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Compiled by legendary producer Arthur Baker, "Breakers Revenge" is a near-definitive collection of original Funk, Soul, Latin, Disco and Electro classic tracks from 1970-1984.These tracks, a combination of classics and obscurities, have all since become legendary to Breakdancers everywhere. First played at South Bronx block parties, community halls and park jams in the 1970s and 80s, spun endlessly by the first three major hip-hop DJs - Kool Herc, Grandmaster Flash and Afrika Bambaataa - and found in the record crates of any DJ of note ever since.Seminal funk and soul tracks such as Dennis Coffey"s "Scorpio", The Jimmy Castor Bunch"s "It"s Just Begun", James Brown"s "Get on the Good Foot", The Mohawks" "Champ" sit side-by-side here with the ground-breaking, classic electro of Afrika Bambaataa"s "Planet Rock", and Arthur Baker"s own definitive "Breaker"s Revenge".

180g vinyl ... sampled by Erick Sermon, Pete Rock, Pharcyde ... incl. the all-time classic "pass the peas"

A 7" of the mega classics!

There are few musicians whose music has indisputably advanced humanity. Reggae figurehead Bob Marley--a songwriter, poet, activist, and visionary--is one of them. The idea that a single-disc collection could represent the depth, breadth, and power of Marley's achievement is far-fetched, but LEGEND makes an excellent attempt. Every single one of its tracks is outstanding, and the artist's different faces--revolutionary ("Get Up Stand Up"), romantic ("Is This Love"), devout Rastafarian ("Buffalo Soldier"), and prophet ("One Love/People Get Ready") are equally represented.In addition to his moving message of love and unity, Marley is a master songwriter, as the timelessness of songs like "Stir It Up," "I Shot the Sheriff," and the gorgeous, poignant "Redemption Song" proves. Of course, a true sampling of Marley's output would require some early ska material, the Wailer's debut (CATCH A FIRE), the definitive NATTY DREAD, and his later-period opus EXODUS, but LEGEND provides a highly satisfying, if brief, overview of Marley's genius. A record well suited to any location, season, or time of day, it has proven universal in its appeal. The music herein is as essential as air.

sampled by Presage and Da Lench Mob

8 tracks

- "Brown-Baggin'" sampled by Assassin - "Kique at Merde" and
Leaders of the New School for "What's Next?"

- "Poverty's Paradise" sampled by Freeway and Jake One for "Money",
Kingpin Skinny Pimp for "Whatcha Gonna Do",
Monica for "Ain't Nobody",
Naughty by Nature for "Poverty's Paradise",
Omar Cruz for "Legendary" and
Three 6 Mafia for "N 2 Deep"

- "Mother's Day" sampled by CL Smooth for "CL Smooth Unplugged",
Diplo for "Don't Fall" & "Krunkepistomology",
Jay-Z for "Can I Live Pt 2",
Nas for "Nas is Coming",
Naughty by Nature for "Nothin' to Lose (Naughty Live)",
RZA for "The Birth" and
Wale for "The End Credits"

- "Foodstamps" sampled by Digable Planets for "Cool Like Dat" and
Wale for "The End Credits"

- "Ghetto: Misfortunes Wealth" sampled by D.A.M.N. for "Introlosophy 2",
Eric B & Rakim for "In the Ghetto",
Jill Scott & Common for "High Post Brotha",
Scarface for "The Geto" and
Termanology for "Nobody's Smilin"

- "24 Karat Black Theme" sampled by H.E.A.L. for "Anti-Ho" and
Keith Murray for "Herb is Pumpin'"

limited edition Colored Vinyl ! ... sampled by Erick Sermon, Pete Rock, Pharcyde ... incl. the all-time classic "pass the peas"

the best drum break ever !

- "Ain't I Been Good to You (Part 1 & 2)" sampled by UGK for "One Day"

Record has some hairlines and a few superficial scratches.
Small writing on back cover.

Vinyl with many scuffs and hairlines

US pressing.

- "Have Your Ass Home by 11:00" sampled by Def Jef for "Give it Here",
Nice & Smooth for "Ooh Child",
ODB for "Shimmy Shimmy Ya" and
Tupac for "Late Night"

- "Flying Saucers" sampled by Jeru for "Thoughts of a Frustrated Nigga"

- "Niggers vs. the Police" sampled by NWA for "Appetite for Destruction"

- "The Back Down" sampled by Eazy-E for "Eazy-Duz-It",
King T for "Act a Fool",
Thug Life for "Don't Get it Twisted" and
Tupac for "Heartz of Men"

ringwear. Writing on cover and inside gatefold. Cover with spine damage

Vinyl close to NM

- "Sex Machine" sampled by Beastie Boys for "Sex Machine"

- "Don't Call Me Nigger, Whitey" sampled by Geto Boys for "Punk Bitch Game",
Ice Cube for "Horny Lil' Devil",
Ice T for "Don't Call Me Nigger, Whitey",
KAM for "Stereotype",
MOP for "G-Building" and
Schoolly D for "Don't Call Me Nigger"

- "Stand" sampled by 3XDope for "Believe Dat",
7A3 for "Coolin' in Cali",
A Tribe Called Quest for "Rap Promoter",
Kool Moe Dee for "Rise 'N' Shine",
Professor Griff for "Last Asiatic Disciples",
Public Enemy for "Who Stole the Soul?" and
Scarface for "The Diary"

- "You Can Make it if You Try" (Drums) sampled by 7A3 for "Coolin' in Cali",
Diamond D for "What You Seek",
DJ Quik for "Niggaz Still Trippin'",
DJ Shadow for "Basic Mega-Mix",
Ice Cube for "The Product", "True to the Game" & "Wicked",
Ice T for "New Jack Hustler",
Insane Poetry for "Grim Reality",
Jungle Brothers for "Because I Got it Like That",
King Sun for "Be Black" & "Stunts",
King T for "Take You Home",
Lifer's Group for "Jack U. Back (So You Wanna Be a Gangsta)",
Mad Flava for "Wax on tha Belt (Baby G Gets Biz)",
Mobb Deep for "Hit it from the Back",
Powerule for "Gots to Get This",
Public Enemy for "Night of the Living Baseheads",
Queen Latifah for "Mama Gave Birth to the Soul Children",
Rumpletilskinz for "I-N-I",
Schoolly D for "Mr. Big Dick" & "This is It (Ain't Gonna Rain)",
Stetsasonic for "Talkin' All That Jazz",
Tupac for "Troublesome",
Two Kings in a Cipher for "Movin' on 'Em",
X-Clan for "Xodus" and
Yo-Yo for "You Can't Play with My Yo-Yo"

- "I Want to Take You Higher" sampled by De La Soul for "A Roller Skating Jam Named 'Saturdays'" & "Ladies Nite Decision",
DOC for "Mind Blowin'",
Grandmaster Flash & the Furious Five for "Magic Carpet Ride" and
Schoolly D for "Dis Groove is Bad"

- "Sing a Simple Song" (Drums) sampled amongst others by A Tribe Called Quest for "Jazz (We've Got)",
Ahmad for "Can I Party?",
Akinyele for "Bags Packed",
Alkaholiks for "Make Room",
Arrested Development for "Mr. Wendal",
Big Punisher for "Twinz (Deep Cover '98)",
Boss for "Drive By",
Chubb Rock for "Lost in the Storm",
Compton's Most Wanted for "I Don't Dance",
Craig Mack for "That Y'all",
Cypress Hill for "Latin Lingo",
Da King & I for "Krak Da Weazel",
Da Lench Mob for "Buck tha Devil",
Das EFX for "Hard Like a Criminal" & "Mic Checka",
De La Soul for "Eye Know",
Del for "Worldwide",
Diamond D for "Check 1, 2",
Digital Underground for "Return of the Crazy One" & "The Humpty Dance",
Domino for "Getto Jam", "Long Beach Thing" & "Sweet Potato Pie",
Dr. Dre for "Deep Cover",
E-40 for "Hide n Seek" & "Nuttin' A-s Nigga",
Eazy-E for "Eazy-Duz-It" & "It's On",
Ed OG for "Skinny Dip",
Erick Sermon for "Stay Real",
Fu-Schnickens for "Props" & "Sneekin' up on Ya",
Gorillaz for "192000",
Grandmaster Flash & the Furious Five for "Kid Named Flash",
Group Home for "Supa Star",
Heather B for "All Glocks Down",
Ice Cube for "Gangsta's Fairy Tale 2",
"Jackin' for Beats", "Really Doe" & "Who's the Mack?",
Ice T for "Ricochet",
Insane Poetry for "How Ya Gonna Reason with a Psycho",
Jungle Brothers for "For the Heads at Company B", "J. Beez Comin' Through" & "Simple As That",
KAM for "Ain't That a Bitch", "Holiday Madness", "Pull Your Hoe Card" & "Stereotype",
Kris Kross for "Can't Stop the Bumrush",
KRS-One for "Sound of da Police",
LL Cool J for "How I'm Comin'" & "Mama Said Knock You Out",
Lords of the Underground for "Here Comes the Lords",
MadKap for "Check it Out",
Mary J. Blige for "Love is All We Need",
Me Phi Me for "Put Sho' Hands Together",
Mellow Man Ace for "Me La Pelas",
Naughty by Nature for "Ready for Dem",
ODB for "Hippa to da Hoppa",
Papa Chuk for "Trunk of Funk",
Paris for "Check it out ch'all",
Pete Rock & CL Smooth for "Anger in the Nation" & "For Pete's Sake",
Pharcyde for "I'm That Type of Nigga",
Public Enemy for "Brothers Gonna Work it Out", "Can't Truss It", "Get the Fuck out of Dodge", "Livin' in a Zoo" & "Party for Your Right to Fight",
Redman for "Blow Your Mind", "So Ruff" & "Time 4 Sum Aksion",
Rumpletilskinz for "Sweet Therapy" & "Theramixx",
Run-DMC for "In the House",
Salt-N-Pepa for "Somma Time Man",
Scarface for "Your Ass Got Took",
Schoolly D for "Dis Groove is Bad",
Showbiz & A.G. for "Represent",
Sir Mix-A-Lot for "The Jack Back",
Soul II Soul for "Nuff Love",
Stereo MCs for "The Other Side",
Stetsasonic for "It's in My Song",
Stezo for "Gets into His Move",
Terminator X for "Back to the Scene of the Crime",
TLC for "Ain't 2 Proud 2 Beg", "Hat 2 Da Back" & "What about Your Friends?",
Tupac for "Peep Game", "Souljah's Revenge", "Temptations" & "Young Niggaz",
UTFO for "Rough and Rugged",
WC & the Maad Circle for "Behind Closed Doors",
West Street Mob for "Sing A Simple Song",
Wu-Tang Clan for "Protect Ya Neck (The Jump Off)",
X-Clan for "Funk Liberation" and
Yo-Yo for "Mackstress"

Original US pressing!

Sticker on the cover front, othewise solid VG+ copy!

Original inner sleeve. Close to VG+. Original US Hollywood pressing.

Slight wear. Original US pressing.

Copy close to VG+

Original US pressing.

US original. Cover is waterdamaged. Vinyl is dense with light surface scratches and scuffs--will likely cause pop, clicks, and/or background noise.

"Hurtin' House" sampled by Private Investigators for "Mom Dukes".

Cover with wear and writings on the front!

sampled by Kool G Rap, 50 Cent, Raekwon

Previously unissued recordings!!

Compiled by legendary producer Arthur Baker, "Breakers Revenge" is a near-definitive collection of original Funk, Soul, Latin, Disco and Electro classic tracks from 1970-1984. These tracks, a combination of classics and obscurities, have all since become legendary to Breakdancers everywhere. First played at South Bronx block parties, community halls and park jams in the 1970s and 80s, spun endlessly by the first three major hip-hop DJs - Kool Herc, Grandmaster Flash and Afrika Bambaataa - and found in the record crates of any DJ of note ever since. Seminal funk and soul tracks such as Dennis Coffey"s "Scorpio", The Jimmy Castor Bunch"s "It"s Just Begun", James Brown"s "Get on the Good Foot", The Mohawks" "Champ" sit side-by-side here with the ground-breaking, classic electro of Afrika Bambaataa"s "Planet Rock", and Arthur Baker"s own definitive "Breaker"s Revenge".

Record is close to NM.

"What you do is a fundamental question. But it's how you do something that ultimately determines the effect." — Julian Sartorius
With 'rllrlrllrrlrlrlrllrlrlr', Swiss drummer and sound artist Julian Sartorius presents his third album in three years. Together with 'Ensemble This | Ensemble That' Sartorius has created a mesmerizing 39-minute percussion album that conclusively expands his artistic output. For the first time, an ensemble plays an idea conceived by Sartorius, while he assumes the role of an interactive conductor, manipulating the sounds made.

Sartorius is known for his fluid and versatile solo performances in which he continually modulates the sound of his instruments, adding objects and progressively unfolding his sound world. The idea of expanding this practice was already gestating when the 'Ensemble This | Ensemble That' invited him for a collaboration. Together with the drummers and percussionists Brian Archinal, Victor Barceló, Miguel Angel Garcia Martin and Bastian Pfefferli the concept was further explored, elaborated upon in detail, and finally realized. 'rllrlrllrrlrlrlrllrlrlr' is both title and score for the ensemble's four percussionists. The pattern, consisting of 23 individual beats, is played continuously by the ensemble while Sartorius gradually makes alterations to the instruments played. The result is a piece that has a sustained rhythmic flow yet is perpetually changing. Sartorius' interventions and the precise musicality of the ensemble allows the listener to discover an expansive array of moods and intensities.

The album is structurally recursive but develops an almost mystical magnetism through an odyssey of diverse musical landscapes. Sartorius explains: "It amazes me deeply how much the sentiment can change based on a musical mood - this sense of curiosity is made audible with this album." The album recording itself is designed as an endless loop: at the end of the recording, the ensemble's sound has returned to its starting point, thereby completing an endless, self-contained cycle, with no beginning or end. In this way, Sartorius also echoes his 2021 album 'Locked Grooves'.

Julian Sartorius' precise and multi-layered rhythmical patterns are keen excursions into the hidden tones of found objects and prepared instruments, bridging the gap between organic timbres and the vocabulary of (experimental) electronic music. He has released numerous solo albums, creates audiovisual art works, collaborates with musicians, writers, and artists, and performs live in intimate venues and on festival stages.
Ensemble This | Ensemble That (et|et) have established themselves not only as interpreters of contemporary music, but also as collaborators to a wide range of artists including projects like Zimoun, Myriam Bleu, Strotter Inst., Lê Quan Ninh, Marko Ciciliani, Jürg Frey, and Michael Maierhof, amongst others.

Banzaï Lab is proud to present 'Rogue Monsters 2', the new album from Al'Tarba x Senbeï.
Al'Tarba, the architect of sonic shadows, and Senbeï, the master of electronic textures, join forces once again on an opus that's off the beaten track.
A fusion work inspired by skate subculture, Rogue Monsters 2 transcends convention, blending heady rhythms and ethereal harmonies.
Retro samples blend with contemporary electronic melodies, recalling the fusion of styles and the abo- lition of musical chapels specific to the sound universe of 90's/early 00's skate culture. We're naturally reminded of the soundtracks to Larry Clark films (Bully, Kids), skate documentaries (Fully Flared, Video Days...) and video games (Extreme Games, Tony Hawk's Pro Skater...).
This second joint opus is much more than a simple album, it's a unique and timeless experience, fusing hip-hop, punk and electronic music.
Rogue Monsters 2 stands out in today's musical landscape, offering a bold vision of what defines an album, one that will appeal to those nostalgic for the Golden Era of the 90s as much as to those exploring new sounds.