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Japanese pressing without OBI, but with insert.

taped spines. original mono pressing

Jeff Beck's second album, originally released in 1969 and featuring Rod Stewart on vocals and Ronnie Wood on guitar.

Track Listing:

Side A: 1. All Shook Up 2. Spanish Boots 3. Girl From Mill Valley 4. Jailhouse Rock Side B: 5. Plynth (Water Down The Drain) 6. The Hangman's Knee 7. Rice Pudding

Close to VG+

The classic debut album, originally released in 1968. Features Rod Stewart on vocals and Ronnie Wood on guitar.

Track Listing:

Side A: 1. Shapes Of Things 2. Let Me Love You 3. Morning Dew 4. You Shook Me 5. Ol' Man River Side B: 6. Greensleeves 7. Rock My Plimsoul 8. Beck's Bolero 9. Blues De Luxe 10. I Ain't Superstitious

A good 20 years have passed since a band with ancient musicians from Cuba – the Buena Vista Social Club – took the world by storm. Behind the project, in the wings yet right in the midst of this unheard-of music, was Ry Cooder, who regarded this encounter as the greatest musical event of his entire life. The bottleneck guitar hero had always been very interested in the music from the other Americas ever since the solo albums he made in his early years, in which he told the story of the American folk and blues in a multitude of styles. The LP "Paradise And Lunch" is no exception and begins with gospel-like grooves that smell of native soil. The faint smell of a wooden church from pioneering days wafts out of the processional antiphonal song "Jesus On The Mainline" and a healthy 12-bar blues paints a picture of what silent witnesses could tell if they could ("If Walls Could Talk"). Cooder and his sidemen felt themselves perfectly at home when adventuring further afield and this is testified to in the laid-back calypso rhythm of "It’s All Over Now" and the clip-clop of "Mexican Divorce".
This wonderful album is highly recommended for each and every number, but if you want a tip for a very special track, then just listen to the ragtime piano rolls in Bo Diddley’s "Ditty Wah Ditty".

Recording: 1974 at the Warner Brothers Studios in North Hollywood and Burbank (USA), by Lee Herschberg
Production: Lenny Waronker & Russ Titelman

Stuffed corners. Original inner sleeves.

Still sealed with hype sticker. Stuffed corners. Limited edition Multi Coloured vinyl. US reissue from 2018.

With Rockinitis we champion electric-guitar blues from the fifties and early-sixties. Unfettered pleasure in the form of Black dance music. This fifth installment of the series may be the hottest yet.Five-stars all round for the fifth release in the Rockinitis series! These compilations highlight the raw and wild sounds of upbeat electric blues from the 1950s and early 1960s. On one side, Stag-O-Lee label chief R-Man is back with another eight dirty blues dancers to shake your hips to. Two each from killer labels like Excello, Groove, Herald and Chess/Checker. The selector on the flip is Donna Driscoll, longtime digger of heavyweight Northern Soul and R&B movers from London. Don...

Born Booker T. Washington White, Bukka’s trajectory as a blues performer follows a familiar template for his
time. Born in Mississippi, maybe in Houston, MS – maybe in Aberdeen, MS – maybe in 1902, maybe in 1909
or even 1906 he recorded throughout the 1930s. Bukka even recorded while incarcerated in the Mississippi
State Penitentiary aka Parchman Farm. Asked about his time at Parchman White commented “Well, I mostly
played guitar.”
During the 1940s and 50s as Blues moved from the Delta to Chicago, from rural to urban, Bukka’s career went
dormant. And then, like many of his time, his talent was “rediscovered” in the early 60s, in no small part thanks
to a brilliant guitarist in his own right, John Fahey. Performances and all new recordings happened throughout
the 60s, building interest in Bukka White’s Delta roots. This compilation of White’s best early material was first
issued in 1969 (1970 in the US), collecting Bukka’s 78s recorded for Vocalion and Okeh. His influence on rock
performers of that day cannot be understated. He opened for rock bands he’d inspired at venues like The
Fillmore, played his instrument in such a fashion that some said it’s like he was trying to destroy that guitar, his
most famous guitar, a 1933 National Duolian, was even known as “Hard Rock.” And then there’s the fact that
his song “Shake‘em On Down” was so influential on Led Zeppelin that they, “borrowed” from the song for both
“Hats Off To Roy Harper” and “Custard Pie.”
Bukka White was many things, a strong influence on his cousin B.B. King, a cotton picker, a mule driver, a hobo,
a player in the old Negro Leagues, a boxer, a preacher, a convict, a factory laborer and, as celebrated here,
one of America’s blues pioneers.

Japanese pressing, no Obi.

Cover with cut-out and tiny sticker rip off on the front.

Tear in top spine. Original US Mono pressing.

Vinyl close to NM

Writing on cover.

Cover is cut and taped. Vinyl is close to NM.

Vinyl with a couple of light scuffs

Vinyl with foxing. Blue vinyl

Everything is mysterious! This is the second full-length from Japanese talented artist "Kensuke Ide and his mother ship" which was acclaimed by listeners as the one of the best albums in 2020. P-vine is presenting it as the long-awaited LP version! Is the innovative sound that will surprise all listeners the madness of Devil or Taoyuan Township? No, that's exactly the "mystery of 2020" !

Bassekou Kouyaté is a musician from Mali. His new album is about love, friendship, family and true values in times of crisis. Miri means dream or contemplation in bamana. Miri is a very personal album. It talks about his mother Yakare that passed away. The album also pays hommage to two great Malian singers that have blessed quite a number of Bassekous albums: the one and only Zoumana Tereta & the golden voice of Mali Kassemady Diabate. May they rest in peace. They live on in their music.

Digipack.

"Polk Salad Annie" was the song and cadence for delivering White's unmistakable swamp rock sound, which called to mind the sound John Fogerty whipped up on Creedence Clearwater Revival's "Bayou Country" and "Green River". Released in 1969, White's album debut "Black And White" contains some of the best swamp-folk-soul-funk of the era. White grew up in the soggy marshlands of Louisiana, his real-deal deep voice sounding like it's dredged from the bottom of the Delta. Rural life in the dirty south provided the inspiration for witty, sometimes funny, and sometimes poignant lyrics (later Tony Joe would pen the smash "Rainy Night In Georgia"). This Analogue Productions edition is the highest-quality reissue of "Black And White" released to date. It was mastered from the original analog tape by Kevin Gray at Cohearent Audio, and features unsurpassed plating and pressing on 200-gram heavyweight vinyl by Quality Record Pressings, makers of the finest-sounding LPs in the world. The dead-silent LP playing surface captures White's voice and his strong and funky backing band in true analog majesty. Besides "Annie", side one of "Black And White" includes several other White originals. AllMusic judges the best of these to be "Willie And Laura Mae Jones", a song about race relations with an arrangement similar to "Ballad Of Billie Joe", and "Soul Francisco", a short piece of funky fluff that had been a big hit in Europe in 1968. "Aspen, Colorado" presages the later "Rainy Night in Georgia," a White composition popularized by Brook Benton. The second side of Black and White consists of covers of hits of the era, with the funky "Who's Making Love" and "Scratch My Back" faring better than the slow stuff. Dusty Springfield had a minor hit with "Willie And Laura Mae Jones", and White's songs were recorded by other performers through the years, but "Polk Salad Annie" and the gators that got her granny provided his only march in the American hit parade. Highly recommended for fans of Creedence Clearwater Revival, J.J. Cale, and 1960s soul!

180 gram audiophile vinyl
Gatefold sleeve
High quality PVC Protective Sleeve
Includes liner notes

Selected songs from the American rock singer, songwriter, guitarist featuring next to his solo hits “Rainy Night In Georgia”, “Polk Salad Annie” duets with Shelby Lynne, Eric Clapton and many more

Original inner sleeve. Vinyl is close to NM.

Limited edition for Record Store Day 2015!

torn spines. 1956 reissue

Limited edition for Record Store Day 2015!

Vinyl with a couple of light scuffs. Cover close to VG+

Hot vintage sex songs for your own pleasure

Over 50 years since his discovery by ethnomusicologists Dr. Harry Oster and Richard Allen in the prison farm of Angola, Louisiana, what is it that makes the blues as sung and picked by Robert Pete Williams such a singular listening experience, unequaled elsewhere in that musical form? As Peter Guralnick, in his Feel Like Going Home book writes: “It’s difficult to approve the banalities of most blues singers after listening to Robert Pete Williams. More than anyone else he shatters the conventions of the form and refuses to rely upon any of the clichés, either of music or of lyric, which bluesman after bluesman will invoke. Instead he sings blues which reflect a unique and personal vision; he makes each song unmistakably his own.” Unfamiliar keys, cliché-free lyricism, spontaneity, an individualistic style in invoking his particular blues, all make Robert Pete Williams an idiosyncratic entry into the canon. It’s impossible to listen to blues artists before him and hear strains of his particular style. None have matched it since. Louisiana Blues contains 10 songs recorded in the month of July 1966 out in Berkeley, California for John Fahey’s Takoma imprint. Comes with a 8 page booklet. Limited edition of 600 on bottleneck brown vinyl.

OBI is missing!

Record has many hairlines and surface marks. Cover has shelf wear and seam split.

close to NM

US original.
Sleeve has heavy wear.

Cover is close to NM. Vinyl seems unplayed. 1984 reissue.

Limited edition 180gr vinyl 2004 reissue. Vinyl seems unplayed.