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The original soundtrack of the stunningly acclaimed retro robot action game “Gravity Circuit” is now available on analog double-LP!! "Gravity Circuit,” a retro robot action game with a look reminiscent of the side-scrolling action games of the 80s~90s and flashy, exhilarating action, resonated with the boys/girls in the hearts of all game fans. This work, which also received overwhelmingly favorable reviews for its catchy and heroic sound reminiscent of the music of 8-bit and 16-bit machines of the past, is now available as a new product that includes the world's first remix soundtrack in addition to the game tracks!

The Cuphead Show! is more than just an adaptation of Studio MDHR’s bombastic hit video game shoot-’em-up: Both a reverent homage to early American animation and an irreverent musical slapstick romp, the show carved out a unique aesthetic identity of its very own. Ego Plum’s playful, lively soundtrack plays a massive role in establishing that identity. Calling to mind inspirations ranging from ‘30s vaudeville to the golden age of ‘90s animation, The Cuphead Show’s music is packed with enough personality to match the show’s charming cast of characters. Speaking of characters - they sing, too, including a super catchy theme song that’ll put your gramophone in the best of moods.

Soundtrack on Pizza Party Red Single Vinyl
One (1) of Four (4) Randomly-Selected Collectible Character Covers
Includes Removable Obi Strip
Album Design by Scott Saslow
NOTE: Artwork is not final
DESCRIPTION

The premise for Five Nights at Freddy’s is inspired by and tinged with familiar nostalgia from our collective childhoods — pizza parties at the family amusement center in Anytown, USA, presided over by archaic animatronic creatures who fancy themselves a rock band.

We always knew there was a darkness there, amongst the dusty game cabinets and wobbly tables — something lurking, something… off kilter. It’s a plot that jettisoned Freddy Fazbear and pals into the retrosphere of megastardom — a franchise of countless games, books, and merch drenched in depths of lore, with the feature film from director Emma Tammi (and our pals at Blumhouse and Universal) as the culmination of it all.

However, an effective horror experience is nothing without its accompanying sound, and The Newton Brothers certainly showed up for this score. From the opening title track, they hypnotize us with the haunting vocals of a children’s choir, cut with the melodies of nursery rhyme horrorshow. It’s a chilling hors d'oeuvre, leading into a pulsing, synthy moody main course that is both a 90s throwback and freshly sinister. How could we expect any less from the boys behind the maniacal music of Midnight Mass, The Haunting of Hill House and Doctor Sleep?

Like all iam8bit releases, the unboxing is part of the fun, too, with four collectible character jackets featuring everyone’s favorite funtime gang — Freddy, Chica, Foxy and Bonnie — adorned with glow-in-the-dark eyes, ensuring even while listening in total darkness, you’ll have company. Minted on delicious Pizza Party Red vinyl, it’s an absolute feast for fans.

It’s a killer soundtrack, but be careful. You never know what other surprises could be waiting inside…

* The Complete Score By The Newton Brothers * 180 Gram 'Psychic Essence Steam' Colored Vinyl * New Artwork by Max Löffler * Comes with 12'x12' Booklet * Includes Behind The Scenes Scoring Photography

Waxwork Records is proud to present Doctor Sleep Original Motion Picture Score Music by The Newton Brothers. Doctor Sleep is a 2019 supernatural horror film written and directed by Mike Flanagan (The Haunting of Hill House, Midnight Mass). It is based on the 2013 Stephen King novel of the same name, and it serves as a sequel to Stanley Kubrick’s 1980 Horror film, THE Shining. Starring Ewan McGregor, Rebecca Ferguson as Rose The Hat, and Kyliegh Curran, the story follows a now adult Danny Torrance (McGregor) who possesses psychic abilities and is struggling with addiction. Still traumatized from his family’s horrific 1980 ordeal at the Overlook Hotel, Danny Torrance is guided by the ghost of Dick Hollorann to capture the ghosts of The Overlook in lockboxes. Meanwhile, a traveling cult of psychics called The True Knot led by Rose The Hat (Ferguson) extend their lifespans by consuming “steam”, a psychic essence released by torturing and killing those who have “the shining”.

The score by The Newton Brothers pays homage to the music heard in 1980’s THE Shining composed by Wendy Carlos (A Clockwork Orange, Tron) with tracks such as “Dies Irae / Violet” and “The Overlook”. Effectively capturing the feeling from parts of THE Shining, the score to Doctor Sleep also creates a new, unique world for the characters and story. To create the score of Doctor Sleep, The Newton Brothers used experimental recording methods and instrumentation to sculpt an original and terrifying new sonic landscape.

In addition to a large scale orchestra and choir, the composing duo used instruments such as a 90 ft. high Aeolian Wind Harp, The Hurdy Gurdy Grandé, chimes, various modular synthesizers, and a range of percussion. By usage of inventive and unorthodox instruments, The Newton Brothers effectively created a distinctive sound for Danny’s trauma, for the brutal and murderous traveling gypsies known as The True Knot, for Danny’s psychic connection to characters within the story, and for the Overlook Hotel itself.

Waxwork Records is thrilled to release the original score to Doctor Sleep by The Newton Brothers as a deluxe double LP featuring 180 gram “Psychic Essence Steam” colored vinyl (foggy clear with white smoke), high quality packaging with new artwork by Max Löffler, liner notes by the composers, a 12”x12” booklet with behind the scenes scoring photography, and old style gatefold jackets with matte satin coating.

Back in the 1990s video games were still largely seen as nerdy: fun, sure, but basically a guilty pleasure that you'd soon grow out of. The release in 1995 of wipE'out'', a lightning-fast, razor-sharp, futuristic racing game that helped to launch the PlayStation in Europe and North America, changed all that. This was a game that looked and sounded both adult and cool, the kind of game you would put on display in your living room, rather than hide away under your bed. Key to this was the fact that wipE'out'' borrowed unashamedly from the clubbing experience and electronic music, in a way that put it at the heart of progressive mid 90s culture. It soon became a phenomenon. wipE'out'' looked sensational, with Sheffield agency The Designers Republic - known for their work with Warp - creating the visuals, packaging and manual for the game, drawing heavily on the bright colours and excitable geometric shapes of the rave and club flyers of the early 90s. wipE'out'' also sounded like a new rave dream. The European version of the game included music from The Chemical Brothers, Leftfield and Orbital, the kind of fashionable game syncs that were almost unheard of at the time. Equally striking was the game's original music, which came from Welsh musician Tim Wright, aka CoLD SToRAGE, by this point already a veteran in the video games world, having worked on the music for Amiga titles such as Lemmings and Shadow of the Beast 2. His music for wipE'out'' was, if anything, even more extreme than the big-name syncs, mixing the accelerated beats of drum & bass with the pure synth rush of trance to make music that sounded as breathlessly exciting as playing the game felt. These tracks were burned into the brains of millions of gamers; the soundtrack to a generation of late-night anti-gravity racing, as the sun gingerly rose beyond the curtains. But they haven't, perhaps, quite got the respect they deserve, something that this release will address. In 2023, video game music is finally getting its dues; here, remastered and repackaged -and also remixed by cutting edge producers such as Kode9, ?-Ziq, Brainwaltzera, Simo Cell, Wordcolour, James Shinra, Surgeons Girl and Dattassette- are some of the most important, thrilling, innovative and most fun songs ever committed to game release.

The eighth entry of Firaga Records’ VGM Essentials artist series comes from Italian music producer & composer, RoBKTA. Celebrating their 10th anniversary, RoBKTA triumphantly dubs the album “ZeroTen” - A collection of remixes from ten video games, masterfully produced to represent this victory lap. With influences from genres such as Disco House, 90s styled trance, Future Bass, R&B, and his very own Neo-Arcade sound, RoBKTA showcases his musical versatility making this album a must-listen for video game and music fans alike!

The long-awaited recurrence of the OP theme "I won't be your wife" from the TV anime "Kiteretsu Daihyakka"!

The opening theme of the TV anime "Kiteretsu Daihyakka" sung by Kaori Moritani, announced in 1988, has been reissued with a new analog 7-inch jacket design. On the B-side, the ending theme of the 90-minute special version that was broadcast the year before the start of regular broadcasting (1987), "Korosuke Machigou" composed and arranged by Haruomi Hosono is recorded.

30th anniversary release of one of the classic alternative soundtracks from the 90’s. Reality Bites starred Ben Stiller, Winona Ryder, and Ethan Hawke while the soundtrack featured some of the finest collected songs from U2, Crowded House, The Juliana Hatfield 3, World Party, The Posies, Dinosaur Jr., and Lenny Kravitz. It also includes some older but relevant hits like Squeeze’s “Tempted” and The Knack’s “My Sharona.” Without a doubt the most successful track from this compilation was “Stay” by Lisa Loeb & Nine Stories which received massive radio and video play long after the movie left theaters.

A Fantastic Woman (Spanish: Una mujer fantástica) is a 2017 drama film directed by Sebastián Lelio and written by Lelio and Gonzalo Maza. It was selected as the Chilean entry for the Best Foreign Language Film where it won in the 90th Academy Awards. The film is about Marina, a transgender woman who works as a waitress and moonlights as a nightclub singer, is bowled over by the death of her older boyfriend. It premiered at the 67th Berlin International Film Festival in 2017 where it won the Silver Bear for Best Screenplay and the Teddy Award, an award given to films with a LGBT theme. Matthew Herbert is an award-winning composer, artist, producer and writer. He has had work commissioned by the Royal Opera House, the BBC and has remixed iconic artists such as Quincy Jones, Ennio Morricone and been a long-time collaborator of Bjork's, but he is best known for working with sound, turning ordinary or so-called found sound in to electronic music. This is a limited edition on transparent pink coloured vinyl. The LP package contains an insert with notes from director Sebastián Lelio.

Baton Rouge sludge band Thou have released over a dozen LPs worth of music, collaborated with divergent artists like Emma Ruth Rundle and The Body and released covers that run the full gamut of genres. Continuing their practice of bucking typical metal tradition, their latest record, a split release with composer Gewgawly I, is a soundtrack created for the highly anticipated new video game Norco. Gewgawly I has created a master work of ambiance, not only reminiscent of some of the best game soundtracks from the 80s and 90s but also a stunning work of contemporary experimental music pushing the genre forward in exciting ways. Thou have rounded out the game's grit with a wash of downtuned doom and drone. The band has previously been described as "For fans of: alienation, absurdity, boredom, futility, decay, the tyranny of history, the vulgarities of change, awareness as agony, reason as disease," and these themes come to life vividly in Thou's collaboration with the richly illustrated world of Norco. "Thou represents an aspect of Louisiana that's close to my heart. The members know the suburbs of New Orleans and Baton Rouge well. They capture a kind of strange irreverence in their

“Le Foto Proibite di una Signora Perbene” (Forbidden Photos of a Lady above Suspicion) is a 1970 giallo film directed by Luciano Ercoli ("La Morte Accarezza a Mezzanotte" and "La Polizia ha le Mani Legate" are probably his most popular cult works among fans of the thriller / police genre) starring the German-born actress Dagmar Lassander. Yet another soundtrack that remained unpublished for decades and rediscovered only at the end of the 90s, “Le Foto Proibite…” is a very varied work in which Ennio Morricone, as usual, manages to adapt his scores to light-hearted (“Allegretto per Signora”, “Intermezzino Pop”, “Secondo Intermezzino Pop”), romantic (“Le Foto Proibite di una Signora Per Bene”, “Amore come Dolore”, “Quelle Foto”) and hectic moments (“Qui ci Scappa il Morto”, “Bella, Cara, Dolce, Buona Mogliettina Per Bene”, “Caduta nel’Inconscio”, “Nel Vuoto”) that the movie consists of. An excellent work for a cult film of Italian genre cinema, reissued on clear pink vinyl. with remastered audio.

Known best for his work scoring the majority of Albert Pyun's films, tony Riparetti has always blended elements of new wave synth and guitars, and soaring drums into his compositions for a signature sound integral to Pyun's style. Deathbomb Arc is very excited to present the score to 'Crazy Six' (1997) to the world for the first time ever - on both vinyl and digital formats. The sound sets the tone for this extremely 90s slice of action, bathed in dream-like, melodramatic eroticism.

This soundtrack is one of many Cinevox Record rarities, this time brought forth over 50 years ago by the genius of Ennio Morricone, in the heyday of Italian underground cinema, years when true masterpieces were made, often innovative from various points of view (plot, photography, colors, settings, screenplay...). "4 Mosche di Velluto Grigio" (4 Flies on Grey Velvet) ends the so-called 'animal trilogy' by Dario Argento, and sees the director in an absolutely inspired moment, yet probably unconscious that he'll leave an indelible mark in the history of world cinema with his following works. This movie, for some reasons, was never officially released on videotape - apart, perhaps, in an obscure French edition - and only recently has finally been issued on optical disc, while from the soundtrack only released a 45rpm single was pressed at the time, before it was fully recovered in the '90s. In "4 Flies ..." Morricone wrote one of his most 'rock-oriented' soundtracks - without of course neglecting his indelible touch - also thanks to the fact that the protagonist of the film is a rock drummer. You hear echoes of Deep Purple, not surprisingly given that Argento wanted them as the first authors of the movie score, and it is no coincidence that his most famous film is titled... Deep Red!

Coop between Sacred Bones and Waxwork.
Legendary hip hop pioneer DJ Muggs and frequent David Lynch collaborator Dean Hurley join forces for the original score to the 2023 Sundance-premiering feature film Divinity. Equal parts sonically punishing and ethereal, the soundtrack delivers a unique punch that further intensifies the mind-bending, acid-trip experience of the film.

Divinity is a sci-fi dystopian odyssey produced by Steven Soderbergh and helmed by visionary director Eddie Alcazar. Set in the distant future, scientist Sterling Pierce dedicated his life to the quest for immortality, slowly making progress developing a serum named Divinity. Jaxxon Pierce, his son, now controls and profits from his father’s once benevolent dream. Society on their barren planet has been entirely perverted by the supremacy and pervasiveness of the drug. Two mysterious brothers arrive with a plan to abduct the mogul, and with the help of a woman named Nikita, they set on a trajectory hurtling toward true immortality.

Amidst the film’s extraordinary tapestry of stark aesthetics and themes, the score is a ten ton barbell of sonic weight. Crafted with 8-bit samplers, Wavestation synths, extended choir and string techniques, the soundtrack manages to swing wildly between the arenas of both music and sound design. Like all rich soundtracks, listening to the score on its own re-conjures the imagery of the film in the screen of the listener’s mind, an aural experience that manages to encapsulate and pulse a matched intensity of the film.

Tracks like ‘The Brothers’ and ‘Reflective Dreams’ cascade Vangelis-esque tones, painting with broad strokes of cinematic grandeur and ethereal wonder. ‘Main Titles’ and ‘Infinity Techno’ conversely swing hard into relentless, punishing sonics; with brutal, pulsing energy representative of the twisted, relentless pursuit of immortality. A standout of the album is undoubtedly “Divinity 2 Infinity: The Odyssey,” featuring cult hip-hop hero and lyrical-savant Kool Keith. Written for the film’s end credits, the track is a satisfying throwback to the 90’s original soundtrack cut bespoke-tailored to the film’s narrative themes.

DJ Muggs and Dean Hurley’s synergy yields a soundtrack that takes Divinity beyond the screen and into a multi-dimensional experience, inviting its listener along uncharted aural terrain for an unforgettable odyssey in sound.

Baton Rouge sludge band Thou have released over a dozen LPs worth of music, collaborated with divergent artists like Emma Ruth Rundle and The Body and released covers that run the full gamut of genres. Continuing their practice of bucking typical metal tradition, their latest record, a split release with composer Gewgawly I, is a soundtrack created for the highly anticipated new video game Norco. Gewgawly I has created a master work of ambiance, not only reminiscent of some of the best game soundtracks from the 80s and 90s but also a stunning work of contemporary experimental music pushing the genre forward in exciting ways. Thou have rounded out the game's grit with a wash of downtuned doom and drone. The band has previously been described as "For fans of: alienation, absurdity, boredom, futility, decay, the tyranny of history, the vulgarities of change, awareness as agony, reason as disease," and these themes come to life vividly in Thou's collaboration with the richly illustrated world of Norco. "Thou represents an aspect of Louisiana that's close to my heart. The members know the suburbs of New Orleans and Baton Rouge well. They capture a kind of strange irreverence in their

Netflix’s acclaimed series Suburra: Blood on Rome (available in over 190 countries) focuses on the deep connections between politics and organised crime in the Italian capital. The soundtrack to the third and final season was written, produced and performed by Roman rapper and songwriter Piotta, whose “7 Vizi Capitale” was already the theme song for seasons 1 and 2. His music beautifully complements the gripping plot and the characters’ journey, capturing the atmosphere of a side of Rome unknown to many. The vinyl LP contains 10 previously unreleased tracks, including 2 instrumentals and a remix.

With 9 albums under his belt, Tommaso Zanello, also known as Piotta, is one of the pioneers of Italian hip hop. Active on the Roman rap scene since the mid-90s, he earned national fame with his award-winning single “Supercafone” (1998), which was later used by Sky Japan as a theme song for the Italian football championship. He can boast collaborations with hip hop legend Afrika Bambaataa and English musician Captain Sensible and has toured the United States with the Vans Warped Tour.

Reissue of an out-of-time and ahead-of-its time garage rock soundtrack to the typically out-of-his-mind Mike McCarthy aka JMM movie Sore Losers. The film is full of aliens, comic books, rednecks, zombies, boobs, gals, gals fighting, and rock ‘n’ roll. Starring the Oblivians’ Jack Oblivian, with Guitar Wolf, Mike Maker, the deliciously curvy D’Lana Tunnell, and a guest appearance by exploitation master David F. Friedman himself.

Anyone who has seen his movies can attest to the fact that Mike McCarthy always overdelivers. Sore Losers is as good / bad an example as any. Whole soundtracks would be filled out around just one of the acts on this thing—case in point, Greg Oblivian doing a toy instrument version of the much-loved “Bad Man” that is worth the price of the record by itself. Plus The Gories / Dirtbombs’ Mick Collins, The Makers, Jack Oblivian himself, and the mighty Guitar Wolf! Also New Orleans garage/ frat kings Royal Pendletons, Jeffrey Evans of the Gibson Bros with his ’68 Comeback, and also featuring Jack Taylor, the most amazing / fucked up guitar player ever. His guitar tone started with the legendarily messed-up solo in the Velvet Underground’s “I Heard Her Call My Name” and then added four fuzz pedals to it, creating modern art! RIP Jack Taylor. There is also Nick Diablo of Viva L’American Death Ray Music, The Drags, The Makers, Tim Feleppa, Gasoline… This is quality ’90s garage rock, still raw and vital as ever.

This rerelease coincides with McCarthy’s new edit of the film. Southern sci-fi trash has never looked or sounded so good.

Since its opening in spring 2021, Jubg, a still young Cologne gallery for contemporary art, has specialized in the broad field of artists and collaborations working along artistic interfaces, especially those between visual art and experimental and/or electronic music. For example, Jubg has already hosted exhibitions by Markus Oehlen, Kim Gordon, Wolfgang Voigt, Matthias and Aksel "Superpitcher" Schaufler, Sven-Åke Johansson, and Emil Schult. Albert Oehlen, who is a kind of mentor and supporter of the gallery, was also a guest at Albertusstraße this summer, where he presented the exhibition D-i-e Orpheusmaschine together with Michael Wertmüller, Thomas Stammer and the poet Rainald Goetz.

It is only logical that the gallery now expands its sphere of activity to include its own label, on which music appears that comes from similar contexts as the artists listed above already suggest.

As catalog number 1, Jubg is now releasing the official soundtrack to "The Painter" from 2021. The film, German title "Der Maler", is a mixture of feature film and documentary and a collaboration between German director Oliver Hirschbiegel, best known for his Oscar-nominated film "Downfall", and Albert Oehlen, with whom Hirschbiegel has a long friendship, as they both once studied together at the Hochschule der Bildenden Künste in Hamburg.

The docu-fiction shows Oehlen struggling with a painting and pondering the meaning of his work. Oehlen is played by German actor and musician Ben Becker, accompanied by the off-screen voice of Charlotte Rampling. In the film, Becker makes a painting that Oehlen himself creates step by step behind the camera, while the actor improvises the process in front of the camera.

The wonderful music for this film comes from no less than two outstanding personalities whose individual biographies and musical signatures could hardly be better suited to this project. On the A-side it is Gudrun Gut, icon not only of the German electronic music scene since at least the 90's, singer, composer, DJ, label owner (Monika Enterprise) and of course founding member of the legendary 80's New Wave band Malaria. On the B-side it’s the world famous and award winning US avant-garde trumpeter and improvisational musician Nathan "Nate" Wooley, who has played with Fred Frith and John Zorn among others.

Gudrun Gut's tracks bear such beautiful titles as "Bewegung", "Küste" or "Weinen" and she once again pulls out all the stops of her great skills and decades of experience as a producer of the most diverse electronic music genres. These are unusual and much more experimental musical paintings that she creates here than on her recent solo works. Edgy, angular, raw and unpolished, yet always elegant and clever, she subverts the male artist madness depicted extensively in the film in her own unique way.

Nathan Wooley answers with the instrument he has been familiar with since childhood, the trumpet, with which he is able to create a ravishingly virtuosic noise. His pieces are more like sketches, often only 90 seconds or a few minutes long, but in all their abstractness underpin the narrative of the film almost perfectly.

Re-recordings of Artemiev's soundtracks to the classic 1970s Tarkovsky film. Recorded in Moscow 1989-90.

First released by Cazzo Film in 2001, ebo hill’s Bonking Berlin Bastards has long achieved the status of an underground punk porn classic. Like the Cazzo productions of director Bruce LaBruce, hill’s vision was both ahead of its time and a playful distillation of 90s and early-2000s Berlin Zeitgeist: queer, industrial, hypersexual, exhibitionist and fueled by electronic music. The story is told in large part by the soundtrack, to be released for the first time on Ostgut Ton sublabel A-ton. The music follows a group of squatters, punks and drag queens as they fuck, party and stumble their way through an empty city at the turn of the millennium. Approaching these themes more through location than plot, the film’s narrative freedom is also a narrative of freedom; between chance encounters and sex in public, atop the maze of roofs in the city’s former East, bent over bridges and moaning in ecstasy at oncoming traffic, pants down in telephone booths, packed into sex clubs, in the shadows of abandoned factories and techno clubs lost in time. Composed by improvisational techno trio AeoX and noise / industrial producer Rouage aka CNM (respectively), the music spans a broad range of appropriately pounding industrial, weird techno, noise, ultra-stoned ambient, improvised dub and electro. It’s a sonic spectrum that connects Berlin’s queer hardcore techno and squatter party scenes from which AeoX and Rouage emerged, drawing a direct line between the likes of Berghain-forerunner OstGut (a primary meeting point for the film’s cast & crew) to the more industrial, breakcore and noise- oriented independent party collectives and locations who provided multiple settings for the film, including Grüne Hölle and Stellwerk.

Second volume of music from the hit Fox TV show. The Emmy-winning, top-rated show was named one of the 60 Greatest TV Cartoons of All Time by TV Guide. In addition to the show's cast, the album features high-profile guests, including Adam Driver, Tiffany Haddish, Jenny Slate, Daveed Diggs, Max Greenfield, Toddrick Hall, Aparna Nancherla, and Matt Berninger (of the National). Bob's Burgers audience is wide-ranging: strong performance with 15-25 year olds, median viewing age of 37, 35 share among males 35-54 and a 16 share of females in the same group. Campaign will include promotion from the cast and show production team. Past seasons are in heavy syndication and available on major streaming platforms. The Bob's Burgers Music Album Vol. 2 includes nearly every single musical morsel from seasons 7 through 9. This 90-song smorgasbord will feature the Belcher family - Bob (H. Jon Benjamin), Linda (John Roberts), Tina (Dan Mintz), Gene (Eugene Mirman) and Louise (Kristen Schaal) - as well as the show's numerous recurring and special guests. This includes actors, comedians, and musicians Adam Driver, Tiffany Haddish, Jenny Slate, Daveed Diggs, Max Greenfield, Toddrick Hall, Aparna Nancherla, and Matt Berninger (of the National). For fans of the show, enjoying the music of Bob's Burgers on its own is both an irresistible to-go bag and ultimately a world unto itself. Lose yourself in the strangely epic disco celebration "Hot Pants Rain Dance", sing along with the musical theater gem, "The Wedding Is My Warzone," or do whatever you're gonna do to "Sexy Little Tiger" but don't miss the Bob's Burgers Music Album Vol. 2. Fans, your order is up.

- Music from original 1980/90's BallyTM/WilliamsTM Pinball Machines -- First time ever released -- Pressed on LITA EXCLUSIVE Lime Green Vinyl -//The 80s and 90s was an innovative and exciting time for pinball as the music and playfields evolved to incorporate the electronic innovations rising from the reign of the video game and computer industry.A time when music moved from the background to the forefront of game play becoming an integral element of the feel and kinetic nature of pinball where no two games will ever be exact.These collections of original electronic music from classic BallyTM/WilliamsTM pinball tables feature songs from many of the most popular games of this era.The pinball industry exploded during the pandemic with new companies and games entering the market. Making Pinball the new hot throwback resurgence with barcades, tournaments and arcade museums opening across the globe.