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The Storm - The Storm 50th Anniversary Sunburst Yellow & Purple Vinyl Reissue Edition
The Storm
The Storm 50th Anniversary Sunburst Yellow & Purple Vinyl Reissue Edition
LP | 1974 | Reissue (Wah Wah - Supersonic Sounds)
33,99 €*
Release: 1974 / Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Preorder shipping from 2024-11-11
Probably the most astonishing hard rock LP out of 1970s Spain, repressed by popular demand and this time offering a very limited transparent blue colour run.

THE STORM hailed from Sevilla and were acclaimed by both audience and press reviewers as one of the best rock bands from Spain. The combo was formed by the Ruiz Geniz brothers (Angel and Diego), on guitar and drums respectively, plus Luis Genil (organ) and José Torres (bass).

Their debut album, originally released on Basf in 1974, is one of the Crown jewells of Spanish hard rock, and changes hands for a small fortune among collectors all over the world, especially since its inclusion in Hans Pokora's 'Record Dreams' books.

This LP really rocks. It's high energy hard rock that follows the line marked by the big organ outfits of the era such as DEEP PURPLE, ATOMIC ROOSTER, BRAM STOKER, MEGATÓN...

It has also a deep classic prog sound root, which reaches the top on 'Un Señor Llamado Fernández De Córdoba'.

We are talking of one of the seminal Spanish hard rock LPs.
Günter Schickert - Samtvogel Transparent Yellow Vinyl edition
Günter Schickert
Samtvogel Transparent Yellow Vinyl edition
LP | 1974 | Reissue (Wah Wah - Supersonic Sounds)
37,99 €*
Release: 1974 / Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Preorder shipping from 2024-11-22
’Samtvogel’ has been out of stock for a while but it is still one of more requested releases, so here is an updated pressing with availability in ultra limited 100 only runs of 3 different colored vinyl options. And because we do love old black vinyl, also a limited run in black. Chose your colour or collect the whole set! ;-)

By far one of the most important Krautrock experimental albums made during the ’70s. There are records that come from the soul. No matter how primitive may be the recording techniques the musician has access to, the soul gets its way to the heart and mind of the listener. “Samtvogel” is one of those records. Günter Schickert recorded that amazing piece of human greatness in 1974, using the media he had at the time, putting his brain at work to find the best way of taping everything he had to say. “When I was recording “Samtvogel” in 1974 I had only 2 Taperecorders. I played one track and while listening I added the second one. And so on. Four times. When I mixed all together I borrowed a 3rd taperecorder. And still added the last track to the master. I had a small mixer with 2 stereo and 1 mono but it was possible to pan tracks. No equalization. It all came out of my still living G2000 Dynacord guitar amplifier, of course valve, with no master, even the voice recorded through it. If I made a mistake in 1 track I had to repeat it from the beginning. And if while mixing I was not fast enough in changing the tape I had to start again. So it took me more than 3 months to get ready.”

Thanks to these three months of work, between June and September of 1974, ‘Samtvogel’ was privately issued that same year. It would later be issued on the Brain label, with a small change in the artwork –titles added to the front cover, which weren’t on the original private pressing. Brain also reissued it on the label’s “Rock On Brain” LP series, this time with a completely different sleeve. The album contained two tracks on side one and just one on side two, and its sound has often been compared to the most explorative works of Syd Barret – however it must be pointed that Schickert did not need any mind spreading substances to allow his sounds float out of his mind & soul, they just came out in the most natural way. It will also appeal fans of the echoed athmosferic guitar work of other kraut innovators such as Ash Ra Tempel, Manuel Götsching or A.R. & The Machines, and some may find on the vocal passages certain resemblances to Damo Suzuki on Can's 'Tago-Mago’ era.

The Wah Wah reissue is housed in a quality sleeve that reproduces that of the original 1974 private pressing and features a 4 page insert with liners and photos - sound remastered at Eastside mastering Berlin. Get this bird now, before it flies away again!
The Storm - The Storm 50th Anniversary Black Vinyl Reissue Edition
The Storm
The Storm 50th Anniversary Black Vinyl Reissue Edition
LP | 1974 | Reissue (Wah Wah - Supersonic Sounds)
33,99 €*
Release: 1974 / Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Preorder shipping from 2024-11-22
Probably the most astonishing hard rock LP out of 1970s Spain, repressed by popular demand and this time offering a very limited transparent blue colour run.

THE STORM hailed from Sevilla and were acclaimed by both audience and press reviewers as one of the best rock bands from Spain. The combo was formed by the Ruiz Geniz brothers (Angel and Diego), on guitar and drums respectively, plus Luis Genil (organ) and José Torres (bass).

Their debut album, originally released on Basf in 1974, is one of the Crown jewells of Spanish hard rock, and changes hands for a small fortune among collectors all over the world, especially since its inclusion in Hans Pokora's 'Record Dreams' books.

This LP really rocks. It's high energy hard rock that follows the line marked by the big organ outfits of the era such as DEEP PURPLE, ATOMIC ROOSTER, BRAM STOKER, MEGATÓN...

It has also a deep classic prog sound root, which reaches the top on 'Un Señor Llamado Fernández De Córdoba'.

We are talking of one of the seminal Spanish hard rock LPs.
Plastic Estate - Code D'Amour
Plastic Estate
Code D'Amour
LP | 2024 | EU | Original (Avant!)
24,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie, Pop
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Plastic Estate is a contemporary synth-pop act from Wales, UK.

With an onus placed on atmosphere and refinement, the duo evoke a rich palette of romance and lustre with their polished marque of pop music.

They have garnered support from the likes of Simon Le Bon of Duran Duran, KEXP and BBC Radio, and played sold-out shows with the likes of LA Priest, Home Counties, and Real Lies, as well as playing at large regional festivals like Ritual Union and Sŵn Festival.

Having previously released a 7” and LP with Avant! Records, they are now releasing their second album on 11th October with new tracks gaining critical acclaim being added to BBC Radio Wales’s ‘Welsh A-List’.
Their sophomore album hails a new era for the act; moving away from darker sonic roots, their sound has progressed to a brighter, more polished aesthetic with fresh influences from the ‘Hi-Fi luxury’ of West Coast Sound, and the gloss of 2010s Chillwave.

What’s more, ‘Code d’Amour’ makes you wonder: What is Pop today?

For many years it has been synonymous with melody, harmony and emotions. These days it seems to be still about emotions but not very good ones, probably because the world is as ugly as it’s ever been, have you noticed?

But what about the fundamental role of popular music which is to represent and at the same time to celebrate and enforce the ties of social living? What about the good times?

Yes, there is a lot to be changed and to fight for but good vibes are not just for recreational use, they can literally build a sense of community among people. If you are looking for that kind of sound right now, you should look no further.

FFO: Talk Talk, Blue Nile, Spandau Ballet, Ian Broudie’s Care, Small Black, Alan Palomo of Neon Indian, Wild Nothing.
V.A. - Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition
V.A.
Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition
2LP | 2024 | US | Original (Light In The Attic)
58,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”
V.A. - Why Don't You Smile Now: Lou Reed At Pickwick Records 1964 -1965 Red & Gold Vinyl Edition
V.A.
Why Don't You Smile Now: Lou Reed At Pickwick Records 1964 -1965 Red & Gold Vinyl Edition
2LP | 2024 | US | Original (Light In The Attic)
57,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Light in the Attic, in cooperation with Laurie Anderson and the Lou Reed Archive, is thrilled to announce the forthcoming release of Why Don’t You Smile Now: Lou Reed at Pickwick Records 1964-65. Due out September 27th, the latest installment in LITA’s critically acclaimed Lou Reed Archive Series is a compilation of pop songs penned by Reed during his mid-60s stint as a staff songwriter for the long-defunct label Pickwick Records. The compilation follows on the heels of Lou Reed’s Hudson River Wind Meditations (2023) and Words & Music, May 1965 (2022).

One of the most original and innovative figures in music history, Reed (1942-2013) first gained recognition as co-founder and frontman of the massively influential Velvet Underground. Over the course of his five-decade career, the two-time Rock & Roll Hall of Famer brought his singular vision to an eclectic expanse of musical endeavors, including era-defining albums like 1972’s Transformer and wildly experimental works like the 1975 avant-garde noise classic Metal Machine Music. But before establishing himself as an enduringly iconic singer, songwriter, musician, and poet, Reed got his start as an in-house songwriter (and occasional session guitarist/vocalist) for Pickwick Records—a label specializing in sound-alike recordings that emulated the major pop hits of the day. Encompassing everything from garage-rock and girl-group pop to blue-eyed soul and teen-idol balladry, Reed’s output for Pickwick ultimately offers a fascinating early glimpse at his ever-evolving and truly limitless artistry.

The album has been restored and remastered by GRAMMY®-nominated mastering engineer John Baldwin. Both the 2xLP & CD editions feature in-depth booklets with unseen photos, liner notes by Richie Unterberger (renowned music journalist and author of such acclaimed titles as White Light/White Heat: The Velvet Underground day-by-day), and an essay by Lenny Kaye (the legendary guitarist, Patti Smith Group co-founder, writer, producer, and curator of seminal garage-rock anthology Nuggets). The double-LP package is designed by multi-GRAMMY®-winning artist Masaki Koike and pressed at world-renowned plant Optimal (Germany). A special color vinyl edition is pressed on “Oxblood” wax (a/b side) and “Gold” wax (c/d side). This release marks the first official anthology of Lou Reed’s work for Pickwick Records and features rarities, cult classics (The Primitives’ “The Ostrich”), & previously unreleased material (The Beachnuts’ “Sad, Lonely Orphan Boy”).
V.A. - Why Don't You Smile Now: Lou Reed At Pickwick Records 1964 -1965 Black Vinyl Edition
V.A.
Why Don't You Smile Now: Lou Reed At Pickwick Records 1964 -1965 Black Vinyl Edition
2LP | 2024 | US | Original (Light In The Attic)
53,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Light in the Attic, in cooperation with Laurie Anderson and the Lou Reed Archive, is thrilled to announce the forthcoming release of Why Don’t You Smile Now: Lou Reed at Pickwick Records 1964-65. Due out September 27th, the latest installment in LITA’s critically acclaimed Lou Reed Archive Series is a compilation of pop songs penned by Reed during his mid-60s stint as a staff songwriter for the long-defunct label Pickwick Records. The compilation follows on the heels of Lou Reed’s Hudson River Wind Meditations (2023) and Words & Music, May 1965 (2022).

One of the most original and innovative figures in music history, Reed (1942-2013) first gained recognition as co-founder and frontman of the massively influential Velvet Underground. Over the course of his five-decade career, the two-time Rock & Roll Hall of Famer brought his singular vision to an eclectic expanse of musical endeavors, including era-defining albums like 1972’s Transformer and wildly experimental works like the 1975 avant-garde noise classic Metal Machine Music. But before establishing himself as an enduringly iconic singer, songwriter, musician, and poet, Reed got his start as an in-house songwriter (and occasional session guitarist/vocalist) for Pickwick Records—a label specializing in sound-alike recordings that emulated the major pop hits of the day. Encompassing everything from garage-rock and girl-group pop to blue-eyed soul and teen-idol balladry, Reed’s output for Pickwick ultimately offers a fascinating early glimpse at his ever-evolving and truly limitless artistry.

The album has been restored and remastered by GRAMMY®-nominated mastering engineer John Baldwin. Both the 2xLP & CD editions feature in-depth booklets with unseen photos, liner notes by Richie Unterberger (renowned music journalist and author of such acclaimed titles as White Light/White Heat: The Velvet Underground day-by-day), and an essay by Lenny Kaye (the legendary guitarist, Patti Smith Group co-founder, writer, producer, and curator of seminal garage-rock anthology Nuggets). The double-LP package is designed by multi-GRAMMY®-winning artist Masaki Koike and pressed at world-renowned plant Optimal (Germany). A special color vinyl edition is pressed on “Oxblood” wax (a/b side) and “Gold” wax (c/d side). This release marks the first official anthology of Lou Reed’s work for Pickwick Records and features rarities, cult classics (The Primitives’ “The Ostrich”), & previously unreleased material (The Beachnuts’ “Sad, Lonely Orphan Boy”).
Al Di Meola - Across The Universe
Al Di Meola
Across The Universe
2LP | 2020 | EU | Original (Ear Music)
44,99 €*
Release: 2020 / EU – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
180 gram vinyl. Original inner sleeves included. Front cover signes by artist.
The Primates - We Are The Primates
The Primates
We Are The Primates
LP | 1986 | EU | Reissue (Munster)
25,99 €*
Release: 1986 / EU – Reissue
Genre: Rock & Indie
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This 1986 album by The Primates remain as the only recording ever released by these four 60s r&b and garage fans. Originally published on Greg Shaw's very own Voxx (Bomp! sublabel focused on revival garage/psychedelia) and produced by Shaw himself, this valuable musical document that portraits the essence of the L.A. 80s garage scene, has been out of print for more than 20 years! So we thought it would be a perfect record to reissue as part of our Bomp! reissue series. The Primates were formed in 1984 and cut their teeth at L.A. spots such as the Cavern Club, as part of a growing scene of devoted Nuggets/Pebbles fans, fascinated with 1960s garage punk classics. The core of the band were Brett Miller and Ted Edlefsen, sporting Vox guitars, and Erik Bluhm as front man, with different drummers, mostly Brian Corrigan but then also Eric from Threw the Looking Glass and Gene from The Miracle Workers. The opener 'I Ain't Like You', 'Bad Luck' or the fun cover of Neil Sedaka's 'I Go Ape' reflect the wild, party-driven mood of the entire album, making you wonder how crazy their shows were in the golden era of the L.A. 80s garage scene. Combining originals and versions (check their great take on Q65's 'I Got Nightmares'), "We Are The Primates" remains as a wild, raw, party album that every fan of garage music should own. Munster is thrilled to reissue this essential '80s garage gem as part of a series of releases celebrating Bomp! 50th anniversary. Our issue includes a booklet with liner notes and rare photos and ephemera.
Uriah Heep - Salisbury
Uriah Heep
Salisbury
LP | 2015 | UK | Original (Sanctuary)
24,99 €*
Release: 2015 / UK – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Sealed, Cover: Sealed
Uriah Heep - Wonderworld
Uriah Heep
Wonderworld
LP | 2015 | EU | Original (Sanctuary)
27,99 €*
Release: 2015 / EU – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Sealed, Cover: Sealed
Uriah Heep - Return To Fantasy
Uriah Heep
Return To Fantasy
LP | 2015 | EU | Original (Sanctuary)
27,99 €*
Release: 2015 / EU – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Uriah Heep - Look At Yourself 50th Anniversary Edition
Uriah Heep
Look At Yourself 50th Anniversary Edition
LP | 1971 | EU | Reissue (Bmg / Sanctuary)
24,99 €*
Release: 1971 / EU – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: Sealed, Cover: Sealed
Foreigner - Foreigner With The 21st Century Symphony Orchestra & Chorus
Foreigner
Foreigner With The 21st Century Symphony Orchestra & Chorus
| 2018 | DE | Original (Ear Music)
31,99 €*
Release: 2018 / DE – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Sealed, Cover: Sealed
Kiwi Jr. - Chopper
Kiwi Jr.
Chopper
LP | 2022 | US | Original (Sub Pop)
19,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Clusterfux - Defy
Clusterfux
Defy
LP | 2024 | US | Original (Beer City)
28,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Beer City is stoked to bring you Defy! The newest full length from long standing Denver, CO crossover legends Clusterfux!Clusterfux has been going strong since 1995. This is by far their best full length yet. It contains 14 songs of their potent blend of hardcore/punk and thrash metal that hearkens back to the crossover glory days of the 1980s. With relentless energy and raw sound keep them firmly rooted in the present. Clusterfux has shared the stage with and drawn inspiration from bands like D. R. I. , Beat the Bastard era EXPLOITED, FINAL CONFLICT, THE ACCUSED, AGNOSTIC FRONT, NAPALM DEATH and SUBHUMANS. Straddling the worlds of punk and metal, they have carved out a niche that appeals to both crowds. In the Beer City tradition of not cutting corners, this album was recorded, mixed and mastered in MN by the legendary Adam Tucker at Signaturetone Studios. With album art and layout by Carl Steinhagen!At the end of the day, mohawk-wearing punks and battle-denim-donning thrashers agree that Clusterfux - Defy is paramount!It's available on LP, CD and cassette! So there is something for everyone!
Kiwi Jr. - Chopper
Kiwi Jr.
Chopper
LP | 2022 | US | Original (Sub Pop)
24,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Sealed, Cover: Sealed
Still sealed.
Steely Dan - Greatest Hits Live Colored Vinyl Edition
Steely Dan
Greatest Hits Live Colored Vinyl Edition
LP | 2024 | UK | Original (Get Yer Vinyl Out)
30,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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Casting a net over a recording career that spans over 20 years to capture the essence of the Becker/Fagen songwriting vortex is a hard task, but remains highly rewarding work for the compiler and joy for the listener. Thus, the two selected performances here from the ‘All American Tour’ of 1974 combine highlights from their first four albums with their signature classic Do It Again rounding off the 1972-74 timeline. Their return to the stage in 1993 was a hotly anticipated event and saw a broader line-up, bringing back classics from the 1975-1980 period of studio isolation. However, it was clear that the real stars of Steely Dan’s 1993 reunion tour weren’t simply Becker and Fagen alone, but the songs themselves, those gorgeously crafted pop confections; all sleek surface and clandestine passion. When music is this timeless, the word nostalgia doesn’t apply.Get Yer Vinyl Out celebrates the legacy of Steely Dan, live on stage with a selection of ten of their greatest hits beautifully restored and professionally remastered. Presented with background notes. Side 11 Pretzel Logic 5.22 *2 Bodhisattva 4.46 **3 Reelin’ In The Years 4.23 **4 Rikki Don’t Lose That Number 4.03 **5 Your Gold Teeth Jam 5.29 **6 Peg 4.21 ***Side 21 Do It Again 7.37 **2 Deacon Blues 7.40 ***3 Hey Nineteen 5.42 ***4 The Royal Scam / Bad Sneakers / Aja 7.37 **** University Of California, Irvine, CA, March 10th 1974 KSAN-FM** The Record Plant, Sausalito, CA, March 20th 1974 KMET-FM*** Riverport Amphitheater, Maryland Heights, MI, September 1st 1993 KLLT-FM
Jerry Cantrell - I Want Blood Red Vinyl Edition
Jerry Cantrell
I Want Blood Red Vinyl Edition
LP | 2024 | Original (Double J)
45,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Annarella And DJango - Jouer
Annarella And DJango
Jouer
LP | 2024 | Original (We Are Busy Bodies)
24,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Lee Oskar = Lee Oskar & War - Lee Oskar = 約束の旅
Lee Oskar = Lee Oskar & War
Lee Oskar = 約束の旅
LP | 1976 | JP | Original (LAX)
5,99 €*
Release: 1976 / JP – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
Japanese pressing, no Obi.
Joe Satriani - The Elephants Of Mars
Joe Satriani
The Elephants Of Mars
2LP | 2022 | EU | Original (Ear Music)
15,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: VG+
Gatefold cover with slight wear!
Aeera - Phantast
Aeera
Phantast
LP | 2024 | EU | Original (Vendetta)
24,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Joe Satriani - The Elephants Of Mars
Joe Satriani
The Elephants Of Mars
2LP | 2022 | EU | Original (Ear Music)
19,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Sealed, Cover: Sealed
Wild Classical Music Ensemble - Confined
Wild Classical Music Ensemble
Confined
LP | 2024 | EU | Original (Born Bad)
24,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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The Wild Classical Music Ensemble is a Belgian experimental rock band formed in 2007 by artists with mental disability within the social-artistic non-profit organisation Wit.h in Kortrijk. Their unique sound is a blend of punk/rock riffs, fanatical rhythms and soaring flutes and fiery synths, over which gravitate multiple, multilingual voices that scratch harshly as much as they comfort. There's something very Belgian about this harshness and noisiness. We often think of compadre Arno, from the TC Matic era.During the Covid crisis, the disabled members of the Wild Classical Music Ensemble were undoubtedly subjected more than others to the harsh conditions of confinement, alone in their rooms. Damien Magnette was still able to visit them with sound equipment. This was one of their all-too-few windows onto the world. Forbidden to meet, let alone play together, the members of Wild were nevertheless able to compose songs in tandem with Damien. The tracks were then sent to musician friends - Fabrice Gilbert, Ava Carrère, Wim Opbrouck, Shht, Arthur Satàn, Nathan Roche and Julien ZLDR - who added their artistic touch. Jean Lamoot and Carl Roosens joined the adventure, one as mixer, the other as video director.It's a result of the conditions under which it was created, this is the band's most highly-produced album, and perhaps its most accessible: frankly rock, with a great deal of freedom in production, and sometimes with a certain pop allure. Jean Lamoot's contribution to the mix had a lot to do with it. In addition, the forced slowdown allowed us to devote much more time and attention to writing the lyrics.Leader Damien Magnette says: "For over a year, we were all confined. But what about when you're a mentally handicapped person? Well, it's very different from you and me... We have the right to choose, the luxury of deciding for ourselves what rules we want to follow or not. We have free will. They don't. This series of confined songs is dedicated to all the people who have gone through this...
Julius Lind - Lights
Julius Lind
Lights
LP | 2024 | Original (Kapitän Platte)
28,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Psych, space, kraut and drones from songwriter Julius Lind and his trio with members from Action & Tension & Space, The Megaphonic Thrift and Gold Celeste.Arising from the Norwegian alternative scene they experiment with a vibrant mix of genres and refer to many golden eras on the history of pop and rock music!The album was recorded in Studio Paradiso with Christian Engfelt (Cato Salsa Experience) as technician and co-producer in 2023.
Viagra Boys - Cave World
Viagra Boys
Cave World
LP | 2022 | Original (Year0001)
19,99 €*
Release: 2022 / Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG+
Still shrink wrapped but opened.
Cover as new with slightly dented corners.
Record with some paper scuffs is slightly warped but still enjoyable.
Includes original inner sleeve.
MC5 - Thunder Express Yellow Vinyl Edition
MC5
Thunder Express Yellow Vinyl Edition
LP | 2024 | EU | Original (Jungle)
25,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Preorder shipping from 2024-11-22
MC5 (Motor City Five), the legendary Detroit band. Their first single (included here) was released in 1967. In 1968 they played the infamous Democratic Convention that turned into a police riot, and they went on to be the "Official White Panther Party Band". Their manager John Sinclair became a hippie martyr, after being jailed for 10 years for 2 joints, inspiring John Lennon"s "10 For 2" song. Thrown off their first label Electra, they signed to Atlantic for 2 more albums but only achieved underground success. Now greatly revered as one of the seminal rock"n"roll bands and a huge inspiration for punk. Thunder Express documents their last and first studio works: - six tracks recorded in France at Studio Castle Herouville for a TV show in 1972; plus four tracks from their debut singles from "67 & "68. The title track is not available elsewhere. In 2024 MC5"s guitarist Wayne Kramer, drummer Dennis Thompson and manager John Sinclair all passed away, marking the end of the MC5 era.
V.A. - No-Ones Listening Anyway - UK DIY Post Punk & Dubs 1980-1984 (Volume 1) Compiled By Jason Boardman
V.A.
No-Ones Listening Anyway - UK DIY Post Punk & Dubs 1980-1984 (Volume 1) Compiled By Jason Boardman
LP | 2024 | UK | Original (Caroline True)
27,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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Lots of crazy 80s UK stuff on here.

An album of early 1980s Post-Punk era musical bedroom & small studio innovations & DIY Inspirations - Featuring rarely / never heard cuts from that period. Including tracks sampled by DJ Shadow & a singular Post-Punk era back-handed tribute JCC track :-) From Coventry's 2-Tone associated Skeet to Surface Mutants Cabaret Voltaire facilitated Dub & the out-there pastoral Post-Punk spaciness of The Dealers ..A rich vein .

"This is a snapshot of a fertile time in UK music, a time of independent artists, studios, labels & distributors collaborating to do it themselves, sidestepping the majors to take their shot at the big time. It didn't always work out but they made a record and that's what counts. It is a collection of the lost and overlooked - not intended to be a definitive guide to the period but an opportunity to shine a light on the creative output of these artists and share them once again so they can get the recognition they deserve."

(Jason Boardman May 2024 - Jason Boardman ( Before I Die Records) Celebrated Manchester club-night curator & record Label Owner , DJ & digger - supreme.
Jerry Garcia & David Grisman - Rare Bones Colored Vinyl Edition
Jerry Garcia & David Grisman
Rare Bones Colored Vinyl Edition
2LP | 2024 | UK | Original (Round)
57,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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Preorder shipping from 2024-12-13
Round Records IS Proud TO Reintroduce THE Recordings OF David Grisman & Jerry Garcia AT Retail With THE Debut OF Bare Bones, a collection of duo performances exploring the foundation of their beloved studio recordings.

After over 30 years, Grisman has opened the Dawg Vault to curate a collection honoring the magic of their studio works. They are presented for the first time in their original unadorned state as part of a vinyl series
Jerry Garcia & David Grisman - Rare Bones Black Vinyl Edition
Jerry Garcia & David Grisman
Rare Bones Black Vinyl Edition
2LP | 2024 | UK | Original (Round)
57,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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Preorder shipping from 2024-12-13
Round Records IS Proud TO Reintroduce THE Recordings OF David Grisman & Jerry Garcia AT Retail With THE Debut OF Bare Bones, a collection of duo performances exploring the foundation of their beloved studio recordings.

After over 30 years, Grisman has opened the Dawg Vault to curate a collection honoring the magic of their studio works. They are presented for the first time in their original unadorned state as part of a vinyl series
Pet Products - Pet Products Orchid Vinyl Edition
Pet Products
Pet Products Orchid Vinyl Edition
LP | 2024 | US | Original (Kill Rock Stars)
28,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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the Reagan era was just getting started and Pet Products came crashing through as the first Olympia punk band made up of all local kids. Now the band's lo-fi frenetic energy and glimpses of pop brilliance are available on vinyl for the first time. 16 tracks providing the perfect snapshot of Olympia's emerging punk scene and its pioneers who went on to other great Olympia bands (Lush, Young Pioneers) and Sub Pop bands (Swallow, Creep). Found somewhere in that mixtape playlist between Dead Boys and The Damned providing all the rebellion power and snarl to feed any and all teenage frustrations.
V.A. - Even The Forest Hums: Ukrainian Sonic Archives 1971-1996
V.A.
Even The Forest Hums: Ukrainian Sonic Archives 1971-1996
2LP | 2024 | US | Original (Light In The Attic)
55,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”
Wild Pink - Dulling The Horns Mustard Yellow Vinyl Edition
Wild Pink
Dulling The Horns Mustard Yellow Vinyl Edition
LP | 2024 | US | Original (Fire Talk)
30,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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“Do you still believe it?” John Ross asks that question after journeying through the wreckage. The genesis of Dulling The Horns goes back to late 2022, when Ross began workshopping new material during soundcheck on the ILYSM tour. Last summer, Wild Pink decamped to western Massachusetts to reunite with engineer Justin Pizzoferrato. Ross decided to record Dulling The Horns live in the room, in an effort to capture Wild Pink’s onstage style — rawer, grainier. Gone are the glimmering atmospherics and studio affectations of recent Wild Pink outings. Instead, Ross’ voice is haggard against the humid distortion coating every song. “I wanted to make economical songs,” Ross explains. “Music that is very much at its core three or four people rocking.” If before, Wild Pink took notes from Springsteen and Petty, they’ve now entered their Crazy Horse era. On Dulling The Horns, you can hear him rediscovering the fire in real time. Tropes discarded along the roadside, songs pulled from the formative DNA of rock music, all filtered through years of messy fog. “There is no answer to these problems,” Ross says, having eventually yielded. But as far Dulling The Horns is concerned, there’s at least one path forward: Burn it all away, and keep moving. The album was mixed by Alex Farrar in Asheville NC, mastered by Greg Obis in Chicago, IL and is out in October on Fire Talk.
Wild Pink - Dulling The Horns Black Vinyl Edition
Wild Pink
Dulling The Horns Black Vinyl Edition
LP | 2024 | US | Original (Fire Talk)
30,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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“Do you still believe it?” John Ross asks that question after journeying through the wreckage. The genesis of Dulling The Horns goes back to late 2022, when Ross began workshopping new material during soundcheck on the ILYSM tour. Last summer, Wild Pink decamped to western Massachusetts to reunite with engineer Justin Pizzoferrato. Ross decided to record Dulling The Horns live in the room, in an effort to capture Wild Pink’s onstage style — rawer, grainier. Gone are the glimmering atmospherics and studio affectations of recent Wild Pink outings. Instead, Ross’ voice is haggard against the humid distortion coating every song. “I wanted to make economical songs,” Ross explains. “Music that is very much at its core three or four people rocking.” If before, Wild Pink took notes from Springsteen and Petty, they’ve now entered their Crazy Horse era. On Dulling The Horns, you can hear him rediscovering the fire in real time. Tropes discarded along the roadside, songs pulled from the formative DNA of rock music, all filtered through years of messy fog. “There is no answer to these problems,” Ross says, having eventually yielded. But as far Dulling The Horns is concerned, there’s at least one path forward: Burn it all away, and keep moving. The album was mixed by Alex Farrar in Asheville NC, mastered by Greg Obis in Chicago, IL and is out in October on Fire Talk.
Class - A Healthy Alternative
Class
A Healthy Alternative
LP | 2024 | US | Original (Feel It)
29,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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My mates went on holiday to the Isles for this one. Galactic romantic entropy three sheets to the 'Wind. Saxy glimmers, broken sunbeams, oil dancing in a puddle of water in a parking lot somewhere in St. Louis or Birmingham. And just as first-wave yankee punk was decidedly solipsistic, the Poms folded in a more civic bent to explain the zeitgeist of generational disaffection. Is 'Scared To Care' about spikey punks whose apartments are littered with Amazon boxes? Is 'Biggest Sale of The Year' an indictment of late-stage capitalism? Is 'The Milkman' an effective populist who wants you to sink so that he can swim? Is this record more political than those dystopian hardcore records you sold when a nice girl opened your eyes once? Merely conjecture...

It's an album dripping with clandestine musical intelligence, artisanal song-writing, great voices. The illegitimate son of Dinosaurs' bassist isn't in the mix this time, but I can assure you his spirit is there—I can almost hear the glass of side mirrors cascading to Richmond Ave on a drunken bike ride 15 years before Josh Allen and Conway The Machine made The City That Always Sleeps cool! (not recommended... you truly cannot cheat Carma).

What is soul? Soul is finding your own catalytic converter at the thrift store. Soul is trying out for the Harlem Globetrotters on your 37th birthday and it not going so well. Soul is wearing those attractive bygone eras on your sleeve without hesitation or embarrassment. Pentatonic rock didn't exactly bubble from a serious bog, and when adults who partake become artistically conservative, grow egos in a Petri dish somewhere in the well-adjusted hyper-capitalist cityslicker life they've created because they can seemingly play Vibrators riffs better than the actual kids, everything is lost! Class know this, resisting that spiritual deficit of our collective moment with the voice of honest men trying to have fun in this fuckin' wacky world, unafraid to rhyme words like 'narcissist' and 'anarchist'. I mean, how many songs wouldn't have a pinky toe to pirouette on if 'school' and 'fool' didn't rhyme?! Now get your ass to Class."—Brandon Gaffney
Ostraaly - Misery Guests
Ostraaly
Misery Guests
LP | 2024 | US | Original (Siltbreeze)
29,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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To say that the vinyl release of Ostraaly's Misery Guests has overcome monumental challenges isn't hyperbole, but fact. The label had been in cahoots with principal band members Katharine Daly & Leonie Brialey as far back as the Luggs Cd-r in 2016. Initially this release was to see vinyl action, but a series of setbacks prevented that from happening & when we next caught up w/each other it was 2019. Ostraaly was now a full on unit & a new set of tracks entitled Misery Guests was slated for a cassette issue by the estimable Tenth Court label. Katharine was quite keen for Siltbreeze to release it on vinyl & both sides set about to make it happen. Tenth Court released the cassette in Jan of 2020, vinyl to follow. However, a series of mechanical issues-a new track was added, artwork needed to be revamped-reared up & by the time it was off to press, Covid slammed shut the world. Diligence was the key here, as was hope. And as the world began to come out of its pandemic cocoon sometime in 2021, the project was on once more. But in the midst of retrieving new masters & artwork, Katharine Daly passed away unexpectedly, & that shock naturally put everything into what seemed to be a perpetual limbo. The years passed, but never the desire to see this album fulfilled. It was through the tenacity of the surviving band members, relocating & getting Siltbreeze the new masters & jacket art, that this LP finally sees the light of day as it was meant to some 5 years prior.

What you'll find within the grooves of Misery Guests is a band assuredly zoned into what they're laying down. It woozily rollicks in a way that's fetchingly out of step & swings in a rural-like, rough hewn manner that's unimpeachable. To say nothing of the out-of-time folk ruggedness stitched in, which makes these tracks seem almost plucked out of some mid-70's time warp that contemporary alt/retro bands could only dream of conceiving. And while its existence will forever remain bittersweet that Daly isn't here to embrace its ultimate fruition, her spirit is forever locked into every nuance of this stone-cold masterpiece. Dedicated to the memory of Katharine Daly & all who sailed w/her.

FFO: Fairport Convention, Etchingham Steam Band, 'Desire'/Rolling Thunder era Dylan, Patti Smith Group, The Garbage & The Flowers.

Edition of 400.
Zwo Eins Risiko - Zwo Eins Risiko
Zwo Eins Risiko
Zwo Eins Risiko
LP | 2023 | EU | Original (Omn Label Services)
24,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG+
Record with just a few paper scuffs.
Includes original inner sleeve.
Las Mosquitas - Las Mosquitas
Las Mosquitas
Las Mosquitas
LP | 1965 | EU | Reissue (Sommor)
24,99 €*
Release: 1965 / EU – Reissue
Genre: Rock & Indie
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Preorder shipping from 2024-11-15
Infectious rock&roll, surf, beat, girl group and ye-yé sounds by LAS Mosquitas, the first female beat band from Argentina.

Including their rare album from 1965 for the Music Hall label plus bonus tracks from singles and their impossible to find split EP with Los Gatos Salvajes.

Las Mosquitas (“The Little Flies”) consisted of Stella Maris Conde (Pupé) on vocals and guitar, María Cristina Medina (Nita) on bass, Ana María Millán (Nené) on vocals and guitar and Beatriz Cabrera (Dina) on drums. They performed their original compositions as well as Spanish sung covers of hits from the era. Producer Ricardo Romero of pioneering rock&roll Argentinean band Los Cinco Latinos took them under his wing and secured a deal with the Music Hall label.

They toured nationally and internationally, sometimes supporting Los Cinco Latinos, other times as the main act. Not only that, but they conquered every city they performed in, they were received by fans, ambassadors, presidents and their daughters, all eager to see Las Mosquitas on stage. Tours through Panamá, the Dominican Republic, Peru, Puerto Rico, Chile, Uruguay, Brasil, Curazao and Argentina were completed with fantastic public response and TV appearances.

The “Mosquitamania” was born and a string of singles and a full album on the Music Hall label followed. All of them are compiled here for the first time.

“Their music was a mix of ye-yé and beat and they dressed how you would expect the Beatles to dress if they had been women” - Gareth Wynne (Ugly Things)
The Fluid - Glue Silver Vinyl Edition
The Fluid
Glue Silver Vinyl Edition
LP | 1990 | US | Reissue (Sub Pop)
30,99 €*
Release: 1990 / US – Reissue
Genre: Rock & Indie
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Preorder shipping from 2024-12-06
The Fluid are arguably the great unsung band from the fertile underground rock scene of the late '80s and early '90s. The Denver five-piece - John Robinson (vocals), James Clower (guitar), Matt Bischoff (bass), Garrett Shavlik (drums), and the dear departed Ricky Kulwicki (guitar) - fused the fire of '80s hardcore with crunching Detroit protopunk, '60s garage rock, and '70s rock swagger. Think MC5, Faces, '70s Stones, all cranked up and really high on Sex Pistols and Black Flag singles. Rising from the ashes of early-'80s Denver bands Frantix (whose "My Dad's a Fuckin' Alcoholic" is a true gem of American punk) and White Trash, The Fluid were the first non-Seattle band to sign to Sub Pop, and Clear Black Paper was the second full-length album the label ever released. The label honchos were fans of Frantix, and happily got involved with The Fluid when the opportunity arose via the label's European licensing partner, Glitterhouse. Witnessing The Fluid's dominant live presence helped - a particularly fiery early show at Seattle's Central Tavern featured The Fluid, Mudhoney, Mother Love Bone, and Soundgarden all trying to outdo one another on stage. The band fit right in on Sub Pop's nascent roster of acts who, wherever they stood on the spectrum of punk/rock/metal, shared a commitment to thunderous riffs and explosive live shows. Legendary for their ferocious stage presence, The Fluid toured all over the US and Europe, holding their own and then some on bills with Mudhoney, Nirvana, Soundgarden, Dinosaur Jr., and other powerhouses of the era. From 1986 to 1993, The Fluid put out four albums and a number of EPs and singles, including a split 7" with Nirvana in 1991, before doing one album for a major label and promptly disbanding.Yet, while their partners-in-crime bulldozed into the mainstream, The Fluid remained something of a cult band, their audience confined to those who got hip during the band's existence, and crate diggers who nabbed original vinyl or CDs, which had quickly become rarities after sellin...
The Fluid - Roadmouth Lime Vinyl Edition
The Fluid
Roadmouth Lime Vinyl Edition
LP | 1989 | US | Reissue (Sub Pop)
30,99 €*
Release: 1989 / US – Reissue
Genre: Rock & Indie
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Preorder shipping from 2024-12-06
The Fluid are arguably the great unsung band from the fertile underground rock scene of the late '80s and early '90s. The Denver five-piece - John Robinson (vocals), James Clower (guitar), Matt Bischoff (bass), Garrett Shavlik (drums), and the dear departed Ricky Kulwicki (guitar) - fused the fire of '80s hardcore with crunching Detroit protopunk, '60s garage rock, and '70s rock swagger. Think MC5, Faces, '70s Stones, all cranked up and really high on Sex Pistols and Black Flag singles. Rising from the ashes of early-'80s Denver bands Frantix (whose "My Dad's a Fuckin' Alcoholic" is a true gem of American punk) and White Trash, The Fluid were the first non-Seattle band to sign to Sub Pop, and Clear Black Paper was the second full-length album the label ever released. The label honchos were fans of Frantix, and happily got involved with The Fluid when the opportunity arose via the label's European licensing partner, Glitterhouse. Witnessing The Fluid's dominant live presence helped - a particularly fiery early show at Seattle's Central Tavern featured The Fluid, Mudhoney, Mother Love Bone, and Soundgarden all trying to outdo one another on stage. The band fit right in on Sub Pop's nascent roster of acts who, wherever they stood on the spectrum of punk/rock/metal, shared a commitment to thunderous riffs and explosive live shows. Legendary for their ferocious stage presence, The Fluid toured all over the US and Europe, holding their own and then some on bills with Mudhoney, Nirvana, Soundgarden, Dinosaur Jr., and other powerhouses of the era. From 1986 to 1993, The Fluid put out four albums and a number of EPs and singles, including a split 7" with Nirvana in 1991, before doing one album for a major label and promptly disbanding.Yet, while their partners-in-crime bulldozed into the mainstream, The Fluid remained something of a cult band, their audience confined to those who got hip during the band's existence, and crate diggers who nabbed original vinyl or CDs, which had quickly become rarities after sellin...
The Fluid - Clear Black Paper Yellow Vinyl Edition
The Fluid
Clear Black Paper Yellow Vinyl Edition
LP | 1988 | US | Reissue (Sub Pop)
30,99 €*
Release: 1988 / US – Reissue
Genre: Rock & Indie
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Preorder shipping from 2024-12-06
The Fluid are arguably the great unsung band from the fertile underground rock scene of the late '80s and early '90s. The Denver five-piece - John Robinson (vocals), James Clower (guitar), Matt Bischoff (bass), Garrett Shavlik (drums), and the dear departed Ricky Kulwicki (guitar) - fused the fire of '80s hardcore with crunching Detroit protopunk, '60s garage rock, and '70s rock swagger. Think MC5, Faces, '70s Stones, all cranked up and really high on Sex Pistols and Black Flag singles. Rising from the ashes of early-'80s Denver bands Frantix (whose "My Dad's a Fuckin' Alcoholic" is a true gem of American punk) and White Trash, The Fluid were the first non-Seattle band to sign to Sub Pop, and Clear Black Paper was the second full-length album the label ever released. The label honchos were fans of Frantix, and happily got involved with The Fluid when the opportunity arose via the label's European licensing partner, Glitterhouse. Witnessing The Fluid's dominant live presence helped - a particularly fiery early show at Seattle's Central Tavern featured The Fluid, Mudhoney, Mother Love Bone, and Soundgarden all trying to outdo one another on stage. The band fit right in on Sub Pop's nascent roster of acts who, wherever they stood on the spectrum of punk/rock/metal, shared a commitment to thunderous riffs and explosive live shows. Legendary for their ferocious stage presence, The Fluid toured all over the US and Europe, holding their own and then some on bills with Mudhoney, Nirvana, Soundgarden, Dinosaur Jr., and other powerhouses of the era. From 1986 to 1993, The Fluid put out four albums and a number of EPs and singles, including a split 7" with Nirvana in 1991, before doing one album for a major label and promptly disbanding.Yet, while their partners-in-crime bulldozed into the mainstream, The Fluid remained something of a cult band, their audience confined to those who got hip during the band's existence, and crate diggers who nabbed original vinyl or CDs, which had quickly become rarities after sellin...
The Fluid - Punch N Judy Blue Vinyl Edition
The Fluid
Punch N Judy Blue Vinyl Edition
LP | 1986 | US | Reissue (Sub Pop)
30,99 €*
Release: 1986 / US – Reissue
Genre: Rock & Indie
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The Fluid are arguably the great unsung band from the fertile underground rock scene of the late '80s and early '90s. The Denver five-piece - John Robinson (vocals), James Clower (guitar), Matt Bischoff (bass), Garrett Shavlik (drums), and the dear departed Ricky Kulwicki (guitar) - fused the fire of '80s hardcore with crunching Detroit protopunk, '60s garage rock, and '70s rock swagger. Think MC5, Faces, '70s Stones, all cranked up and really high on Sex Pistols and Black Flag singles. Rising from the ashes of early-'80s Denver bands Frantix (whose "My Dad's a Fuckin' Alcoholic" is a true gem of American punk) and White Trash, The Fluid were the first non-Seattle band to sign to Sub Pop, and Clear Black Paper was the second full-length album the label ever released. The label honchos were fans of Frantix, and happily got involved with The Fluid when the opportunity arose via the label's European licensing partner, Glitterhouse. Witnessing The Fluid's dominant live presence helped - a particularly fiery early show at Seattle's Central Tavern featured The Fluid, Mudhoney, Mother Love Bone, and Soundgarden all trying to outdo one another on stage. The band fit right in on Sub Pop's nascent roster of acts who, wherever they stood on the spectrum of punk/rock/metal, shared a commitment to thunderous riffs and explosive live shows. Legendary for their ferocious stage presence, The Fluid toured all over the US and Europe, holding their own and then some on bills with Mudhoney, Nirvana, Soundgarden, Dinosaur Jr., and other powerhouses of the era. From 1986 to 1993, The Fluid put out four albums and a number of EPs and singles, including a split 7" with Nirvana in 1991, before doing one album for a major label and promptly disbanding.Yet, while their partners-in-crime bulldozed into the mainstream, The Fluid remained something of a cult band, their audience confined to those who got hip during the band's existence, and crate diggers who nabbed original vinyl or CDs, which had quickly become rarities after sellin...
Babyshambles - Shotters Nation Clear Vinyl Edition
Babyshambles
Shotters Nation Clear Vinyl Edition
LP | 2007 | UK | Reissue (Parlophone Records / Rhino Records)
31,99 €*
Release: 2007 / UK – Reissue
Genre: Rock & Indie
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The acclaimed 2007 album reissued on 1LP clear vinyl. Taken from the original 2007 masters when Pete Doherty was at the pinnacle of his creative powers, ‘Shotter’s Nation’ followed in the footsteps 'Down In Albion’, the band’s debut album, and Doherty’s first album outside of his first band - the era-defining Libertines. Both were met with commercial and critical acclaim, breaking into the top 10 of the album charts. ‘Shotter’s Nation’ is unmistakably Doherty. Melodic, stark, catchy, raw, brilliantly unique - his music has always created an unflappable loyalty from his many fans, remaining timeless, yet still sending a nostalgic excitement through its listeners. The album also features four songs co-written by Doherty’s then-girlfriend Kate Moss who also regularly performed live with them.

The approach to the recording and release of the album was an escape from Doherty’s previous methods. Stephen Street (The Smiths, Blur, Morrissey, The Cranberries) took over producer duties from The Clash's Mick Jones, and it was and his first album released by a major label, Parlophone. Limited to 2500 copies for National Album Day UK.
Title Fight - Kingston
Title Fight
Kingston
7" | 2008 | US | Reissue (Purple Circle)
16,99 €*
Release: 2008 / US – Reissue
Genre: Rock & Indie
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Title Fight released Kingston, their debut 7", in February 2008 on Flight Plan and Attic Records. Shortly after its release, both labels went defunct and the three-song EP was re-released in 2009 on Six Feet Under Records with an updated layout. This was the first era in which Title Fight was leaving their hometown, traveling around the Mid Atlantic and New England on weekends and on breaks from high school. In summer of 2009, the band released another three-song 7", The Last Thing You Forget, in the middle of their first full-US tour and "Memorial Field," "Loud And Clear," and "Youreyeah" were then included on the CD and digital versions of that release. Since then, this EP has remained out of print in its original format. Purple Circle has now reissued Kingston on a 7" for the first time in 14 years, returning to the original 2008 layout and remastered by Will Yip at Studio 4.
High Rise - Sdisturbance Trip
High Rise
Sdisturbance Trip
2LP | 2024 | US | Original (Black Editions / La Musica)
59,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Ten blistering performances from Tokyo's legendary High Rise. Recorded live in 1992, Disturbance Trip is a previously unreleased, distortion-saturated gem recorded in the same era as their third studio album, Dispersion. Guitarist Munehiro Narita's unmatched ability to channel the pure energy/spirit of rock and roll and hard psychedelia is on full display; his riffs are heavy and propulsive, his solos dizzying and transcendent. Nanjo's fuzz bass lays down hypermobile lines that swing and thunder as he intones lyrics that echo in the distance. Disturbance Trip is the first release on the resurrected La Musica Records, Asahito Nanjo's mystifying, apocryphal cassette label started in the 1990s and documenting the most obscure reaches of the Japanese psychedelic underground. Deluxe double LP housed in custom Unipak-style gatefold jacket and printed inner sleeves with spot metallic inks and gloss UV coating. Featuring: Nanjo Asahito {bass, vocals); Narita Munehiro (guitar); Dr. Euro (drums). Recorded Live in 1992, Tokyo, Japan.
Uriah Heep! - Live At The London Astoria 1989
Uriah Heep!
Live At The London Astoria 1989
2LP | EU (DBQP)
24,99 €*
Release: EU
Genre: Rock & Indie
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Ghost Woman - Hindsight Is 50/50 Black Vinyl Edition
Ghost Woman
Hindsight Is 50/50 Black Vinyl Edition
LP | 2023 | UK | Reissue (Full Time Hobby)
24,99 €*
Release: 2023 / UK – Reissue
Genre: Rock & Indie
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Kailey Rocker - Kailey Rocker
Kailey Rocker
Kailey Rocker
LP | 2024 | US | Original (Nudie)
24,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Kailey Rocker’s debut self-titled solo album is delicate and dreamlike exploration in psychedelic folk, offering a gentle hand across junctures of maturity, love, and actualization. Like looking at classic story songs through a broken mirror, traditional threads of country sounds and melodies shine through the cozy haze of inspired production and accompaniment. Recorded at Business District Recording in Johnson City, NY with Hunter Davidson (Underground River, OLD Lady), Kailey Rocker is a unique collection of incantations with a sound that rears up from the dreamy haze to bite you when you least expect it. Evoking 60s era psych folk and channeling the spirit of the chanteuses of that time, Kailey Rocker has one hand gently cradling the earth with the acoustic guitar and fiddle melodies and one hand reaching towards the cosmos with the haunted, echoing whispers of synth, organ, and flute swirling throughout the layered production.
Area - Tic & Tac Yellow Vinyl Edtion
Area
Tic & Tac Yellow Vinyl Edtion
LP | 1980 | EU | Reissue (The Saifam Group)
41,99 €*
Release: 1980 / EU – Reissue
Genre: Rock & Indie
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Lee Oskar = Lee Oskar & War - Lee Oskar = 約束の旅
Lee Oskar = Lee Oskar & War
Lee Oskar = 約束の旅
LP | 1976 | JP | Original (LAX)
19,99 €*
Release: 1976 / JP – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: VG+
Comes with OBI, original inner sleeve and insert. Minor foxing to cover. Record looks barely played.
Air Supply - Lost In Love
Air Supply
Lost In Love
LP | 1980 | JP | Original (Arista)
3,99 €*
Release: 1980 / JP – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG
Japanese pressing without OBI!
Sun Airway - Soft Fall
Sun Airway
Soft Fall
LP | 2012 | US | Reissue (Dead Oceans)
26,99 €*
Release: 2012 / US – Reissue
Genre: Rock & Indie
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Back with a second album of thoughtful new themes, Sun Airway's Soft Fall takes us to an ethereal layer between worlds. The sonically inspiring sub-strata of Soft Fall began insongwriter/producer Jon Barthmus' house in Philadelphia. Classical foundations were chopped, dissected, and sewn back together by a string quartet in one recording studio, w...
Collage Culture - Examining The 21st Century...
Collage Culture
Examining The 21st Century...
LP | 2012 | EU | Reissue (Ppm)
19,99 €*
Release: 2012 / EU – Reissue
Genre: Rock & Indie
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Limited to 1000 records. Music by No Age. Designed by Brian Roettinger. Special packaging with silk screened plastic sleeves."Collage Culture: Examining the 21st Century's Identity Crisis" is a new work of nonfiction written by Aaron Rose, Mandy Kahn and designed by Brian Roettinger. This companion recording combines audio excerpts from the book's text with an original musical score by NO AGE, examining these questions and allowing the listener space to think. This is a limited record with beautiful and enticing sounds split in two separate channels for your listening pleasure.Brilliantly designed by Brian Roettinger who was nominated for a Grammy for his work on NO AGE's "Nouns" In the essay called "The Death of Subculture," Aaron Rose (Alleged Gallery, director of Beautiful Losers and co-curator of MoCA's record-smashing exhibit Art in the Streets) makes an impassioned call to arms, urging the next generation of artists to end the collage era by adopting a philosophy of creative innovation. And in her essay "Living in the Mess," Mandy Kahn (columnist, Foam magazine) considers whether the collage of references that surrounds us might negatively a_ect the way we feel. Combined with the musical elements of NO AGE, who exhibit that they are in the prime of ambient excursions and findings, this record is not something to miss.
Sandro Perri - Tiny Mirrors
Sandro Perri
Tiny Mirrors
LP | 2007 | Reissue (Constellation)
21,99 €*
Release: 2007 / Reissue
Genre: Rock & Indie
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Following an EP on Constellation in 2006, this is the first full-length recording by Sandro Perri under his own name. Working with some of Toronto's finest avant and improv players, Sandro fully re-invented himself as a singer, lyricist and guitar player, and Tiny Mirrors was the culmination of this transformation - a highly personal collection of songs, shaped by an utterly original approach to composition, performance, and melodic and vocal phrasing. It incorporates elements and sensibilities - albeit in subtle hues - as diverse as Vanguard-era Skip James (and his weary falsetto), post-tropicalia Caetano Veloso (the compositional twists), and the 60s-era axis of hybrid songwriters like Tim Buckley, Tim Hardin, Harry Nilsson and Fred Neil (whose "Everybody's Talkin'" is covered here, re-cast as a rumination on the 'epidemic' of second-hand experience). Perri's simultaneous guitar and kick drum playing is complemented by the cracked wah guitar of labelmate Eric Chenaux on several tracks, with brass, reeds, woodwinds, keys and percussion filling out the arrangements, courtesy of regular bandmates Ryan Driver, Marcus Quin and John Jowett. A handful of other Toronto players contribute on drums, trombone and cello.
Man Or Astro-Man? - Eeviac
Man Or Astro-Man?
Eeviac
LP | 1999 | EU | Reissue (Touch & Go)
30,99 €*
Release: 1999 / EU – Reissue
Genre: Rock & Indie
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Or Sobre Blau - Piri Piri Samplers + O Terço Do Homens
Or Sobre Blau
Piri Piri Samplers + O Terço Do Homens
LP | 2024 | EU | Original (Stroom)
29,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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"'Piri Piri Samplers' was first released by Memorials of Distinction in 2019. The cassette is an attempt to map the members distinct and complementary approaches to the guitar: Serra’s use of pedals and tapes to create thick, winding soundscapes, drones occasionally punctured by splenetic stabs and flourishes; Leonard’s more traditional, direct-line technique, often acting as harmonic foil. A selection of recordings from the 2019 residency has been compiled into a new piece, “O Terço dos Homens”, which will appear on Stroom’s reissue of the Piri Piri Samplers due for release in late 2024”"
V.A. - The Voice Of Love
V.A.
The Voice Of Love
LP | 2024 | EU | Original (Smiling C)
31,99 €*
Release: 2024 / EU – Original
Genre: Organic Grooves, Rock & Indie
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The Voice of Love is a collection of British sophisti-pop and jazz-funk from the 1980s - ten songs ranging from unreleased demos to scarcely pressed 12”s attempt to define the scope of the British underground scene during that era.

The music presented on this release juxtaposes polished aesthetics with a punk ethos; while some bands sported sophisticated looks reminiscent of travel destinations and designer fashion, they also embraced gritty influences from iconic British acts like The Clash, Sex Pistols, and early Factory Records acts. This dynamic interplay between refinement and rebellion lies at the heart of the compilation. Artists like Jakatti, Berlin-Randazzo Band, and Xpertz offer a raw energy akin to Colourbox, Maximum Joy, and A Certain Ratio. Meanwhile, Inheritance, World Series, and Ocean evoke the sound of 52nd Street (Inheritance members went on to form that group) and Freeez (including After Eight’s notable "Southern Freeez" cover). The Goodbye Look and Sonjah & Ian introduce a smoother jazz-pop vibe, drawing inspiration from Sade and the sun-kissed allure of Ibiza.

Curated in collaboration with Michael Patricola, a pioneer in uncovering rare private pressings and obscure recordings, this project is a labor of love. This selection of long-elusive discoveries is a tender ode to the rainy melancholy of English adolescence.
Asarhaddon - Era
Asarhaddon
Era
2LP | 2024 | EU | Original (Vendetta)
34,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Sun Araw - Lifetime
Sun Araw
Lifetime
2LP | 2024 | US | Original (Sun Ark)
47,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Sun Araw"s tenth studio album, Lifetime, continues to investigate space as a motionless field against which many motions are observed! Stasis: wheels within and wheels without! "Dripping Magnetizations! Arcs of Slowing Rotations!" Two LPs at 45 RPM. Mixed by Cameron Stallones & Jake Viator, Mastered by JJ Golden. Please enjoy this adventure in sound.
Ghost Woman - Anne, If White Vinyl Edition
Ghost Woman
Anne, If White Vinyl Edition
LP | 2023 | UK | Reissue (Full Time Hobby)
27,99 €*
Release: 2023 / UK – Reissue
Genre: Rock & Indie
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Live Wire - No Fright
Live Wire
No Fright
LP | 1980 | JP | Original (A&M)
6,99 €*
Release: 1980 / JP – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
Air Supply - Greatest Hits Marbled Numbered Vinyl Edition
Air Supply
Greatest Hits Marbled Numbered Vinyl Edition
LP | 1983 | Reissue (Magic Of Vinyl)
24,99 €*
Release: 1983 / Reissue
Genre: Rock & Indie
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Air Supply - Greatest Hits
Air Supply
Greatest Hits
LP | 1983 | JP | Original (Arista)
13,99 €*
Release: 1983 / JP – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG+, Cover: VG+
Japanese pressing withOBI!
Eric Burdon & War - The Black-Man's Burdon
Eric Burdon & War
The Black-Man's Burdon
2LP | 1970 | US | Original (MGM)
29,99 €*
Release: 1970 / US – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG
Air Supply - The One That You Love
Air Supply
The One That You Love
LP | 1981 | JP | Original (Arista)
7,99 €*
Release: 1981 / JP – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG+, Cover: Near Mint
Japanese pressing with OBI and insert. Vinyl is close to NM.
La Ira De Dios - Hacia El Sol Rojo
La Ira De Dios
Hacia El Sol Rojo
LP | 2005 | DE | Original (Nasoni)
75,99 €*
Release: 2005 / DE – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Red vinyl and cover are close to NM. With insert. Limited edition. Original inner sleeve
Air Supply - The One That You Love
Air Supply
The One That You Love
LP | 1981 | JP | Original (Arista)
6,99 €*
Release: 1981 / JP – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: Near Mint, Cover: VG+
Japanese pressing without OBI!
Jerry Lee Lewis - Killer In Stereo: Cold, Cold Heart
Jerry Lee Lewis
Killer In Stereo: Cold, Cold Heart
LP | 2024 | US | Original (Sun)
32,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Jerry Paper - Free Time Black Vinyl Edition
Jerry Paper
Free Time Black Vinyl Edition
LP | 2022 | US | Original (Stones Throw)
23,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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Arottenbit - You Don't Know What Chiptune Is
Arottenbit
You Don't Know What Chiptune Is
LP | 2024 | EU | Original (Time To Kill)
26,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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arottenbit is an electronic music project born in 2008 by Alessandro 'Otto' Galli (FOH Sound Engineer for Messa, Deafheaven, Pallbearer, Truckfighters, Bongzilla, Fuoco Fatuo).Playing solo with a 1989 NINTENDO GAME BOY or accompanied by hardcore punk drummer Guido Montanarini (PARADISE LOST, IMPLORE, THE SECRET), he soon found himself opening for some of his favorite bands like MELVINS, ATARI TEENAGE RIOT, THE BODY, MELT BANANA, AUTHOR & PUNISHER, FULL OF HELL and performing at major international festivals like ROADBURN 2022, HELLFEST 2022."You Don't Know What Chiptune Is" is a bold exploration of the chiptune genre, pushing the boundaries of 8-bit music with an experimental and innovative approach. Each track on the album is a unique specimen, meticulously crafted to showcase the versatility and depth of chiptune sounds.The album is characterized by its inventive use of 8-bit sound chips, evoking the essence of vintage gaming consoles like Game Boy. arottenbit skillfully manipulates these sounds to create a wide range of textures and atmospheres. The lo-fi, raw quality of the 8-bit era is preserved, while contemporary production techniques enhance the overall listening experience.
Tammy Wynette - Stand By Your Man Vinyl Me, Please Edition
Tammy Wynette
Stand By Your Man Vinyl Me, Please Edition
LP | 1969 | US | Reissue (Vinyl Me, Please)
33,99 €*
Release: 1969 / US – Reissue
Genre: Rock & Indie
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Why you'll love it...
“Knowing Tammy Wynette’s troubled history, and with 50-plus years of social change since the recording and release of Stand By Your Man, it’s difficult to hear the album and not want to scream: Tammy, get out of there; you’re so much better than him! But that’s not to say that the album, which ascended to No. 2 on Billboard’s Country Albums chart and earned a Country Music Association Album of the Year nomination in 1969, isn’t worth listening to. Wynette’s mournful voice, described by her longtime producer Billy Sherrill as ‘husky and soulful and tearful and dynamic,’ was made for songs like these; frankly, so were her real-life experiences. ‘She lived it, you know. She lived every tear every-body ever heard her sing,’ Sherrill once said of Wynette, and he assembled talented musicians to match her delivery in lush, Nashville Sound-era style.”
Caroline Rose - Superstar Vinyl Me, Please Edition
Caroline Rose
Superstar Vinyl Me, Please Edition
LP | 2024 | US | Original (Vinyl Me, Please)
33,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Why you'll love it...
With one foot in a bucket of painfully earnest reflection, and the other in a pool of the sick, sunny oddball pop satire she does so well, Caroline Rose wrote, recorded and produced Superstar in her 10’x12’ home studio and on a portable rig she’d set up in green rooms while touring behind her 2018 album, LONER. The album’s first track finds its protagonist the recipient of an accidental call from Hollywood’s glamorous Chateau Marmont hotel, which they take as a sign to leave everything behind and pursue their star-studded destiny. What ensues is an indulgent, glistening sonic wonderland located at the crash site of innate personal aspiration and a bloated, absurd and fickle collective definition of success, fame and the artist in the era of late-capitalism. Superstar is a double-edge examination of the destructive and motivating forces of the human ego in a time and place that stokes its most aggrandizing desires, all wrapped up in brilliant, wonky modern earworms and a world as shiny as it is unsettling.
Christo Graham - Music For Horses
Christo Graham
Music For Horses
LP | 2024 | Original (We Are Busy Bodies)
24,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Chain Of Strength - The One Thing That Still Holds True Translucent Silver Vinyl Edition
Chain Of Strength
The One Thing That Still Holds True Translucent Silver Vinyl Edition
LP | 1995 | US | Reissue (Revelation)
27,99 €*
Release: 1995 / US – Reissue
Genre: Rock & Indie
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The title of the first song on The One Thing That Still Holds True says it all:
“Impact.” CHAIN OF STRENGTH made one of the most undeniable impressions
of any hardcore band from their era, with a message as outright and direct as any
before them, and perhaps with an in-your-face attitude that was only matched by
the power of their recordings.
This Southern California band struck with the force of a ten-ton truck—merging
the guitar sound of MINOR THREAT with the crunch of CRO-MAGS, and melding
it with an intensity that gained notoriety from coast to coast. Rarely has a band
from the West Coast been able to hold its own with their East Coast counterparts;
CHAIN OF STRENGTH not only held their own, but was considered to be at the
forefront of the movement. Perhaps no other band from this era has been so
often imitated, but never has their power been duplicated.
The One Thing That Still Holds True compiles their entire recorded output, both
the True Till Death and What Holds Us Apart EPs as well as the bonus track
“Impact.” No true fan of hardcore can call their collection complete without this
essential album.
Sam Hunt - Montevallo Vinyl Me, Please Edition
Sam Hunt
Montevallo Vinyl Me, Please Edition
LP | 2014 | US | Reissue (Vinyl Me, Please)
33,99 €*
Release: 2014 / US – Reissue
Genre: Rock & Indie
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Why you'll love it...
Much of Montevallo was deceptive in its simplicity, hiding era-defining songwriting talent and a whole new mode of country crossover behind a seemingly easy-to-replicate formula of marrying traditional country instruments with programmed beats and slick, dynamic melodies. Its velvet revolution won Hunt years of radio dominance and anticipated a tidal wave of what’s been termed “boyfriend country” — legions of imitators who took the singer’s gently flirtatious tack and R&B influences to their cloying extremes. Plenty in Nashville didn’t see Montevallo as a changing of the guard, and even after he’d become a country megastar wrote him off as either a novelty, insufficiently capital-C Country, or both. When confronted with resistance about his own mode of widening country music’s lens Hunt has tended to return to the root of the issue, which runs much deeper than a simple disdain for pop music in country or concern about preserving some of its imagined “authentic” past.
Air Formation - Daylight Storms
Air Formation
Daylight Storms
2LP | 2023 | EU | Original (Club AC30)
44,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Yoth Iria - Blazing Inferno
Yoth Iria
Blazing Inferno
LP | 2024 | EU | Original (Edged Circle Productions)
48,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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The Bug Club - Rare Birds Colored Vinyl Edition
The Bug Club
Rare Birds Colored Vinyl Edition
2LP | 2024 | CA | Original (We Are Busy Bodies)
38,99 €*
Release: 2024 / CA – Original
Genre: Rock & Indie
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Preorder shipping from 2024-11-01
Labelle - Nightbirds Vinyl Me, Please Edition
Labelle
Nightbirds Vinyl Me, Please Edition
LP | 2024 | US | Original (Vinyl Me, Please)
33,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Why you'll love it...
50 years after its release, Nightbirds stands not only as the group’s peak, but as one of the most vibrant and scintillating releases from the glam rock era. In a moment when popular favor tended to congeal around lone white men making music, Labelle dug into the power of its triadic bond. The three voices wove together, each distinct in its character and yet all pulsing with a singular desire: to cleave open the limits of this world and clear the ground for the future that hung just above the clouds, sounding down to us, so close you could taste it in the rain.
Trash Boat - Heaven Can Wait Pink Vinyl Edition
Trash Boat
Heaven Can Wait Pink Vinyl Edition
LP | 2024 | Original (Hopeless)
28,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Emotive and raw, British (St. Albans) punk/alternative band returns with fourth album "Heaven Can Wait." With "Heaven Can Wait.", the band effortlessly blend punk rock and post-hardcore; shining melody and searing lyricism. New album includes features from Eric Vanlerberghe of I Prevail on single "Be Someone" & Kenta Koie of Crossfaith on single "filthy//RIGHTEOUS".Shifting their classic pop-punk to something grittier highlights the extent of the band's development from their very beginnings in 2014, and stresses the transition into a new era for them in 2024.For Fans Of: Trophy Eyes, Boston Manor, The Story So Far, Knuckle Puck, I PrevailPink Colored Vinyl!
Timi Yuro - Make The World Go Away
Timi Yuro
Make The World Go Away
LP | 1963 | US | Original (Liberty)
16,99 €*
Release: 1963 / US – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG+
We Are Muffy - Lost Things Returning
We Are Muffy
Lost Things Returning
LP | 2024 | US | Original (Last Night Glasgow)
36,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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John Michael Montgomery - John Michael Montgomery Vinyl Me, Please Edition
John Michael Montgomery
John Michael Montgomery Vinyl Me, Please Edition
LP | 2024 | US | Original (Vinyl Me, Please)
33,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Why you'll love it...
"Remembrances of ’90s country largely reduce the genre to the twin pillars of Garth and Shania, with a wholesale writing-off of the artists who made the genre as commercially successful as pop in the early-to-mid ’90s. And while it might not be the most beloved period among country connoisseurs — the 2010s and the ’70s seem to be the ordained decades — the era’s artists are worthy of reappraisal, its albums way more charming and enduring than they’ve been given credit for. John Michael Montgomery is a symbol of an era, but it’s also 10 songs of earnest, open and, most importantly, fun country music that you can absolutely love like that."
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We Are Scientists
Tv En Francais: 10th Anniversary
LP | 2024 | US | Original (Universal)
45,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Stick To Your Guns - Keep Planting Flowers Cornetto Black & Red Vinyl Edition
Stick To Your Guns
Keep Planting Flowers Cornetto Black & Red Vinyl Edition
LP | 2025 | EU | Original (Sharptone Inc.)
30,99 €*
Release: 2025 / EU – Original
Genre: Rock & Indie
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V.A. - Cosmic American Music: Motel California Black Vinyl Edition
V.A.
Cosmic American Music: Motel California Black Vinyl Edition
2LP | 2024 | US | Original (Numero Group)
38,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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A companion to 2016's private countryrock overview Cosmic American Music,this second volume goes way past GramParsons' "country-rock plastic dry-fuck"and explores the twangy falsettos andcommercial curiosity that sent the Eaglessoaring. Though rooted in the west coastfolk rock of the late-'60s, these newkids in town rendered a safe-for-thesuburbssound bleached of the hippie era'spolitical strife. 20 tracks, two LPs, andgatefold tip-on sleeve for easy seed andstem separating are included.
V.A. - Cosmic American Music: Motel California Neon Sky Vinyl Edition
V.A.
Cosmic American Music: Motel California Neon Sky Vinyl Edition
2LP | 2024 | US | Original (Numero Group)
41,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Neon Sky Vinyl.A companion to 2016's private countryrock overview Cosmic American Music,this second volume goes way past GramParsons' "country-rock plastic dry-fuck"and explores the twangy falsettos andcommercial curiosity that sent the Eaglessoaring. Though rooted in the west coastfolk rock of the late-'60s, these newkids in town rendered a safe-for-thesuburbssound bleached of the hippie era'spolitical strife. 20 tracks, two LPs, andgatefold tip-on sleeve for easy seed andstem separating are included.
Dawes - Oh Brother Turmeric Yellow Vinyl Edition
Dawes
Oh Brother Turmeric Yellow Vinyl Edition
LP | 2024 | EU | Original (Dead Ringers)
26,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Turmeric Yellow Vinyl.For the first time in almost a decade, brothers Taylor and GriffinGoldsmith grace the cover of a Dawes record. It's just the two of themthis time, and as such, Oh Brother marks a distinctive new chapter forthe California rock band _ one that is both introspective andaccessible, all while maintaining their beloved sense of sincerity.Oh Brother steers Dawes decidedly forward, honoring 15 years ofTaylor and Griffin's musical relationship, as well as the next era of theirband. Each of the nine songs began with just Taylor on guitar andvocals and Griffin on drums. They initially tracked each one livetogether, before adding in additional instrumentation and collaboratingwith touring guitarist Trevor Menear in the studio. Additionally, OhBrother is the first record the brothers have co-produced, workingalongside longtime friend Mike Viola.At this point in the Goldsmith's career, Dawes has cemented itself asone of the most earnest, no-bullshit musical acts out there. They're aband that can move seamlessly between folk rock, piano ballads, andsprawling jams while maintaining both an immediately recognizablesound and a freedom from expectations. Even as the Goldsmithbrothers navigates new chapters in their personal and professionallives, Oh Brother shows how they remain creative, ambitious, andinspired _ what it means to be lifers in a band together.
Gökcen Kaynatan - Moda / Firtina EP
Gökcen Kaynatan
Moda / Firtina EP
7" | 1966 | US | Reissue (Slovenly)
17,99 €*
Release: 1966 / US – Reissue
Genre: Rock & Indie
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Slovenly is proud to present the first ever official reissue of a Turkish holy grail—the 1966 tripped-out surf 45 by Istanbul’s Gökçen Kaynatan. Originals of this record—his first ever release, and from 1966—are so rare that none of our Turkish pals have ever seen a copy, and believe us, they’ve been on the hunt! “Moda / Fırtına” is the platter from his early years as a teenage rock’n’roller, and these two tracks each offer a compelling listen and demand motion. While mostly drenched in the twang of his custom built guitar with relentlessly swinging beats, his budding experimentation with electronics steals the show. Imagine the sought-after Countdown! LP by legendary session man Jimmy Haskell with an Anatolian lean during the peak of modernism and you’re starting to get the point. Gökçen Kaynatan was recently honored by Finders Keepers with an LP reissue of his 70s-era pioneering in electronic realms that reminds of Suicide and Mort Garson, but with the pungent tang of Turkey. This dancefloor ready 7-inch, however, fills a glaring gap for the Wild, and satisfies the raw global itch that is the Slovenly Recordings modus operandi.
Louse - Passions Like Tar
Louse
Passions Like Tar
LP | 2024 | US | Original (Feel It)
29,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Like some mutated phantom lurking in the shadows, Cincinnati based new-wave punks Louse emerge into light with their debut LP Passions Like Tar- a heady and sullen collection of post-punk hits. Louse have been crafting hypnotic, dense gothy anthems since forming in 2021, and continue to do so with Passions like Tar. Since their conception, the group consistently deliver 80’s era-correct, modulated, guitar-driven punk that is informed by bands like Killing Joke, Bauhaus, and Christian Death, but delivered with their uniquely coloured angular riffs and fevered, anguished vocals. Fret not, because you can expect more of their beautifully warped vision executed on Passions Like Tar… out on Feel It Records in 2024.

Passions Like Tar is a collection of intense, evocative songs that traverse a sunless landscape roving between dancy hits like “Thieves” to more spatial, gloomy tracks like “A Potter’s Field”. The songs are stylistically linked by the band's lush guitar and synth arrangements, epically crooned dismal lyrics, and tightly wound primitive drum parts that pulse and prod like amphetamine fueled detonations . The song-structures skew from linear and driving to thoughtfully plotted ballads with an intentionally executed scope. Despite the record's diverse palate, these songs collectively create a cohesive, original, and warped vision of a cryptic yet accessible post-punk dystopia. The band has clearly rallied to create a visceral yet thoughtful record that will gel with seasoned goths and new punks in exploration alike. Louse's Passions like Tar is another glorious reason to shuffle this wild and beautiful mortal coil, dancing into oblivion."—Sims Hardin / u2isagovernmentdrone
Roses Are Red - Conversations
Roses Are Red
Conversations
LP | 2024 | US | Original (Smartpunk)
31,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Ocean colored vinyl. Roses Are Red's Conversations is a heartfelt exploration of emotion, weaving poignant lyrics with dynamic melodies and powerful instrumentation. This vinyl reissue captures the band's raw energy and emotional depth, making it a must-have for both long-time fans and new listeners alike. With it's lush soundscapes and introspective lyrics, Conversations stands as a testament to the mid-2000s post-hardcore and emo scene. Includes the band's cover of Smashing Pumpkins' "Cherub Rock" and a demo version of "Time Signals Progress".
We Are Scientists - Brain Thrust Mastery
We Are Scientists
Brain Thrust Mastery
2LP | 2008 | EU | Reissue (Proper)
46,99 €*
Release: 2008 / EU – Reissue
Genre: Rock & Indie
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We Are Scientists - Brain Thrust Mastery
We Are Scientists
Brain Thrust Mastery
LP | 2024 | EU | Original (Proper)
31,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Sahib Shihab - Sahib's Jazz Party & After Hours Black Friday Record Store Day 2024 Edition
Sahib Shihab
Sahib's Jazz Party & After Hours Black Friday Record Store Day 2024 Edition
2LP | 2024 | US | Reissue (ORG Music)
TBA
The final price is not yet known.
Release: 2024 / US – Reissue
Genre: Rock & Indie
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Coming Soon 2024-11-29, 12:00 CET
RSD Exclusive, Limitation: 1250

Sahib's Jazz Party is an album by saxophonist/flautist Sahib Shihab, recorded live at the Jazzhus Montmartre in Copenhagen, around the same time that he relocated there in 1963. Shihab is joined by flugelhornist Allan Botchinsky, guitarist Ole Molin, drummer Alex Riel, and 17-year old bass prodigy Niels Henning Orsted Pederson. The recordings showcase Sahib’s diversity and dexterity as a player, including his openness to the avant-garde style, expanding on the bop era playing he is known for.
The album is presented here in a gatefold jacket with a bonus LP, including three tracks not available on previously vinyl releases — what we’re referring to as the “After Hours”. The audio has been remastered by Dave Gardner and pressed on audiophile-grade vinyl at Pallas Group in Germany.
War - The Vinyl 1977-1994 Black Friday Record Store Day 2024 Edition
War
The Vinyl 1977-1994 Black Friday Record Store Day 2024 Edition
5xLP | 2024 | Reissue (Rhino)
159,99 €*
Release: 2024 / Reissue
Genre: Rock & Indie
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RSD Exclusive, Limitation: 1500

The Vinyl 1977-1994 is the next in series of the special edition box-sets celebrating WAR's 50+ years of music making.
The Vinyl 1977-1994 includes Platinum Funk (1977), Galaxy (1977), The Music Band (1979), Outlaw (1982) and Peace Sign (1984) and features original new artwork from Dave Van Patten, and newly remastered by Bernie Grundman. This collection travels from the "L.A. Sunshine" to the "Galaxy" and beyond, deep into "The Jungle" and "All Around The World." While each album is wildly different, they all contain WAR's signature genre-defying sound.
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