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Pictureplane has made his name circling the outer limits of pop culture in several mediums. The Brooklyn-based artist's gallery works, shown both in the U.S. and abroad, collide familiar with fringe and hard lines with visceral spatter. His Alien Body clothing line serves up a stylized study of symbology, the occult, and societal decay. And his music—beautiful yet heavy, swirling wild strains of industrial dance, gothic hip-hop, and emotive New Age—treats electronics not as artificial, but as extensions of our analog selves. After a decade thrashing the status quo, Egedy is not only kin to makers of lovely dark music everywhere, but a vital player in the global DIY community. He is a proud outsider, yes, but his tribe is legion and ever-growing. In 2011, Pictureplane's Thee Physical arrived, marking a major leap forward. Egedy's voice was suddenly dripping sex at the forefront of a lush synthscape, while cuts like "Trancegender" and "Breath Work" explored the human body with gender-dissolving aplomb. He moved to Brooklyn in 2012 in order to stoke alt-rave culture from a more powerful vantage before teaming up with fabled indie-rap imprint Anticon for Technomancer (2015), an LP about the blurring line between ourselves and our machines. Along the way, Egedy's toured with everyone from Crystal Castles and Major Lazer to the Faint and Gang of Four. He has remixed Lil B; been remixed by Grimes; collaborated with bands (Prayers) and SoundCloud stars (Goth Boi Clique)

Percussionist Pecker came to Jamaica in 1980 to reissue the Japanese DUB original work he created with The Wailers and Sly & Robbie!

Pecker Power, Japan's first dub album, was produced in 1980 by Pecker, a percussionist who created Japan's first salsa band, Orquesta del Sol. This stateless dub sound was born from sessions with The Wailers at Bob Marley's studio ``tuff Gong'' and sessions with Sly and Robbie at ``channel One'' and was titled ``21st Century Dub.'' A strange masterpiece that was distributed in the United States in 1987 and has since become known all over the world.

■Japanese dub originator Dub, which originated in Jamaica, was adopted by British rock bands such as The Clash and the Rolling Stones in 1980. Pecker produced this dub work around the same time. By the way, Mute Beat, known as Japan's first dub band, started their activities in 1982. This shows how advanced this work is.

■Authentic dub session This work is based on a session with The Wailers at the ``tuff Gong'' studio and a session with Sly & Robbie at the ``channel One'' studio. The former includes the rhythm section of the Barrett brothers from Aston and Carlton, Marcia Griffiths from I-3, Judy Mowat, and other fierce performers who supported Bob Marley's golden age. The latter was gaining momentum and popularity at the time, featuring an ironclad rhythm section of Sly Dunbar and Robbie Shakespeare, who were still in their 20s, and Augustus Pablo on piano. Additionally, Rico Rodriguez, the trombonist from The Specials, flew in from Berlin for both sessions. The two teams, who viewed each other as rivals at the time, competed with their high-potential performances, resulting in a miraculous recording that brought out their best performance.

■Started as a sequel to Katsumi Watanabe's album "kylyn" Initially, the plan was to record in New York as the second part of the ``kylyn'' session, but the core members, Kazumi Watanabe and Ryuichi Sakamoto, became busy, so the plan was changed to Jamaica recording as Pecker's solo work. In addition to Pecker, Minako Yoshida and Naoya Matsuoka will be traveling to Jamaica. The legendary session mentioned above was held. After returning to Japan, Kenji Omura's guitar was overdubbed at Columbia Studios.

■World-recognized DUB from Tokyo The album ``Pecker Power'' (released on July 25, 1980) and the 10-inch album ``Instant Rasta'' (released on September 25, 1980) that were completed in this way received high praise in some quarters, but their content was timeless. Perhaps because we were too proactive, it did not lead to sales. However, in 1987, a cassette was released under the title ``21st Century Dub'' by the New York label ``roir'', and the unique, stateless DUB received high praise. It was later released on CD in 1999 and became known to DUB enthusiasts around the world.

■Recording location Channel ONE session (Sly & Robbie): Track.A1, A3, B2, B4 Tuff Gong session (The Wailers): Track. A5, B1, B3 Tokyo session：Track. A2, A4

■Musicians Pecker, Minako Yoshida, Robbie Shakespeare, Sly Dunbar, Aston Barrett, Carlton Barrett, Augustus Pablo, Rico Rodriguez, Marcia Griffiths, Judy Mowat, Kenji Omura

Comedy superstar Pauly Shore, for the first time ever, unleashes his extraordinary vocal talent on this new, twelve track cover collection. You remember him from Encino Man, you remember him from Bio-Dome…but now you'll rejoice at hearing him (and his Crustys) playing impeccable cover versions of your favorite classic rock hits. One-time vinyl pressing includes a full-color insert and 75 copies include an art card personally autographed by Pauly Shore.

RSD 2024 Exclusive Limited TO 1500 Pink 120 gram Vinyl 11x11 Printed Insert 75 Random copies will include a signed Art Card autographed by Pauly Shore Single-Pocket Jacket

Listen: https://youtu.be/zjXwf1aaIM0

https://www.paulyshore.com/ https://www.instagram.com/paulyshore/?hl=en

Tracklist: Side A Rancho House Intro Whole Lotta Love Somebody Got Murdered Celebrity Skin Rubble To Rubble Bad To The Bone

Side B Rocketman Life’s Been Good All I Want Is You Learn To Fly Imagine Intro Imagine

OTOGIVANASHI's 12th album, and their first full-length original album in four years, sees the band in tip-top form. Despite the bare-bones approach to recording, each chord seems to float and fill up sonic space, leaving a gentle feeling of euphoria as it fades away. Combined with vocalist Kazuki Arima's catchy melodies and lyrics unconfined by gender, in some ways, this album calls to mind some of the Smiths' greatest works. Make sure you don’t miss this perfect intersection of neo-soul and psychedelic guitar rock.