which makes these tracks seem almost plucked out of some mid-70's time warp that contemporary alt/retro bands could only dream of conceiving. And while its existence will forever remain bittersweet that Daly isn't here to embrace its ultimate fruition, her spirit is forever locked into every nuance of this stone-cold masterpiece. Dedicated to the memory of Katharine Daly & all who sailed w/her.

FFO: Fairport Convention, Etchingham Steam Band, 'Desire'/Rolling Thunder era Dylan, Patti Smith Group, The Garbage & The Flowers.

Edition of 400.

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LP | 2024 | EU | Original (Earmusic)

Heavy Lifting

Release: 2024 / EU – Original

Genre: Rock & Indie

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7" | 2024 | US | Original (Slovenly)

CPC Gangbangs

Roadhouse EP

11,99 €*

LP | 2024 | US | Original (Iron Lung)

Release: 2024 / US – Original

Genre: Rock & Indie

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CPC Gangbangs don't get out nearly enough, but when it's sharpen-up time, you're always guaranteed a frenzy, and here's Montreal's meanest-muggers making their Slovenly debut with the 3-track "Roadhouse" 7inch. The title song starting off side two—the only original here—is broke down and short. It's followed by fave R&B slammer "Going Back To Philly," originally by Bobby James, and revved-up by Cpcgb jes' right. What we're really here for is the hottest goddamn take of "Rock'n'Roll Enemy No. 1" by Crime you've ever heard, and while Crime might not have intended for this classic to sound this powerful, it's the way you've always hoped to hear it.

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Atomic Prey

35,99 €*

LP | 1981 | US | Reissue (Riding Easy)

Release: 2024 / US – Original

Genre: Rock & Indie

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Atomic PREY’s debut is a total psychedelic d-beat smasher that amplifies the overstimulation, disorientation and emotional extremity of modern life - a debilitating Hell. Fourteen feedback soaked minutes of inspired, hard-hitting noisepunk tackling years of chronic illness, death, demons, poverty, Ptsd and inherited ancestral anxiety. Definitely not for the faint of heart, but out of that darkness comes a release that ignites crazed inner energy and anarcho aggression by a band committed to each other and committed to pushing beyond convention. Just the way we like it. 500 copies on etched b-side black 150gr vinyl housed in a full color 24pt jacket with lyric insert included. Recorded by Evan Mersky. Mastered by Will Killingsworth. Art by A.P. Fielder with layout by Alix Beyer.

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Mammoth

LP | 2024 | US | Original (Pirates Press)

Release: 1981 / US – Reissue

Genre: Rock & Indie

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Mammoth is a grabber right out of the gate, every step they take is unleashed with deadly economical precision. They may flash on Lynyrd Skynyrd and other vintage southern rock traditions but the brilliant way the vocals are recorded and the to-the-point interlocking guitar moves will fire up anybody into any sort of hard rock. They can rip it up with hot leads, probably jammed out on these songs at live shows but lucky us, they laid them down for all times here with the sort of thought out unified force and construction that screams hit radio. Loads of personality, accessible, produced and mixed with the clarity of classic rock that never loses it's perfectly deployed impact. The uncluttered arrangements leave plenty of space, crafted with the kind of balanced mojo in the mix where every detail adds to the whole. Down and dirty but also achieving a universal pop-friendly appeal!

The Mammoth LP was recorded in 1981 at Relayer Studios in DeLand, Florida with the two guitars, bass and drums quartet line-up sounding like it could have been a decade earlier. Buzz Fetters on lead guitar, Bill Abell on rhythm guitar, Joey Costa on bass and Ron Herman on drums… with everybody contributing to the vocals. Rather than having a strong up front emotive singer the lead vocals here are multi-tracked and integrated into the songs with plenty of attitude but also a genre-transcending presence… you can imagine the vocal ambience working in punk, glam, even psychedelic contexts. Mammoth have a sound informed by roots music but it is really in the rear-view mirror the way they roll.

The songwriting here is terrific, they have a way of saying things that comes off as sincere but not too serious. You get plenty of in-your-face hard rock action but also several melodic tracks that have a more reflective charm to round out the trip. And… when you hear their brilliant ode to southern rock titled "Southern Sounds" I challenge you to find any song about the subject more delightful. These guys keep it real, whether they're being bad ass or vulnerable they express themselves with 100% genuine feeling as contagious and life affirming as it gets!

* Heavy Duty Southern Rock from 1981

* OG copy sells for several hundred dollars

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Seized Up

Modify The Sacred

LP | 2024 | US | Original (Iron Lung)

Release: 2024 / US – Original

Genre: Rock & Indie

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Featuring an impressive pedigree including members of Bl’ast!, Good Riddance, THE Distillers, and Fast Asleep, the band picks up right where they left off on their 2020, debut LP, Brace Yourself, with a ten-song barrage of relentless, uncompromising rage, touching on topics such as religion, self-medication, and survival in a—literally and figuratively—sick society. In between playing shows with legendary acts like Quicksand, Fear, R.K.L., and Propagandhi, the band got back together with Paul Miner at Buzzbomb Studios to lay down the follow-up to their explosive debut. All in all, it is a continuation of the band’s fast and hard approach in every way, and if anything, the band is more dialed-in and focused than ever. The songs on the record come from extremely personal and often dark places for singer and lyricist Clifford Dinsmore, such as the first single, “Hanging In The Balance.” He explains, “In the time period I was fighting cancer, I was shacked up, feeling like a prisoner in my own house. Living in a semi-purgatory state, I felt like I was looking at the world from an outside view.” Of the bleak, punishing “Omen Of Despair,” guitarist Danny B simply says, “Musically and lyrically, this is where we feel Seized UP is right now.” The band also re-recorded “Forum Of Decay,” from their 2021 7”, wishing for it to be featured on the album with the laser tightness the band is now playing with after five years as a unit.

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S.H.I.T.

For A Better World