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Rhino rediscovers the magic of Madonna's "Celebration" album with an upcoming 4LP repress, releasing on 1 March 2024. This album highlights the chart-topping success of Madonna in the UK, offering a carefully curated collection of her greatest hits across four discs. It's a nod to the enduring influence of the Queen of Pop, who recently performed six dates at the O2 for her Celebration world tour.

In March 2024, the legendary techno unit Oriental Magnetic Yellow, a group of game music composers at Namco at the time, re-released six albums to celebrate their 30th anniversary. Commemorating the band's restart, the 2-in-1 6th album "nancy Boys / Nervous", which leads from "nancy Boys", a rapid approach to J-pop, to "Nervous", the last commemorative album before the band's hiatus, is available as a limited Clear Vinyl edition!

Self-produced first cassette from home-recording artist and Katsushika native now on LP! Today's Diary, a 12-track self-produced first cassette full of bizzare & exotic home-recorded trash lounge organ grooves that was sold on Bandcamp, is now available as an LP! Besides making sound recordings at home, he posts motion graphics "Today's Diary" on Twitter that highlight his own lettering, and is also a very popular creator from Katsushika, who has produced music videos and other video works for Official bearded man-dism and Yuri, etc. Since its release in April 2020. The long-awaited LP version of his self-produced first cassette soundtrack, which was sold on Bandcamp and at some shops and live venues, and is now also available in data format. A2 'Fujiwara no Michinaga ga Tanka wo Mochi ga Tancha o Mochi ni Tenichi de Ramen wo Utsukatta Uta' (A song about eating ramen at Tenichi on the 1000th full moon night after Fujiwara no Michinaga wrote Tanka), B3 'Freezing', human powered breakbeats and guitar sounds with muffled sound quality and funny melodies, all of which are a part of the album. A6 'Heisei Song', with its muffled sounding human-powered break beats and guitar sounds, and the funereal melody of 'Heisei Song'. The unique home-recorded sound of the album, which is full of fun and includes extra tracks, can be enjoyed in a different sound quality from cassettes and data, making it a delightful analogue version! Look out for future developments, including video production activities.

Actress Meiko Kaji, who has been working tirelessly on the popular Netflix series "YuYu Hakusho," has channeled her unquenchable passion into a new album, her first as a singer in six years!

Speak Now (Taylor's Version) is the upcoming third re-recorded album by American singer-songwriter Taylor Swift, set for release on July 7, 2023, via Republic Records. It is a re-recording of Swift's third studio album, Speak Now (2010), and follows her 2021 re-recorded albums, Fearless (Taylor's Version) and Red (Taylor's Version). The re-recording is a part of Swift's counteraction to her 2019 masters dispute. Speak Now (Taylor's Version) was announced on May 5, 2023, at the first Nashville show of her ongoing concert tour, the Eras Tour. It features collaborations with American rock acts Fall Out Boy and Hayley Williams. Each Vinyl Album Includes: 22 Songs Including 6 previously unreleased Songs From The Vault, Collectible album jacket with unique front and back cover art, Violet or Orchid, depending on product] marbled color vinyl discs, Collectible album sleeves including lyrics and never-before-seen photos, Full size gatefold photograph and prologue. 2CD Details: 22 Songs Including 6 previously unreleased Songs From The Vault

The Songs of Bacharach & Costello, compiled by Elvis Costello, brings together all of the published songs that Costello has written with Burt Bacharach and celebrates the three decade songwriting partnership between them. The 2LP set includes the newly remastered album, Painted From Memory and six songs from Taken From Life, of which three are newly recorded compositions. The LPs are pressed on 140g vinyl and audio was remastered by Bob Ludwig from the original tapes.

This version contains an exclusive lithograph.

With "1989" (Taylor's Version), Taylor Swift is releasing the fourth new recording of her first six studio albums in October. With this longplayer, the superstar completed her transformation from a country musician to one of pop music's biggest phenomena. This highly anticipated album includes the Swift classics "Blank Space", "Style" and "Bad Blood".

As with previous re-recordings "Fearless", "Red" and "Speak Now", fans are already looking forward to the five unreleased "Vault Tracks". These are called "Is It Over Now?", "Now That We Don't Talk", "Say Don't Go", "Suburban Legends" and "Slut!" and even a bonus track.

Of the "1989" album, the star said, "To be perfectly honest, it's my favourite new recording I've ever done because the five "From The Vault" tracks are insanely great. I can't believe they were ever left behind. But not for long!"

The album "1989" contains 21 songs, including five previously unreleased songs (From The Vault) and is available as a beautiful tangerine yellow vinyl.

With "1989" (Taylor's Version), Taylor Swift is releasing the fourth new recording of her first six studio albums in October. With this longplayer, the superstar completed her transformation from a country musician to one of pop music's biggest phenomena. This highly anticipated album includes the Swift classics "Blank Space", "Style" and "Bad Blood".



As with previous re-recordings "Fearless", "Red" and "Speak Now", fans are already looking forward to the five unreleased "Vault Tracks". These are called "Is It Over Now?", "Now That We Don't Talk", "Say Don't Go", "Suburban Legends" and "Slut!" and even a bonus track.

Of the "1989" album, the star said, "To be perfectly honest, it's my favourite new recording I've ever done because the five "From The Vault" tracks are insanely great. I can't believe they were ever left behind. But not for long!"



The album "1989" contains 21 songs, including five previously unreleased songs (From The Vault) and is available as a beautiful tangerine yellow vinyl.

The latest work from Exhume Exhume, a reissue project supervised by Flatt THE Laidback!

In the mid-70s, the self-produced album "Knights Company" was secretly produced and sold in very limited quantities as a 2-disc set (LP + EP) by members of the Knights, a light music department at Kitakyushu City University.

Not only is it a rarity, being almost unknown even among connoisseurs, but this work boasts high musicality, fusing a black soul feeling strongly influenced by James Brown and others, with a bluesy and melodic West Coast sound and AOR feel.

Its charm has not faded at all even now, many years after its production, and it continues to shine brilliantly.

A miraculous masterpiece that is the trajectory of youth by the sharp young people of northern Kyushu who once dedicated themselves to music!

It has been reborn as a compilation album with condensed content, complete with high-quality remastering by 8ronix (Bullpen lab.) and a delusional band designed by osagodard (browse depart/luminous body)!

Our miracle was triggered by a single word from the late Otaki. "Why don't you make an original and put it on an LP?" Everyone wondered if it was really possible to do something like that. But gradually, their eyes began to change. From there, they spent six months creating their own music. They wrote songs, arranged them together, practiced, stayed up all night recording, and even made a vinyl chloride record. I'll never forget the help from friends other than the band members. I can't believe we were able to do something so crazy. That LP was revived for the first time in 47 years thanks to a certain encounter. It's the second miracle. Yoshio Nojiri (Gt.Vo.)

A long-awaited analog version of the gem of Japanese mellow fusion, which has been receiving a lot of attention from the City Pop~Balearic side of the music scene! The album contains many masterpieces such as "Ka Ri Bu No Yu Me", a Balearic/light fusion song with the scent of the ocean, "Manhattan Blue," a popular number that she also arranged, and "Click My Heart," a techno-pop song with a lovely and catchy electric organ. This is a piece that overflows with a unique sense of floating and loveliness, fully showcasing the diverse charms of the electronic organ known as the "Electone". The cover illustration by Tom Akamine is also excellent!

The long-awaited LP version of the cover series of 7-inch singles that has been released since December 2022! Gotown Records, the private label of Gota Nishidera of Nona Reeves, will release six songs from their 7inch cover project of Japanese classic songs started last December, on 12-inch LP / 45rpm!

Maya Shenfeld"s expansive, kaleidoscopic music is as illuminating as it is exquisite. Classically trained, Shenfeld has fast grown into one of contemporary music"s most exciting, vital voices. Every aspect of her dazzling, multifaceted output interrogates the way we experience the world around us - be it solo microtonal explorations, site-specific installations, or commissions for leading New Music ensembles. Shenfeld balances orchestral ambition and compositional rigor with the joy of noise, and granular detail. Under the Sun provides a daring expansion of that musical vision, a series of pieces exploring change and repetition, deep time and the ephemeral moment, equilibrium, and imminent threat. Composed and produced between a studio in Berlin and on-site at one of the world"s deepest marble quarries in Portugal, the album"s powerful sounds are a meditation on the natural world, wrestling with the looming threat of catastrophe and crisis, and the power of community and collaboration to enact change. Our environment is more than just an abstract theme, it is interwoven into Under The Sun"s very sonic DNA. Field recordings taken deep within the still-active quarry in Portugal were recorded, quite literally, under the scorching sun on one of the hottest days on record in the country. Shenfeld extracted sounds from this scarred, deeply mined landscape, and threaded these samples into rich arrangements of synthesizers and acoustic instruments. The atmospheres of Under the Sun evoke that push and pull through an eclectic and rich sonic palette, from the sacred sounds of the organ at St Matthew"s Church to the ethereal voices of the Ritter Youthchoir conducted by Ann-Kristin Mayr. Reflections of her punk and electronic forays bubble up in a collaborative composition with Emptyset"s James Ginzburg, summoning raw, primal energy. Under the Sun encourages us to explore how we relate to our environment. Shenfeld"s slowly evolving, hypnotic pieces make canny use of repetition, space, and silence to play with our very sense of time and our relationship to our surroundings. A deep listening that enables us to better attune our ears to the world around us, championing collective listening and collaboration as a force for change.

Spirituals is Santigold's first full-length album since 2016's 99¢, and was mostly recorded during the 2020 lockdown. "All of a sudden there I was with three small children out of school_just-turned-two-year-old twins and a six-year-old_I was cooking, cleaning, doing laundry and changing diapers from morning to night, with three little kids coming in and out of my bed throughout each night like musical chairs. I was losing touch with the artist me, stuck in a part of myself that was too small. I felt the other parts of me were shrinking, disappearing." Santigold struggled but succeeded in defining a space in which she could center herself and collaborate virtually with producers and contributors: Rostam, Boys Noize, Dre Skull, P2J, Nick Zinner, Sbtrkt, JakeOne, Illangelo, Doc McKinney, Psymun, Ricky Blaze, Lido, Ray Brady, and Ryan Olson. "Recording this album was a way back to myself after being stuck in survival mode. It wasn't until I made the space to create that I realized I wasn't only creating music but a lifeline," she says. California was on fire, we were hiding from a plague, the social justice protests were unfolding. "I'd never written lyrics faster in my life. After having total writer's block, they started pouring out. I decided to create the future, to look towards where we are going, to create beauty and pull towards that beauty. I need that for myself, but it's also there for whoever else needs it."

With “Alduorka”, their fifth full-length studio album, Norwegian Breidablik dives even deeper into the world of progressive electronic and ambient music. Now signed on Apollon Records Prog, the band’s latest release is even richer and wide-ranging than its predecessors, with judicious use of synthesizers, guitar, flute, and drums. “Alduorka” is a concept album about waves, here understood as “a sudden occurrence of or increase in a phenomenon, feeling, or emotion”. The title “Alduorka” is from Faroese and can be translated to “wave energy”. Through six varied tracks, “Alduorka” explores different facets of waves through both sounds and emotions.

Second Edition with three tracks more.
Barbie the Album is the soundtrack album for the 2023 film Barbie, directed by Greta Gerwig. It was released by Atlantic Records on July 21, 2023, the same day as the film's North American theatrical release. The album was produced by Mark Ronson, Kevin Weaver, and Brandon Davis. It was met with generally favorable reviews from critics.

The album was promoted by the release of six singles; the album's lead single "Dance the Night" by Dua Lipa topped the charts in 10 countries including the UK and Ireland as well as reaching the top ten in 25 countries including the US. The second single was "Angel" by PinkPantheress and the third was "Barbie World", a collaboration by Nicki Minaj and Ice Spice with Aqua, which reached the top ten in 15 territories including the UK and US. A fourth single "Speed Drive" by Charli XCX was a top ten hit in the UK and Ireland. The fifth single "What Was I Made For?" by Billie Eilish topped the charts in the UK, Ireland, Switzerland, and Australia, and entered the top ten in 15 countries. Ava Max's "Choose Your Fighter" was serviced to airplay radio as the album's sixth single on July 28, 2023.

Upon release, the album was met with critical and commercial success. It debuted at number one in Australia, Canada, the Netherlands and New Zealand and reached the top ten in Austria, Belgium, Czech Republic, France, Germany, Hungary, Spain, Portugal, Switzerland, and the United States. At the 66th Annual Grammy Awards, the album won Best Compilation Soundtrack for Visual Media, while four of its songs ("Dance the Night", "Barbie World", "What Was I Made For?", and "I'm Just Ken") received nominations for Best Song Written for Visual Media. "Dance the Night" and "What Was I Made For?" were additionally nominated for Song of the Year and the latter for Record of the Year.
Repress featuring three exclusive tracks from Ava Max, Fifty Fifty, and Lizzo.

Limited to 1000 copies on curacao colored vinyl. Exclusive to HHV customers.

Vacation. Not only in Italy.

A backpack trip through Australia, a campfire in the allotment.

In the car with friends through the Lunenburg Heath or just a short holiday in your head, during the rainy lunch break or with a glass of spritzer on the balcony. And that includes music, music, music! Grooves that roll into the distance like an Intercity, Rhodes chords soft as the sand on the beach and synthesizers that sparkle like the reflections on the ocean. Music as colorful as a Hawaiian shirt and as warming as the morning sun. Welcome to Erobique's second album: "Erobique No.2"

Here, even the song titles are in holiday mood:

"Ahoj!" greets the young "Springinsfeld". The "Mantas" glide elegantly around the "Acquamarina". "Salut les Copines!" we call to the neighboring boat. "Come along to the 'Ravedave!'" it echoes back happily. "Riding Low" is the motto, and the "Arpeggiator" condenses the "Synaesthesia" of the foggy senses in a wonderful way. The "Italotape" in the cassette deck plays the "Hit Song of Both of Us".

That's all so nice "Verkackt", that sounds like "Future Music"!

Carsten Meyer released his debut album "Erosound" in 1998 under the name "Erobique". Exactly 25 years later, the now 50-year-old releases his second Erobique album on his own label A-sexy.

Thirteen varied tracks and songs between holiday disco and rhythm box rave, recorded and produced with many of his friends and companions.

25 years, that's pretty much how long it took disco to go from the legendary loft parties of pioneer David Mancuso to the awe-inspiring mass spectacles of Daft Punk performances.

Or from Meyer's birth to his first long-playing record. So why only now a second album as “Erobique”?

Meyer has been improvising performances in front of a dancing audience for years. Even his hits "Easy Mobeasy" and "Urlaub in Italien" aren't actually pop songs, but rather arose from spontaneous inspiration, in an adrenaline rush, in the middle of the party, right in the moment! Sang along and faded away again. Recorded live and released as is. Just don't repeat! Every Erobique concert is an attempt to turn the unforeseen, the unexpected and accidents into a unique moment of being there. "Mistakes are king" said the witty Knarf Rellöm once - and Carsten Meyer is the king of mistakes!

How are you supposed to conjure up such moments in the studio, without a party, without the energy that spills back onto the stage at a children's birthday party for adults?

Meyer remembered another Erobique hit and changed his title accordingly:

He collaborated with an overdose of joy!

Drummer Lucas Kochbeck (The KBCs, Bacao Rhythm & Steel Band) who now also supports Carsten at his live gigs as well as neighbor and buddy Christoph M. Kaiser (former bassist with the Jeremy Days, now film music and pop strategist) layed down the Groove foundation with glowing tiles, like at the Trinity, Hamburg's legendary 80s disco.

Sophia Kennedy came over from the neighboring studio to sing and Lieven Brunckhorst dragged the entire wind section of Jan Delay's big band Disco No1 in front of the microphone.

Meyer recorded harps, xylophones and violins in his music room at the Hamburger Fischmarkt or with Tobias Levin in his Electric Avenue studio with a view of the Fleet.

Carsten went to Berlin where he met his hero Siriusmo to put some ideas through the electronic grinder. Nicola Rost of Laing stopped by and left incredibly dense choirs and wonderful songs.

Finally, all tracks were brought to Swabian Ludwigsburg where the Freundskreis DJ and disco expert Martin Welzer aka DJ Friction screwed the whole madness into an incredibly warm and dancefloor-friendly overall sound.

Back to the drawing board, like all A-sexy releases, the cover art is painted and designed by Meyer himself, after all his original career aspiration was to be a school book illustrator.

In the course of one summer, a musical chocolate box was created that will not only enrich the holiday playlist of his fans and listeners, but also made his archive of ideas and sketches, which is several quantum bytes deep, a little bit thinner. Outside of his disco fairs up and down the country, Meyer has not remained idle in the last quarter of a century:

Between 1998 and 2006 he developed hypermodern electronic soul with DJ Koze and Cosmic DJ as an international pony. Together with Jacques Palminger and Chris Dietermann, he supervised amateur songwriters in the project "Songs for Joy" at the Maxim-Gorki-Theater Berlin when they made pop music, which is how the secret hit "Wann Strahlst Du?" was created in 2007 with the great text by Barbara Stützel. In general, theatre: For the theater director Herbert Fritsch he arranged the hits by Gino Paoli and Hugo Wolff for crazy evenings at the Schauspielhaus Zurich (2016) and at the Residenztheater Munich (2015), for Stefan Pucher he shot the fairy tales of Hans Christian Andersen through the home organ wolf ( 2010). For the colleagues from Studio Braun, he brought the "Dorfpunks" to life at the Hamburg Schauspielhaus, and immediately afterwards he developed the authentic Neue-Welle sound for their mockumentary "Fraktus", which was released in cinemas in 2012.

So there we are with film and television music. Here, too, Meyer had a lot to do in recent years. The soundtrack for the popular TV series "Der Tatortreinigung" with Bjarne Mädel in the title role was the best. Incidentally, the "jack of all trades" (quote Peter Bursch) also released a few albums on his own label A-sexy: Rumpel-Funk as "Babyman", the finest chanson pop with Palminger and Yvon Janssen for "Yvon im Kreis der Liebe" and warm, modern Hammond jazz with the "Hamburg Spinners".

And now finally his anniversary album, the silver wedding with himself.
25 years Carsten and Erobique, together forever and happier than ever!

To the next… stop no. We don't want to wait that long!

Private Collection' is Karin Park at her purest, rawest and most beautiful essence: an album stripped down to the core of her mesmerizing voice and the haunting sound of the pump organ. An introvert and intimate album that shows her not just as a stellar musician but as a mother, a wife and a humble human being. Karin Park has been referred to as the Scandinavian Nico for her persona, and dark ambient legend Lustmord called her a “force of nature”. However, despite a Eurovision song contest entry, a year of sold out shows as the lead in Les Miserables in Oslo and performances alongside Lana Del Rey and David Bowie, Karin's talents have still remained somewhat under-exposed for the really broad public. This might change now, with a stunning new album and an extensive European tour with A.A. Williams this fall. “This record is very much a journey in solitude that I’ve been longing to make,” Karin tells us about her seventh studio album. Consisting of nine re-recordings – with radically diferent instrumentation – of classic tracks from her impressive back catalogue, as well as the newly written opener «Traces of Me», Private Collection is the quintessential expression of Karin Park’s artistry.

Without following Fashion trends, Kicca only embraces styles that inspire her. Devilishly funky, definitely groovy, straightforward Disco, when all these subtly mix together that is when the magic happens! What’s her secret weapon? Her voice! Kicca conceals in her voice a real gem that she masters perfectly and with which she plays with sensually and with great power. It is the reflection of her soul. Soul music is in fact the basis from which she started all those years ago - music from the soul! And to express it she has surrounded herself with vintage sounds tinted with 70s colours and an irresistible groove. Bass line and guitar never skipping a beat, old school keyboards and organ sounds, all punctuated by vigorous and chiseled brass, and at this point everything becomes possible! Kicca writes all her songs with pianist Oscar Marchioni, singing in English, French, Italian … regardless of the fine wine, it will get you drunk on it! Energy and joy to get you through today’s world and pick-out your best memories. Kicca succeeds in the ever popular return to the future. The main road to the happiness of sharing and to togetherness, all with great sensuality. See you on the dance floor!

Six Minimal Wave smasher to let your robot dance for 24 hours

Back in 2017, Moderat announced that they’d be taking an extended break following a final concert in front of 17.000 people in their hometown of Berlin. And now they return. MORE D4TA, the group’s fourth album, arrives more than six years after its predecessor (2016’s III).

Created largely during a time when touring (and most traveling) was off the table, MORE D4TA is an album that wrestles with feelings of isolation and information overload—issues that have become particularly pronounced over the past two years. The ten songs on MORE D4TA are rooted in collaboration, but long before any of its tracks were laid down, Moderat spent months hanging out and getting musically reacquainted, indulging in extended bouts of experimentation and slowly fleshing out ideas as they dove into modular composition, field recordings and other sonic oddities.

But no matter how far the band ventures into music’s outer realms, they always wind up back in their own unique soundworld, a place where emotive pop and fluttering electronic soundscapes walk hand in hand. Many of its lyrics are rooted in Ring’s frequent trips to Berlin’s Gemäldegalerie museum (often with his infant daughter in tow), where he’d seek refuge in the great paintings of the past while worrying about the future.

What they make isn’t necessarily dance music, but it is something that shines brightest in the dark of night, the group’s rich melodies and Ring’s ethereal vocals emitting a warm, almost bioluminescent glow. After spending the better part of two decades making music together, they’ve carved out a sound and aesthetic that are all their own, and MORE D4TA showcases a group that’s creatively recharged and fully dedicated to its craft.

Oliver Sim didn't actually have the desire to follow in the footsteps of his The xx bandmates Romy Madley Croft and Jamie Smith and start a solo project. Nor did he think he really had the courage to do so. However, when he was working with Jamie xx on a track called "Romance with a Memory," the latter said, "I think you should do a full record." And that was the beginning of the long and painful birth of "Hideous Bastard", Oliver Sim's solo debut album, which will be released on Young on 09.09.22. "For almost three years I asked myself questions and was searching for answers while writing," Sim describes the process of creating the album. The revelation of his HIV disease thematically haunts the record, as it has always overshadowed his life. In that first song, "Hideous," Sim wonders if his disarming honesty will set him free. The hope and tension are reflected in the musical environment he has created with his friend Jamie xx. Oliver began writing and recording songs at home in London, inspired by his fondness for horror films and his own life, tackling themes of fear and shame through the lens of a queer man in his thirties. A few months later, he returned to Jamie with a collection of demos, and the two began producing them together. He enlisted the help of his lifelong hero and current friend Jimmy Somerville, among others, to put the finishing touches on the album, and also spoke with Elton John about his music. Then it was up to French director Yann Gonzales to create a visual world with the short film "Hideous." The film will premiere at this year's Cannes Film Festival. "Hideous Bastard" has become an audiovisual event that Oliver Sim would never have thought himself capable of in the beginning, but now the result is all the more impressive.

Over the course of her career, spanning three-plus decades, Laetitia Sadier has never shied away from the hard topics, or stopped advocating for the possibility of self determination and emancipation in the face of the powers that be, conscious or unconscious. This is an essential part of the foundation she co-built with Stereolab, showcasing her spiritual, scientific and sociopolitical inquiries. She’s continued this process with Monade and under her own name and as a writer/singer/and musician whose every album acts as a report on her journey of the self through time, space and the collective.

On Rooting For Love, the report is set alight by the heat of a turbulent world, collapsing institutions and Laetitia’s fully engaged process of expression as well as orchestration. The opening number, “Who + What” elucidates the central issue of the album: a call for a collective striving for Gnosis – an inquisitive outlook that will lend clues to the traumatized civilizations of Earth, allowing us to evolve away from millennia of alienation and suffering and towards the achievability of healing. The musical arrangements help to embody the layers of the issue, as with “Who + What”’s combination of organ, synths, guitar, bass, trombone, drum programming, vibraphone and zither, all working along intricate paths of chord and tempo changes. Leading from the inside is the implacable presence of Laetitia Sadier, herself interacting with a vocal assembly of men and women billed as The Choir. The regular reappearance of The Choir throughout Rooting For Love is a reminder of this music being one of a people in critical mass, in addition to an evolution that continues to deepen the rich harmonic fields in which Laetitia plays.

Past wounds are addressed again and again in the libretto, as the music provides a transformational balm to aid the healing process. The melodic funk of bassist Xavi Muñoz leads a Chic-adjacent slink to the occasional dance floor vibes and no-wave rockouts, while Hannes Plattemier and Emma Mario take turns in mixing the tracks and informing the far reaches of the material, with vibes, additional drum programming and synths alongside a talented cast of players and singers from Laetita’s Source Ensemble and beyond.

Whether drawing inspiration from Zen Shiastu training, or the lyrics of Véronique Vincent, (lyricist and singer for Aksak Maboul, and once upon a time, lead singer of the Honeymoon Killers), Laetitia faces the truth without flinching. The shadows, whatever stuff they are made of - individual and collective, present and ancestral - need to be recognized and acknowledged, because the more we heal within ourselves, the more undivided we become in the face of looming Neo-fascist/Neoliberal narratives polluting the inner and outer landscapes. As with the cover image of the winter tree mirrored by the word patterns of Rooting For Love, Laetitia maintains that how we heal the world that’s coming, and what we make of it, will be a co-creation. The quality of our imagination, the orientation we give our thoughts and the capacity to bring love to ourselves and the world are a first step.

Alongside of her collaboration with Modern Cosmology, last year’s incredible What Will You Grow Now?, as well as her continued tours with a reformed Stereolab, Rooting For Love finds Laetitia back in the world, once again urging all our grounded inner alignment and heart power to make us better equipped for creating what’s to come.

The story of six soulmate musicians meeting at the intersection of classical composition, pop, electronic and minimal music begins in 2016 with their celebrated performance at the Cologne Philharmonie. After follow-up performances at the Bundeskunsthalle Bonn as well as the Hamburg Elbphilharmonie, Gregor Schwellenbach, Daniel Brandt, John Kameel Farah, Paul Frick, Erol Sarp and Kai Schuhmacher made a guest appearance at the invitation of Radio Berlin Brandenburg in the iconic Haus des Rundfunks in Berlin's Westend on February 2, 2019. "Live im Haus des Rundfunks" documents the first half of this evening, in which the individual composer-pianists introduced themselves to the audience in solos, duos and trios. This carefully choreographed set served as an electrifying prelude to the grand finale, the 20-minute collective mantra of Steve Reich's 1973 composition Six Pianos, a studio recording of which has already been released on the 2016 record Steve Reich "Six Pianos" – Terry Riley "Keyboard Study #1" (FILM LP/CD 002).

”luv" is a five-piece band born in 2003 that plays cool music with exceptional musicianship and an out-of-the-box sense of style that shocks the body and the mind. With lyrics and vocals that have a unique feel, diverse musicality rooted in rock and black music, and outstanding performance skills, they have become one of the hottest bands in the indie scene after only six months of activity. The band has released two songs on 7" inch!

« With their vintage organs, synths and drum machines, there are touches of Sereolab but Grand Vermont’s main mode is stranger and folkier, like Piper-era Floyd and David Allen dreaming up early Beach House. » Uncut « It’s electronic-ey, it’s French, it’s brillant » Soho Radio "Sweet minimalist post-punk" Konbini "[...] wonderful piece of childhood. Everything seems simple at first. Everything is luminous. Guts of darkness "[...] somewhere between the synthetic forests of Broadcast and the kraut pop trail of Stereolab." Gonzaï

Back in 2017, Moderat announced that they’d be taking an extended break following a final concert in front of 17.000 people in their hometown of Berlin. And now they return. MORE D4TA, the group’s fourth album, arrives more than six years after its predecessor (2016’s III).

Created largely during a time when touring (and most traveling) was off the table, MORE D4TA is an album that wrestles with feelings of isolation and information overload—issues that have become particularly pronounced over the past two years. The ten songs on MORE D4TA are rooted in collaboration, but long before any of its tracks were laid down, Moderat spent months hanging out and getting musically reacquainted, indulging in extended bouts of experimentation and slowly fleshing out ideas as they dove into modular composition, field recordings and other sonic oddities.

But no matter how far the band ventures into music’s outer realms, they always wind up back in their own unique soundworld, a place where emotive pop and fluttering electronic soundscapes walk hand in hand. Many of its lyrics are rooted in Ring’s frequent trips to Berlin’s Gemäldegalerie museum (often with his infant daughter in tow), where he’d seek refuge in the great paintings of the past while worrying about the future.

What they make isn’t necessarily dance music, but it is something that shines brightest in the dark of night, the group’s rich melodies and Ring’s ethereal vocals emitting a warm, almost bioluminescent glow. After spending the better part of two decades making music together, they’ve carved out a sound and aesthetic that are all their own, and MORE D4TA showcases a group that’s creatively recharged and fully dedicated to its craft.

Reverend And The Makers are back with their 7th studio album 'Heatwave In The Cold North', out 28th April 2023 on Distiller Records.
The latest offering from the Sheffield stalwarts combines a typically on point and honest world view, but combined with a sonic palette that will continue to surprise and challenge listeners who think they have Reverend And The Makers all sussed out. It's a perfect encapsulation of the band's urge to now shatter their own artistic parameters with a blend of out-and-out Pop, R'n'B, and Classic Soul.
This album comes hot on the tail of the success of the band's recent single 'Heatwave In The Cold North'. A hazy, sun drenched Barry White-inspired soul bop, the opening single from forthcoming album of the same name has become their biggest hit in over a decade, having been added to Radio 2's B list and being named their Record of the Week. The track became a Top 10 UK airplay chart fixture as the summer came to a close.
Never resting on their laurels and constantly striving to challenge perceptions of the band, Reverend and the Makers have become one of the enduring and great survivors of the British music scene. With a career spanning two decades Jon McClure and his collective of musicians burst onto the scene with their Top 5 charting debut album, 'The State of Things'. The album spawned the UK top 10 single "Heavyweight Champion of the World". The five albums since have seen the band move through several incarnations, sounds and line ups and experience all the highs, and most of the lows, that the music industry has to offer. Each album has reached the Top 20 of the UK album charts, an impressive unbroken run of six albums. These albums have seen them cut across a creative spectrum, ranging from collective efforts to the frontman's singular visions. Instead, The Makers is more a sobriquet, a statement of intent, a commitment and a guiding principle that has seen McClure consistently strive to build, innovate and grow musically and artistically. The Reverend's story is one of the great survival stories of the music industry as charisma, talent, defiance and sheer willpower sees the band start a new chapter reenergized and raring to go. With a point to prove, with 'Heatwave In The Cold North', Reverend And The Makers set about the task in hand armed to the teeth with an arsenal of their biggest, best and most accessible and ambitious songs to date.

LP on white vinyl. Belgian dream pop six-piece Uma Chine craft unusually bewitching music.Uma Chine being at the forefront of the Belgian alternative scene comes partly thanks to frontwoman and principal composer Nele De Gussem (brns, Maya's Moving Castle, Future Old People Are Wizards)

Featuring songs like "Delicate ni Sukishite," "bin♥kan Rouge," and "love Sarigenaku," Creamy Mami (voiced by Takako Ohta) sings a selection of 1980s J-Pop hits that were popular during the original broadcast, alongside her self-covers. This cassette tape release includes 10 tracks carefully chosen from the 40th-anniversary CD "Magical Angel Creamy Mami 80's J-pop Hits."

The cassette jacket has been reworked from the LP version to fit the cassette size, and the tape itself comes in a "Latte" color to embody the creamy essence of Mami.

Six studio albums, four original motion picture scores, and a plethora of side projects... Sebastien Tellier writes with every breath, composes melodies to the whim of his obsessions like his musical peers Robert Wyatt, Todd Rundgren or Ariel Pink. Since Sessions (2006), the first time he covered his own repertoire, Sebastien experienced an international success with Sexuality, and released the great epics of My God Is Blue and L’Aventura, and the bustle of his new role as a father with Domesticated. His new album Simple Mind is a lush though very minimalistic resume of some of his most beautiful compositions ; a classic live-recorded album where old and more recent songs will find a confined listener caught in a wave of domestic bliss. « Simple Mind is a total rebirth for my music. For this minimalistic live recording, I’m cleansing my own songs so you can (re)discover them in the most pure and intimate way. I want to take you to the closest of my chords, my melodies and my voice in order to share the essence of my art with you. As simple as that. Bisou. »

Bézier returns to Dark Entries with Valencia, a six track rumination on memory, geography, and transmutation. Multi-instrumentalist Robert Yang’s Bézier project has appeared on Dark Entries many times over the last decade, most recently with the 2018 LP Parler Musique. Says Yang, “What started as a project to investigate the love of the sound and scenery while living in San Francisco quickly developed into a passionate search for interlocking melodies and driving rhythms.” On Valencia, Bézier invokes twinned places. The Valencia Street of San Francisco is channeled, which was the center of the city’s vibrant new wave scene in the 1980s. But also echoed is Valencia, Spain, and La Ruta del Bakalao aka La Ruta Destroy, the Spanish clubbing scene throughout the 80s and 90s famed for its aggressive and synthetic sounds. Valencia is a darker record for Yang, exploring themes of submission and catharsis with nods to SF’s gay leather bars of the 70s and 80s. The high BPM salvos of “Valencia” and “Scrupulous” capture the frantic energy of Bakalao and Valencian wave acts like Última Emoción. Elsewhere Yang mines the dreamy space disco and Hi-NRG sounds they’re known for, like on the brooding “Past the Marshes” or the anthemic “Reservoir”, which features their partner Len.Leo on vocals. Bézier deftly navigates past and present, light and dark, pain and pleasure, the stasis of memory and the flux of time. Valencia was mastered by Alex Michalski, with EQ for vinyl done by George Horn. Gwenaël Rattke designed the sleeve, which features an 80’s punk zine-esque geometric grid pattern mirroring San Francisco street maps. Also included is a 5x7 postcard with notes.

A download code is included.

The second release of Michael Mayer’s IMARA imprint – the self-titled debut by Juliana Martínez, recording as Servicio al Cliente – is exactly the kind of unexpected and quixotic experience you’d want from a label run by a core member of the Kompakt family. In its six gorgeous songs, Martínez teases out both joy and melancholy, her sweet pop melodies set against a backdrop of intimate, gentle, yet beautifully brave arrangements for beats and electronics.

Now based in Berlin, Martínez grew up in Colombia, the daughter of a Colombian mother and Uruguayan father, both psychiatric doctors, from whom she learned a thing or two about the joys of creativity: “My mother especially believed music had no boundaries in what it can do for your brain and soul. Like sort of what sport does to your body.” Martínez attended an all-girl Catholic school, but she also took private music lessons, from which she was expelled “since I composed melodies instead of rehearsing.” In retrospect, this experience reads like a sign of things to come.

After studying law at university, including postgraduate studies in Spain, Martínez decided to change things up: she’d already been playing in a group called Las Palabras Correctas (The Right Words), and eventually found herself embedded in a community of friendship with other artists who “always made songs and art and shared with each other in what we called the ‘Ambassadors of Colombian Music,’ a name taken from a popular Colombian TV show. These friends kept me involved and interested in my keyboards and songs.”

The lovely songs on Servicio al Cliente came to Michael Mayer via an unsolicited demo – “there was no Soundcloud or Dropbox link,” he recalls, “but a beautifully designed website containing an mp3 player. The slightly surreal artwork in combination with Servicio al Cliente’s heartwarming, somehow naive music instantly broke my heart.” There is indeed something deeply moving about these songs, possessed as they are of an uncanny charm, full of ticking rhythm patterns, levitating organ drones and gentle, luscious keyboard patterns. Above it all, Martínez’s voice sails through the air, her delightful Sprechstimme filled with offhand confidence. “It sounds like something that I’ve always known,” Mayer marvels, “like an old forgotten friend or a childhood memory that pops up in a dream.”

Servicio al Cliente reaches us fully formed, the complexities of Colombian life etched deep within its DNA. Its surface sweetness, the sensual sashay and sway of melodies like “La mujer que bailó con el diablo” or the opening “Romántico”, betrays a deeper sense of longing that inhabits the songs’ folds, evidence of Martínez’s sharp, smart awareness of the work of memory, a kind of happy-sad splendor. “I feel my music is full of a South American nostalgia,” she agrees, “and is a try to recall a wider understanding of reality which Colombia forces you to have. A bittersweet irony where most things are simply possible. I try (for) my music to sound like this feeling.” And indeed, it was in a moment of great loss and sadness that Martínez decided to share her music: “It was only when my father passed away that I pushed myself to write to Michael with my songs.”

“And Michael replied back.

Benny Sings‘ first song on Stones Throw was a cover of “Passionfruit” originally by Drake. Some six years and three albums later, we’ve finally decided to put it out on vinyl. Side A is a cover of Christopher Cross’ 1979 classic “Sailing”, which Benny released late last year. Quantities are limited, so grab yours now. Once they’re gone, they’re gone.

Swedish synth-pop phenomenon Kite's second 7 inch since signing with Dais in 2023 finds the duo of Nicklas Stenemo and Christian Hutchinson Berg swinging for new heights of romantic desolation and baroque grandeur. They describe the A Side, "Losing," as a "six-minute empty call for emotional response." Stately piano and anguished voice reverberate in a vaulted hall, before gradually building into a widescreen anthem of synths, drums, and soaring vocals decrying the steady deadening of life and love: "It's deadly quiet in your old heart / Are you there? / I see dark skies on the rise / And daylight shows no remorse / And I realize it is my life / But It's losing all meaning." Swedish dark music icons Anna von Hausswolff and Henric de la Cour join the chorus as the song cascades towards an ominous horizon. The B Side, "Glassy Eyes," showcases Kite's mastery of somber, sweeping balladry. Hushed church organ elevates and anchors Stenemo's devastated confessional, swaying between resilience and defeat. The band describes the song as a reckoning with "the privileged and existential anxiety of drifting through life dispassionately," contrasted with "the yearning to connect profoundly with others and a desire for experiences that stir the soul before facing one's final moments." Like a hymn, the emotion thickens as it deepens, approaching both darkness and divinity: "Deep as I go, nothing to find / Oh catatonia, I won't cry / Nothing can grow, everything dies / Behind my glassy eyes."

On their debut EP, Sam De Nef and Camille Camille delve into some of their most personal and introspective songwriting yet. These songs showcase their individual talents but also highlight the powerful synergy that arises when two gifted artists and unique vocalists join forces to create something truly special.

Sam and Camille are two unique and talented artists hailing from Belgium who share a gift for writing compelling contemporary folk and singer-songwriter songs. They both released acclaimed debut albums in recent years and have been crossing paths on numerous occasions. Camille appeared in duets on Sam's debut EP and his first album, Sam featured in Camille's live band, each time expressing a profound musical chemistry. This collab EP seemed the logical next step, uniting their talents to craft an EP embodying heartfelt, warm, and uncomplicated songs.

"In the collaborative journey of crafting the songs on Waving, our different creative approaches brought about a unique synergy. We feel the result transcends our individual styles. Each song resonates with our individual aspirations, which makes playing them very refreshing and challenging."

Stripped to their core, these compositions on their debut EP are defined by the gentle interplay of acoustic guitars and harmonious vocals. Only subtle percussion and the occasional cello add subtle layers to the sonic tapestry. The two recorded the six songs on their debut EP by themselves in the intimate atmosphere of Sam's home studio, opting for a DIY and back-to-basics approach. Their primary focus was on capturing spontaneity and the essence of live performance. Musical sparring partner PJ Decraene added the final touches and mixed the EP.

Swedish synth-pop phenomenon Kite's second 7 inch since signing with Dais in 2023 finds the duo of Nicklas Stenemo and Christian Hutchinson Berg swinging for new heights of romantic desolation and baroque grandeur. They describe the A Side, "Losing," as a "six-minute empty call for emotional response." Stately piano and anguished voice reverberate in a vaulted hall, before gradually building into a widescreen anthem of synths, drums, and soaring vocals decrying the steady deadening of life and love: "It's deadly quiet in your old heart / Are you there? / I see dark skies on the rise / And daylight shows no remorse / And I realize it is my life / But It's losing all meaning." Swedish dark music icons Anna von Hausswolff and Henric de la Cour join the chorus as the song cascades towards an ominous horizon. The B Side, "Glassy Eyes," showcases Kite's mastery of somber, sweeping balladry. Hushed church organ elevates and anchors Stenemo's devastated confessional, swaying between resilience and defeat. The band describes the song as a reckoning with "the privileged and existential anxiety of drifting through life dispassionately," contrasted with "the yearning to connect profoundly with others and a desire for experiences that stir the soul before facing one's final moments." Like a hymn, the emotion thickens as it deepens, approaching both darkness and divinity: "Deep as I go, nothing to find / Oh catatonia, I won't cry / Nothing can grow, everything dies / Behind my glassy eyes."