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2023 issue, last edition.

Nana is a Japanese manga created by Ai Yazawa and first published in Cookie magazine in 2000. It tells the story of two young women, both called Nana, who meet on the train to Tokyo and, despite their different personalities, become roommates and friends.

The manga was a great success with readers, thanks in particular to the quality of its plot, its characters and its soundtrack, which includes several original songs written by Ai Yazawa herself. It was published in 21 volumes in Japan and has been translated into many languages, including English and French.

In 2006, the manga was adapted into an anime by the Madhouse studio, under the direction of Morio Asaka. This 47-episode adaptation brought Nana to an even wider audience, and was also praised for its quality.

The "Nana - Best" anime soundtrack is the result of the collaboration of various artists, including Tomoki Hasegawa, Anna Tsuchiya and Olivia Lufkin. Their unique compositions and interpretations capture the emotions of the characters and the essence of the world of "Nana". The album brings together iconic songs that amplify the impact of key moments in the story, creating a memorable musical experience.

Finally back on vinyl!

“Gladiator” is the original soundtrack of the 2000 film of the same name. The original score and songs were composed by Hans Zimmer and Lisa Gerrard and were released in 2000, titled “Gladiator: Music From the Motion Picture”. The Lyndhurst Orchestra performing the score was conducted by Gavin Greenaway.

The album won the Golden Globe Award for Best Original Score and was also nominated for the Academy Award and BAFTA Award for Best Score ("Anthony Asquith Award for Film Music").

“Gladiator” is a 2000 epic historical drama film directed by Ridley Scott and written by David Franzoni, John Logan, and William Nicholson. It stars Russell Crowe, Joaquin Phoenix, Connie Nielsen, Ralf Möller, Oliver Reed (in his final role), Djimon Hounsou, Derek Jacobi, John Shrapnel, and Richard Harris. Crowe portrays Hispano-Roman general Maximus Decimus Meridius, who is betrayed when Commodus, the ambitious son of Emperor Marcus Aurelius, murders his father and seizes the throne. Reduced to slavery, Maximus rises through the ranks of the gladiatorial arena to avenge the murders of his family and his emperor.

The film was released in the United States May , 2000, and grossed $457 million worldwide. The film won multiple awards, including Best Picture, Best Actor for Crowe and three other Oscars at the 73rd Academy Awards. It has also been credited with rekindling interest in entertainment centered around ancient Greek and Roman culture, such as Rome.

A selection of the main sountracks of Naruto - one of the best known Anime in the world. Including the opening theme "Haruka Kanata".

In the village of Konoha lives Naruto, a young boy who is hated and feared by the villagers because he has Kyuubi (Nine-tailed fox demon) of incredible strength inside him, which has killed many people. The most powerful ninja of Konoha at that time, the fourth Hokage, Minato Namikaze, managed to seal this demon in Naruto's body.

Several groups worked on the composition of this vinyl, such as:

Asian Kung-Fu Generation, Little By Litte, FLOW, Sambomaster, Stance Punks, Akeboshi, ORANGE RANGE, Raico, Captain Straydum and No Regret Life.

First vinyl issue of the Saint Seiya Anime's cult Soundtrack. Limited Edition.

Seiya is an orphan who, as a young boy, was selected by the Kido Foundation to bring legendary bronze armour back to Japan. He succeeds, along with 10 other orphans. Forced by the foundation to take part in a "show", the knights embark on a tournament before the prize, the golden armour, is stolen. Little by little, they realise that their problems stem from the Sanctuary in Greece, home to the 12 most powerful knights, the Golden Knights, and their leader, the Great Pope. His target is the young Saori Kido, heiress to the foundation and reincarnation of Athena.

The series was a huge success and spawned an extensive franchise, with TV series, films and video games. This album features the best music and songs from the anime, composed and arranged by Seiji Yokoyama (GATCHAMAN).

Jamie Cullum, Melody Gardot, Gregory Porter, Stacey Kent and Nikki Yanofsky share one thing in common. It’s their love for the Disnes movies. The brand new project by Verve "Jazz loves gives proof of this. Each artist performs old and new Disney songs form the “Jungle Book” to “Frozen” in their very unique style.

Waxwork Records is honored to present THE Sword OF Doom Original Motion Picture Soundtrack by Masaru Satô! Directed by Kihachi Okamoto, The Sword of Doom is a 1966 Japanese samurai movie that tells the bloody and brutal tale of revenge and redemption. This deluxe LP features new artwork from Yuko Shimizu and marks the first time that the soundtrack is available on vinyl!

Starring Tatsuya Nakadai and featuring Toshirô Mifune, The Sword of Doom tells the story of Ryunosuke Tsukue, a masterful but heartless swordsman in feudal Japan. After deliberately killing an opponent in a training exercise, Tsukue then murders his mistress and flees town. After spending time in a haunted geisha house, Tsukue sees the ghosts of all his victims and spirals into madness, leaving a trail of destruction and bloodshed in his wake. As time passes, the years of brutal killings and evil deeds begin to weigh on his mind, ending in a climactic battle between Tsukue, a group of assassins, and the ghost of his past.

The Sword of Doom soundtrack, composed by Masaru Satô (Yojimbo, Godzilla vs. Mechagodzilla), is full of dark and yet melodic cues, and takes many influences from traditional Japanese instruments and music. A minimalist yet powerful score that brings to life the struggles of Tsukue’s inner demons. The tone ranges from brash fight scene orchestrations into quiet and lilting flute themes, but underscoring it all, Satô's music feels the evils of Tsukue.

Available for the very first time on vinyl, Waxwork Records is honored to work with Toho to present The Sword Of Doom re-mastered on 180 gram Snow, Blood, Flames, and Katana swirled color vinyl, deluxe packaging, new artwork by Yuko Shimizu, heavyweight gatefold jackets with matte satin coating, a 12"x12" art print, and more!

THE Sword OF Doom Original Motion Picture Soundtrack Features:

The Complete Soundrack by Masaru Satô Available For The First Time On Vinyl 180 Gram "Snow, Blood, Flames, and Katana" Swirled Color Vinyl New Artwork By Yuko Shimizu Heavyweight Gatefold Jackets with Matte Satin Coating 12"x12" Art Print

“Walk the Line: Original Motion Picture Soundtrack” is the soundtrack album to the 2005 biographical drama film of the same name released November, 2005. There are nine songs performed by Joaquin Phoenix (as Johnny Cash), four songs by Reese Witherspoon (as June Carter Cash), one song by Waylon Payne (as Jerry Lee Lewis), one song by Johnathan Rice (as Roy Orbison), two songs by Tyler Hilton (as Elvis Presley), and one song by Shooter Jennings (as Waylon Jennings).

At the Golden Globe Awards Joaquin Phoenix was awarded the Best Actor - Musical or Comedy and Reese Witherspoon was awarded the Best Actress - Musical or Comedy, as well as the film won the Best Picture - Musical or Comedy. Joaquin Phoenix and Reese Witherspoon were also nominated for the Academy Award for Best Actor and Best Actress, which Witherspoon won.

The cover features the two stars in an early publicity still, several of which were included as bonus postcards in the Collector's Edition DVD.

As of May 17, 2006 the soundtrack was certified platinum by the RIAA with over 1,000,000 copies sold.

On February 11, 2007 this album won a Grammy for Best Compilation Soundtrack Album for a Motion Picture, Television or Other Visual Media.

Since its opening in spring 2021, Jubg, a still young Cologne gallery for contemporary art, has specialized in the broad field of artists and collaborations working along artistic interfaces, especially those between visual art and experimental and/or electronic music. For example, Jubg has already hosted exhibitions by Markus Oehlen, Kim Gordon, Wolfgang Voigt, Matthias and Aksel "Superpitcher" Schaufler, Sven-Åke Johansson, and Emil Schult. Albert Oehlen, who is a kind of mentor and supporter of the gallery, was also a guest at Albertusstraße this summer, where he presented the exhibition D-i-e Orpheusmaschine together with Michael Wertmüller, Thomas Stammer and the poet Rainald Goetz.

It is only logical that the gallery now expands its sphere of activity to include its own label, on which music appears that comes from similar contexts as the artists listed above already suggest.

As catalog number 1, Jubg is now releasing the official soundtrack to "The Painter" from 2021. The film, German title "Der Maler", is a mixture of feature film and documentary and a collaboration between German director Oliver Hirschbiegel, best known for his Oscar-nominated film "Downfall", and Albert Oehlen, with whom Hirschbiegel has a long friendship, as they both once studied together at the Hochschule der Bildenden Künste in Hamburg.

The docu-fiction shows Oehlen struggling with a painting and pondering the meaning of his work. Oehlen is played by German actor and musician Ben Becker, accompanied by the off-screen voice of Charlotte Rampling. In the film, Becker makes a painting that Oehlen himself creates step by step behind the camera, while the actor improvises the process in front of the camera.

The wonderful music for this film comes from no less than two outstanding personalities whose individual biographies and musical signatures could hardly be better suited to this project. On the A-side it is Gudrun Gut, icon not only of the German electronic music scene since at least the 90's, singer, composer, DJ, label owner (Monika Enterprise) and of course founding member of the legendary 80's New Wave band Malaria. On the B-side it’s the world famous and award winning US avant-garde trumpeter and improvisational musician Nathan "Nate" Wooley, who has played with Fred Frith and John Zorn among others.

Gudrun Gut's tracks bear such beautiful titles as "Bewegung", "Küste" or "Weinen" and she once again pulls out all the stops of her great skills and decades of experience as a producer of the most diverse electronic music genres. These are unusual and much more experimental musical paintings that she creates here than on her recent solo works. Edgy, angular, raw and unpolished, yet always elegant and clever, she subverts the male artist madness depicted extensively in the film in her own unique way.

Nathan Wooley answers with the instrument he has been familiar with since childhood, the trumpet, with which he is able to create a ravishingly virtuosic noise. His pieces are more like sketches, often only 90 seconds or a few minutes long, but in all their abstractness underpin the narrative of the film almost perfectly.

"After being sold out for years, we're very excited to finally announce a repress of one our earliest releases, the iconic Another World soundtrack by French composer Jean-François Freitas. The repress will be available on translucent green vinyl.The soundtrack features songs from the original Amiga version (all carefully remastered for vinyl). The repress doesn't come with a download code for the digital soundtrack. Artwork and layout by our friend Dane Baudoin based on Original Artwork by Éric Chahi. ""A superb collector's edition. Jean-François's original music is enhanced by the unique warmth of vinyl."" - Éric Chahi (creator and designer of Another World)

Waxwork Records is proud to present the debut vinyl release of THE Sentinel Original Motion Picture Soundtrack by Gil Mellé. The Sentinel is a 1977 American supernatural Horror film directed by Michael Winner (Death Wish, Death Wish II). The plot focuses on a young model (Cristina Raines) that moves into a historic Brooklyn brownstone that has been sectioned into apartments, only to find out that the building is owned by the Catholic diocese and is a gateway to Hell. The film features early acting roles by several now-household-name actors such as Christopher Walken, Jeff Goldblum, and John Carradine.

Following a string of supernatural Horror films such as Rosemary's Baby, The Exorcist, and The Omen, The Sentinel is based off the 1974 novel of the same name by Jeffrey Konvitz. Unlike other films of its time dealing in topics of the occult, The Sentinel features strong visuals and depictions of creatures from Hell as they appear in the works of Dante's Inferno, Christopher Marlowe, and the paintings of Hieronymus Bosch.

We are beyond thrilled to release THE Sentinel Original Motion Picture Soundtrack for the very first time on vinyl. Featuring "Gateway to Hell" Metallic Gold with Black Smoke colored vinyl, Artwork by Robert Sammelin, heavyweight gatefold packaging with matte satin coating, and a 12"x12" art print.

THE Sentinel Original Motion Picture Soundtrack Features:

The Complete 1977 Soundtrack For The First Time On Vinyl 2xLP "Gateway to Hell" Metallic Gold with Black Smoke Colored Vinyl New Artwork by Robert Sammelin Deluxe Heavyweight Gatefold Packaging with Matte Satin Coating 12"x12" Art Print

“Metti, una sera a cena” is a 1969 movie directed by Joseph Patrons Griffi, made up from an eponymous theater script and especially transposed to the film medium. It immediately obtained consents and success, and paved the road to success for actors Florinda Bolkan and Tony Musante in particular. So did the music written by Ennio Morricone, who in 1970 won the Nastro D’Argento Award for Best Score. Lounge sounds, bossa nova, jazz (especially the drums touch) and beat (usually still in vogue in the Italy of the late ’60s), seasoned with orchestral arrangements conducted by Bruno Nicolai, merge here to one of the most famous soundtracks of the Italian Maestro. A perfect mix of eroticism and melancholy, for a real classic! This edition offers the original soundtrack released in 1969 on Cinevox Record in a new artwork, a gatefold cover and colored vinyl. A bonus track is also included, the song “Hurry to me” sung by The Sandpipers, a folk/pop trio who became famous at the time for their version of the popular “Guantanamera”.

It was 1979, and I was barely 5 years old. Some memories are impressed on my mind with a sort of solarized texture, like in the photographs of the period, full of icons and myths. My father Franco and mother Luciana were like crazy pinballs, touring the world: America, France and Germany were the sides against which they continuously bumped and Italy's capital the hole to which they always returned. I was really young, but I remember very well the period in which my father worked on this little jewel, produced and shot with great love and poetry by Mr. Zingarelli. I remember Italo, a large guy who made an enormous impression on me: tall, with an imposing frame and often wearing a big beard that made him both tender and menacing, like an Italian version of Santa Claus. We owe a lot to this man who gave so much to Italian cinema, sensibly enriching our artistic fortune, sometimes, as in this case, with great irony and poetry. Shot in Africa in the late '70s, Io sto con gli ippopotami (aka I'm for the Hippopotamus), is a movie that in my imagination is just like Italo: humorously menacing and bulky, protective, awesome and sweet, a description that also fits the mascot of this delicious film, the hippopotamus. In this movie we feel the presence of its producer/director's poetry, often handed down with great passion and cheerfulness through his cinema. It's a simple message of love for nature, respect for the weaker and the duty to intervene when they are subjected to abuse. Everything is presented with disarming simplicity, as powerful as it is beautiful. You must confess that you were moved when Terence Hill, toward the end of the movie, delights himself with his friend-of-a-thousand- adventures Bud Spencer by watching the flight of the animals from Mr. Ormond's boat to the wonderful notes of "Freedom," where my father's harmonica together with the melody infuses the scene with an almost maternal sweetness. Well, we are all in debt to this big guy for his kind message and the clean, sparkling, soft and amusing sincerity that dwells there, among the lines of his cinema, apparently devoted to simple entertainment but so wonderfully deep and full of feeling.

Heartiest thanks, Italo. This album, dedicated to the memory of Italo Zingarelli, is released on a 180 grams colored vinyl, mastering by Enrico De Gemini, graphic layout by Daniele De Gemini.

Franco Micalizzi wrote one of his best OSTs for the Poliziesco genre with this one (the main theme is one of Micalizzi’s favorites and he often performs it live in concert with his orchestra BIG Bubbling Band). The OST opens with the strong main score written for woodwinds and percussion, which is then reprised with different arrangements throughout the film. It is also alternated with moments of suspense. The violent urban jungle atmosphere is broken by "Sambamba", a sunny pop piece with a Latin sound written for choir and orchestra. For this LP, the master tapes of the recording session were used.

At the time of the film’s release only a 45 rpm single of this OST was issued which contained the song “Can be done”, with lyrics by Sergio Bardotti and sung by Rocky Roberts (in 1966 Bacalov had already collaborated with Roberts, performer of the main theme from the highly successful western movie “Django”). Only in 1995 Point Records released a CD (PRCD 120) which contained the istrumental score coupled with the OST from “Il grande duello”. For this our very brand new digitally restored and remastered CD, we again had access to the mono master tapes of the recording session that gave us the chance to discover some unreleased takes which we have assembled in a 7:46 suite. In addition a special bonus track (Tr.16) features the very rare stereo-mixed version of the original 45 rpm single song. Luis Bacalov succeeds in representing in his music the whole sentimental side of the plot (the friendship between the corpulent, but good-hearted Thompson and the child Chip) by writing a sweet and cheerful main theme that is introduced in Titoli di testa in a pop key and with a little Bacharach flavour called “Can be done”, sung by Rocky Roberts and accompanied by a children’s choir (Tr.1). This theme is reprised with orchestral variations sometimes dramatically, sometimes in an epic western context with the use of the harmonica of the great Franco De Gemini (Tr.2, Tr.3, Tr.4, Tr.5, Tr.9, Tr.11, Tr.14) and alternated with saloon as well as instrumental and choir folk music (Tr.6, Tr.8, Tr.12, Tr.13). This CD is dedicated to all the fans of the mythic Bud Spencer, of the Italian Western and of the music art of the Academy Award winner Luis Bacalov.

Explore the treasure trove of Austria's leading film music composer on this first time release: A blend of 19 tunes offer more than you expect from the sound of the 1970s.
Hey, you don’t know Gerhard Heinz? Heinz, Gerhard Heinz, the John Barry of Austria? We find a remedy for that…with this compilation of this best film tunes.

Watching the elusive adventures of Melody O’Brian and Sascha Hehn on the beach of the Mauritius with the finally erupting volcano (!) during their love scene, you will never forget the music of Melody In Love (1978). Responsible for the soundtrack and for more than 200 other films, mainly in the erotic genre, is Gerhard Heinz Shameless / Schamlos (1969), The Naked Countess / Die Nackte Gräfin (1971), Julia: Innocence Once Removed / Die Nichte der O. (1974) or Love Bavarian Style / Geh Zieh Dein Dirndl Aus (1975). Titles like Svenska Disco Machine provide flawless disco-funk, Bangkok At Night appeals to arose directly out of a James Bond movie from the 1970s, Die Sieben Sünden is a Vienna Melange consisting of Chanson and Easy Listening and Dampfnudeln (sweet yeast dumpling) have never been prepared that voluptuous as in this alpine homage of Je t’aime.

The enormous variety from marvellously arranged and sung Beat, Bossa Nova, Pop and Groove Jazz stands out from the mostly bad films and makes this compilation a highlight of our past repertoire.

Sometimes some releases are born through a quick waltz step, some other, such as this one, even if waited since eons and requested by fans more than once, they get a laborious and long gestation. In Blastfighter’s case the long waiting is also due to the label and the artist need to dedicate the correct amount of energy to the relevant release, in order to obtain the best possible result. A score which is dear to Fabio Frizzi, with funky sounds infested with cool bursting electronics, typical of the artist musical canon of the early 80s, it has been played many times by the Maestro, worldwide, during his concerts with his band. Audiences always delighted by a vibrant suite dedicated to Lamberto Bava movie. Numerous inputs by fans finally pushed the artist to take a ride into his private archive, to find the original recording session and to work on it and now, at last, we have this explosive score on CD audio, in a transparent jewel case featuring liner notes by Fabio Frizzi, mastering by Enrico Scopa (Octopus Studio, Roma) and graphic layout edited by Daniele De Gemini featuring the wonderful painting by Renato Casaro on the cover

Limited pressing on yellow wax. Stciker residue / small tears on the cover front!

Pressed on Black Eco Vinyl
Packaging by Alan Hynes
Music to the 1982 film directed by Tommy Lee Wallace
DESCRIPTION

Death Waltz Recording Co. is delighted to revisit not only one of our favorite HALLOWEEN sequels, but one of our favorite sequels period. It’s been a long, hard road for HALLOWEEN III: THE SEASON OF THE WITCH to be accepted within the HALLOWEEN franchise, but it is now widely considered to be one of the best horror movies of the ‘80s.

The packaging for this release is also completely singular and jaw-dropping; designed by Alan Hynes (the wizard behind our FIGHT CLUB and ANOMALISA releases) it’s unlike all of our other re-issues in this series. It’s still designed to fit in the collectors box and really helps solidify what an outlier HALLOWEEN III is in the overall series.

The film is unique not only due to it lacking Michael Myers (save for a brief appearance on a TV screen) but also for its score. John Carpenter and Alan Howarth completely jettisoned their previous work and deliver nothing short of an electronic masterpiece. The lead track ‘Chariots Of Pumpkins’ is an epic 4/4 beat-driven synth-banger that has regularly been played by DJs over the last 10 years. The rest of the score features lush pads, Linn drums aplenty and veers from beautiful blissed-out ambient drones to sinister stinger-driven mood pieces. Absolutely outstanding stuff.

Garden State is a 2004 comedy-drama film written and directed by Zach Braff and starring Natalie Portman, Peter Sarsgaard, Ian Holm and Braff himself. The music in the film features a number of Indie Rock artists, notably The Shins. Writer, actor and director Zack Braff was awarded a Grammy Award for Best Compilation Soundtrack for a Motion Picture for his work on the soundtrack album.

They Say: “Composite themes and incidental cues for dramatic application”. We say: Well, it’s definitely dramatic. No wonder this LP was mined by a multitude of 70s and 80s crime shows. Much like Beat Incidental, this true gem includes a raft of enjoyable sub-ten second incidental cues alongside satisfyingly stretched out, hard-knocking sleuth-funk. The Hunter (Drama Suite) / Adventure Story is a real library-head’s library album. We’re treated to some of the best works of no less than five different heavyweights of the genre: drummer Brian Bennett, guitarist Clive Hicks (of The Gentle Rain), saxophonist Duncan Lamont, rock bassist Dave Richmond and keyboard session giant Steve Gary! Something of a dream line-up, they each contributed stellar efforts to create one of the most sought-after of the legendary KPM albums.

Steven Wilson is a 4 times Grammy nominated multi-instrumentalist, a soughtafter mixer and producer and has become known for the high sonic and musical standards of his work. His latest album The Future Bites featured guest contributions from Elton John and Nile Rodgers, and reached the top 5 in the UK, The Netherlands, Germany, and elsewhere across Europe. More recently Steven has become known for his immersive audio mixing, starting with his own projects, but increasingly also for several classic artists as diverse as Black Sabbath, Roxy Music, Tears For Fears, Kiss and King Crimson. Last Day of June is an adventure puzzle video game in third-person perspective. Eurogamer ranked Last Day of June 33rd on their list of the “Top 50 Games of 2017”, while Polygon ranked it 38th on their list of the 50 best games of 2017. In Adventure Gamers’ Aggie Awards 2017, it won the award for “Best Story”, while it was a runner-up each for “Best Concept”, “Best Graphic Design”, and “Best NonTraditional Adventure”. It was nominated for “Game Beyond Entertainment” at the 14th British Academy Games Awards. The soundtrack to Last Day Of June is based on existing music originally recorded and issued either on Steven Wilson’s albums under his own name or as his project Bass Communion between 2004-2016. However, with one exception, all of the music was remixed or edited especially for this soundtrack and has been carefully sequenced to make a satisfying stand-alone listening experience. Last Day Of June is available on vinyl for the first time. The LP is housed in a deluxe gatefold sleeve and contains an insert with credits and details of each song.

LP 180gr. /// Tip-On Sleeve /// Features two unreleased tracks taken from the original master tapes

If a jewel were to be chosen amongst the more than three hundred soundtracks that Maestro Stelvio Cipriani has composed during his long and prodigious career, that choice would probably not fall on the super classic and hyper known ANONIMO VENEZIANO, but probably on his previous and less celebrated FEMINA RIDENS – perhaps the most iconic of his soundtracks, along with MARK IL POLIZIOTTO. This work is undoubtedly one of those titles that best represents the spirit of Italian golden age film music, and the original LP, published on CAM series SAG – 9017, is at the very top of every collector’s most wanted list.

The film, directed in 1969 by Piero Schivazappa, is a feminist parable that blends eros perversion, black comics, and Pop Art. And its mood, halfway between cold and playful tones, is perfectly underlined by Cipriani with a soundtrack that fits flawlessly to the dreamlike, grotesque, and sentimental images, combining classical music and orchestral pop, baroque jazz, spaghetti western flavors, psychedelic blues and lounge vibes – all emphasized with sumptuous arrangements that still sound contemporary. A jewel like “Mary’s Theme” is an immortal, timeless track that has been recently sampled by hip-hop producers, and is a demonstration of the eternal modernity of the finest Italian cinematic sound.

This reissue fills a serious gap, finally bringing to the forefront an iconic soundtrack that has remained inaccessible on wax far too long. And it does so in the best possible way, starting from the original master tapes preserved in the CAM archives, from where it was possible to locate an unreleased track (added at the end of side B), as well as allow for an enhanced version of “Chorus and Brass Fugato”, whose original edit has been improved and extended here. And if that weren’t enough, for all you discerning collectors, as well as DJs, Four Flies is also releasing an extra 7-inch record which includes the two most danceable tracks on the entire OST!

John Carpenter is a legend. As the director and composer behind dozens of classic movies, Carpenter has established a reputation as one of the greatest filmmakers in the history of modern cinema, as well as one of its most influential musicians.

The minimal, synthesizer-driven themes to films like Halloween, Escape From New York, and Assault on Precinct 13 are as indelible as their images, and their timelessness was evident as Carpenter performed them live in a string of internationally sold-out concert dates in 2016.

"Anthology: Movie Themes 1974-1998" collects 13 classic themes from Carpenter's illustrious career together on one volume for the first time.

Each theme has been newly recorded with the same collaborators that Carpenter worked with on his hit Lost Themes studio albums: his son, Cody Carpenter, and godson, Daniel Davies.

Anthology is a near-comprehensive survey of John Carpenter's greatest themes, from his very first movie, the no-budget sci-fi film Dark Star, to 1998's supernatural Western, Vampires.

Those sit alongside the driving, Led Zeppelin-influenced Assault on Precinct 13 theme, Halloween's iconic 5/4 piano riff, and the eerie synth work of The Fog.

Carpenter and his band also cover Ennio Morricone's bleak, minimalist theme for The Thing.

“Le Foto Proibite di una Signora Perbene” (Forbidden Photos of a Lady above Suspicion) is a 1970 giallo film directed by Luciano Ercoli ("La Morte Accarezza a Mezzanotte" and "La Polizia ha le Mani Legate" are probably his most popular cult works among fans of the thriller / police genre) starring the German-born actress Dagmar Lassander. Yet another soundtrack that remained unpublished for decades and rediscovered only at the end of the 90s, “Le Foto Proibite…” is a very varied work in which Ennio Morricone, as usual, manages to adapt his scores to light-hearted (“Allegretto per Signora”, “Intermezzino Pop”, “Secondo Intermezzino Pop”), romantic (“Le Foto Proibite di una Signora Per Bene”, “Amore come Dolore”, “Quelle Foto”) and hectic moments (“Qui ci Scappa il Morto”, “Bella, Cara, Dolce, Buona Mogliettina Per Bene”, “Caduta nel’Inconscio”, “Nel Vuoto”) that the movie consists of. An excellent work for a cult film of Italian genre cinema, reissued on clear pink vinyl. with remastered audio.

Quartet Records, in collaboration with GDM, Universal Music Publishing Italy and EMI General Music Publishing, presents the premiere vinyl edition of the famous giallo score composed by Ennio Morricone in 1971 for LA Corte Notte Delle Bambole DI Vetro (aka Short Night OF Crystal Dolls) directed by Aldo Lado and starring Jean Sorel, Ingrid Thulin, Barbara Bach and Mario Adorf. Considered one of the best and most consistent giallos, the film is about journalist Gregory Moore (Sorel), whose corpse is found in a Prague square and taken to the local morgue. But Moore’s spirit is alive, trapped inside his dead body and desperately remembering the disappearance of his beautiful girlfriend, who is linked to a terrifying conspiracy of depravity. Can a reporter with no visible signs of life solve this perverse puzzle before his existence ends? Morricone’s thriller scores remain some of his most distinctive and original works. As demonstrated in his scores for Dario Argento’s efforts in the genre, Morricone’s uncanny ability to combine lyricism, unbridled avant-garde experimentation and stylish elegance was his most significant contribution to the category. LA Corta Notte Delle Bambole DI Vetro shows Morricone once again embracing the sophisticated avant-garde sound while beginning his score with a haunting tune performed by Edda Dell’Orso heard over the film’s main titles. The waltz theme has a timeless quality, providing a disturbing and disarming melody for the film. This is the first worldwide vinyl edition of this Morricone cult score. It has been completely produced and mastered by Chris Malone from original master tapes and pressed in audiophile clear glass-doll vinyl.

Thanks to the brilliant debut “Night of the Living Dead” (1968), director and screenwriter George Romero is considered the creator of the ‘modern zombie’, a metaphor for the profoundly consumerist and capitalist society we live in, that was perfectly shown years later in “Dawn of the Dead” (1978); this movie was distributed in Italy as “Zombi”, with a different editing made by Dario Argento and a soundtrack once again composed by legendary Goblin.

“Zombi” is a very varied album where the electric guitars, taking the lead in the hard-rock track “Zaratozom”, often give way to keyboards, synthesizers and percussion elements of all kinds. The real masterpiece of the record remains the opening cut “L’Alba dei Morti Viventi” (Dawn of the Living Dead) with its sinister, unrelenting pace evoking a slow and unstoppable march of zombies, impossible to escape from.

Why you'll love it...
The original score by Academy Award winner Volker Bertelmann that is the soundtrack to Jules, starring Sir Ben Kingsley (Gandhi, Schindler’s List), Harriet Sansom Harris (Licorice Pizza, “Hacks”), Jane Curtin (Coneheads, I Love You, Man) and Jade Quon (Transformers: The Last Knight, The Hunger Games) is set for release by ABKCO Records. Written by Gavin Steckler (“Review”, “Playing House”), Jules made its world premiere at the Sonoma International Film Festival where it was the opening night film, and won the Stolman Audience Award for Best Feature. The film is produced by Michael B. Clark, Andy Daly, Deborah Liebling and Alex Turtletaub alongside Marc Turtletaub.

Produced and directed by Marc Turtletaub (Puzzle, The Farewell, Little Miss Sunshine), Jules, a Bleecker Street release of a Big Beach production, was filmed in Morris County, NJ and follows Milton (Kingsley) who lives a quiet life of routine in a small western Pennsylvania town. His day is upended when a UFO and its extra-terrestrial passenger crash land in his backyard. Before long, Milton develops a close relationship with the extra-terrestrial he calls “Jules.”

Things become complicated when two neighbors (Harris and Curtin) discover Jules and the government quickly closes in. What follows is a funny, wildly inventive ride as the three neighbors find meaning and connection later in life – thanks to this unlikely stranger.

The film’s score is the work of composer/pianist Volker Bertelmann who was a 2017 Academy Award nominee for his score to Lion. Last year he received both an Academy Award and the British Academy Film Award (BAFTA) for his score for All Quiet on the Western Front. The Budapest Art Orchestra performs Bertelmann’s music for the Jules score. Recording under the name Hauschka, Bertelmann is a prolific artist in his own right and, beyond soundtracks, has released 20 full length albums of original music to date. The Washington Post’s Michael O’Sullivan wrote, “In the end, Jules performs a magical, if tiny, bait-and-switch: It’s less a sci-fi parable — “E.T. the Extraterrestrial” for the AARP demographic — than a fairy tale reminding us that the tribulations of getting old are more natural than sad, and best done in the company of loved ones.”

The VMP exclusive version of Jules (Original Score) is pressed on 180g Honey Crisp vinyl at GZ Vinyl. The 1LP will arrive in a single, direct-to-board jacket with an 8x10 insert and art by Sara Deck. It was mastered by Carl Rowatti at Trutone Mastering Labs.

2x 180 Gram Black Vinyl /// The Lonely Island is proud to present the premiere vinyl release of the original soundtrack to POPSTAR: NEVER STOP NEVER STOPPING, courtesy of Mondo Music. Including nearly two dozen original, comedic pop and hip-hop songs performed by The Lonely Island and featuring artists such as P!NK, Adam Levine, Michael Bolton and Seal.

“Out of four possible stars, Rolling Stone has given it the sh*t emoji…” reads a scathing review from the venerable music magazine of Conner4Real’s fictional second solo album. In our world, however, the music of POPSTAR: NEVER STOP NEVER STOPPING would warrant a perfect four out of four sh*t emojis as The Lonely Island lovingly skewers pop music with brilliant glee. Catchy tracks like “Finest Girl (Bin Laden Song),” “Equal Rights”, and “I’m So Humble” have earned their place among the greatest music parodies of all time.

“The Lonely Island’s POPSTAR: NEVER STOP NEVER STOPPING is one of the funniest films of the last decade with a brilliantly executed soundtrack,” says Mondo Music Label Manager, Mo Shafeek. “It’s absolutely one of the best pop albums of the last five years… it just happens to also be one of the funniest comedy albums of the last five years as well. What Akiva, Andy and Jorma have achieved with this soundtrack is a thing of legends, and we are honored to be celebrating it.”

Double 180g coloured marbled vinyl (Disc 1: translucent sun yellow with red; Disc 2: purple with violet & white) housed in a gatefold cover.Double EP 7" on randomly coloured eco vinyl with four new tracks written for "Risk Of Rain Returns". Carefully designed, beautifully remastered and loaded with new ways to play - "Risk of Rain" is back and better than ever! Dive into the iconic roguelike full of unique loot combinations, enhanced with new Survivors, overhauled multiplayer, fan favourite content from Risk of Rain 2 and more!Ten years to the day, after "Risk of Rain" was released into the world to become a true classic, the game is revived on November 8, 2023 as "Risk of Rain Returns" to reconnect with its fans and be discovered by those who didn't realise what they were missing. Time to give the iconic game soundtrack an update as well, isn't it?Creator Chris Christodoulou gives an insight on his work as well as the extensive and luxurious new vinyl release that come with some remarkable extras: "Can you believe it's been ten years already? It seems like yesterday that I was sitting in my small bedroom/studio in front of an aching computer writing the music for 'Risk of Rain'. And here we are, ten years later, returning to it to, adding to its musical compendium. What an unexcepted, magnificent journey!With this very special release we're celebrating both, the 10-year anniversary of 'Risk of Rain' and the release of 'Risk of Rain Returns'! This modular album contains the entire Risk of Rain soundtrack remastered and the four new tracks written for 'Risk of Rain Returns' (with contributions from special guest musicians Damjan Mravunac & Maria Papageorgiou).

* The Original Soundtrack by Richard Band * 180 Gram Green & Yellow Hand Poured Vinyl * New Gatefold Packaging * 11x17 Poster Waxwork Records is thrilled to present their 10th Anniversary release of H.P. Lovecraft's Re-animator Original Motion Picture Score composed and conducted by Richard Band (From Beyond, Puppet Master). This is the album that started it all for Waxwork Records and was originally released in 2013 as our very first album. This deluxe re-pressing of the official score to the 1985 cult-classic horror film features completely new mastering and plating job and was sourced from the original master tapes. The music of Re-Animator has never sounded better! This special 10th anniversary release also features new gatefold packaging with additional artwork by Ghoulish Gary Pullin. Other features include 180 gram ''Re-Agent'' Swirl colored vinyl, original artwork by Ghoulish Gary Pullin, exclusive liner notes by director Stuart Gordon and composer Richard Band , behind the scenes photos from the film set and score recording session, and a printed inner sleeve.

Ltd. gold w/ black marble vinyl.Black Screen Records has once again teamed up with Focus Entertainment to release the soundtrack to A Plague Tale: Requiem - the sequel to the award-winning adventure game A Plague Tale: Innocence - by IFMCA award-winning and BAFTA nominated composer Olivier Derivière on 180g double vinyl and CD.After signing the soundtrack for A Plague Tale: Innocence, Olivier Derivière is back to enrich the intense emotional journey of A Plague Tale: Requiem with his poignant compositions.Olivier Derivière is a passionate video games composer and an international star in the field, who won multiple awards and a nomination for the 2017 BAFTA. His degree of implication is rare among video games composers, putting the gameplay at the center of his considerations and even influencing the development through his input. The compositions also feature the cellist Eric-Maria Couturier, and the Estonian Philharmonic Chamber Choir.Eric-Maria Couturier is a distinguished member of the Ensemble intercontemporain, a contemporary music ensemble founded by Pierre Boulez, whom Eric-Maria Couturier collaborated with among other eminent modern music icons.The two-time Grammy Award-winning Estonian Philharmonic Chamber Choir is one of the best-known Estonian ensembles in the world. With a repertoire that extends from Gregorian chant to contemporary music, it lends its spellbinding vocals to the soundtrack of the game.

My Story, The Buraku Story is a new feature-length documentary film that explores the discrimination against a group of people - commonly called "the burakumin" - who were classed into lowly groups and segregated from the rest of Japanese society. This discrimination is not by race or ethnicity, but rather by place of residence and bloodline, and has existed for centuries - albeit very rarely acknowledged or discussed in Japan. When director Yusaku Mitsuwaka imagined the exemplary score for such a culturally sensitive and significant subject, he idealized Mono to help tell this story through their legendarily cinematic music. Following their recent experiments with electronic textures infused into their trademark dynamic rock compositions, My Story, The Buraku Story finds Mono at their most understated and elegiac. The songs that make up My Story, The Buraku Story are largely built around piano, strings, synths, and choral vocal loops. As one might expect from Mono, the arrangements are masterworks of understated execution with oversized emotional resonance. By far Mono's most delicate album, it is a fitting document of the band's first-ever full-length film soundtrack.

A Fantastic Woman (Spanish: Una mujer fantástica) is a 2017 drama film directed by Sebastián Lelio and written by Lelio and Gonzalo Maza. It was selected as the Chilean entry for the Best Foreign Language Film where it won in the 90th Academy Awards. The film is about Marina, a transgender woman who works as a waitress and moonlights as a nightclub singer, is bowled over by the death of her older boyfriend. It premiered at the 67th Berlin International Film Festival in 2017 where it won the Silver Bear for Best Screenplay and the Teddy Award, an award given to films with a LGBT theme. Matthew Herbert is an award-winning composer, artist, producer and writer. He has had work commissioned by the Royal Opera House, the BBC and has remixed iconic artists such as Quincy Jones, Ennio Morricone and been a long-time collaborator of Bjork's, but he is best known for working with sound, turning ordinary or so-called found sound in to electronic music. This is a limited edition on transparent pink coloured vinyl. The LP package contains an insert with notes from director Sebastián Lelio.

The genesis of the film lay with actress Winona Ryder, who wished to make amends with director Francis Ford Coppola after her late withdrawal from The Godfather Part III. She brought him a script written by James V. Hart, which provided an adaptation of the famous 1897 novel Dracula by Irish author Bram Stoker. Coppola decided that he wanted a composer with classical eastern European sensibilities. After listening to a few pieces from fellow Pole Wojciech Kilar, Coppola was convinced that he had found his man. He called him and offered the assignment, which Kilar gladly accepted as he was very impressed with Coppola’s cinematic success. For his soundscape, Kilar chose to utilize traditional leitmotifs. Besides it features “Love Song For A Vampire” by Annie Lennox (Eurythmics).

Waxwork Records is proud to present the complete ÆON Flux Original Series Soundtrack box set by Drew Neumann. Officially available for the very first time in any format, the soundtrack to the groundbreaking animated series is now available as a deluxe 6xLP box set, multi-disc CD set, and across all digital streaming services today, February 17th, 2023. In partnership with ÆON Flux creator, artist, and director Peter Chung, composer Drew Neumann, and MTV, Waxwork Records assembled a comprehensive box set experience featuring the complete soundtrack music from all 21 ÆON Flux episodes sourced from the composer’s original masters.

Originally airing from September 1991 through October 1995, ÆON Flux is an avant-garde science fiction animated television series that inspired live action films, video games, and comic books. It premiered on MTV’s Liquid Television experimental animation show as a six-part serial of short films, followed in 1992 by five individual short episodes. In 1995, a season of ten half-hour episodes aired as a stand-alone series.

The original and innovative series featured elements of science fiction, allegory, dystopian and spy fiction, psychological drama, and psychedelic imagery. ÆON Flux is set in a surreal futuristic universe. The setting comprises a bizarre dystopia populated by mutants, clones, and robots, set within the separated border wall cities of Monica and Bregna. The title character is a tall, sexy, dominatrix secret agent from the city of Monica that is skilled in espionage, assassination, and acrobatics. Her mission is to infiltrate and destroy the strongholds of the city of Bregna which is led by her sworn enemy, and sometimes lover, Trevor Goodchild.

About the Composer

The music and sound design of ÆON Flux was created by Drew Neumann. Neumann is an American composer and musician of film and television scores. He studied film, animation, and composition at the California Institute of Arts where he first met and began a longtime friendship with Peter Chung. He has composed music for Disney, E!, Nickelodeon, MTV, Mattel, Paramount Pictures, Cartoon Network, and trailers for feature films. In addition, he has contributed sound design and music composition for a variety of hardware synthesizers, sound libraries, and software and computer products. Neumann works closely with and consults for synthesizer companies such as 1010 Music LLC, Arturia, Studio Electronics, Ensoniq, Oberheim, Sequential, UDO, Waldorf, and Moog.

About the Creator

Peter Chung is a Korean American writer and director of animated films. In addition to creating ÆON Flux, Chung’s directing credits include The Animatrix, and the Cartoon Network feature Firebreather. He served as art director for the animated series Teenage Mutant Ninja Turtles and as designer and director for the Nickelodeon series Rugrats. Chung has also directed commercials for Levi’s, Pepsi, Honda, Jaguar, Sony, and many others. He currently teaches a Master Class at the Division of Animation and Digital Arts at the USC School of Cinematic Arts.

ÆON Flux Original Series Soundtrack Box Set Features:

Waxwork Records worked closely with both Drew Neumann and Peter Chung to create the comprehensive ÆON Flux Original Series Soundtrack box set. All artwork elements were provided to Waxwork by Peter Chung from his own personal archive. The deluxe multi-disc set features:

The complete series music by composer Neumann remastered from the original masters 3xCDs The full box set contains original artwork by Peter Chung A 40-page book that includes: Exclusive liner notes by Peter Chung An extensive essay by Drew Neumann Chung’s original, never-seen-before storyboards and sketches, character design drawings, and much more

A high-speed car chase between a Dodge Charger and a Ford Mustang, with super-cop Bullitt at the wheel, who forces the hitman off the road and into a petrol station, which explodes and incinerates him. Prior to that, harsh clashes of metal, hubcaps flying all over the place, and the chief character Steve McQueen, who grimly changes gears and hurtles through the streets of San Francisco, wheels screaming and rubber burning. That was how Hollywood staged one of the longest and most dramatic car chases, long before the days of the Anti-Blocking-System and Anti-Slide-Control.
Very up-to-date and just as exciting as the screenplay is the music Lalo Schifrin wrote for the film, which embeds the characters, places and events in a musical context. For example, "Bullitt": the metrically angular main theme portrays a mysterious, cool character who sums up a situation with keen alertness and then makes his attack with the speed of lightning.
Initially the music travels through easy-going Latin terrain. But gradually the rhythmic texture changes and takes a rougher path, with clicks, knocks and hammering. Legendary flute lines create a compensatory placidness with airy clouds floating above the sharp mix. A really special track is "Shifting Gears": here you can listen to Schifrin tuning the car, how he manipulates a jammed springy bossa to take on the sound of clean, smooth-running rock.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. All royalties and mechanical rights have been paid.

“Una pistola per Ringo” and “Il ritorno di Ringo” are two movies from 1965 that belong to the ‘spaghetti western’ genre, directed by Duccio Tessari and starring Giuliano Gemma as the main character. The two movies, not actually having much more in common besides their title and protagonist, were filmed in a very short time, thanks to the huge success of the first ‘chapter’. The soundtracks of both movies, by Ennio Morricone, show the incredible versatility of the composer, who at the time had already collaborated with Sergio Leone in “Per un pugno di dollari” and “Per qualche dollaro in più”. Thanks to the precious contribution of conductor Bruno Nicolai, the choir of the Cantori Moderni di Alessandroni, trumpeter Michere Lacerenza and harpist Anna Palombi, the Maestro wrote a mainly classical score, developing a wide range of sensations and dynamics in which epic atmosphere, drama and tension alternate to reflective moments or even romantic ones.

- The Complete Film Music Available For The First Time On Vinyl- 180 Gram "Satanic Rite" Colored Vinyl- Exclusive Liner Notes By Rob Zombie- 16 Page Booklet Featuring Unreleased Photography- Bonus Black Metal Live Album By Count Corgan Pressed To 180 Gram Black Vinyl With B-Side Etching//Waxwork Records Is Proud To Present Rob Zombie's The Lords Of Salem Original Motion Picture Soundtrack. Available For The Very First Time On Vinyl And Pressed To 180 Gram "Satanic Rite" Colored Vinyl, The Music Of The Lords Of Salem Features The Velvet Underground, Rick James, Rush, Leviathan The Fleeing Serpent, John 5, And More.The Lords Of Salem Is A 2012 American Supernatural Horror Film Written, Produced, And Directed By Rob Zombie. The Film Stars Sheri Moon Zombie (The Firefly Trilogy), Meg Foster (They Live), Bruce Davison (X-Men), Dee Wallace (E.T., The Hills Have Eyes), And Patricia Quinn (The Rocky Horror Picture Show). The Plot Focuses On A Troubled Female Disc Jockey, Heidi (Sheri Moon Zombie), Who Is A Recovering Drug Addict Living In Salem, Massachusetts. Her Life Becomes Entangled With A Coven Of Ancient Satan-Worshipping Women After Receiving A Strange Wooden Box And Listening To The Album Inside It By A Band Named "The Lords".The Soundtrack Features Classic Songs By The Velvet Underground, Lou Reed, Manfred Mann's Earth Band, And Several More. The Score Features Original Cues By John 5 And Griffin Boice. In Line With Other Zombie Soundtracks, The Album Features Intermittent Dialogue Tracks From The Movie.Waxwork Is Thrilled To Present The Debut Vinyl Release Of The Lords Of Salem As A Deluxe Album Package Featuring 180 Gram "Satan Rite" Colored Vinyl (Blood Red And Blue Butterfly Effect With White Splatter), Exclusive Liner Notes By Rob Zombie, New And Original Art By Robert Sammelin, A 12"X12" 16-Page Booklet Including Unreleased Set Photography From Zombie's Personal Archive, A Heavyweight Art Print, Printed Inner Sleeves, And Old-Style Tip-On Gatefold Jackets With Satin Coating. Also Inclu...

Presenting one of the greatest works by maestro Armando Trovajoli; a solid Italian easy listening masterpiece. After its commercial debut in 1968 as an original soundtrack of famous Italian TV-movie, this record gained renewed interest in the 1990s when four tracks were compiled in the immortal Easy Tempo series. From then on, La Famiglia Benvenuti has not only been considered of Trovajoli’s most sought after records, but has achieved the status of being the manifesto of the Roman swinging sixties - a lively addition to the delightfully cool sounds of the late 1960s, made possible by the following key ingredients: the Marc 4 sound (a steady presence for almost every Trovajoli recording); the outstanding I Cantor i Moderni di Alessandroni, with their unmistakable vocal harmonies; and lastly, the eccentric use of the harpsichord (a signature of Trovajol i ' s spaghetti soundtracks of the period). Behold a brilliant cocktail of groovy bossa, terrific shake, catchy tunes, and pop songs, as the amazing La Decisione, sung by Donatella Luttazzi, daughter of the great Lelio.
An absolute must-have for any serious soundtrack collector, and reissued here on vinyl for the very first time!

Memoirs Of A Geisha (2005) is the award winning drama film adaptation of the novel of the same name. The original score and songs were composed and conducted by John Williams. The album won the Golden Globe Award for Best Original Score, BAFTA Award for Best Film Music and the Grammy Award for Best Score Soundtrack for Visual Media. It was also nominated for the Academy Award for Best Original Score.

THE VINYLBOX COLLECTION IS BACKREDISCOVER ALL THE BEST SONGS FROM THE CULT MOVIES OF QUENTIN TARENTINO.STARRING : JOETEX, ISAAC HAYES, DICK DALE, ELVIN BISHOP, JOHNNY CASH, AL GREEN, RICKY NELSON, LINK WRAY, ...

In the cinema, the composer must go to meet the filmmakers, enter their world, but without giving up his own. This is the difficulty or the paradox of music for the image. By collaborating with directors from a wide variety of backgrounds, I think I have indirectly discovered a lot about myself. It helped me to progress, to explore territories that were not naturally mine. Cinema is a laboratory where I have sought to construct original orchestral formulas combining Corsican polyphonies, musicians from jazz, variety, classical, or even rappers. Like the world today, a fragmented world where all cultures mingle. So said Bruno Coulais, one of the most innovative composers of contemporary cinema, during the tribute paid to him in 2011 at the Cinémathèque de Paris

In 1978, Bruno Coulais, a young composer of concert works, discovered in film music a new means of expression, a way of bringing the demands of his writing to the masses. François Reichenbach, then Josée Dayan, Jacques Davila, Souleymane Cissé or Laurent Heynemann, first on television and then in the cinema, lead him of his own accord in the discovery of this new world.

In 1995, he composed the music for Microcosmos. This centimeter-scale initiatory journey offers him the opportunity to reveal the full dimension of his writing. He injects into his score a strange lyricism, between wonder and fantasy, confirming the lesson learned from François Reichenbach: "to any documentary image, music brings a part of fiction".

The success of Microcosmos established the musician and made him the indispensable composer of other natural tales, notably alongside Jacques Perrin (Le Peuple migrateur, Oceans, Les Saisons, etc.). Other long-term relationships will be forged, in particular with Benoît Jacquot, with whom he has worked for more than a decade, not to mention Frédéric Schoendoerffer, James Huth or Jean-Paul Salomé.

In addition to great popular successes such as Les Choristes, Brice de Nice or Sur La Piste Du Marsipulami, it is hardly surprising that this insatiable curiosity has found in the animated cinema the most inspiring playgrounds, in particular through his collaboration with two exceptional designers, Henry Selick and Tomm Moore.

The first, American director of The Nightmare Before Christmas produced by Tim Burton, invites Bruno Coulais to sign in 2009 the magnificent score of Coraline (film nominated for the Oscars). 10 years later, he is about to find him for a new and beautiful Wendell & Wild adventure. For Irishman Tomm Moore, Bruno Coulais has already composed the music for two Oscar-nominated films, The Secret of Kells (2009) and Song Of the Sea (2014), and in 2020 he will sign the score for Wolfwalkers.

Whether it is about author's films or more mainstream films, Bruno Coulais maintains the same standards, always considering his art as a window open to the world. Much less wise than it seems, he reveals in it a gift of a modern alchemist and a very personal way of mixing the most diverse cultures in universal harmony at work.

Tracklist :

A WolfWalkers Theme Wolves Running with the Wolves (WolfWalkers Version) Mechanical Wolf or Girl I’m a WolfWalker Howls the Wolf (Moll’s Song - Wolf Run Free) Our Forest

B What Are You Doing Here? This Is Intolerable Please Mummy My Little Wolf Our Victory Follow Me Mébh’s Tune Robyn’s Tune