Search "dillon+tip+tapping" 78 Items

Copy close to NM

Cover has tape residue on front cover.

Vinyl with scuffs and hairlines and a couple of smaller marks. Cover with seam split, spine damage and tape

Cover close to VG+

Still sealed with hype sticker.

White vinyl. Cover with very small beginning of seam split on top spine, closer to NM

Original US pressing! Cover close to VG+.

Tape on cover.

Cover close to NM

Vinyl with many scuffs and marks. Cover with tape on spine, heavy creasing and bent corners. Without OBI.

Vinyl is between VG and VG+!

Cover with tape on spines and writing

Original US Rockaway pressing. Piece of tape on top spine.

1976 reissue. close to NM. OBI is missing

No obi.

Tape on spine.

Still in shrink, but opened, with hype sticker

Sister Rosetta Tharpe was the first great recording star of gospel music and among the first gospel musicians to appeal to rhythm-and-blues and rock-and-roll audiences, later being referred to as 'the original soul sister' and 'the godmother of rock and roll'. This live recording from 1960 had never been on vinyl, until now, a whole 57 years later.
The set has plenty of variety, lots of sincere feeling, and high levels of musicianship from the unique performer. Highlights include “He’s Got the Whole World In His Hands”, “Didn’t It Rain”, “The Gospel Train” and “Down By The Riverside”. The album was remastered for vinyl from analog tape and pressed at Pallas Group in Germany.

US Original Mono Pressing!
Shelly Manne's UN-original Cast.
tape on spines

Limited Pressing.

Invisible City Editions returns with an official repress of a fantastic double-sided private press rarity from 1989 Detroit. Featuring two legendary Inner City alumni Producer/keyboardist Engineer Art Forest and Inner City background vocalist dancer/singer Shawn Pittman. On the A side a lush slow modern soul slow burner “Dreams'' features a deep,spatial throbbing bass line with glistening synths floating underneath cool angelic hypnotic vocals by Ms Pittman.” 'Dreams are only Dreams till you make it real' chants Shawn Pittman and we’re lead down a dazzling maze of mirrors. With “I'm Losing Control (Extended Bass-ment Club Mix)” on the flipside a wild late night warehouse dub remix features sci-fi vocal effects,fostex tape loops and ultra-heavy bass and driving drum machines. Minimal lush soul perfect for early mornings and the post-club world and a wild sci-fi house winner for late night club sessions. An IC fave! Remastered by Brandenberg/The Carvery (Note: we’ve also removed the drum machine going out of sync that was on the original press) Official Repress via Art Forest and his label Wildboy.Essential stuff!

Art Forest is an Electronic Engineer and production wizard from Detroit Michigan. He originally recorded 2 of Inner CItys’ Biggest Hits “Good Life” and “Big Fun” and continues to record to this day. Art Forest still finds and repairs equipment to add to his studio today. He also recorded for Paula Abdul “Straight Up” and Madonnas’ “Justify My Love” Shawn Pittman was a singer and dancer from Detroit who was a good friend of Inner City vocalist Paris Grey. Shawn Pittman sang backing vocals and harmonies on “Good Life” and “Big Fun”.

Close to NM.

Vinyl with many scuffs and hairlines. Cover with long open seam split on bottom spine, shelf wear and tape.

Vinyl with many scuffs and hairlines. Cover with tape on all spines.

Cover with cut corner and tape on the sides

Vinyl with many scuffs and hairlines. Cover with seam split, sticker, tape and stains.

Adapted cover with sticker on front and on back with new artist name: The Scottish Jazz Advocates. Tape residue on front cover. Writing on cover (signature from the artist?). Taped spines.

Vinyl with scuffs and hairlines. Cover with tape

Cover with sticker and tape

2020 re-issue, 140g vinyl, remastered from the original tapes Track List. Linda “Babe” Majika’s insanely brilliant Don’t Treat Me So Bad is a tight six tracks of blistering electro-flavoured bubblegum and synth-drizzled solar-powered machine-funk. It has become increasingly hard to find, with copies currently moving for over £200. But this is definitely a case of eye-watering price equalling heart-thumping quality. Once of the Hot Soul Singers, Don’t Treat Me So Bad was Linda’s debut LP as a solo artist. It was produced by Ace Mbuyisa of boogie-funk maestros Freeway and was originally released on Umkhonto Records in South Africa in 1988. The enormous “Let’s Make A Deal” is probably the best known track here, and it’s definitely the best one if you ask us. Linda’s vocals drip with attitude over warm, breezy synths and an urgent, edgy electro beat to create a timeless club-ready bomb that sounds as fresh as ever.

EU reissue. Scotch tape for protection around open spine. Record is close to NM.

The vinyl is dense with scuffs, marks and scratches. Cover with completely open seam splits, tape and shelf wear. Cuban pressing

Official remastered reissue from the original tapes of The Fresh Band's highly sought-after 1984 classic 'Come Back Lover'. Produced by The Strikers' Darryl Gibbs and mixed to maximum effect by the one and only Tony Humphries, this super cool disco boogie floor-burner made it big in the Underground dance clubs of Chicago & New York, receiving heavy rotation from legendary DJs like Mancuso, Larry Levan and Ron Hardy. This special re-release from Best Italy contains for the first time all the four versions mixed by the legendary Tony Humphries : including the astounding Tony Humphries Vocal, Dub, Remix and the rarest Dub Remix which moves towards a deeper, headier groove, with atmospheric echoing vocals and mind-blowing piano breaks.

Cover with cut corner

Japanese pressing with insert. Cover close to VG+

Ships in a generic sleeve with hype sticker.

Copy closer to NM

Vinyl with scuffs and hairlines. Cover with tape

Cover with large tape on the front

dogeared cover

Vinyl with a couple of light scuffs. Cover with long open seam split on bottom and tape, close to VG

Japanese pressing without OBI, but with insert. Vinyl close to VG+

Cover with cuts on the front and tape.

Japanese pressing. OBI is missing. close to NM

2013 reissue. With insert. 180gr vinyl.

Small deeper scuff on side 1 track 2.

Vinyl with many scuffs and hairlines, close to VG. Writing on labels and cover. Cover with yellowing, tape and tears

Japanese pressing with OBI!
Cover shows slight wear and yellowing, small tape at spine.

Cover with tape. Vinyl close to VG+