Search "two+fingers+stunt+rhythms" 82 Items

Clear vinyl. Still sealed with hype sticker.

Afrosound's Mission Was To Emulate The Guitar-Heavy Tropical Sounds Emanating From Perú And Ecuador At The Time. To Add To The Hippie Vibe, There Were Plenty Of Whacky Improvised Vocal Asides (Called 'Inspiraciones'), Plus Custom Fuzz, Wah-Wah, Flange And Echo Effects Boxes For The Guitar And Keyboards. A Barrage Of Odd Sounding Synths, Drum Machines And Other Electronic Flourishes Were Also Sprinkled In To Spice Up The Proceedings. The Dozen Tracks On Afrosound's Debut Long Play Make For A Surprisingly Diverse Palette From Which These Colombian Musicians Painted Their Daring Portrait Of Peruvian Cumbia, Returning The Favor In Bold Colors That Still Resonate Almost 50 Years Later. "La Danza De Los Mirlos" Kicks Off With Most Famous Afrosound Hit Of All, 'Caliventura', A Genius Blend Of Funk And Cumbia. Aside From The Cumbia Amazónica Title Tune, There Are Several Other Covers Including Three Popular Songs By Nelson Y Sus Estrellas, Plus Radically Reimagined Versions Of Various Colombian Costeño Classics Published By Fuentes. Mario "Pachanga" Provides A Sad But Still Groove-Oriented Christmas Son Montuno / Cumbia Hybrid While Fruko Brings Us The Bomba-Funk Ditty 'El Chorrillo' And The Rocking Cumbia Andina Gem 'Cabeza De Chorlito' Where Sepúlveda Channels Enrique Delgado. Fruko Collaborator Hernán "Hercovalle" Colorado Vallejo Rounds Things Out With The Melancholic Psychedelic Cumbia 'Esperando Por Ti', Proving That Every Tropical Party Has To Have Its Down Side As Well. The Record Was Also Released In The Us, Ecuador, Perú, Panamá, Mexico And Venezuela, And Probably Had An Influence Of Its Own, At Least In South America. The Cover Of This Lovingly Restored Reissue Features The Artwork For The Peruvian Edition, Which Was Licensed And Issued By Lima's El Virrey Label In 1974. The Original Fuentes Artwork, With A Far More Outrageous "Cheesecake" Image, Can Be Seen On The Back Cover.

Ipek Yolu is the Turkish name for the Silk Road which connected the East and the West. This band does not deal in silk but they connect flavors, smells and sounds from different corners of the globe, connecting the world.
The band merges bass-heavy electro-tinged cumbia grooves, saz riffs and surf guitar into a multicultural melting pot of South American rhythms, Anatolian folk music and 60s psychedelic rock. A unique universe of sound that bridges the tropical jungles and the dusty deserts in a kaleidoscopic blend of music. Ipek Yolu has used 2020 to write their debut album Tropical Anatolia and are ready to hit the venues and festivals.
The members of Ipek Yolu first got together for an improvised jam session during the Aarhus Roots & Hybrid Festival in 2018. The show was set up as a special one-time-only show merging members from the bands Hudna & Junglelyd. The show ended up lasting for almost three hours. It didn’t take them long to discover they were onto something special. If you know any of these bands mentioned you know you’re in for a body-shaking party, characterised by musical curiosity and improvisation.
The three members of Ipek Yolu have all been part of the Danish music scene for several years. The band leader, Orhan Özgür Turan, is a well-known and respected saz player all over Denmark, and has made a name for himself through his efforts in the Anatolian Folk band Hudna. In 2018 he won an award as Global Roots Artist of the year at The Danish World Music Awards. Olaf Brinch and Lasse Aagaard have worked together for many years making high energy cumbia with their band Junglelyd and Afrobeat with their band African Connection. Olaf is also an integral part of the Danish band AddisAbabaBand. In addition, Olaf and Lasse have toured and recorded with great musicians such as CC Yoyo, former drummer of Fela Kuti, in both Ghana and Denmark. All of the past experiences collided to create Ipek Yolu.

Sealed copy with seam split!

Blue vinyl.

Cover is close to NM.

Copy closer to NM

Like new, seems unplayed. Original inner sleeve and insert included.

Cover with slightly bumped corners

cover is close to NM. Original inner sleeve

Still sealed with hype sticker. Seam split.

Still sealed with hype sticker. 2022 reissue. Red and Blue vinyl Limited edition.

Still in shrink but opened.

1999 reisuee. Limited edition

Ships in a generic sleeve with hype sticker.
Record has some hairlines and a few superficial scratches.

Die cut cover has tears and price tag. With insert. Hand numbered limited edition. White label copy with writings.

OBI is missing. With insert. Tiny wear.

US original.

Record is close to VG+. Cover has slight water damage.

Minor writing on back cover.

Cover with OBI has tiny wear. Vinyl has some slight paper scuffs. Original Japanese pressing.

Still sealed with hype sticker. 2021 reissue.

Copy closer to VG+. Cover with big sticker

US original.

Original inner sleeve with seam splits. Vinyl with a couple of light scuffs

Cover has foxing.

Japanese pressing with obi and insert. Cover has light foxing.

tear in front cover

record has some scratches
fusty stench

Vinyl close to NM. Cover with stains

Promo stamp on cover.

Japanese pressing with Obi.

close to NM. Limited edition. Direct Disk. OBI is missing.

Cover is close to VG+!

Early US reissue. Original inner sleeve. close to NM.

US original.

Japanese pressing with obi.

Closer to VG+.

US original.
Sleeve has taped edges.heavy wear.

Lamination is starting to come off.

Vinyl is dense with light surface scratches and scuffs--will likely cause pop, clicks, and/or background noise

Red vinyl.

No obi.

Lamination lifts. Seamsplit on Top. Record is close to VG+.

Cover has two seam splits and shelf wear.