Search "dam-funk" 83 Items

Vinyl with scuffs and hairlines. Labels with writing and sticker. Cover with creasing.

1999 reisuee. Limited edition

Yellow translucent vinyl. OBI is missing. Limited edition of 500 copies. with insert. 2021 reissue.

Vinyl with many scuffs and hairlines

Vinyl close to NM

Still sealed with hype sticker. 2022 reissue.

Still sealed with hype sticker. 2021 reissue.

Still in shrink but opened.. Vinyl is close to NM. US reissue from 2018.

No Obi, with insert.

Afrosound's Mission Was To Emulate The Guitar-Heavy Tropical Sounds Emanating From Perú And Ecuador At The Time. To Add To The Hippie Vibe, There Were Plenty Of Whacky Improvised Vocal Asides (Called 'Inspiraciones'), Plus Custom Fuzz, Wah-Wah, Flange And Echo Effects Boxes For The Guitar And Keyboards. A Barrage Of Odd Sounding Synths, Drum Machines And Other Electronic Flourishes Were Also Sprinkled In To Spice Up The Proceedings. The Dozen Tracks On Afrosound's Debut Long Play Make For A Surprisingly Diverse Palette From Which These Colombian Musicians Painted Their Daring Portrait Of Peruvian Cumbia, Returning The Favor In Bold Colors That Still Resonate Almost 50 Years Later. "La Danza De Los Mirlos" Kicks Off With Most Famous Afrosound Hit Of All, 'Caliventura', A Genius Blend Of Funk And Cumbia. Aside From The Cumbia Amazónica Title Tune, There Are Several Other Covers Including Three Popular Songs By Nelson Y Sus Estrellas, Plus Radically Reimagined Versions Of Various Colombian Costeño Classics Published By Fuentes. Mario "Pachanga" Provides A Sad But Still Groove-Oriented Christmas Son Montuno / Cumbia Hybrid While Fruko Brings Us The Bomba-Funk Ditty 'El Chorrillo' And The Rocking Cumbia Andina Gem 'Cabeza De Chorlito' Where Sepúlveda Channels Enrique Delgado. Fruko Collaborator Hernán "Hercovalle" Colorado Vallejo Rounds Things Out With The Melancholic Psychedelic Cumbia 'Esperando Por Ti', Proving That Every Tropical Party Has To Have Its Down Side As Well. The Record Was Also Released In The Us, Ecuador, Perú, Panamá, Mexico And Venezuela, And Probably Had An Influence Of Its Own, At Least In South America. The Cover Of This Lovingly Restored Reissue Features The Artwork For The Peruvian Edition, Which Was Licensed And Issued By Lima's El Virrey Label In 1974. The Original Fuentes Artwork, With A Far More Outrageous "Cheesecake" Image, Can Be Seen On The Back Cover.

Reissue from 2021 without OBI.

Still sealed with hype sticker. Tiny wear. 2017 reissue.

Cut corner.

2022 reissue. very close to NM. With insert

With promo sticker. Cut corner. Original US pressing.

Original US pressing.

Vinyl is close to NM. tiny wear

Record plays with surface noise without overpowering the music.

Japanese pressing. No obi. 1978 reissue.

Still sealed with hype sticker. Seam split.

US reissue.

top spine is torn

Japanese pressing, no Obi.

Cover with OBI has tiny wear. Vinyl has some slight paper scuffs. Original Japanese pressing.

Japanese pressing without OBI!

Still in shrink but opened with hype sticker. close to NM. 2005 reissue.

close to NM. 2008 reissue.

Seam split. Original US mono pressing.

Tears in spines. Writing on cover. Drill hole.

Japanese pressing with OBI!

Original US pressing.

No Obi, with insert. Record is close to NM.

CD comes in a soft case, instead of the original crystal case. All booklets included.

Japanese pressing without OBI, with insert. Vinyl with a couple of light scuffs, close to VG+.

Cover is close to VG+.

US original.
Small handwriting on front

Closer to VG+.

Vinyl with a couple of light scuffs

Original US pressing.

Japanese pressing without OBI!

tear in front cover

Cover with water damage

1984 reissue.

Cover has two seam splits and shelf wear.

US original.
LP is close to VG+.

Writing on back cover and labels. Ring wear.

US original.

Japanese pressing, comes with Obi and inserts.

Vinyl with a couple of light scuffs

Vinyl with heavy foxing

Cover has golden promo stamp on back side.

Includes original inner sleeve.

Cover with seam split on bottom spine.

Copy closer to VG+