Search "rom+foot+signal" 99 Items

Mai Mishio with Goodfellas, a band set by Mai Mishio, will release "Mijikai Tegami Short Letter," the second of three consecutive 7ep singles!

The second of three consecutive 7ep single releases, "Mijikai Tegami Short Letter" will be released on September 27th (Wed.), the second of three consecutive 7ep single releases on July, September and November. I like the songs of the 50's chorus group and I have been listening to them again this time. The mid 50's was also the dawn of rock music, and whenever I listen to doo-wop and old rock'n'roll style songs, I feel the dry melancholy and loneliness contained in the songs, and the momentary short pleasures that I know. While such things are sounding in the world of three minutes, my heart is excited. I created "Short Letter" with the intention of singing pop music that makes you want to listen to it over and over again while rediscovering your favorite music, including the aforementioned songs. says Mai Mishio. Continuing from the first release, the B-side is an instrumental version of the same song. This is a piece that should be listened to in any environment you like.

Fetty Wap rose to popularity after his debut single, “Trap Queen,” featured on this album, reached #2 on the Billboard Hot 100 and helped him secure a deal with 300 Entertainment. He followed that up with two Top 10 hits, “679,” and “My Way,” which are also included on this debut record. This debut on vinyl has been out of print since original release in 2016 and will include additional bonus tracks new to vinyl.

Cover with seam split on spine

Latest solo release by legendary Grammy nominated producer Salaam Remi that reflects his perspective of what it means to be "Black on Purpose", with features from Nas, Busta Rhymes, Jennifer Hudson, Super Cat, Common and more.

A download code is included.

Ever since his 2016 mini-album-length EP Rojus (Designed To Dance), Leon Vynehall has been a house producer in flux, an artist interested in pushing four-on-the-floor revelry off the beaten track, his debut LP Nothing Is Still further throttled expectations with string and horn-laden mood pieces, the kick-hi hat-snare melee another emotive musical choice among many. Rare, Forever picks up where Vynehall left off in 2018, and signals his return to the club — on his own terms.

The spirit of euphoric deferral runs deep throughout the LP, as rhythms start and stop — or transform into different shapes entirely — to keep would-be ravers on their toes. To that end, ‘Mothra’ is the album in microcosm; the perfect bait and switch. Bubbly synth arpeggios slowly take shape around a low-key deep house beat until synthesised ambient swells cut through the mix. A surprise sample appearance cuts the tension like a starting pistol, which sends the beat running again. Elsewhere, Vynehall discards convention entirely, crafting sensual grooves from washes of dreamy sax licks.

With Rare, Forever, Vynehall further demonstrates the flexibility of club music, and shows that he can rearrange it any way he likes — dance-designed or otherwise.

The new release of Rap Kayou song series presentedby P-Vine! Kayou (KayouKyoku) franklymeans pop songs in Japanese, and are songs mainly from 70's~90's Japan. P-vine has been releasing a lot of works from "Phantom Masterpiece Liberation Union", "Disco Kayou", "Techno Kayou" which were released as a series reflecting the times, and a number of these raps quickly worked their way into general society. With its origins lying in historical mixes that explored combinations of Hip Hop / rap and Kayokyoku, "Rap Kayou" emerged in 2010. This 7 inch will present the track that kickstarted the revolutionary music genre! A-side "HAGE=RAP-Bald Revolution ★ Beginning signal" by Yurioka ChoutoQ's own gag rap that's not only wrapped up in Japanese comedy, there's high quality trackmaking at its base once your stylus meets the groove. The B-side includes a full-scale track and exquisite coupling "Gyutan Rap", a tribute to the local activity of Sendai, the largest cityin north eastern Japan where the lyrics expressed in flow are also wonderful!

Aufgang is back with its 3rd album, “Broad Ways”, slated for release in November 2021

With this 3rd album, the franco-lebanese duo perpetuates its winning alchemy by drawing on the psychic and collective traumas of recent History at the crossroads between European and Middle Eastern cultures.

What more was there to prove for the Aufgang duo since their re-invention of US techno a few years ago through the means of organic instruments like piano + drums, and releases on Infiné & BlueNote/Decca ?

Maybe that they would from now on independently take onto themselves, the full conception and distribution of their body of work, supported by a collective of visual-arts creators, dancers, and emerging talent-incubators (Bi:Pole/Believe/ BigWax/Alter-K)...

“Broad Ways” could be translated as «in many ways» in the sense that there are many ways of seeing the world, and that everything is not binary and that on the contrary, our lives are shaped by the each other’s own paradigms...

In this clever mix of experimental techno, lyrical prowess and melodies in the Arab tradition, can one imagine a future that would solve the world’s current contradictions in a boiling magma so complex of which Edgar Morin would be proud... Following this unique trademark, this art of mixing influences and cultures, along the New York, Paris, Lebanon and now Sydney axis... how far will they go?

According to Pitchfork, Aufgang “blends piano, drums and electronic music with virtuosity, with one foot in the club and the other in the conservatory.”

Rami Khalifé, composer and pianist, transcends the classical heritage of his years studying at the Juilliard School in NYC and the Middle Eastern origins of his masterful family: his father Marcel Khalifé is a major composer and musician in the Arab world.

The drummer and producer Aymeric Westrich has an instinctive DIY approach and infuses his music with his knowledge of urban and electronic cultures, developed with Kery James, Cassius, Phoenix and more recently Lomepal.

Taking their inspiration from multiple artistic movements and currents, from the Disco of the mythical Larry Levan to the poetry of Oum Kalthoum, these two free electrons have created their sound between Paris, Beirut and New York, in reaction to the frenetic energy of big cities, as if in an effort to prevent this energy from corroding their freedom. It’s a unique experience born from the sublime diversity of these two masterful approaches.

Originally released earlier this year as stream and download, it is a stripped-back companion piece to Storm Damage; a 6-song piano-vocal set that features covers of Ten City’s That’s The Way Love Is and Sharon Van Etten’s Comeback Kid plus new versions of three songs from Storm Damage, and one from my 2016 album, Fever Dream.

All the songs were recorded in one day at RAK Studios in London a couple of months before the pandemic and are engineered and mixed by Bruno Ellingham.

Cover and vinyl are close to NM.

When we first heard from recent Kompakt signing Emma Kollmorgen, with 2021’s “You Are The”, she was hymning the complexity of romance: “Love is scary as fuck!”, she said. On her debut EP, “1243”, she’s built on that intensity and offered up a five-track suite of night-vision electronic pop, bristling with a stealthy sensuality. It’s a cinematic collection, building from the brooding “Escape”, through the drifting, tactile pulses of “Taciturn”, the gritty, bustling noises that run underneath the smoke-signal torch-song of “All The Wild Animals”, and the closing, tear-stained melancholy of “Home”. “You Are The” reappears here as well, settling in perfectly amongst new friends.

It’s a completely assured first EP from an artist who’s been slowly and steadily building her own sonic world. From her early days, when she busied herself by learning guitar and joining bands, Kollmorgen always had a vision of doing something “more independent”, to allow her to find her own sound and write her own songs. A brief creative alliance with the Berlin DJ duo Dole & Kom led to some recordings and live performances. All the while, Kollmorgen was carefully shaping her production and sound designing skills with Ableton Live, and exploring distinctive musical terrain in collaboration with co-producer and multi-instrumentalist Paul Seidel (The Ocean Collective, Fern, Nightmarer). She joined the Kompakt family after a recommendation by Patrice Baumel, who also remixed her debut single with typical flair.

On “1243”, though, Kollmorgen fully inhabits her songs, gifting each of them with a sweet, subtle sway, her vocal and lyrical openheartedness balancing the bluer hues of her production. Each song is confident and poised, Kollmorgen relying on cross-thatched patterns of texture as a web to support her melodies: “I like patterns,” she says, “they give me something to hold onto, something stable in an unstable world.” The songs feel as though they’re grappling with moments of revelation and experience in Kollmorgen’s world, which makes sense, given her approach to music: “I never had a diary,” she reflects, “so writing songs is my way of expressing and dealing with life.” On 1243, you’ll catch some glimpses of life lived, made sonorous through songs beautifully sung.

Written and conceived by Stephan Crasneanscki, ‘lovotic’ is a concept album by Soundwalk Collective, composed in collaboration with lauded actress and singer/songwriter Charlotte Gainsbourg. Featuring veteran techno stalwart AtomTM, rising singer/composer/performance artist Lyra Pramuk, celebrated actor Willem Dafoe, and writer/philosopher Paul B. Preciado, the album is released by the new Berlin-based Analogue Foundation.

Inspired by a relatively new field of research that seeks to explore and develop the possibilities of sexual and emotional relationships – and even love – between humans and robots, ‘lovotic’ interrogates the impulses, ideas, and needs underlying this phenomenon. The project ventures into a future where sex, intimacy and desire are reformulated through the connection of humans, robotics, and artificial intelligence.

In an age of such hybrid entanglement with the machine, human identity requires the construction of new forms of intimacy, gender, and sexuality. At present, however, such technologies are primarily used to produce programs of limited sexual iterations that do not question the preformatted categories of gender and sexual orientation. In contrast, on ‘lovotic’, Soundwalk Collective ask whether the future of sex and sexuality could instead be an exponentially expanding kaleidoscope. Where does the impulse of preference come from? What sets of words from our vocabulary can be communicated to the AI mind to generate a new identity for desire? Could the machine be another technology that brings us closer together?

Welcome to Uffie’s new album Sunshine Factory – an alternate reality that is only accessible to those yearning for escape. A nod to the ballroom scene, it is a place where you can be your most authentic self. Inside this trippy wonderland, you’ll meet Uffie, dancing amongst the lights of your hallucinations. Sunshine Factory is a wonderfully restless record. It’s a joyride through the club, hurtling into the forest, and crowd surfing into the arms of a lover… and yet it’s also the sound of waking up to a heap of champagne soaked jeans, the bass of your heart still throbbing along to last night’s melodies. A decade after her first record, which included–debatably–the internet’s first viral hit, the electro smash “Pop The Glock,” Uffie “the French-American singer/rapper/DJ/fashion designer who took the internet by storm” (Brooklyn Vegan) is most definitely back. Raised between Florida and Hong Kong before moving to Paris with her British father, the now Los Angeles-based Uffie is undeniably a “child of the world;” unsurprisingly, the making of this record clocked up a few air miles as well. Birthing what would become the Sunshine Factory in Fonte da Telha, Portugal collaborating with Norwegian savant Lasse Lokøy, Uffie soon found a home for these songs back in California with Chaz Bear of Toro y Moi–who co-produced several of the tracks–and his Oakland-based label, Company Records. The resulting album is one of intricate production, sonic experimentation, and subtle poetic brilliance amongst a few Fleabag glances to the camera. Amidst double entendres galore, her record exists in a curious space between punk and pop, which can be heard in the ska-meets-fashion week “dominoes.” Contrarily, “sophia” – which marked the advent of Uffie and Chaz’s creative partnership several years ago – poises Sunshine Factory as an otherworldly dance record one would hear in Berlin’s famous Berghain nightclub. She is the party girl who is at her most vulnerable in the chaotic “where does the party go?” where she reckons with facing who she truly is when she’s all alone. It’s in these dualities and juxtapositions that the joy of Uffie writhes. The album also has a cameo or three, including the one and only Peaches. And after finding kinship and admiration in the genre-defying Nnamdï, she tapped him for the record’s sole feature on “month of mondays.” It is at this point in the record that the beloved je ne sais quoi that Uffie has always possessed really emerges. When the comedown begins and the insatiable few remain on the dancefloor, “a month of mondays” is the knowing nod to a stranger signaling the night’s shift in course. With Sunshine Factory, it’s a pop-up party wherever you can find some speakers.

After releasing on Atomnation's Unfold Vol. 2 last year, Berlin-based Italian Nocui returns with more rich and uplifting grooves on his new 12” “Entrain”. Leonardo Di Fiore (Nocui's real name) is a Rome-born composer and a classically trained pianist who brings a performative approach to how he makes music. An early love of jazz also permeates his work and he now considers himself a "studio and sound design obsessive." That shows in the meticulously crafted, always fresh music he makes on his go-to drum machine, the Jomox Alpha Base. Nocui is also adept at speaking through other key bits of gear such as the Roland Sh101, Acidlab 303, DSI Prophet 6, and Haken Continuum Fingerboard - machines that lend his music its signature sound and have taken him to labels like Traum and Wildfire.

Fresh and zesty with subtle tropical flavours, this is a delightfully listenable debut from Matthieu Beck on Growing Bin. Inspired by the lilting rhythms, jazzy instrumentation and slow listening gems found on his Love In The Afternoon radio show, the Frenchman has crafted a gorgeous collection of laid back sophisti-pop, perfect for long summer days or seasonally affected escapism. Any suggestion of sorrow in the album title is actually a mislead - this may be a solo LP, but Matthieu's surrounded himself with the musical friends he's made over the years, serving as composer and bandleader to a willing troop of collaborators. Longtime friend and former Metronomy bassist Gabriel Stebbing, Source Ensemble drummer Emmanuel Mario, and of course Laetitia Sadier herself, stepped in to lend their services and bring Matthieu's music to life, before Jérôme Caron (Blackjoy) expertly mixed it all down. Though the tracklist may read like a travelogue, these nine tracks all began at home with Matthieu sat behind a Fender Rhodes with a drum machine by his side. Soon live bass, saxophone and flute strolled into his unhurried arrangements, retaining the simplicity of his demos while expanding the emotion. Weighty synth drones and bubbling bass balance the airy elements of tracks like "California" or the dream-pop romance of "Rooftop Rome", while the mellow "Malika" and joyful "Retour De Plage" showcase the Frenchman's relationship with jazz. Elsewhere there's hints of digi-dub ("Island" and "Suede"), coastal boogie ("Tokyo Montana"), stripped back city pop ("California") and downtown nostalgia ("Dora"), before Beck arrives at the poetic, progressive but peaceful finale "Piano Fin", which recalls Air at their prettiest, without stepping outside Matthieu's well defined sound.

The second single from the concept album produced by Tatsuo Sunaga covering Joni Mitchell's "Blue", which will be released in autumn 2022, is "A Case Of You", a song that even Prince loved! The B-Side features a special experimental soul remix by Maki Mannami + nonomi. The second analogue single from "ste with J.Lamotta Suzume / Re:Blue" (scheduled for release in November 2022), produced to commemorate the 50th anniversary of the birth of Joni Mitchell's classic album "Blue", is "A Case Of You", covered by Prince on the Joni Mitchell tribute album and a big hit. A Case Of You', which became a major talking point. In addition to the spiritual atmosphere of J.Lamotta Suzume's quintessential original, and an arrangement that perfectly matches it, the track is a collaboration between up-and-coming Japanese-Chilean beatmaker nonomi and L.A.-based musician Maki Mannami, who is an essential part of STE. The remixes are the result of a collaboration between up-and-coming Japanese-Chilean beatmaker nonomi and L.A.-based musician Maki Mannami, a staple of STE. In addition to the totally seamless sound, the release comes in a full jacket version.

Limited Edition. Pink Vinyl.
Copy is close to NM.

Remi Wolf's studio debut album, Juno, named after her dog she adopted, was written and recorded in the midst of the pandemic. On her website, she shared, "Every song on this record is a vivid snapshot into what was going on in my life and mindset the day I wrote each one." The album is an explosion of genres, showcasing Wolf's Gen Z pop and experimental sensibilities.

Limited to 2,000 copies, the VMP exclusive edition of Remi Wolf's Juno is pressed on 1LP Yellow vinyl at Furnace Record Pressing. The album will arrive in a single direct-to-board, foil stamped and numbered jacket.

Room 0205 is the first idol group produced by the editorial department of idol magazine "idolookin". Their music is reminiscent of acid jazz, and their lyrics, which reflect the conflicts and sorrows of girls living in the city, are synchronized to create a unique groove. Here is the answer to "city pop", a concept that is now in limbo!

Waxwork Records is proud to present Barbie Score From The Original Motion Picture Soundtrack composed by Mark Ronson and Andrew Wyatt! The score is featured in the juggernaut film Barbie, directed by Greta Gerwig and starring Margot Robbie and Ryan Gosling as Barbie and Ken.

On composing the score, Ronson says, “Greta’s Barbie overflows with emotion in a way that inspired us to no end, not just with harmony and melody but also textures, sonics and rhythms. Sometimes Greta wanted us to elicit tears, sometimes she wanted it to feel like a disco. Sometimes she loved the warmth of vintage analogue synthesizers, sometimes she wanted the richness of the orchestra. Often, she wanted both.

“The late nights and crazy hours we put into Barbie were all worth it to us, because we were so in love with this film. And we truly hope listening to our score from beginning to end will give others the same emotional, whimsical experience they had watching this magical film.”

The highly anticipated film score vividly brings Gerwig’s vision to life and adds the perfect layer to the film that immerses fans into the Barbie Universe.

Waxwork Records is thrilled to present Barbie Score From The Original Motion Picture Soundtrack on several beautiful colored vinyl variants to choose from that all correspond to fun elements in the film, housed in heavyweight LP jackets with overall high gloss coating, with a 12"x12" insert.

Waxwork Records is proud to present Barbie Score From The Original Motion Picture Soundtrack composed by Mark Ronson and Andrew Wyatt! The score is featured in the juggernaut film Barbie, directed by Greta Gerwig and starring Margot Robbie and Ryan Gosling as Barbie and Ken.

On composing the score, Ronson says, “Greta’s Barbie overflows with emotion in a way that inspired us to no end, not just with harmony and melody but also textures, sonics and rhythms. Sometimes Greta wanted us to elicit tears, sometimes she wanted it to feel like a disco. Sometimes she loved the warmth of vintage analogue synthesizers, sometimes she wanted the richness of the orchestra. Often, she wanted both.

“The late nights and crazy hours we put into Barbie were all worth it to us, because we were so in love with this film. And we truly hope listening to our score from beginning to end will give others the same emotional, whimsical experience they had watching this magical film.”

The highly anticipated film score vividly brings Gerwig’s vision to life and adds the perfect layer to the film that immerses fans into the Barbie Universe.

Waxwork Records is thrilled to present Barbie Score From The Original Motion Picture Soundtrack on CD, housed in a jewel case, with a 16 page booklet.

If you want this edition, don't wait, as we will not get many copies.

Waxwork Records is proud to present Barbie Score From The Original Motion Picture Soundtrack composed by Mark Ronson and Andrew Wyatt! The score is featured in the juggernaut film Barbie, directed by Greta Gerwig and starring Margot Robbie and Ryan Gosling as Barbie and Ken.

On composing the score, Ronson says, “Greta’s Barbie overflows with emotion in a way that inspired us to no end, not just with harmony and melody but also textures, sonics and rhythms. Sometimes Greta wanted us to elicit tears, sometimes she wanted it to feel like a disco. Sometimes she loved the warmth of vintage analogue synthesizers, sometimes she wanted the richness of the orchestra. Often, she wanted both.

“The late nights and crazy hours we put into Barbie were all worth it to us, because we were so in love with this film. And we truly hope listening to our score from beginning to end will give others the same emotional, whimsical experience they had watching this magical film.”

The highly anticipated film score vividly brings Gerwig’s vision to life and adds the perfect layer to the film that immerses fans into the Barbie Universe.

Waxwork Records is thrilled to present Barbie Score From The Original Motion Picture Soundtrack on several beautiful colored vinyl variants to choose from that all correspond to fun elements in the film, housed in heavyweight LP jackets with overall high gloss coating, with a 12"x12" insert.

Kirlian Camera are an ever churning maelstrom of creativity and musical innovation. Their inspirational power is both, destructive when it comes to limitations of genre, style, and conventions as well as constructive for example regarding building a new sonic architecture on the ruins of the old. The Italians latest masterpiece, "Radio Signals for the Dying", is no exception as a new artistic high-watermark. On the surface, Kirlian Camera continue on the dark musical path they chose to follow on their previous double album "Cold Pills (Scarlet Gate of Toxic Daybreak)" (2021). It speaks volumes about the Italian electro-provocateurs' extreme level of energy that the band is able to follow up such a massive work with another powerful double full-length. Yet "Radio Signals for the Dying" is anything but a mere repeat of its glorious predecessor. Instead Kirlian Camera subtly change their sound design by a thousand smart details, delightful tricks, grand effects, unexpected twists, digressions, and clever variations of existing themes. For many decades, Kirlian Camera have inhabited and continue to dwell in a realm of multi-layered constructions and occult transcendence as well as subversive content that has always been at the core of their art. In the past, their unapologetic at times outrageous delight to provoke and to hold a truth-telling mirror to the world has repeatedly sparked controversy. Having passed their impressive 40th anniversary as a constantly evolving, ever changing band that has never ceased to search for new answers, Kirlian Camera invite the listener with "Radio Signals for the Dying" to join them on an adventurous musical journey to occult dimensions and magical places of dangerous beauty and joyful darkness. The Italians are electronic shamans, rock mystics, sonic revolutionaries, and high priests of the free arts that are again reborn as a musical phoenix in creative fire.

Popshop – a kind of music which doesn't just fit in one category because it's a mix of many different styles like electro, pop, house, digital funk, techno, post wave, indie and which has always a special personal flair because of the voices, vocals and lyrics.

“This whole album is brilliant” – Jack Rollo (Time Is Away/NTS)

Gemma Blackshaw is a scholar, writer and curator currently Senior Tutor for research at the Royal College of Art. She has curated major exhibitions for galleries and museums in London (National Gallery; Wellcome Collection and Vienna (Leopold Museum; Wien Museum). This is her debut album.

Who Will You Love is the debut collaborative album from The Dengie Hundred with Gemma Blackshaw. In 2023, The Dengie Hundred co-produced with Japan Blues two albums for Demdike Stare’s DDS label, and released the solo album Tube on London’s Sagome imprint; their solo debut Brackenbank appeared on Ethbo in 2022, when they also contributed to World of Echo’s Thorn Valley compilation. Here, they collaborate with Gemma Blackshaw on an album of smudged dream pop. Gemma’s vocals were recorded from home at night on an old iPhone. Who Will You Love surfaces dark, desiring songs on the passion and exhaustion of looking after others. Emerging in simple rounds that expand with layers of field recordings, synths and drum machines, the songs include lullabies for baby boys and men, enchantments of wary lovers and spells of protection for a daughter. Moving between her children and her lover, the mother sings of the demands of daily intimacy (play with me, carry me, sing to me…) that echo through adult relationships too. Who Will You Love was mastered by Carim Clasmann, and mastered and cut for vinyl by Stefan Betke (aka Pole). Artist Alexis-Soul-Gray gifted Screen Memory of 2022, a painting on found paper, for the artwork. Mark Thomson designed the sleeve.

Mal, also known as “Mal of the Primitives”, pseudonym of Paul Bradley Couling (Llanfrechfa, 27 February 1944), is a British singer and actor who obtained Italian citizenship in 1989.After his first steps in Great Britain, it was in Italy that he found great success. At the end of 1965 he was one of the leading artists at the “Piper” in Rome, the most trendy venue in those years for Italian beat.After countless successful records (even in the world of childhood, thanks to the theme song of the TV series "Furia") and after many Sanremo festivals (the most important Italian musical TV show), as a sign of gratitude for the origins of his success in 2019 Mal released the album "Grazie Piper! (Thank you piper!)", accompanied by a video clip shot entirely inside the historic Roman venue.Now, five years after his last release, on the occasion of his 80th birthday, Mal has decided to treat himself to a book and a brand new vinyl, with the prophetic title: "I'm Still Singing"

The Moon and the Melodies is a singular record within the Cocteau Twins" catalogue - unusually ethereal, even by their standards, and largely instrumental, guided by the free-form improvisations of Harold Budd, an ambient pioneer who had drifted into their orbit as if by divine intervention. Building on the atmospheric bliss of Victorialand, released earlier the same year, it signalled a possible future for the trio, yet it was a path they"d never take again. Now, almost forty years after it was fi rst released, it"s being reissued on vinyl for the first time - remastered, from the original tapes, by Robin Guthrie himself. Over the ensuing years, The Moon and the Melodies has attracted a passionate fan base. Its most atmospheric tracks routinely turn up in ambient DJ sets. "Sea, Swallow Me" is one of the Cocteau Twins" most streamed songs on Spotify, having found a new life on TikTok, where it serves as the soundtrack to innumerable expressions of hard-to-express melancholy. For such a low-key aff air, the album casts a long shadow - but Raymonde believes the record"s uniqueness stems directly from its humble, unpremeditated origins. "It captured a moment in time between friends that are enjoying making music together. Really, that"s the essence of it."

2 Afrobeat bangers inspiring a new label design fitting of this genre. Side A features South African singer Tyla's banger "Water" which is still killing the airwaves paired with Nigerian Rema's "Calm Down" this 45 is pure Fiiiiiire!! Summer sure shot don't sleep!