Search "lil+wayne" 7 Items

- "Sexy Ways" sampled by Fu-Schnickens for "Props"

- "I'll Stay" sampled by Crucial Conflict for "Hay",
De la Soul for "Millie Pulled a Pistol on Santa" and
K-Solo for "Long Live the Fugitive"

- "Standing on the Verge of Getting it On" sampled by Ice Cube for "Endangered Species" and
Sons of Bazerk for "Part One"

his groundbreaking debut!

- "Home is Where The Hatred Is" sampled by Kanye West & Common for "My Way Home"

- "Pieces of a Man" sampled by KMD for "What a Niggy Know"

- "The Revolution Will Not Be Televised" sampled by Masta Ace for "Take a Look Around",
Professor Griff for "Real African People 'Rap' pt 2",
Queen Latifah for "The Evil That Men Do" and
Salt-N-Pepa for "Whatta Man Luvbug Remix 1"

12 tracks incl. 'are you man enough' performed by The Four Tops ... classic blaxploitation soundtrack!!

- "Shaft in Africa" sampled by Beatnuts for "It's Da Nuts",
Cookie Crew for "Born this Way",
Diamond D for "Best Kept Secret",
Dismasters for "Black and Proud",
Hakeem for "Hip Hop Reborn",
Naughty by Nature for "The Hood Comes First",
Ras Kass for "Rasassination",
Tony Scott for "Get Into It" and
Tuff Crew for "Soul Food"

"What you do is a fundamental question. But it's how you do something that ultimately determines the effect." — Julian Sartorius
With 'rllrlrllrrlrlrlrllrlrlr', Swiss drummer and sound artist Julian Sartorius presents his third album in three years. Together with 'Ensemble This | Ensemble That' Sartorius has created a mesmerizing 39-minute percussion album that conclusively expands his artistic output. For the first time, an ensemble plays an idea conceived by Sartorius, while he assumes the role of an interactive conductor, manipulating the sounds made.

Sartorius is known for his fluid and versatile solo performances in which he continually modulates the sound of his instruments, adding objects and progressively unfolding his sound world. The idea of expanding this practice was already gestating when the 'Ensemble This | Ensemble That' invited him for a collaboration. Together with the drummers and percussionists Brian Archinal, Victor Barceló, Miguel Angel Garcia Martin and Bastian Pfefferli the concept was further explored, elaborated upon in detail, and finally realized. 'rllrlrllrrlrlrlrllrlrlr' is both title and score for the ensemble's four percussionists. The pattern, consisting of 23 individual beats, is played continuously by the ensemble while Sartorius gradually makes alterations to the instruments played. The result is a piece that has a sustained rhythmic flow yet is perpetually changing. Sartorius' interventions and the precise musicality of the ensemble allows the listener to discover an expansive array of moods and intensities.

The album is structurally recursive but develops an almost mystical magnetism through an odyssey of diverse musical landscapes. Sartorius explains: "It amazes me deeply how much the sentiment can change based on a musical mood - this sense of curiosity is made audible with this album." The album recording itself is designed as an endless loop: at the end of the recording, the ensemble's sound has returned to its starting point, thereby completing an endless, self-contained cycle, with no beginning or end. In this way, Sartorius also echoes his 2021 album 'Locked Grooves'.

Julian Sartorius' precise and multi-layered rhythmical patterns are keen excursions into the hidden tones of found objects and prepared instruments, bridging the gap between organic timbres and the vocabulary of (experimental) electronic music. He has released numerous solo albums, creates audiovisual art works, collaborates with musicians, writers, and artists, and performs live in intimate venues and on festival stages.
Ensemble This | Ensemble That (et|et) have established themselves not only as interpreters of contemporary music, but also as collaborators to a wide range of artists including projects like Zimoun, Myriam Bleu, Strotter Inst., Lê Quan Ninh, Marko Ciciliani, Jürg Frey, and Michael Maierhof, amongst others.

White Vinyl.