Search "lack+of+afro" 162 Items

Japanese pressing with OBI and insert.

Cover with bumped corners

Sticker mark on front cover.

Japanese pressing with OBI! Red vinyl!

Japanese pressing, comes with Obi and inserts.

Vinyl with scuffs and hairlines. Cover with seam split on top spine

Vinyl with scuffs and hairlines

Japanese pressing with OBI and insert. Vinyl with a couple of light scuffs. Cover with foxing inside.

Vinyl is Close to VG+. Original US pressing.

Vinyl closer to NM. Cover with dedication and autograph from the artist on the back.

Vinyl closer to NM. Cover with dedication and autograph from the artist on the back.

Cover with slight wear and small tear on the front! Record with a few slight hairlines!

tears in spine, sticker on front

Note: INCOMPLETE!
Side A &B only.
Side C & D is missing.

Limited Edition. Red & Black Splattered Vinyl.
Cover as new with slightly worn corners.
Record is close to VG+.

Original inner sleeve. Still in shrink but opened.

Still sealed with hype sticker.

Still shrink wrapped but opened.
Cover as new with slightly dented corners.
Includes original insert and innersleeve.
Record is slightly warped but still enjoyable.

Of the 9 DVDs only one case is open and the disc has some scuffs and hairlines. From 2 other sealed cases it´s possible to hear the loose disc and loose pieces of the damaged DVD holder at the center. The box itself has tear and bumped corners.

Red Vinyl.

Record is close to NM.
Upper edge with beginning seamsplit, otherwise VG+.

Vinyl with a couple of very small bumps, otherwise NM.

Obi included but torn wand wrinkled.

Japanese pressing without OBI!

White vinyl. Cover with very small beginning of seam split on top spine, closer to NM

Official remastered reissue from the original tapes of The Fresh Band's highly sought-after 1984 classic 'Come Back Lover'. Produced by The Strikers' Darryl Gibbs and mixed to maximum effect by the one and only Tony Humphries, this super cool disco boogie floor-burner made it big in the Underground dance clubs of Chicago & New York, receiving heavy rotation from legendary DJs like Mancuso, Larry Levan and Ron Hardy. This special re-release from Best Italy contains for the first time all the four versions mixed by the legendary Tony Humphries : including the astounding Tony Humphries Vocal, Dub, Remix and the rarest Dub Remix which moves towards a deeper, headier groove, with atmospheric echoing vocals and mind-blowing piano breaks.

Afrosound's Mission Was To Emulate The Guitar-Heavy Tropical Sounds Emanating From Perú And Ecuador At The Time. To Add To The Hippie Vibe, There Were Plenty Of Whacky Improvised Vocal Asides (Called 'Inspiraciones'), Plus Custom Fuzz, Wah-Wah, Flange And Echo Effects Boxes For The Guitar And Keyboards. A Barrage Of Odd Sounding Synths, Drum Machines And Other Electronic Flourishes Were Also Sprinkled In To Spice Up The Proceedings. The Dozen Tracks On Afrosound's Debut Long Play Make For A Surprisingly Diverse Palette From Which These Colombian Musicians Painted Their Daring Portrait Of Peruvian Cumbia, Returning The Favor In Bold Colors That Still Resonate Almost 50 Years Later. "La Danza De Los Mirlos" Kicks Off With Most Famous Afrosound Hit Of All, 'Caliventura', A Genius Blend Of Funk And Cumbia. Aside From The Cumbia Amazónica Title Tune, There Are Several Other Covers Including Three Popular Songs By Nelson Y Sus Estrellas, Plus Radically Reimagined Versions Of Various Colombian Costeño Classics Published By Fuentes. Mario "Pachanga" Provides A Sad But Still Groove-Oriented Christmas Son Montuno / Cumbia Hybrid While Fruko Brings Us The Bomba-Funk Ditty 'El Chorrillo' And The Rocking Cumbia Andina Gem 'Cabeza De Chorlito' Where Sepúlveda Channels Enrique Delgado. Fruko Collaborator Hernán "Hercovalle" Colorado Vallejo Rounds Things Out With The Melancholic Psychedelic Cumbia 'Esperando Por Ti', Proving That Every Tropical Party Has To Have Its Down Side As Well. The Record Was Also Released In The Us, Ecuador, Perú, Panamá, Mexico And Venezuela, And Probably Had An Influence Of Its Own, At Least In South America. The Cover Of This Lovingly Restored Reissue Features The Artwork For The Peruvian Edition, Which Was Licensed And Issued By Lima's El Virrey Label In 1974. The Original Fuentes Artwork, With A Far More Outrageous "Cheesecake" Image, Can Be Seen On The Back Cover.

Japanese pressing. No obi. Promo copy. With insert

Dedication and signature from Little Annie on front cover.

Japanese pressing. OBI is missing, with insert.

Writing on back cover. punch out hole.

Debossed promo stamp on front cover.

Vinyl with many scuffs and hairlines. close to VG

Writing on cover, upper seam is split.