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Euphoria OST features music by chart-topping, multi-platinum artist and producer Labrinth.

Written and recorded in close collaboration with the show's writer Sam Levinson, his original compositions feature prominently throughout the series as a sonic companion to the show's angst-driven narrative. The resulting 26-track collection is a genre blending mix of gospel, soul and electronic influences, indicative both of Labrinth's imitable style as well as the show's deeply moving storyline.

Of the album, Labrinth says, "My experience with Euphoria has made me a better musician. It was a dream come true to give wings and add magic to the different storylines. It was a collaborative effort among Sam Levinson, the crew and the cast - I only added ...

Euphoria has made me a better musician. It was a dream come true to give wings and add magic to the different storylines. It was a collaborative effort among Sam Levinson, the crew and the cast - I only added ..." data-full=" Euphoria OST features music by chart-topping, multi-platinum artist and producer Labrinth.

Written and recorded in close collaboration with the show's writer Sam Levinson, his original compositions feature prominently throughout the series as a sonic companion to the show's angst-driven narrative. The resulting 26-track collection is a genre blending mix of gospel, soul and electronic influences, indicative both of Labrinth's imitable style as well as the show's deeply moving storyline.

Of the album, Labrinth says, "My experience with Euphoria has made me a better musician. It was a dream come true to give wings and add magic to the different storylines. It was a collaborative effort among Sam Levinson, the crew and the cast - I only added texture to an already phenomenal show. I hope that anyone who listens to the music embraces feeling something."

Limited To 1500 Copies Clear vinyl. Copy n°588

Time and time again, the Diablo franchise has both defined and redefined the gold standard for the action RPG genre, and the fourth installment is no exception. In Diablo IV, Blizzard Entertainment blended the series’ signature dungeon-crawling with open-world, play-as-you-will exploration and densely tactical PVP skirmishes to create an experience that is both strikingly iconic and wholly new. That innovative gameplay sings even sweeter against the game’s grimly dark backdrop.

Guano Bowl vinyl

It was 1979, and I was barely 5 years old. Some memories are impressed on my mind with a sort of solarized texture, like in the photographs of the period, full of icons and myths. My father Franco and mother Luciana were like crazy pinballs, touring the world: America, France and Germany were the sides against which they continuously bumped and Italy's capital the hole to which they always returned. I was really young, but I remember very well the period in which my father worked on this little jewel, produced and shot with great love and poetry by Mr. Zingarelli. I remember Italo, a large guy who made an enormous impression on me: tall, with an imposing frame and often wearing a big beard that made him both tender and menacing, like an Italian version of Santa Claus. We owe a lot to this man who gave so much to Italian cinema, sensibly enriching our artistic fortune, sometimes, as in this case, with great irony and poetry. Shot in Africa in the late '70s, Io sto con gli ippopotami (aka I'm for the Hippopotamus), is a movie that in my imagination is just like Italo: humorously menacing and bulky, protective, awesome and sweet, a description that also fits the mascot of this delicious film, the hippopotamus. In this movie we feel the presence of its producer/director's poetry, often handed down with great passion and cheerfulness through his cinema. It's a simple message of love for nature, respect for the weaker and the duty to intervene when they are subjected to abuse. Everything is presented with disarming simplicity, as powerful as it is beautiful. You must confess that you were moved when Terence Hill, toward the end of the movie, delights himself with his friend-of-a-thousand- adventures Bud Spencer by watching the flight of the animals from Mr. Ormond's boat to the wonderful notes of "Freedom," where my father's harmonica together with the melody infuses the scene with an almost maternal sweetness. Well, we are all in debt to this big guy for his kind message and the clean, sparkling, soft and amusing sincerity that dwells there, among the lines of his cinema, apparently devoted to simple entertainment but so wonderfully deep and full of feeling.

Heartiest thanks, Italo. This album, dedicated to the memory of Italo Zingarelli, is released on a 180 grams colored vinyl, mastering by Enrico De Gemini, graphic layout by Daniele De Gemini.

Limited pressing on yellow wax. Stciker residue / small tears on the cover front!

Comes as a gatefold 2LP on clear vinyl with pink splatter effect. Limited to 310 copies.
As Top Gun was the most successful movie in 1986 (350+ million dollars), I don’t think this one needs a lot of explanation.
This action movie with Tom Cruise in leading role got rereleased in 2013 and the soundtrack earlier reached a nine times Platinum certification.
For the first time on vinyl, this soundtrack includes bonus tracks, demos, and an extended album mix.

Comes as a gatefold 2LP on clear vinyl with red, yellow, and black splatter. Limited to 315 copies.
This sport action movie with Tom Cruise in the leading role was released in 1990. The movie was in the top 15 bestselling movies of that year.
This release includes the full score with bonus tracks and additional takes.

The Lost Record is the underground rock 'n’ roll exploitation sci-fi film of this time. Starring Pauline Jorry andf eaturing appearances and contributions from Henry Rollins, Emmett Kelly, Michelle Mae, Paul Zone, Howie Pyro, Kid Congo, Crush, Automatic Band and scores of other underground notables, The Lost Record—directed and produced by Ian F. Svenonius and Alexandra Cabral—is a film set in a murky indeterminate future / past world where one record, The #1 Record, holds sway over society. In this world The #1 Record is unavoidable and ubiquitous; pumped out nonstop on the airwaves, intercom, and television with its irresistible and infectious message of totalitarian consumer control.

The status quo is challenged when a protagonist—played by Pauline Jorry—a worker on an art assembly line, stumbles on another record at a junk-shop which is neglected, lost, and unplayed. Called The Lost Record, it suggests another way to live; another set of values. Enchanted, she begins to play it for others, much to the consternation of the authorities. Can / will it challenge the #1 Record? And what will happen if it succeeds?

Based conceptually on the Escape-ism song of the same name, the soundtrack features a beautiful original score by Alex Minoff (of Golden, Extra Golden and Weird War fame) plus music by Emmett Kelly, Escape-ism, The Make Up, plus sound blurbs from this singularly poignant, funny, and affecting film which has won citationsand & notices at Belgrade's Kinoskop festival, Indie Lisboa, and the Chicago Underground Film Festival among others.